- 6/9/2025
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TVTranscript
00:00Transcription by CastingWords
00:30CastingWords
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02:29CastingWords
02:59Come on, come on, come on, see who sees you.
03:09Hitman, call the doctor!
03:13Savo!
03:15I'm sorry to get wet, I don't want to breathe.
03:31Let's go and leave.
03:35Then I'm breathing and now I see you.
03:39I'm here. Don't care.
03:41Let's go.
03:45Here we go.
04:15What is this?
04:37Got to get from the hotel.
04:43Hello?
04:44What was it?
04:46What was it?
04:48Reci, Mila.
04:56Oču.
05:00Oču, of course.
05:10What was it?
05:12Good news.
05:14He woke up.
05:16Mila had already talked to him.
05:22Go, go, go.
05:24Let me see what he hears.
05:26Stop, little girl.
05:28He was sleeping under his bed.
05:30Mila told me.
05:32Let's go.
05:34Use the opportunity to talk to him tomorrow.
05:38Let's go.
05:42Let's go.
05:44Let's go.
05:46Let's go.
05:48Let's go.
05:50Let's go.
05:52Let's go.
05:54Let's go.
05:56Let's go.
05:58Let's go.
06:00Let's go.
06:02Let's go.
06:04Let's go.
06:06Let's go.
06:08Let's go.
06:10Let's go.
06:12You should go to bed for...
06:13You can go to bed as an exorcist.
06:15I told him,
06:16if we need to go to bed.
06:18Look at your lap.
06:20What are you talking about?
06:22Vasilij, hello.
06:24As I finish my job, I'll go to Podgorica.
06:28I'm waiting to meet your mother, Dušanko.
06:31Really?
06:33From you, Džeparac.
06:35I'm not going to.
06:37I'm free.
06:38Yes, you won't.
06:39You won't.
06:40I'll give you the house to Lutrivo.
06:42What is that?
06:44Nothing, nothing.
06:50Good evening.
06:52Good evening, Džeparac.
06:54I've got something to do with you.
06:58What are you talking about?
07:00Good evening.
07:02Good evening, Džeparac.
07:12Do you want me to do this?
07:14What?
07:16You go through the house like...
07:18...Getsbijevi.
07:20What are you talking about?
07:22What are you talking about?
07:24I'm tired like I'm tired every day.
07:26What are you doing?
07:28Nothing, nothing.
07:30Let's go for the job.
07:32I'm tired of this with Jovo,
07:34I'm tired of myself.
07:36I'm tired of Jovo.
07:38I'm tired of listening to others.
07:40If you want something to finish,
07:42the best is to finish yourself.
07:44It's nice.
07:46It's nice, it's nice.
07:52Hello, good evening.
07:54Dr. Buha.
07:56Jovo Radmilović is here.
07:58Christina gave me your number.
08:00Yes, yes.
08:02It's all about my father.
08:04I'm interested in my opinion.
08:06What about you?
08:08What about you?
08:10Well, about his calculation.
08:12What about you?
08:14How are you in the house tomorrow?
08:16Well, this is the angel, the man.
08:18How do I not be good?
08:20And the memory?
08:22How do you work today?
08:24It's the same.
08:26I remember that I was with the bride in the evening.
08:30I was dreaming to be hungry.
08:32Well, I'm tired of being hungry.
08:36Well, you're happy.
08:38And the angel will be near you.
08:40What about you remember,
08:42there is no other than waiting for you.
08:44After such trauma,
08:46it wouldn't be wonderful
08:47that the amnesia would be painful.
08:48Now, the most important thing
08:50are the most important thing.
08:51To be mocked, to be mocked
08:52and to be mocked.
08:54Can I ask you, Mila?
08:56I'll be back.
08:58I'll be back.
09:00I'll be back.
09:02Until then!
09:19You haven't heard anything about it,
09:23when you saw what is important.
09:25The anger, the anger, the anger.
09:27You said it and it was a really hard problem.
09:28And you. Look at yourself.
