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  • 6/9/2025

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00:00Transcription by CastingWords
00:30CastingWords
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01:29CastingWords
01:59CastingWords
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03:05CastingWords
03:06Obamo, sala je spremna?
03:13Vi ste?
03:15Radim za njega, ja sam vazvala.
03:17Sačekajte tamo.
03:19Nijeste me čuli?
03:20Pustite nas da radimo svoj posao i sačekajte u čakaunici.
03:24Ti se svoje, ja sam za njega pitao sa njega pitao sa njega pitao sa njega pitao da ne bi tičeo.
03:46I'm going to give you some money.
03:48You're so happy when you come back to him.
03:51I didn't. I asked him to give you some money.
03:54I'm going to give you some money.
03:56There's no money.
03:58You're right, there's no money.
04:00I don't understand.
04:02He's lying.
04:04I didn't.
04:06I have money.
04:08I have money.
04:10I have money.
04:12I have money.
04:14I have money.
04:16I have money.
04:18I have money.
04:20I have money.
04:34Mila, this is the one.
04:36Mila.
04:38I'm so happy.
04:40I have money.
04:42I have money.
04:44I have money.
04:46I have money.
04:48I have money.
04:50You don't care.
04:52Hello.
04:54Hey, dad.
04:56We're here.
04:58We're already in the office.
05:00We're here.
05:02Sao is already in the office.
05:04You don't need to come here.
05:06I'll be here.
05:08I'll be here.
05:10I'm here.
05:12I'll be here.
05:14I can't wait.
05:16I'll be here.
05:18I can't wait.
05:20I'm here.
05:21I'll be here.
05:22I'll be here.
05:24I'll be here.
05:25I'll be here.
05:26I'll be here.
05:27I'll be back tomorrow.
05:28I hear you're going to the big job.
05:30That's a great job.
05:32Who is that?
05:34It's a small town, Dokmanović.
05:36They all know everything.
05:38They're lying. They're lying.
05:40They're lying.
05:42How do I have to deal with the police?
05:44I heard they need to deal with all those who have to deal with
05:46with that guy like Hilton.
05:48You're the first one on the list.
05:50You're lying if you think you're going to kill me.
05:54Because there are those who do me
05:56and they're lying.
05:58They're lying to me like you're going to kill me.
06:02I want you to come back tomorrow.
06:04Is it clear?
06:06Or will it be all the time?
06:08Or will it be left or right?
06:10Or will it be wicked?
06:12You'll be wicked.
06:14Idiot.
06:26You'll beクリキャ.
06:28You're right.
06:30You're right.
06:32You're right.
06:34You're right.
06:36You're right.
06:38You're right.
06:40You're right.
06:41You're right.
06:42You're right.
06:44You could hear that they're alone.
06:46I feel bad.
06:47What?
06:48I felt bad.
06:50I needed to get home.
06:52You don't have to take that chance.
06:53Savo wanted to be himself.
06:55I just wanted to be with him. This wouldn't happen.
07:02It's better than it looked like.
07:04Can we see him?
07:05Not yet. Savo is outside of the danger of life, but my job is always difficult.
07:10There are difficult questions and questions when it's clear.
07:14You said it was better.
07:15I said it was better than it looked like it was before.
07:18When I came here, I asked him if he could help me.
07:21You were able to help him.
07:23We were able to help him.
07:25We were able to help him.
07:27His situation was stable.
07:29However, with the damage that he has, every prognosis is not known.
07:33When will he be able to see him?
07:35When will he be able to talk with him?
07:37It's not a question when he will be aware of himself.
07:40I want to tell him that I have to say it,
07:43but I have to be honest and direct.
07:47If he goes out of the hospital,
07:49he will ask him if he will be the same as you know.
07:55In the beginning, have patience.
07:59I will show you when there will be some changes.
08:01He will be the same as you know.
08:03Who is the same as you know?
08:07I will not pay for it, Bojana.
08:09I will not pay for it, Bojana.
08:11I will not pay for it.
08:12I will not give it to him.
08:13You think he would leave his wife here alone.
08:15I don't know what to do.
08:17I think he would leave us here alone.
08:24You, Savo, hear him.
08:26That's the most important thing to him.
