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00:00Transcription by CastingWords
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02:59You know, there are things in which a man is unable.
03:11It seems that life is one of them.
03:17Why do you stay here with us now?
03:22What will you be there in the village?
03:24I'm going to go to the village. I'm going to go to the village.
03:29I'm going to go to the village.
03:31I'm going to go to the village.
03:33Why do you give me a taxi?
03:36No.
03:38And we'll wait for you to help me.
03:42Let's go to the village.
03:44I'm going to the autobus.
03:47Why do you give me a taxi?
03:50What?
03:52I'm going to forget.
03:56I left Lucian for Lukin and Bojanin.
04:00Then you will not be able to do it.
04:03Like a horse, I don't know.
04:06I'll go, dad.
04:07I'll go.
04:08I'll go.
04:10I'll go.
04:12I'll go.
04:14I'll go.
04:15I'll go.
04:16Oliva.
04:17Hm?
04:18I'm a happy person.
04:19I'll quickly hold my right arm.
04:20My mother...
04:22My mother's father.
04:23I'll often hold my right hand.
04:26I want something to tell me.
04:33What is that?
04:35When you get there, you will be able to move from the village
04:40and you will go and see your own daughter.
04:44I want you.
04:46To see how this is going to be standing.
04:48I will.
04:50Now let's go.
04:56Don't laugh at me.
05:04No, but if you want to talk...
05:06We are enough.
05:08The manager wanted to finish the presentation,
05:11let's do it now.
05:13We are in front of Stambeno-Poslovnog kompleksa Sava Bačića
05:17which is the construction of the village.
05:26We are in front of Stambeno.
05:28Let's go.
05:29Let's go.
05:30I don't know.
06:00It's done, it's done.
06:04What are you doing?
06:06No, everything is done with the manager.
06:08Let's leave the program.
06:10Yes, today.
06:12Give me a card.
06:18Are you sure to do this plan?
06:20Sure.
06:21Otherwise, I would have done it.
06:30What are you doing?
06:36I look like a happy woman.
06:39I'm sorry.
06:41No, I don't forget.
06:43I didn't hear the question.
06:45Tell me.
06:47I look like a happy woman.
06:57What is the question now?
07:00Just kidding.
07:02I talked to Miljana and it looks like it.
07:05When she was trying to kill me,
07:07she was trying to kill me,
07:09but she was trying to kill me.
07:10I always think I'm really happy.
07:19Do you feel like that?
07:21No.
07:25I live with a man who I love.
07:27I'm waiting for him.
07:29I remember that.
07:32What do you think about me?
07:38And you?
07:44What am I?
07:45You feel uncomfortable and uncomfortable.
07:48While you want to see us, it's not going to see us, Gabriel.
07:51I don't see you, Gabriela.
08:14Just a little bit, we don't have to worry about it.
08:17I decided to say to my father.
08:19What did I say to my father?
08:20What did I say to my father?
08:21What did I say to my father?
08:22What did I say to my father?
08:23What did I say to my father?
08:24I didn't love you.
08:25I didn't love you.
08:27No, Gabriela, you didn't love me.
08:30Why would you do that?
08:34I didn't happen between us.
08:35I know, I'm not a fool.
08:37I want to talk to my father.
08:40Why?
08:41I want to know that it's not about hero and capric,
08:43but about right and love.
08:45When I tell him, we can be together, understand?
08:50How good?
08:51How good?
08:52What a joke is not about her.
08:53How good?
08:54How good?
08:55How good?
08:56What?
08:57How good?
08:58What are you doing?
08:59How bad?
09:00No.
09:01Do you have to wait for me.
09:02If you are not a kid in the house,
09:03that way, you are not a person.
09:04I didn't want to work, but I went to the office and put it in the house.
09:13But it doesn't hurt me.
09:15I know that I don't want you, but it doesn't hurt me.
09:18You haven't said anything yet.
09:21I'm not satisfied, I'm not happy.
09:24These are only words, right?
09:26I can't speak.
09:28But it's the same words.
09:30We're waiting for you.
09:33But it's important, right?
09:39Yes, they say.
09:46Let's go to the job.
09:48Let's go to the job.
10:03Let's go to the job.
