- 28/05/2025
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00:00Well, if you're feeling lonely, then get your man astute.
00:05Just bend your ear, come over here, and man, here's what you do.
00:10If you've got the blues, I've got some news.
00:13Join in the fun and your blues, say, too.
00:15Join the holiday rock.
00:17The holiday rock.
00:18The holly, holly, holly, holly, holly rock.
00:20Holiday, holly, holly, holly, holly.
00:22Go, go, go to the holiday rock.
00:25The holly, holly, holly, holly.
00:27Go, go, go to the holiday rock.
00:29Holiday Rock
00:29Hello, campers.
00:36Heidi, hi.
00:38Holiday, ho.
00:40Tonight, in the Hawaiian ballroom,
00:43it's novelty night,
00:44and we've all got to dress up as tarts and vicars.
00:48What fun that will be.
00:51Oh, and there'll be a real vicar amongst you.
00:54If you could spot him,
00:55you'll receive a voucher for a free
00:57can't let fish and chips suffer for two
00:59in the Seabreeze Fish Barrow.
01:02And one more thing.
01:03When you're in the Hawaiian ballroom,
01:06it's no good making oars in the coconuts
01:07and the palm trees and trying to suck out the milk.
01:10They're just plastic like everything else around here.
01:14So, see you all tonight
01:16in the ballroom for Vicar's and Tarts.
01:20Ssss.
01:22Ssss.
01:24Ssss.
01:26Ssss.
01:28Ssss.
01:30Ssss.
01:35I'll see you next time.
02:05Thank you, Yvonne and Barry Stewart Hargreaves, for your religious extravaganza, A Stroll in a Monastery Garden.
02:25And thank you, Fred Quilley, for being a nightingale.
02:35Now, what you may ask yourself is an undoing, strolling in a Monastery Garden.
02:41You look pathetic.
02:44You'd be anything to be popular, wouldn't you?
02:46I'll be a bird, Mr. Fairbrother.
02:48Then I can do my whistle then.
02:50You're just jealous because you can't whistle like a nightingale.
02:53You were nothing like a nightingale.
02:55You were flat.
02:57Who's ever heard of a flat nightingale?
02:59I had an expert tell me I sound like the real thing.
03:01Yeah?
03:02When are you going to take up residence in Barclay Square?
03:05I'm for you, eh?
03:09Excuse me.
03:10I've been watching you for a long time.
03:12You're the real vicar.
03:14That's right, darling.
03:15I'm the Archbishop of Canterbury.
03:16Come and see me organ loft.
03:17Are you the real vicar?
03:29I like it, Sylvia.
03:32Suits your best of all your costumes.
03:34Thank you, Gladys.
03:35Shouldn't you have a price list on your buck?
03:38Don't be bitchy, Gladys.
03:40Clergymen who misbehave get defrocked.
03:42She'd like that.
03:43Because Geoffrey's done up as a cardinal.
03:47Well, you look marvellous, Betty.
03:57What are you?
03:58I'm Lily Marlene, you know.
04:00Underneath the lamplight and all that sort of thing.
04:03Good, very good.
04:05You're awfully, well...
04:06Hopefully, um...
04:09Germanic, almost Wagnerian.
04:11Oh, I love Wagner.
04:12Have you seen The Ring?
04:14Not the whole cycle.
04:15Neither have I.
04:16I'd love to see it all.
04:17Betty, shouldn't you be talking to the campers?
04:24Betty was just asking me if I'd seen The Ring.
04:26Mr. Fairbather has more important things to do than look for jewellery.
04:31Pick the clear lamp post and get to work amongst those campers.
04:34The country got the bottom of Mount Everest.
04:37The I-2,000...
04:38These girls, they won't concentrate.
04:43Back you're out.
04:44I think it might be more amusing if I came as a priest.
04:49I'm Strictly Chapel, of course.
04:51When I look at you...
04:53I feel I ought to confess my sins.
04:58I'm sure they're all terribly small.
04:59What's all that?
05:09I'm a strawberry tart.
05:11Look, Sidney.
05:13Why do you always have to be different?
05:15Well, I thought I'd get a laugh.
05:16That's what I'm here for.
05:17And so you will, Spagetting.
05:19It's very ingenious and...
05:20Clever.
05:25Mr. Fairbather, look.
05:26I've got the real vicar.
05:28Telling you the real vicar.
05:29Yes, I am indeed a real vicar.
05:31Can I have the voucher, please,
05:33for the candlelit fish and chips supper for two at the Seabreeze Fish Bar?
