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00:00Transcription by CastingWords
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02:59That you can see me accidentally with me and that my husband can see me accidentally.
03:09What are you talking about?
03:10He was looking for me.
03:13He was looking for the house, the basement, the money.
03:24Did you just say that?
03:26No, but his daughter, Bojana.
03:30All right.
03:33There's a deal for care.
03:37He's sitting with a djavol.
03:39It's just a question of the day when he's going to be in his head.
03:43Tell me what you know about Milikovac.
03:46I know.
03:49As long as you can know.
03:52I'm a part of her hands.
03:57You see?
03:59I have even her inscription.
04:01You're talking about my life as if you know him a lot.
04:04I know you're working for her.
04:05I know you're living in your family.
04:07You deserve her love.
04:08You didn't want that hard.
04:10Yeah, no, no, I don't want you to.
04:11That's why I said for her.
04:13I don't know who I told you.
04:15I don't know where she's with her.
04:17Because you're living in me like that and I.
04:19It's my passion.
04:20You're with your feelings, you're with your feelings, you're with your feelings.
04:22And you're gonna be over them?
04:23You'll never get away.
04:27I'll bring her.
04:29I'll take care of her.
04:30I want to know if you think about it.
04:32Think about it.
04:50Tell me, I ask you what you know.
04:52I listen to you.
04:54You see, when we were talking, I didn't trust me.
05:02I didn't listen to me.
05:06I don't listen to you.
05:08I don't listen to you, but I'm waiting for you to hear what you know.
05:12You see, Maricu,
05:16this part is useless for me.
05:20God, nothing is better for me.
05:24I burn as a door.
05:28I know, I've noticed.
05:30The thing is to do is clean,
05:32and I'm on the floor.
05:34Also on the massage,
05:36clean bed.
05:40And for all of this,
05:42what do you need?
05:44Money.
05:46Exactly, money.
05:48How much do you need?
05:50Well, tell me,
05:52Bojan,
05:53that he will send the face
05:54as much as he thinks
05:55the head of his father's head.
05:58How much do you need to clean?
06:01I know.
06:02I know.
06:04Maybe he always is good before you go through our mind.
06:06I can't tell you.
06:07I know.
06:08I know.
06:09I know.
06:10But he's never been there.
06:11I know.
06:12Oh my God.
06:14Let's do this.
06:15He's never been there.
06:16I know.
06:17He's never been there.
06:19He's never been there.
06:20But he's never been there.
06:22I know.
06:23He's never been there.
06:24He's never been there.
06:25I know.
06:26Dukat Crni, did you get it?
06:34How long did you get it in this short time?
06:37Long time, yesterday we agreed. It wasn't enough for you.
06:42When we get out of the buffet, who will buy it and make it?
06:48Or you will buy it and make it.
06:51What are you looking for? Are you coming from the afternoon or not?
06:57Let's go, don't be afraid.
07:01Don't be afraid of me.
07:03And wait for you to get out of the phone.
07:07Did you do it?
07:09How do you do it? It's on the phone.
07:12Do you know what you need to learn?
07:15We know, Joko. A bit of wine before we get out.
07:19Let's go.
07:21I trust you.
07:23You won't count. I trust you all.
07:27Anything else?
07:29I just saw you with Aleko.
07:31Why?
07:33He went out of the house and went to me to look for a job.
07:37He's very smart for someone who is working with the police.
07:41Sorry, what is funny?
07:45Yes, it's not funny when someone is working with the police.
07:49Let's go, let the story go.
07:51Let's go to something.
07:53Okay.
07:54Aleko is ready to pay attention to everything between you, Serdara and him.
07:57He says that he doesn't talk to you with your attorney.
08:01It's really nice to him.
08:03He says that he will remain so, but if we take him back.
08:07What did you say to him?
08:09I said to him that I have to talk to you with your attorney.
08:13It's clear to you, right?
08:15What does it need to be clear to me?
08:18Aleko is ready to hear you if we take him back.
08:22It means that we don't have a lot of choice.
08:25But it's okay.
08:27I'll give him a little debt.
08:29I'll give him a little debt.
08:31Don't worry.
08:32I'll give him my job.
08:34The financial problems in his company will solve yourself, Tony.
08:39And I'll give him my money as I think I should.
08:42You see, if he doesn't take him to take one time, take him to the other side.
08:57When you slip into the door, Alek must do something.
09:01And if he's here to the end, he's a good one.
09:04Well, one of the more...
09:12Oh, man! This man, Christina, you're not even here!
09:18What are you saying?
09:19Stop waiting.
09:21Excuse me, I'm nervous.
