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00:00Well, gentlemen, it's the first day of the month.
00:20And we know what that means.
00:22Time for the special monthly sweepstake.
00:25Place your bets.
00:27Hang on, what is going on here?
00:29On the first of every month, the Gov lets us all bet
00:32on what kind of lady next month's brewery calendar
00:36topless barmaid is going to be.
00:37What kind of lady?
00:40Redhead.
00:41Brunette.
00:43Blonde. Gentlemen prefer blondes, Connie.
00:47Do they? And why is that?
00:48Because it's always an enigma as to whether they're really blonde or not.
00:52Brunettes don't come with all that added mystery.
00:54Your popular portenda is in the eating.
00:57So, are you not betting, Brunette?
01:00I would have done,
01:01but all three main categories of women have already gone.
01:04Oh, dear. What a pity. Never mind.
01:06I'll put you down for other then, shall I?
01:08Are you up?
01:10Well, I'd never learn.
01:11This is outrageous.
01:13You can't just reduce women to their hair colour.
01:16Ooh, you're a feisty little brunette, aren't you?
01:19No, look, Connie, I'm sure the women in this calendar
01:22all have really nice personalities.
01:24Why? Some of them probably even have names.
01:26For our purposes, the hair colour identification system
01:30will work just fine.
01:32Now, if you don't mind.
01:32Yeah, you tell it, Gov.
01:34Yeah, you ready, boys?
01:35You know the drill.
01:35Hmm?
01:36Redhead, blonde, or brunette,
01:38which is it to be?
01:40Turn over the can of the guards
01:42and we all shall see.
01:45We've been doing this for a couple of years now.
01:47Brightens up their humdrum lives.
01:50Here we go, boys.
01:52Dim, dim, dim, dim, dim, dim.
01:54No!
01:54Oh, no, someone's shaved off all her hair.
02:00Oh, disgusting.
02:01There's the woman I'm gonna marry.
02:03Ha-ha!
02:04Heather, I win!
02:07Justice!
02:07Oi!
02:08We was robbed!
02:10Oh, that is so much fun, Gov.
02:12How long till next month?
02:16Well, I think that that calendar
02:18and the whole idea of using naked barmaids
02:20to help promote a brewery
02:21is just...
02:22it's disgusting
02:22and it is offensive
02:24to potential female customers.
02:28OK, yeah, I said potential female customers
02:31and she does not count.
02:33Right!
02:34Free Chris!
02:35Free Chris!
02:39Come on, love.
02:40Moving to the 21st century, hey.
02:42Nudity is not rudity,
02:44as far as I remember.
02:46Two years.
02:49Magma.
02:50I mean, come on, now.
02:51You can see plenty of naked ladies
02:53in the National Gallery, can't you?
02:54I suppose that's offensive too, is it?
02:56Yeah.
02:57Yes, but the women in the National Gallery
02:59aren't holding pints
03:00and sticking out their tongues
03:01and squeezing their breasts
03:02in order to help promote a brewery,
03:04are they?
03:05Some of them are.
03:07No.
03:08Listen to the question.
03:10Think.
03:11Are the women in the National Gallery
03:12holding pints
03:13and squeezing their own breasts?
03:16Ah, no.
03:17No.
03:18Yeah, anyway,
03:19didn't you used to be a lap dancer?
03:21Yes, shut up!
03:22You don't know how hard it is
03:23being a student.
03:24I only get my loan
03:26and £20,000 a year
03:27and a car and a flat
03:29from my father
03:30and I had to do it!
03:31And besides,
03:33I was able to express myself.
03:38Oh, calm down, love.
03:40It's just a bit of fun, isn't it?
03:41I mean, look, look,
03:42look at this girl here
03:43in this calendar.
03:44Naked is the day she was born
03:45and all covered in lovely lager.
03:49Doesn't bear thinking about.
03:51Yeah.
03:52You're just jealous
03:53because you're not in the calendar
03:54of all those naked women.
