- 6/9/2025
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TVTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:29CastingWords
00:01:59CastingWords
00:02:29CastingWords
00:02:31CastingWords
00:02:59The
00:03:03mother
00:03:07is
00:03:11a
00:03:13mother
00:03:15is
00:03:17a
00:03:19man
00:03:21Good to meet you, friend, in the house, good to meet you.
00:03:25I would like to meet you.
00:03:26Let's go, let's go, let's go, let's go.
00:03:29Ana.
00:03:30Dragovija.
00:03:31Let's go, let's go.
00:03:33Let's go, let's go.
00:03:34Let's go, let's go, let's go.
00:03:39Let's go, let's go, let's go.
00:03:42Son, bring him to Rakiju,
00:03:44what I've heard for today's day.
00:03:46Look at that.
00:03:48Oh, pa kako vam se čini, ođe kod nas.
00:03:52Jeste boravili u ljepše selo u Crnugor.
00:03:55Živana, svakome svoje selo najljepša.
00:03:58Ne bi ja dao moj durvitor ni za cijelu riječku ni crmičku nahiju.
00:04:03Jesam dobro neko?
00:04:04Jesi, jesi.
00:04:05Riječka nahija i najljepši na svijet ljubotini.
00:04:09Ma ljepšim povodom ovamo dolazio nijesam.
00:04:12Ne tako mi boga.
00:04:15Gdje ćeš ti mala?
00:04:17Polako, polako.
00:04:19Ja da vidim gdje je zoro.
00:04:21Pa ne bojmo se čoče, sad će on.
00:04:24Čegoviš si ti?
00:04:26Sjedi.
00:04:27Sjedi.
00:04:28Sjedi.
00:04:29Sjedi.
00:04:30Sjedi.
00:04:31Sjedi.
00:04:32Sjedi.
00:04:33Sjedi.
00:04:34Sjedi.
00:04:35Sjedi.
00:04:36Sjedi.
00:04:37Sjedi.
00:04:38Sjedi.
00:04:39Sjedi.
00:04:40Sjedi.
00:04:41Sjedi.
00:04:42Yeah!
00:04:50Have you got champagne, please?
00:04:52Now I'm going to have a champagne.
00:04:54You're going to get out of it.
00:04:56When you have to get out of it, you have to do three things.
00:05:00The first one is a champagne.
00:05:12One of all areриг
00:05:22I'm Miljana Popovic of Piper meet the bride and the bride's R ו dr.
00:05:26The bride was here recently at Poudgoriques ,
00:05:28and he was meeting with my pregnant aunt who was from тыжней Re
00:05:40and you traveled out and here!
00:05:42Do you like it?
00:05:44Do you like it?
00:05:46It's nice and clean.
00:05:48I don't like it.
00:05:50Please.
00:05:54Where is your mother from Lješanske?
00:05:58I don't remember.
00:06:00Something like that.
00:06:02I remember it.
00:06:04I remember it.
00:06:06It's the name of Lješanske.
00:06:10My mother.
00:06:12You can't say anything to me.
00:06:14Why don't you say anything?
00:06:16I don't say anything to me.
00:06:18I don't say anything to me.
00:06:20I don't say anything to you.
00:06:22That young lady, she's trying to do it.
00:06:24And she's trying to do it for you.
00:06:26She's trying to do it.
00:06:28I don't know how to do it.
00:06:30But I don't care.
00:06:32I've been doing it.
00:06:34We've heard that you're her daughter
00:06:36in the house.
00:06:38We don't know how to do it for you.
00:06:40I don't know how to do it for you.
00:06:42Kuma, can I tell you something?
00:06:44Tihana,
00:06:45Živana,
00:06:46you know that Miljana is my mother.
00:06:48And I'll tell you that
00:06:50according to my daughter Bojana,
00:06:52Miljana is like a young girl.
00:06:56And one day when Miljana will be given,
00:06:58I'll tell her,
00:07:00I'll take her for her hand
00:07:02and take her before the woman
00:07:04who will take her.
00:07:05I'd better say,
00:07:06Savo,
00:07:07the woman who will take her.
00:07:09Whatever.
00:07:10But her and her woman
00:07:12will help
00:07:13as well as my daughter
00:07:14and her woman.
00:07:15That's why you know.
00:07:19And now,
00:07:20I'll give up.
00:07:21Live.
00:07:22Live.
00:07:23I'll be happy.
00:07:28I'll talk about it.
00:07:30I'll be happy.
00:07:31No, I'll be alive.
00:07:32There's more than my daughter,
00:07:33like my daughter.
00:07:35Yes,
00:07:36I'll be happy when she's three years old.
00:07:37I'll take her.
00:07:40I'll eat it,
00:07:41what's happy.
00:07:42You won't eat it.
00:07:43Let's go.
00:07:44You won't eat it.
00:07:45You won't eat it.
00:07:46And you can be safe
00:07:47and alive.