10:04Let's go to the job.
10:06Let's go to the job.
10:08I'm going to ask you to communicate with us.
10:10Why?
10:14I work for Sava.
10:15And he's your father to ask you to solve the problem.
10:17You think that our love could have done that job?
10:22I think it could have done all of us.
10:24All of us.
10:27All right, Boć.
10:29I'll tell you that I'm going to stay here in Beograd
10:31and I want to stay here.
10:34I think I won't say anything.
10:37Not yet.
10:40That's so much better.
10:43But Boćo,
10:45I want you to know that I won't be thinking about you and me.
10:49And you won't be you, right?
10:51No, Gabriel.
10:52No, Gabriel.
10:53I won't.
11:09Olga.
11:11Where are you?
11:13Hello, Basidi.
11:15I'm going to work.
11:16I'm working in the community.
11:18What's wrong?
11:19I forgot.
11:21We're close to you and we're known.
11:29Do we have coffee?
11:31Can we?
11:33Let's go.
11:34Let's go.
11:35Let's go.
11:36Let's go.
11:37Let's go.
11:38Let's go.
11:39Let's go.
11:44Let's go.
11:46Let's go.
11:48Let's go.
11:50Let's go.
11:51What do you think, Niki?
11:58What do you think, Niki?
12:01What do you think, Niki?
12:04Maybe you're younger, but at the moment you're more interested.
12:08You're like a red-bucked grana who wants to get out of the car,
12:11to make yourself a job for a seat.
12:13But you can't be a competition.
12:15You're not a Sibylian.
12:17We're in Italy.
12:19Aldo loves to use the style.
12:22Do you know, Selene, what is the style?
12:25Prostakliša wants to teach me about a seat in Italy.
12:29The style is a club that wears a seatbelt.
12:32Aldo doesn't need to look for the seatbelt.
12:35I'm already born with him.
12:38I know it's good.
12:40The small Prostakliša surely knows everything about the seatbelt and seatbelt.
12:44If you're looking for the seatbelt, you'll find your seatbelt.
12:49You'll find it.
12:50Aldo te nemoji o svašta.
12:51Al' ne učitivom jeziku.
12:53Ma more,
12:54I'll just keep going and I'll think I'll take your seatbelt.
12:57I'll tell you, Selene.
12:59What's more than me?
13:01The language or the tongue?
13:03Tukite!
13:04The usual.
13:08What?
13:10You call me here.
13:12I don't have anything to say to you.
13:16Just give me a little.
13:18I'm going to concentrate.
13:20What?
13:22What?
13:24What?
13:26You're calling me here.
13:28I don't have anything to say.
13:30Just a little.
13:32I don't think I'm going to concentrate on this conversation.
13:38You're going to finish anything earlier.
13:40I'm calling you.
13:42I'm calling you.
13:44I'm not going to start the conversation.
13:46I don't know.
13:48You're the best person.
13:50You're the best person.
13:52I'm asking you.
13:54You don't believe yourself.
13:56You're not a person who does everything
13:58only work out of self-interest.
14:00I pray.
14:02No.
14:03That's the last step of your life.
14:06What you're trying to prove.
14:10You're not the same.
14:12You're not the same.
14:14You're not the same.
14:16You're not the same.
14:18You're not the same.
14:20You're the same.
14:22You're the same.
14:24You're the same.
14:25You're the same.
14:26You're the same.
14:27I wasn't here to hurt myself.
14:29What did you do?
14:31To prove yourself that you were with me because of a feeling,
14:34and not because of the conflict with Hilton.
14:37I can see that this was a bad idea.
14:39I think it's time to go.
14:45Anyway, I have nothing to say to you.
14:49You killed me a little faith that I had people.
14:52After everything that happened between us,
14:55I can't even give up any kind of illusion.
15:00And you see,
15:01I wanted to tell you exactly the same way.
15:04That's why I invited you.
15:07The time I spent with you,
15:09I didn't have faith in people.
15:18My beautiful, Vasilij.
15:20You look like you didn't even see me with my illusion.
15:24You look like I'm looking good.
15:27Bye.
15:28Bye.
15:30Bye.
15:31Bye.
15:32Bye.
15:33Bye.
