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00:00Transcription by CastingWords
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02:59One in the picture looks at the object, because she knows that someone is in the picture.
03:04She knew it, but she didn't do anything, she didn't do anything.
03:09She wanted to see it. She wanted to bring her into this situation.
03:14She wanted to do what she wanted to do.
03:18And do you know what she wanted, Luke?
03:22I will tell her that you will tell me now.
03:26She wants to escape and find something that is called freedom.
03:31You might think, what kind of person who is one knows about freedom?
03:36Before or later, with you or with someone else.
03:41She would feel lost again and give her everything.
03:45And you don't think she would escape again?
03:48No, she would escape from me, but from myself.
03:52And there is no freedom.
03:54Since it doesn't matter, the whole life is alive.
03:58That is what she wants.
04:00Freedom.
04:02And freedom.
04:04Something that you never know.
04:06What do you want?
04:08What do you want from me?
04:10What do you want from me?
04:11What do you want from me?
04:12Everything I want is to help my unrecognizable.
04:14Even against me.
04:16You cannot be the negative.
04:17Not to me.
04:24You see?
04:25What important is that I need to look for now...
04:27...the new things opened itself.
04:29As long as I have a text, I can't write down the writing to tell me from my name.
04:34It's always the same.
04:35The houses, the houses, theiers...
04:37Mila was a little weak Klinka.
04:40It's not for the weak of the government,
04:42but for the best band from the Kuži band.
04:45And when it was over, and when it came to the court and the police,
04:48the door would be sent to the foreign lawyers
04:51or to some of our time.
04:54This with him, Clyde, as he writes, who is it?
05:00I don't know.
05:03When she knew exactly who is,
05:05he would see himself as he would really grieve
05:07and he would be like Mila,
05:09he would be like that like Djurašković.
05:12Do you want to do something?
05:14You need to talk to Djurašković and talk to him.
05:17He sure knows who he is working with Mila.
05:21You mean that he should be able to put a stone in the street?
05:25But this time will be easier.
05:28I heard that Djurašković lives like a blocker on the street.
05:33He would do it for me.
05:35How do you do it for me?
05:36How do you do it for me?
05:37You do it for me,
05:38and your little sweet home.
05:40How do you do it for me?
05:42How do you do it for me?
05:44How do you do it for me?
05:47I have to know that I have been a problem for a long time.
05:50What is important for me?
05:52A job or love?
05:54Do you want me to tell you to work for tablets and paparazzi?
05:58I am a man of them, Savo Barčić,
06:01a long time ago.
06:04I am really interested in how he would be able to see these snakes.
06:07Because he is his daughter.
06:09I hear that he has a complicated hard time.
06:12And that's why I am a part of them,
06:14and I am a part of them.
06:15I am a part of them to work for tablets and paparazzi.
06:17And that's why I am the most important.
06:19Listen to me.
06:21You are not going to play N anymore.
06:23You understand?
06:25Do you understand?
06:27Never more.
06:29She is the best for you.
06:33Will you come back?
06:35I want you to be alive, Luke.
06:37To be alive without a doubt.
06:41This will be the best for you and for me.
06:43Do it so.
06:45Your secret will be safe for me.
06:47Do it for me.
06:49Do it for me.
06:51I will see how the photo will be taken.
06:53I will see how the photo will be taken.
07:15Just wait until the gorilla will appear again.
07:19I will see how the photo will appear.
07:21The gorilla did not hit here.
07:26I will see how the photo will be taken.
07:28I have taken the photo of the camera.
07:30What is it, Joko?
07:48You've lost your nose.
07:54Don't worry about it.
07:57The day is nice.
07:59The day is peaceful.
08:00The wind is dark.
08:02Let's go, let's go, let's go, let's go, let's go.
08:05Just let's go!
08:19Olga, I'm going to talk to you.
08:23Let's go, talk.
08:25It's very important.
08:27I'm going to talk to you.
08:29I'm going to talk to you.
08:31No, no, no.
08:32I'm going to talk to you.
08:33Okay.
08:38And?
08:39Olga, I'm not going to talk to you about any other solution.
08:46So, when you don't have any other solution, then you ask yourself.
08:52I'll do it again.
08:54I want you to do it again.
08:56I want you to do it again.
08:58What you told me.
09:00Ah.
09:01About the agreement with Christine, right?
09:05Not about the milk and the milk.
09:08Olga, I did it so that you told me.