08:31Luca, let's go to Bojan.
08:34It's not the place for the job.
08:41Let's go to the office tomorrow.
08:44And if the Belgian people ask him,
08:46ask him something about this,
08:47let's do it yourself.
08:48If you can't, call me.
08:50Okay.
08:56I'm staying here.
08:58Even the hospital is not safe for Savo.
09:01He told me the help.
09:14Oh, no.
09:15He's asva.
09:16I'm staying here now.
09:17He's being saved.
09:18He's able to get home.
09:19He's being poor,
09:20he's going to make his own home.
09:24All right, let's go.
09:26Let's go to the beach, Tata.
09:45Ljubavi, go to the beach.
09:48Beach, Tata.
09:56Ljubavi, go to the beach.
10:08Ljubavi, go to the beach.
10:10My mother is a drug addict.
10:12She saw her daughter before three years.
10:16She's a big deal with her.
10:18She's a big deal with her.
10:20She's a big deal with her.
10:22She's a big deal with her.
10:24She's a big deal with her.
10:26I'd like to spend more time with her.
10:28But I'm rarely coming here.
10:32When I'm here, usually...
10:34...people like you are here.
10:40And I don't want...
10:42...people like you...
10:44...will be close to the girls.
10:48I don't want to be beside me...
10:50...when I do what I do.
10:54Take care of, Nikita.
10:56Take care of yourself.
10:57Take care of yourself.
11:02I was a good deal, son of a bitch.
11:06Do you think you've told us where you are going to get out of the way?
11:08You brought him where he was supposed to be and he was supposed to be.
11:12If you agree, I would be very happy to escape this place.
11:17He would let you go and enjoy the girl.
11:21We're far from that, Nikita.
11:24Alec is in the hotel, Bačić is in the hospital.
11:27I'll ask you for Bačić, I don't care.
11:29What would I care?
11:31Bačić already knew who Peter Serdar is,
11:35but his son knows who you are and who you are.
11:39He saw me in a second.
11:41But this hospital says that he's in the hospital.
11:44It's better for you, Nikita, if it's like that.
11:50Let's see.
11:54I can't do Alica anymore.
11:59Nikita.
12:03Nikita.
12:05You're not so excited for your baby.
12:09You can find your kid and finish with Alica,
12:13as you know and can.
12:15Father, see what I found.
12:21Oh, my goodness.
12:23You're right, Lara Croft.
12:25Go to the park.
12:27I'll go.
12:28The park, Father.
12:29Oh, my goodness.
12:39He's got food for doors.
12:41Okay?
12:42She was up to the park.
12:43If this is alright, this is my psyche.
12:45Oh, man.
12:46I know its own place, but he's got a badge,
12:47and I know I'm going to stop you.
12:49You will finish the house with you.
12:54And the house is only your problem.
12:59Thank you, father.
13:01Here you are, love.
13:19You will finish the house with you.
13:43Don't pay more.
13:49Don't pay more.
13:51You'll pay more.
13:53You'll pay more.
13:55You'll pay more.
13:57Don't pay more.
13:59Don't pay more.
14:01You have to do it.
14:03It will be good.
14:05I know it will be good.
14:07But I'll start with myself.
14:19I'll start with myself.
14:25I'll start with myself.
14:27I'll start with myself.
14:29What are you doing?
14:31What are you doing?
14:33Some girls.
14:35I watched the bar.
14:37I wanted to put a cap on.
14:39But I wanted to make the bar.
14:41I wanted to make the bar.
14:43I wanted to make the bar.
14:45What do you do?
14:47What do you do?
14:49I know what the bar is going to do.
14:51He promised his wife for a 100-year-old marriage.
14:55What do I know?
14:57We're all together, Luka.
15:00Yes?
15:01Yes.
15:02I'd like to bring them back.
15:03I'll bring them back.
15:05I'll bring them back.
15:07I'll bring them back.
15:11If you're using your tickets,
15:12I'll bring them back.
15:15So...
15:16...
15:18...
15:19...
15:20...
15:22...
15:24...
15:26...
15:27...
15:28...
15:30...
15:31What are you doing?
15:33Did you sleep in the basement?
15:35Do you want to go to the basement?
15:37Only when I have to go, Lulio.
