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00:00Well, if you're feeling lonely, a gentleman astute,
00:05Just bend your ear, come over here, and man, here's what you do.
00:10If you've got the blues, I've got some music,
00:13Join in the fun and your blues will enthuse.
00:15You're the Holiday Rock, the Holiday Rock,
00:18The holly, holly, holly, holly, holly rock.
00:20Holly, holly, holly, holly, holly, holly, holly, holly,
00:23Go, go, go to the Holiday Rock.
00:25Holly, holly, holly, holly, holly, holly, holly,
00:27Go, go, go to the Holiday Rock.
00:34And, of course, it is also the semi-finals of the snooker competition.
00:39And that concludes the list of events for this evening.
00:43Don't forget that tonight, in the Hawaiian ballroom,
00:46it's black and white minstrel night.
00:48All the boys come with black faces.
00:51Please don't use shoe polish.
00:53Burnt cork works a treat.
00:56Oh, and if you are going for a midnight swim,
01:00wash it off first.
01:02We don't want a cocoa-coloured pool in the morning.
01:06Please be on time for dinner tonight,
01:09as our resident Cordon Bleu chef, Bert Green,
01:12has prepared a special dish.
01:14Chicken! Huzzah!
01:17Many of the campers ask why, when we have chicken,
01:21we serve only the legs.
01:23It's perfectly simple.
01:25The legs are the best part.
01:27And here at Marplins,
01:29we try to serve only the best parts of everything.
01:33Ah! Who's this coming up the road?
01:37Why, it's Eric Winstone in his stagecoach.
01:42Listen to that silly cow.
01:46I'll tell you why they serve chicken legs, because they're cheaper.
01:49The breasts go to these posh crabbies
01:51to tickle the jaded pellets of the bloated bourgeoisie.
01:55I prefer legs.
01:56That's because you're a peasant.
01:59I mean, you eat pony nuts.
02:01I suppose why anybody should shell nuts just for horses beats me.
02:05Pony nuts don't grow on trees, you silly old fool.
02:08They're a specially made-up, balanced combination of vitamins and roughage.
02:11If you had a bit more roughage,
02:13it might soak up the alcohol that you pour down yourself
02:16and keep you regular.
02:17Doesn't seem to help you much.
02:19I don't eat them.
02:20I just nibble a sample out of each batch
02:22to see if they've gone mouldy before I give them to the horses.
02:25Yeah? And what's the result?
02:27Not only do your clothes smell of horses,
02:29your breath smells of horses,
02:31you completely smell of horses.
02:33That fern, the nurse I was dancing with last night,
02:36she didn't mind.
02:37She said I smell open-air and rusty.
02:40Mind you, she smelt a disinfectant.
02:43Well, as you're so close together,
02:45it's a wonder you weren't sterilised.
02:48And as Eric Winstone, in his stagecoach,
02:52rotters away down the road,
02:54we turn our thoughts to...
02:58love.
03:02And romance.
03:04And romance.
03:22I hate having coffee in this awful place.
03:25Those vulgar murals with those girls with their bosoms hanging out.
03:31It's all so coarse.
03:33What can I say about your bosoms, dear?
03:35They're tasteful.
03:39Almost to a fault.
03:42I take care of my body.
03:44I have the same measurements now as I had when I was 18.
03:48Prune face.
03:52Look, I come here because I like frothy coffee.
03:57That's quite obvious. The foam is clinging to your upper lip.
04:03Barry, when using a paper napkin,
04:06one dabs one's mouth like this.
04:10One does not wipe it like a nanny.
04:17Hello, Barry. Hello, chubby chops.
04:21Fancy chocolate biscuit?
04:23No, you can't, can you? You're putting it on.
04:27Peggy, I keep warning you about eating them bumper banana splits
04:31with a double fudge sauce on the side.
04:33I'll get you a glass of water and then I'll take you outside
04:36for a breath of fresh air.
04:37Why should I want a glass of water?
04:39You're lucky, or you're going to throw up any minute.
04:42I don't feel sick, Ted.
04:44It's romance.
04:46I've just had a letter from me lover.
04:48Your lover?
04:50How long's this been going on?
04:52Two years.
04:54Two years? You said you were saving yourself.
04:57I am. I'm saving myself for him.
04:59We're meeting tomorrow for the first time.