09:12And if you don't have any other solution, you'll be able to help you.
09:16Look, if you have the answer to you, you'll be able to do it.
09:19You'll be able to do it again.
09:21And I'll try it again.
09:22I'll try it again.
09:24But you don't want me to help you?
09:26You don't want me to help you?
09:28Let's go!
09:29Let's go!
09:30Let's go!
09:31Let's go!
09:32Let's go!
09:33Let's go!
09:34Let's go!
09:35You have an old one.
09:40Good day, and good day.
09:43It's peaceful, and good day.
09:45You work forever.
09:47And you have an old one.
09:49You're still running without a bite.
09:51Excuse me if I have to stop.
09:53When you have to stop me,
09:55you won't forget it.
09:57I'm going to ask you.
09:59Why are you waiting for us to go to the hospital?
10:02You're already ready for a break.
10:33Are you sure you won't go with me?
10:36Yes, I am. This place is also created for a funeral.
10:52Father, are you going to the hospital?
10:55The hospital. In my years, the hospital is like a social obligation.
11:03Why would the pensioners say that they wouldn't go to the hospital?
11:07Is everything okay with your health?
11:09I said, I'm still in the morning. Everything is okay.
11:14I'm an old TV, I'm very sure.
11:18If you think of me, you'll be sure you'll be sure.
11:23What's wrong with you?
11:25What's wrong with me?
11:27Olga and me, we can do it as much as you want.
11:30It's nothing.
11:32But when you're wrong, I'm wrong.
11:36I'm wrong.
11:38I'm just a young man.
11:40The day is beautiful.
11:43The wind is warm.
11:46And you didn't go to the hospital for some reason?
11:50No.
11:51No.
11:53I don't need that for now.
11:55I have a good position.
11:57I have to go.
12:00I'm going to go.
12:03I'm going to go.
12:05I'm going to go.
12:07What's wrong with you?
12:09It's important, son.
12:11When the day is beautiful,
12:15we have to be peaceful.
12:18The wind is warm.
12:22I am responsible for your position.
12:23And I will bring you a little bit of your position.
12:30I will not waste benselina.
12:36Why did you not like that?
12:39It's worth it.
12:43I like it.
12:44I like it.
12:45My new job is that I don't need it.
12:47The Italian grov is drinking from Lana.
12:49I don't want to tell him that.
12:54And then you will understand it.
12:57It's important to tell you how many investments he plans.
13:01Don't blame me.
13:03I don't want to say anything about that.
13:07Don't blame me.
13:10I like it.
13:12What?
13:13You know what you can do.
13:16I don't know how to do it.
13:19I don't know how to do it.
13:21Let's go with this grov and finish it before.
13:23Let's go and let's do it together.
13:25Tommy run away.
13:31Put it on your hands.
13:33Tommy run away by the sound of a beating second censor.
13:40Hmm.
13:41You know who dark görver you seem escrowed.
13:43Oh my gosh.
13:44Hello former Talbot!
13:46And don't worry dear girls,
13:50Just down código compound.
13:53Because the day is nice,
13:57the day is nice,
14:00the day is nice, the wind is warm,
14:03the wind is warm, and nice.
14:05Why would you be like a son to start?
14:07I can't, Olga.
14:09You have to help me around Christine.
14:12How can I help you?
14:15Talk to her, Olga.
14:17Talk to her.
14:19Whatever.
14:21What do you think?
14:23What do you think about?
14:25About me, about my son.
14:27He took that stupid speech from the head.
14:31It makes us see and talk again.
14:35And do you think it will help you?
14:39It is working on my life, Olga.
14:41My son, that son.
14:43Well, the day, if it was a child,
14:45it would not be able to grow up in the woods.
14:49Olga, do you think you will help me?
14:51Or do you not?
14:52I don't have anyone else to pray.
14:55I want to.
14:56I want to.
14:57I will talk with him.
14:59If it will help me.
15:01It will help me.
15:02Just talk to you.
15:03Talk to a woman with a woman.
15:06Tuts.
15:12Djuka!
15:13Wait.
15:16What's this?
15:18You didn't even tell me you were for a couple?
15:22I am.
15:23The day is beautiful.
15:24The dark purple.
15:25The sea is peaceful.
15:27What is this?
15:29What is the sun that is blowing away?
15:32It's good to me. It's good to me. It's good to me. It's good to me.