15:39Let me ask you, you need me to go to the basement.
15:42Lulio, it's because of you.
15:45Are you sure?
15:47What's this?
15:48The sit-up.
15:49My seat is from the basement.
15:50What's up?
15:51I'm saying that you'll be able to go to the basement for the basement, but I'm somehow lost.
15:56Do you want to go?
15:58I don't think I'll talk.
15:59Do you know that the police will be able to go to the basement of the basement of the basement?
16:02My vote from the Swedish table.
16:03Where do you stand?
16:04I'm trying to get out of the room, but I'm trying to get out of it.
16:08Go ahead.
16:09No, thank you. I didn't think so.
16:11Do you know that the police will be able to get out of everything with Alexei?
16:14What?
16:15Nothing, you don't get to that, right?
16:18It was in Antaly.
16:19In Antaly, in Tursk?
16:20Yes.
16:21Alexei was there in Hilton.
16:23He was doing it in Hilton.
16:25He gave him credit.
16:26And? What happened?
16:27Alexei was on avion and ran away.
16:29The police was able to get out of some Turks with him.
16:31And then?
16:32I had to get out of it, like now.
16:34And everything went well.
16:36You didn't get out of it, right?
16:37I'm lying.
16:38I'm always trying to get out of it.
16:39The rest of me is not related to the whole problem.
16:42You don't have it, right?
16:43Alexei has only used me and left it in this hotel.
16:46You think that Alexei has also used me?
16:48I'm sure.
16:49I'm on your side.
16:51Could you tell me when the police arrived in the house that he took me into a mess,
16:55and that I was used to be there?
16:57That I didn't know.
16:58I don't know.
16:59That's right.
17:00When the police arrived, everyone has to get out of it alone.
17:03That's right.
17:04That's right.
17:05That's right.
17:06That's right.
17:07That's right.
17:08That's right.
17:09That's right.
17:10That's right.
17:11Yeah.
17:12That's right.
17:13That's right.
17:14That's right.
17:15That's right.
17:16Yeah.
17:17Aha, that's it.
17:20Yes.
17:39Forgive me, Christina.
17:41I'm sorry.
17:43I know that we need to see a son, but it's something that's gone.
17:48You know that my son is married to a daughter.
17:52Why?
17:53The daughter is a son, and he is in the hospital, fighting for life.
17:57I know, I've already heard it, but I don't understand.
18:01What's the connection with us?
18:03I'm staying at home with my sister and my husband to wait for the hospital.
18:09How is that?
18:11Our friend is a friend.
18:13I'm sorry, I'm sorry.
18:15I'm not a liar.
18:16You're not a liar?
18:18No, I'm not.
18:19I've waited for you, son.
18:21You didn't see me.
18:23I'm not a liar.
18:25I'm sorry.
18:26I was a liar.
18:27I'm sorry.
18:28You're okay.
18:29And, you know, I had no idea how I was staying alone, and I just had a little time to write about it.
18:40And this is what I think.
18:45I think that we've reached the moment
18:47that...
18:49...we'll break one of the other.
18:56And you, I know that you're not satisfied with the job in the hotel.
19:00Who knows that?
19:02I know.
19:03I know.
19:04And here's the opportunity to show you.
19:06This looks like an old man.
19:10We need to clean it up.
19:12He'll have to pay for it
19:14or he'll be able to get the food from the hotel.
19:21Let's go.
19:30Good morning.
19:32Good morning.
19:33I wanted to talk with you about your account.
19:45I don't understand, Kristina.
19:49Don't laugh,
19:52but you want me to stop.
19:55I'm peaceful and cold heads
19:57and I want to stop.
19:59Good morning.
20:02Good morning.
20:04I don't want to talk more about this.
20:05What is it?
20:07Come on, sister.
20:10We've had a few moments.
20:13We've had a lot of them.
20:16But now I'm going to shut up.
20:20You say it,
20:21but you laugh.
20:22What do you say?
20:23That's why I know that I'm doing the right thing.
20:26I've already felt the pressure between us
20:28just between us
20:29and the pressure,
20:30and the anger,
20:31and the question.
20:32It doesn't need me.
20:34It doesn't need you.
20:35It doesn't need you.