03:56Lesbian.
03:57Don't cook it.
03:59So young, still.
04:00I am not jealous,
04:04not at all.
04:05Aren't you?
04:06Well, I am.
04:07In fact,
04:08I've been photographed naked
04:09many, many, many, many times.
04:11Who did it?
04:12I want to know
04:12who did it.
04:13I want to see these pictures.
04:16No, it wasn't for pornography like that.
04:18It was one of my boyfriends
04:19at college.
04:20He was called Dean
04:21and he was an artist
04:22and, well,
04:22helped him with the project
04:23exploring the naked
04:24academic female form.
04:26That's disgusting!
04:28There is nothing disgusting
04:30about the naked female form.
04:32You obviously never saw
04:33my wife naked.
04:36Come to think of it,
04:37neither did I.
04:38I did
04:39and it was horrible.
04:42Nothing.
04:43I'm not talking about
04:44all naked female forms,
04:46just your naked female form.
04:48I wouldn't fart in your bed
04:50if you kicked me.
04:52Anyway,
04:53what Dean was doing
04:54was art.
04:54His pictures were in
04:55black and white.
04:56Oh!
04:57Black and white is art,
04:59colour,
05:00porno.
05:01I always wondered
05:02how it worked.
05:03I bet Dean
05:04kept a few of these photos
05:05for his own
05:06personal use.
05:08In a wiped,
05:09clean folder.
05:09He is, of course,
05:14implying that Dean
05:15used the photographs
05:16for masturbatory purposes.
05:17Ah!
05:18Look at her face,
05:19it's a picture!
05:20Not just her face,
05:22her bum as well,
05:23apparently.
05:24So innocent.
05:27No,
05:27Dean didn't keep
05:28any of the pictures,
05:29actually.
05:29They were for his
05:29final degree presentation
05:30at the School of Art.
05:32Oh!
05:32And what was it called,
05:33this hex-o-bition of Deans
05:35at this high art academy?
05:37It was called
05:37a bent-over-brain-box bitches.
05:39You are!
05:41It was ironic!
05:43Oh, right,
05:44ironic.
05:45Listen, love,
05:46trust me,
05:47there is no such thing
05:48as an ironic wank.
05:52Listen, Connie,
05:53we may not know
05:54about art,
05:55but we don't know
05:56what we like.
05:57In fact,
05:57I've taken a few
05:58arty photographs
05:59in my time.
06:00Really?
06:01What of?
06:02Well,
06:02a few years back,
06:04when I was about
06:0417,
06:05I used to work
06:06in a morgue,
06:06and when no-one
06:07was looking,
06:08I used to photograph
06:09the faces of the corpses.
06:11Oh, my God.
06:12While they were fresh,
06:13not when they were
06:13all rotten and decommoded.
06:15I'm not sick or not.
06:18Oh, no,
06:18disgusting.
06:20And then I used
06:20to blow the pictures up
06:21and make them
06:22into masks
06:23of the dead people's faces
06:24and stick them
06:25onto shop-winded dummies,
06:26which I kept
06:27in my flat.
06:30I've made them
06:30all little different
06:31hats and funny wigs,
06:33and I used to talk
06:34to them,
06:35and I used to
06:35give them snacks,
06:36like cheese on toast,
06:38beans on toast,
06:39egg on toast.
06:40Nothing fancy.
06:41There was no point,
06:42because they weren't
06:42real people.
06:44It was my tribute
06:46to them,
06:46my way
06:47of keeping
06:47their memory alive.
06:49It was my art.
06:55Terry,
06:56that is the most
06:57insane thing
06:58I've ever heard.
06:59It's not insane,
07:00gov.
07:01It was my art,
07:02my beautiful art.
07:03Beauty is in the eye
07:05of the bewildered.
07:07But anyway,
07:08a mouth's a mouth.
07:12These are spread drops.
07:13Have you got
07:14any of them left?