15:37Can't you tell me how Lucija is?
15:40Lucija is good.
15:43I'd like to welcome you and the whole family.
15:46Do you know that it's the day of jubilej?
15:51What's jubilej?
15:53A year of jubilej.
15:55How did we get to know about it?
15:58So you're planning a celebration?
16:01I plan. I don't care. I don't care.
16:07Let's go.
16:11We knew that Lucija is not good with the health.
16:15We all knew and heard.
16:19Like you, my brother.
16:25Hold on.
16:27Let's go. Let's go.
16:28Let's go.
16:29Let's go.
16:31Let's go.
16:33Let's go.
16:35Let's go.
16:37Let's go.
16:38Let's go.
16:39Let's go.
16:41Let's go.
16:43Let's go.
16:44Alec.
16:52Alec.
16:54It's the same thing with me.
16:56It'sopens Fun favor.
16:57It's the same thing while we're at the job of Jane.
16:59Maybe we'll be old, but we'll be old!
17:03Hehehe.
17:26Tony.
17:28Aleko, ojdi.
17:31Možemo li da se vidimo?
17:33After the night, it's finished with the job.
17:37Yes, we need to talk about Nikita.
17:53Aldo, what's happening here?
17:56What do you think, Nikita?
17:58Your daughter, is it nice to be here while we talk to you?
18:03I didn't call her.
18:05Why don't you send me back?
18:07I don't want to go back home.
18:10I want to go to my mother in Beurad.
18:12Here is your daughter and tell her.
18:16And why did you tell me about me?
18:20Hi.
18:22Hi, Dušo.
18:24Nikita wants to come back to me.
18:29Niki, tell me, Gabriela, what do you think?
18:35I just talked to Aldo about the nature of the beauty that is near the red light.
18:41I have proposed to them together.
18:45You know, Gabriela, Niki is very well known here.
18:50And you'll be a good guy.
18:52I'm sure.
18:53Yes.
18:55I'm sorry, I have some work.
18:57Savo, this is my daughter, Gabriela.
19:02It's nice to me.
19:03And me, Gabriela.
19:05Gabriela is ready for a look from Niki.
19:07Is that right, Gabriela?
19:08Can you go with us?
19:09I think we only need to be safe.
19:14Yes, Boć.
19:15You don't need to go to me.
19:17Thank you, Dad.
19:19Just watch what you're doing.
19:22Let's go, Boć.
19:24Let's go.
19:26Aldo, Aldo.
19:29Savo, please.
19:30Excuse me.
19:37Sorry that you've been waiting, Boro.
19:38You've never heard of me.
19:40Thank you so much.
19:41I don't want to wait.
19:43Do you want to talk to me or not?
19:46I told you.
19:47You have to talk to me.
19:49I'm waiting, I'm waiting.
19:51And the days are coming,
19:52they're eating meat,
19:53and they're eating meat,
19:54and they're eating,
19:55and they're eating,
19:56and they're eating,
19:57and they're eating.
19:58And thank you and me.
20:00We only need a little bit of time.
20:03Listen, Diana,
20:04thank you as a sister.
20:07Why wouldn't you let me
20:09let me talk to you with Mitrov?
20:12I don't know what I told you.
20:14No, no.
20:15I'm going to talk to him
20:18what is going to say,
20:19to you,
20:21to you.
20:23I won't mention you.
20:25You want to talk a little bit?
20:26I'll go back to him.
20:27I'll go back to him.
20:28I'll go back to him.
20:29Don't worry.
20:30The whole day is over.
20:34It wouldn't be bad
20:35if you help me to get away.
20:39They'll hear this.
20:41They'll hear you.
20:42You can go.
20:47I'll take it.
20:49What?
20:50I'll take it.
20:51I'll take it.
20:52I'll take it.
20:53I'll take it.
20:54I'll take it.
20:55I'll take it.
20:56I'll take it.
21:11Can I get away from you?
21:12Oh my god, it's broken. Can you just hold it a little bit?
21:23Let me just hold it a little bit.
21:31I'm just broken a little bit, if you can.
21:42Please, Savo, Vranac Barik.
21:50The best home wine I've tried here.
21:53It goes directly to Slavlja and forgiveness.
21:57And I have to forgive you, Savo.
21:59Why?
22:01My daughter, Gabriela, is a good child.
22:04But she wouldn't want you to drink with her.
22:07She said she didn't want to leave the studio in Lucerne.
