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00:01Previously on Desperate Housewives, Tom moved out of the house.
00:05Tom and I are separating now.
00:07After covering up a murder, Gabby warned Bree it was a bad time to be dating a cop.
00:13Get rid of Chuck. Bree, you've got to end this and you've got to end it now.
00:17Bree showed the mysterious letter to Paul, who'd seen one like it before.
00:21I mentioned the letter to the police.
00:23The main detective was a tall guy with a short name like, uh, Pants.
00:26Was it Vance? Chuck Vance?
00:28That's it.
00:28Carlos struggled with remorse.
00:30They just want us to get back to normal.
00:32We're never going back to normal!
00:34And discovered he wasn't the only one feeling guilty.
00:37It is nice to be able to talk about this.
00:39Do you want to get some coffee?
00:46Susan Delfino and Carlos Solis had never been the best of friends.
00:52Susan thought Carlos paid too much attention to other people's opinions.
00:56And Carlos thought Susan didn't pay attention at all.
01:03Over the years, they'd never had much to say to one another.
01:07But one night, Susan found herself troubled by thoughts she couldn't share with her spouse.
01:15While two doors down, Carlos was in the same predicament.
01:19And that's how it came to pass, that two people who'd never had much to say to one another, suddenly found they had a great deal to talk about.
01:34So I leave the office, walk into the parking garage, and there he is.
01:42Alejandro.
01:43Right in front of me.
01:44I practically jump out of my skin.
01:47Then I turn around again.
01:48It's just some guy getting into his car.
01:52This is not me.
01:53I can't sleep.
01:55I'm seeing ghosts.
01:56I feel like I'm walking around with a neon sign on my forehead flashing, guilty, guilty.
02:02And everybody can see it.
02:05Sometimes I think I'm losing it.
02:07Me too.
02:07I was getting ready to detect the guy.
02:10Can you imagine?
02:11Can I imagine?
02:13I assaulted a cop, remember?
02:15Oh, yeah.
02:17What happened with that?
02:19Fifteen hours of community service.
02:21Oh, shit.
02:21And I can't tell Mike.
02:23There's one more thing I'm lying to him about.
02:26Well, I can talk to Gabby, but she's sick of listening.
02:29That's what makes us feel so...
02:31I know.
02:40Can I tell you something?
02:42When I went out walking tonight, I was kind of hoping I'd run into you.
02:52I was kind of hoping that, too.
02:59You're kidding.
02:59You've never read To Kill a Mockingbird?
03:02In my school, if you read a book, it was more like To Kill a Sophomore.
03:06Well, you would love it.
03:09It's about a guy who tries to hang on to his sense of right and wrong when the system fails him.
03:16Gee, I don't get that at all.
03:20Oh, your jacket.
03:23Yes, Susan and Carlos were starting to pay attention to one another.
03:31Good night.
03:33But what they didn't realize was that someone else was paying attention, too.
03:39Wisteria Lane may look flawless, but that's only because its residents are so good at concealing imperfections.
04:00They know how to make something old look new again.
04:07How to make an embarrassing mistake disappear.
04:10How to make a poor showing look like a modest victory.
04:16And how to make a friend feel better after she's gone through a messy breakup.
04:22Gabby, how thoughtful.
04:24It's from that new place, Skinny Berry.
04:25Tastes like a milkshake, but only 18 calories.
04:27And I figured you could use a little pick-me-up after you dump Chuck.
04:34Yeah, well, about that.
04:38Morning, women.
04:40Morning.
04:42Oh, is that from Skinny Berry?
04:44You know the fraud unit's all over that place, right?
04:46Apparently those things are like pure ice cream.
04:48Huh.
04:48Guess you can't trust anybody.
04:53Have a good day.
04:53All right, I know what you're going to say.
04:59Three words.
04:59First word, you're.
05:00Third word, crazy.
05:01Middle word, what you keep doing to that guy!
05:03You don't understand.
05:05Damn right I don't.
05:06You said you were going to dump him.
05:07I was.
05:09But I think Chuck wrote the letter.
05:13That I know what you did letter?
05:15What makes you think that?
