- 6/10/2025
Category
📺
TVTranscript
00:00Transcription by CastingWords
00:30CastingWords
01:00CastingWords
01:29CastingWords
01:59CastingWords
02:29CastingWords
02:59Speak!
03:05That's right.
03:11We talked about Senin's husband.
03:13What was it that hit me?
03:15I don't know.
03:17It was his fault.
03:19He told me that he was a police officer, but I don't believe him.
03:23When he fought it, he was standing outside and he said,
03:27What was it that hit me?
03:29What was it that hit me?
03:31I thought it was a tumor.
03:33What was it that hit me?
03:35What was it that hit me?
03:37Any move.
03:39What was it that hit me?
03:41He told you that he was a loved one,
03:43but he called me the phone and he hit me.
03:45What did he hit me?
03:47I don't have a point.
03:49The other guy has a pistol.
03:51I couldn't get him.
03:57Thank you for this.
03:59Thank you for this.
04:00You're welcome.
04:01You're welcome.
04:12You're welcome.
04:14What am I?
04:16You're welcome.
04:17You're welcome.
04:21I don't know.
04:22I'm leaving for you.
04:24You're welcome today.
04:28When I'm leaving,
04:30the man is hungry.
04:31All right,
04:33you're Elena.
04:36He's loving nothing and nothing.
04:38He is also young and too weak.
04:43He was a heuteKEEL,
04:44a time ago once had his gym,
04:46and he thought you're slow.
04:47He's not a man for you. And he can't help you.
04:54You know something about that.
04:58I've already helped you. You didn't forget it.
05:03I've already brought you to the place where you've been.
05:08What are you doing now?
05:12You keep me determined by my own place.
05:16I know I know that it's impossible to hold you.
05:22And here I'll bring you everything.
05:27The phone, the phone, the car, the car, the money, everything.
05:34What do you need for the return?
05:38It's a small one.
05:41I know you like it.
05:44And you think you can help you.
05:46But you can't.
05:50I'm not saying that we're all suffering from you.
05:53But I'm still your lawful husband.
05:56And believe me.
05:58I'll protect my rights on all possible ways.
06:02Listen to him.
06:04In the next pictures I'll show you.
06:08He won't just sleep.
06:10Do you understand?
06:12In the last part?
06:13I'm not looking for you.
06:16What's the matter?
06:18What?
06:19I'll just leave you again.
06:20What's the matter?
06:21This time he'll see you.
06:23We will see you.
06:27You know what I want.
06:32I want to make you happy.
06:36Everything I do, Anna, I want you to be happy.
06:43I want you.
06:46What do you want?
06:49It will be as you say.
06:53What do you want?
06:56What do you want?
06:58With that, we will end the game.
07:03The key.
07:07Excuse me.
07:13I hope I can see you at night,
07:17we will be together at home.
07:23I hope I will be here.
07:24Give me one minute.
07:25Mila, Mila, wait for me.
07:55Mila, wait for me.
08:25Mila, wait for me.
08:55Mila, wait for me.
08:57Mila, wait for me.
09:01Mila, wait for me.
09:03Mila, wait for me.
09:05Mila, wait for me.
09:09Mila, wait for me.
09:11Mila, wait for me.
09:13Mila, wait for me.
09:15Mila, wait for me.
09:17Mila, wait for me.
09:19Mila, wait for me.
09:21Mila, wait for me.
09:23Mila, wait for me.
09:25Mila, wait for me.
09:31Mila, wait for me.
09:33Mila, wait for me.
09:35Mila, wait for me.
09:37Mila, wait for me.
09:39Mila, wait for me.
09:41Mila, wait for me.
09:43Mila, wait for me.
09:45Mila, wait for me.
09:47Mila, wait for me.
09:49small, dangerous flirtation,
09:51and if you can't do it,
09:53you can't do it between Sava and Aldi.
09:55Why do you think that was the purpose of it?
09:57That's how I did it.
09:59So, you're doing it.
10:00You're giving me something like a pact about the attack?
10:03You can call it that way.
10:05We can. We understand.
10:08I'll give you a little suggestion about Sava.
10:12Listen.
10:14If you have the purpose of it,
10:17you'll be ready to take the heart out of your chest.
10:20Is it so funny?