22:12Because of that, you don't want me to forgive me. I have my daughter.
22:16Then you understand me.
22:18I wanted to study my wife in Italy.
22:21What?
22:22She's in the village, it's hard to wait for a child.
22:25Her husband is waiting for me.
22:27So, you didn't have any family and job?
22:32I started working with my former wife.
22:34You're a great woman, which is impossible to be.
22:37Then you're better to not remind me of your former sister.
22:40Gabriel's mother who is in Belgrade, and she was in Trst.
22:46She would not want her to be the greatest partner.
22:49It's hard to have to do that with your man in front of you.
22:52I believe, Savo, the village of our town is the most destructive.
22:57You know, she left my life after marriage from Gabriel's mother and from then I couldn't get away from my life.
23:07But this is a miracle for us. We hold a whole world on our lives.
23:15Let's live!
23:27What are you doing here, Jovaner?
23:35I forgot something, Luke.
23:37What did you say?
23:40This is what I told you.
23:44Do you remember me?
23:46I'm going to get here with Peter.
23:49Okay, I won't.
23:57I can't wait.
24:00Okay.
24:02I can't wait.
24:04I can't wait.
24:06I can't wait.
24:08Can't wait.
24:10I get to go.
24:12I don't need to know.
24:14I'll come in.
24:17I don't know.
24:19I'm not looking at myself.
24:22I know I did not.
24:24I don't know.
24:54Hello, I am. I didn't talk to her.
25:16Everything went as you said, but he knew it.
25:22He knew it.
25:26He knew it.
25:32It looks like he knew everything about you.
25:35I can't believe it.
25:37Let's go to the apartment.
25:40I don't know.
25:41He doesn't have him anywhere.
25:43I think the things are wrong.
25:45I don't understand.
25:47I don't understand.
25:49Luca, I told you that it's not about him but about us.
25:52Come on, come on.
25:54I'll show you something after everything will be clear.
25:57I'll show you something else.
25:59I'll show you something else.
26:01I'll show you something else.
26:03I'll show you something else.
26:05I'll show you something else.
26:07I'll show you something else.
26:09I'll show you something else.
26:11I'll show you something else.
26:13I'll show you something else.
30:01Niki, I thought you know where we are going, and you check on the internet where we are going.
30:17I'm just looking for the right place, Gabriela. There is a lot of natural beauty.
30:22What would you like to see me?
30:25I have one natural beauty.
30:27Which one?
30:29I would like to see myself as possible.
30:33Let me see what you are doing.
30:36I don't know if you are accustomed to things, but please take your account.
30:40Can I?
30:48I don't know why I'm looking for these stupid things.
30:52The natural beauty that I'm interested in is already there.
30:59I'm sorry.
31:01I told you to listen to me.
31:02Boš, you're in the room!
31:03You're in the room!
31:04I told you to listen to me!
31:09I told you to listen to me!
31:11Gabriela!
31:13Stop, Gabriela!
31:14Stop, Gabriela!
31:15Gabriela!
31:17Then?
31:18Please.
31:20Please.
31:22Come on, you can tell me.
31:24What do you say?
31:26Why are you looking for a woman?
31:30My husband is surprised to hear you.
31:32I pray, Diana.
31:34We know lies more than what you will learn.
31:36Why do you think lies?
31:38Why do you lie lie?
31:40This is the most important lesson from good thinking.
31:43The lies are the most important lesson when you are in the truth.
31:47That between you and me,
31:49if you were true,
31:50true,
31:51true,
31:52whatever it was,
31:53you might have to be trusted.
31:55This?
31:56You look like two sides on the beach.
31:59Your hands would be uncomfortable.
32:02This is the only feeling that you were able to get out of yourself.
32:06It is for a single step,
32:07even for a false marriage.
32:09Let me tell you why do you lie?
32:12He is so happy.
32:15I don't think so.
32:16I think he could be close to me to Graciano.
32:18He is so happy.
32:20He is so happy.
32:22How much do you pay for this comedy?
32:25No.
32:26For now, nothing.
32:27I usually pay money to make a conversation with Graciano.
32:30If he is not happy,
32:33he is so happy.
32:34He is so happy,
32:35he is so happy.
32:36He is happy.
32:37He is so happy.
32:38He is happy,
32:39as he is happy.
32:40Why are you taking care of her for us?
32:41Why do you like to be interested?