05:02Peggy, if you're meeting tomorrow for the first time,
05:05you're not lovers.
05:06I mean lovers are people who go together,
05:08who have relations.
05:10Not relatives.
05:13Intimate relations.
05:15You mean carnival knowledge?
05:18Oh, no.
05:20No, there's no like that.
05:22We're pen pals.
05:24He's coming down tomorrow to see me
05:26and he's taking me to the Midsomer Ball at the Pemberton Rooms.
05:31Is he staying on the camp?
05:33No, he thought it'd be a bit noisy.
05:35He's staying at the Albany Guesthouse.
05:37I'm glad, actually, cos I didn't learn I was a chalet maid.
05:40He just thinks I'm studying to be a yellowcoat.
05:43Well, that's true.
05:44Nobody's studying harder than you are.
05:47Here's his photograph.
05:49Oh. He's in the RAF, is he?
05:51Oh, no, not now. That was took a little while ago.
05:54You mean during the war?
05:58He's quite a bit older than I am.
06:01How much older?
06:03I'm 28 and he's 45.
06:06Well, that's only 17 a year. That's not much.
06:09I'm 45. I could marry her.
06:11I mean, it would be possible.
06:13Now, sit down, Spike.
06:15Thanks for buying us your chocolate biscuit.
06:17Hey, that's mine!
06:18Sorry. I'll get you one in a minute.
06:20Here, answer me a question, Spike.
06:23Can a man of 45 marry a girl of 28?
06:26Of course he can marry her. There's nothing to stop that.
06:28The thing is, though, Ted, can he make her happy?
06:30Not 45.
06:32Of course he can make her happy.
06:34Take my word for it.
06:35Yeah, but think of it like this, Ted.
06:37When she's 45, he'll be 62.
06:40And when she's 62, he'll be 79.
06:43And when she's 79, he'll be 96.
06:46Don't go any further, Spike.
06:48I don't care. Love conquers all.
06:51Oh, is this something to do with you?
06:53Yeah. It's a lover.
06:56Oh, well, I don't think this applies to you, Peggy.
06:58I mean, you're different. You're not normal.
07:00I mean...
07:02I mean, well, you need an older man.
07:04You need a father figure.
07:06I won't when I'm 96.
07:09Spike, come here.
07:11Huh?
07:13Oh.
07:15No, no, Sabrina won't be appearing again this season.
07:18She was our guest celebrity last Sunday
07:20and next Sunday it's Charlie Drake.
07:22It's a lovely newspaper.
07:23Another newspaper on about Sabrina.
07:25I think it's ridiculous.
07:27Just cos she'd been on telly a few times and got a big chest.
07:32Well, I hardly met her, but she seemed quite a nice girl.
07:36Yes, she stayed a night in a chalet.
07:39No.
07:41No, just an ordinary-sized one.
07:45And she left the next morning.
07:48No, no, I haven't seen her before.
07:50I don't watch television.
07:53Thank you, too.
07:55Goodbye.
07:58Why don't you watch television?
08:01Well, there just isn't anything that appeals to me.
08:04Oh, is that Mortimer Wheeler?
08:06He's like you. He digs up mummies.
08:09What he does on television, Dad, is very superficial.
08:12I know him quite well, actually.
08:14You know Mortimer Wheeler?
08:16To talk to, like.
08:18Well, yes, of course.
08:20Why didn't you tell me this when you first came here?
08:23I mean, that you know a famous television star?
08:26Clarice, he's just a senior archaeologist
08:28who happens to have a programme on television.
08:30Let's keep things in proportion.
08:32Come in.
08:34Oh, are you busy?
08:35No, no, no, please, please.
08:37Mr Fairbrother knows a famous television star.
08:39Mortimer Wheeler.
08:41Personal.
08:42Does he? Good.
08:44I brought back the Orwell.
08:45Oh, thank you. What did you think?
08:47It was absolutely fascinating.
08:49It was a bit creepy, though. Ciao.
08:51Ciao.
08:53She's chowing now, is she?
08:581984.
09:00I thought you were an intellectual.
09:02I'm surprised you're letting her borrow a thing like this.
09:05What do you mean?
09:07Well, I mean predictions.
09:10It's like Old Moor's almanac.
09:13With a posh cover.
09:15No, no, no, no, Clarice, no.