10:22No, no, no.
10:23Sava and Grov Graciano are similar to what you can imagine.
10:27And I could say something similar,
10:29but I would like to say something like that.
10:31I would like to say something like that.
10:33I would like to say something like that.
10:35Tell me what you want.
10:37But I would like you to say that you will be more than you.
10:41I'll have to look at it, Mila.
10:44I don't know.
10:47It's so funny.
10:50You are a little and gentle.
10:51You can use my mother.
10:53You're a gentle.
10:54You're a gentle.
10:56He's a gentle.
10:57You're a gentle.
10:59I'm a gentle.
11:00You're a gentle.
11:01You're a gentle.
11:02You're a gentle.
11:03Let me help you.
11:05I'll help you so that I'm going to help you.
11:07Know who Valentin will be against us, and I'll take it against you.
11:11Your sister, your family, your family, and I'll leave you at peace.
11:14This is for you.
11:18What is it?
11:19When you get a caper, when you get a specific message, you'll get more.
11:28Valentina tells me that there is a very important one.
11:32What are you waiting for?
11:34And beware, use your sister and your family, and you won't have to worry about it.
11:39When you see that someone says something, stand up and ask yourself.
11:44After that, you won't be able to use it, right?
11:46Come on, why would I love you?
12:04What's your name?
12:05Where are you, dear Savo?
12:07Where are you, dear Savo?
12:08I'm going to go to the beach, Mr. Graziano.
12:10I would not like you to do it, but I think we've already been on the beach.
12:13Mr. Graziano.
12:14I would not like you to do it, but I think we've already been on the beach.
12:18Mr. Graziano.
12:19Mr. Graziano.
12:20You won't be afraid if we're going to go to the beach.
12:23Of course, agreed.
12:24Mr. Graziano.
12:26Mr. Graziano.
12:27Mr. Graziano.
12:28Mr. Graziano.
12:29And the turn of me, Savo…
12:32How does it get to this place?
12:33Mr. Graziano.
12:34It is nice.
12:35Everything is clear.
12:37How could you know we would come from us?
12:39Mr. Graziano.
12:40I thought that we all work together like the same ideology.
12:43Mr. Ideology?
12:44Mr. Graziano.
12:46Mr. Graziano.
12:47I think fascism was wrong with me.
12:48My husband was wrong.
12:49I wasn't clear with me, but I wouldn't understand what the other communist were.
12:51Mr. Graziano.
12:52Mr. Graziano.
12:53I thought I wasn't interested in capitalism.
12:55But he can help people like us to make this system that we can do much more than what we can do with our descendants.
13:06Capitalism is not something that we can trust.
13:09What do you think?
13:11We talk about individualism.
13:14We believe that one person with strong and strong love can help the mountains.
13:20And I think that we have this faith.
13:24I want to say, I want to do my whole life myself.
13:29It's the end of the day to change myself.
13:32I would like to contribute to something that is much more than the job.
13:38What is it?
13:39It's the life.
13:40The same life of myself.
13:42The life that we need to be.
13:44The life that we can make ourselves and then we can take it to those who can protect ourselves.
13:54The life of being.
13:56The life that we need to be.
13:58The life that we need to be.
13:59The life as a product and service for being.
14:01Do you think that the value would be too high for this?
14:05The life of being.
14:06The life that we need.
14:07The life of being.
14:08The life of being.
14:09The life of being.
14:10You live with me, Savo.
14:24You're Boris. I'm Roman Milojevic.
14:28I don't have anything to talk about. I'm sorry.
14:30You're a man of Magar, right?
14:34I pray.
14:36You've been working with Bačića,
14:38you've got jobs,
14:40and now you're working in Tehnomax as a worker,
14:42or a replacement worker.
14:44And you would ask me a better job, right?
14:47Maybe I'll go back to the old one.
14:49And that's under the roof.
14:50What do you think?
14:52If you help me to find out who and what is Mila Kovac,
14:55I'll go back to the old one.
15:02I'm not sure what you're talking about.
15:05I'm not sure what you're talking about.
15:08Did you hear Savo's name as roleplay tourism?
15:14I heard that there are hotels where guests are crazy,
15:18that they're something that they aren't.
15:21You see, from that reason,
15:22I don't like roleplay.
