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00:00Come on, let's have it on. Get it on. Get it in here, that's it. Right, come on, careful. Careful, big. It's alright. It's heavy. Come on there. Mind your earnier, Grandad.
00:13It's alright. Come on, that's it. Put your hand down there, Grandad. That's right. Now your hand, Rodney. Oi, Gordon Bennett, Rodney, what is your game? This could be a deluxe Chippendale, and you're treating it like something we're dragging out for the bonfire.
00:27That's the best place for it. You don't know, this could be a Queen Anne cabinet, isn't it? I'll give over, Del. Don't look very old to me.
00:37No, that is because when you were a lad, this was probably G-Plan. But to anyone born after the Napoleonic Wars, this is antique. Anyway, I'm going to put an ad in a paper in the morning. Don't know what to charge for it, though. What do you reckon, what, 95?
00:53Why don't you go the old log and make it a pound?
00:57You're starting to annoy me.
01:00Hey, it's got woodworm.
01:03Hey, that has not got woodworm.
01:05What's all them little holes, then?
01:07Well, I don't know. Maybe Queen Anne played dance.
01:10Where's these lips?
01:12I'll tell you what. I'll tell you what, I'm considering letting the British Museum take a look at it.
01:17Yeah? I'd let Rant-A-Kill have a go first.
01:20You don't know nothing about antiques, you do you?
01:23Well, I mean, you know, dealers, they often put holes in little items like these to give it that sort of distressed look.
01:29Distressed?
01:30Yeah.
01:30Del, this thing looks panic-stricken.
01:34Where are these rotten lips?
01:36Oh, if those kids have jammed them again, I'm going to clump their ear off.
01:44Oh, I don't believe it. I don't believe it.
01:47Oh, now, come on, Del. It was a complete accident. Look, it just come off in his head.
01:51If you lie, it'll get you a bit tired.
01:55Oh, now, come along, Grandpa, but tell the truth for once.
01:58I just don't believe this.
01:59This thing has survived the Spanish Armada, the Black Death and the Blitz,
02:04and then you two cack-handed sods come along.
02:07And in five minutes, you've destroyed a piece of our national heritage.
02:10Oh, I don't know.
02:12Morning, Mr Trotter.
02:13Morning, Mrs Murphy.
02:14Morning, Mrs Murphy.
02:15Look, you could...
02:17That was the lift, wasn't it?
02:18That was the lift!
02:19Now, what am I going to do about that thing, eh?
02:25I mean, you can't bodge about with this sort of quality.
02:29I mean, you've got to take the skills of a fully trained furniture restorer.
02:32Oh, they ain't half dear, Del boy.
02:34Are they?
02:35Here, Rodney.
02:37Whip down to the DIY shop and get a bag of nails, will you?
02:43Here, here.
02:45Queen Anne Cabinet.
02:47Genuine antique.
02:48Good as new.
02:50Lovely condition throughout.
02:53A snip at 145 pounds.
02:58You could make the Elgin marble sound like a second-hand Datsun, couldn't you?
03:02Wait, how much of this stuff did you sell today?
03:05What, do you mean in pounds, sterling, or number of items?
03:07Either.
03:08None.
03:08None?
03:08People ain't interested, Del.
03:11Gordon Bennett, Rodney.
03:13I'll pick you a prime sight in the Arndale Centre and you can't even get shot of a pair
03:16of pop socks.
03:18You want to grow up a bit, my son.
03:19I suppose you spent all day playing marbles with that mate Elgin of yours.
03:23What?
03:25What are you doing tomorrow, Rodney?
03:27You and Mickey Pierce playing five stones.
03:30You ought to pull your socks up.
03:32You do, you know.
03:33Del, these things look like living bras that ain't been well.
03:37All right, all right, hang about.
03:40Don't knock the battery out.
03:42Don't.
03:45Good evening.
03:49Miranda Davenport.
03:52Eh?
03:54Miranda Davenport.
03:55Ah.
03:56Yeah, I think I know what this is all about.
03:58Now, if it was your Mercedes that I backed into the other day, I can assure you...
04:01No, no, no.
04:02You obviously haven't the faintest idea why I'm here.
04:05I telephoned earlier.
04:07About your newspaper ad for the Queen Anne Cabinet.
04:09Oh, gotcha.
04:10Well, I left a message with an elderly gentleman.
04:12He did sound somewhat vague.
04:14Oh, yes, yes.