05:36Of course you can't, Peggy.
05:39You are staff.
05:40You know perfectly well you're not allowed to compete.
05:43Why not?
05:44I'm off duty at six o'clock.
05:46I'm just an ordinary person from then on.
05:49Well, you can't have the voucher.
05:51You're not even dressed as a tart.
05:53Don't we stretch your point, ladies?
05:54Of course we can't.
05:55If we give fish suppers to everybody that isn't dressed up as a tart,
05:59where would it all end?
06:01It's not fair.
06:03They never let me win anything.
06:05I throw myself into all the activities here
06:07and they keep me out every time.
06:09Never mind, Peggy.
06:10I personally will take you now
06:12to a candlelit fish supper
06:13at the Seabreeze Fish Bar.
06:15And it's on the house
06:16of God, of course.
06:19Oh, thanks.
06:20Amen.
06:24So I said, if I was you, Mrs.
06:26I'd fall up the chimney sweep.
06:27He's got one 25-foot-long
06:29with bristles on the top.
06:37Filth.
06:38Not only that, but old filth.
06:40You are a miserable old bat.
06:42Don't anything ever make you laugh?
06:45Yeah.
06:46Yesterday afternoon,
06:47when that horrible fat kid fell off the swing,
06:50that went for a stitch.
06:52No, but seriously, folks,
07:04when we all dress up as vicars,
07:06we're only having a bit of a laugh
07:07because we all know that he
07:09has got a sense of humour.
07:12So there comes a time
07:13when the laughter has to stop
07:14and a little respect is due.
07:17Thank you, Professor.
07:19When you walk
07:25through a storm
07:27Hold your head
07:29apart
07:30And don't
07:32be afraid
07:34of the dark
07:36It's no good soaking, Spike.
07:40You'll have to write it off.
07:42Have another chocolate biscuit.
07:43I don't want another chocolate biscuit.
07:46You'll have to learn to accept criticism.
07:47You can't please all the people all the time.
07:49I don't seem to please anybody.
07:51Well, I'll try to be constructive.
07:54Don't sit too close, Tracy.
07:56His jam's too wet.
07:56First of all,
08:00the girls couldn't dance with you
08:01because you stuck out too far.
08:07Second,
08:08strawberries are not funny, Spike.
08:11Bananas are funny.
08:12Squash tomatoes are funny.
08:13But strawberries are not funny.
08:15And third,
08:16your cream has no reality.
08:18The texture's all wrong.
08:19I mean, look at it, Spike.
08:20Anyway, you've got it all wrong.
08:22I mean, vicars and tarts
08:23mean girl tarts,
08:24not tart tarts.
08:26Don't you start.
08:27You weren't sitting on me crust.
08:28I'd move to another table.
08:32I'll have a banana and pineapple bond
08:34with tutti frutti sauce
08:35and a side order of
08:37Neapolitan Nut Surprise.
08:41Can I sit here?
08:42Yes, yes, of course, Peggy, please.
08:46Did you enjoy your supper with the vicar?
08:49Oh, it was wonderful.
08:51He's a lovely man.
08:53And he weren't a bit vicarish.
08:55I mean, he didn't say grace
08:56or anything like that.
08:58We just died straight in.
09:00He had the skate
09:01and I had the cod
09:02and we both had cherry-aid.
09:05Cherry- cherry-aid?
09:06What did you talk about?
09:08Oh, we found we had lots in common.
09:10We're both very ambitious.
09:12I told him about me
09:13wanting to be a yellow coat
09:14and he gave me
09:14some wonderful advice.
09:16He said I had to have faith
09:17and be true to myself.
09:19Well, I'm sure
09:20that'll be a great helping.
09:21And then he told me
09:22about how he wanted
09:23to find a poor parish
09:24in the east end of London
09:25and pull it up
09:26by its ankle straps.
09:27You mean bootstraps?
09:28Yeah, them and all.
09:30I told him
09:31that he had to have faith
09:32and it would all come to pass.
09:35He ain't married
09:36and I think he quite likes me.
09:39But I wouldn't fancy
09:40being a vicar's wife.
09:41I mean, just think
09:42of having to clean
09:43all them great big brass candlesticks
09:45as well as all the alcohol.
09:46Have you got a minute, Jeff?
09:48Well, yes, yes, of course, Pete.
09:50There you are, Peggy.
09:51Get stuck in.
09:52Thanks, Ted.
09:53Mr Fairbrother's just waiting
09:55for his hot milk for his cocoa.