07:15No, in the end,
07:16I posted them back
07:17to the dead people's
07:18relatives
07:18to help them cope
07:19with their grief.
07:21But that didn't really
07:22work out.
07:23The police became involved.
07:24You're sick, Terry, sick!
07:26Don't listen to him, Terry!
07:28It was a lovely gesture.
07:30Anybody would have
07:31done the same.
07:32Cheers!
07:34Another pint here, gov.
07:36You're right,
07:37coming right up.
07:38Ah!
07:38Ah!
07:39Ah!
07:40Oh, damn
07:40these useless hands!
07:42Will this barman's hand
07:43never leave me?
07:44Oh, look at me!
07:45Don't look at me!
07:47Oh, no,
07:48Miss Jackson,
07:48cow, she mustn't
07:49see this.
07:50Yeah!
07:52Fact hunt.
07:53Fact hunt.
07:54No, fact hunt.
07:58What did you think
07:58I said?
08:00Yes, well,
08:01I ordered one of your
08:02new fact hunt trivia
08:03machines three weeks
08:04ago, and it still
08:05hasn't arrived.
08:06Um, yes,
08:07it was fact hunt
08:08three.
08:09The classic hunt.
08:13Yeah, well,
08:13it's my balls that are
08:14on the line here,
08:15Sonny Jim.
08:16No, not literally.
08:17No.
08:18Goodbye.
08:20Hello!
08:21Hello!
08:22Governor, Connie,
08:25I'm glad you're both
08:25here.
08:26You should be very
08:28proud.
08:29Your pub is amongst
08:30those chosen by the
08:31brewery's marketing
08:32department to be in
08:33next year's calendar.
08:36Hi.
08:37What?
08:38This calendar?
08:39This calendar here?
08:40The very same.
08:41Just a minute,
08:42Miss Jackson.
08:43Who exactly do you
08:44think is going to be
08:45in this picture?
08:45Well, Connie,
08:47that's something I need
08:48to talk to you about.
08:50Connie?
08:52No.
08:54How horrible.
08:55Not my Connie.
08:56So young.
08:58I, for one,
08:58would have no interest
08:59in seeing that.
09:00No, well,
09:01I'm not doing it.
09:03Confidentially,
09:03Connie,
09:04I'm as disgusted
09:05by the whole thing
09:05as you are,
09:06but business is business
09:07and there's really
09:08no room for ethics
09:09in commerce.
09:11Right, well,
09:11if you really won't do it,
09:12I'm going to have to
09:12ring the brewery's owner,
09:13my father.
09:15Problem, Daddy?
09:16Mr Jackson,
09:17never put a pint
09:18in his life.
09:19The usual?
09:20Yeah, I'll tell them.
09:22He says that any pub
09:23which refuses to cooperate
09:24will be blown up
09:25with high explosives,
09:26pulverised into brick dust,
09:28then the brick dust
09:28loaded into a rocket
09:29and fired into
09:30the heart of the sun.
09:31Not again.
09:33Hasn't he got
09:33any other ideas?
09:35Mr Jackson,
09:36that snake!
09:37He is a snake, Governor.
09:39The only way
09:40could be more of a snake
09:41was if he had...
09:42no arms and legs
09:45and slithered around
09:46laying eggs
09:47and shedding his skin
09:49at regular intervals
09:50living in a wicker basket
09:51swallowing rats whole.
09:55I'll swallow your rat hole, Vicky.
10:02Ignore him,
10:03it's compulsive.
10:04So what if my father
10:06eats rats?
10:07It helps him to remember
10:08where he comes from,
10:09which in this game
10:09is ruddy important.
10:14Anywho,
10:15I'm afraid your contract
10:17clearly states
10:18that you're legally bound
10:18to assist the brewery
10:19in marketing opportunities.
10:21I'm sorry, Connie,
10:22there's no way out.
10:23I wish I could change places
10:24with you.
10:25Me too.
10:27Go on, then.
10:28But I can't.