04:15Well, he is rather vague.
04:17He had a bang on the edge, you see.
04:18Right, you got it.
04:19What will happen?
04:20Soon.
04:22Do come in, Miss Davenport.
04:24There you go.
04:25Oh, may I call you Miranda?
04:27Well, yes, I suppose so.
04:29Do you know that Miranda is my most favourite name?
04:31Really?
04:32Yeah.
04:32My name is Del.
04:33It's short for Derek.
04:35And you do.
04:35Well, please, go into the sitting room with you.
04:37There you go.
04:39Oi, Grandad.
04:40No, no, no, no.
04:48Grandad, did somebody call earlier about the cabinet?
04:50Oh, yes.
04:51She's coming round this evening.
04:53Some posh tart.
04:55Some posh tart.
04:57He's a card, isn't he?
04:59Yes.
04:59Isn't he just?
05:00Yes.
05:01Rodney, come on.
05:02Clear this.
05:02Come on.
05:03Put your own work away, will you, Rodney?
05:05Come on.
05:09Right.
05:12Here.
05:12Well, what do you think?
05:13Well, what do you think?
05:16Very nice.
05:18Where is the Queen Anne cabinet?
05:21Now, this is it.
05:23This is the Queen Anne cabinet?
05:24Oh, yeah.
05:25This is definitely Queen Anne.
05:27It's been given the once-over by experts.
05:30Do you know anything about antiques, Miranda?
05:33Yes, I run my own antique shop in Chelsea.
05:38Well, it might not be Queen Anne.
05:42It isn't.
05:43It's Queen Elizabeth.
05:44So, can you look inside, you'll see beneath the dust and cobwebs, some faded lettering.
05:55F-Y.
05:57F-F.
05:58Yes, Rodney.
05:59E-S.
06:00F-E-S.
06:01F-Y.
06:03F-F's.
06:04Didn't they used to make bananas?
06:08That is correct.
06:09So, so what does that indicate, then?
06:12It indicates banana boxes, of course.
06:14Maybe those antique banana boxes.
06:18It's all right.
06:18All right.
06:18Thank you very much, Grandad.
06:19Why don't you go to your bedroom and watch the Chinese detective on the portable?
06:22Go on.
06:23All right.
06:23I know where I'm not wanted.
06:25Well, go on, then.
06:28He never, never quite got over Suey's.
06:31Well, are you interested in it, Miranda?
06:35No, I'm afraid not, Mr. Trotter.
06:37Oh.
06:38Well, what do you think we should do with it, then?
06:41Oh, I'm not sure.
06:42Is there a tip near here?
06:43No, there must be a Wally somewhere.
06:47Want to buy it?
06:47Yeah.
06:48Let's face it, Del, you bawled it last week.
06:52I say, that's rather pretty, isn't it?
06:54That?
06:55Cool.
06:55You must be joking.
06:57Gives me itchy fever every time I look at it.
06:59No, I think it's rather sweet.
07:01Is it for sale?
07:02Oh, sorry.
07:02No, definitely not.
07:04No, that, you see, is a family heirloom.
07:06It belonged to my late departed grandmother.
07:08Well, we couldn't possibly sell it.
07:09It could be Rodney.
07:10Eh?
07:11No.
07:11No.
07:12No one, no.
07:13Is it valuable, then?
07:14Oh, no, no.
07:15It's worthless.
07:16I just rather like it, that's all.
07:18You see, I'm redecorating my London flat, and I'm just on the lookout for little pieces
07:23like that.
07:24Still, never mind.
07:26Um, do you know I'm really rather in two minds about this cabinet now?
07:32Well, you think this might have some potential, do you, Miranda?
07:34Well, I'm not really sure.
07:36But, you see, what's persuading me is that you're obviously a man with an eye for this
07:40sort of thing.
07:41Oh, yes.
07:42Petit suisse.
07:44Right.
07:45Whereas I'm just a woman.
07:47She's a woman trying to make her way in the big, wide world.
07:50Oh, yes.
07:51It's dog-eat-dog in the antique game, Miranda.
07:53I know.
07:55Derek.
07:55Hmm?
07:56You almost probably say no, but I was wondering whether you and I could go into this together.
08:03How do you mean, Miranda?
08:05Well, I was thinking.
08:06We could take this to the workroom at the back of my shop.
08:09I have a very good man working there who could possibly restore this to its former glory.