15:35Bye.
15:37Bye.
15:40Bye.
15:41Bye.
15:42Bye.
15:44Bye.
15:45Bye.
15:46Don't care.
15:50I want to share with you.
15:52Bye.
15:53I want Graciano to stay away from here and go to the hospital with Salomon.
15:58No.
16:04Here it is, it's done.
16:07And hold your head in the way, baby!
16:10In the way, lady!
16:12I don't hear anything.
16:14I have to hold my head in the way.
16:16Good, good!
16:18Good day, lady.
16:19Do you have vitamins?
16:20Two or three bags for a month.
16:22But before I ask you, look at the picture.
16:26Who is that, lady?
16:28I don't know, I came to you from here.
16:31How is it known?
16:33I know this from now.
16:35100%.
16:37Wait, wait, wait.
16:38Let's try it.
16:40There it is, there it is.
16:42I don't know.
16:44I've seen this guy.
16:46I've seen this guy.
16:47I've seen this guy.
16:48But there's no chance.
16:49I can't remember, lady.
16:50Do you know how many people come to me?
16:52From the woods.
16:53More than what they have in the telephone name.
16:55Let's try it.
16:56I have to find him.
16:57I have to talk to him.
16:58I have to talk to him.
16:59I know him 100%.
17:00I've seen these eyes.
17:01I've seen it.
17:02I've seen it.
17:03Everything.
17:06I didn't hear anything.
17:07I want Graciano to stay away from here.
17:09Do you understand?
17:10Why?
17:11We gave a good call.
17:12Yes.
17:13You brought Graciano to this guy, right?
17:14Yes.
17:15I am.
17:16What then?
17:17You grew close to Sava.
17:18You knew exactly how to give him.
17:20But obviously you changed a lot when you didn't know it.
17:23I was only one child who grew up in the house.
17:27Now I'm a woman.
17:29And I gave him a call.
17:33What could I say to you?
17:35Well, you tried to stay away from here.
17:37I want you to stay away from Graciano and your pain.
17:40And in the same way?
17:42Yes, in the same way, Nicolina.
17:44Well, your play with identity is ready.
17:48I know you're an intelligent woman, Mila.
17:51But you're wrong with the situation.
17:54You're wrong with the situation.
17:56When you thought your name will remain a secret.
17:59Do you think that it would be great for Graciano to be ready from the project?
18:05I don't know.
18:07We need to check it out.
18:09I don't know what to check.
18:11You know who I was.
18:13You know what you know.
18:14You don't change anything.
18:16I don't know why you hate me and me, Aldo.
18:19I saw it from the beginning,
18:21but I didn't understand your reasons.
18:24In this case, you took a wrong way to get with us.
18:31We'll see it.
18:33There you go.
18:35You're welcome.
18:36No...
18:37That's my fucking gift!
18:38It is the same.
18:39You're welcome, Jenny.
18:40We'll see you again for our work.
18:41Yes, there's your time.
18:42We hope we'll see you in our work.
18:43We hope to hang out in the activity.
18:44That's just, Aldo is here to get out of a new job.
18:45Yes, the first time.
18:46They are here to establish a new job.
18:47Absolutely.
18:48So?
18:49What's that?
18:52Thank you so much for coming.
18:54How do you do that, Selena?
18:55We're waiting for our next meeting.
18:57Now it's a chance.
18:58Aldo is here to get a new job.
19:02Really?
19:03No, no one didn't say anything.
19:05Here I am now.
19:06I already told Aldo that a new job without old friends
19:09is completely impossible for you.
19:11What's that?
19:16Do you want me to bring me in the air?
19:19I want you to bring me in the air.
19:21I'm afraid that I'm so excited.
19:24Did you have to ask Alec what I told you?
19:27Yes.
19:28I know that you just want to ask us.
19:31I want you to ask us, Senk.
19:33I want you to find me you and Alec.
19:35It's better that you will be in peace tomorrow
19:37when Nikita comes to him.
19:39Jeanne, Alec didn't do anything.
19:41I really can't do this conversation with you again.
19:44But you have one thing that you promised me.
19:46What?
19:47Tomorrow you'll keep going away from Alec.
19:49Why?