09:24Let's go now. Let's go.
09:29Hello, Christina.
09:31Hello, Olga.
09:32Please, thank you.
09:37I have to admit that your call is not too late.
09:40Last time, when we talked about it, I told you that it was a little uncomfortable because of the question.
09:46Yes, I remember. We talked about Vasilje.
09:50To be honest, I don't say anything else.
09:54Even if it's not about me.
09:56What?
09:58About you.
10:00About you and about this.
10:05Yes.
10:07You have to admit it.
10:10And this one has asked us both.
10:13You know, I didn't have to admit it.
10:18And this one is obvious, Christina.
10:20I know, Olga. I saw it myself.
10:23I think that the relationship between you is complicated.
10:30But I think that the answer is not the way to solve things.
10:36You saw the answer?
10:38Yes, of course.
10:39And this is crazy.
10:40What did you say about that?
10:42Well, it doesn't matter.
10:43You see me right, you know.
10:44What did you say to me?
10:45Well, I didn't ask him to do something.
10:46You know, I had to admit it.
10:47Or, if I did dress, it doesn't change that I have to do it.
10:50And, of course, he has to do it.
10:52And I'm the same.
10:53Something you can't afford it, to do it.
10:54But, if I could do it, you should have to do it.
10:56I don't know what to do.
10:58So, this is the name of Puma.
11:00So, I don't know what to do.
11:02I don't know what to do.
11:04I don't know what to do.
11:06I don't know what to do.
11:08But, I ask you,
11:10prepare me one...
11:12that sex.
11:14I'm a bitch.
11:18Here.
11:20You're right, Pešo.
11:22What are you doing?
11:24I'm a hot drinker.
11:26I'm a hot drink.
11:28I'm a hot drink.
11:30I'm a hot drink.
11:32I'm a hot drink.
11:34I'm good, I'm a hot drink.
11:36I want you to be the one who is here.
11:38I'm a hot drink.
11:40Yes, sir.
11:42What are you doing?
11:44Everything is right.
11:46What you said was right.
11:48Everything is going out.
11:50I'm going to go.
11:54Thank you, Pejda.
11:56Is there something wrong with you?
11:58See, I tell you that I know this best of all.
12:00I know some things that he can be able to measure, but he's a good man.
12:04He has a good heart and a pure soul.
12:06He's ready for you and for that, for you.
12:08He's ready for water and water.
12:10He's ready for water.
12:12He's ready for water.
12:14He's ready for water.
12:16He's ready for water.
12:18He's ready for water.
12:20He's ready for water.
12:22He's ready for water.
12:24He's ready for water.
12:26I admit it.
12:28You're good, Dadžika.
12:30But you don't understand anything.
12:32Here's the thing.
12:34He's not working on Jovo,
12:36but on Djetetu and what's best for him.
12:38You think he's best to be with both parents,
12:42with mother and mother?
12:44Djetetu will be the best with mother,
12:46who has a clear and clear life situation.
12:48You're ready for life situation.
12:50You're ready for life situation.
12:54Listen, Olga.
12:56The relationship between men and women
13:00has become so complicated and complicated,
13:04that if you can't do it,
13:06you don't have any other way.
13:08What do you think?
13:10I think I'll do it.
13:12I'll do it.
13:13I'll do it.
13:14I'll do it.
13:15I'll do it.
13:16What do you think?
13:17You're ready for it.
13:18I'm a lot of people in life.
13:19Where you know...
13:20This is...
13:21You're good.
13:22You know you're Good now.
13:23You're good.
13:24Who has been feeling this way to go to?
13:25What's your hiring in me?
13:26You're good.
13:27You're good.
13:28I don't want to do it.
13:29I'm doing it.
13:30You're good.
13:31You're good.
13:32You're good.
13:33You're good.
13:34I'm doing it.
13:35You're good.
13:36You're good.
13:37You're welcome.
13:38I'm from Vasilija.
13:40I know you're good, Olga.
13:43We're not so different.
13:46We've been looking for what we wanted.
13:49I'm the one, and I'm the one.
13:51But the main difference between us is that you,
13:54how many other women are convinced to become a victim.
13:59I'm not.
14:01I'm not going to be a victim.
14:03Is that right?
14:04You want me to make a victim of my brother?
14:06Your brother had a chance to do it.
14:09Like you, your sister.
14:15What's wrong with you?
14:17What's wrong with you?
14:19The woman is sad to do it.
14:21She's even on the other side.
14:23She's even on the other side.
14:25What's wrong with you, Zoro?
14:27When I'm looking for a few days,
14:29I'm looking for everything.
14:31What's wrong with you with us?
