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00:00Transcription by CastingWords
00:30CastingWords
01:00CastingWords
01:29CastingWords
01:59CastingWords
02:29CastingWords
02:59I've been drinking Demidjan.
03:01I can't buy a drink, I don't drink.
03:04You didn't drink a drink. You didn't drink a drink.
03:06You didn't drink a drink.
03:10I wanted to get out of my house.
03:12Why didn't you?
03:14As soon as I got out, I got out.
03:16Let's go. Let's go.
03:18Let's go. Let's go.
03:20Let's go.
03:21Let's go.
03:29Let's go.
03:43You're the same?
03:44Luka is on the job.
03:46When Tata was in the rain, she was out of the kancelar.
03:48Sit down.
03:52Well, maybe we can go to the beach.
03:54I can't really see you in the 400 yards.
03:57What's going on?
03:58You just want to go out.
03:59We can go out there.
04:00We can go out there.
04:01We can go out there.
04:02We can go out there.
04:03We can go out there.
04:04We can go out there.
04:05I can go out there.
04:06Nothing is missing out of you.
04:08Just tell me.
04:10Did you talk to Boris?
04:14Sit down.
04:19I've talked to him.
04:20He's like a bitch.
04:22What is a bitch?
04:23A woman's name.
04:24Liv Smith.
04:26Kara Forgestone.
04:27Aziza Demirsi.
04:28Rasa Segov.
04:29Who are those women?
04:31I know only that they have all the same.
04:33The same.
04:34The same?
04:35Kara.
04:36Liv.
04:37Aziza.
04:38Rasa.
04:39All they call Mila.
04:41What?
04:42The secret is your name?
04:43The secret is called the word.
04:45That's why it's called the word.
04:46What is this?
04:48It's an agreement.
04:50I see it.
04:52But where do you need to get the blood?
04:54What is this?
04:56What is this?
04:58What is this?
05:00I see it.
05:02But where do you need to get the blood?
05:04What is the blood to get the blood?
05:06You get the blood to get the blood
05:08when you sign the devil's agreement.
05:10Let's go, Olga,
05:14what is this voice?
05:16What is it?
05:18And it's time to make it down!
05:22Come this word!
05:24Who's my brother Hotel, Olga!
05:28If youours this,
05:30to your Marianas,
05:32something about her,
05:34and not more the liquid!
05:36And when you grow up,
05:38you won't exist!
05:40What are you doing?
05:42What do you think?
05:43Luke, don't mess up.
05:44What did you think of him?
05:45What did you think of him?
05:46What did you think of him?
05:47What did you think of him?
05:49It's not important.
05:50We were a little disappointed.
05:52I don't know what happened with Luke.
05:55But I know that Luke is not living with us.
05:58That he became a man in the house of Savas.
06:02And you want that your unborn diet
06:06never falls in this house.
06:08You want your diet
06:10don't wear the name of Radmilović.
06:12You want that.
06:13You don't want me to do it again.
06:15What are you doing?
06:17You want me to do it again?
06:18You want me to do it again.
06:20And you leave me alone to die.
06:23And I tell you
06:25I worked with Luke
06:27just like you and I said.
06:30And what did I get from that?
06:32I was a man with Luke.
06:34You want me to say
06:35that you are a man with Luke.
06:37I want you to tell you
06:38that I won't carry out the account
06:40that the others say.
06:41Neither in the house
06:42nor in the house
06:43nor in the name of Radmilović.
06:44What do you want to carry out the account?
06:46Let me tell you.
06:47What?
06:48What?
06:49What?
06:50What will you do,
06:51my daughter,
06:52my daughter, Christine.
06:53If you will have that answer
06:55to the happy man,
06:56write it, brother.
06:58Write it.
07:00Write it.
07:01Put your blood
07:02so you will get your blood out.
07:04Just see.
07:06Don't call me
07:07when the pain is hurting.
07:21Sit and hear further.
07:22Put your blood out.
07:25Put your blood out.
07:26Put your blood out.
07:27the second name, the third name, the first name.