20:37When I decided to tell you,
20:38I felt the relief.
20:41That's why I know that
20:42this is the best.
20:43What do you think?
20:47I don't know what you want to say.
20:50If you think so,
20:52I have nothing to say.
20:55I'll give me nothing.
20:56I'll give you anything to say.
20:57I'll take the欲.
20:58Let's see.
21:05We'll see you soon.
21:23Where are you?
21:25Where are you?
21:27Where are you?
21:35Hello? Mila?
21:37Hello, Luño.
21:41Who is Luño? Luño Dokmanović?
21:43Savo, friend.
21:44Savo can't talk to you in the hospital.
21:46He's intense.
21:47See the sun.
21:48He was mad at me. I know that.
21:50But he was mad at me.
21:51He was mad at me.
21:52He was mad at me.
21:53He was mad at me.
21:54I don't know him.
21:55I'm not mad at me.
21:56He's mad at me.
21:57He's mad at me.
21:58He's mad at me.
21:59He's mad at me.
22:05He's mad at me.
22:06He's mad at me.
22:08Yes, he's mad at me.
22:10What?
22:11He's mad at me.
22:12He's mad at me.
22:14He doesn't have anything to do
22:15But, as soon as soon as soon as soon as I can't get out of my house.
22:17Valentina?
22:18I'm mad at Dokmanović.
22:20He's mad at me.
22:21I'm on a few questions.
22:22He's a good question.
22:23He's a good question.
22:25I'm…
22:26I'm coming to you soon.
22:28He's mad at me this time.
22:30I'm waiting for you at the receptionist.
22:32Come on, wait.
22:34I'm waiting for you.
22:40Hey, Mila.
22:42The director of the Belgian,
22:44will come tomorrow tomorrow.
22:46I'll answer you.
22:50I'll ask you to call him Bojan.
22:52He's waiting for you.
22:54He's waiting for you from the hospital.
22:58Thank you, Mila.
23:00Is that Mila?
23:04Yes.
23:06I have to speak to the Belgians.
23:08The director, who should be, should be in the morning.
23:10I have to talk to you, Luka, about Mila Kovač.
23:14You know that Mila is at Savo.
23:16There would be no other than the guest in the cage.
23:20I'm just curious to see the guest in the cage,
23:22when the guest is on the apparatus.
23:24Who tells you that she's not there?
23:26I'm sorry.
23:28Mila Kovač.
23:30I'm sorry.
23:32I'm sorry.
23:34I'm sorry.
23:36I'm sorry.
23:38I'm sorry.
23:39I'm sorry.
23:40I'm sorry.
23:41I'm sorry.
23:42I'm sorry.
23:44I'm sorry.
23:48Okay, hold on.
23:50I'm sorry.
23:52I'm sorry.
23:53I'm sorry.
23:54I'm sorry.
23:56I felt like a�场オ bark outside their room,
23:58I suspect.
24:29Mila Kovač je spletkaroš i manipulator.
24:46Pratim ja svaki njen pokret od kad je došla uđe.
24:49Pa što je to uradilo?
24:51Otarasila se svih što su joj smetali.
24:54Mogu kolegu Borisa odavde je protjerala zauvijek.
24:56Sad više ne znam ili u zatvoru ili se vuče u sudovima.
25:00Čuo si što se desilo u onom Đuraškoviću?
25:03Čuo sam.
25:03Pa ja ti kažem da je Mila natjerala Sava da ga pretuče.
25:08Ona je zastrašila i onu advokaticu Nikiziću.
25:12Natjerala je da se uvuče u miši u rupu i gleda samo svoj posao.
25:16Sužavala je krugu ko Sava dok nije ostala sama u njima.
25:19A što bi to uradila?
25:22Nisam.
25:23Sve ostalo znaš.
25:25Ta Mila je sinović Savu Bačiću život spasila.
25:27Ko to kaže?
25:28Doktor koji ga je krpio.
25:31Zato bi ti možda bolje bilo da postupiš isto kao advokatica.
25:35U miši u rupu.
25:36Mila Kovač spletkari manipuliše i radi Savu o glavi Luka.
25:40Pa teško da neko može da radi o glavi i da spašava isto u vrijeme.