14:33I have to know all the people!
14:35Oh my God, my brother.
14:36And I am not saying that they are all the same here.
14:37How are you moving through?
14:39I think that's what you are saying,
14:40you're both to die and you're not to die.
14:41You're not wrong with me,
14:42you're not to die.
14:43You're doing nothing to do with you.
14:44I wasn't really looking for doing that.
14:46What's wrong with you?
14:47You're not the guy talking to me?
14:49I don't know why, Zoro.
14:50And I'm afraid to go.
14:51Where did you get to go,
14:52I'm sorry to get to my life as a bank,
14:53and I need to go,
14:54It's called Peđi Svetlanic!
15:01Peđice!
15:03The music is a little loud.
15:05Can you touch a little bit?
15:07Of course.
15:08Thank you, Peđice.
15:10We'll see you later.
15:14You think I'm the best,
15:16but I can't see anything in my eyes.
15:18When we talked last time,
15:26I told you that you should have a clear account.
15:29If you are, you might be together today.
15:31I've been with Vasilijem longer than what I needed.
15:34I heard that I needed help over my own.
15:38And you really went to a raskid
15:40and took off your tears.
15:42Is that so?
15:43We're talking about Jovo,
15:45not Vasilije.
15:46Jovo, it's not Vasilije.
15:48God, it's not.
15:49With Vasilije, you know what you always know.
15:52You'll have to be your feelings,
15:54your mother's health,
15:55what you want to be able to do what you want.
15:57Jovo, Jovo,
15:58you'll wait for tomorrow,
15:59to be able to know what you want from your life.
16:02Jovo, you know what you want.
16:04You want to be the father of the child.
16:07And I don't know why you want to be the father of the child.
16:10That's it.
16:12Olga, Jovo is a healthy,
16:14a rich man,
16:16but he's weak and weak.
16:20It's very difficult to talk about this with his sister,
16:23but I'll tell you,
16:25I'm interested in it.
16:26I'm interested in it.
16:28I'm only the best part of her.
16:31And that's why I'm out of her.
16:33See,
16:35you're a beautiful woman.
16:38You're a beautiful woman.
16:40You're a beautiful woman.
16:42I pray that you're getting into everything else.
16:48You took it from Vasilija, I took it from what you could take,
16:53and I took it from the wrong way,
16:55I'm gonna do it.
16:56Or whatever.
16:57You don't know what you think about,
16:59if you think we'll get it from the mother.
17:02This is my mother.
17:05You are my father.
17:08You are my father.
17:10You don't have anything to do with that.
17:26Hello, this is what I did not want to do.
17:30Okay, Olga, we'll talk later.
17:32What?
17:34Tell me, we'll talk about the light of our Peđica.
17:38That's what she did for a woman.
17:40According to the format, Peđica was more than half a man.
17:44But she was a person in the soul.
17:48And now, when I see him like a poor, a poor, a poor, a poor,
17:52a poor man...
17:54Maybe they killed him, but they lost you,
17:57mozakidona, konđuture.
17:59Listen to me now, Zoro.
18:01If you have a voice, you'll hear me.
18:03I'm not happy and not happy, Zoro.
18:07You're not happy and not happy?
18:09That's right.
18:11I'm because of you.
18:13God, I thought something will be changed
18:15after the village of the village.
18:17What changed?
18:19What changed?
18:21What changed?
18:23What changed?
18:25What changed?
18:27What changed?
18:29What changed?
18:31What changed?
18:33What changed?
18:35What changed was this?
18:37The land switched from the village.
18:39What changed?
18:41It was a shame, Zoro.
18:45But I'll tell you a warning.
18:47Do all the same as Jovo Radmilović would do.
18:52Give Jovo Ravić Trušnjak to destroy everything.
18:58Beja!
18:59Let me go.
19:00I don't have anything to expect.
19:03I'm waiting for you.
19:04But I can drink.
19:06Beja, please.
19:09Prepare me another one.
19:12Sex and itch.
19:15Let me go.
19:16Let me go.
19:18Let me go.
19:19Let me go.
19:20Let me go.
19:21Let me go.
19:23Let me go.
19:24It's all.
19:36image bottom university.
19:38I'll tell you I don't have something.
19:40I don't know what I'm talking about, is it better that I have to say to you?
19:48Nikita will go to you tomorrow or tomorrow.
19:51You sent him, right?
19:54I'm on your side, so many times I need to repeat it.
19:58You didn't even hear your side, except for your hair.
20:03Something funny to hear from you, Alake.
20:06But you know that you are much more than Nikita.
20:13And at the end, everything is tied to you or him.
20:30A father?