09:57He's here at the same time
09:58every night.
09:58You can set your clock by him.
10:00Yes, I'm afraid I am a...
10:02I'm a...
10:03A creature of habit.
10:07You don't mind my being here, do you?
10:09No, of course not.
10:10I'll try not to make any noise.
10:11It's...
10:12What?
10:15Sorry.
10:15So slushy, it's out of control.
10:20What can I do for you, Ted?
10:22Well, Spike's standing in for me
10:24tomorrow afternoon
10:24for a couple of hours
10:25while I go down
10:26and see that old lady
10:27in Lavender Cottage.
10:28I think Joe Mappin's behaving
10:29very badly about this.
10:30I mean...
10:31If she doesn't want to leave,
10:35why should she?
10:36Well, fair dues, Jeff.
10:37I mean, Joe's bought it.
10:38She's only a tenant
10:39and she's right in the middle
10:41of his land.
10:42I mean, how's he going to build
10:42500 new shallots
10:44with her rotten oak cottage
10:45stood there?
10:46But, Ted, it's her home.
10:48She's a protected tenant.
10:49He has no right
10:49to put pressure on her.
10:51Where's the pressure?
10:52He's offered her a new bungalow
10:53with all mod cons
10:54and a four-micor kitchen,
10:56central etion
10:56and two toilets.
10:58Her place hasn't even
10:59got one toilet.
11:00There's a little hut
11:01at the bottom of the garden.
11:02And earth.
11:08Where do you come into it, Ted?
11:09Well, you know, Joe,
11:11he doesn't like solicitors' letters.
11:13She doesn't answer them anyway.
11:14So he's asked me to go around
11:15and have a cosy chat with her
11:16and offer her a bit of cash.
11:18You mean bribery?
11:21Jeff, you hurt me
11:22when you talk like that.
11:23I am merely the go-between.
11:25Can't you make a bit less noise
11:29with that, Peggy?
11:35You're really unpleasant
11:36for this poor old lady.
11:37I did.
11:38Jeff, I don't understand
11:39what you're saying.
11:40Have I got the sort of face
11:41that looks threatening?
11:43I'm Jolly Ted Bowlby,
11:44the campus friend.
11:48How much money
11:48has Joe Mappin
11:49sent you to offer her?
11:50$300.
11:51That's clear cash
11:52on top of the bungalow
11:53and all her expenses.
11:55It's a fair offer, Jeff.
11:56Yes, but only if she wants to go.
12:00There it is.
12:02Have you ever seen anything like it
12:03in all your life?
12:04Oh, yes.
12:06Yes, it's a gem.
12:11It's even got the original window frames.
12:13Absolutely beautiful.
12:15What are you talking about?
12:17It's a dump.
12:17It must be hundreds of years old.
12:19About 400, I'd say.
12:21Absolutely untouched.
12:22Just remarkable.
12:24And do you realise
12:24how many people have died in it?
12:26Think of the germs.
12:27That must be Crowley.
12:29I can't wait to see the inside.
12:32Look at this door.
12:34Yeah, not a drop of polish
12:35and full of worms.
12:36It's a disgrace, isn't it?
12:39You're wasting your time knocking.
12:41She won't hear you.
12:42She lives upstairs in the bedroom.
12:44Mrs. Baxter, are you there, love?
12:47She must be dozing.
12:48I'll throw some gravel at the window.
12:56It's a little heavier.
13:01You great, clumsy burp.
13:09Police, burglars, intruders.
13:13Help!
13:14They're breaking in.
13:15Help!
13:16It's all right, love.
13:17It's only me.
13:18Ted Bowlby.
13:20I brought a message from Joe Maplin.
13:22That filthy, common, ignorant,
13:25fat, bloated swine.
13:27And who's that shifty-looking creature with you?
13:32What a shifty.
13:35No.
13:36No, no, actually, I'm on your side.
13:38Then why'd you break my window?
13:41Go away.
13:43Hold that.
13:44It's a good job I brought it when it got soaked.
13:46I brought some money for you.
13:47If you'll go and live in that new bungalow,
13:49Mr. Maplin will give you this.
13:50Listen, 50 pounds.
13:52But I've got to have something for any trouble.
13:57Listen to it, love.
13:59A hundred pounds.
14:00Crispy one-pound notes.
14:03It's working.
14:04Money talks.
14:05She's opening the window.
14:07Just for you,
14:08so you can buy something new for your new bungalow.
14:10Oh, having seen the cottage personally,
14:20I've been through to the Save Britain's Heritage Association
14:22and they're looking into it.