15:26I think it sounds...
15:27...infantiv.
15:28It's unfair.
15:29I don't like that.
15:30I don't like that.
15:31You know, I'm not sure what...
15:32I don't like it.
15:33I don't like it.
15:34I don't like it.
15:35I don't like it.
15:36You're not sure what you're talking about.
15:37I don't like it.
15:38You know,
15:39I don't like it.
15:41You see, Niki knows very well about this.
15:46I don't know why, because she lives in a personal program
15:50from the identity of tourism.
15:54What do you mean?
15:57I'm asking you to meet you, Niki and I,
16:01and we'll tell you exactly what we have in mind.
16:06No, I don't want to tell you.
16:08What do you mean? You can sit with Samara and sit in a seat.
16:11An old job, an old man, only if you help me.
16:13Who are you?
16:14It's not important, I want to talk about it.
16:16No, I don't want to talk about it.
16:18And I don't want you to listen to me.
16:20I don't want to have a job with anything that has to do with this woman.
16:23You understand?
16:24Stop!
16:26Wait!
16:38I don't want to talk about it.
16:39I'm coming here as a woman.
16:41You understand?
16:42I know, we talked about it.
16:45Okay, you're not thinking about it?
16:47You should have a mistake?
16:48What would you say?
16:50You're a Zlatare woman.
16:54I want to put it on.
16:58I want to put it on the floor.
16:59Let's put it on.
17:03Let's put it on.
17:06It's like this.
17:10Of course, this is all.
17:14You can put it on yourself.
17:16Yes.
17:19It's amazing.
17:22Wow, great.
17:24Just to see your fingers.
17:26What?
17:27Let's see.
17:28I'm going to show you the eyes.
17:30What are you doing?
17:31Is it you?
17:32Is it you?
17:33Is it you?
17:34Is it you?
17:35Is it you?
17:36I will show you the eyes.
17:38You are yours.
17:40You are the eyes.
17:42You are the eyes.
17:44Is it you?
17:46Is it you?
17:48Let's see.
17:49You are my eyes.
17:51Okay, you are on the other side.
17:53What is it?
17:56You are the eyes.
17:57You are the eyes.
17:59Everything.
18:00You are the eyes.
18:0214-karat gold, 28 cm.
18:07It has a painting from an amethyst.
18:10And here you see, my job.
18:12What am I?
18:14Is it a proposal?
18:17Well, when I'm already paying for a woman,
18:20I'm going to be a little bit if you're saying.
18:22Let's do it.
18:27Anyway,
18:28they say that the amethyst is a stone of wisdom and wisdom.
18:36With a strong attraction
18:39and spiritual qualities.
18:43Although, for me, it's a fairy tale,
18:46but you're my headline.
18:49The best I've ever seen.
18:52You won't be able to do it with the price.
18:55You know, it would be practical.
18:58You're here, my wife.
19:00Listen,
19:02I'm just giving you this to the reverse.
19:04When we finish the job?
19:07If we're talking about the job
19:09with the Savo and Gracian,
19:11well,
19:12you'll be able to hold something.
19:14Right now.
19:15You're going to hold it on.
19:17You wouldn't be able to hold it on.
19:22Where am I going?
19:23Where am I going?
19:24Where am I going?
19:25No, it's inside the house.
19:26Where am I going?
19:28I'm going to...
19:29Where am I going to make the place?
19:30You wouldn't mind my wife.
19:31I'm going to get out of the car, I'll go and get out of the car.
19:35What do you think? Where are you going?
19:36Yes. What is that? What is that?
19:38You know what is that?
19:40First, you're my king.
19:43Second, you're a tough guy.
19:44And third, you're a tough guy.
19:46And I don't know what you do with him.
19:48I know everything so that I don't know.
19:50What do you know when you're a tough guy?
19:52You love a tough guy?
19:54I prefer you, I prefer you.
19:56You should be a tough guy!
19:58I can get out of their cover and get out of his face and all with them.
20:03I don't can t new about it.
20:04I'm in this situation in special way.
20:06But I can tell you something.
20:07I honestly just can't tell you something...
20:09I know everything.
20:10I understand anything.
20:11I know everything.
20:12I know everything!
20:13I know everything I've got.