20:32How is he?
20:33Sometimes he wakes up with me.
20:37Yes.
20:39We've even talked about you a few times.
20:42Where are you?
20:43I have to stop, Janko.
20:46I called to the council to check out, Graciano's message didn't reach you.
20:51Why would I be without you?
20:54If I was Atlas, you would be my...
20:58Hisperina.
20:59Where are you from?
21:01Where are you from?
21:02Where are you from?
21:04I'm a little over the internet.
21:07I want you to know what I'm talking about, Aldom.
21:10Yes, I haven't even told you what the number is.
21:144.051.980 euro.
21:17The date of Tito's death.
21:19What?
21:20The first war was determined by the date of Tito's death.
21:21What?
21:22The first war was determined by the date of Tito's death.
21:27What?
21:28What?
21:29The first war was determined by the date of Tito's death.
21:35That's our grove.
21:38Why don't you leave a little while?
21:40The whole day with Graciano's and wine.
21:42It certainly needs to leave.
21:46I'll leave.
21:48I won't go alone.
21:50I'll be together.
21:52I'll see you in the day.
21:53I'll leave.
22:09Hello, Diana.
22:11I want to see you with Bor.
22:13I'll call him and tell him to come back.
22:19Diana!
22:20Wait.
22:22Wait.
22:23Wait.
22:24Wait.
22:25Wait.
22:26I've been waiting for you.
22:27I've been waiting for you now.
22:28What did you want, sister?
22:31You're going to see you with Nikita.
22:33Why do you care about it?
22:35I ask you.
22:37If you think you're going to go to Kotori, you're going to talk to me.
22:42You know you couldn't do that.
22:44Nikita and I are only good friends.
22:47I ask you to sit down and talk to me.
22:50Wait.
22:51Wait.
23:05Selene.
23:06What are you talking about?
23:08You've said not to come back.
23:10You would surely remember that.
23:12Where will you come from?
23:15My God will be embarrassed when you see you're in San Francisco.
23:18I'm sure you're here.
23:20It's nothing before you're waiting for, Niki.
23:22But you'd be able to think about the changes in your interest.
23:26Aldo and me, we're here talking about a great job.
23:30Aldo, and you?
23:32You're far away from a little bit,
23:34just so you're going to go to my knees when you're in trouble.
23:38But don't forget, Niki.
23:40There's us who know who you are and who you are.
23:43Aldo, of course.
23:45I thought about how I'm going to buy a whole day, Niki.
23:49Thank you, Niki. I'm going to take care of it.
23:53Take care of it?
23:55What do you mean to take care of it?
23:57I'm like I'm going to buy a car that I need to buy a car.
24:00What do you want to buy?
24:01Is my Jaguar?
24:06Aldo, he's no longer yours.
24:10I'm here to go for something that is also mine.
24:15Are you aware of what you're talking about now?
24:17I'm talking about what I know.
24:19You're saying that a police officer wants to kill someone.
24:21Not someone, Jeana.
24:23Alec.
24:25Okay.
24:26So, Nikita wants to kill Alec.
24:29Why?
24:30Why?
24:32Because of some unrighteousness from the past,
24:35that this guy's your character is thinking.
24:37Jeana, I ask you to believe me.
24:39You believe in a criminal.
24:41And you want me to believe in you?
24:43No.
24:44You want me to believe in me.
24:46And I want to tell you what Nikita wants to do.
24:48What?
24:49Tell me.
24:50Nikita knows that Alec has remained with a old family
24:52and with a old job.
24:53And only wants to throw him out there,
24:55where he falls into the door.
24:57Jeana, Alec is no longer in the old job.
24:59I pray for you.
25:01I pray for you.
25:02You're not so young to dream of you.
25:05What else?
25:07You better tell Alec.
25:08You're not so young to hold hands when Nikita comes to him.
25:10He does not hurt any violence, any unmanuality.
25:19And correct me.
25:20If it's possible that Alec is dying by her.
25:25This is his own confusion.
25:27And none of this.
25:29What do you want, Selene?
25:39My job is a job, Aldo.
25:41Not much, not much.
25:43You know what?
25:45I paid for you
25:47and your blood from the advocate.
25:49It's better to talk to the family, Aldo.
25:53I pray.
25:55What is your blood from the advocate?
25:57Your heart, Aldo.
25:59Yes, yes, yes.
26:01Your honor was probably very high,
26:03then you would be able to talk with your nightly.
26:09If you think so,
26:11you wouldn't be able to talk to you, Aldo?
26:15Dear, my dear, Selene.
26:17I had to sleep with Hydro, Medusa and Harpion together.
26:22My dear, Aldo.