08:15We'll repolish the top, varnish out the lettering, some new brass handles, and then we could put
08:20it in the shop and share the profit.
08:23What do you think?
08:25I think that sounds just the ticket, Miranda.
08:27Mind you, I'd have to have a word with my partner.
08:29Oh, mate.
08:32Yes, for you.
08:34Will you excuse us while we confer?
08:39Rodney, would you join me?
08:41I'd like to have a word with you in the office.
08:42To confer.
08:44Yes.
08:45Excuse.
08:46There you go.
08:51We'll be back in a couple of shakes.
08:53All right.
08:55Well, if you want my opinion, though, I don't think we should let that cabinet out of our
08:59sight.
09:00That cabinet is definitely going to her shop to be tarted up and sold for a ridiculously
09:04high profit.
09:05End of discussion.
09:07Good.
09:08Good.
09:08Well, there's nothing like talking things out, is there?
09:12If you wasn't interested in my opinion, what'd you drag me in here for?
09:15Because I wanted your advice, Rodney.
09:19I think she fancies me.
09:22Miranda?
09:23Yeah.
09:23Leave it out, Bill.
09:24She's an intelligent woman.
09:28I know she's an intelligent woman.
09:30That is most probably why she fancies me.
09:32True.
09:33True.
09:33Yeah.
09:34Well, I did notice the way she looked at you.
09:37Yeah?
09:38How?
09:39What?
09:40How did she look at me?
09:44Well.
09:45Sort of, um...
09:48What's that?
09:53It's like she had a hot chip in her mouth.
09:56Yeah, I can't do a face like hers.
09:59No, no, I suppose not.
10:00No, I suppose not.
10:01How am I going to tell her that, you know, the feeling is mutual?
10:05Well, you just tell her.
10:06Well, I don't know.
10:07Ow.
10:08I don't know, do I?
10:09You do.
10:10You're the one with the GCEs.
10:12Just be yourself.
10:14Oh, leave it out, Rodney.
10:15I want to be in with at least half a chance.
10:18Bill, for once in your life, be you, right?
10:21And you won't need none of them soppy French phrases, neither.
10:24What do you mean, soppy French phrases?
10:25La bonne vie, you stupid...
10:27See what I mean?
10:28Bill, you can't speak French.
10:31You're still struggling with English.
10:33What is it with you, Rodney?
10:35Do you like hospital food or something?
10:37Just being honest with you.
10:39Let's face it, Bill.
10:40Most of your French phrases come straight out of a Citroen manual, don't they?
10:44Well, a lot of people are impressed by things like that.
10:47Yeah, maybe the caveman down at the Nags Head, but it's not going to cut any ice with Arthur
10:52Negus' youngest in there, is it?
10:55That's your right.
10:59Bill, if you're really that interested, why don't you just give her a sign of your mutual
11:04attraction?
11:05Yeah.
11:06A sign, eh?
11:07Yeah.
11:07And be yourself.
11:09Yeah.
11:10Yeah.
11:10Yeah, okay, yeah.
11:11That's it.
11:12Who you there's wins.
11:13Well, that is it, Miranda.
11:18I have discussed the matter with my partner, and we both agree that we shall accede to
11:23your delusions.
11:26What?
11:27You take that thing with you and get it tighted up.
11:29Oh, good.
11:30Well, I'll telephone you in the morning and arrange for it to be collected.
11:33Yes, thank you.
11:37Okay.
11:37Okay.
11:37Do you fancy a curry?
11:49Why not?
11:50My old gut and I have played me up this morning, haven't it?
12:11Yeah, I know.
12:12Okay.
12:15Got a touch of the old Gandhi's revenge, brother.
12:18What, from the ruby last night?
12:21Yeah.
12:22Did Miranda enjoy it?
12:24Yeah.
12:25She had a bit of aggro with the chicken tikka.
12:27Mind you, it was a bit rubbery.
12:29She was chewing on one bit for about half an hour.
12:31Thought she'd end up blowing bubbles with it anyway.
12:36She's quite a sort, though, isn't she, Robbie Young?
12:39Yeah, she's all right.
12:40What do you mean, all right?
12:41All right.
12:42You wouldn't say no, would you?
12:44Eh?
12:44Yeah.
12:44Oh, she's quite taken with me and all, you know?
12:48No, she is.
12:49She's very impressed.
12:52Oh, she knows I know a lot about Antiques, doesn't she, eh?
12:54Oh, yeah.