25:45Ali tako?
25:46Ne mi se čini da ti spletkariš i manipulišeš ili bar pokušavaš to da radiš.
25:52Vidim da je Mila i tebe uzela pod svoje.
25:55Mila je mene poslala oma da radim svoj posao za koji sam plaćen.
25:59A ne da slušam nečije olajavanje.
26:01Ja znam što pričam.
26:03Ako tebi nije stalo do Sava ne moraš mi vjerovatni riječ.
26:07A viđu ćeš da sam bila u pravu.
26:10Hvala što pričam.
26:41Što ćeš ti ođe Zorov?
26:42Što?
26:44Ne mogu upit kafu na rijeku, pa za nijedan.
26:47Pa si na šak od mene kafu da piješ?
26:50A niđe je tako slatku.
26:51Ne mogu upit kakav mi je tvoja ruka zabrka.
26:53Ako ćeš zabrkanu kafu i koživane.
26:56Ođe se pije samo espresso.
26:57E pa daj mi onda produženi sa malo mlijeka u veliku šu.
27:01Veliku.
27:02Najveću što imaš.
27:03Prave slasa, po jezera, stvarno nema namjera i ta kući.
27:10Ođeš espresso, a srka bi ga do mraka.
27:12Ja sam ovdje njegovo visočanstvo gost.
27:15I želi bi joj tako bude mu služen.
27:19Jer su došao u dobroj namjer.
27:20Kakvoj namjeri?
27:22Da se dogovorimo koživane.
27:26Jedan espresso.
27:28Gospodine sad stižem.
27:30Zdravka, je li ođe sve u redu?
27:31Jeste, Boriše, jeste.
27:34Opošti se, radjače.
27:35Ja i Zdravka se znam od kad smo piški ili u pijesak.
27:39A to je Zoro.
27:40Ona je Zoro.
27:43Zoro, ovo je moj momak Boriša.
27:45Zoro.
27:57Evo na slunju.
27:59Spremni smo?
28:00Ja sam spreman, ko zapata Boška.
28:02Spusti stativ tu.
28:03Možemo samo da promjenimo pozicije.
28:06Evo, ja ću da stanemo ovdje.
28:08Pa da uvatiš mene i iz gradu gore.
28:10Biće ljepši kadar.
28:12Dobro.
28:13Samo da namistimo kadar i možemo da početimo.
28:16Ja sam spreman da kažem Budvi sve šta je i kako je.
28:19Prvo, možda?
28:20Može.
28:21Gospodine Dokmanoviću, šta biste željeli da izjavite povodom gangsterskog obračuna koji se dogodio u poslovno-kriminalnom podzemlju Budve u kome kako se čini Savo Bačić izvuka o deblji kraj?
28:32Prvo, prije svega želim da kažem da sam zgrožen povodom čitave priče oko lažnog projekta Hilton Budva.
28:40Gospodine Dokmanović.
28:42Ja, gospodina koji se lažno predstavlja kao financijer i poslovni čovjek i predstavnik čuvenog lanca hotela Hilton.
28:50Ja priznajem da nisam poznavao Alekseja Lebedeva koji je prevario i mene i mnoge ljude u Budvi.
28:58Gospodine Dokmanović, ovdje smo zbog vaše izjave povodom sukoba gangsterskog obračuna Sava Bačića.
29:03Ja stvarno neću vama dozvoliti da se tako ponašate i da takve riječi koristite kada govorite o Savo Bačića.
29:08Molim?
29:08Sava Bačića ste nazvali gangsterem.
29:11Savo Bačića, da se razumijemo, nije gangsterem.
29:13Savo Bačića je jedan dobri čovjek, moj prijatelj, nego je on nesrećnim okolnostima došao u takvu situaciju.
29:18Spodine Dokmanović.
29:19Da vam kažem, Savo Bačić je jedan dobri i pošteniji čovjek, prije svega jedan častni Crnogorac, koga ja poznajem, vjerujte mi bolje nego samoga sebe.
29:27Prekidaj, razli.
29:28Eto, nemoj da prekidaš, vidi ga.
29:29Moj da prekidaš to.
29:30Šta radite to?
29:31Savo, nikad neću izdati Savo.