32:43Why do you like to be interested?
32:51You like this?
32:53Everything from the bug to the bug.
32:55We're just alone.
32:57Far away from my father,
32:59my father, professor, college.
33:01I'll go back to your house.
33:03What are you talking about?
33:05I want to get a close, come on.
33:07I think I should not be needed.
33:09I'd like to get a close,
33:11and I've already told you,
33:13I feel free.
33:15I feel free.
33:28Mr. Graciano!
33:32Gabriela!
33:34I'm sorry.
33:38You know your mother knows where you are,
33:40the sweetest Nicolina?
33:42Why are you laughing?
33:44I'm laughing.
33:46Nicolina is a friend of mine.
33:48You could help yourself?
33:50I'll help you.
33:52I'll help you.
33:54I'm even looking at where you are, the sweetest Nicolina.
33:56You're laughing?
33:58How?
33:59I told you that I know more than others.
34:01You don't want to go.
34:03Why would you do that?
34:04Why would you do that?
34:06Let me tell you,
34:07I'm going to organize a relationship with the same migration.
34:12And I'm going.
34:13I'm going.
34:14I'm going.
34:15I'm going.
34:16I can't get out.
34:17I'm going.
34:18I'm going.
34:23I will.
34:24I can take out my love with him,
34:40y I'm going.
34:45No one can say anything.
34:52What?
34:53I've killed him.
35:09Yes, yes, yes.
35:11Okay, see.
35:13Get your work like I'm there.
35:15Like I'm there.
35:17Don't let me go to the court.
35:19Okay, let's go.
35:21Don't worry about it.
35:23Hey, who are you? What do you want?
35:27When you ask me so beautifully,
35:29I'm Boro Kovačević
35:31and I'm looking for my brother,
35:33Nikolin Kovačević.
35:35Where is she?
35:37If I know where she is,
35:39I'm going to take care of you.
35:41I wanted to be fine.
35:43And on the note.
35:45And we can also take care of you.
35:47What is she doing?
35:49What is she doing?
35:51What is she doing?
35:53What is she doing?
35:55What is she doing?
35:57I'll go again.
35:59I'll take care of you.
36:05People!
36:07Maniac!
36:08Maniac!
36:09Good, I'll see you, Barik.
36:11We will celebrate this time.
36:15Yes.
36:19What do you think, Sao,
36:21that we go from family to work?
36:23There's a lot of things to say.
36:27And the truth.
36:29Have you ever heard about
36:31objectivism?
36:33No, I didn't.
36:35You didn't hear.
36:37You didn't hear,
36:39but you live and work
36:41on that philosophy.
36:43I wouldn't know if I died yesterday,
36:45I wouldn't know.
36:47You see,
36:48the objectivism says
36:49that reading this world
36:51begins on the remains of an atlas
36:53like you and me.
36:55Are you talking about mythology?
36:57About mythology.
36:58I'm just about life.
36:59About life.
37:01About life.
37:02The people around themselves,
37:04all are the same.
37:06All are evil,
37:08humble,
37:09unconfident,
37:11unrighteous,
37:12free.
37:13And they just want
37:14the stairs
37:15on which they will walk.
37:17The place
37:18and the life
37:19that someone will give them.
37:21And our hands
37:22to hold them on their knees.
37:25And our Sienko.
37:27That's why
37:29they feel
37:30unrighteous.
37:31The world
37:34would be destroyed
37:35without atlas
37:36like you and me, Sao.
37:38What do we have in there?
37:40The pain.
37:42The pain.
37:43The pain.
37:44The pain.
37:45The pain.
37:46The pain.
37:47That's what we have.
37:51But that's why
37:52in the mountains.
37:53In the mountains,
37:54of Sao,
37:55we could have a
37:56vultu marshal.
37:57Identity tourism.
37:59That will
38:00help us
38:01from the
38:02the largest
38:03and the largest
38:04atlas.
38:05Now,
38:06we'll see
38:07how the world
38:08looked.
38:09From the
38:10the
38:11of the
38:12communist marshal
38:13Josip Brozen.
38:16I wanted to try it.
38:17What do you want?
38:18What do you want?
38:19What do you want?
38:20What do you want?
38:21What do you want?
38:22My company is ready to
38:26put it in the project
38:27and of course
38:28your object.
38:294,059,080,000.
38:34EUR.
