- 6/10/2025
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00:00Transcription by CastingWords
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03:07CastingWords
03:09What are you looking for?
03:39What are you looking for?
04:09What are you looking for?
04:39What are you looking for?
05:09What are you looking for?
05:39What are you talking about?
05:41You see, I don't care about my hormones.
05:45Listen, I'm going to work.
05:49What are you looking for?
06:21What are you looking for?
06:23What are you looking for?
06:27What are you looking for?
06:33What are you looking for?
06:35No.
06:37What are you looking for?
06:39What are you looking for?
06:43What are you looking for?
06:45What are you looking for?
06:49What are you looking for?
06:55What are you looking for?
06:57What are you looking for?
06:59What are you looking for?
07:01What are you looking for?
07:03What are you looking for?
07:05What are you looking for?
07:07What are you looking for?
07:09What are you looking for?
07:11What are you looking for?
07:13What are you looking for?
07:15What are you looking for?
07:17What are you looking for?
07:19What are you looking for?
07:20What are you looking for?
07:21What are you looking for?
07:22What are you looking for?
07:23What are you looking for?
07:24What are you looking for?
07:25That's what she is going to do.
07:28No.
07:31You are going to die.
07:34Nothing else you need to be trying.
07:38When you are upset?
07:42What you say is that you are going to do on Kristina.
07:45Are you sure that you have something else to be hiding?
07:48Okay.
07:49I have been in contact with you and with Milet, and with Vasilij, and I didn't have the right to do that.
07:59And because of that I'm sorry.
08:02Okay, I understand.
08:05Forgive me.
08:07I won't be able to do it anymore.
08:09I'm not able to do it anymore.
08:11But this is between Christine and me.
08:15It's about Christine and me.
08:17Just don't forget that between Christine and you, there is one diet.
08:31Help me, Mirko, as you know.
08:34And thank you.
08:36Did you finish?
08:38Yes.
08:40The police will come out to help Boru.
08:43You haven't told me who is that Boru.
08:46We met together on the Jabljak.
08:49He is like a brother.
09:00Mila.
09:03I've told my wife for us two.
09:08You.
09:10What?
09:11What do you mean?
09:12What do you mean?
09:13What do you mean?
09:14What do you mean?
09:15What do you mean?
09:17Where is it now?
09:19I don't know.
09:20I know you don't want to talk about it.
09:25What do you mean?
09:26What do you mean when you choose me?
09:28I don't want to talk about it.
09:29It's right here.
09:30I think you have to ask the person to ask me too.
09:32I hear you?
09:33I can't ask you.
09:34What is your husband?
09:35And for every successful woman, there is a family, a family, a friend.
09:50But before I was afraid of you, I didn't have no one.
09:53I didn't have any one.
09:55I didn't have any one.
09:56I told you that I didn't want to talk about it.
10:05Forgive me. Forgive me, Monter.
10:08Forgive me, you.
10:10It's gone like I put you in the rain.
10:19I think it's the best to prepare for the meeting.
10:22Lukin will come from every training.
10:30Allow me, Arce.
10:35Oh!
10:36Oh!
10:37Bačiću!
10:38I'm so happy!
10:40Malin, how are you doing?
10:43Wait, wait, wait.
10:44I told you that I'm not doing it because of you.
10:47I'm already hurt you.
10:49I don't want to hurt you.
10:50But you have to pay attention.
10:51You have to pay attention to me.
10:52That Graciano is a very important person.
10:55It's a world man.
10:56You understand?
10:57You understand?
10:58I don't want to talk about it.
11:00I don't want to talk about it.
11:01I don't want to talk about it.
11:02I don't want to talk about it.
11:03But nothing more depends on me and on me.
11:05How do you depend on me?
11:07I'm going to pay attention to my other people.
11:09I'm going to pay attention to my other people.
11:11If I pay attention to my other people,
11:13I will pay attention to my other people.
11:15I will pay attention to my other people.
11:17And why would he not pay attention?
11:20Look, the money is not a bag.
11:23The capital is not a smell.
11:26And this man has one and the other.
11:29You have to pay attention to my other people.
11:41The capital is not a hotel.
11:46Is he going to pay attention to my other people?