10:29Why not, Vicky?
10:30Because.
10:31Because I really
10:33don't want to.
10:34Because the photographer
10:34would need scaffolding
10:35to get your face
10:36and your tits
10:37in the same picture.
10:42My photographer.
10:44Yes.
10:45That's right,
10:46the cow shed.
10:47Yes, it is a kicking name,
10:48isn't it?
10:49Yes, you have come
10:50to the right address.
10:51Come on in.
10:52Hey, yes!
10:54It's the place
10:55for your hot action,
10:56naked barmaid
10:57calendar photo shoot.
10:58You're gorgeous,
10:59you must be the model.
11:01You charmer.
11:02Actually, I'm really,
11:04really not the model.
11:06I'll leave that job
11:07to somebody more suited
11:08to the job in hand.
11:09Dean, meet Connie.
11:13Connie.
11:15Dean.
11:17Dean?
11:18Dean?
11:19Dean.
11:19Dean.
11:20Who's Dean?
11:21It is him, is it not?
11:22No, I'm Terry-a-plank.
11:26You're doing this photo shoot,
11:27Dean?
11:28No.
11:29Are you sure
11:31that you're not Dean?
11:32What's the problem?
11:39She looks like
11:40she's seen a ghost.
11:42I don't want
11:43to see a ghost.
11:44It's the sight
11:45that I fear most.
11:46Rather have a piece
11:47of toast.
11:48Life.
11:50Oh, life.
11:52Oh, life.
11:53Oh, life.
11:57Do you remember that song?
12:00No.
12:00Here, Vicky,
12:03it's that photographer
12:04of yours.
12:05He's one of Connie's
12:05old sweetmeats.
12:07Things didn't work out
12:08as planned, Connie.
12:09I lied to you.
12:11I'm a failure.
12:12Nobody wanted my stuff.
12:14Too arty, they said.
12:15God, the bloody
12:16ignorant bastards.
12:17I mean, what do they know
12:18and who are they anyway?
12:20They, Connie, are every single
12:22photography agency and gallery
12:24in the whole of London.
12:25Look at what he's wearing.
12:27Yeah.
12:27A word about fashion, Steve.
12:29Listen to the governor.
12:31In every pack of foxhounds
12:32chasing a fox,
12:33there's one dog
12:34at the back of that pack
12:35with no sense of smell at all.
12:36Right?
12:38He doesn't know
12:39where the fox is.
12:40He doesn't even know
12:40there is a fox.
12:42All he's doing
12:43is following arseholes.
12:46And that
12:46is all you need
12:47to know about fashion, sir.
12:50So I ended up
12:52taking pictures
12:52for the brewery
12:53marketing department.
12:54But, Dean,
12:55pictures of young,
12:57naked barmaids.
12:58Not just young,
12:59naked barmaids, Connie.
13:01You know those photos
13:02of meals on laminated
13:03menus in pubs?
13:06Yeah, I do all them as well.
13:09Steak and kidney pie.
13:11Chicken and mushroom pie.
13:14Ham and leek pie.
13:16Beef and onion pie.
13:20Mixed grill.
13:20Yeah, yeah, yeah.
13:21Yeah, I've seen them.
13:23Yeah?
13:23What do you think?
13:28They're really good.
13:30Don't lie to me, Connie.
13:32They're awful.
13:33They're damn awful.
13:35But how am I supposed
13:35to sum up the human condition
13:36by photographing
13:37a plate of sausage and mash?
13:38It can't be done.
13:39My heart is stuck.
13:42Stuck.
13:43Stuck.
13:45Stuck.
13:46You didn't take those photos
13:48for Kentucky's fried chicken,
13:50did you?
13:51You know,
13:51the bargain bin barbecue meal.
13:53They're fantastic.
13:55Really realistic.
13:58No, I have some principles.
13:59I turned them down.
14:01You turned down?
14:03Kentucky.
14:05You must be clucking crazy.
14:08Come on.