12:55Yeah.
12:56Well, you've been out with enough, haven't you?
12:58Boy, that is enough of that.
13:01Anyway, listen.
13:02I went up her shop this morning, up Chelsea.
13:04Real pucker establishment, Rodney.
13:07I mean, you know, real pucker.
13:09Sort of place royals go.
13:10I think something really good's going to come out of this, bro.
13:15Do us a favour, Del.
13:17Look, don't get too carried away with this Miranda sort, eh?
13:21I mean, her type doesn't give her monkeys for the likes of you.
13:26What do you mean by that?
13:27I mean, I've seen it all before.
13:31You meet someone you take a fancy to, and within a week it's all wine and roses, and I'm just popping down to Bravington's, Rodney.
13:39What do you think I am?
13:40Some sort of whelk or something, still wet behind the ears.
13:43I know exactly what I'm doing.
13:46Oh, nice one, Derek.
13:51Nice one, my son.
13:53I must admit, there is a certain chemistry between me and Miranda.
14:00Just going to pop next door and get a Dorton's weekly, all right?
14:03All right.
14:33Fancy an Indian?
15:03Right, you fit then, Rodders?
15:08Eh? Yeah, yeah, fit.
15:11You've got a nasty rash coming up on your boat race.
15:15Oh, yeah, yeah, that's just what I call the sun, you know.
15:20If I didn't know any better, I'd swear that someone had smacked you right in the eye.
15:24Yeah, but don't go on, Danny.
15:26Look at me. You're a touchy little git sometimes, you.
15:32Yes, here we are. That's it.
15:35Do come in. Here we are.
15:37I'll get the door. That's right.
15:40Oh, allow me. Thank you.
15:43There you are, Miranda.
15:46Uh, seat yourself down on the chaise-lange.
15:49And I'll, uh, fix us a drink.
15:52Now, uh...
15:55What can I get you?
15:59Port and lemon or rum and coke or shall I surprise you?
16:02Why don't you surprise me?
16:04Right you are.
16:06Here we go.
16:08It was a blinding meal, wasn't it, Miranda, eh?
16:12Yes, it was very nice.
16:14I did feel a bit overdressed for a bernie-inn, though.
16:18No, I don't think so.
16:20I think we made quite an impression.
16:22I mean, everybody was looking at us.
16:23Yes.
16:31Take a sip of that, man.
16:33Uh, what is it?
16:35That is called a tequila sunset.
16:38Cheers.
16:42It tastes of gin.
16:44Yeah, I'll run out of tequila.
16:46Well, it's very nice.
16:48Mm. Yeah, isn't it?
16:50Um, I actually got the recipe off a Mexican barman.
16:54Have you been to Mexico?
16:56No, no, he lives in a flat upstairs.
16:58Mm.
16:59Mm.
17:00Mm.
17:01Mm.
17:02Miranda?
17:03Mm?
17:04I, er...
17:05Well, I've been, er, thinking about us,
17:08and I...
17:10Oh, yes.
17:11Sorry about that.
17:12It's, er...
17:13Belongs to Rodney.
17:15He's into still life.
17:17Yeah.
17:18He's got his GCE in art, you know.
17:19Really?
17:20Oh, yeah.
17:21He'll most probably be famous when he's dead.
17:23Yeah.
17:24As I was saying,
17:25I've been, er, thinking about you and me,
17:27Do you like art?
17:29Oh, yeah, it's terrific.
17:30I can't get enough of it.
17:31You see, the thing is, I was thinking...
17:33This is very strong.
17:34Mm?
17:35Yeah.
17:36Do you like Cezanne?
17:37Oh, yeah, a bit of ice and lemonade.
17:38It's lovely.
17:42You see, you and I have got...
17:44Well, you know, we've got a lot in common, haven't we?
17:46I mean, you know, we're both, well, English.
17:50I do love that painting.
17:52Mm, yeah, it's terrific, innit?
17:53Your grandmother must have had very good taste.
17:56No, she couldn't have had much.
17:58She married my grandfather.
17:59Do you like that painting, dear?
18:01What the heck?
18:02No, I hate it.
18:03Can't wait to get rid of it.
18:05Well, don't ever throw it away, please.
18:07It would look so nice in my flat.
18:09I'd hang it just above my bed.
18:11Well, just try to picture it.
18:13Oh, you can't, I've just remembered.
18:16You haven't seen my bedroom.