07:29It started coming out a million, Libia, Kara, Rasa, all sorts of stupid things,
07:33the enigmatism, the social media, the kind of sport.
07:36But one name is very famous.
07:39You know that my family was the most important esperantist in our country.
07:44What is this?
07:45Oh, it's true.
07:47I remember that someone remembered that name Kara Forgestone.
07:51I'm going to Google translate it and you know what's going on?
07:55Govori.
07:56Kara Forgestone, in the free translation of Esperanto,
07:59means no more than Mila Kovac.
08:06It was easy.
08:07I have one name, another name, another name, another name.
08:10And what happened?
08:12Chilly Smith, Liza Demirs, Rasa Seca,
08:15all of them from that Finnish language,
08:17and I don't know which language is the same.
08:19Mila Kovac.
08:25It's her false name.
08:28Now I have to go to the investigation
08:30and see why she served her name.
08:33She did it for me, Roman.
08:35How do I do it for her?
08:36How do I do it for her?
08:41How do I do it for her?
08:42I leave her with her at all of its loyalty.
08:44I also have to close up to her.
08:45I will finish her with her operation.
08:46How do I change her with her operation?
08:47It's okay.
08:48I write her with her.
08:49I start making it for her operation.
08:50How do I do it?
08:51How do I do it for her?
08:52In that relationship I will be doing something."
08:53I will finish her mama's hair.
08:54You will see how you look.
08:55I want to be very pale.
08:56You've done a blood sample. What could you have been able to do?
08:59So, wait for me, I'm going to buy you a bag.
09:12Hello.
09:13Hello, Mila.
09:15Hello, Janko. What are you doing?
09:18Let's go.
09:20What are you doing here, Bray? Are you normal?
09:26I wouldn't ask you to ask yourself.
09:29Janko, I'm here with my job.
09:31With my job?
09:32With my job?
09:33With my job?
09:34With my job?
09:35Let's follow me.
09:36I don't want you to be able to tell me.
09:50Let's go.
09:51Hey, Sao.
09:56We've just waited for us.
09:59Could be a little visit.
10:00A visit?
10:01It's just lovely to meet you.
10:03Let's go a little, let's explain what we're planning on.
10:04Let's go to our business.
10:05Let's go to our business.
10:06How about our business?
10:08We're not helping you.
10:09Let's explain to you what we're planning on.
10:11Aldo was ordered to prepare for the identification of tourism identity.
10:17I don't know what to do with tourism, but we need to ask you something.
10:22You know what, you know that I want to do a great holiday.
10:26But first of all, I'm interested in one of your own.
10:31Who is it?
10:42Do you forget what I promised?
10:45I'm not. I'll believe you.
10:48Do you believe me?
10:49What do you believe, Jean-Claude?
10:51That I'll do what we planned.
10:54With you or without you.
11:01You look like I wanted to do this.
11:05You look like I wanted to do it.
11:08I'm looking for you again.
11:10I'll do it.
11:11We'll do it like we've done until now.
11:13Just let me think and say nothing.
11:16You know that no one in this world is no longer than you.
11:19But you know that nothing more than you do.
11:25What do you say, Jean-Claude?
11:27No.
11:28No.
11:29No.
11:30No.
11:31No.
11:32No.
11:33No.
11:34No.
11:35No.
11:36No.
11:37No.
11:38No.
11:39No.
11:40No.
11:41No.
11:42No.
11:43No.
11:44Oh, no.
11:45I don't know more about that.
11:51And don't come to this thing that I'm telling you.
11:57I have to go now.
11:59Don't take care of me.
12:01Well, I wouldn't have met that.
12:03I didn't see the job.
12:05Tell me what you have.
12:07I know who Valentine would do.
12:09Who?
12:10You promised.
12:11You'll have to pay for valentina,
12:12and you'll have to pay for it.
12:13I'm not even a lawyer.
12:14Tell me why I'm doing that.
12:15Tell me what you have to say.
12:16Tell me what you have to say.
12:17Tell me what you have to say.
12:18I know who Valentina would do against the other side.