20:14A really hard time, until now.
20:15But my husband, and I know everything.
20:17She's got to get out of time.
20:18I know!
20:19You've got to tell him that...
20:20I know everything!
20:21You've got to get out of my way!
20:23You've got to get out of my position.
20:25Come on!
20:26Let's go!
20:56Hvala. Ajmo, drago.
20:58E, i molim vas, nemojte nas uznamiravati.
21:01Moja supruga i ja volimo privatnost.
21:05Dobro.
21:14Jau, Bojana, baš je bilo opasno.
21:18Šta?
21:19Samo da ti kažem da nikakve prijetnje neće mene uplašiti, vjerujem.
21:22Boris ti je prijetio.
21:23Ma kakav, Boris, on je pobjegao glavom bez obzira.
21:26Pa ko ti je prijetio?
21:27Tvoja kuma.
21:28Moja kuma, Miljane?
21:29Da, sad me tu, svašta mi je sad urekla kod list.
21:32Svašta, napade me žena.
21:34Maš je bilo neprijatno.
21:50Ajmo, hvala. Aj, čekaj.
21:53Aj, čekaj.
21:56Aj.
22:00Hvala. Prijetno.
22:07Šta ti je značilo ovo?
22:10Govori, dragi mužiću, obukvatio me ko hobotnica sa svim tim kracima što ih imaš na sebi.
22:16Ajde, dobro, dobro, evo sad smo učiti u sobu i nema više toga, kraj.
22:20Mislim, zar se nismo tako dogovorili?
22:23Ali malo čas na recepciji…
22:24Malo čas na recepciji smo bili kao muž i žena, jel' tako?
22:27I vidi, nemoj tu da ti padaju na pamet svakakve ideje, znaš?
22:32Ovdje si prvenstveno zbog posla, jel' ti to jasno?
22:35Da, jasno.
22:36Eto, tako, nemoj…
22:40Ja sad idem da tražim Bačiće Gracijana, da probam da ugovorim posao.
23:06Vidi, ja nisam od kamena, znaš?
23:15Molim.
23:16Neću te plaćati za ono što se daje od srca i svojom voljom.
23:23Ali ako poželiš, ja nisam od kamena i nisam slijep da ne vidim tvoju ljepotu.
23:31Naš odnos je poslovan i bolje da takav i ostane, zato gubi se na broj, ovdje!
23:39Moj, dok bolje razmisli možda i u pravu.
23:44Zašta u pravu?
23:45Kaže da te moj posjeti opterećuju, tvoje stanje.
23:48Slušaj, Romane, ti znaš koliko ja cijenim ovo što radiš za mene.
23:52Znam, Boki, ali tvoje stanje prosto ne dozvoljavate.
23:55Ali odkad ti dolaziš i donosiš mi vijesti, ja trudnoću nikad lakše nisam nosila.
23:59Zahvaljujući tebi nisam sama.
24:02A što je još najbolje, mogu da uradim nešto da pomognem svom otu.
24:06Dobra, ajde.
24:07Samo ne znam što ćemo sa ovim Borisom.
24:09Slobodno mu reci da se radi o meni.
24:11Nisi sigurno?
24:12Hoću da znam ko je ta mila kovač i neću više da se krijem.
24:16Ti idi pričaj s Borisom, a ja ću se miljetno.
24:29Stvarno sam mislila da smo se oko toga razumijela.
24:32Maknite mi to, stvarno.
24:35Izvinite, molim vas.
24:37Novinarska navika.
24:39Kad neki dokument smatrate tako važnim, ne razdvajate se od njega.
24:43Pa valjda tek treba da dokažete da nečemu vrijedi.
24:46Moram da vam priznam da sam iznenađena.
24:50Čime to?
24:52Nekako mi se čini da se previše zaštitnički postavljate prema bačićima.
24:57Ne treba njemu moja zaštita.
25:01A ja mu je ne bi ni dala.
25:03Ja sa vama samo pričam ono što znam i koliko znam.
25:06Nisam sigurna da će vam to pomoći u tim vašim televizijskim prilozima.
25:11Samo vi nastavite.
25:12Pustite vi mene da se brinem za te prilože.
25:21Ja znam.
25:23Oni tamo još čekaju da plati pici.