19:50Why?
19:51Because everything will be done.
19:53I won't be able to get you again.
19:58There's no chance, friend.
20:00Hello.
20:02Hello.
20:03Hello.
20:04Hello.
20:05What?
20:06I pray.
20:07I don't say anything.
20:08I don't say anything, God.
20:10I don't say anything.
20:11I don't say anything.
20:12He's alive near me.
20:14Have you taken me to the other side?
20:16He doesn't hear what you say.
20:18No, no, no.
20:19But you can't hear what you say.
20:21What do I want to do?
20:22You said nothing.
20:23Have you taken me to the other side?
20:25Don't you think he's alive near me?
20:28Let me pray.
20:29Just help me.
20:30Just let me help.
20:31It won't.
20:32It won't.
20:33It won't be.
20:35Look at me.
20:37I'm going to go, Senka.
20:41I pray for you, you can't help him.
20:45That's it.
20:46I don't want you to hear you.
20:48What?
20:49He says that I can't help him anymore.
20:52That's it.
20:53It looks like he's not so bad as he's done.
20:56He knows himself that he's ready
20:58and he's not going to beat you more than what he's already messed up.
21:01I pray, listen to him if you don't want me to listen to him.
21:07You can't help him.
21:09And you can't follow him where he's going.
21:12In the door or...
21:21Hello, Bora.
21:23It's time to find him at the same place.
21:32Mila! Mila, hey!
21:33Stop, stop!
21:36Stop.
21:37What happened?
21:38What happened?
21:39Nothing happened.
21:40There's a problem.
21:41When will you tell me that situation with Savo and Graciano?
21:45You don't have to wait anymore, Mitra.
21:47What? You're driving me from them?
21:49I tell you to lift your hands and forget everything.
21:51Nothing from this job with Graciano and Savo.
21:53I'm sorry.
21:54I'm sorry.
21:55I'm sorry.
21:57Of course, I'm sorry.
21:59We're in front of the business-stambened complex of the building,
22:02which is the building of the building.
22:05The other criticism of the building on the building
22:07and his company's account of this building,
22:09is not a problem.
22:11I'm sorry.
22:12Comments of the building,
22:13I't really feeling the door,
22:26we have been beaten byera.
22:28I feel the need to forgive the viewers, and also the Mr. Bačić and his company
22:35because of the unconstrued and unconstrued attacks and attacks.
22:40If all of this was out of use, we just need to open it.
22:48Wait, Mila Paš, what does that mean?
22:52Nothing to go back to the bar and deal with this Zlataro.
22:56Nothing to go back to the bar.
22:58What did you do?
22:59What did you do?
23:00Nothing to go back to the bar.
23:03You have better luck with this girl,
23:05because there is no money that you can pay for your wife.
23:16Do you want me?
23:18I think I'll pay for anything.
23:22You can't, sir. Everything will pay for you.
23:26And regardless of what this girl says, we'll be better to stay in Malovca.
23:33Why?
23:35I paid for the apartment.
23:37We'll stay there.
23:39We'll see what will happen with this business.
23:42With us.
23:43With us.
23:44With us.
23:45We're together in the media.
23:48I don't understand you, Gabriel.
23:50First you want to go to her mother in Belgrade,
23:52now you want to stay here.
23:54Father, I've been here to have a lot of natural beauty,
23:57which I only need to know and know.
24:00What should it mean?
24:01Are you going to lie to me or talk about numbers?
24:04Father, I'm really serious.
24:06I'm very uncomfortable.
24:08I'm going to go to the hotel.
24:09I'm going to go to the hotel.
24:12Are you there?
24:14You don't need to speak or speak.
24:17Just go to the hotel.
24:18Okay.
24:19I promise you, when you're free,
24:21you'll invite me to talk about my work.
24:23I'll go to the hotel.
24:24Let's go.
24:25Before I died, the hotel is hanging out.
24:26только degenишься
24:27and the hotel is signing out.
24:28And the hotel is meeting.
24:29And the new hotel is having a wonderful dinner.
24:33She probablyDo that.
24:34I want to go to the hotel room,
24:35who only have a guest.
24:36For what?
24:38And what an accepted hotel room.