14:24Hopefully they might be able to get some sort of preservation order.
14:26That's one line of defence.
14:27As a first line, though,
14:28I've composed this petition for us all to sign and send to Joe Maplin.
14:32It reads as follows.
14:33We, the undersigned, members of the entertainment staff
14:36of Maplin's Crimpton on Sea,
14:38wish to register our protest
14:39at the continual harassment
14:40to which Mrs. Baxter has been subjected
14:42in an endeavour to cause her to leave her cottage.
14:44And we hereby petition
14:46that she be left in peace
14:47to enjoy her property
14:48for the rest of her days.
14:50Here, here.
14:53Hang on, Geoff.
14:54It's not her property,
14:56it's Joe Maplin's.
14:57She's just rented it.
14:58That's a purely academic point, Ted.
15:00Our case rests on the fact that she's being harassed.
15:02How does me waving money under her nose
15:04amount to harassment?
15:06I was the one who got harassed.
15:07She chucked a jug of water over me.
15:09The fact remains
15:10that Joe Maplin is trying to make her leave
15:12against her will.
15:13And now, Gladys will hand the petition round.
15:16You first, Mr. Partridge.
15:18I don't want it.
15:19I'll never sign anything.
15:21Once they get your name on a piece of paper,
15:22you'll finish.
15:23And it can come back years later
15:25and be used against you.
15:26I wouldn't even join
15:27the Save the Punch and Judy Association.
15:30Give it to me.
15:31I'll sign it.
15:33Pulling down that exquisite little cottage
15:35is pure vandalism.
15:37When it comes to preserving
15:38our historical tradition,
15:40someone has to stand up and be counted.
15:42Just a minute, dear.
15:43If Mr. Maplin sees our names on that thing
15:46and asks us to leave,
15:47it is rather late in the season
15:48to find alternative employment.
15:50Nevertheless, Barry,
15:51we must stick to our principles.
15:54We'll sleep on it.
15:58Sylvia, Betty, Tracy, come on.
16:01We'll sleep on it as well.
16:02And we'll sleep on
16:03whatever they sleep on.
16:05Please.
16:06This is serious.
16:08Give it here.
16:08I'll sign it.
16:18You signed it, Gary Cooper.
16:19What's that, Matt?
16:22No joke, Matt.
16:22We know Gary Cooper doesn't work here.
16:25I'm definitely not putting Ted Bow this.
16:28Look, Mr. Fairbrother,
16:29I think you're asking too much.
16:30I mean, we all agree with what you're saying,
16:31but we don't want to lay our jobs on the line.
16:33I mean, where else am I going to learn
16:35how to be a comedian?
16:36Perhaps Jett will sign you
16:37on a comedian's course at Cambridge.
16:40I'll sign it.
16:41I'm not afraid of my job.
16:43Nobody else will do it for the money.
16:45Well done, Gary.
16:47I'm going to sign it too.
16:49I'll stick
16:52to Mr. Fairbrother
16:54through thick
16:56and through thin
16:57because he's always that bright.
17:02Answer that, Sylvia.
17:03And take your arms out your pockets.
17:07Here we are, Geoffrey.
17:09There's your petition.
17:10Thank you, Melis.
17:11I think it'll take more than four signatures
17:14to change Mr. Mapplin's mind,
17:15particularly since one of them is...
17:17Gary Cooper.
17:19I think you're barking up the wrong tree, Jett.
17:21Those old places are beyond repair.
17:23You'd need to spend a fortune.
17:25You'd have to cover up
17:26them dirty rotten old beams
17:27before Micah,
17:28get rid of that thatch,
17:30take out all them pokey little windows,
17:32and shove some decent-sized ones in
17:33with steel frames,
17:35and a new glass front door.
17:36The list goes on forever.
17:38Ted, how can you?
17:40You're a philistine.
17:41There's no need to bring
17:42religion into it, Yvonne.
17:45Sorry, I'm late.
17:46Flight's laid up again.
17:47He needs a vet.
17:48Can I have ten and six
17:49out of the petty cash?
17:49Oh, yes.
17:50The cavalry have arrived.
17:51I beg your pardon?
17:52That was to save Britain's
17:53heritage people.
17:54They're putting a protection order
17:55on that cottage on Monday morning.
17:57There you are then, Mr. Fairbrother.
17:58You don't need your petition after all.
18:00As usual,
18:01a complete waste of time.
18:02I'll pop round
18:03and tell Mrs. Baxter
18:04this afternoon.