11:48THEY ENJOYThe
11:52They wait to see a beer, and they wait to see a mojito when they come to visit.
11:56Someone wait, if they can't wait, they go to a fair bar,
11:59and when they come up with a paycheck, they will get to us inside.
12:03Wait!
12:06Mojito...
12:09Do you know what I mean?
12:15He knows.
12:17I hope you're really good.
12:19Isn't that a strange thing?
12:20Yes.
12:21In all the places and places I've been looking for,
12:26you're really good.
12:27Let's go to my place.
12:29I'd like you to take care of yourself.
12:32Instead of you to take care of yourself,
12:35I'd like you to take that tourist smile.
12:44I want to talk with you.
12:47Let's go.
12:51Luka.
12:52Sit down.
13:04Okay.
13:05Now, when we're all here,
13:07you probably heard about the companion of Graciano?
13:11We heard that there are rooms in hotels
13:14all over the whole Mediterranean,
13:16from the Azor Islands to the Maldives,
13:21but they weren't involved.
13:23Yes.
13:24They weren't yet.
13:26The owner of the company is Grof Graciano.
13:31He often comes to the bar.
13:34He's a friend of mine.
13:36He's a friend of mine.
13:37He's a friend of mine.
13:38He bought gold.
13:39I don't know what I'm talking about.
13:40But Grof is a great person
13:43from a good old Italian family.
13:46He's loved in our village.
13:48And,
13:50he's a friend of mine.
13:51He smarter than our company.
13:53And how do you buy our company?
13:57We are really great friends.
14:01He believes in my opinion.
14:03And I remember my ex-sestri.
14:07And your company.
14:09Grof Graciano is most important
14:12that his investment is well-硬ed.
14:17You know what I said when I asked him?
14:21He said, Mitra, I said,
14:23I'm quite rich and powerful man
14:27to be able to be the largest luxury of all the luxuries.
14:31Luxuries?
14:33To be precious.
14:36Grof is precious.
14:40That's what I said.
14:43But believe me that he can really be able to be able to be the best.
14:48Grof is a proud man.
14:50He heard, Savo, that you are a very precious man.
14:53He said, OK, now.
14:55We are ourself.
14:57But Grof is calling you to be able to be his guest.
15:01He's a rich man.
15:03He's a rich man.
15:06He's like a house.
15:08He's a rich man.
15:09You can see him.
15:10You can meet him.
15:11You can meet him.
15:12You can meet him.
15:13You can meet him.
15:14You can meet him.
15:16Luka,
15:19if Mila and I left,
15:23the whole company would stay on you.
15:26Mila, I've already changed something like that.
15:28Just listen, Luka, there's a lot more responsibility and work.
15:31I know. I've understood it.
15:36Then,
15:38ask Graciano that we'll come.
15:41I'd like to say that.
15:43It would be nice to be healthy in this way.
15:45Come on, let's go.
15:47Let's go.
15:48Let's go.
15:49Let's go.
15:50Let's go.
15:51Let's go.
15:52Let's go.
15:54Let's go.
15:55Let's go.
15:57Let's go.
15:59Let's go.
16:01Let's go.
16:03Let's go.
16:04Let's go.
16:09Ah, I'm good.
16:10I'm good.
16:12Why would you go and why would you so happy?
16:17Why wouldn't you know that?
16:18Why do you do it?
16:19What do you think?
16:20I'm gonna talk to you.
16:22Just go.
16:23I'm asking.
16:25Tell me, I want to be healed with you only to be able to be a child.
16:29I understand.
16:30Why would she do it?
16:31I am the only one who wants to take care of yourself.
16:34You don't know how to take care of your wife.
16:37When you get to get to, you'll be who is going to get to the hospital.
16:41And you're going to get to the hospital.
16:42What about you?
16:44I don't know.
16:46She says that because I'm your sister telling you to take care of her.
16:48I don't know what I have to send to her.
16:51You're not able to get to the hospital.
16:54I'm telling you that I'm going to get to the hospital.
16:58I don't know if it's a cause or not.
17:01But I see that you've come here to do krši lov.
17:05I pray.
17:07If you're in a relationship with your boss,
17:10you don't have to be involved in me.
17:12Do you know what?