18:18Yet.
18:19No, I haven't seen your bedroom.
18:20Yet.
18:21You were saying?
18:22What?
18:23You were talking about us.
18:24Oh, yes.
18:25Yeah, yeah.
18:26Well, I was going to say, what I was thinking about was that I thought that, you know, maybe
18:40later would, or sort of, you know, not now, if you like, in the future at some time, and
18:45you sort of felt like if you did, that we could sort of work closer together.
18:53Well, I've been thinking exactly the same thing.
18:57Have you?
18:59Ever since I first met you.
19:03Oh, my ring, though.
19:06Drink up, I'll get you another tequila sunset.
19:09No, really, I've had quite enough.
19:12Yeah, all right.
19:20Shall I put my Richard Claydom and LP on?
19:24I must be going.
19:26I have to be up early in the morning.
19:28Mummy and Daddy will probably ring first thing to wish me happy returns.
19:32You know what parents are like.
19:34No, I haven't had any for ages.
19:37Sorry, did you say it was your birthday?
19:39Yes.
19:40Surely I told you.
19:42Oh, yes.
19:43Oh, you haven't bought me a present.
19:46What?
19:47Oh, you really shouldn't have.
19:49Well.
19:50It's very sweet of you, though.
19:59I really need you.
20:00Sorry, Gran.
20:01I'm sorry, Gran.
20:02I'm sorry, Gran.
20:03I'm sorry, Gran.
20:07I'm sorry, Gran.
20:08I'm sorry, Gran.
20:11I'm sorry, Gran.
20:20Good morning, Rodders.
20:22Good morning, Grandfather.
20:23Gosh, a beautiful day out, isn't it, eh?
20:25Makes you glad to be alive, doesn't it?
20:27Yes, terrific.
20:28Who are you off to, then, Dale?
20:30I'm just going up to Miranda's shop.
20:33Just to see the cabinet.
20:35What time's visiting us, then, Dale?
20:38There's nothing wrong with that cabinet, Rodney.
20:40I keep on telling you.
20:41It's a very nice cabinet.
20:43Yes, it is.
20:44What do you mean?
20:45A million woodworms can't be wrong, can they?
20:47I've told you before, Rodney, there are no woodworms in that cabinet.
20:52Whose birthday is it, then, Dale?
20:54Mine, if I'm playing my cards right.
20:56Happy birthday, sweetheart, from your ever-loving Deli Welly.
21:06Deli Welly, more likely.
21:08All right, all right.
21:09Put that down and let's not have so much of it, shall we?
21:13Well, it's Miranda's birthday, Rodney, and we forgot.
21:16Oh, no, what a choker.
21:19Still, never mind.
21:21What did you get her for her birthday, Del?
21:23Hey, well, nothing much.
21:25What's happened to your gran's painting?
21:28Ah, well, I told you the sun would fade it, didn't I?
21:33Sub my arse.
21:37That's hard, ain't she?
21:39Well, she's not going to raffle it, is she?
21:41She's only hanging it on her bedroom wall.
21:43Your gran brought that painting into this house, Del.
21:45There was an history behind it, and you knew it.
21:48You stole your own grandmother's painting.
21:50I didn't steal the painting.
21:52Gran left that painting to me.
21:54Don't give me that old mother, Hubbard.
21:56She did.
21:58One night when she wasn't feeling too well, she said to me, she said,
22:00Del, when I go, that painting is yours.
22:02I don't remember it.
22:03No, well, you were out.
22:05Well, that's handy, isn't it? No witnesses.
22:06There were witnesses.
22:07There was Mum and Rodney.
22:09Mum ain't here anymore.
22:11I know that.
22:12But Rodney is.
22:13You remember, don't you, Rodney?
22:14Well, I can't say I don't, then.
22:15But you must remember.
22:16You were there, over there in the corner with Mum,
22:19having your nappy change.
22:21And there's nappy change.
22:23It could only have been about four.
22:25Exactly. How do you do it?
22:27Four?
22:28I never thought I'd live to see the day when you, you of all people, let the family down.
22:35I'm going to my room.
22:36Yeah, come here, Dad, Grandad.
22:38Come on.
22:40There you are, look.
22:41Have a ten, all right?
22:42Come on.
22:43Come.
22:44She's got you tied up like a turkey, ain't she?
22:55You've changed since you met her, Adele.
22:57You've got more rooter than Pinocchio.