18:05Would you like to come with me, Geoff,
18:06and break one of the other windows?
18:09If it's Mrs. Baxter, Scott,
18:10as you're talking about,
18:11I was having a pint
18:12with the driver
18:13who's clearing the site.
18:14Joe Mapplin told him
18:15that if he should
18:16accidentally knock the place
18:17down with his bulldozer
18:18while she's out shopping
18:19on Saturday afternoon,
18:21there's 50 quid in it for him.
18:23Pull her house down
18:24while she's still living in it.
18:25I can't believe it.
18:26That's the way Joe works.
18:28By the time those heritage people
18:29arrive on Monday morning,
18:31they'll have to pin
18:32their preservation order
18:33on a pile of rubble.
18:34Well, that's it then.
18:36Joe Mapplin's won.
18:38And once again,
18:38the small people lose.
18:40But I'm not going to allow it to happen.
18:46I wonder if you could all spare me
18:47a quarter of an hour of your time.
18:49I wonder if you could spare me
18:58a quarter of an hour
18:59of your time, he said.
19:00And what happens?
19:01Two hours of high-powered salesmanship
19:03and we finish up at the crack of dawn
19:05in a builder's yard.
19:06You realise you're breaking
19:07the law's bike?
19:08We're only going to hide the bulldozer
19:09for a couple of days, Ted.
19:11Hiding it or not, I need it.
19:13Driving away without consent
19:14is against the law.
19:15When Fred arrives with the horse,
19:18keep him here.
19:20Why do we want the horse
19:21in the first place,
19:21Mr Fairbrother?
19:22Well, it's perfectly simple.
19:24We have to pull the bulldozer
19:25onto the road
19:26so we don't wake the night watchman
19:28when we start it up.
19:29That's right, yes.
19:30Now, the signal has arrived
19:31to me with the bird whistle
19:32and I shall stroll about
19:34quite openly
19:34as though I'm taking
19:35an early morning walk.
19:37Oh, you look every inch
19:39of real country gentlemen.
19:41Especially that art.
19:42Peggy, have you got
19:45the bird whistle?
19:46Oh, yes, Mr Fairbrother.
19:47I got it from
19:48Bert Swanley's drummer.
19:50Before we go any further,
19:51Mr Fairbrother,
19:52I want to make it quite clear
19:53that Barry and I
19:54will have nothing to do
19:55with the actual stealing
19:56of the bulldozer.
19:57Under no circumstances
19:58will Yvonne or I
19:59break the law.
20:01Mr Fairbrother's just asking
20:03you to whistle
20:03when the horse gets here.
20:05I was not breaking the law.
20:08I thought I was the one
20:09who was meant to whistle
20:10when the horse gets here.
20:11Yes, yes, yes.
20:11So you are.
20:12Try it out.
20:16Good.
20:16There's no mistaking that.
20:21Oh, God.
20:25Dennis, go round
20:26and tell everyone
20:27we've changed the signal
20:28to three warbles.
20:33Mr Fairbrother,
20:34shall I do three warbles
20:35so you know what it sounds like?
20:36Yes, yes, yes, of course.
20:37Is that a signal?
20:46No, no, no, no.
20:48We're just practicing.
20:52What shall we do,
20:53Mr Fairbrother?
20:54We'll get all mixed up.
20:56Wherever I warble,
20:57he warble.
20:58I think I have the solution.
21:00Oh, well done.
21:08Well done.
21:10Now, Yvonne,
21:11go round to everyone
21:13and tell them all
21:14we've changed the signal back.
21:19Back to what?
21:20Back to what it was
21:21before Gladys changed it.
21:22It was one warble.
21:26We changed it to three warbles
21:27and now it's back again
21:28to one warble.
21:34I say,
21:36if you get to them
21:37before Gladys,
21:38don't say anything
21:39because nothing's changed.
21:42It's all very confusing.
21:44Is everything okay?
22:05Don't wake the night watchman.
22:09Where is he?
22:10He's asleep in that little hut.
22:14The horse is here.
22:17I'll give thee all clear.
22:24That's a nice app,
22:25Mr Fairbrother.
22:26It suits you.
22:34Well done, Fred.
22:35Get the horse hooked up
22:36to the bulldozer
22:37as quick as you can.
22:38And don't wake the night watchman.
22:42Peggy.
22:43Peggy.
22:43We'll need the others
22:44to help.
22:44Give the signal.
22:50Shouldn't have been three warbles.
22:52No, we changed it
22:53to one warble.
22:54Oh, yeah.