00:07:48We'll eat it.
00:07:51MUFWEN
00:07:53SMVIAD
00:07:54FAM balancing
00:07:55I'm sorry.
00:08:07Not to be a fool.
00:08:09It's awful, Luka.
00:08:11Go to me!
00:08:13I don't know if I see it.
00:08:15Let's go.
00:08:16Go to Luka!
00:12:09Bye-bye.
00:12:11Bye-bye.
00:12:13Miljana,
00:12:13what do you think?
00:12:15What do you think?
00:12:20What would you think?
00:12:21We came, we saw, we met, we met.
00:12:23What would you do?
00:12:25I know, but we didn't come to drink coffee.
00:12:27We met Tihanu and Živan.
00:12:29It was the case that they knew you,
00:12:31and they knew you and me.
00:12:33If you stand here, you can see where I am and where I am.
00:12:37And where would you sleep?
00:12:39I have a room for you.
00:12:41It would be better than any other apartment.
00:12:45Okay.
00:12:46I would like you to meet your mother and aunt
00:12:49like Miljan, and not Savu's help.
00:12:52How does that mean?
00:12:54Yes.
00:12:55Yes.
00:12:56Yes.
00:12:58Let's go.
00:12:59Well, come on.
00:13:04As you say, you're a little girl,
00:13:06then you've got a nose.
00:13:08You don't know anything.
00:13:09You don't know anything.
00:13:10Yes, that's why I don't say.
00:13:12He's a little girl.
00:13:13You're a little girl who's already prepared.
00:13:16You're a little girl.
00:13:17You're a little girl.
00:13:22Starskosmopolitan
00:13:32Agency, Starskosmopolitan?
00:13:34Yes.
00:13:35I told you to come here. I'm Diana.
00:13:37Can you please?
00:13:52We will prove that it is possible to connect business and pleasure.
00:13:55And for that reason, Isabella will perform Diamonds are a girl's best friend.
00:14:22Every man who lives and gives expensive jewels.
00:14:30A kiss on the hand may be quite continental, but diamonds are a girl's best friend.
00:14:40A kiss may be grand, but it won't pay a rental on your humble flat.
00:14:48Or help you at the automat.
00:14:51Men grow cold as girls grow old.
00:14:56And we all lose our charms in the end.
00:15:01But square, cut or pear shapes.
00:15:04These rocks don't lose their shapes.
00:15:07Diamonds are a girl's best friend.
00:15:14Tiffany's.
00:15:18Kari, yeah.
00:15:22Black star, frosgarom.
00:15:25Talk to me, Herr Winston, tell me all about it.
00:15:40Dijana, this is Teresa.
00:15:42Teresa, this is Dijana whom I told you.
00:15:44It's nice to me, Tereza.
00:15:47Sasha told me that you were crazy. Is that right?
00:15:51Yes. I had some knowledge in the co-productions.
00:15:55Do you know that I was a young girl who played in the entire Yugoslavia?
00:16:02Well, if I had learned anything, it was crazy.
00:16:05It was crazy. I was only in Starsko-Sum-Politen.
00:16:10I found a way to be satisfied with my artistic affiliates,
00:16:16to be satisfied with myself and my friends.
00:16:20Do you know what it means, doing creative modeling?
00:16:25Manekinization, is it?
00:16:28Manekinization, you say?
00:16:33I understood that the guests came from some modern revues
00:16:36or photography. You said that they were here.
00:16:40You speak English.
00:16:43English and Russian.
00:16:45Oh.
00:16:47In the goal of developing high tourism,
00:16:49our creative modeling provides the most exclusive to the world's clients,
00:16:53but the first one from the banking sector.
00:16:56For them we organize different events, summits, seminars, symposiums,
00:17:02festivals, conventions,
00:17:04and we are working on the way to get better.
00:17:06We are working on the way to get better.
00:17:07We are working on the way to get better.
00:17:08The English guests are not here because of the revie or some sort of nonsense,
00:17:16but to put them into our tourism.
00:17:18We need to help them to finish the job before and to make them happy.
00:17:24I understand, I was doing something similar.
00:17:27Is it? Well, we'll see.
00:17:30But you have to understand one more thing.
00:17:34If you deserve the engagement in the agency,
00:17:39you will sign up for every kind of sexual contact with the clients of the agency.
00:17:47Do you understand?
00:17:49Yes, I understand.
00:17:51Do you understand the client?
00:17:54Yes, I understand.
00:17:57Do you understand the client?
00:18:02Of course.
00:18:03Well, Sasha, you were right.
00:18:08Diana could find her place in the agency of the Statskosnopolitan.
00:18:12Well, Diana, you are welcome.
00:18:15You are welcome.
00:18:16Of course, you have to finish the appointment and show yourself in the proper work.
00:18:20The appointment?
00:18:22What the appointment?
00:18:23No, don't worry.
00:18:24When it comes to the end, you will be happy to do it.