12:20Who?
12:21Tell me, I promise you won't go.
12:23You will be able to pay for valentina,
12:24and you will be able to pay for it.
12:26Just wait, I'm an advocate.
12:27To make sure I do the law.
12:28Tell me who is.
12:32Olga Radović.
12:34Forgive me for that later.
12:37Mila, we've only been waiting for you.
12:39Can we go?
12:40Where do we go?
12:42We're going to Melina.
12:47Is it okay?
12:48Yes, it's okay. I'm dead, I'm just a little.
12:51What is there in Melina?
12:54It's the best place to start our identity.
12:57Let's go.
13:01Let's go.
13:02Grofe, Grofe Graciano.
13:04Welcome, Mitter.
13:05Good morning.
13:06Hey, Mitter.
13:07Are you going to see it?
13:08Yes, really. We have a personal meeting.
13:10Hello, Lutko.
13:12Hello, hello.
13:13Hello.
13:14Hello, Niki.
13:16Grofe Graciano.
13:17Well, my wife will now.
13:19You know, we promised you to meet you, right?
13:23Yes, but we really don't have to.
13:25Believe me, don't forget it.
13:27She is something special.
13:28I feel 10 years old.
13:31Mitter, I'm very happy because of you,
13:33but we have to go.
13:35Okay, I know.
13:36But wait, can I help you?
13:38Unfortunately, no.
13:40Aldo,
13:42you know that you can always count on me, right?
13:45Of course, Mitter.
13:47I'll pay this account.
13:49Let's start.
13:55Lutko.
14:11He's going away, we're in.
14:12Oh, that's right, it's all good.
14:14It's all good there, and out are going away.
14:17ли are where left us?
14:18If you know where they are, it's important to go without us.
14:22How do I find a job between Graciana and Sava
14:25if we are both here and they are there?
14:28Who knows?
14:30What are you paying for?
14:32You pay me to be your wife who cares and cares.
14:36Excuse me, please.
14:42Please, bring me some Doručak
14:45and a nice wine of Penušova.
14:47Like an egg.
14:49Dear, look at me.
14:51Where are you going?
14:53Look at me.
14:55Chardonnay, plantage,
14:56I don't know.
14:58My dear, my dear,
15:01I told you that
15:02that in our summer,
15:04a champagne for Doručak.
15:07What is it?
15:09Let me go.
15:15I told you that I was watching you.
15:21Wait.
15:22As I know,
15:23Olga Bratanac is married with Savino's daughter.
15:26Well, that's what changes.
15:27Olga Radmilović talked to Valentino,
15:29and on the floor behind her,
15:31there was such a terrible knjižurina.
15:33And?
15:34And such a terrible knjižurina.
15:37And on the floor it says,
15:39Operational dossier Savo Bačić.
15:41Da nije operativno da si...
15:43Na isto ti je to.
15:45Cekaj.
15:46Evo,
15:47zaslužilec.
15:48Nije si se baš pretrgla,
15:49je li to sve?
15:50Kad proverim informaciju,
15:51dobit ćeš i više.
15:52Aj.
15:53Misliš li ti
15:55da je lako špionirat sa strostnicima?
16:02Služe, djev.
16:05Ja sam čovjek otvoren, direkta.
16:07Mnogi me zbog toga ne vole.
16:11Čini mi se da se ni Gracijanu baš ne dopada.
16:13Tu reče da ti je prijatelj.
16:16I bit će draga ako se ti malo potrudiš oko toga,
16:18znaš?
16:20Pa ti treba da budeš moj akreditiv.
16:23Tvoj šta?
16:24Akreditiv, Dijana.
16:25Ljudski akreditiv.
16:26Svataš?
16:27Ja hoću da te vide.
16:28Da vide taj raskoš,
16:29da vide kako si zgodna.
16:30Hoću da im se dopadneš.
16:32Znaš, da se pred tobom otvore, da progovore.
16:35Razumiješ?
16:36Pa dobro razumem.
16:38Razumiješ, jel?
16:39A što onda treba da uradiš prvo?