17:13I knew that you are a stupid and naive man,
17:16and you think that you love.
17:18And you will have time for yourself.
17:21And I am better to think about yourself than your son.
17:26I don't know.
17:29You will not be able to do that.
17:32Shut up!
17:56You are, Boro.
17:58Yes, I am.
17:59And here is the agency.
18:02The agency, right?
18:03The agency is, yes?
18:04Yes, yes.
18:05And here is the agency.
18:08The agency, yes?
18:10Yes, yes, yes?
18:13I know that Savo is telling you what it is.
18:16Yes, it is.
18:17But it is a young boy.
18:19What is it?
18:20I know you are looking for a friend,
18:22and I was told Savo that he will help you.
18:24But what are you looking for from me,
18:26that's not clear.
18:27Everything will be clear when we go.
18:29Nicolin will be there.
18:31God, I don't want to be angry
18:34that they will be there in this way.
18:36Let's go.
18:54.
19:24What are you doing?
19:51Interphone.
19:52What did you say?
19:53What did you say?
19:54I was saying to them, and to say good morning, police are coming in and you think they will let you go inside?
20:00If they don't press it, how do they go inside?
20:03Who is it?
20:08Police.
20:10They open it?
20:16What did you think?
20:18They will start the door to us.
20:22The Why?
20:25The Why?
20:29The Why?
20:35I beg you, just let me introduce you.
20:55Good day.
20:57Good day.
20:58We are the police.
21:00I think it's obvious.
21:02If you are for wine and canapé, serve yourself.
21:07We are happy.
21:08We are here because of my brotherhood.
21:11Wait, Mirko!
21:15Did you see me?
21:17How are you?
21:18Do you know this Milović?
21:20I don't know him.
21:22He is my friend.
21:24I know he will come to the shop.
21:25I'm sure he will come to the shop.
21:27But he has a little bit.
21:28Who has this?
21:29There are farmers and politicians from the region.
21:32There are also ministers.
21:34There are also diplomats and artists.
21:37There are also some tabulera from Italy.
21:39In one word, everyone who knows what he means.
21:42He knows what he wants.
21:43Here I am looking for my brotherhood, Nikolinu Kovačević.
21:47You are her friend.
21:48I am.
21:49What?
21:50I only know him.
21:51You know what?
21:52He told me to do...
21:53I don't want to believe you.
21:54We don't want to be able to be able to be able to be able to be able to be able.
21:55I know by the way, Nikolina is on some Mediterranean side.
21:57But he doesn't have to ask you.
21:59He needs to ask you.
22:00He wants to ask you?
22:01I don't ask you.
22:02Let's go.
22:03I do not ask you.
22:04I don't ask you.
22:05Let's keep going.
22:06I will be able to find out.
22:07The police are coming up!
22:09Nikolina!
22:11Nikolina, I am Borov!
22:13Nikolina!
22:15Nikolina!
22:17Nikolina!
22:19Nikolina!
22:21Nikolina!
22:23I am my street Borov!
22:25The police are coming up!
22:27Nikolina!
22:29Nikolina!
22:31Nikolina!
22:33What kind of way?
22:35I want you.
22:36The police is not allowed, and you are talking about a bratanić.
22:39What will these guests think about us?
22:41They are coming from the whole world to see how you fall and fall on us.
22:44I am only looking for your bratanić.
22:47Nikolin Kovačević.
22:49They are telling me her father and father.
22:51These are your private problems.
22:53And I am sure you don't have a place to solve them.
22:56I would have told you that Nikolina was going to find a better job and a better life.
23:01And I am sure that I found him.
23:03That's why it doesn't happen.
23:08Where is Nikolina?
23:12Where is Nikolina?
23:14Where are you?
23:15Where are you?
23:16Where are you?
23:18Where is Nikolina?
23:20Where is Nikolina?
23:22Excuse me.
23:23We didn't want to make a incident.
23:25Take him.
23:26Take him down.
23:30We are sorry for this.
23:32We are sorry.
23:33We are sorry for that.
23:34Let's try this situation.
23:37Let's try this situation from the beginning.
23:39Listen to Isabella.
23:41Who had the time to come before Berlusconia.
23:45Please, please.