09:30One day, you'll be free to bring it to you in the pyjama.
09:33I'll take you to the department as a patient.
09:38Inspector Mirko.
09:41They announced that Savo came to know.
09:44And?
09:45I thought I'd be happy with him.
09:48For a few minutes, it would be enough.
09:51Why, when he doesn't remember anything?
09:53He's still under the doctor.
09:54You have to wait for him.
09:58You're sure that Savo won't need the police department?
10:05When it's not needed, it won't happen.
10:08I'll be here and Savo's people here.
10:11Well, as you want.
10:14If it's interesting, we made the rules for bringing everyone in the Hilton's building.
10:20And? Did someone come here?
10:22It looks like they were rescued.
10:25Who?
10:26Yesterday, we announced that he was lying until Manovic left.
10:32Where did he go?
10:33I'm sure he didn't go well.
10:37Yes.
10:38It looks like you came to him completely here.
10:40I don't want to see you here, Mila.
10:58Go and leave.
11:00And the angels have the right to leave.
11:02What did he say?
11:16Luci is not open again.
11:17No, it's open.
11:19Yes.
11:20Yes, I need to know.
11:23That day.
11:25Which day?
11:27What time is he doing?
11:28And when he's in Budva.
11:30You look like a little old man,
11:33but you haven't seen it yet.
11:36Why are you talking with the older man?
11:39The older man should have seen it
11:42as Lucius every three days
11:44would go to Podgorica
11:46and that would be fun.
11:48What would go to Podgorica?
11:49That's what he asked.
11:51He didn't want me to go.
11:55He'll be back for a couple of days.
11:58If he gets to you,
12:00let me go to a place.
12:02Better.
12:03Better.
12:04Better.
12:05Better.
12:06Better.
12:08Better.
12:19Better.
12:24Better.
12:26What is it, Zoro?
12:37Do you want something to tell me again?
12:41God, you're getting my health.
12:43You're not too much what you did yesterday.
12:45Boris is a snake like a fish,
12:47and the river is crying out with a story
12:48that they got out of me in the hotel.
12:51We didn't get out of the hotel.
12:52It's better than it is.
12:53We've had nose, teeth, and everything.
12:55What do you want from me?
12:57I want you to help me to solve the things that are left for me.
13:01Boriša is a man on the floor.
13:04And he sees you through the water and through the lid.
13:07What?
13:09I saw it yesterday.
13:11And I have a girl who passed through the lid, through the water,
13:15through the water, through the cold, through the cold,
13:17and through the agregat state that exists in this world.
13:19And again.
13:21I would never know you would have to do the water and the water and the water.
13:28Or the water and the water and the water.
13:31How much of it was cold between us, I can't do it.
13:36How beautiful you say about her.
13:42My Boriša didn't have to do it.
13:44No, but he would do it to do it.
13:47He would be a little girl who would do it.
13:49And what do you suggest?
13:51I suggest that we come tomorrow,
13:53I and you, with Jivane and Tihane,
13:55and to tell them how beautiful things are.
13:57You can't.
14:07Here.
14:09Stefan Braun is looking for a partner
14:11from Budwe with Shanki.
14:13They already have great people,
14:15music, music,
14:17music, music,
14:19music...
14:21How special?
14:23Beautiful,
14:25lovely girls.
14:27The whole aquarium of golden rice.
14:29This can be a real,
14:31small, local world.
14:33What are you saying?
14:35I'm saying, I'm saying.
14:37It's not bad.
14:39Do you think just how it will be
14:41when the girls will be there
14:43to play and play?
14:45Yes,
14:47that's it.
14:49The only one is the beach in this hotel.
14:53Yeah, the beach in the hotel.
14:55There's a place in the hotel.
14:57There's a place in the hotel.
14:59It's not a place in the hotel.
15:01It's not a place in the hotel.
15:03And what's the beach in the hotel?
15:05It's not a place in the hotel.
15:07You know how the clientele is
15:09there?