09:17It's a novel by the famous author George Orwell
09:20and it gives a dramatic vision
09:22of what life may hold for us in 1984.
09:25How is it different from Old Moor's almanac?
09:30You may have a point.
09:32Last week, you were lending Betty a classic of records.
09:36This week, it's Tracy and books.
09:38What, are you going to be lending Sylvia next week?
09:41Haven't you got anything left?
09:46What are you this time, Spike?
09:48Isn't it obvious?
09:50I know. Funny undertaker.
09:52No, I'm Heap.
09:54A Heap of what?
09:56It's Dickens. I'm Uriah Heap.
09:59Let's have a go at that coffee, love.
10:01I'm so humble, so very, very humble, sir.
10:04What are you going on about, Spike?
10:06I'm so humble, so very, very humble, sir.
10:10I'd be inclined to disagree with you, Spike.
10:13I think you are one of the most conceited people I have ever met.
10:16Mind you, you have to think a lot of yourself in show business.
10:19It's me character, Ted. I'm a funny Uriah Heap.
10:21Ah, David Copperfield. Saw the picture. Knockout.
10:24You're nothing like Freddie Bartholomew.
10:27Now, I want you to come with me.
10:29I'm going to have a discreet word with Geoff about our peg.
10:31Here, take the coffees.
10:33Oh, Sylvia, last night in the ballroom, you didn't laugh at my jokes.
10:37I've heard them so many times, Ted.
10:39What's that got to do with it? We're all in this together, you know.
10:42I've seen you posing in your bikini on that diving board hundreds of times.
10:45But I still go...
10:49What are you waiting for, Spike? Knock on the door and go in.
10:56Come in.
10:57Well, go on, then.
11:02You can do it, you see.
11:04Be careful, Spike. You spilt them in the saucer.
11:07Hey, Mr Fairbrother knows a famous television star, Sir Mortimer Wheeler.
11:11Candies, please.
11:13Oh, yeah?
11:16I, um, I like your funny undertaker costume, Spike.
11:19What do you do, run down the chalet lines,
11:21ringing a bell and shouting, bring out your dead?
11:26What did I tell you? I'm Uriah Heap!
11:29Oh, yes, David Copperfield. He did the film awfully well.
11:32You're different somehow, though.
11:34Your personality's more effervescent.
11:37You mean I'm no good?
11:39You will be. You're getting more humble every minute.
11:441984. Saw it on television. Big Brother is watching you.
11:48I don't know why they call it 1984.
11:51Joe Mapley's doing it in 1959.
11:54What do you want, Ted? Mr Fairbrother's very busy.
11:58It's Peggy. I'm very worried about her. Tell him, Spike.
12:01I'm not worried about her. You tell him.
12:03Well, it's this bloke. They've been corresponding for a couple of years
12:07and he's coming down to see her for the first time.
12:09But what are you worried about?
12:11He's not stopping on the camp.
12:13He's stopping at that little guest house, the Albany on the front,
12:16and she's going round there to see him.
12:18Now, he's a lot older than she is and I think he's got ulterior motives.
12:23Surely she's old enough to look after herself.
12:26Face facts, Geoff. She's not very sophisticated.
12:29She could easily have her head turned.
12:31That's the least of her problems.
12:34Don't be vulgar, Spike.
12:36Come off it, Ted. I'm just as concerned about Peggy as you are.
12:39You're getting on humble again.
12:41I take your point, Ted, but I don't see what I can do about it.
12:45I suppose I... I suppose I have a fatherly chat with her.
12:49What do you know about being fatherly?
12:52I'll have a talk with her.
12:54I'd give her the same money my mother gave me.
12:57Let's hope she takes more notice.
13:01LAUGHTER
13:07What's the matter, dear?
13:09There's a picture of them hauling down the Union Jack in Singapore
13:12during the independence ceremony.
13:15Barry, do you realise we've hardly any empire left?
13:18Yes, dear. The Chiswick empire's gone as well.
13:23You don't care, do you? Nobody cares.
13:26All the old values, the old standards, all down the drain.
13:29Yes?
13:34What is it, Peggy?
13:36I want you to do me a great favour.
13:39A very close friend of mine has asked me to accompany him
13:42to a summer ball at the Pemberton Rooms.
13:44I wonder if I could borrow one of your frocks?
13:49When you say frocks, do you mean one of my ballgowns?