05:16I spoke to Paul Young.
05:18Wait, wait, why would you talk to Paul?
05:20To find out who else knew about Mary Alice's letter.
05:22And he said that when he confessed to killing Martha Huber, Chuck was there.
05:27Okay, but why would Chuck blackmail you?
05:30He's already got the milk and the cow.
05:33No offense, just what else could he want?
05:35Maybe he wants to control me.
05:37Maybe he wants money.
05:38I don't know.
05:39You've got to start snooping.
05:41What?
05:41Yeah.
05:42Go through his stuff, hack into his emails, listen in on his phone calls.
05:45I can't do that.
05:46You have to, Bree.
05:47Until we know what Chuck knows, exactly what he knows.
05:50It's not just you who's in danger.
05:52It's all of us.
06:00How's that pressure?
06:01Oh, perfect.
06:03And remember, Friedrich, I've hidden your tip somewhere on my body.
06:07It's up to you to find it.
06:08Go away.
06:13Renee, I need you.
06:15Lee.
06:15I am in crisis.
06:16I am at my wit's will.
06:17Hello.
06:19Lee McDermott.
06:20Nice to meet you.
06:21I'm Friedrich.
06:22Ooh, like in the sound of music?
06:26Nothing?
06:27Okay, he plays for your team.
06:28Anyway, I need a huge favor.
06:30I don't do favors, you know that.
06:32It's for Jenny.
06:33Oh, your daughter?
06:35No.
06:36Please.
06:37I am desperate.
06:39When Bob and I adopted her, we agreed that I would take care of the time of the month talk
06:43and Bob would handle all things bra.
06:45Well, that bastard is in Tokyo and the booby fairy has arrived.
06:49The booby fairy?
06:51See why I should not be the one handling this?
06:53I was hoping maybe you could take her shopping.
06:56Oh, man up.
06:57It's just a bra.
06:58They terrify me.
07:00Too many numbers and letters and colors.
07:02And it's my little girl growing up and I can't deal.
07:07Oh, yes.
07:09So you'll do it?
07:11No, he just found his tip.
07:14Renee?
07:16Fine.
07:17I'll take her, but only for an hour and no small talk.
07:20Oh, bless you.
07:20I will never forget you for this.
07:23Look, Ricky Martin, eating a banana.
07:26Just checking.
07:33Oh, please come with us.
07:35You bra shop with Penny.
07:37And maybe one of your older boys, if I'm guessing right.
07:39I can't.
07:40I have plans.
07:41Oh, that's right.
07:42Tom's got the kids and you have this whole place to yourself.
07:45What are you going to do?
07:47Oh, sweetie, some man who's not married to you is going to have to see that body soon.
07:51Do not do this.
07:52It's now for me.
07:53My sister's coming.
07:55Lydia?
07:56The disaster?
07:57Yeah.
07:57Out of the blue, she called and says she wants to visit.
07:59You know what that means.
08:01She got dumped.
08:01After loaning him a lot of money.
08:03And finding out he's married.
08:04In two states.
08:05So, I've got to get the whole toolkit ready so after she crash lands here, I can pick up
08:10the pieces.
08:12Uh, I'm going out the back door.
08:13I hate to see people crying.
08:15It reminds me how little I actually care about others.
08:21Coming.
08:23Oh, hi.
08:26You look...
08:27You look fantastic.
08:29You thought I'd be my usual blubbery mess of snot and tears, didn't you?
08:33What?
08:34No.
08:35Well, that's not me anymore.
08:37Thanks to Rashi, I'm a changed woman.
08:40Rashi?
08:41Oh, God.
08:42Did you get a dog?
08:43No, silly.
08:44I got engaged.
08:45To the greatest guy in the world.
08:47Oh, and Lynette, I'm so sorry about you and Tom.
08:56But don't worry.
08:57I'm here to help.
09:06Hey.
09:07Sorry I'm late.
09:08The grocery store was a madhouse.
09:10I actually had to fight a woman over the last chicken.
09:12Susan.
09:13Unfortunately, she was Slavica.
09:14Very sturdy people.
09:16So, I hope you like cereal.
09:17Susan, stop.