15:11Let's make their own account
15:13and we will go to their own clientele.
15:15That's how you say it.
15:17And everything is done.
15:19It's your name.
15:21Come here.
15:23Wait, wait.
15:25Wait, wait.
15:27There's a nice cold room
15:31of the reserve room.
15:33You are sure I'll accept it.
15:37I'm not sure.
15:39I've thought that this will be a mess.
15:41I'm just waiting for you.
15:43I'm waiting for the doctor.
15:45I don't know.
15:46I'm waiting for this wine.
15:47I'm waiting for you.
15:48What's going on, doctor?
15:49I'm waiting for you to get better.
15:51It's not for me, but for me.
15:53I'm happy.
15:54Everything is in the head.
15:58Let's go.
16:08Hey, Luke, please.
16:09Come on.
16:10Hey, look.
16:11You shouldn't be ashamed.
16:13I'm waiting for you.
16:14I'm just waiting for you.
16:15What is the situation?
16:16I'm asking Bojana.
16:17When will you see her?
16:19Well, the doctor will come.
16:20Don't worry about that.
16:21And tell me,
16:23are you the Belgian people
16:24or are you the director?
16:25No.
16:26No.
16:27No.
16:28No.
16:29No.
16:30No.
16:31No.
16:32No.
16:33No.
16:34No.
16:35No.
16:36No.
16:37No.
16:38No.
16:39No.
16:40No.
16:41No.
16:42No.
16:43No.
16:44No.
16:45No.
16:46No.
16:47No.
16:48No.
16:49No.
16:50No.
16:51No.
16:52No.
16:53No.
16:54No.
16:55No.
16:56No.
16:57No.
16:58No.
16:59No.
17:00No.
17:01No.
17:02No.
17:03No.
17:04No.
17:05No.
17:06No.
17:07No.
17:08No.
17:09No.
17:10No.
17:11No.
17:12No.
17:13No.
17:14No.
17:15No.
17:16No.
17:17No.
17:18No.
17:19No.
17:20No.
17:21No.
17:22No.
17:23No.
17:24No.
17:25No.
17:26Let's go.
17:32Let's go.
17:34Let's go.
17:36Let's go.
17:42Do you want to hear the name I thought about our beach bar?
17:46If there are again your fans and fans.
17:49What? Do you want to hear?
17:52Let's go. Let's go.
17:54Let's go.
17:56In the sea blue sea.
18:00In the sea blue sea.
18:02In the sea blue sea.
18:04Okay.
18:06It doesn't sound bad.
18:08That's right.
18:10I love the sea blue sea.
18:12I love the sea blue sea.
18:14I love the sea blue sea.
18:24Let's go.
18:26It's because I don't want to be allowed.
18:28Let's find out why.
18:30Ready.
18:32The sea blue sea.
18:34The sea blue sea.
18:36The sea blue sea.
18:38The sea.
18:40At sea blue sea.
18:42Yep.
18:44I don't understand.
18:46Why are they not aware that someone is waiting for them?
18:50I don't know.
18:54As soon as I heard what happened to you,
18:56I came to the right corner of you.
18:58I don't see anything like that.
19:02Listen carefully.
19:04I pray.
19:06I went because of the job.
19:10Because of the job?
19:12They sent me out of Brussels to write a letter to the club.
19:22What did you think?
19:24I will sit and cry after you?
19:27No, I didn't think about that.
19:30After the job I opened in Abu Dhabi,
19:34they sent me out of Brussels
19:37like my own, with my hands.
19:40I work and work more than I've ever been able to.
19:46It was great for you.
19:48And besides such a job,
19:52I have enough time for my life,
19:56which I've never had in Abu Dhabi.
20:00I thought...
20:02I thought...
20:03I sent you to the TV
20:04that you're going to hate me.
20:06I couldn't.
20:07And besides that,
20:08what I wanted.
20:10I saw you at this point.
20:12I thought...
20:16. . .
20:29. .
20:34O, komšijejoko!