16:42Što?
16:43Da se što upoznaš sa njima, Dijana?
16:46Pa dobro, sljedeći put ću poživaditi.
16:49I uradit će što hoćeš.
16:55Ali bi i ti mogao predanom da se otvoriš i progovoriš.
16:58A o čemu to?
17:01Nešto me zanima oko one Nikoline.
17:04Nikoline?
17:05Ona je male što je traži, ona je strica žabljaka, jel?
17:09Jest.
17:10O njoj.
17:11Pa što ti imaš s njim?
17:13Nemam ništa, prosto me zanima.
17:14Nemoj mene da foliraš.
17:17Vidjela si tamo što rade te ženske po agenciji, jel?
17:19Pa si se tu sažalila nekog brđanina, bradatog, brkatog.
17:24Jel' tako?
17:25Šta je ako jesam?
17:26Slušaj draga, samo ti radi svoj posao.
17:29A kad dođe vrijeme, ja ću te odvesti kod taj Nikoline.
17:32Obećavaš?
17:36Pa već sam ti obećao.
17:39Ništa je ome da vrijemeš.
17:41Čim bude vrijeme, ta Nikolina stvorit će se sama pri te.
17:51Na plati.
17:55Samo da znaš.
17:59Ove računeću da ti odbijem od honorara.
18:01Ove računeću da ti odavljamo od honorara.
18:17Tražite nekog?
18:18Luku Radmilović.
18:20A vi mora da ste njegov otac.
18:23Taj sam.
18:24Onda bolje pođite nazad.
18:26Čulo sam kako ste ga izbacili iz svog kafića.
18:29Nije ni čudo da je odjutro su nakon na drndan.
18:32Pođite vi mene reći gdje ili ja da krenem od vrata do vrata.
18:36Pođite za mnom.
18:37Što se mene tiče što prije.
18:43Možda iz ta plaža što da ne.
18:51Neko te traži luk.
18:53Moram da prekineći ćemo se.
18:57Da te nešto ne prekidam?
18:59Već sam me prekinao.
19:01Izvoli uđi.
19:04Ivana samo zatvori vrata za sobom ko može.
19:08Hvala.
19:18Ovo je za tebe.
19:23Što je to?
19:25Častim što mi je sin ođe na šaposa.
19:28Jezda je malo kasno ali bolje ikad, no nikad.
19:32O zadnje vrijeme što mnogo čašćavaš.
19:35Pa što je red, red je.
19:40Je li to sve?
19:42Pa...
19:44Nije.
19:46Da ti olakšam jovo.
19:48Sve znam.
19:50Što znaš?
19:51Pa sa se izviniš, el tako?
19:54Rekao si uradio nešto što nije trebalo što nisi htio mislio i tako dalje i tako obliše.
19:59Tačno. Doša sam da se izvinim.
20:03Eto, računaje da je ti to završeno izvinjenje prihvaćam.
20:11Bači.
20:12Bači.
20:13Bači.
20:14Bači.
20:18Bači.
20:19Bači.
20:21Bači.
20:23Bači.
20:25Bači.
20:27Bači.
20:29Bači.
20:30Dobro ti je ovo dženoga.
20:34Što, bucaš ova?
20:36Bu Drek, uzmi.
20:39Slaba ti iskrena.
20:41Okay, so we've done it, so we're going to get out of it now,
20:46all of our tasks, right?
20:48I'm serious, Luke.
20:50Yes, I am.
20:54I don't know how to do this.
20:57Well, let's pause today,
21:02but we would have a coffee and a hot water.
21:08Okay, let's go.
21:11Raika!
21:18Raika!
21:23Raika!
21:31Raika!
21:38Are you looking at something like this?
21:41No, no, I'm just focused on it.
21:45I have some of the most new information,
21:47and I think that they have a special weight.
21:49Excuse me, listen to me.
21:51I've already said that Bačić is going to make his own monopoli
21:55and in the way he's reproach other companies
21:57that they don't have a job on the territory of Budva.
21:59And that's what we see in this case.
22:03Who?