25:25A neka čekaj.
25:30Komšo.
25:33Ajde svrati napičena.
25:35Neću kvinoza tamo preko puta popi kafe.
25:37Ajde češ tamo, zar misliš da tamo šedi radi narod?
25:40Ajde šedi ovamo kod mene.
25:42Učesti me, mjesto kafe, dom mjesto sam ponudio.
25:45A to na moju dušu i na moje obrazu.
25:48Ogriješio sam se oiskrena i poštena čovjek.
25:51Jezda si laprdala, ali si bi rekao istinu.
25:54A ja ti nisam vjerovat.
25:56Ajde za to šedi ovaj.
25:58Ajde.
25:59Gazda, rekli su da će ti se kod noheno djeci.
26:01A neka idu.
26:03Kuća časti reči.
26:10Znači, nije satelagao moj ovo.
26:12Ne, komšo.
26:14Šo, meno ću ovim godinama dobiti i dijete i unuku.
26:18Pa ti vidi je li to razlog da se časti.
26:21Ajde.
26:22Djevojke.
26:23Zvalite gazda.
26:25Pitajte što ko pije. Kuća časti.
26:29Odmah gazda, odmah gazda.
26:33Bačić je osumnjičen za ubistvo svoje ljubavnice, Line Bošković.
26:36On ju je navodno dao narkotik pod čijim dejstvom je izazvala sa obraćajku koju je spradala.
26:41On je za to osumnjičen, ali nije obtužen.
26:45Pokojna Lina Bošković navodno je ucijenjivala Bačić.
26:48A on je za to vrijeme već bio u drugoj vambračnoj avanturi.
26:51Sumnja se da je Bačić iscenirao nesreću kako bi zaštitio svoj brak i kako bi se oslobodio ljubavnice koja mu je već zasadila.
27:00Je li tako?
27:01Koliko znam, Savo je tome tvrdio da su to sve obične laši.
27:07Dobro, šta hoćete da kažete? Da mu vjerujete?
27:10Pa dovoljno ga poznajem da mogu da tvrdim da tako nešto nije mogao ni da smisli i ni uradi.
27:15Vi stvarno mislite da Bačić nije sposoban da ubije?
27:19Nisam to rekla. Možda je sposoban ubije su afektu u borbi, ali da na takav način truje jednu mladu ženu i to stvarno ne.
27:29Ne znam, ovo ga meni sve više izgleda kao da ovi naši razgovori liđe na dialog optužbe i odbranu.
27:39Valentina, učinjelo mi se da si to ti okletio ovdje.
27:45Poslom sam Stano.
27:47A, oprostite ako što smetam. Ja sam Stana, Valentinina sestra Ostrica Stanimira.
27:52Olga, drago mi je.
27:54Olga, nešto mi se činite poznati? Da nijeste od Borojevića?
27:58Ne, od Radmilovića.
28:00Olga Radmilović, sad mi to zvuči još poznatije. Da nijeste neka od onih Valentini ni kriminalaca.
28:07Stano. Olga je građevinski inspektor.
28:10A, što si to otrgovala?
28:13Ništa, Stano, poslom sam ovdje, rekla sam ti već.
28:16Dobro, oprostite, idem ja. Prijatno, Olga Radmilović.
28:21Prostite, molim vas Olga, ona je dobra stvarno, ali kao što vidite nenametljivost joj nije baš vrlin.
28:30Da, vidim ovaj dosije za pau za oko.
28:33Ma, voli da zabada nos svugdje, ali nema loše namje.
28:36Eto, tako sam mu sve rekla, a on biješe prodimio zoro, ona priganica na glavu mu se odmukljena postrišila, neka je.
28:45A drugi put nekad dobro razmislio će li tek tako ići kod bojene.
28:48Šta pijete ko će časti?
28:50Nama isto.
28:52Slušavaš ti i mene što ja pričam ili gledaš kako ćeš da se ograbeš o jošku YouTube?
28:56A što je s tobom ženska glava, vidiš je da čekam.
28:58A što čekar, što?
29:00Čekam nešto u mojej režiji i u mojej organizaciji.
29:04A evo i što.
29:21A što si došao zbog posla?
29:23Nisam evo.
29:25A zbog čega si došao?