26:24If our love is going to die,
26:26you need to be silent for me.
26:28What do I want?
26:30I just want you to stop.
26:32And forget about my job,
26:34that there is no connection with me.
26:36It's clear to me.
26:37I've developed it with you.
26:39It's my part.
26:40What do you want?
26:41You've got much more than what you could imagine.
26:44And if you continue to seek more,
26:46you'll be able to take more than what you want.
26:48You'll be able to take more than what you want.
26:50I want you to tell me.
26:52I want you to tell me that you'll be able to leave me alone.
26:54I want you to leave me alone.
26:56She has something to hide,
26:58but God, I'll be able to do it.
27:00Each of us has their own secret.
27:02Yes.
27:03But some of them are out of other Selene.
27:06I want you to leave me alone.
27:08My lawyer,
27:09even if I'm dead with a smile on the face,
27:11if I decide to be happy with you,
27:13you won't be happy with me.
27:29How did you go?
27:30They didn't see me.
27:32You can't go without a problem.
27:34I have to see you.
27:35I have to see you.
27:52Don't worry.
27:53It's just our place.
27:54Nobody will know that we are here.
27:56But if I call you?
27:57If I call you,
27:58I'll tell you to save you
28:00a young lady.
28:03But you're right.
28:04You are right.
28:05Only when you're here.
28:07You'll be able to buy me?
28:08What?
28:09If you don't,
28:11you can buy me gold.
28:12Gole?
28:35Jeana says that Nikita will come to the hapsi.
28:38Why did she come to the hapsi?
28:39I don't know. She said that.
28:42Ok, let's go to the hapsi.
28:44As far as the hapsi, the hapsi will come to the hapsi.
28:46Alec.
28:48He said that Nikita will be a bit of a danger.
28:53I told you that I won't go to the hapsi,
28:56especially not with the police.
28:58Of course.
29:01You think that everything will be afraid of me?
29:04Why did she do it otherwise?
29:07Let me tell you that.
29:09But I'm asking you to tell me something.
29:12You won't go to the hapsi.
29:16I wouldn't tell you that I know what I can do.
29:20You can't do anything.
29:22That's why I'm asking you to tell me.
29:24I'm asking you to tell you.
29:25You can't go to the hapsi.
29:26I'm asking you,
29:27I'm asking you.
29:28But I'm asking you to tell me.
29:29I'm afraid of me that I'll go to you.
29:31I'm afraid of you.
29:34I don't want to go.
29:36I'm asking you.
29:37Nikita ti je da mi je pošar.
29:59Ti si ona Savovo?
30:03Je li imaš Nikolini na sliku kad sebi?
30:07Ti je to ozbiljno?
30:11No, je to ozbiljno.
30:13Ali mora da znaš da se upekljela u nešto ozbiljno.
30:18A šta je tu?
30:20Čućeš to od nje, ali nisam siguran da će ti se svidjeti.
30:22I javit ću ti sutra kada dođeš i dovišću ti njak na ime.
30:27Ti je to ozbiljno?
30:28Najzbiljnije.
30:30Ali mora da znaš da se upekljela u nešto ozbiljno.
30:34A šta je tu?
30:36Čućeš to od nje, ali nisam siguran da će ti se svidjeti.
30:40Samo više da saznam že da mogu da javim gore na žabljak.
30:47Savo mi je rekao da si bio u ratu.
30:49Jes.
30:53Ne ponovilo se.
30:55E pa onda budi spreman.
30:57Što?
30:59Možda se opet nađeš u srdi jednog malog privatnog rata.
31:04Vidimo se, Boru.
31:10Nećeš da se kupaš?
31:12Ne, hvala.
31:14Previše si stidljiv da bi bio manekin, znaš?
31:17Ne znat ja ništa o tome.
31:19I bolje.
31:21Moj otac radi sa nekim agencijama, odvrtan posao, čiste eksploatacije i robovlasništvo.
31:26Tebi pristaje tvoj posao.
31:29U tvom pristupu se čak i ja osjećam bezbednom.
31:33Mene je lipo se tobog, Gabriela.
31:36Ali bi trebali da krenemo prije nego što primijete da smo odsutni.
31:41Boćo, moram nešto da ti priznam.
31:55To je tajna boća.
31:59Želim da ti kažem, ali ima je strah.
32:04To je jedna ružna i neprijetna stvar.
32:11Što, Gabriela?
32:14Razumit će to ako me budeš prezirao zbog toga.
32:17Nećeš, sigurno.
32:18Ja sam...
32:20Nevina sam Boća.
32:22Nevina sam i ne treme da ponavljam.