00:18:26For the beginning, you want to make your own things.
00:18:28And I would like you to welcome you, Diana.
00:18:31You will be happy to be in the room with the other girls.
00:18:34You got your chance to get your chance at the agency of the Statskosnopolitan.
00:18:37You got your chance to get your chance at the agency of the Statskosnopolitan.
00:18:47You are welcome.
00:18:48You will be happy to create you in the room with the GRE новost Fiionsщikola.
00:18:50It's the end up with the options to adjust allalavers.
00:18:51So, you have to pay for ages, and sometimes to download the Informationen toมาxied.
00:18:52Now, you recommend taking another person using Siksosnopolitan,
00:18:54the special destination?
00:18:56I recommend unlocking some preserve, but I bookmark and Corn webpage.
00:18:58You will configure the company of the Statskosnopolitan.
00:20:29This is the best way to get out of here.
00:20:33Miljana, we'll see you tomorrow.
00:20:52Tomorrow? What do you think of tomorrow?
00:20:56That's fine, tomorrow.
00:20:57And you're going to go?
00:20:58You're going to sleep in the middle of the night.
00:21:01You won't go to sleep?
00:21:04No, you won't go to the house.
00:21:06You won't go to the house.
00:21:08You won't go to the house.
00:21:13The apartment that he doesn't have,
00:21:14he's in the building.
00:21:15You're ready.
00:21:16You're only going to take a job.
00:21:18So you're going to go to sleep with this?
00:21:20And I'm going to sleep with this.
00:21:22You're going to sleep with this.
00:21:23Let's go.
00:21:24Let's go.
00:21:31Miljana, come to the house.
00:21:34Let's go.
00:21:35Let's go.
00:21:47I've prepared my girl to sleep with you.
00:21:50I've put you in the bed.
00:21:52What?
00:21:53It's a kind of buggy,
00:21:55so you won't be able to sleep with me.
00:21:57You'll be able to sleep with me.
00:21:59If you were there,
00:22:01don't go.
00:22:02I don't need a garden.
00:22:03I don't need a garden.
00:22:06I'm going to sleep with you.
00:22:08You're going to sleep with me.
00:22:09He's going to sleep with you.
00:22:13I'm sorry if I made a problem.
00:22:19One problem is a lot more than a mess.
00:22:29That's how I love you now.
00:22:31What?
00:22:32Oh, I don't like it.
00:22:59I don't like it.
00:23:29I don't like it.
00:23:59I don't like it.
00:24:29I don't like it.
00:24:59I don't like it.
00:25:29I don't like it.
00:25:59I don't like it.
00:26:29I don't like it.
00:26:59I don't like it.
00:27:01I don't like it.
00:27:03I don't like it.
00:27:05I don't like it.
00:27:07I don't like it.
00:27:09I don't like it.
00:27:11I don't like it.
00:27:13I don't like it.
00:27:15I don't like it.
00:27:19I don't like it.
00:27:21I don't like it.
00:27:23I don't like it.
00:27:25I don't like it.
00:27:29I don't like it.
00:27:31I don't like it.
00:27:35I don't like it.
00:27:37I don't like it.
00:27:39I don't like it.
00:27:41I don't like it.
00:27:43I don't like it.
00:27:45I don't like it.
00:27:47I don't like it.
00:27:49I don't like it.
00:27:51I don't like it.
00:27:53I don't like it.
00:27:55I don't like it.
00:27:57I don't like it.
00:27:58I like it.
00:27:59So, all the things are going to think of Christine.
00:28:01I don't like it.
00:28:02I don't like it.
00:28:04I don't like it.
00:28:05I don't like it.
00:28:06I don't like it.
00:28:07I don't like it.
00:28:08You don't like it.
00:28:09It's going to be a good time.
00:28:10The condoms are going to kill us today.
00:28:12What did you do today?
00:28:14Don't call me a cop.
00:28:16If we were a cop, we didn't have any food.
00:28:20Let me understand your name.
00:28:23People are coming on their knees.
00:28:25You!
00:28:27You!
00:28:28You are the best of the best people.
00:28:31I am the most dangerous taxi driver in the region.
00:28:34You are the most dangerous taxi driver in the region.
00:28:38And if there is a reward for the loprdanje, prdnjavu i ogovaranje,
00:28:42the medal would not be able to get you.
00:28:45Zlatna!
00:28:48Here's the dupli espresso.
00:28:53Here's the dupli espresso.
00:28:55Here, I'll drink it.
00:28:57Let me drink it.
00:28:58Let me drink it.
00:28:59When you come and grab me a cop,
00:29:01think about what you're talking about.
00:29:03I'll drink it.
00:29:04I'll drink it.
00:29:05You are also the aspirin for these bags.
00:29:07After this, it's a hard time to get us to buy the food for free.
00:29:11Let me hear it.
00:29:13Why don't you look at me?
00:29:15Let me hear it.
00:29:16Let me hear it.