29:33Vjeruj mi, neće Lunio Dokmanović tako nisko pasti Savo.
29:36Spodine Dokmanović, neću tako nisko pasti Savo.
29:36Spodine Dokmanović, neću tako nisko pasti Savo.
29:38Savo, Savo, pušti mi to na mali.
29:39Savo, Savo, vjeruj mi, Savo da te ja neću nikad izdati.
29:56Dobro, ja sam onaj Zoro, ti si onaj zdravki, nizlike Crnovića. Možemo mi sad popit kafu?
30:02S nami ja dobro, tako veka što si ti.
30:04To me ti priča. Znaš, ti znam ja.
30:07Kad je bilo zlo vrijeme, svi ste utekli odade.
30:09A sad se vrću iz Budve, sa Cetinja i Podgorice.
30:12Pa sve gledaju što bi mogli da dignu jućare.
30:14Ja sam samo htio kafu i to da je plati.
30:17Digli bi tako i ovaj most, da nema ga starijeg i čuvenije.
30:21Pa bi ga preselili u Budvu ili u Podgoricu.
30:24A mi to zbog turista, da im je sve na jedno mjesto.
30:26Da ne bače ljudi pare na prevoz i na gorivo.
30:29Sve je ođe propalo i ogludan, a Vinen i most na mire pušta.
30:32Bili i djevojke naše selili odavde?
30:35Pa most možda i bi.
30:39A djevojke nikad.
30:40Zato si došao pa ono što ti se sviđa.
30:42Kaf, most, djevojku, jeli?
30:45Ja sam tražio to prvo, ali vam izgleda na radi kafemati.
30:48Šta god da si tražio, jedno ćeš da biti.
30:51Turin ću ti slomiti.
30:52Neka, Boriš, evo oni deje.
30:54Gde ja idem?
30:55Ideš doma, ideš koživane i to odmah.
30:58Kad vidim kako gosteo da očekujete, ženi ćete biti turista za uvijek.
31:06Ovaj most bolje je bilo prodačit u Budvu, da ga ođe makovina ne poklopi.
31:13Boriša!
31:18Boriša!
31:48Boriša!
32:04Sedaj bolje ti iz začemo.
32:06Hello, Mila.
32:36I have to talk to him.
32:39I have to talk to him.
32:41I don't have to talk to him.
32:43I don't have to talk to him, Dokmanović.
32:44Look, I'm on TV and supported him.
32:46I will see him.
32:48Why is he laughing at me?
32:50Hello.
32:51Mila.
32:53Mila.
32:59What are you talking about? Where did you think of him?
33:01I don't know what to do between these four sides.
33:04So, do you think of him in the hospital?
33:07You really don't.
33:08You don't have to do it.
33:09You don't have to do it.
33:10You don't have to do it, Luka.
33:12He came back to the hospital.
33:13Go to the hospital.
33:14Do you think of him?
33:15You think of him in the hospital?
33:16You think of him in the hospital?
33:18You think of him in the hospital.
33:20Yeah.
33:21You think of him?
33:22Good morning.
33:32I don't understand, Vasilje, what do you want from me?
33:36I just want to know what you want.
33:39But it's funny, Vasilje.
33:41What's funny? It's funny that my mother will meet my daughter.
33:46Vasilje, this is your life.
33:49You're not a son of a son of a son of a son.
33:54But I hope he's a good friend.
33:59Don't put a lot of money. You know that it's not healthy.
34:18Sorry, talk to me, because of the evening.
34:20Once they washed them off the quest.
34:22What's your job?
34:23What's your job?
34:24What's your job?
34:25I'm leaving you as a girlfriend, right?
34:27I'm sorry, I'm sorry.
34:29It's something weird.
34:30You know how it's going to do the police?
34:31I know!
34:32I don't know how it's going to do the police.
34:33I don't know what it's going to do,
34:34I don't know what it's going to do.
34:35I'm not going to be able to do the police.
34:36I'm not going to do that.
34:37I heard that's going to be a good one in the South,
34:39but I'm back to you.
34:40Only you can't do that.
34:42What's that, Miljana?
34:44No, I don't know.
34:45No, I don't know.
34:46I'm not going to.
34:47I'm not going to.
34:48What is Nikita?