32:24Nalazimo se ispred stambeno poslovnog kompleksa Sava Bačića, čija se izgradnja nastavlja.
32:28Pošto je sa naše rivijere istjerao Hilton, kompaniju svjetskog imena i renomea, Bačić je za svoju firmu uspio da nađe financijere iz Belgije, povezane sa investicijonim fondovima iz Abu Dhabije.
32:42Prema informacijama koje dobijamo od dobro provjerenih stvar, nevina sam Boća i ne treme da ponavljam.
32:47A onda? Idemo?
32:48Ne idemo mi nigdje.
32:49Mi se snimamo?
32:50Šta da snimamo?
32:51Tuđe je laži, spletke...
32:53...hle je naši imena, i renomea.
32:54Bačić je za svoju firmu uspio da nađe financijere iz Belgije.
32:57Povezane sa investicijonim fondovima iz Abu Dhabije.
33:00Prema informacijama koje dobijamo od dobro provjerenih izvora...
33:05Samo sekund, trebamo i pauzu.
33:09Onda? Idemo?
33:11Ne idemo mi nigdje.
33:12Mi se snimamo?
33:13Šta da snimamo?
33:14Tuđe je laži, spletke...
33:18...neprovjerene glasine, šta?
33:20Kako?
33:21Šta kako?
33:22Koliko radimo ti i ja zajedno?
33:24Tri godine.
33:25Sve što si mi za svo to vrijeme rekao bile su pitanja sa najviše tri sloga.
33:29Idemo, kako, snimamo.
33:31Ma šta ti?
33:32Šta šta ja?
33:34Vidiš li ti da ovdje više nema posla ni za tebe ni za mene?
33:37Slobodno napusti televiziju, idi snimaj svatbe i sahrane.
33:40Vjeruj mi, bit će ti mnogo lakše.
33:43Ovo je onako naša sahrana.
33:49Šta me gledaš sad?
33:50Idi kući, snimanje je završeno.
34:11Ili sam ti smiješna?
34:14Ne, Gavrijana.
34:17Preziraš li me sad?
34:19Kako bi mogo.
34:21Ali ja se osjećam tako nesrećno, nezrelo i bedno.
34:30Zašto?
34:31U tom koledžu Lucerno smo bile zatvorene.
34:40Ali netoliko da ne možeš da izađeš na noć ili dve.
34:44Obaviš to, vratiš se i onda sve prepričaš drugaricama.
34:48Ali ja nisam mogla tako.
34:49I nemoj.
34:56Ja hoću nešto posebno.
34:59Hoću ljubav.
35:01Veliku, pravu, iskrenu ljubav.
35:04Ništa manje od toga.
35:06Zaslužuješ to, Gavrijala.
35:08Piš od bilo kog drugog.
35:09Misliš?
35:14Znam.
35:16I ne moja da činiš drugačije.
35:19Šta da ne čilim drugačije?
35:21Sad čekaj tu pravu ljubav koliko god da treba.
35:24Ja nemam više šta da čekam.
35:28Ja sam našla ono što sam pražila.
35:39Oprostite, jel možete da mi kažete če se nalazi ovaj gospodin Džurašković?
35:52Gospodine Džuraškoviću.
35:55O, džesi, čovječe i zluđe čekajući te.
35:59Ovo je za vas.
36:01Ne mogu da vjerujem da mala Bacića ovoliko cijeni glavu svog oca.
36:05To vam je od mene.
36:06Zar stvarno mislite da bih joj prenosio vaše želje i pozdravi?
36:09To vam je dovoljno sad pričajte.
36:16Što si ti sad došla?
36:18Javili su mi da ti je poznali.
36:21Ko ti je javi?
36:23Sa televizije.
36:25Rekuše da si snimala prilog i...
36:27I šta? Da sam pukla vjerovatno.
36:30Sam vrijeđala i maltretirala saradnika.
36:32Sada će vjerovatno i oni da me tuže samo ovaj put za mobilnu.
36:37Rekli su mi samo da ti je pozlilo.
36:39Ne znam kakve to veze ima s mobilnim telefonima.
36:41Nije mi pozlilo stanu.
36:52Samo sam se zapitala što ću sad kad ostanem bez ovog posla.
36:56I bez ovo malo ugleda što sam s tebi.
36:59Boga mi je imalo i zašto da ti pozli.
37:04Olga Radmilović ipak nije bila u pravi.
37:07Ja neću postati kao ona.
37:09Ja to već jesam.
37:10Ma.
37:11Kažem ti, to su mi Savo ureli.
37:17Mila Kovač je djavo u ženskoj.