23:47Please, please.
24:07Do you want to die or put a leaf?
24:10Okay.
24:11I don't know what the name is.
24:15There is no place to be among people,
24:18but there is a mountain with Medjad and Vukov.
24:21I've worked for 30 years in police.
24:25In police? In what police?
24:27What?
24:28You are not the police. You are the police of them.
24:32They are the eye, and you are the eye.
24:35Let's go.
24:36What do you do now?
24:38I don't want you to give me my money.
24:41I'm going my own way.
24:43I can't go alone, Nikolin, and without you.
24:46Hold on.
24:48Now you're in the house.
24:50You think you're going to throw me out of the sand?
24:53You think you're going to throw me out of the sand?
25:08I need to get the blood.
25:10Let's see him.
25:24Well, my armies weren't the people who didn't want to talk,
25:26and I'm going to pay away.
25:27What?
25:28Look up!
25:29Tani Nextelad!
25:31I will become promised before I was to go.
25:33What's the food, my zorka?
25:35People are eating in the food,
25:37and they are eating in the food.
25:39What do you think?
25:41During the whole zime,
25:43the food and the food are working.
25:45So you and I would have been
25:47an extended production process.
25:49You eat them and I eat them?
25:51That's why you don't call me in the food.
25:53Yes, yes, yes,
25:55but for the evening I serve vitamin A.
25:57What's wrong?
25:59Thank you for your vitamins.
26:01Good day.
26:03Good day, ladies.
26:05Please.
26:07I have a cream for the skin.
26:09Here, just a moment.
26:11And you need to be careful, ladies.
26:15The difficulty comes and goes.
26:17And the hair?
26:19The hair will stay for the whole life.
26:21Bojana?
26:23Please.
26:25Romane, where are you?
26:29I work in the book about tourism.
26:31I have a full color, paper, kunzdruk,
26:33the most beautiful art in the world.
26:35And they don't have a better friend of mine,
26:37and I don't look at it.
26:39I don't look at it.
26:41It's a little bit difficult.
26:43A little bit difficult.
26:45It's so beautiful.
26:47It's so beautiful.
26:49It's so beautiful.
26:51It's so beautiful.
26:53It's so beautiful.
26:55It's so beautiful.
26:57It's so beautiful.
26:59Sorry.
27:01Good day.
27:02Hello.
27:03Hello.
27:04Hello.
27:05Hello.
27:06Hello.
27:07Hello.
27:09Hello, Elija.
27:11Hello.
27:12What's up?
27:13That's weird.
27:14She's crying,
27:15but Savo Bačić,
27:16she's crying again,
27:17she's crying and crying.
27:18And I'm telling you the truth.
27:20Since then,
27:21she arrived from the hotel
27:23with the director,
27:24and she's back again,
27:25tomorrow.
27:26Are you going to give me more
27:27than the phlogocyt?
27:28Excuse me.
27:29Sorry.
27:30And who's that mass?
27:31Who's yours?
27:32Do you think it's a little bit?
27:34Don't bother me.
27:39I'm sorry!
27:40Here you see.
27:42You know what I wrote in your company?
27:45What did you write?
27:46He got a new director of the new director Milo Kovač.
27:50I've been doing it for my own.
27:51I've been doing it for a long time.
27:52I've been doing it for a long time.
27:55You see, when you come here, you're from me.
27:58Where?
27:59I'm in the whole day at home.
28:01I'd like to talk about something.
28:04I'd like to talk about the show from desperation and come to you.
28:08Did you remember how to drink coffee?
28:12Let's wait.
28:14Hi, dear.
28:23Olga.
28:25Excuse me.
28:26I'm Valentina Miušković.
28:29You look familiar.
28:31You know me from television.
28:32I'm a journalist.
28:34I'd like to talk to you.
28:35I'd like to talk to you.
28:36I'd like to talk to you.
28:37I'd like to talk to you.
28:38What about you?
28:39You're talking about your story here.
28:40Not even after this affair that I was going to do.
28:44You didn't ask me about the question.
28:47I'd like to talk to you about Savo Bačić.
28:49What's going on?
28:51I'd like to talk to you.
28:53I said...
28:55You're talking to me, Senka.
28:57Do you mind when you stop?