34:49I thought it was going to go.
34:52I heard that the South is intensively.
34:55That's right.
34:56That's right.
34:57That's right.
34:58That's right.
34:59That's right.
35:00That's right.
35:01That's right.
35:02That's right.
35:03I don't want to admit it.
35:05I'm just going to ask how the South is going to be.
35:08Thank you, Nikita.
35:09Let's speak.
35:18Let's speak.
35:19You don't need your mother to see someone on the street or on the street.
35:23Olga isn't that.
35:24So, maybe you could not see him on the street.
35:27That's right, mother.
35:29Every person too.
35:30All sounds so sad.
35:32That's your life, Vasilje.
35:34In your years, you should know that.
35:36Father, I ask.
35:37Vasilje, you bring me some old girl, as if you are looking for a blessing from me for some...
35:51...gurvanje, vocaranje.
35:54I do not allow such words, mother.
35:57You are naive, so you do not know such words.
36:01Mother, it has always been to me, it has always been to me before her.
36:07I want to know her.
36:10If you want.
36:17Let me tell you when you are ready.
36:21Thank you, mother.
36:24When my mother did not fill out your desire.
36:31And mine are not important.
36:49I told you that you will not call me Dokmanović.
36:51What?
36:54I don't have anything to tell you about me nor with Savo.
36:58What?
37:00Jesse, stay down there on the port and I will go down there.
37:21Okay.
37:23Hey, who is he?
37:24Hey, hi, dad.
37:26I am going now.
37:27I have a naple for you.
37:30I am going now.
37:31I am going now.
37:32What?
37:33This is coming.
37:34Let me tell you.
37:36The game's The Face.
37:37I am now looking for you.
37:40Newк's The Face.
37:41I am crying and I have a dream.
37:43I am crying.
37:44I am crying.
37:45I am crying.
37:46Please don't have a dream.
37:47I am crying.
37:48What have you done, Moisa?
38:18No, you don't have to pray for me.
38:26I'll help you.
38:29You were the one who I called.
38:38From this Hilton from Vinnie,
38:41I've said everything on TV.
38:44You know how I supported you?
38:46I stood behind you, as a brother, as a man.
38:50My life.
38:56And for Linov,
38:58I wasn't with her.
39:01I wasn't with you.
39:03I don't know how to think about it.
39:08We were friends.
39:10I don't know how to think about it.
39:14I'm not with her.
39:16I'm not with her.
39:26Savo, are you crazy?
39:28Are you listening?
39:30Savo, come on, come on, once again.
39:32Savo, Savo, do you hear me?
39:35Savo!
39:40Savo, I'm not with you.
39:42enjoyed it.
39:43Gretel me, Zajbo, Dokmanović.
39:45I's gone now.
39:46I was going away.
39:47I've got it now.
39:48I've got it now.
39:49I've got it.
39:50I've got it now.
39:51I've got it now.
39:52He knows me.
39:53He's going to help me.
39:54I've got it.
39:57I'm going.
39:58I'm going to show you, I'm going to show you.
40:02Savo! Savo, damn it!
40:05Savo, damn it!
40:07Savo, damn it!
40:09Like what a little before you say!
40:11Savo!
40:13It's funny, Dokmanović.
40:15They're all in the world, damn it!
40:17You hear it!
40:19Why are you thinking about it, Dokmanović?
40:21What are you thinking about it, Dokmanović?
40:23Savo, damn it!
40:25Gojčo!
40:27Gojčo, believe me that he's stupid!
40:29He's stupid!
40:30He's stupid!
40:31He hears it!
40:32He hears it!
40:36I'm sorry, I'm sorry.
40:38Listen, maybe I didn't have to come to him like this.
40:42But believe me that I saw him,
40:46that he healed.
40:48He healed his hand in my eyes.
40:50What's your fault, Dokmanović?
40:52Listen, Savo and I,
40:55maybe in the last time,
40:56we didn't have to be so good.
40:58But be sure,
40:59we are great friends,
41:01and I, him, and he.
41:02With friends you,
41:03you don't need friends,
41:05and you don't need them.
41:06So, he can.
41:08He can help me now.
41:09He can help me.
41:10He can help me.
41:11He can help?