22:05The Hilton project in Budva.
22:08Bačić is this investor practically
22:10from our river.
22:13You said the Hilton project in Budva.
22:16Yes.
22:17Yes, I have information here
22:19about a huge investment.
22:21That would mean a lot more...
22:23A million euros,
22:25a direct trip,
22:26a night,
22:27a lot of working places,
22:29a better life for all of us in Budva.
22:32Is that right?
22:33What?
22:35Excuse me,
22:36but the phrase sounds so good.
22:38Sorry,
22:39can you tell me
22:40who you got information
22:42about Hilton Budva?
22:43Please,
22:44please.
22:45What?
22:46The Hilton.
22:47Yes,
22:48I am sorry.
22:49I could help you.
22:50I can talk about a young,
22:51a prospective,
22:52a competent politician
22:53who is in the midst of
22:55a small,
22:56but an important political party.
22:59When did this happen?
23:02Vasilij wanted to repeat the words
23:04about the millions of trucks,
23:06like he wanted to defeat himself and others.
23:10Now wait.
23:15No.
23:22So, if you had to drink coffee in the kitchen,
23:24you could get out of the rain.
23:27I haven't. I haven't even drank anything.
23:29I don't want to drink. I have a job.
23:36So, let's drink coffee.
23:41Let's drink coffee.
23:43Let's drink coffee.
23:45Let's drink coffee.
23:47Let's drink coffee.
23:49Let's drink coffee.
23:51Let's drink coffee.
23:53Let's drink coffee.
23:55Let's drink coffee.
24:01You know how to drink.
24:09Excuse me.
24:11Hello, Kristina. You are?
24:13In Budva.
24:15Of course, I'll go.
24:17Then we'll see you there.
24:19Do you want to drink coffee?
24:23I don't want to drink coffee.
24:25I don't want to drink coffee.
24:27Don't drink coffee.
24:34Do you want me to tell you that you have to drink coffee?
24:37No.
24:39All.
24:41I put into the question for Hilton Budva,
24:42I can show you here for the first time personally.
24:44How is that?
24:45That project Hilton Budva came to me.
24:47I'm pointing out to a timeline?
24:50According to some private channels,
24:53that is how I declare it,
24:55that it is not forgotten or being stopped.
24:59Okay, I don't see anything wrong.
25:01No, I don't see anything wrong.
25:03No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
25:09He was thinking about it on the fence.
25:13The police would be allowed to get the police by the way of corruption.
25:17Without the law.
25:18And, of course, the apartment of the Bačićev's house was completely closed.
25:22Okay.
25:23You can tell me that Bačić was going to get the rules,
25:27and that Hilton wanted to go to the police.
25:29That's not a connection with Hilton.
25:31That name is unparalleled, you understand?
25:33That name was a part of the payment.
25:35That they take the guarantees and credit from other banks.
25:38That they take the money and it will be removed.
25:40Okay, I think I heard enough.
25:44What kind of father, what kind of son?
25:59I pray.
26:01I just wanted to tell you that the police will call the phone.
26:07Do you have any job?
26:09I didn't think anything wrong.
26:11No.
26:14It's nice.
26:39Hello, Ena.
26:43What are we ready for today?
26:45We're ready for constantly.
26:47And I can tell you that I'm quite surprised.
26:50Why?
26:51Because I expected that I'll talk with you because of your opinion and your authority.
26:56I didn't expect that I'm going to take a conversation with the company of Bačićev's house.
27:00I really don't understand why you're afraid of me.
27:03You're right.
27:04I'm sorry if you're going to talk about it.
27:06But after all that you've said, you've said to me that I don't have anything to do with you.
27:10What do you think?
27:11You're right here to be arrested and arrested the same person?
27:13Because of which you came to?
27:14Because of you.
27:15Because of me.
27:16Because of you.
27:17Because of me.
27:18Because of you.
27:19I wanted to protect you from the mistakes that I've started.
27:22What kind of mistakes?
27:23I think that you're giving you trust to the wrong people.
27:26You're right.
27:27You're right because of your profession.