22:55My brother.
23:00That's the signal.
23:03Mr Fairbrother,
23:04will you please give a ruling
23:05about these warbles?
23:06Is it one or three?
23:07Some people are still going around
23:10seeing it's three,
23:10but you told me one.
23:12Never mind, Devon.
23:13We've done the warbling.
23:17Ready, Fred?
23:18Ready, Mr Fairbrother.
23:19Right.
23:20Over to you.
23:21Right.
23:21Stand clear, everyone.
23:23Hey, up, Flake.
23:24Come on, boy.
23:26Come on.
23:26Is there a break thing?
23:35I let that off hours ago.
23:37Well, why isn't it moving?
23:39I'll tell you why it isn't moving.
23:40Because Joe Mapplin's too mean
23:42to give the horse hoax.
23:43Well, Flake's just got out of a sick bed.
23:46Well, what did you bring him for
23:47in the first place?
23:48I didn't want Mr Fairbrother
23:49to think that I was a troublemaker.
23:51Well, you've got 18 horses.
23:53Why didn't you bring them all?
23:55Have you ever tried leading 18 horses?
23:58It's great tonight, watchmen.
24:00Well, why don't we all pull?
24:02Good idea.
24:03To the ropes, everyone.
24:04Come on, girls.
24:05Come on.
24:11Ready?
24:13Pull.
24:13Pull.
24:13Pull.
24:14Pull.
24:15Pull.
24:18Pull.
24:20Why don't we start the engine?
24:22Because we don't want to wake
24:24the night watchman.
24:25He's not here.
24:26I've just looked in his little horse.
24:33Well, naturally, I assumed he was there.
24:36Don't you check, Ted?
24:38Don't try and put the blame on me.
24:40All right, Fred.
24:41Come and get it started.
24:42Hold the horse.
24:43I don't hold horses.
24:45You can't trust them.
24:46I'll hold the horse.
24:48All right.
24:51Right.
24:52Right, and down a bit.
24:53Down a bit more.
24:54Lovely.
24:55Lovely.
24:55Keep it right back.
24:56What did they bring us here for?
24:58Down a bit more.
24:59Why don't you listen?
25:00We've got to help cover up the bulldozer with the straw,
25:03so they can't find it before Monday.
25:05Now, pay attention, everyone.
25:11I've got a very good view up here,
25:13so if I see anyone coming,
25:14I'll wave my stick.
25:17Like that.
25:19And you must all hide in the hedgerows
25:20as quickly as possible.
25:22Mr. Fairbrother,
25:23I can't hide this horse in the edge.
25:25It's not practical.
25:26You don't have to hide it, Fred.
25:28You just walk along the road with it.
25:29Looking natural.
25:30Here, Sarge.
25:35I told the wife to have breakfast on for half past.
25:37We're going to be late.
25:39Right, son.
25:41Then I'll give it the bell.
25:42Ted, I can hear a police car.
25:55Why, you step on it, Ted.
25:56What do you mean, step on it?
25:57I've been blacked out for the last mile.
26:01Ted, I can see a police car.
26:04He's obviously following us.
26:09Take cover, everyone.
26:10Come on, Ted.
26:21It's fine.
26:23Ted, you're not supposed to take cover.
26:25You're supposed to look natural.
26:26You look natural.
26:27I'm going behind these hedges.
26:30Well, don't desert him.
26:33Don't leave him up there alone.
26:36Cowards.
26:37Come back.
26:38Come on, Peggy.
26:40What are we going to do?
26:42What women always do?
26:45Sacrifice ourselves.
26:46Now, I have another cream sponge.
27:08I'll just go and get it.
27:10No, please.
27:11We've had more than enough.
27:12Oh, nonsense.
27:14If it wasn't for the wonderful work you did with those heritage people, we wouldn't be sitting
27:21here today.
27:21We did it, Ted.
27:31We saved it.
27:33My whole affair gives me a wonderful warm feeling inside.
27:37I've got a wonderful warm feeling inside.
27:39I still say, a nice new fluted glass panel front door would improve this place, no end.
27:49And get rid of that mucky thatch and put up a pantile roof.
27:52Well, there's only one thing that worries me.
27:54Which one of us is going to tell that bloke where we hid his bulldozer?
27:57Well, there's only one thing that's going to tell that bloke where we hid his bulldozer.
28:09I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you.
28:13I'm going to tell you, I'm going to tell you.
28:43I'm going to tell you, I'm going to tell you.
29:13I'm going to tell you.
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29:12
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