29:26A šao da se izviniš.
29:28A mene da se izviniš?
29:30A zbog čega?
29:31Što sam se onako oponio prema gostima.
29:34Gosti, gosti, pogotovo ona je seđate.
29:36Bili ste u pravu.
29:38Ajde da sam i ja jednom u pravu.
29:41Prihvata vam izvinjenje.
29:43Hvala ti što si navratio vidimo se.
29:47Keđe?
29:48Uz izvinjenje prihvatio bi i tebe nazad na posla.
29:53Samo...
29:55Reći to, slušam.
29:57Osmije.
29:59Osmije. Danju noć u osmije.
30:02Razumio sam.
30:04Osmije.
30:06Aj sad, mršu za šanka.
30:08Treba neko da radi ovdje.
30:10Ajde, turu pića za čitavu kafanu.
30:12Kuće časti.
30:18A pomemba.
30:19Ajde!
30:20Živjeni!
30:24Ajde!
30:26Ajde, živjeni!
30:27Ajde, živjeni!
30:31Ajde!
30:33Ajde, živjeni!
30:36Ajde!
30:37Where is this?
30:39Where?
30:41I'll finish you.
30:45The music is over, these Jeepers are over here.
30:47What do you think? I'm afraid of a few guests.
30:49What else?
30:51Hey, how are you?
30:53Please, what would you like?
30:56I'll take you this one, we'll see how you will.
30:59You're very scared of these things from your business.
31:07Did you see how everything was solved?
31:37Hello?
31:41You're right.
31:46I don't know who you are.
31:48I know. I know what you are doing.
31:52I'll understand if you want to see more.
31:56I'm sorry, I'm a big fan.
31:59I'm not sure if you hit me with my legs.
32:02When did you say something?
32:04I'm sorry.
32:06I'm sorry.
32:08I'm sorry.
32:13Hello.
32:17What was it, Jovana?
32:18They again called me from the restaurant to the beach.
32:20I told them I'll find it.
32:23They're better to get out.
32:25They won't wait more.
32:27And they say that they're doing a rage for your father.
32:30You're it.
32:33And you don't go out, you will call them police.
32:50WHAT'S TERRY
32:52Oh!
32:54It's a pleasure to see you again.
32:58Do you know when we look at who you look at me?
33:02At Shantirvano?
33:04No, not at Shantirvano.
33:06At Tom Cruise.
33:08Did you watch the movie Cocktail?
33:11How?
33:12He's not a good guy.
33:16I heard that Tom Cruise is a good guy.
33:20Oshmijek!
33:22Yes, Oshmijek.
33:24Excuse me, your mojito cocktail.
33:28That's it, Feđa, Oshmijek.
33:30Let's take one drink.
33:32The opportunity is to be blessed.
33:34Let's be in all the years
33:36and the son and the son!
33:38The son and the son!
33:40Let's live!
33:44Can I have a bad fall?
33:46What fall?
33:48Let's go!
33:50On the blue sky, Charlie Vietrovic was a beast.
33:53I've been smiling for Christine.
33:54I've made her a good son!
33:56Bravo!
33:57Look at your son, Feđa!
34:02Yes, Luke!
34:05Oh!
34:06Here's his son!
34:08Finally came to see him.
34:10My father!
34:11Nice to meet him!
34:12I want to go with a job, Dad, I won't go for a long time.
34:15A job?
34:16What kind of job would you turn around here?
34:19They want to go from the restaurant to have some problems with your cafe.
34:23They want to go?
34:25They sent me to talk to see how we can solve it, Dad.
34:29You are the terrible guy from their lives that are our friends.
34:36What?
34:37Nothing. We will solve it.
34:41But before that, I want to go for a long time.
34:45What do you want?
34:47For you! For you, son!
34:51I want to go for a long time.
34:56I want to go for a long time.
35:02I want to go for a long time.
35:06You're right.
35:09Boro!
35:14Boro!
35:16Boro, you're here.
35:19You're welcome, Boro.
35:25Here.
35:27He went to the bus.
35:29He came and I'm not sure why.
35:31I didn't call you after the phone.
35:33Mitar, stomatologist from the bar for whom I work.
35:38I know that you are Nikolina.
35:41Let's go.
35:50What are you talking about?