27:28You're right because of the ideal.
27:30You are.
27:31You're right behind me.
27:32So, you're right.
27:34You're right from them.
27:35I'm okay.
27:36If you're in the Carbonic society, I don't think anything about it.
27:39Most recommendations are better.
27:41And better and more.
27:43You will be able to take them and have them.
27:45Who's from them?
27:46You know what I mean?
27:47There's a lot of forgiveness from the other people.
27:49What are you about?
27:50Why do you think?
27:51How would it be in this type of forgiveness?
27:53The problem is that you estuveman of Bačićev's house each other due to you.
27:57You not part of a father, a father of sins!
27:59Prevarant, manipulator.
28:00That you gave me one, one, only evidence.
28:03That I would believe you.
28:04What do you do?
28:05This is a newspaper.
28:07I mean, this is a campaign.
28:09It's so funny that you use this.
28:12I would say that you are a campaign for Sava Bačica.
28:29I would say that you were a campaign for Sava Bačica.
28:53Ah, ah, ah, ah, ah, ah
29:02Ah, ah, ah, ah, ah
29:20Niva, are you good?
29:25Yes, yes, I'm good.
29:28When did you have this project?
29:31From 1991. The government has collapsed, the army is together with it.
29:37I bought it enough.
29:40And how much did you do that?
29:42Very little. I'm waiting for the right investor.
29:46We're at the right place with the right reason.
29:48Niki, I'm sorry.
29:50Of course, Aldo.
29:55As you already heard,
29:57identity of tourism is the most valuable and most valuable thing that anyone has.
30:03Identity.
30:08You can see here, we're at the place of the identity of the one who loved the whole planet.
30:16And this country is truly loved.
30:18Now, think about how it would be to make the most rich world clientele
30:25feel that identity.
30:29That's right, Tito.
30:31Yes, yes.
30:32Can we?
30:33Let's go.
30:34Look, what's going on?
30:36Do you know what's going on?
30:37What's going on?
30:38Can we imagine how it is again?
30:39Do you know what's going on?
30:40Do you know what's going on?
30:41Do you know what's going on?
30:42Dobri.
30:43Yahto.
30:44Good.
30:45Game on, gale.
30:46Kako ponovo pristaje na ovoj plaži?
30:48Dovodići naše klijenta, tačnje našeg marsala,
30:51By bringing our client, or our marshal,
30:57to the place he loves so much.
31:00The
31:05Lovćeg
31:10Zemite dobrodošljicu što mu se ovdi ukazuje.
31:15I Vil. Lovćeg, u punom sjaju.
31:20Zemite potom kako našeg maršala,
31:24in full of joy.
31:26Then, think about how our marshal
31:29the reconstructed model of a blue car
31:33carries the renewed fork
31:35to the uskuk Olosjeca
31:38according to the new hercig and uskuk,
31:41and then the same way back to Melina
31:44where he would be waiting for his horse
31:47and his gal.
31:49You would be like the guests of the Marşal.
31:54No, no, no, no. It would be nothing to do with maskerage.
31:58It would be an unnecessary life experience.
32:02Father!
32:07Just having the guests lived the life of the last governor of the Yugoslavia,
32:13it would be a good time.
32:14Father!
32:15Hey, Father!
32:16I don't know what to do!
32:24Mila!
32:26Mila, how are you?
32:30Mila!
32:31Mila!
32:32Donets me!
32:33Mila!
32:34Mila!
32:35Mila!
32:36Mila!
32:47Hello, Christine!
32:50Thank you for coming so quickly!
32:52No problem, I was just here near you.
32:55And you stay here for Vikki?
32:57No, I'm back to Podgorica, but I wanted to use what I'm here.
33:04Let's take this!
33:07It's a copy, I didn't change anything.
33:09But you'll be able to check it out.
33:11What would you check?
33:13I want you to know that it's just like the example that I gave you.
33:18I ask you to check it out.
33:20It's not important.
33:21It's important.
33:22I ask you to check it out.
33:23I ask you to check it out.
33:27Good, when you want to check it out.