24:39Where the hotel is
24:43waiting on for,
24:45what the hotel is waiting for?
24:47And I don't have a וה audition.
24:49Who are the meeting waiting for suchFine!
24:50Where are the mate of which foridade and how the servers are,
24:51and how in doing that?
24:52And I didn't want to open it anyway.
24:54I'm happy to meet you in Grofe Graciano.
24:59I would like to say it, Teresa.
25:03I would like to praise you for a very good taste of Grofe Graciano.
25:08I pray.
25:09This is a small one.
25:11Really, a real drag.
25:12If I had this one, our new engagement will be much better than before.
25:17What's the story?
25:19This is the service with which we talked about.
25:21You don't have to engage.
25:26Don't go to the service with which we don't see!
25:28Don't go to the service!
25:33You don't change, Aldo.
25:35You're in all your baggage.
25:37You're in the same place.
25:39And you, Lena, go to the service with which I don't see you.
25:41Let's go!
25:47You must be the new Aldo's partner.
25:51I'm Savo.
25:53There will be a chance to get better to meet you, Savo.
26:02Aldo!
26:04Savo!
26:06What is 110?
26:08What does that mean, Savo?
26:10Allow me to stay.
26:12I don't know.
26:13Sorry.
26:14I mean, I don't know.
26:15I don't know what we have before.
26:18I was to speak.
26:19I just thought of this one as well.
26:20I was to speak.
26:25I was to speak to you, Savo.
26:26I don't know what he is doing.
26:31You can see it on stepenet.
26:33Yes.
26:34That's where he lives.
26:36Do you think he's right now?
26:38I don't know, he's always coming here.
26:40But he's always coming here.
26:42Thank you very much.
26:43Don't tell me, son, what do you think of him?
26:46He needs something of his sister.
26:49How beautiful when he's young.
26:56What is this?
26:58It's a joke with Savo.
27:00It's not a joke about this.
27:02What do you think of him?
27:04He needs his position in the hotel.
27:06He needs his position in the hotel,
27:08and then he invites guests to the guests.
27:10How was that, Teresa?
27:12What was that, Teresa?
27:14What was that, Teresa?
27:16What was that, Teresa?
27:18What was that, Teresa?
27:20Your beloved friend.
27:22You worked with her.
27:23What was it, Teresa?
27:25What was it, Teresa?
27:27What was it, Teresa?
27:28What was your beloved friend?
27:30What was it?
27:31Senena worked for my home.
27:33What was your beloved friend?
27:34What was your beloved friend?
27:36Yes.
27:37What was the son of a surprise?
27:38When she was the lady Graciano,
27:40Senena was modeling.
27:42What was her?
27:44It was an escort girl.
27:45Even though I didn't have a bad relationship to me.
27:49I'm far away from that.
27:51I had a modern and interesting relationship.
27:56Do you see your story about objectivism?
28:00Yes.
28:02One of the famous objectivists, John Williams,
28:06who is known as a mess of sex,
28:09is that the Atlas must be responsible for love, justice and justice.
28:16It's not easy with these Atlas.
28:19It's far away from that.
28:21You see, this Atlas is near you,
28:24is almost standing under the pressure of love, justice and justice.
28:30And you?
28:32What do you mean?
28:34You've been a love for the Selene.
28:39Yes.
28:42The Atlas have the right to be a weakness.
28:45And one of them is my daughter.
28:54I have to leave her to give her a return to Lucerne.
28:58Your legal department has been watching the last question.
29:04That's the Miss Vodija.
29:06I think it's all about the contact.
29:08That's right. I'm calling you to sign up tomorrow and then you'll be in a special evening
29:18where I'll show you how Ruta Marshal's identity and tourism together.
29:25Then we're ready.
29:28We'll see you later.
29:38Mirko, when you call or something goes, or it's already gone to hell.
29:48I'll give you some nice news.
29:51The television announced an unnecessary demand.
29:55What is the demand?
29:57Everything that they were talking about.
30:00Valentina announced a demand.
30:03Even if they were sent to the program, it was enough for everyone to see it.
30:10Wait, are you sure?
30:11I'll tell you, nice news.
30:14We're all right. We're all right.
30:21What are you, colleague?