09:19I just got off the phone with a guy from the county.
09:22Something about your court-ordered community service for assaulting a policeman.
09:26Oh, that.
09:29Yeah, that.
09:33It's so ridiculous.
09:35I was trying to fight a parking ticket and I knocked over the cop's bike.
09:41I maybe told him his baby was ugly.
09:43He blew the whole thing out of proportion.
09:46Well, you know what I'm blowing out of proportion?
09:47The guy on the phone called me Mr. Solis.
09:52Right.
09:54Because, uh...
09:56Carlos picked me up at the police station.
10:00Which I know sounds weird.
10:02Why him and not you?
10:04I...
10:04I was just, uh, so embarrassed.
10:10I...
10:10I didn't want to tell you.
10:11So there's nothing going on with you and Carlos?
10:17Yeah.
10:19I shouldn't be worried about your little moonlight stroll last night.
10:25Wow.
10:26Have you been taking fighting lessons from that Slavica lady?
10:30Mike, come on.
10:33I couldn't sleep.
10:34Carlos couldn't sleep.
10:35We ran into each other and we talked.
10:37About what?
10:38You barely know him.
10:39The first eight years we lived here, you called him Ricky Ricardo.
10:44He's going through something and I'm helping him.
10:48Yeah?
10:48Tell me, what's he going through?
10:53It's personal.
10:57Mike, Carlos and I are just friends.
11:00I don't mind you being friends with a guy.
11:02It's all the sneaking around and the lying I'm having a hard time with.
11:05So she waltzes into my advanced yoga class, even though clearly she's never done yoga before.
11:18Well, the teacher to beginners class wasn't nearly as cute as you.
11:22And then I go over and correct her cobbler pose, right?
11:27And our eyes meet.
11:29And three weeks later, he gives me this.
11:32Wow, that's some rock.
11:34Literally, it's a rock.
11:36I saw it on the beach after class.
11:38It calls out to me and I feel like I might need it someday.
11:42And you did.
11:44Isn't the universe amazing?
11:46Amazingly thrifty.
11:49Okay, so this is my third glass.
11:52I'm saying mean things, but I'm not getting a buzz.
11:55The wine is alcohol free.
11:57So this night's not getting any better.
11:59Ever since Rashi did a liver cleanse on me, I haven't had a drop to drink.
12:02Wow.
12:04You got Liddy to give up wine?
12:06You should take your act to Vegas.
12:08It's not an act.
12:10I'm going to go grab some spices out of the van.
12:12Hmm.
12:13Hmm.
12:13Okay, who are you kidding?
12:22You can't marry that sunflower seed.
12:24I'm not kidding anybody.
12:26I love him.
12:28In fact, he's leading a meditation seminar at Kerrigan Park.
12:33Why don't you come?
12:35It might help you deal with your marriage crashing.
12:37My marriage did not crash.
12:40Tom and I are separated.
12:41Exactly why you should be doing some Lynette work.
12:43Come on, it'll be fun.
12:45Six hours of silence in a traditional mountain yurt.
12:48I promise you, Lydia, if you drag me to a yurt, two will go in, one will come out.
13:01Hey, careful.
13:03That's our tax dollars you're dripping.
13:05Sorry.
13:06You need to pace yourself.
13:07You're going to need lots of paint to cover that gigantic banana over there.
13:12Uh, I don't think that's a banana.
13:21Hey, I worked hard on that graffiti.
13:24What are you doing here?
13:25To Kill a Mockingbird.
13:29I started reading it last night.
13:30It was so good, I couldn't wait to talk to you about it.
13:32Yeah, well, I'm kind of beautifying the city at the moment.
13:35Don't you get a lunch?
13:38Um, look, Carlos, Mike found out we were spending time together, and he's a little weird about it,
13:44so I don't think we should be having any intimate lunches.
13:48Why is he weird?
13:49I mean, nothing's going on.
13:50No, of course not, but somehow, us meeting in the middle of the night and me lying about it was kind of a red flag for him.
14:01Oh, okay.
14:02Well, if lunch is too intimate, how about I help with the beautifying?
14:11I guess there's no harm in that.