28:58I mean, when you stop me, Senka?
28:59That's right.
29:01What do you think?
29:02You came back later and said that you were humorous.
29:05You were lying in bed, and tomorrow you were better out.
29:08Forgive me, Jeana. I wanted to be a little bit alone.
29:13You won't be able to get away from the answers, Senka.
29:19I'm your sister.
29:23I have the right to know.
29:26Why do you want to talk about Bačić?
29:34I told you, Olga, your name is here.
29:38I have some information that I have to check with you.
29:41I'm sorry. I don't care about novinist.
29:44But you certainly know about Bačić.
29:46You know so much that her daughter is his daughter for my brother.
29:51You are a novinist.
29:53You are paid for that job.
29:55You want to know how much I paid for?
29:59Please.
30:00I don't do this because of the money, Olga. I do it because of the truth.
30:03And the truth must be in every interest.
30:05Your, my, my and the public.
30:07And Bačić will be at the end of the end.
30:08I'm all right.
30:09I'm not the best speaker for you on this topic.
30:12Please, Olga.
30:13If you believe in your words, you don't have to lie.
30:17If you have the information that I have, I will not be accurate.
30:20You will be sure to tell me.
30:22So you will help me and I will help you.
30:24If you are accurate, you need to know the truth.
30:28I have to think a little bit about it.
30:30The best is to see you tomorrow.
30:32Okay.
30:33800 euros.
30:36Please.
30:37I have to pay for this job.
30:38I have to pay for this job.
30:39I have to pay for this job.
30:40More than a month, but it's not enough.
30:42I have to pay for this job.
30:43I will tell you how to pay for the police inspector.
30:48We will see you tomorrow.
30:49Bye.
30:50That's what I wrote to you tomorrow.
30:51No look.
30:52Not too long.
30:53They do got dumb!
31:00You might tell me what I was doing in front.
31:02Without any advice.
31:04I need you to explain to me what I'm doing.
31:09You know you should.
31:11My father is so much.
31:13You remember?
31:14My father...
31:15My father is always looking for a little bit.
31:18A little bit.
31:19Jeana...
31:21I'm not a child anymore.
31:24It's just a thing.
31:26My father was making a decision for you.
31:29I'll do it.
31:30What do you want?
31:32To take me a couple of times?
31:34If you need, we will be able to take the stand in Budva.
31:36And you will be able to live with me, in Kotor.
31:39You think it would be better with you and your husband?
31:42I am your sister, my sister, and the desire to write you about it.
31:46And I believe that you will be able to serve your father.
31:49You think he will be interested in America with his wife and his children?
31:53What do you think of today?
31:55I am sure to say that.
31:57The rest of us, we can see each other and see each other.
32:05That's why it's better to start talking before.
32:12I have a woman.
32:15I want to live with her.
32:18And not with your husband and your husband.
32:21You won't be able to do that.
32:23You won't be able to do that.
32:25I will see you.
32:27And who is your husband?
32:28Who is your husband?
32:29Kume!
32:30O kume!
32:33Kumi!
32:35Kumi!
32:37Kumi!
32:39Kumi!
32:41Kumi!
32:43Kumi!
32:45Kumi!
32:47Kumi!
32:49Kumi!
32:51Kumi!
32:53Kumi!
32:55I'm going to pause for a moment,
32:57but I'll call you what you need.
32:59Do you want me to go to Zidarsko?
33:01Do you want me to go to Zidarsko?
33:03No, you don't want me to go to Zidarsko!
33:19What's up?
33:21I've been working tomorrow,
33:23and I'm going to pause for a moment.
33:25I'm only working on one place.
33:29I'm going to go to Zidarsko.
33:31I'm going to go to Zidarsko.
33:39Kumi!
33:41Kumi!
33:43Kumi!
33:45Kumi!
33:47Kumi!
33:49Kumi!
33:51Kumi!
33:53Kumi!
33:55Kumi!
33:57Kumi!
33:59Kumi!
34:01Kumi!
34:03Kumi!
34:05Kumi!
34:07Kumi!
34:09Kumi!
34:11Kumi!
34:13Kumi!
34:15The village will stay in the village. We won't be a village of the village.
34:19And Zoro?