37:20A onaj njem brati iz šta je dođe.
37:23Djavo je šegrat.
37:26A ono što su njih dvoje meni prevedili,
37:29to je ništa u odnosu na ono što spremeju Savo i Bačića.
37:33Ponavljate se gospodine Điurašović.
37:35Imate li vi još nešto konkretnije da mi kažete?
37:37Koliko para, toliko je muzike.
37:41Breko sam ti sve što sam snao.
37:44A sad nek mala Bačićka vidi
37:48hoće li njen tatica dobiti potpis ovdje
37:53ili malo niže.
38:07A to si mi opet donio goće.
38:12E morat ćeš da doneseš i kazan i šporet
38:17a da ti pečem rakiju i kubam pek mes.
38:21A neka.
38:23Neka je njega što mu fali.
38:26Tamo gore naselo ja što ne pokupim sve propane.
38:29A je li oko koji biješe danas dato?
38:36Da.
38:39A oni?
38:41Nisi zaboravio?
38:44Toliko umatufio još nijesam.
38:46Da jesam.
38:49Tačno je puna godina dana
38:51otkako sam ja najsrećniji čovjek.
38:54Puna godina
38:55otkako si me učinio srećnom ženom.
39:00Izvoli.
39:02To je da me zaboraviš.
39:05Zaboraviš me i nastaviš život.
39:09To je haljinica za tvoju pravnuku.
39:14Dobit ćeš pravnuku Joko.
39:17Ima li ljepše stvari od toga?
39:20E to ne imam.
39:23Ti si srećen čovjek.
39:25Još malo i držat ćeš pravnuku na krilo.
39:28Jeste lući.
39:32Ja sam srećen čovjek.
39:36A valas jedini koji to kaže i plače.
39:41Prosti.
39:45Ja sam onda čudan čovjek.
39:49Nije čudan.
39:51No čudo od čovjeka.
39:53Ako ti tako kažiš.
39:55Znaš li što je ovo čudo od čovjeka
40:01tebi spremio za poklon?
40:04A meni si ti 365 dana poklone donosio.
40:08Hoćeš li da čuješ što sam ti danas premio?
40:11Da čujem.
40:12E pa čućeš.
40:13Un momento.
40:16Un momento.
40:43Do njiš srećen.
40:47Ponimo.
40:49No.
40:51Odročenje no treba.
40:53Svečenje tebi.
40:55Uščenje!
40:56Transcription by CastingWords
41:26Transcription by CastingWords
41:56Transcription by CastingWords
42:26Transcription by CastingWords
42:56Transcription by CastingWords
43:26Transcription by CastingWords
43:56Slaje on people that he was looking for, but they couldn't go to the store.
44:00But he believes that it wasn't close to him.
44:06And? What are you thinking?
44:12If it wasn't close to him, then I know where I can ask him.
44:18And I'll find out what I want to do with him.
44:26And the rest of the stone is like this.
44:34And you didn't have to worry about this?
44:37What is it?
44:39I don't know. That guy is dangerous.
44:43Do you know me, Bojana Valane?
44:46Do you know what he looks like?
44:49I'm a secret agent in your service.
44:53Just let me come.
44:59I'll show him his permission for killing.
45:05Djukka!
45:07Let's go, Avetino!
45:09Let's go!
45:11Don't worry, I'll save the trip.
45:15Let's go, quickly!
45:23Sestra Delice!
45:25Good day, Mr. Leok.
45:27I have to ask you something.
45:29Excuse me, what was it?
45:31Today is a lot of years and days.
45:35My Lucia and me, and me,
45:37Oh, nice!
45:39Congratulations!
45:40Thank you!
45:41I'd like to ask you,
45:43is it possible to make a little poem?
45:47What poem?
45:49A poem?
45:51A poem? A poem? A poem? A poem? A poem?
45:55What poem is the poem?
45:57A poem?
45:58A poem?
45:59A poem?
46:01A poem?
46:03No, no!
46:05How ready, Billy!
46:09There's a poem!
46:10Maybe!
46:11There's a poem!
46:15It's a poem!
46:16There's a poem!
46:17There's a poem!
46:18There's a poem!
46:19What!
46:20It looks!
46:21He can't shine!
46:23però
46:25Mr. Joko, you are like you forgot the djeste.
46:29Excuse me.
46:30Listen.
46:31There is no doubt.
46:32It is absolutely no doubt.
46:34I understand you completely.
46:37You are right.
46:39You are right.
46:40You are right.
46:41You are right.
46:42You are right.
46:43You are right.
46:44You are right.
46:45You are right.
46:48You are right.
46:55Are you ready?
46:58Here you go.