14:10Dean, you deserve so much better.
14:12You are an artist.
14:14You're right, Connie.
14:14I'm an artist.
14:15Oh, yeah.
14:16You're an artist, are you, mate?
14:17Everyone's a bloody artist
14:18these days.
14:19But can you draw?
14:20No.
14:20Of course you can't.
14:21Eh?
14:22Art these days.
14:23I mean, what's wrong
14:23with a nice oil painting
14:25of, say, a lovely bridge
14:26or a happy Alsatian
14:28or maybe a haywain,
14:29whatever that is?
14:31I mean, art these days.
14:32I mean, a cow cutting half.
14:34What is that of, eh?
14:35What's it of, mate?
14:36Oh, it's of a cow cutting half.
14:37Well, it's a fantastic lightness, then, Squire.
14:40Yeah, yeah,
14:40you're not wrong there, gov.
14:42All modern art is shit.
14:44If I want to see a cow cutting half,
14:46I'm not going to go
14:47to some namby-pamby
14:48artsy-farty-ningy-nangy
14:50mingy-mongy art gallery
14:52for the stuck-up artsy-fartsy-snods
14:55drinking their champignon
14:56and eating their scroutons, am I?
14:59No!
15:00I'm going to go out at night
15:01on me own,
15:02find a cow
15:03and cut the fuckering off.
15:05I know.
15:07I'm going to stand there
15:08and look at it,
15:11eating Chris
15:11and drinking proper beer
15:13for as long as I bloody well like.
15:16Free.
15:16Yeah!
15:20You're selling, Jerry.
15:22You're both missing the point.
15:23Seems the only kind of art
15:24you can appreciate
15:25is either figurative or literal.
15:26Well, there are many other ways
15:27artists can sum up
15:28the truths of existence.
15:29Oh, yeah, yeah, yeah, yeah.
15:31And he's taking pictures
15:32of naked barmaids,
15:33one of them.
15:34Is it, Mr. Artis?
15:36Governor, don't be so heartless.
15:39No, he's right, Connie.
15:40Sometimes I disgust myself
15:42some of the shots
15:43they've had me taking
15:43for this naked barmaid calendar.
15:45I don't know
15:46if I'll ever be able
15:46to look at the slice
15:47of fresh gammon again.
15:48Oi, oi, it's lunch!
15:52At the photo shoot game.
15:54At the market,
15:55these two couldn't wait
15:55to get their uniforms off
15:56quick enough.
15:57And that was before
15:58they even knew about
15:58the calendar shoot, eh?
16:00Kaboosh!
16:02Greg Thompson
16:02want unexpected pleasure.
16:04Yeah, lovely bit of work
16:06from the photo monkey, too.
16:07He suggested the two ladies
16:08here try an interesting way
16:09of dispensing peanuts.
16:12Worked a treat.
16:12Dean!
16:14Oh, God, will this hell
16:16never end.
16:18I heard Connie was
16:19going to be posing
16:19in the all together.
16:20Yeah?
16:21Well, you heard wrong.
16:22Good.
16:23Because no future wife
16:24of mine is going to be
16:25posing naked in a calendar.
16:26What?
16:27Future wife?
16:28You can put your engagement
16:29ring on this finger.
16:30Fine.
16:31Mind your language.
16:33Posing naked is only
16:34fit for filthy tarts.
16:36These two don't know
16:36any better.
16:37They're scum.
16:37No offence, girls.
16:42But I love you, Connie.
16:43You're beautiful.
16:44You can't be sullied
16:45in any way.
16:46Mr Jackson says
16:47if Connie doesn't pose naked,
16:48he's going to blow
16:49this pub to smithereens
16:49and fire it
16:50into the heart of the sun.
16:51Boring!
16:52We've heard it
16:53a thousand times.
16:54Oh, right.
16:55Come on, girls.
16:55That I can't wait to see.
16:57I'm going to make myself
16:58a bit more comfortable,
16:58all right?