00:29:17Let me hear it.
00:29:18Let me hear it.
00:29:19Let me hear it.
00:29:20I will get you out of my way.
00:29:22I'll get you out of my way!
00:29:24Let me hear it.
00:29:25Ma'am, you're not a good girl.
00:29:26Don't let me hear it.
00:29:27Don't be afraid of those who are who are paying.
00:29:28Let me hear it.
00:29:33Do you need anything to do with the bra?
00:29:35Not to me.
00:29:36Don't you need anything.
00:29:37Take care.
00:29:38Take care.
00:29:39I don't need anything.
00:29:40I didn't get it.
00:29:41I wanted to go out of the building.
00:29:42I didn't get it.
00:29:45I wanted to ask you something else.
00:29:47All I wanted to ask you.
00:29:48My friend.
00:29:58Senke, I'm still in Andrijevic.
00:30:04I haven't been able to call her yet.
00:30:10She was a lot of suffering because of me.
00:30:14I would like her to forgive her.
00:30:16I would like to tell her that the milk had some sense.
00:30:21What do you think?
00:30:23What do you plan?
00:30:25I would like to find a job.
00:30:28A regular job.
00:30:30It doesn't matter how much he is paid.
00:30:33Do you know that I work with Savo?
00:30:36I know.
00:30:37I would like to send you to Savo in the company.
00:30:41I wouldn't like to pay Savo back to him.
00:30:43I would like to pay attention to him.
00:30:44Don't worry about paying attention.
00:30:46You are a city manager, right?
00:30:48Yes.
00:30:50You will be working at a home.
00:30:52He doesn't have to work with him.
00:30:55That doesn't matter.
00:30:57He is a sausage.
00:31:04I have to go to the warden, so he will see me.
00:31:06I don't want to pay attention.
00:31:07Let me leave.
00:31:08Let me leave.
00:31:12You will call me there.
00:31:13That's the manager there.
00:31:15That's right.
00:31:16Knocked down.
00:31:17Thanks, mate.
00:31:18That's it, bye!
00:31:48Hello.
00:31:50Boro Vicky is here.
00:31:52I see this girl in the hotel.
00:31:55Let's go.
00:32:10I see you don't change your skills.
00:32:12I said you don't want to eat food.
00:32:14This is sweet.
00:32:18I heard that the agencies were all agreed.
00:32:24Yes.
00:32:25I told you to go back to the hotel.
00:32:27And go back to the hotel.
00:32:28And go back to the hotel.
00:32:30And one thing to remember.
00:32:32If I hear that I'm here to pay for the hotel, I'll get a refund.
00:32:36Do you understand?
00:32:38Of course.
00:32:39This is what you keep your eyes closed.
00:32:42You can tell anyone.
00:32:44I'll go back to the hotel.
00:32:46And I'll go back to the hotel.
00:32:48Don't care.
00:32:49Don't care.
00:32:50And if you have a request, go there.
00:32:53I don't want to wait.
00:32:55Hello, Boro.
00:32:57I'll go back to the hotel.
00:32:58Hello, Boro.
00:32:59Hello, Boro.
00:33:00Hello, Boro.
00:33:01Hello, I'll go back to the hotel.
00:33:03Hello, Boro.
00:33:10What do you think of me? Go look for Milo!
00:33:23Go look for Milo!
00:33:24Where do you go?
00:33:25I don't know! Go look for Milo!
00:33:27Go look for the apartment again!
00:33:30Go look for it!
00:33:31Chef, let's stay here!
00:33:32I don't need one or the other!
00:33:34Don't leave me with my eyes!
00:33:35Don't leave me with Milo!
00:33:37Don't leave Milo!
00:33:40Don't leave Milo!
00:33:53Lodner!
00:33:55I want you!
00:33:56I want you, B?
00:33:57I want you to ask her!
00:34:01I'll tell you what I wanted to say about you.
00:34:04What?
00:34:05The thing that you came to do to your job.
00:34:10My brother, Nikolina Kovačević, looks like she is working at the same agency.
00:34:17She doesn't speak to her, nor her father, nor her father, nor me.
00:34:20How do we deal with it?
00:34:22Tell me that that agency is going to look for Nikolin.
00:34:26The family will not know what happened to her.
00:34:31Are you still alive?
00:34:33No, I'm a friend of her.
00:34:36Nikolina is 27 years old.
00:34:41She is young, beautiful, and sweet.
00:34:47I don't know what you're talking about, sir. Sorry, but I have to go.
00:35:06What did you want to do, sir?
00:35:10Who?
00:35:11I don't know. I saw you and I saw you and saw me and saw me.
00:35:16I don't know why.
00:35:18I'm not going to go.
00:35:19Why are you kidding me?
00:35:21What would I do?
00:35:23I saw you and say you're on the hotel and you don't need to be a knife.
00:35:27You hear me?
00:35:28You're very confident.
00:35:29The job depends on that.