13:53That's right. I know you've got lots.
13:55Of course, I shall be delighted to, Peggy.
13:58But, for instance, what is your waist measurement?
14:01I don't know.
14:03Barry, would you, um...
14:18You are a little larger than I am, dear.
14:21Can't you know its height a little bit?
14:23Not eight inches.
14:26Do you know, Peggy, I have the same measurements
14:29as I had when I was 18?
14:31So a vibrate don't help in my case.
14:35Don't it? What am I going to do?
14:38Couldn't one of the other cleaners lend you something?
14:41Quite frankly, Peggy, you'd be better off with something simple and cheap.
14:45To carry off a dress like one of mine, you need dignity and poise.
14:50It's taken a lot of training.
14:52I mean, the hours I've spent with a book balanced on my head
14:55gliding up and down.
14:57Well, I ain't got time for that.
15:00I'm meeting him at Harper's Seven tomorrow.
15:03Oh, thanks anyway.
15:05Barry, a thought has just occurred to me.
15:09Do you think all those hours I spent with books balanced on my head
15:13started off my headaches?
15:15Oh, I shouldn't think so, dear.
15:17After all, you've been sitting down for years.
15:21On the other hand, you are rather a pain in the backside.
15:29Come in.
15:33Hello, Gladys. Do you want some of it?
15:36No.
15:38Thought I'd come for a sort of chat.
15:40Well, that'll be nice.
15:44I'm just trying me frock on.
15:47I don't think crushed velvet's very glamorous, do you?
15:51You see, I need something glamorous.
15:53I've got a very special date tomorrow night.
15:56Yes, I've heard about it.
15:58This place is terrible!
16:01Everybody knows your business.
16:03It's like living in a goldfish bowl.
16:06It's not tittle-tattle, Peggy.
16:08Everyone's concerned about your welfare.
16:11In that case, why can't you make me a yellow coat?
16:13That's not up to staff, that's up to head office.
16:17We're all worried about you going out with this older man.
16:21Well, he could try and take advantage of you, a trusty Nietzsche.
16:25I do know the facts of life.
16:28Men have made attempts on me, but I can fend them off.
16:33I'm very good at fending.
16:36I am worried that he might try and lure you to his room on some pretext.
16:41I'm not potty, you know.
16:43I'm meeting him in the bar at half-past seven,
16:45and then we're going to the ball.
16:47What about after?
16:48Well, he'll have to see me back to the camp, won't he?
16:51There won't be any luring to his room or anywhere else.
16:55Besides, it's not luring I'm worried about,
16:57it's what I'm going to wear.
16:59I mean, this crushed velvet's not exactly Scarlet O'Hara, is it?
17:05I've got a dress you can borrow.
17:07Have you, Gladys? Have you really?
17:10Oh, I'd be ever so grateful.
17:13Why are you being so nice to me?
17:17I am nice.
17:19But being Chief Yellowcoat, I've got a position to maintain.
17:23On duty's on duty and off duty's off duty.
17:27There is one thing about this dress.
17:30It's strapless and very low-cut.
17:33Men get overwhelmed when I wear it.
17:37Men'd get overwhelmed if you were dressed as a nun.
17:41In my case, wherever I wear, men get underwhelmed.
17:45Come on, then, let's get this dress off, shall we?
17:49Here, a double whiskey,
17:51and try and make it last at least 30 seconds.
17:54Here.
17:57Oh, blimey.
17:59I'm in the chair, what are you going to have?
18:07What's the novelty I don't like, Gladys? I get confused.
18:10It's the Amazons and slaves.
18:12Oh, it's the campers, surely.
18:14Oh, no, just the staff.
18:17Extravaganza! Amazons and slaves!
18:58Well done, chaps.
19:00I think it's demeaning.
19:02It does have our masculinity.
19:04Yeah, wear sex symbols and expose it.
19:06Well, you're all lit anyway. Where have you been?
19:09We were fixing Peggy's make-up.
19:11We had to alter the dress you lent her.
19:13The top had to be taken in miles.
19:15Those whips look rather lethal.
19:18They are. Don't come near me.
19:22What makes you think Mr Fairbrother will want to come near you?
19:26Some people like that sort of thing.
19:29You all three are disgusting and kinky.
19:32Now get on and entertain the campers.
19:41And here she is, princess for a night.