20:37E, drago mi je što navratiste povaj vaš farin.
20:40Moram sa vama da popričam, komšijejoko.
20:43You know, it's good that I had to take a piece of paper before, but I would have to say something about it.
20:50This is what I have to say about your son.
20:54I'm here because of Lucije.
20:56Who, who?
20:58Lucije.
21:00You know Lucije?
21:02Lucije, I know, I don't know.
21:04I don't know how much of it.
21:06Is it?
21:07Yes.
21:08Well, I wanted to ask you, I wouldn't have to.
21:14What does she take to you?
21:16But you ask me, Lucije, if I am a lady or a lady, right?
21:22And you know, Lucije, my good friend, how much I am in private.
21:27I know, Zorka, I know.
21:29Please don't do that.
21:31The job of this depends on me.
21:33I would have been the end when I would talk to you all about what I would take to you.
21:37Please, Lucije, don't do that.
21:39I'm telling you, Zorka, don't ask me if I don't have to.
21:44Oh, Lucije.
21:45Everything you say will remain between us.
21:48Oh, Lucije, Lucije, Luci.
21:53How do I get you as my old, good Lucije?
21:57Will you tell me how?
21:58I will tell you, I will tell you, I will get hurt.
22:01What will I do?
22:03I will tell you that I am a human man and I care for my friends.
22:09I know.
22:10I know.
22:12I know.
22:13I know what you want.
22:15I'm not a man.
22:16You have to take care of me.
22:17Alec and Bačić are only your care, Nikita.
22:22I have to leave you.
22:41Good day.
22:42You are again coming to the door for the door, right?
22:44Right, brother?
22:45Yes, yes.
22:46You are still there.
22:47You are still there.
22:48You are still there.
22:49You are still there.
22:50You are still there.
22:51You are still there.
22:52I will tell you, I will tell you.
22:55Bye.
22:56Bye, bye.
22:57Bye.
22:58Bye.
22:59Bye.
23:00Bye, bye.
23:05I am not alone.
23:06You are still there.
23:07Since then, I will not be getting hurt.
23:09I am not wanting him.
23:10I love him a little.
23:11See him later.
23:12And I have to?
23:13You are still there.
23:14I am not alone.
23:22I hear you. You've got Bačić.
23:26What are you asking?
23:29I've said nothing. I'll see.
23:31Are we going to buy him soon?
23:33Where are we going?
23:35Well, what happened to Bačića.
23:38Are we going to catch him?
23:41I don't know who, or when, or how he left him.
23:45Maybe there was a bagar on him.
23:48How? I don't remember anything.
23:51I don't know anything.
23:53If he says to the doctor,
23:55if he remembers, he wouldn't say anything to us.
23:58Why wouldn't he?
24:00I know him.
24:03He used to have his own accounts.
24:06That's it.
24:09That's so high.
24:21That's so high.
24:22That's so high.
24:23That's so high.
24:24That's so high.
24:25That's quiet.
24:26That's so high.
24:27terrible.
24:32Brandon, my friend ...
24:36Oh, GES amazing.
24:37.
24:46What's this?
24:50.
24:50.
24:51.
24:52.
24:53.
24:54.
24:55.
24:56.
24:57.
24:58.
24:59.
25:00.
25:01.
25:01.
25:02.
25:03.
25:04What am I going home?
25:08Let me go, man!
25:10What am I going to do?
25:13What happened?
25:18Let's go, let's go!
25:21Let's go!
25:34Let's go, let's go!
25:38Oh, oh, oh.
26:08I was in the hospital, don't worry, he's good.
26:21It's good, isn't it?
26:26That's right.
26:28It's a good song for him yesterday.
26:31Today he'll be on to him.
26:38Excuse me, doctor.
26:41I know that this happened and that it wasn't enough for you.
26:46But you heard me.
26:48I've told him to come home.
26:52It will be clear when you see him.
26:56I'm not sure.
26:59I'm not sure.
27:03I'm not sure.
27:06I'm not sure.