38:35Just the first
38:36war and
38:38the
38:38the
38:39the
38:40the
38:41the
38:42the
38:43the
38:44the
38:45the
38:46the
38:47the
38:48the
38:49the
38:50the
38:51the
38:52the
38:53the
38:54the
38:55the
38:57the
38:58and
38:59two
39:00you
39:01something
39:02nothing
39:08as
39:09indeed
39:14that life
39:23but that she will be here.
39:26Niki was prepared for a long time
39:29with your right job,
39:31and it was good to finish with the normalcy.
39:35What's the other way?
39:38Sorry.
39:53So Nikita is turning around you like a knife around you, right?
40:21What did he say to you?
40:23I didn't. I told you that he was a man with whom he can't speak.
40:28He was a man with whom he can trust.
40:31Likita won't be able to do anything like this.
40:35You look like you were right, Tony.
40:38Okay, Alec.
40:40Okay.
40:41Let's understand.
40:51There's no other way. You know what I mean.
40:58Take it.
41:08He's clean.
41:10He's not seen.
41:16He's clean.
41:18He's not seen.
41:21And I'm paying for the whole life.
41:25I would have to go.
41:27The whole whole whole whole thing is a little slant for the air.
41:29You will be able to go to her or Nikita will try to die again.
41:33You're not staying.
41:38The whole whole whole thing is a little.
41:51I don't know what happened with the Britian.
42:12And what happened with the Britian?
42:154,051,980 EUR in the first war, after signing an agreement.
42:24How did it come to those 80 EUR?
42:26I was asked to explain.
42:30Okay, then you're ready for lincharing.
42:32I'll tell you, let me get hit!
42:35Here, two steps!
42:39What does this mean?
42:40Say it!
42:41I'm here to tell you that I won't be able to join with your friends, Tony.
42:45Nikita, what do you want to say to him?
42:47You'll be able to bring it to him.
42:51I told you that I'm on your side, one!
42:55And I want to fix it, Nikita!
42:57Well, I'm going to give it to me, and you'll be able to take it yourself.
43:01And I'll tell you to bring it to Nikita.
43:04All I have to tell you, I'll tell you to my advocate.
43:08I don't have anything else to say.
43:12I don't have anything else to say.
43:15You think an advocate will help against him, an idiot!
43:24The hotel has security.
43:25There's a video-assurance.
43:27Here we can't fly away from the hotel, but we can't film it.
43:29How can I do that to the Međedo?
43:30What is this?
43:31I mean, a Međedo man, you understand?
43:32I mean, or is Međedo man?
43:33Is that so?
43:34Is that so?
43:35Inspector, if you don't trust me, I'll tell you my wife.
43:37I don't know.
43:38I don't know. I saw him just as he goes towards the hotel.
43:41What? What do you want to do, Inspector?
43:44If he's going to shoot me, he's going to shoot me!
43:47Wait a minute, how did that guy look at him?
43:49He's a good guy!
43:51He's a good guy and a good guy and a good guy!
43:54He's a good guy and a good guy!
43:57What did he do?
43:58Mr. Mitar says he's caught him.
44:01I don't know exactly what he's doing with him.
44:03He's thinking 100%.
44:04What did he do?
44:05He's a good guy and a good guy.
44:09What did he do when he took his wife?
44:11Did he tell his wife?
44:13Who did he tell his wife?
44:14He said they were his wife.
44:16He said he was a good guy.
44:17What did he tell his wife?
44:20What did he tell his wife?
44:22You know, your wife!
44:24What's wrong, Grey?
44:26I've tried it.
44:28Inspector...
44:30... ...
44:35I'll say you, someone hit me and fell.
44:40I can only go there, and there are people who can't even terrorize and torture them.
44:59Mitre, I'm sure that you should take the fight for evil.
45:02What is it that I don't take care of it?
45:04That's what I don't take care of it.
45:06That's why we have to take care of it.
45:08Boro is Savo, my friend. Savo is yours.
45:10All the things are between my friends.
45:13Ah, that's it.
45:15Yes, that's it.
45:17But Savo is your friend.
45:20I'm going to die.
45:22I'm going to die.
45:24I'm going to die.
45:26My friend is my friend.
45:28And my friend...
45:30Inspektore Peroli.
45:32Falji Minderito.
45:33Slobodno ovo sve zaboravim.
45:35Kada ništa je bilo je?
45:36Kako ti misliš to je da zaboravim?
45:38Misliš ti to je s policijom tek tako?