34:21Do you need Zoro?
34:23It needs, kumo. I need Zoro.
34:27But it's a village, not a village. If it's a village, it won't be a problem.
34:35Excuse me, kumo.
34:36What?
34:38I expect someone, and someone wouldn't be able to see you today.
34:42Why wouldn't you be able to see me today?
34:44Well, it's hard to talk about us. It's important to stay in the secret.
34:48What do you stay in the secret?
34:50What do you say?
34:51Why wouldn't you tell me?
34:53Why wouldn't I know?
34:54Kumo, don't you think I'm a bitch and a bitch?
35:00Believe me, kumo. I'll tell you everything later.
35:05What do you mean?
35:09You know how I can't wait for a long time.
35:11Bez brige.
35:12Reću ti, ali čim bude prilike za to.
35:16Hajde.
35:18Most of you.
35:20You know how MF-9 would've tested.
35:21Ehm...
35:24You know how you 2100inha1…
35:27Whoa!
35:28I'll tell you something.
35:29How long are you?
35:30I'll tell you 21…
35:31Really?
35:32It's damn great.
35:34In a minute...
35:37Bez br 260 unc0pmów…
35:38We love you 452…
35:41It's right.
35:43Let's go.
36:13Let's go.
36:43Let's go.
36:45I won't believe this.
36:47How is Bojan?
36:49Good.
36:51The stomach is growing.
36:55You know what?
36:57You find yourself with two daughters.
36:59One is at home, the other is at home.
37:01One is at home, the other is at home.
37:03One is at home, the other is at home.
37:05I don't care.
37:07I have a friend.
37:11A friend?
37:13You don't have a friend.
37:15A friend?
37:17I don't have a friend.
37:19You don't have a friend.
37:21What is the most important thing?
37:23It looks like a husband is growing.
37:29Let's wait for him.
37:31Let's show him how he is growing.
37:33I don't know how to grow.
37:35I don't know how to grow.
37:37I don't know how to grow.
37:39I have a lot of problems.
37:41Listen, Luka, I know you.
37:43You don't have a friend.
37:45You don't have a friend.
37:47You don't have a friend.
37:49I don't know how to grow.
37:51I don't know how to grow.
37:53I don't know how to grow.
37:55I don't know how to grow.
38:03Come on.
38:11Let's not grow up.
38:19Let's stay together.
38:47I don't know what he's doing.
38:55Is he a husband or he's there?
38:56No, he's sitting with his father.
38:58He's just coming in the morning or even in the afternoon.
39:00Is it possible?
39:02No, after that, I wouldn't have to leave him in the morning.
39:04I would have to leave him in the morning.
39:06How sweet with him.
39:08Put it, Roman.
39:09There's no talk about that.
39:11Okay, what about what?
39:13About Milikovač.
39:14About what?
39:15Milikovač.
39:16The director of what you wrote about it.
39:18Okay, what about her?
39:21Listen, listen.
39:23I'll tell you about trust.
39:25Nobody knows this, but my father.
39:28Do you understand?
39:30I understand.
39:32I don't understand what is Milikovač Bojan.
39:34I want to know who she is.
39:36And what she wants from me.
39:38All I know is that she is the new director of the director of Sava Bačić.
39:42That's all we wrote about.
39:44But it's the problem.
39:46That my father wants to live with her, and knows how you are about her.
39:49And you want to know how she is about her?
39:52Yes.
39:53Would you do that for me?
39:55Absolutely.
39:56You can do that for me.
39:57When I finish with her, I know who she is, and what she is, and what she is, and what she is, and what she is.
40:01I don't know who she is.
40:02I don't know who she is.
40:03I don't know who she is.
40:04I know where we are going.
40:06You need to find Jovan.
40:08He is his assistant, Milovi.
40:11Okay.
40:12When I find him, I talk with Milovi.
40:14We have information.
40:15Okay.
40:16I don't forget it, Romane.
40:18I don't forget it, Romane.
40:19I don't forget it, Romane.
40:20I don't forget it.
40:21I don't forget it.
40:22I've done anything for now.
40:23I want you.
40:24I'll see you.
40:25I don't forget it.
40:55Ay, si, ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta-ta.