27:08I'm not sure, dude.
27:13Anything to do with the limit?
27:16And Mr. seasoned man.
27:18, Seriousness.
27:22Time to fight for the時間.
27:24And what happened is that?
27:26No matter what matters,
27:29all right.
27:31ار breadth of his arms.
27:32What is this?
27:37We have a seat.
27:41Dr. Buha is here.
27:44Good morning, Joko.
27:47You are there.
27:49You are a doctor.
27:51Do you not hear it well or do you not understand what is happening?
27:55I understand. I hear it well.
27:58What are you doing today?
28:04We will get to that point.
28:07How are you, Joko?
28:09How am I?
28:11Do you repeat the question? Do you hear it or do you not understand?
28:15You repeat the question on which I have already answered.
28:19I hear it well. I understand everything.
28:23What do you care about? How am I?
28:26So, Tata, Dr. Buha is here because of you.
28:30Because of me.
28:32I will tell you.
28:33What do we do?
28:35I do not see a stethoscope, a little bit of a seat, a little bit of a seat, a little bit of a seat, a little bit of a seat, a little bit of a seat, a little bit of a seat.
28:44I would rather say something else.
28:46Yes, Valad.
28:48I will tell you.
28:50Now, the coffee will be for you, Tata.
28:52You're not sure she is a baby.
28:53The doctor said that she is a baby.
28:55You're not sure she is a baby.
28:56You're not sure she is.
28:57You're not sure she is the child?
28:59The doctor said that.
29:00The doctor said that.
29:01They say that during the difficulties, the children take birth to the mother with her love.
29:11And that's why the workers get wet and lose the hair.
29:16I'm not with you.
29:18And you're not with me.
29:20I've never been better than that.
29:23Thank you, Mama.
29:25Maybe we just wanted one another.
29:27But you look never better and never younger.
29:30I've never felt better than that.
29:33I've always felt that you're too shy.
29:42But now, I see one...
29:46right woman.
29:48I'm afraid that you were right.
29:50And I can't see the woman you're talking about.
29:53Don't be afraid.
29:55She's never stronger.
29:58She gives you strength.
30:02Like you're with me.
30:05Mama, why did you have to leave?
30:09For me, there was no longer life.
30:14For me, the life was...
30:17It was...
30:18It was...
30:19It was...
30:20It was...
30:21It was...
30:22It was...
30:23It was...
30:24It was...
30:25It was...
30:26It was...
30:27It was...
30:28It was...
30:29It was...
30:30It was...
30:31It was...
30:32It was...
30:33It was...
30:34It was...
30:35It was...
30:36It was...
30:37It's...
30:38and not a woman before her.
30:42A whole different life.
30:50Believe me, dear.
30:52I would never leave you.
30:54I didn't know that you could.
30:58I know that I didn't regret.
31:04I have to go.
31:06I have a lot of room in the building.
31:09If you want to stay here, I can prepare your room.
31:11I have reserved an apartment in the hotel.
31:16And I won't let you go.
31:18You won't let me go.
31:19And Luke would be really hurt.
31:21Right?
31:24Okay, we'll talk about that later.
31:27I won't let you go.
31:33Don't care.
31:34I won't let you go.
31:36I will let you go.
31:38I don't know what the hell is going to happen.
31:43It means that it's going to be a mess for you.
31:50Sometimes it's going to happen.
31:53And it's going to happen to you forget the day.
31:59It's going to happen to me and to me, but very rarely.
32:03Do you know, for example, who is the day and the day?
32:10I ask you something, Dr. Stefter and Jolovko.
32:16What are you doing here?
32:21We're only talking about it.
32:24We have to be honest with Joko.
32:28Joko, I'm dealing with the geriatric diagnosis.
32:33And here I'd like to take a look at your awareness and awareness.
32:40And that's why?
32:42It's very easy to do in your years.
32:49It's not really what you need to do and what you need to do.
32:55That's right, Doctor.
32:57I have this confidence in awareness and awareness.
33:01Do you have it?