35:52What would you want for me?
35:54What do I have to do with this?
35:56When you come to this job, you have nothing to do with it!
36:01Tata, I know that I am starting with you.
36:03No, I'm talking about that, son!
36:06First, you got into the house,
36:10and then you got into the house,
36:12sold you a baby,
36:14and showed you to the family
36:17who took you and saved you!
36:20I'm sorry, Tata.
36:22I'm sorry.
36:24But I'm honest!
36:26I'm wrong, that I'm completely gone.
36:30I'm wrong with you!
36:33You're selling the family!
36:36I don't have another choice,
36:39but I'm starting from the beginning!
36:41I don't know where you start,
36:43but you don't know where you are!
36:45It's better that you're drunk!
36:47If I'm drunk,
36:48I don't have to know how to lie!
36:51Let's go!
36:52Put a table with my place!
36:54Put a house.
36:56Put a son in a house!
36:58Put a son in a house!
36:59Put a son in a house!
37:01Don't let our son start!
37:03Put a son in a house!
37:04Let our son start!
37:05'll we live!'
37:06Put a son want to date!
37:08You understand, Miter told me that Nicolina is here somewhere.
37:15Why don't you talk to him? Where is it?
37:19He didn't want to talk to him anymore.
37:22He works for Terezina agency and it wouldn't be enough to know how I'm asking for you.
37:26What do I do?
37:29I have to play with you, Miter.
37:33I'll play everything I know from him.
37:35I just need a little time.
37:38Listen, sister.
37:41I've already been able to talk to Nicolina.
37:45I couldn't say anything I've ever heard of.
37:50Maybe she doesn't want me to find her.
37:55Maybe she doesn't want me to talk to her.
37:58You won't know that you won't be talking to her.
38:02We have a family here.
38:07I've moved to them.
38:09I'll wait for them.
38:11I'll wait for them.
38:13You talk to you, Miter, as you can.
38:17I will talk to you, Miter.
38:32I've got to go. I have something to talk about.
38:38I don't know what I'm talking about.
38:40You don't hear what I'm talking about with Alec?
38:42We'll see you later.
38:44I asked him, I'm still petljali with criminals.
38:48He's hiding the answer.
38:50What?
38:52What should I mean?
38:54You don't know, people.
38:56Listen to me.
38:58Your Alec didn't change his mind,
39:01which took him to the door.
39:04I would like you to not miss his mind.
39:08I told him his name.
39:10I told him that he had to be enough.
39:13But you have to go around.
39:16Stop.
39:20What do you want me to say?
39:23I don't know what you're talking about.
39:26I see that you have something to do.
39:28What did he do?
39:30He didn't do anything!
39:32But something of them is.
39:36You know what?
39:38You can't say anything.
39:40You can't say anything.
39:41You can't say anything.
39:42I don't know what you're talking about.
39:44I don't know what you're talking about.
39:46You know,
39:48when you're talking about that,
39:50I'm asking you if you're like my sister,
39:53or if you're such a sick woman
39:56who's angry at the wedding.
39:58You can't say anything.
40:00You're like my sister.
40:02Come on.
40:04You can't say anything.
40:05What?
40:06You know what I'm saying?
40:08It's time to talk to you.
40:09You can't say anything.
40:10I didn't say anything.
40:11I don't say anything.
40:13You can't say anything.
40:15You'll tell me.
40:16That's it.
40:17I'm not a person.
40:18I don't know.
40:19We're talking to you.
40:20You're like my sister.
40:21You're like my sister.
40:23What?
40:24Hey, let me see.
40:42What?
40:43Where did they hit you?
40:44It's not that.
40:46Let me pray.
40:48It's not that.
40:50It's not that you nor that you hit you.
40:51It's not that you have to do anything about my job, my father and my life.
40:59I don't understand, Luke.
41:00I don't understand, but I don't know how to explain to you.
41:08But now it's better.
41:11What?
41:14I'm sorry for that I'm with you.
41:19I'll give you a break and let everything go.
41:22I'll give you a break.
41:30I'll give you a break.
41:37Let's go.
41:39You're definitely not.
41:40No.
41:40I'm going to put me on the way you want.
42:05Are you feeling good today?
42:08Why are you?