33:33Is this the same answer?
33:35It looks like it is.
33:39Then I ask you to sign it.
33:43You said, Christine, that it's not important when you sign up.
33:51It's not important.
33:53Of course, it's not important when.
33:55But when we can already.
33:57Why wouldn't we do that again?
34:02It's only formal.
34:04The letter is later.
34:05We need to check it out to the court.
34:07But I wanted to make our first step to this point.
34:21Okay.
34:25I'll write down.
34:26I'll give up.
34:29That's it, I don't have to say.
34:31My question is late to go.
34:32You said, I have to say,
34:33I should tell you.
34:35That's my question.
34:36I don't know.
34:38What about the romance, isn't it?
34:40Who was the one?
34:41Yes.
34:42That's it, and her.
34:43And here, look.
34:44Here, look.
34:45Here, I can't wait, Christine.
34:49Just give me a letter.
34:52No, Kristina. Excuse me.
34:54What?
35:04I can't. Excuse me.
35:07It looks like today is the day for forgiveness.
35:13Excuse me.
35:14You told me to accept this.
35:21Yes, I told you.
35:24Here, now I'll tell you.
35:28When I met you, Kristina, my life,
35:33when it comes to acceptance and appreciation.
35:37I can't.
35:39I can't.
35:41I can't.
35:43It would be impossible.
35:46It would be impossible.
35:51What you've done now is impossible.
35:54Kristina, wait a minute.
35:55What?
35:56What is important?
35:57What part of the paper,
35:58that we're trying to deal with between us?
36:03I thought that this will happen.
36:06It's not worth trying to do it.
36:08I tried it and now it's done.
36:11Kristina, wait a minute.
36:14It's done.
36:15Always and finally.
36:17Kristina, I'll do everything.
36:18What do you want?
36:20Kristina.
36:21I just wanted to write this paper.
36:24You can't do it.
36:26And now it's done.
36:27Between us.
36:28There won't be anything.
36:30What about nothing?
36:31It's between us.
36:35It's mine.
36:37It's mine.
36:38It's mine.
36:39It's mine.
36:40It's not mine.
36:42It's mine.
36:43It's mine.
36:44It's mine.
36:46If it's so,
36:47then what's important
36:48that I haven't signed this?
36:49Kristina, I pray.
36:51God, I pray.
36:53Kristina, wait a minute.
37:07It looks...
37:10...uncomfortable.
37:11I'll do it.
37:12I'll do it.
37:13I'm just going to know what you're talking about.
37:16Just let me know what you're talking about.
37:18Whatever you're talking about,
37:19you're talking about me.
37:20Just to tell me,
37:21you have to tell me about this.
37:24I'll tell you about this.
37:25What will I tell you about?
37:26I'll tell you about it.
37:28I can only think about Luke when he hears this.
37:30What?
37:31When he hears this?
37:32That's for you, Roman.
37:33It's not to him,
37:34but to Sav.
37:35I don't know anything.
37:37So Sav...
37:38About Sav?
37:40Well, I'm sure that you tell Sav that he will understand.
37:45What will he understand?
37:46Well, that you're not happy in marriage, that you're not happy, that you want to start with something new with Roman.
37:53Roman came here to ask me about Milij Kovac.
37:57We're here for that.
37:58Milij Kovac?
38:01What, Milij Kovac?
38:03I want to know who is that woman before she was asked for Sav.
38:09That's it.
38:11What? You're like you're disappointed.
38:14Oh my God, I'm disappointed, I'm disappointed.
38:16I've fallen from my heart.
38:18But Sav does not speak.
38:20I've tried to talk with him a few days ago, but I didn't want to listen to him.
38:24When I knew that I would respect myself, I'd be disappointed.
38:27When I know something specific about Roman, I'll talk with him.
38:32That Roman is a good mom, isn't it?
38:34Yes.
38:35And I heard that he was dangerous for a few days after a few days.
38:39I'm not really.
38:41I've just told him that he was with his legs.
38:45He didn't hear me as much as I'm eating.
38:47I'm sad.