00:35:33Okay, Boško. I'll do it.
00:35:35The last two days later, everywhere.
00:35:54Luka, the floor, Mila.
00:35:56I haven't seen me here. I've began late.
00:36:00I don't know where the director is.
00:36:02You work for me or you don't work for me?
00:36:05Tell me how Mila is coming!
00:36:09What happened, Mr. Sala?
00:36:10Mila came out from the apartment.
00:36:12I think she left the hotel in the morning.
00:36:15She's revealed?
00:36:16I think she only came out from the hotel.
00:36:18You think? I ask you, you think you think?
00:36:21Tell me, I'm paying for the apartment.
00:36:24I want to know if I'm going to use it or not.
00:36:27What is it? What are you looking for?
00:36:29It's a game!
00:36:30Crv!
00:36:31What is it?
00:36:32Crv, Mr. Sala?
00:36:34Crv, my crv, it's not yours!
00:36:35Doktora! Doktora, doktora, doktora, doktora!
00:36:40Did you look like her?
00:36:42What happened?
00:36:58You're talking to me that everything is all done.
00:37:00And I see that it wasn't!
00:37:03If he's hurt him, if he's hurt him, if he's hurt him...
00:37:09I pray, stop.
00:37:11Why don't you leave him to do the same thing as Džurašković?
00:37:15Džurašković...
00:37:27Ostarit ću i bačit ću Biljek.
00:37:29Džurašković ga već ima.
00:37:31To će ga naučiti pameti jednom za svakto.
00:37:33Dosta, Žanko. Rekla sam ti.
00:37:35Savo bačić je moj problem i tako će i ostati.
00:37:45Buvo suWhat.
00:38:15I don't know.
00:38:45with no-paying hotel accounts.
00:38:47How do you know?
00:38:48You're going to send me a report from no-paying stipendia, credit, debts.
00:38:55I'm sorry, idiot. Why are you so upset?
00:38:58If the rest of you will be happy to take you here, you'll see.
00:39:02Everything knows everything.
00:39:06Let's go, Izabela. She's dancing on some cocktail, and now she's digging her nose to the sky.
00:39:11Did you come here because of the work with Italians?
00:39:13I pray.
00:39:15Dijana?
00:39:17Vazdija is in the room.
00:39:19Teresa wants to check how to learn Italian.
00:39:24Come, I'll show you your room.
00:39:33It's nice that you came soon. Sit down.
00:39:35I believe you're just professional.
00:39:38You would do this to me.
00:39:40Why not? Maybe I want to.
00:39:42I don't want to.
00:39:43I don't want to.
00:39:44I don't want to.
00:39:45I don't want to.
00:39:46No.
00:39:47I don't want to.
00:39:48I don't want to.
00:39:49I don't want to.
00:39:50I don't want to.
00:39:51I don't want to.
00:39:52I don't want to.
00:39:53I don't want to.
00:39:54I don't want to.
00:39:55I want to.
00:39:56I don't want to.
00:39:57I don't want to.
00:39:58I don't want to.
00:39:59I don't want to.
00:40:00I don't want to.
00:40:01I don't want to.
00:40:02I don't want to.
00:40:03I don't want to.
00:40:04I don't want to.
00:40:05I don't want to.
00:40:06I don't want to.
00:40:07I don't know.
00:40:08It's my true.
00:40:09You are going to.
00:40:10I can't tell.
00:40:12if you are the subject of Sava Barčić.
00:40:14What? You don't need another job?
00:40:16Of course.
00:40:18Or find another subject,
00:40:20or find a new job.
00:40:42You like me today?
00:40:44It's great.
00:40:54What do you think?
00:40:56You don't feel what I am.
00:40:58You say that sex is here.
00:41:00I'm not a client.
00:41:02What would you like from me?
00:41:04A little thanks,
00:41:06nothing more.
00:41:08Do you know me?
00:41:10If it wasn't for me,
00:41:12it would have been in that hotel.
00:41:16Is this enough?
00:41:21I'll prepare you.
00:41:23When you sign up, you can start testing.
00:41:25And remember,
00:41:27as soon as soon as soon as soon as soon as soon as soon as soon as possible.
00:41:40My client Sava Barčić wants to talk to you.
00:41:44I'm clear that if you don't accept it,
00:41:46your television,
00:41:48your staff,
00:41:49even a partner.
00:41:50It's not easy.
00:41:52I'm here to respect the desire of my client.
00:41:55I'm clear that I, as an advocate,
00:41:57it's more than a partner.
00:41:59For example,
00:42:00for the loss of their reputation,
00:42:02their reputation and mental illness,
00:42:04they are very high.
00:42:06You really think your client has the reputation,
00:42:09the reputation
00:42:10or the soul that feels like a pain.
00:42:12I don't think he has enough for a partner.
00:42:14All he has is a partner.
00:42:16He's also killed them.
00:42:17And he's not killed them.
00:42:18Don't do that to him.