33:04I have, Joko, I have.
33:06I've decided that I could do this, but I've added it to the time and put it there where I can always find it.
33:15Do you want me to bring it?
33:17Why don't you bring it?
33:18Why don't you bring it?
33:19I'll be right back.
33:20I'll be right back.
33:26I hear the first time, as it was said,
33:29confidence in awareness.
33:31It's easy.
33:33Let's see what it is.
33:39Here we go.
33:40Here we go.
33:41Here's my confidence in awareness and accountability.
33:49I can give you a copy.
33:53There's my pen.
33:55There's a chicken.
33:56There's a lot of money.
33:57Father!
33:59What?
34:01What's that?
34:02What?
34:03Dr. Buhar!
34:04Dr. Buhar!
34:05Dr. Buhar!
34:06Dr. Baška!
34:07I will now I'll give you a copy of your doctorate.
34:11What?
34:12What are you doing?
34:14What are you doing?
34:15To show you how to write them?
34:17And show you exactly.
34:18And you show me that I don't have to talk with you anymore.
34:27I want you to do me.
34:32It's so beautiful.
34:48Hello, Luca.
34:53Hello.
34:58Here we go.
34:59Thank you. Do you have time?
35:02I don't know. I'm finished with the job.
35:05I'm going to go to the bar.
35:08I'm fine.
35:10Let's go.
35:18Let's go.
35:20Let's go.
35:22Let's go.
35:46You look amazing.
35:49Wait.
35:50Do you know how I feel a trem?
35:52Tremu?
35:53What?
35:54Yes.
35:55It's like I have an experience from history.
35:58Don't worry.
35:59I've explained everything.
36:01I know she'll be the right soul of the woman when she wants.
36:05When she wants?
36:06When she wants.
36:07When she wants.
36:08Yes.
36:09Let's go.
36:15I'm going to the American Express.
36:17I'm a little bit of a debt.
36:18I'm a little bit of a debt.
36:19I'm a little bit of a debt.
36:20I can't be.
36:22It means what it means for someone like you?
36:26What does it mean for someone like you?
36:28It means nothing.
36:29I mean nothing to nobody.
36:30What does it mean for someone like you?
36:31I love it.
36:32What?
36:34You paid?
36:35It's a thousand thousand.
36:36Two hundred.
36:37Three hundred?
36:38I wear the sun very bright.
36:44I'm trying to wear the sun very bright.
36:48I don't want to hide anything.
36:52Now I don't want to wear them anymore.
36:56What are you waiting for?
36:58A new woman?
37:02Sorry.
37:04I don't know why.
37:08I'm sorry, I'm sorry.
37:11Why are you sorry?
37:13Because I told you that you don't hurt your face.
37:16I hurt your face.
37:26Why are you waiting for me if you think it's not important?
37:30I'm asking you why.
37:34Before I got married, 100 euros was the right for me.
37:40And now with Bronimir.
37:42Bronimir is my husband.
37:43We're totally fine.
37:46It would be funny to say Bronimir to look for the extra money.
37:50It would be easier to buy new ones.
37:54But I didn't call you that.
37:56What?
37:57I'm feeling tired.
37:58I feel tired.
38:00I feel tired.
38:03Especially when I was married.
38:08I need a friend.
38:10I need a friend.
38:12I need a friend, a friend is for a friend.
38:14I want a friend.
38:16I want a friend.
38:17I want a friend.
38:19What does it feel like?
38:22You think that women and women can be friends?
38:25Why not?
38:26Why not?
38:29Olga, this is my like.
38:46Dear Dušanka.
38:48From Milja Dušmanka.
38:55Please sit.
38:57Sit?
38:59Good, maybe.
39:08But only maybe, men and women can go to bed.
39:12It's like you're afraid of that.
39:15I'm not afraid, but I don't think so.
39:19You're still our time to drink coffee with me.
39:23Okay, that happened right now.
39:25You're the other one, you're the other one.
39:27You're the other one.