16:59Greg Thompson,
17:00you weasel.
17:02Connie's right, Greg.
17:03You are a weasel.
17:04Oh, you're priceless,
17:05isn't you?
17:06Look how the little
17:07worm has turned.
17:08Well, I might be a worm,
17:09but at least I'm not
17:11a weasel like you.
17:13You weasel.
17:14Well, he's unbelievably
17:15weasley.
17:16He's easily the
17:17weaseliest bloke
17:18I've ever seen.
17:18The only way
17:19he could be more
17:19like a weasel.
17:20I might be a weasel,
17:21Crosby,
17:22but when that weasel
17:23is enraged...
17:24What?
17:26Eh?
17:27Well, what happens
17:28when a weasel
17:29is enraged?
17:31Well!
17:31What?
17:34Nothing.
17:37Mr Jackson!
17:39Daddy!
17:41What the hell's
17:41going on here,
17:42Victoria?
17:42Look, I told you,
17:43I want young women
17:45forced to undress
17:46to promote
17:46my business interests.
17:48I want them
17:49emotionally blackmailed
17:50into feeling
17:51that they're frigid,
17:51shriveled old maids
17:52if they won't do it.
17:54And I want it now.
17:56Up with a pink,
17:57skin-tight catsuit,
17:58Mr Jackson.
17:59I don't want them
18:00in catsuits,
18:01Mr Farley,
18:02or swimwear,
18:03or sitting in a bath
18:04full of bubbles,
18:05or showing their knickers
18:06standing astride
18:07an air vent
18:07in a charming homage
18:08to Marilyn Monroe.
18:10I want them naked.
18:12I want them degraded.
18:13And I want it now.
18:15Listen, Mr Jackson,
18:16if any of my staff
18:17are going to be forced
18:17to pose naked
18:18in a degrading manner
18:19against their will,
18:21it would be
18:21because I've made them do it,
18:22not the bloody brewery.
18:24My gas,
18:24my rules.
18:26Thanks for sticking up
18:27for me there, Governor.
18:28Oh, come on,
18:29Miss Jackson,
18:29you cow,
18:30help me out.
18:31I'm sorry, Governor.
18:34Your resistance
18:35is charming
18:36and yet also irrelevant.
18:37I own this brewery
18:38and I also own you,
18:39all of you.
18:41And if this obstinate barmaid
18:42continues to refuse
18:43to honour her most basic
18:44commitment to brewery
18:44marketing policy,
18:46then I shall have no choice
18:47but to have this pub
18:48blown up
18:48with these high explosives,
18:50pulverised into brick dust,
18:53and the brick dust
18:53loaded into a rocket
18:54and fired into the heart
18:56of the sun.
18:57Yeah, yeah,
18:58it changed the record.
19:03Silence,
19:03or I shall have you
19:04taken outside and killed.
19:05And will I be killed
19:06by being blown up
19:07with these high explosives,
19:08pulverised into man dust
19:09and the man dust
19:10loaded into a rocket
19:11and fired into the heart
19:12of the sun?
19:12That is correct.
19:13Oh.
19:14I'll shut up, then.
19:17And as for you,
19:17Dean Barry,
19:19I understand this objured
19:20serving wench
19:21was once your penetratee.
19:22If you're unable
19:25to bring your influence
19:26to bear upon her
19:27and get me the explicit
19:28marketing opportunity
19:29that I crave,
19:30I'll make sure
19:32that you never, ever
19:32work again.
19:34Do I make myself clear?
19:36Yes,
19:36Mr Jackson.
19:38Mr Jackson,
19:39you bloody shit.
19:41He is a bloody shit,
19:43Colin.
19:43The only way
19:45could be more
19:47of a bloody house.
19:48Mr Farley,
19:50strap explosives
19:51to this oaf.
19:54Please,
19:55Colin,
19:55please,
19:55strip off and save us,
19:56please.
19:57I'm begging you.
19:58No.