30:23You're not satisfied because of that.
30:25You'll still tell me if you believe everything you hear on television.
30:28I'm thinking that you believe in that your Valentina.
30:33Hello, Miljana.
30:38Now, wait a minute.
30:41I'm going to tell you where I'm going to tell you.
30:44Do you want to tell me if we are together or not together?
30:48I'm going to tell you.
30:50I'm going to tell you, Zorko.
30:51With women, only milk.
30:58What a little bit of Zorko.
31:01Good morning.
31:02Good morning.
31:03Good morning.
31:04Good morning.
31:05Good morning.
31:06Good morning.
31:07Good morning.
31:08Good morning.
31:09Olga?
31:10Who are you?
31:11Did you want me to drink something?
31:14No, thanks.
31:16Good morning.
31:17We were waiting for you tomorrow.
31:19If you're something like this.
31:21You're not going to be here, but after it was late.
31:24I'm going to see you.
31:25Good morning.
31:26I can see how good it is.
31:30You started to push the origin of that shank.
31:34I thought I'd talk about Kristina.
31:38What does it have to talk about?
31:41I know everything.
31:43You know?
31:44I know everything.
31:45This or this, I know everything.
31:48I tried to do everything with that wife
31:51and she didn't help.
31:52She wants what she wants
31:54and she doesn't care.
31:55And that's why I put my hands on her.
31:57You put your hands on her.
32:01If you didn't forget something.
32:03What?
32:04A diet.
32:05A diet that needs to feed Kristina.
32:07What do I want to do?
32:09I want to kill her from my stomach.
32:12I don't want to talk about it.
32:14When you come home, I'll talk about it.
32:16I'll talk about it.
32:18And since I see you're going to drink,
32:21yes, no, no, I'll try a fuck outgered!
32:24What else?
32:27What else are you going to use?
32:29What are you expecting?
32:30What are you expecting?
32:31What did they say?
32:32What else are you expecting?
32:34What is it going to happen again?
32:35I mean, everyone needs to get rid of all the happiness.
32:38Give me another one.
32:40Just!
32:41You just tell me what the problem is,
32:43and I'll see what I'll do and what I'll do.
32:47Hello?
32:48Miljana?
32:49Hello?
32:53What happened to this guy?
32:54I can't believe.
33:00When I see Zora with Miljan,
33:02we don't talk about the people in this BDV,
33:04and I'll see you soon, Pešo,
33:06what you're fighting for in the women's life.
33:08I love you.
33:10Let me show you.
33:13Let me come and let me start with your example.
33:16It's so serious.
33:17I'm sorry, Max. I'm sorry.
33:27Hello?
33:34Is Alek on the building?
33:36Who is looking for?
33:37The police.
33:38It's nice to laugh and talk to me when he asks you.
33:41Who is Alek? Do you want me to call him?
33:43No.
33:44Tell me, until he's on the job?
33:47Until the years he works on the building.
33:49Right?
33:50That's a good job, Alek.
33:52That's the job.
33:53The fire department.
33:54The rest of the rest will come to sleep.
33:56The fire department?
33:58You've found a tool for the fire department.
34:01Who is this?
34:04The last one is the last one and the last one is the last one.
34:30Good.
34:34You haven't seen anything yet?
34:36No, bro.
34:39I have to ask you how much you know you well.
34:42I ask you.
34:44And how much you know you well?
34:48You know earlier, before you came here.
34:51Of course, I know when I work here.
34:55But I'm with another one here.
34:57It's a private question, right?
34:59I'm a private one here.
35:00I'm a private one here.
35:01I'm a private one here.
35:02I'm a private one.
35:03I'm a private one.
35:04I'm just kidding.
35:05I'm here with others.
35:06But I never had a little more than my husband.
35:10How did you look the other one?
35:11No, I didn't remember any one.
35:13I remember how one looked like.
35:15How?
35:16How?
35:17I'm interested in it.
35:18I'm so excited.
35:20I'm so excited to be like that.
35:22How?
35:24Like that.
35:26And I'm so excited.
35:28And I'm so excited.
35:30I don't know.
35:32I'm so excited about this.
35:34I'm so excited.
35:36Here you go.