19:44Blimey, she looks almost human.
19:47You tell. You look a fair treat, Peggy.
19:52You really look very nice, Peggy.
19:54I hope you have a lovely evening.
19:56I hope you don't think I'm big-headed,
19:58but I'd just come in for a minute so you could see me done up.
20:01Pity about the glasses.
20:03She tried it without my glasses. She fell in the flowerbed.
20:08Oh, I like girls with glasses.
20:10Spike, shut up.
20:13Come on, Peggy. I'll see you to your taxi.
20:15Remember what I said, Peggy.
20:17Don't be late.
20:20I won't. Promise.
20:22Tra.
20:27Come in.
20:29I bought you a clean towel.
20:31Good. Just brightened the place up a bit.
20:34Bare walls are awfully boring.
20:36I won't call that picture a laugh a minute.
20:39Peggy, Peggy.
20:43Sit down for a moment.
20:49How did it go last night?
20:51Oh, it was wonderful.
20:53It was wonderful.
20:55There was coloured lights and streamers
20:57and ever such posh people.
20:59There was the mayor and the mayoress.
21:01The mayor's a coal merchant, you know,
21:03but you'd never think it when he's in his robes.
21:06And his hands are spotless.
21:08Then there was Charlie Dawson,
21:10who's got that big butcher shop in the high street.
21:12He's a councillor.
21:14And the music was provided by Alfredo
21:16and his cafe society quintet.
21:19What about your friend? What's his name, by the way?
21:22Monty. Monty.
21:24Oh, he's lovely.
21:26Quiet and distinguished and ever so dignified.
21:29I am glad about that.
21:31Sometimes people who are pen friends and only see each other's photographs
21:34are a little disappointed when they actually meet.
21:37Oh, no. He liked me and I liked him straight away.
21:41He was a bit greyer than I thought,
21:43but the picture he sent me was took during the war
21:46when he was a young man.
21:48Well, I won't call him a young 45, but he's had a hard life.
21:52He lost his wife, you know, ten years ago.
21:55Well, we didn't dance much cos he preferred to sit down and talk.
21:59But we've got ever so much in common.
22:02And he's kind and gentle and...
22:04I haven't met many like that.
22:06By the end of the evening, it seemed as though we'd known each other all our lives.
22:10In fact...
22:12Oh, I've got to tell you, I'm no good at secrets.
22:16He's asked me to marry him.
22:18After one... After one evening, Peggy,
22:21aren't you being a bit hasty?
22:23Oh, I didn't say I would. I said I'd think about it.
22:26Anyway, I'm seeing him again this afternoon.
22:28We're going for a picnic in the sand dunes.
22:35The sand dunes?
22:38Well, you could hide an army in there and nobody would be any of the way, sir.
22:42Sand dunes aren't even very good for picnics.
22:45All the sand gets in the sandwiches.
22:47He's older than her, isn't he?
22:50He says he wants to marry her.
22:52That could be a device for him to have his way with her.
22:55What, in the sand dunes?
22:58Well, we're jolly well going to follow them and make sure she doesn't come to any harm.
23:01Oh, Clarice, do you think that's necessary?
23:03I most certainly do.
23:05Perhaps you find it too boring spending an afternoon in the sand dunes.
23:08Oh, no, no, on the contrary.
23:10I think they're wild, romantic places.
23:12Do you really, Geoffrey?
23:14Yes, yes, yes.
23:16Very romantic. When I was a boy on holiday in Frington,
23:19I used to run up and down them and pretend I was in the Foreign Legion.
23:22Yes, we won't be doing that.
23:31I don't like the sound of it, Spike.
23:33Well, I don't see what harm can come to her in the sand dunes.
23:36A lot of harm can come to a girl in the sand dunes, Spike.
23:39Take my word for it.
23:46Spike, you are not only humble, you are very small.
23:49What are you doing with them, Ted?
23:51We're going to need these, Spike.
23:53This afternoon, you and I are going bird-watching.
24:04Is that the best you can come up with?
24:06You've been in racing all your life and all you've got's an old telescope.
24:10You should have a pair of those smart German binoculars,
24:13like the U-boat commanders had.
24:15Jockeys don't have binoculars.
24:17People who look at jockeys have binoculars.
24:19Jockeys don't look at the punters, mate.
24:21They've got their hands on the reins.