39:29You're the other one.
39:30Well, I don't think so.
39:31I'm not going to drink coffee with me.
39:34I'm not going to drink coffee with you.
39:37I thought I would like to see that nobody is going to look at it.
39:46The boys are not going to look at it.
39:49I know, I'm going to have to look at it.
39:53Or I don't want to introduce Luka Radomilović,
39:57I'm going to wait for her.
40:00I think that the Burma will be enough.
40:04We are in marriage. What do you mean?
40:07We are in marriage, but it's complicated.
40:10If you don't have a woman, don't lie when you don't wear burma.
40:13Why would you lie when I said that I was with a son on a drink?
40:17We were so happy, we were so excited.
40:20It's good that you don't know my wife.
40:23It's better.
40:24Your wife is happy, Luka.
40:26I hope you'll be there.
40:29It's nice that we've met.
40:32Because of God.
40:33Wait, wait, wait.
40:34Because of the word.
40:36Maybe it's a bad word.
40:37Maybe it's a bad word.
40:38I'll see you.
40:39Yes, I'll see you.
40:40I'm sorry.
40:42I'm afraid that the word is the right word.
40:45Because of Luka.
40:47I'm sorry.
40:48I'm sorry.
40:49I'm sorry.
40:50You're sorry.
40:51You're sorry.
40:52I'll see you.
40:53I'm sorry.
40:54I'll see you in the first place.
40:55Vasilija told me what I call in school.
40:58A Olga.
40:59Dušanka, Dushmanka.
41:02You know that you were scared and scary in school.
41:05Yes, I am.
41:06All of my children as well, even the best-spersers in history,
41:09always come back to me.
41:10From the history of your father,
41:11you know you're afraid in school.
41:12I'm afraid that you're sassy.
41:13I'm afraid.
41:14I'm afraid of being angry.
41:15I'm afraid of being angry.
41:16I'm afraid of being angry.
41:18I'm afraid of being angry.
41:19I'm afraid of being angry.
41:20All my kids,
41:21even the best-spersers.
41:23They always know something from history.
41:29And if it's not enough for them,
41:33they are hard to find a lady in the past
41:37who would have been married with me.
41:40They are looking for a lot of people out there.
41:44They call me like Agrippina,
41:49Grofica Batori.
41:51Do you know, Olga, who are those women?
42:02Agrippina was Neron's mother,
42:09Grofica Batori, and they were talking about a vampire.
42:12So many women.
42:19And Lucy?
42:21Mother, you have asked me to see när we were in school.
42:25She was a
42:27Chinese teacher called Dr. Cheryl.
42:30That one she is, Olga.
42:32You know the history better than my son.
42:36You see, my authority is so good to learn something from history.
42:44How else would he learn?
42:47I'll just tell you, I don't think of Olga's words.
42:53Do you know what I always say?
42:55They have the right to relate to the girls and girls.
43:00Well, we are some red blood.
43:02Is it not Vasily?
43:04The last time I was dressed, I was red.
43:09You didn't tell me, Olga, that my son was a servant in the room of the king of Nikola?
43:15One of the first, Olga.
43:18The king sent him to school in Trst.
43:23It's a little different from the magyar and the Chinese king.
43:29I'm talking about the beginning of Vasilije.
43:32Your happy, but I didn't give you a story.
43:35I would probably never finish the school.
43:38That's true, my happy.
43:41Okay.
43:46Olga.
43:47How are you standing with Nadimcim?
43:54I think you are working in the public service.
43:58Are you sure you are going for someone?
44:02I don't know.
44:05I don't have Nadima.
44:07Olga is known for respect and respect.
44:10Well, I'm known for the school.
44:13Vasilije is in respect for respect and respect.
44:15But the Nadimcim do not get the same person.
44:17I don't know.
44:19I don't have Nadimcim.
44:21Vasilije.
44:22Let me know.
44:23Let me know.
44:24Let me know.
44:25I'm open with Olga as a woman with a wife.
44:27That's it.