45:40Petrite, ovo je stvar među prijateljima.
45:43Zar nije tako?
45:44Ako ti kažeš Savo?
45:46E, taman sad.
45:48Vino ovim povodom.
45:50Da popijemo jedno piće, svi sajedno ovako, da se dogodim.
45:52Savo, pa čekaj, obeć ja sam ti sa ženom da te upoznam.
45:55Kasnije ćemo.
45:56Petrite, dođi da te upoznam sa Milom.
46:00A što, Milani je nazvala, a?
46:05Ne vrinim. Znao na što radi.
46:10Vidi. Savo mi sad uguje.
46:14A to je nešto.
46:15A to je nešto.
46:19Alek, ja moram.
46:22Što?
46:23Ne mogu da ne razmišljam o tome.
46:25Molim te mi, reci.
46:27Što ćeš da učiniš?
46:29Senke, ne možeš mi pomoć u ovome.
46:31Ali moram da znam.
46:33Razumij me.
46:35Kako misliš da se navlazim sa tobom, pa da ne misli na to što ćeš i kako ćeš?
46:41Ja samo o tebe tražim da ne brinaš.
46:44Ali ja to ne mogu.
46:45Ta stvar mi ne da mir.
46:49Molim te, reci.
46:51Znam da ti te policacine mi si dobro.
46:54Što ćeš da učiniš?
46:57Ništa.
46:59Ništa.
47:00Fino.
47:01Neću radit ništa.
47:03Puštit ću njemu da uradi i sve.
47:09Ovaj čovjek, Mila.
47:11Petrit.
47:13On mi je spasio život onog dana na Ali Bojani.
47:17Razmišlao sam.
47:18Da li da te hapsim ili da te vodim na šivanje.
47:22I prevario se.
47:23Odeo me u bornicu.
47:25Zašto misliš da sam se prevario?
47:26Da si me odveo u zatvor.
47:29Možda bi danas bio nešto više od inspektora.
47:32Možda, ali ne bi imao prijatelja zbog koga me prozivaju kolege.
47:38Imam li ja jednog Mirke u Budvi.
47:41Tvoj kolega isti je kot ti.
47:43Treba da vas pojim pa da se ispačete ja drugom na ramen.
47:49Danas treba da proslovim.
47:51Sedim sa dvoje ljudi.
47:52Oboje su mi spasili život.
47:53I zari ti, Mila, uvodila si ga na šivanje.
47:57Tako, nekako.
47:58Petrite, to niko sam krpljen da imam više šavova nego živog mesa.
48:04Vidi.
48:06Obeća sam da se neću vraća starom postu.
48:08I starim navikama i to obićanje namjeravam da ispunim.
48:11Tako misliš?
48:12Njemu ćeš da propustiš da radi svoga.
48:15Tako.
48:17Neka on rade po svom postu i po svojim navikama.
48:20Ne razumijem.
48:24Vidi.
48:25Prošli put sam proba sve.
48:27Proba sam prijetnjima, tučima, bjekstvom.
48:30I što mi je to vređalo?
48:32Ništa.
48:34Moj put neću tako pogrešiti.
48:37Dakle, što ćeš da učinješ?
48:39Kako?
48:41Nikita pokušava da me isprovocira.
48:43Pokušava to i preko tvoje sestre.
48:46A ja ću mu vratit isto.
48:50Kako?
48:52Bačio sam udicu.
48:54Sad samo treba da čekam.
48:57Da mi priđe kad i kako hoće.
49:00Da ti priđe?
49:02Što ti to čekaš da te napadne, da puca u tebe?
49:03Ako to oće, mora će i da proba.
49:12A ti, reci mi što ti namiravaš da učinješ.
49:15Ništa si tim vrima.
49:17Nikita je policajac, neće se tako tako zalijetat na meni.
49:21A ako vidi da ne radi ništa, možda je odustane.
49:24Misliš da je to moguće?
49:26Što da ne?
49:28Ako vidi da ga ne ugrožava, možda me zaboravi.
49:31Pušti me na mir.
49:35Samo to želi, Malek, da te pušte na mir.
49:39Da na sobo je pušte na mir.
49:41Dobar dan, gospodine.
49:43Dobar lijev dan.
49:45More mirno.
49:47Vjetar vaj.
49:49Lijev dan, danice.
49:51Lijev dan.
49:53Dobar dan, gospodine.