00:42:19I'll continue to do my job.
00:42:21Okay.
00:42:22You'll have some champagne.
00:42:24Let's go to a partner.
00:42:27I'm curious.
00:42:29What do you have against Sava?
00:42:32It's just a matter of work.
00:42:35When someone is so angry like you,
00:42:38or someone pays him well for it,
00:42:40or he has some personal interest?
00:42:42Bačić is a waste of this city.
00:42:44He's doing everything here
00:42:45that can be clean and holy.
00:42:47I don't work only with professional creativity.
00:42:50I work because of all of us
00:42:51who are not killed by criminal and corruption.
00:42:53My advice is to put a partner on the other side.
00:42:57You'll need to finish the partner.
00:42:59You think you'll be upset?
00:43:01When you asked me to ask me,
00:43:03and when you ask me,
00:43:04I'll be upset.
00:43:05I'll be upset.
00:43:06Bačić will be stronger.
00:43:07You know who doesn't upset anything?
00:43:08A stupid fanatic.
00:43:09You look like one and the other.
00:43:11Just to tell me,
00:43:13you didn't trust me.
00:43:15It's not about job,
00:43:17public good,
00:43:18professionalism,
00:43:20journalism.
00:43:21You're on the other side.
00:43:23You're on camera.
00:43:24You're on camera,
00:43:25you're on camera.
00:43:26You're on camera,
00:43:27you know?
00:43:28When it's time, you'll be free to go.
00:43:38No, I don't think I'm here to hold myself in front of you.
00:43:42Here I go, I'll stop. We'll see you later. Bye.
00:43:46Good morning.
00:43:48Good morning.
00:43:49I hope I won't stop you.
00:43:51No, it was only my assistant.
00:43:53She'll come back later, but until then we have time.
00:43:56Please, Olga, sit.
00:44:04You said you want to talk to me about Vasilij.
00:44:11Yes.
00:44:13We don't know where to start.
00:44:15It's not that Vasilije and I were in some way.
00:44:19There's been a lot then, of course.
00:44:23Maybe I'm just not happy to talk about that.
00:44:27It's still intimate things.
00:44:32Especially when you talk about me.
00:44:35I think you and your family have had problems with our injuries.
00:44:39No, it's not related to you.
00:44:41It's not related to me.
00:44:42It would be easier to talk to anyone else about that.
00:44:45What, Olga?
00:44:46Maybe we can talk about the whole thing.
00:44:53Maybe.
00:44:55Who's going to talk about the whole story.
00:44:56Oh my god.
00:44:57If I haven't told you about our beautiful and memorable Vasilij.
00:45:00In addition to that, I have to tell you about my father's family.
00:45:01The beautiful and famous Basilian.
00:45:06I know exactly what you are interested in.
00:45:09It's not just about her, is that right?
00:45:12It's also about her mother's mother.
00:45:19Hello, Senka.
00:45:23I see I want you to go back to the building.
00:45:26Just before.
00:45:27I'm going to go back to the building.
00:45:31I'm going to go back to the building.
00:45:34Don't worry, I'm going to talk to you when you come.
00:45:38Let's go.
00:45:47How did you know that Dušanti was talking about?
00:45:50How is her health, Olga?
00:45:52I know it well.
00:45:53I know it well.
00:45:55Then you don't have anything to do with you.
00:45:58When you hear that you are wrong, you know that you are coming to the building.
00:46:03No, of course.
00:46:05Dušanka is a little healthy, a little sick.
00:46:08A normal for a woman in her years.
00:46:10of her.
00:46:13The so-called pain.
00:46:16Meaning you will be closer to the final.
00:46:20Why?
00:46:22That's why he will manipulate his mother's struggles.
00:46:26Another term, to be placed on the way.
00:46:29He will be placed on the ballot.
00:46:31Either the mother and her health,
00:46:33or you and your relationship.
00:46:35He will be placed on the ballot.
00:46:45It's strange that we both talk about this open and open.
00:46:51But...
00:46:53I will try to give you the best possible advice.
00:46:57Look...
00:46:59If you like Vasily,
00:47:01enjoy it while you can.
00:47:03When you hear that my mother's mother knows that the end comes to the end,
00:47:07you don't focus on yourself.
00:47:09You sound for yourself the best you can.
00:47:13Enjoy it.
00:47:15Enjoy yourself.
00:47:17I've done that.
00:47:19I've understood that Vasily is playing with Dušank,
00:47:22like a mother's mother.
00:47:24But I've stayed with her until our relationship
00:47:26has become too...
00:47:28banal,
00:47:29sad,
00:47:30sad,
00:47:31sad.
00:47:34But...
00:47:35I've learned something from that.
00:47:37Just to tell you,
00:47:38I don't want any complication.
00:47:40They are only long and without wasting time.
00:47:43and I'm the best.
00:47:44I'm the best.
00:47:45I'm the best.
00:47:46I lead my life and organize the same as I want.