41:12There's an unnecessary police investigation
41:14and an obvious amount of money.
41:17Yes, of course,
41:19I thought that's the question.
41:22I know,
41:23it's fine.
41:24He could help me now.
41:28Do you know how much he would like
41:30to help me now?
41:35You have 30 seconds.
41:36Why?
41:37To get away from here.
41:39Let's go.
41:40Let's go.
41:41Let's go.
41:42Let's go.
41:43Let's go.
41:44Let's go.
41:45Let's go.
41:4625 seconds.
42:13Let's go.
42:33Hello, Anna.
42:34Luka Radmilović is here.
42:37I have told you that you had forgotten
42:38but you had to lose sight
42:40with me on the bar.
42:42I'm going to leave you in the morning.
42:47I'm going to leave you in the morning.
42:50I'm going to leave you in the morning.
42:55Bye.
42:56Bye.
43:12I'm going to leave you in the morning.
43:29Just start off and stop.
43:32Your sense from the kids.
43:34Interesting to me.
43:36I'm going to leave you in the morning.
43:39What do you mean?
43:41I told you that we don't see any time.
43:46We went through our moments.
43:51Now we're going to ask questions,
43:56and the best thing is that we'll break each other's time.
44:00Why are you angry?
44:02It's going to be a time to be angry.
44:05Do you know what I'm going to do as the best doctor for mental pain?
44:08What do you mean?
44:10Work therapy.
44:11What kind of therapy?
44:12Work!
44:16Excuse me, ladies.
44:18We haven't opened yet.
44:26It's close to the season.
44:28The first tourist will come,
44:30and this inside will remain empty.
44:32People will go to the beach.
44:34There's no one who can replace the beach,
44:37the beach, the beach, the beach,
44:39the cold,
44:40the cold or the cold outside of your head.
44:42What do you think about the poetry?
44:44I see you are talented for poetry.
44:46I'm talented for business.
44:48I'm talking about that.
44:50What if we don't know the part of the beach,
44:52and if we're free,
44:54we'll open the beach bar
44:55and we'll do something else.
44:58That's all.
44:59We'll do it all.
45:00I'm telling you,
45:01we'll wait until we have a place to go.
45:05What are you saying?
45:06Interesting.
45:07I have an idea for the name of our beach bar.
45:11What?
45:12How?
45:13Just think of it in front of the beach with big words in the air.
45:16That's it.
45:17I think.
45:18I'm thinking of it…
45:19Two words.
45:20The pasta soup.
45:21What's it going to do with you?
45:22You're going to eat it with me?
45:23No, sir.
45:24I'm going to give it you.
45:25I'm going to give it to you.
45:28This is the name of the beach.
45:30I'm going to tell you,
45:31but this is a fun thing.
45:33The season is and you need to go to the beach.
45:37I'll tell you everything.
45:39Mmmmm...
45:45If you aren't sure, friend,
45:47let me tell you this,
45:49that they say that there is no more interest in his life.
45:52Mmmmm...
45:56I pray.
45:59Thank you once.
46:01Happy friend!
46:09TROP
46:24Go for it.
46:26What did your brother call this?
46:29No one will read or read.
46:32I'll go back into it.
46:33I don't know what to do.
46:36In Kotor.
46:38I'll be right there.
46:43Let's go.
46:47Let's go.
47:03Let's go.
47:31You didn't have to come here.
47:33I had to.
47:35What's your father?
47:37He's good.
47:41You're laughing at me.
47:43You don't know what I'm doing.
47:47You know what I'm doing.
47:51Let's go.
47:53Let's go.
47:55Let's go.
47:57I won't be laughing at me.
48:01Let's go.
48:03Let's go.
48:05Let's go.
48:07Let's go.
48:09Let's go.
48:11Let's go.
48:13Let's go.
48:15Let's go.
48:17Let's go.
48:19Let's go.
48:21Let's go.
48:23Let's go.
48:27Let's go.
48:29Let's go.
48:31Let's go.
48:33Let's go.
48:35Let's go.
48:37Let's go.
48:39Let's go.
48:41Let's go.
48:43Let's go.
48:44Go.
48:45Let's go.
48:47So.
48:49We'll go.
48:51We'll play.

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