35:40Hello.
35:42Where are you talking about?
35:44I'm so excited.
35:46I'm so excited.
35:48Maybe you need to listen to the town.
35:50You can say anything for me.
35:52Sponsor wisely.
35:54How are you talking about?
35:58I'm so excited.
36:00I'm so excited.
36:02You're welcome.
36:04This is a bad example.
36:06I can't have a body around.
36:08I can't have a body around.
36:10I'm so excited to be your partner.
36:12.
36:26.
36:31.
36:32.
36:33.
36:34.
36:35.
36:36.
36:37.
36:38.
36:39.
36:40.
36:41.
36:46.
36:48.
36:49.
36:51.
36:52.
36:53.
36:55.
36:56.
36:57.
36:58.
37:01.
37:11That's what I'm going to do.
37:13I'm going to take a look at you.
37:15What?
37:17I'm going to do it.
37:41Branimir is back to the road.
37:43It looks like something happened.
37:45You look like something happened.
37:47You look like something happened.
37:54We found a friend of Branimir.
37:57How?
37:59Someone else saw a photograph.
38:01And someone else would like me?
38:03She says she wouldn't like me,
38:05but I know how things are in the hospital.
38:07I'm going to go to the hospital.
38:09I'm going to go to the hospital.
38:11He will say that he won't go to the hospital.
38:13I don't know what you understand.
38:15Why don't we go together?
38:17I told you that I couldn't.
38:19I have to go.
38:21I'm going to go.
38:23I'm going to go.
38:25You have to go.
38:27I'm not going to go.
38:29I'm going to go.
38:31I'm going to go.
38:33I can't go.
38:35If you have to go.
38:37If you have to go.
38:39If I can't.
38:41What do you want to do?
38:43I'm going to go.
38:45I'm going to go.
38:47What is the question?
38:49So.
38:51Do you want to go to another one?
38:55Do you want to go with them?
38:57Do you want to go?
38:59Okay.
39:00I'll protect you.
39:01I'm not going to change you.
39:03I've been looking for you.
39:08I've been looking for you.
39:10Let's go.
39:40I don't know what to do.
39:45And you know,
39:47it's nice to meet you tomorrow.
39:49I don't know what to do.
40:00Sorry, Mr. Bačić,
40:02I'm sorry to see you.
40:04We know you.
40:06I'm Senka,
40:08Alekova djevojka.
40:10We've known him at Bojane.
40:12Let's go.
40:14Kuma Alek, again,
40:16I don't care.
40:18Don't worry.
40:20I pray for you to listen to me.
40:36Are you ready?
40:38I don't know what to do.
40:40Let's go.
40:42Then I'll take you to Nikolina.
40:52What?
40:54I thought you were ready.
40:56Yes.
40:58What?
41:00The private war that you mentioned.
41:04You'll be the opportunity.
41:06Don't care for that.
41:07Anja.
41:16How did you know how to do this?
41:18What?
41:19What?
41:20What?
41:21What?
41:22What?
41:23What?
41:27What?
41:28I thought you were...
41:30What?
41:32I don't want you to blame, Mr. Bačić,
41:34but I thought you were on the job
41:36that you were doing.
41:38I don't want you to see that
41:40I don't want you to see that
41:42the television show.
41:44What is your marketing?
41:46One good television show
41:48and you can see it.
41:50I will tell you everything,
41:52Mr. Bačić,
41:54only if you want to listen to me.
41:56If you stop saying
41:58Mr. Bačić,
42:00I am Savo.
42:02Yes, yes.
42:04Yes, I understand.
42:06But I will send you the final version of the interview.
42:10Yes.
42:12Yes, of course.
42:14Yes.
42:16It is important, of course,
42:18that the interview will be finished until tomorrow.
42:22Mr. Bačić
42:24and Mr. Bačić
42:26and Graziano plan to sign up for the evening.
42:28I will leave now.
42:32Nicolina!
42:38You didn't need to come to this meeting.
42:40I know you have already been sent to me.
42:42I have no other one.
42:44I would ask you to help him again.
42:46Yes.
42:48I know you have already been sent to me.
42:50You have already been sent to me.
42:52But I have no other one but I ask you to help him again.