38:48I did a good job.
38:49I'm not wrong.
38:50I'm sad.
38:52I'm not really.
38:54I'm not as tough as I've ever done.
38:56I'm not too far.
38:58He has a good job.
39:00He has Aan.
39:01His life without his love.
39:02He has a good job.
39:04I'm not too long to try.
39:06I'm not too short as I've said that.
39:08I'm too hard.
39:09I'm a good job.
39:10I'm not too strong but I'm too shy.
39:11It's a good job.
39:12There's a good job.
39:13How are you doing?
39:14Please.
39:15I went back to see how you do it.
39:18How are you doing?
39:20I'm doing it.
39:21It's hard to find the job.
39:26Especially if you're only out of the building,
39:29so the judicial process doesn't work anymore.
39:32It's hard to find the job.
39:35It's hard to find the job.
39:38Especially if you're only out of the building
39:41that the judicial process hasn't finished.
39:44Here, I'm trapped.
39:46How are you doing?
39:48Why are you asking?
39:50He's a building.
39:53I didn't see him when I came out of the building.
39:57Right.
39:59I wanted to trust you.
40:02What would you do?
40:04Look, I'll open my card.
40:11I don't know anything about you and Serdar.
40:14What?
40:15Do you know how, when and what you did?
40:19I don't know.
40:20I can't even tell anyone.
40:24I don't know why you're talking about it.
40:27But I don't know how to talk with police.
40:30I don't know why you're talking about it.
40:31Listen, let me tell you.
40:32Open my card.
40:33Remember...
40:34...
40:35...
40:36...
40:37...
40:38...
40:39...
40:40...
40:41...
40:42...
40:43...
40:44...
40:45...
40:47...
40:48Hey, you!
41:04Did you call me?
41:06Yes.
41:07Who are you?
41:09What?
41:10You are one of these Alek's doors, isn't it?
41:14What do you think, ladies?
41:20Something that would be the best to fight in the door, together with them.
41:26I need to fight them in the door.
41:30I work in the police.
41:32Really?
41:34I want to show you a sign, even if I don't want to fall.
41:38There's no need. The name will be enough.
41:42Nikita.
41:45Do you want me to be your name or do I have to be legitimate?
41:48I'm Jeana.
41:49My sister of Senki.
41:51The girl of Alek?
41:54What?
41:55You go to the future magazine.
41:58It's been a long time for me.
42:00It's very nice that we've known Nikita.
42:02Yes?
42:03What?
42:05We can talk a little bit about Alek and my sister.
42:08Are you ready to drink?
42:10How could I kill you, Mrs. Jeana?
42:14Allow me.
42:16The duty of the police is to meet you in the house.
42:20Mrs. Jeana is behind you.
42:22I'm sorry.
42:23I'm sorry.
42:24I'm sorry.
42:25I'm sorry.
42:26I'm sorry.
42:27I'm sorry.
42:28I'm sorry.
42:29I'm sorry.
42:30I'm sorry.
42:31I'm sorry.
42:32I'm sorry.
42:33I'm sorry.
42:34It's a thing cool.
42:35Doesn't it cost me?
42:36Mrs. Jeana is fine and I just forgot you well.
42:45Mila, are you alright?
42:49Yes, okay.
42:50Yes, up.
42:51Yes.
42:52Do you want a bottle of water or something else?
43:06Yes, water will be taken away.
43:22Do you want a bottle of water or something else?
43:39What did you do?
43:42Nothing. A little pressure.
43:45It looked like you were looking for something.
43:48To see.
43:50Why did I see it?
43:52I don't know. It looked like it.
43:55It did it.
43:57I've never been able to do it.
44:01I'll just leave it for a moment.
44:03I'll be like a new one.
44:14When I'm going to go to the evening, Zoina.
44:17It's important.
44:18It's important.
44:36I want to see you.
44:38Let's go to the next place.
44:40Let's go.
44:41I'll check the mic.
48:36Yeah.
49:06Yeah.
49:36Yeah.
50:06Yeah.
50:36Yeah.