42:10I've always been like this after the conversation with Jeanne.
42:13She's from me, and she's got a good position.
42:24And you're on my own.
42:26I don't think so.
42:27Alec, tell me.
42:32Did you see someone with someone with you?
42:36I don't think so.
42:40I don't think so.
42:42I don't think so.
42:44Do you know who I'm thinking?
42:46I know.
42:50I saw her when she was looking for me.
42:54Why did she look for me?
42:56Why did she look for me?
42:58But I don't think so.
43:00I don't think so.
43:02I don't think so.
43:04I know how hard it is to get out of the way I've fallen,
43:08but I've been out of it.
43:10And I won't go back.
43:12I won't go back.
43:14I'm so happy.
43:16I'm so happy.
43:18I'm so happy.
43:20I'm so happy.
43:22When I was in prison,
43:24when my son started to get out of me,
43:26I was at the end of my life.
43:28I'm so happy.
43:29I'm so happy.
43:30When I was in prison,
43:32and when the son started to be taken over me,
43:36I'm so happy that I'm going to get out of me.
43:38I beg you.
43:39I won't talk about him.
43:41I'm fine.
43:42I'm fine.
43:43I'm fine.
43:44But I'll tell you that I wanted to get out of you.
43:47But you didn't want to do it and we stayed together.
43:54And now your sister says that it would be better for both of us to not be together.
44:01You would want to do it?
44:03No.
44:05The woman, the woman, whatever she does, me it doesn't matter.
44:10I will fight for us, for you.
44:15And I will win.
44:18I don't have another chance.
44:33Do you need to do it?
44:35You need to do it. The number of people are going to do it.
44:38Do you know that...
44:41Until now he works for his sister.
44:45What?
44:46That's what he did against him.
44:50Now he works on one of his sister's buildings.
44:57He works.
44:59If he's defending him.
45:01It would be worth something to do with his sister.
45:03What would he do with his sister?
45:05What do I know?
45:06He worked with you and Serdar.
45:08What did he do with me?
45:09He made a society with Serdar.
45:13It would be better to do things that are not your job.
45:18The job is only about you as much as you are.
45:23We are now partners.
45:25We have to deal with each other.
45:28why did he do that?
45:29Why did he do not recognize all the time?
45:30Why did he do not recognize all that?
45:31What did he do with the man for his sister to his sister?
45:33Home.
45:36It's better that everything is here.
45:52What do you think? Is it going to take me?
45:55Is it?
45:57I don't know. We'll see.
46:03Tell me who is Mila. If I'll let you to go to the right side…
46:09No, he doesn't call me.
46:10He'll call me Bojana Babsic.
46:13He'll call for Milo because of my father.
46:15I've certainly heard Mila.
46:17I can't speak this man.
46:19Tell me who is she is forever.
46:21Tell me who she is forever…
46:23No, he'll call me Bojana Babsic.
46:25He'll call her for Milo because of my father's father.
46:28I'm sure he'll call Mila?
46:30He'll call me, man, who is she?
46:31I don't know who it is. Tell me who it is and I'll go.
46:34You're a fool. A fool who doesn't know what you're talking about.
46:38Mila Kovač doesn't exist.
46:41What?
46:43Mila Kovač is a mystery.
46:46A picture that shows you.
46:48Mila Kovač doesn't exist.
46:51Wait, who is she?
46:53She's not Mila Kovač.
46:55Liv Smith.
46:57What?
46:59Liv Smith.
47:01Ako te barzza neima.
47:29Well, you're still seeing the
47:35close and close.
47:37I'll see you in front.
47:39Ok, I'll see.
47:41I have seen it from the camera.
47:43I'm seeing it, he's looking for you.
47:45He's coming.
48:02Who is that, Liv Smith?
48:04I'll have to know.
48:06It's enough to tell you what I've told you.
48:09When you ask Liv Smith, try something to know about Carith Forgest.
48:14O Kari Forgistan, i o Zizi de Mirsi, i o Rasi Sepp.
48:20Is to on a džabe priča, ti si totalno izgubio razum?
48:23Bar nisam život.
48:39Da.
48:41Uslikao sam.
48:43Odlično.
48:46Sad ćeš mi provjeriti, ko je taj Luka Radmilović uopšte.
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