44:28Olga.
44:30If you don't have anything else,
44:34you could have a chance for Vasilije.
44:39Do not?
44:40If you just go tobedingti.
44:42Just hold it.
44:43Yep,
44:48you can do that
44:50OK,
44:50you can beat the conscientiousness.
44:59I like it.
45:01I'm not Capitolели in my mind.
45:03I live under the air to all.
45:05I'm feeling you are scared.
45:09I don't understand, but why would Olga have given me a penalty?
45:32I don't understand, but you know how many people are?
45:37You know what I'm saying?
45:40Why are you talking about it?
45:43If not, because of what else.
45:47The difference between the two of us is not visible.
45:51You know how many people know how to be...
45:55...prost.
45:57I know, Dušanka.
45:59But I would have asked Vasily.
46:02Me?
46:03What?
46:04I don't understand one or the other.
46:08If I was a baby boy, then Vasily would have been a baby lover.
46:16That's it.
46:18The queen.
46:20If you ask me, I would like to call me...
46:26...Katarina Velika.
46:28I don't have blue eyes and I'm not so confused as she...
46:32...but I've found my...
46:35...potemkin.
46:38And the difference between the years is a touch.
46:43Hmm?
46:44Is that right, Dušanka?
46:47As I understand the story of Olga...
46:50...Katarina was older for 10 years.
46:53Well, OK.
46:56Soon.
46:58It's a touch.
47:00Yes.
47:02What do you say about this, my papagawa?
47:06What?
47:08Olga is crying.
47:10That's what Katarina called Grof Potemkin.
47:14Papa Gaj.
47:16This story isn't really strong.
47:20I forgot.
47:36Joko, where are you?
47:52Excuse me, Luci.
47:54Why is that Joko?
47:56That I'm not just an old man,
48:00but not an old man.
48:04Joko, I don't understand you.
48:08You understand?
48:12I know why you went to Podgorica.
48:22Thank you for your interesting time.
48:26There's no other way.
48:28It's nice.
48:30Let's go.
48:32Let's go.
48:38Let's go.
48:40Let's go.
48:42Let's go.
48:44Let's go.
48:46Let's go.
48:48Let's go.
48:50Let's go.
48:52Let's go.
48:54Let's go.
48:56Let's go.
48:58Let's go.
49:00Let's go.
49:02Let's go.
49:12Let's go.
49:14Let's go.
49:16Let's go.
49:18That director from Belgium...
49:20Don't want to talk to him.
49:22You understand.
49:24The director of Belgium is my former wife.
49:31Who is it?
49:55Hello?
49:58Yes, I am.
50:00And you?
50:03Yes, yes, of course I understand.
50:05I just explained the situation.
50:08Great.
50:09We'll see you tomorrow.
50:11It's better to sleep.
50:13It's a great day.
50:16Happy, Mrs. Kovač.
50:24.
50:39I've been treposed, Luciano.
50:44I am not going to have to sleep.
50:51You know I wanted to share everything you talked to.
50:54I'm a grave.
50:57I'm a grave that I didn't want to listen to you.
51:04And that I'm not only able to ask you today.
51:09She's trying to get out of her.
51:14You know everything.
51:17What would you say, Leo?
51:22You're a murderer.
51:28I thought...
51:31that we'll have a couple of years of work.
51:37The chronic leukemia can be developed slowly, decades.
51:51But I don't have that much.
51:56I've never had three months left.
52:01I've never had three months left.
52:05Forgive me.
52:07Forgive me.
52:09My Lucian.
52:12You know how it is.
52:16Sometimes one day...
52:19...it can be affected by the whole life.
52:24Really?
52:26One day.
52:28But it can be affected.
52:31If I'm not being into it...
52:38Oof...
52:44If you'd like and be lost, your destiny 될 you will be迎cause of God.
52:46If you are far apart, your friends with you will both launch me a day before ending.
52:50Now...
52:55...f auditor象 is valued with little MARY- Academia Teoh and Male-aked Community舞.
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