00:47:49Nobody needs to know anymore.
00:47:53Excuse me, Olga.
00:47:54I have to go to the toilet.
00:47:55This is a special edition of the F-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S-S.
00:48:25So, what happened? Did you tell Diana that she used to use?
00:48:33Yes, but from a moment to go away.
00:48:37Isn't it a miracle when she saw Boška?
00:48:40No, we don't have other people. I'll talk to her.
00:48:44It's not Boška, neither Ivana, nor scary. You can't even go with him so easily.
00:48:50I'm not afraid of it. It's like a hundred people.
00:48:54And as a result, you can't even know anything, and I'll stay out of work.
00:49:01Okay, give me something to do.
00:49:03See, Boška told me to tell you that you won't go to the hotel
00:49:08and that I'm very confident.
00:49:11And that's how I should be, confident.
00:49:17Okay, what do you say?
00:49:19I'll wait until tomorrow I'll return to the job,
00:49:22and then I'll have to be confident as ever in my life.
00:49:28Okay.
00:49:29Excuse me, where is Christina?
00:49:39In the toilet.
00:49:40Ah, I understand.
00:49:42I don't care.
00:49:43I don't care.
00:49:44Don't care.
00:49:45It's normal for the first trimester.
00:49:47I'm young mother.
00:49:49I'm almost gone through everything.
00:49:52And here it is.
00:49:57Excuse me, Olga.
00:49:58I didn't have to go before.
00:49:59Can I go back?
00:50:01No, no, no.
00:50:02We have to go.
00:50:03I want you to be happy, Olga.
00:50:06I hope that this conversation will be useful.
00:50:11Even if it doesn't serve me, it's my experience.
00:50:17It's nice.
00:50:55Hey, hi, Vasilije.
00:50:59Can we see you?
00:51:01Hi, Lena.
00:51:02How are you?
00:51:03I'm sorry.
00:51:04I'm sorry.
00:51:05I'm sorry.
00:51:06I'm sorry.
00:51:07I'm sorry.
00:51:08I'm sorry.
00:51:09I know that something is ready and that's why I'm sorry.
00:51:17We'll see you in the evening.
00:51:18I really can't.
00:51:19I want you, but I really can't do it today.
00:51:23We'll be guilty.
00:51:24Let's go.
00:51:26Bye.
00:51:33Bye.
00:51:34Bye.
00:51:35Bye.
00:51:36Bye.
00:51:37Bye.
00:51:38Bye.
00:51:39Bye.
00:51:40Bye.
00:51:41Bye.
00:51:42Bye.
00:51:43Bye.
00:51:44Bye.
00:51:45Bye.
00:51:46Bye.
00:51:47Bye.
00:51:48Bye.
00:51:49Bye.
00:51:50Bye.
00:51:51Bye.
00:51:52Bye.
00:51:53Bye.
00:51:54Bye.
00:51:55Bye.
00:51:56Bye.
00:51:57Bye.
00:51:58Bye.
00:51:59Bye.
00:52:00Bye.
00:52:01Bye.
00:52:02It means peace, peace and peace.
00:52:13Without hesitation and digging.
00:52:15It's all going to be like you say, doctor.
00:52:18Listen to me.
00:52:23Good evening.
00:52:25Good evening.
00:52:27Are you mad at me?
00:52:33I'm not mad at you.
00:52:36I'm not mad at you.
00:52:37I didn't have to ask you as a mother.
00:52:40Can I go out?
00:52:41You showed me where my place is in your life.
00:52:44You said you were doing something private and went out of the hotel.
00:52:47It was private.
00:52:49I went out because of my family, Miljane, to Kadarsko Jezero.
00:52:53It's not important to me.
00:52:56After all, I'm only your personal director.
00:52:59I'm only one guy in the empire of Sava Bačić.
00:53:03I'm sorry for all.
00:53:04It's not important to me.
00:53:05I stopped.
00:53:06I was a man from the screws.
00:53:08I'm not laughing.
00:53:10I was a little girl.
00:53:11No way, he was a little girl.
00:53:12It was very long.
00:53:13For sure.
00:53:14I am not a girl.
00:53:15I was a little girl.
00:53:16I was a little girl.
00:53:17Maybe.
00:53:18I was a little girl.
00:53:19No way.
00:53:20I'm a little girl.
00:53:21But I'm not a girl.
00:53:22No way.
00:53:23No way.
00:53:24No way.
00:53:25No way.
00:53:26No way.
00:53:27No way.
00:53:28It's not good enough.
00:53:33What is that comment? I tell you, my mother, it's not good enough.
00:53:36It's serious.
00:53:37She has a problem with the blood, with the blood.
00:53:40Sorry.
00:53:42I didn't want to sound like this.
00:53:48It's a little difficult to say.
00:53:50Don't worry. Don't worry.
00:53:52It will be good.
00:53:53I know that you will be good here.
00:53:56It won't be good.
00:53:58What are you talking about?