47:00Good start.
47:02Let's go.
47:03Let's go.
47:04Let's go.
47:05Let's go.
47:06Let's go.
47:07This is my first part.
47:09The second part is the next part.
47:13I'm giving you a clap of Joko Haradmilović's name.
47:18Skocca i Konovca.
47:21Let's go.
47:24Let's go.
47:25Let's go.
47:28Let's go.
47:33Oh, I'm happy.
47:35What is this?
47:37What did you do?
47:39What did you do?
47:40What did you do?
47:41Did you do it?
47:42Did you do it or did you not?
47:43Yes, Joko.
47:44Let's drink a little bit.
47:46Let's be a little quiet Joko.
47:47And you will be everything that needs.
47:48Let's go.
47:49Let's go.
47:54Let's go.
47:56I can't come to listen to this song.
47:58Let's go.
47:59Let's go.
48:00Let's go.
48:02Let's go.
48:03Let's go.
48:04OJ VESELAM, VESELITES, VESELETI OČIMAŠ.
48:25VESELETI OČIMAŠ, KOM NA NOCI POGLEDALA.
48:43Svako me si radnu dala, svako me si radnu dala.
49:00VESELETI OČIMAŠ, KOM NA NOCI POGLEDALA.
49:14VESELETI OČIMAŠ, KOM NA NOCI POGLEDALA.
49:30VESELETI OČIMAŠ, KOM NA NOCI POGLEDALA.
49:36VESELETI OČIMAŠ, KOM NA NOCI POGLEDALA.
49:40VESELETI OČIMAŠ, KOM NA NOCI POGLEDALA.
49:43O, SESTRADANICE, ZVOKTE.
49:45DA ČUJETE JEDNO PIJESMU, SESTRADANICE.
49:47MA KAKVA PIJESMA, DŽEJ LUCIJA.
49:49MA LUCIJA JE U SIGURNIM RUKAMA.
49:51SA JOKOMA I VIŠTE U SIGURNIM RUKAMA, SESTRADANICE.
49:54MOŽE MAJSTARE DRI.
49:56SAMO DA ČUJETE U SESTRADANICE, SAMO JEDNA PIJESMA.
50:00PUSTITE LUCIJA.
50:02NE BRINITE ZA LUCIJA.
50:04NE BRINITE ZA LUCIJA.
50:05NE BRINITE ZA LUCIJA.
50:07SAMO JEDAN PLESN.
50:09VILA NEZNA DA SMO NEKAD BILI ZRESKI PAR.
50:13BOLE BITI PIJAR NEGO STAR.
50:19EVOLUCIJA.
50:21Ovo je drugi dio mojog poklona.
50:25MORE, PLAŽA.
50:28NEBO.
50:30Hvala, Jolko.
50:34Ljepši poklon nisam mogla zamisliti.
50:38MOŽE DA JE VALJALO DOĆ NA NIJE.
50:44PRAKĆE.
50:46PRAKĆE.
50:48A MENI JE BAŠ SAD NAJLJEPŠI DIO DANA.
50:52PRAKĆE.
50:53PRAKĆE.
50:54PRAKĆE.
50:56PRAKĆE.
50:57PRAKĆE.
50:59PRAKĆE.
51:00PRAKĆE.
51:01PRAKĆE.
51:02PRAKĆE.
51:04PRAKĆE.
51:05PRAKĆE.
51:06PRAKĆE.
51:07PRAKĆE.
51:08PRAKĆE.
51:09PRAKĆE.
51:10PRAKĆE.
51:11PRAKĆE.
51:12PRAKĆE.
51:13PRAKĆE.
51:14PRAKĆE.
51:15PRAKĆE.
51:16PRAKĆE.
51:17PRAKĆE.
51:18PRAKĆE.
51:19PRAKĆE.
51:20PRAKĆE.
51:21PRAKĆE.
51:22PRAKĆE.
51:23PRAKĆE.
51:24PRAKĆE.
51:25PRAKĆE.
51:26PRAKĆE.
51:27PRAKĆE.
51:28PRAKĆE.
51:29PRAKĆE.
51:30PRAKĆE.
51:31PRAKĆE.
51:32For our first and only year.
51:39What is this, Luci?
51:44A little light behind me.
51:52A little light.
51:55And when I go.
52:02A little light behind me.
52:12Luci.
52:18Luci, my.
52:23You sleep.
52:29My soul sleep.
52:32You sleep.
52:37You see, Luci.
52:40The sun has fallen.
52:44And I will always be asleep.
52:46I don't know.
53:16I don't know.
53:46I don't know.
54:16I don't know.
54:46I don't know.