49:55Dobar lijev dan.
49:58More mirno.
50:00Vjetar vaj.
50:02Lijev dan, danice.
50:04Lijev.
50:11Dobar dan, Lucija moja.
50:15Sve to u grad.
50:18Pogodi koga?
50:20Džuku.
50:22Bravo ti ga, Džuku.
50:25Pita za tebe.
50:27I što si mu rekao?
50:29Rekao sam mu da si dobro da ga pozdravljaš njega i svo društvo i to ti.
50:37A koliko voća donosiš mogo bi da napuniš jednu manju piljaru.
50:41A neka voća od viska glava ne buli.
50:46A bi li ti sve uradio za svoju Luce, a Joko?
50:51Što to tako pitaš, Lucija moja?
50:54Sve.
50:56Čak i kad griješi.
50:58Što ti griješiš?
51:00Oko čega ti možeš griješiti?
51:02Pa nisam bila upravu.
51:05Moj se svijet sveo na ovu sobu.
51:09Nije nam ko što nam je bilo.
51:12Niti nam tako može biti.
51:16Moja Lucija.
51:18Ja se jedva načela da mi dam bude lijep, more, mirno.
51:26Jetar, blaga, meka, meka, dobro.
51:29Pa ne moramo ništa više kriti.
51:33Ni moje zdravlje, ni bilo što drugo.
51:36Ne moram.
51:39A boleste na kraju na Čera na istinu.
51:44Teško mi je Joko.
51:47Opraštamo se, a meni izgleda ko da smo se tek sreli.
51:59Moje večin.
52:02Pa ne moramo.
52:04Pa ne moramo.
52:06Pa ne moramo.
52:08Pa ne moramo.
52:09I don't know.
52:39I don't know.
53:09I don't know.
53:39I see you both, you know what you're doing.
53:43What does that mean?
53:45Bronimir told me that you knew he would be able to shoot a gorilla with a photo-apparator.
53:51And?
53:52You were able to get it.
53:53I was not.
53:55I was able to see the photos.
53:58And?
53:58I don't know.
53:59I don't know.
54:00I don't know.
54:02I don't know.
54:03I don't know.
54:04I don't know.
54:05I don't know.
54:06I don't know.
54:07I don't know.
54:08I don't know.
54:09I don't know.
54:10I don't know.
54:11I don't know.
54:12I don't know.
54:13I don't know.
54:14I don't know.
54:15I don't know.
54:16I don't know.
54:17I don't know.
54:18I don't know.
54:19I don't know.
54:20I don't know.
54:21I don't know.
54:23To liči na njega.
54:24Da muči i mene i sebe.
54:30Kako sam to uvukla u igru kako bi te natjerala na bjeg.
54:33Taman tako.
54:36Da, ja želim poobjeći.
54:44Dođi.
54:46Pokazat ću ti nešto.
54:51Taman tako.
55:14Izvinite, gospodin Đurašković mi je potreban.
55:19Hvala.
55:21Hvala.
55:25Gospodine Đurašković.
55:28Hvala bih sa vama da pričamo mili kovač.
55:32Izvinite, izvinite, izvinite.
55:33Izvinite, izvinite.
55:34U moju kancelariu.
55:36Ej, hvala.
55:41Znamo da će samo prije ili kasnije dozvati planeti.
55:51Znam ti je dao šifru.
55:52Zna da ne mogu ništa s tim novcem.
55:53Mogu sebi da kupim sve, ali ne i sloboda.
55:54Zašto ne?
55:55Zašto ne?
55:56To ima više nego dovoljno da kupiš kartu, jednom pravicu i sve ostale.
56:10To ima više nego dovoljno da kupiš kartu, jednom pravicu i sve ostale.
56:15Zvišao.
56:17Ovdje čeka.
56:19Napunen i ispod hrpenovca.
56:22V rane mire je opasan čovjeka.
56:26Rozumieš?
56:28Ja o ne mogu samo.
56:30Našao bi mi priješao.
56:32Našao bi mi priješao.
56:34Našao bi mi priješao.
56:36V rane mire je opasan čovjek.
56:39Rozumiješ?
56:41I ove ne mogu samo.
56:44Našao bi me priješao kasnije.
56:47Treba mi neko pored mene.
56:50Neko s kim ću sve to podijerati.
56:56Uvijek podelimo sve.
56:59Jedno drugo.
57:00Za uvijek.