00:54:08I'll leave it, Vasile.
00:54:10What?
00:54:12I don't believe you will think about it, but...
00:54:16I have to leave it.
00:54:21I'll leave it.
00:54:26I'll leave it.
00:54:30You're waiting for me.
00:54:31You'll see me.
00:54:32You'll see me.
00:54:33You'll see me.
00:54:35You'll see me.
00:54:36You've lost.
00:54:37And you need to go.
00:54:39After this, there's no return.
00:54:41You'll see me.
00:54:42You're on the same, man.
00:54:43You'll see me.
00:54:44You know.
00:54:59I don't understand.
00:55:01I don't understand why we're talking about these pronouns.
00:55:04I know that this is impossible.
00:55:06I know that we will not hold together.
00:55:08I know that we will not hold together.
00:55:10I know that this is a sweet illusion,
00:55:12but I didn't believe that I am going to waste this sweet illusion.
00:55:16I don't understand.
00:55:18I tell you, my mother is not good,
00:55:20but you are with fatalism.
00:55:22What do you have to do with Dušanko?
00:55:24No.
00:55:26It has to do with us.
00:55:28Dušanka is only a little bit of a problem.
00:55:32I am just a little bit of a problem.
00:55:34Are you kidding me?
00:55:36Why would you do that?
00:55:38Because I do not want to hurt you, Vasilija.
00:55:42Neither you nor yourself.
00:55:44It was nice to me.
00:55:46I want to hear the memories.
00:55:48I want to tell you that I am surprised,
00:55:50because it is hard for me to admit it,
00:55:52but...
00:55:56I am.
00:55:58I am surprised.
00:56:00You are wrong.
00:56:04Tell me that you are...
00:56:06only due to getting permission,
00:56:08and due to those affairs
00:56:10with Hiltovom.
00:56:12You are not indivisible for me, Olga.
00:56:14Wait, do I finish?
00:56:15I am surprised.
00:56:17But you are also convinced me
00:56:18that you are with me only because of me.
00:56:20Believe in me.
00:56:23I've never been better than with you in life.
00:56:28I feel that it's ready.
00:56:33And when it's ready,
00:56:37it's ready.
00:56:39Where do you drive?
00:56:41You'll see when we arrive.
00:56:43Now, we're back.
00:56:46After all that we've completed,
00:56:48you're right now.
00:56:51You can't see how we're going.
00:56:54You have to go.
00:56:56I'm not going back.
00:57:00After all that we've gone,
00:57:03you're right now.
00:57:09Excuse me, Dušenka.
00:57:11God bless you.
00:57:12Olga, wait.
00:57:39Kaj, hang on.
00:57:41Kaj, hang on.
00:57:46Kaj, hang on.
00:57:49Ođeve...
00:57:51Mora izbacila.
00:57:53Tamo sam sve.
00:57:55Zateko na glisteru.
00:57:57Sa dvije džukele proti mene.
00:58:00Uotim jednog zagrknjan.
00:58:03Krenem da ga davim.
00:58:05Oaj drugi potegne pištolje.
00:58:09I had a finger at Kevlar, but it didn't help me.
00:58:14I had a knife.
00:58:16It was a side.
00:58:18It was a 2-3 mm.
00:58:20It was a pelvic artery.
00:58:23The other one hit me the key.
00:58:26I fell in the sea.
00:58:28And I went to this guy in Kosvanova.
00:58:32He was dead than alive.
00:58:35There was a friend here.
00:58:39Petrit Feroli.
00:58:42First time I went to Kosvanova.
00:58:46Second time I was in Hrila.
00:58:49Why do you tell me?
00:58:52There was a place in the building.
00:59:00I was at the end of the building.
00:59:02I made a right decision.
00:59:04But I came here.
00:59:22I don't know.
00:59:41Hey, Mila.
00:59:44Is he going for me?
00:59:45He's going for me.
00:59:50He's going for me.
00:59:52He's going for me.
01:00:15I'll give them some money.
01:00:20I'll give them some money.
01:00:23I'll give them some milk and some hot water.
01:00:33Olga!
01:00:35Who are you?
01:00:37Well...
01:00:39I've been working for a while.
01:00:42Here I am.
01:00:44I'm going for a while.
01:00:46I played on the beach.
01:00:49They beat me up.
01:00:51They beat me up.
01:00:53They beat me up.
01:00:59Do you know that Christina is difficult?
01:01:04What?
01:01:11You call me.
01:01:13You're fun.
01:01:15You feel your call?
01:01:17Cause Park and Julia would discuss the events of Troy.
01:01:19Probably there has a lived course on Capitol Hill.
01:01:22Overuse of Points.
01:01:24He's not.
01:01:26The Male Atl�니다 Was Torque here,
01:01:28is he going for the stage?
01:01:30He played down.
01:01:32He struggled.
01:01:34And slept.
01:01:36When he stayed.
01:01:37That was the time.
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