19:59No?
20:00Very well.
20:01Prime the explosives,
20:03Mr Farley.
20:04And remember,
20:05Governor,
20:06the cost of these explosives
20:08will be coming
20:08out of your wages.
20:11Shut up.
20:12He exposes a prime,
20:14Mr Jackson.
20:14Everything is ready.
20:16My pub,
20:16my beautiful pub.
20:18Please,
20:19Connie,
20:19do as he says.
20:20This pub is all
20:21these people have.
20:22Without it,
20:22they're nothing.
20:23Set the camera up
20:24to face the pool table,
20:26Dean.
20:26No,
20:26Mr Jackson,
20:27I won't do it.
20:28I once loved Connie,
20:30or at least was able
20:31to use my influence
20:32as a third-year student
20:33with slightly unusual hair
20:34to manipulate her emotions.
20:37And I can't let this happen.
20:39But Dean,
20:40your career,
20:41you're an artist,
20:42you're giving up
20:42everything you ever dreamed of.
20:45Yeah,
20:45all right,
20:45love,
20:45slip your top off.
20:49All right,
20:49I'll do this,
20:50but this is for you,
20:51Dean.
20:52No,
20:52we don't want to see her naked.
20:53It'll be explosive,
20:54sickening,
20:55an insert to all humanity.
20:57We don't want to see this,
20:58do we?
20:58No!
20:59Oh,
21:00yes.
21:01No!
21:02Oh,
21:02oh,
21:03yes!
21:04No!
21:05Yes!
21:09No,
21:09no,
21:10no.
21:10We must do something
21:11to stop this!
21:12Well,
21:13I believe that our problems
21:14are over.
21:14I have examined this contract
21:16and at no point
21:17does it specify
21:18that the naked model
21:19must be female.
21:21In fact,
21:22the appended small print
21:23states that it would be
21:24an offence
21:24under European law
21:26to insist that they are...
21:28Back off,
21:28Brussels!
21:29perhaps the calendar
21:34should feature
21:35a panoply
21:36of the torsos
21:37of men.
21:38Hmm?
21:38Twelve naked men?
21:41That's a
21:41dodeca
21:42dickfest!
21:44Wait a minute.
21:45What is brilliant?
21:46A girly calendar
21:47featuring men?
21:48Huh.
21:49Yeah.
21:49Well,
21:50where are you gonna get
21:50twelve men
21:51who do something
21:51like that,
21:52eh?
21:56Oh,
21:57God!
21:57Oh,
22:07that is lovely.
22:07This is beautiful!
22:09I'm ready for it,
22:10I'll get in
22:11and fit it so
22:12it's lovely.
22:13That's so good,
22:13there.
22:14Time's up.
22:15Let's try to lick
22:16your own nipple
22:16if you can,
22:17then.
22:18That's lovely.
22:20This is gold,
22:21Dustin.
22:22Thanks for doing
22:23this for me,
22:24you guys!
22:25Anything to avoid
22:33your hideous nudity?
22:35I'm gonna take
22:36my pants off,
22:36there ain't a lens
22:37wide enough to capture
22:38what I've got down here,
22:38love.
22:40That's good to help.
22:41It's nice that we
22:42can all make a small
22:44contribution.
22:45I agree!
22:46Told you about that.
22:50I'm, uh,
22:50sorry the photo shoot
22:51didn't work out
22:52quite as planned,
22:53Daddy.
22:53Not at all,
22:54Victoria,
22:54this kind of
22:55depraved,
22:56perverted filth
22:56should whip up
22:58enough controversy
22:58to keep Thackeray's
23:00name in the gutter
23:01press for months.
23:04So everybody's happy.
23:07Hey!
23:11Look at me,
23:12Vicky.
23:13I'm Mr.
23:14February.
23:14Be good.
23:16Bye for tonight.
23:21Bye for now!
23:25Bye for now!
23:26Bye for now!
23:38Bye for now!
23:39Bye for now!