24:23Yeah? From what I heard, when you were a jockey,
24:25you needed a pair of binoculars
24:27because you were so far behind the rest of the field.
24:30I should ignore that remark.
24:33Are you sure you don't want me to come with you?
24:35I don't want you slowing me up, limping along.
24:37I should be on my horse with my telescope
24:39where I can get a clear view of everything.
24:41If he makes one false move against their Peggy,
24:43ingo my ills, I shall be there in a flash.
24:45Deny me. Saved by the 7th Cavalry.
24:48I'm going to take a view.
24:50LAUGHTER
25:12Can you see them?
25:14No, not yet.
25:16Who's that over there in a horse?
25:21LAUGHTER
25:23Are you looking at us through a telescope?
25:26Why is he looking at me through them binoculars?
25:32Why are you...?
25:40Can you see anything, Ted?
25:44Yeah, I can see Fred and Geoff looking at each other.
25:51What's going on, Fred?
25:55They're trying to talk to each other at the moment.
26:00Well, don't bother about them. Where's Peggy?
26:07There they are. What are they doing?
26:11I think they're eating.
26:13Hey, there they are.
26:15Where?
26:17Over there.
26:21LAUGHTER
26:24I think he's a bit older than 45.
26:27How much older?
26:2920 years older.
26:31He was already 17 years old when he was 45.
26:35If he's 20 years older than that, that makes him 37 years older.
26:40Listen, look.
26:43Ooh.
26:45Mm.
26:47Not bad.
26:49Quite distinguished.
26:52Much too old for Peggy.
26:56Let's have a look, Ted.
26:59Oh, Ted, he's an old man. It's disgusting.
27:02What do you mean, disgusting?
27:04He's only eating a banana.
27:08What are we going to do?
27:10I suppose we'd better stick around.
27:14But to be perfectly honest, Spike,
27:16I don't think Peggy's in very much danger.
27:25Can I have Mr Fairbrother's hot milk, please?
27:30I'm delivering it to him personal tonight.
27:33Inspector'll ask me to leave it outside his chalet door.
27:39Where's Monty?
27:41He's gone. I saw him on the six o'clock train.
27:44He'd been here a week.
27:46He had to leave cos he had business.
27:49Bet you're glad to see the back of him.
27:51I think it was disgusting the way he misled you over his age.
27:55Well, he was old enough to be a father.
27:57If not, your grandfather come to think of it.
28:00I don't care about his age.
28:03I love him.
28:05Peggy, you can't marry him.
28:07There's over 30 years' age difference between you.
28:10It couldn't possibly work.
28:12I'm not going to marry him.
28:14Do you know, he asked me the very first night.
28:17I told him I needed time to think it over,
28:20but during the week I fell in love with him, I really did.
28:24Trouble was, he fell in love with me and all,
28:27so he had to tell me the truth.
28:29He said the only reason he asked me to marry him when we first met
28:33was cos he wanted somebody to look after him in his old age.
28:37But yesterday he said,
28:39I really do love you, Peggy.
28:41I couldn't rob you of your youth.
28:44I told him I didn't care, but he wouldn't have it.
28:47He said he couldn't be that selfish.
28:50So he's gone.
28:53He was a lovely man, Gladys.
28:56A lovely man.
29:02It's awful, isn't it?
29:05Men have such silly ideas about what's good for them.
29:09They'll never choose the right woman,
29:12the one that's going to really make them happy.
29:16Oh, I hate this Rothy coffee.
29:22I tell you what, let's go back to my chalet.
29:26We can have a nice, fresh pot of tea
29:29and we can have a cosy chat together.
29:32Oh, thanks, Gladys.
29:41Gladys, you forgot Mr Fairbrother's hot milk.
29:45I'll tell him to come in and pick it up.
30:32I said hi-de-hi, ho-de-ho
30:35I said hi-de-hi, ho-de-ho
30:37I said hi-de-hi, ho-de-ho
30:39I said hi-de-rock, ho-de-ho
30:41Hi-de-hi-de-hi, ho-de-ho-de-ho
30:44Go, go, go to the holiday rock
30:46I said hi-de-hi-de-hi, ho-de-ho-de-ho
30:48Go, go, go to the holiday rock
30:50I said hi-de-hi-de-hi, ho-de-ho-de-ho
30:53Go, go, go to the holiday rock