23:01Just stay out of my life, will you?
23:02Yeah, I'll stay out of your life.
23:04In fact, I think I can quite safely say that me and Grandad won't ever get under your feet again.
23:10Just hope Miranda suffers with a fever.
23:14Rodney.
23:16What?
23:17Don't be a plonker.
23:24Did he leave that tenner?
23:27?
23:29?
23:50?
23:52?
23:54?
23:55Hello, Harry.
24:04It's Miranda about.
24:05No, she's popped out to Ardleston still.
24:06It's just down the road there on your left.
24:08Oh, well, I'll pop down and see her.
24:09Yeah, how come you ain't open?
24:11We had to close, mate.
24:13We're being fumigated.
24:14The place is full of woodwork.
24:16You wouldn't watch that, eh?
24:17Especially with your wooden leg.
24:252,200, 2,500, 2,007, 3,000.
24:37At the bid is with Gideon's galleries.
24:403,002, 3,004, 3,005.
24:50The bid is with Gideon's.
24:523,006, 3,005.
24:593,008 with Miss Davenport.
25:053,800 pounds to Miss Davenport.
25:18Derek.
25:19Yeah.
25:20What are you doing here?
25:21Well, I just thought I'd pop up and take you out for lunch.
25:24You know, sort of a birthday treat.
25:26Birthday?
25:26Yeah.
25:27Oh, yes.
25:28How sweet.
25:29It is for you.
25:31They're daffodils.
25:33They really are.
25:35Yeah, used to be my mum's favourite.
25:38Oh, really?
25:40Well, thank you.
25:41Look, I'm rather busy at the moment.
25:44Why don't you wait for me at that little wine bar around the corner?
25:47Yeah, you're all right.
25:49Will you belong?
25:49How should I know?
25:52Look, take these with you as well, please.
25:54Yeah.
25:56Yeah, I'll do it.
25:57Now, lot 24 is this recently discovered work by the late 19th century artist Joshua Blythe.
26:05Now, it's a particularly fine example of his work.
26:07You lied to me, didn't you?
26:19Well, nobody's perfect.
26:21It's not your birthday at all, is it?
26:24Well, it will be soon.
26:25All you wanted me for was that painting, wasn't it?
26:30What else do you think I was interested in?
26:32That banana box of a Queen Anne cabinet?
26:35Damn things infested my entire stock.
26:37No, I thought...
26:40You know, maybe there was something else.
26:4214, 14, 5, 15...
26:45Oh, you.
26:4615, 5, 15, 16...
26:48Did you honestly think I enjoyed being in the company of a man who slapped my bottom?
26:5215, 5...
26:52Called me sweetheart?
26:53And assaulted my digestive system with third-rate curries?
26:57Do I have 75? Do I have 75?
26:59Yeah.
27:01You must be a fool.
27:05Miranda, you should have told me that you wanted to sell that painting.
27:08Don't be ridiculous. I'm in business.
27:10I realised how valuable it was the moment I saw it. Why should I tell you?
27:13No, Miranda, you don't understand.
27:15I think you're the one who's confused, Eric.
27:17And let's get one thing absolutely clear.
27:20That painting is now mine.
27:22It's been legally registered in my name.
27:24Mummy and Daddy have even signed an affidavit.
27:27To swear that the painting has been in our family for generations.
27:3117.5.
27:34Thank God for that.
27:36I've been trying to get shot at that painting for years.
27:38What do you mean?
27:40I know exactly what that painting is and I know exactly how much it's worth.
27:44Rubbish. How could someone like you possibly know that?
27:47I'll tell you how I know, shall I?
27:49Because my old gran used to be a charlady to an art dealer.
27:52That's how I know.
27:54Oh, I see.
27:54And this Mrs Mopp examined it, did she?
27:57No, she didn't examine it.
27:59She nicked it.
28:02£17,600.
28:06Good luck, sweetheart.
28:07How much?
28:20No problem.
28:20You place the world we have?
28:22What do you think?
28:22Fuck?
28:23I don't know.
28:24I hug you today.
28:24I don't know.
28:25But that's what's happening to me.
28:25You say you, sir.
28:26You open it.
28:27I don't know.
28:28You look like you.
28:28You're pregnant.
28:29You're pregnant.
28:29Hotel Jam.
28:30You get l'》
28:32You see ...
28:33You're pregnant.
28:33I'm pregnant.
28:34You're out.
28:35I'm pregnant.