41:10For me, o, Crna.
41:11I can stir it up.
41:13Youний pet.
41:14We are left for himself.
41:15And we save his seven seconds.
41:16What?
41:18It is so doivent?
41:19No, if it stands for you.
41:20I vale US.
41:22But we don't forget it.
41:23Okay.
41:24I don't know where I could find him.
41:26What?
41:55She forgot something from me.
41:59My heart, certainly.
42:03Let's go.
42:04We have her address here.
42:06She knows to drink and be happy,
42:08and often call her taxi.
42:24She knows to drink and be happy.
42:27She knows to drink and be happy.
42:29She knows to drink and be happy.
42:49What happened?
42:50I got a flogocid.
42:51I got a grč.
42:52I got a grč.
42:53Help me.
42:54I got a grč.
43:02I got one guy.
43:15I Shh.
43:21ła divergence
43:21Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
43:51. . .
43:54. . .
44:01. .
44:06How did you do that?
44:08It's easy.
44:12I'll see if you are all ready.
44:16It looks like I'm in the same way.
44:20Do you think I'm fine?
44:22If you think about them, I don't know.
44:26For the evening, I decided to marry me in a different way.
44:31How?
44:33He took my money, my mobile phone,
44:36he stole my car,
44:39and I have this one,
44:41and I have this one.
44:43I have this one.
44:45I'm like a gold medal.
44:48I'm not sure.
44:51I'm still going.
44:53Why?
44:55Because I'm going to see you here.
44:58I'm looking at all the cameras around and around home.
45:02I don't know how much I'm going to do now.
45:08What are you doing?
45:10What are you doing?
45:12I'm looking at the look.
45:15I'm going to stay here.
45:18Let me take you out of the car.
45:20I'm going to buy you.
45:24I'm going to go.
45:25I don't know.
45:26I'm looking at you.
45:29I'm going to go.
45:31I'm looking at you.
45:33I'm going to go.
45:35Come on.
45:37Come on.
45:39Come on.
45:41Come on.
45:45Come on.
45:47Come on.
45:49Come on.
45:51Come on.
45:57So it's still up more than I thought.
46:00I heard everything.
46:03Please.
46:04I don't expect you to do the night with you.
46:06I don't expect you to do this.
46:09That doesn't mean anything.
46:11Who do you want to believe?
46:14Me?
46:15Or myself?
46:34I'm sorry.
46:38I'm sorry.
46:40I'm sorry.
46:42I'm sorry.
47:04Me?
47:21Jasni mojom ti.
47:23Što bi taj prstem trebalo značit?
47:25To bi značilo da mi Bačić sad vjeruje više nego ikome u životu.
47:29Da zašto je uopšte važno da ti vam vjeruje?
47:31Zašto?
47:32I što čeka?
47:33We had to do it quickly and easily.
47:36You have to do it in a way,
47:38and I have to do it in a way.
47:41Why do we do it with Bačić?
47:44This is not the same, Žanko.
47:47Bačić and Bačić are the same.
47:50You are totally lost.
47:53You say you know what you're doing,
47:56but I don't believe it.
47:58Bačić has changed.
48:01What are you saying?
48:03Yes, I can see you.
48:06I've changed you,
48:07and now you're saying it yourself.
48:10You're saying that Bačić is not the same as he did.
48:15Bačić is not holding hands.
48:18I can't do it when I want you.
48:20I can't do it tomorrow.
48:21Why do you say it?
48:23I tell you,
48:24when I decide to decide,
48:27when I decide to do it,
48:29and listen to me.
48:31That's why you came to me.
48:35You're listening to me.
48:37I came to you for the grove of Graciana,
48:39but I didn't have to do it for you.
48:41What Graciana?
48:42I want to put it in Bačić's object.
48:44We need to ask ourselves.
48:46What would you do, Mila?
48:48What would we expect?
48:50And what would you do with Bačić?
48:53Do we do what we planned to do?
48:56Or do we want to be a woman?
48:59Oh, let me tell you.
49:01You're talking nonsense.
49:02Listen.
49:04If you want me to help,
49:06you have to answer me.
49:09So...
49:15Hmm...
49:16Graciana!
49:18Genera'.
49:32It's great.
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