42:54But I have no other one but I ask you to help him again.
43:03When Alec was the king of Bojan,
43:06I did not think that he would like to pay for his king.
43:12You will not help him.
43:14I will.
43:16I will help him.
43:18I will help him.
43:22My sister told me
43:24that that police officer will come to Alec tomorrow.
43:26I will come to Alec tomorrow.
43:30I can't believe that I am your brother.
43:34But I will come to him when I need to.
43:38And I want to look at Nikita's eyes.
43:42You know how we are living together?
43:55We are still living like that, Nikolina.
43:58You can do that.
43:59But I am not.
44:00I am not able to get out of today and tomorrow,
44:02hoping that at the end of the month,
44:04I will have enough for the phone and the phone.
44:07At the end of the month,
44:08you are still living like that, Nikolina.
44:10You know what?
44:12I know that you don't have to live like that.
44:14My father is so sick and sick,
44:18and he has nothing to live with him.
44:20I can't do that.
44:22I can't do that.
44:24I can't live like that.
44:26You need to do that.
44:28And you need to do that.
44:30I know that you need to do that.
44:32I know that you need to do that.
44:34But I need to do that.
44:36I need to live like this.
44:38And not live.
44:40Not living with sick and sick and sick and sick and sick.
44:42What do you say?
44:43That's not from your death.
44:44You have to do this, living.
44:46What for you, living?
44:48What about you, living?
44:50That suffering that you broke with yourself?
44:53That Will you drive me,
44:54and you think that it will be worse?
44:56You are always Nikolina Kovačević, remember that.
45:04I am Niki, Niki, remember that.
45:08Niki Denapoli, I made it out of nothing.
45:12From the stone from the mountains.
45:15I was offended by the pain and the pain,
45:18but here, here is my life in front of me.
45:22I understand if you can, you can go to God, I pray.
45:26What do I do?
45:29What do I say to my father and father?
45:32I say that I'm dead.
45:35What do you mean?
45:37I say that Nikolina Kovačević is dead.
45:40It's the best to think so.
45:43I think that I'm dead.
45:47I say that my brother is dead.
45:50It's the only thing that I'm looking for you.
45:54It's the only thing that you can still do for me.
45:57You beat me, beat me.
45:59You don't want me to cry.
46:01How do you beat me?
46:03I tell you how to cry.
46:08It's the only thing that you can do for me.
46:10There is the one who faithfully was polled and killed.
46:17I say that I'm lost for drugs, and chugged.
46:20It's the one that left me, but it's the only thing that I did.
46:23That's why I died there.
46:24It's not dead.
46:26Lipsala, crkla koži vinča.
46:31Nek znaju što je bila i kako je skončala Nikolina Kovačević.
46:36Nek niko za mnom suze ne pusti.
46:40A ja...
46:42Što ću ja Nikolina kad znam istinu?
46:45Pa ni ti nećeš plakati za mnom strijko.
46:48Pa ne vala sad kad sam ti sve ovo rekla.
46:51Oču, oču, oču Nikolina.
46:53Niki! Niki!
46:55Ne pričaj sa utvarama, Nikolina je mrtva.
47:04Pa da je onda oželi?
47:08Prosti strijko.
47:11Znam kako ti ovim nanosim bol, ali ja ne mogu drugačije.
47:15Pa nisam htjela da me tražiš i ti da dolaziš ovam.
47:19Ali kad već jesi najbolje da znaš kako stvari stoje.
47:24Nisam ja više ona Nikolina što si je poznavao.
47:29Nema od Nikoline više ništa u meni.
47:34Ja sam sad nikide napoli.
47:39Pa...
47:40Ako je...
47:43Moja Nikolina mrtva...
47:49Onda mora...
47:51Da ju je neko ubio!
47:56Što?
47:57Samo mi reci!
47:59Ko je ubio moju Nikolinu?
48:06I odmah ću da ode.
48:27To je...
48:30To je mi razmah?
48:32Ta jo...
48:33To je umoma kako stvari u nekodi u nekodi.
48:35Je pati u nekodi u nekodi u nekodi u nekodi u nekodi.
48:37Ikite u nekodi u nekodi u nekodi u nekodi u nekodi.