14:13Excuse me, are you here for community service?
14:16Nope, just trying to be a good citizen.
14:19Can't.
14:19Not unless you've committed a crime.
14:20Are you serious?
14:24Yeah.
14:31There.
14:32I littered.
14:42Jenny, trust me.
14:43You want Jackson to notice you, ice him out.
14:46Don't talk to him, don't look at him.
14:48Maybe have sex with his best friend.
14:50I mean, have a soda.
14:52Got it?
14:53Totes.
14:53What happened to you guys?
14:54You were supposed to be back two hours ago.
14:56We went shopping.
14:58Here's your credit card.
14:59Oh, and by the way, I upped your limit.
15:00Three grand.
15:01What are you, a nurse?
15:03So, tell me all about your day.
15:04OMG, I want to see everything you bought.
15:07Dad, you're like a million years too old for OMG.
15:09I'm going to try the makeup you got me.
15:13Wait, you got her makeup?
15:16She's 11.
15:16Uh, she wears a bra now?
15:18Thinks she's ready for strawberry lip gloss?
15:20Tell me what happens with Jackson.
15:22I want all the deets.
15:24Deets.
15:25I love you.
15:26Well, look at you two all BFF.
15:32So, who's this Jackson?
15:33I would like those deets.
15:34Oh, she asked me not to tell anyone about him.
15:37I'm not anyone.
15:38I'm her co-father.
15:40Well, don't take it personally.
15:41There's just some things girls would rather talk about with other girls.
15:44I can be a girl.
15:45I can totally be a girl.
15:47Well, you got the voice down.
15:55Hey, where are you?
15:56In the kitchen.
15:58Come join me.
16:02This smells amazing.
16:03What are you making?
16:05Oh, seared tilapia with Bernice Sauvignon and a little bok choy.
16:08Mind giving me a hand?
16:10Brie, the only word I recognized in that sentence was hand.
16:12Come on.
16:13There's nothing to it.
16:14This is Bernice Sauvignon.
16:15It just needs ten minutes of constant whisking.
16:20Constant.
16:22Look at you.
16:23You're a natural.
16:24I'm going to go dress for dinner.
16:28Now, remember, keep whisking for ten minutes.
16:30If your hand starts to spasm, it means you're doing it right.
16:42Marie, I think it's been ten minutes.
16:59No, no, not even close.
17:00Keep whisking till it's light and frothy.
17:02I don't care how long it's been, that stuff ain't getting any fraught.
17:26And I got a cramp in my shooting hand.
17:31So, if a criminal gets away tomorrow, it'll be your fault.
17:35Oh, well, I'm so sorry.
17:38Here, let me massage it for you.
17:42He took a picture of your hand while you were sleeping?
17:55How creepy is that?
17:56I know.
17:56Why would he do such a thing?
17:59Oh, my God.
18:00What?
18:01He must have found a handprint at the crime scene.
18:04He pulled your print off the photo and they were a match.
18:06Is that possible?
18:07I don't know.
18:08Well, then what's in the envelope?
18:10Maybe the cell phone or a piece of the shovel handle.
18:13Whatever it is, that's what he's going to use to nail us.
18:15We have to get that envelope.
18:17And I can't keep distracting him by having him stir sauces.
18:20By the way, it's Bernays' disaster.
18:22Okay, tonight when he gets home, you take him for a long walk,
18:26leave the back door open, and I'll do the rest.
18:27Got it.
18:30What if the briefcase is locked?
18:32I can pick locks.
18:34Yeah.
18:35I can also disguise my boys, forge people's signatures,
18:37and I'm a decent pickpocket.
18:39Adultery gave me some valuable life skills.
18:45Fractions are so stupid.
18:47Never going to need this stuff anyway.
18:49Are you kidding me?
18:51Let's say you marry a guy who's worth $20 million.
18:55You divorce him, and he gives you half,
18:57but your prenup says you get three quarters.
19:00That extra five million gets you a yacht
19:02because you learned your fractions.
19:06True story, by the way.
19:08Hello?
19:09It's Lee.
19:10Hey, come on up.
19:11You know, you'd be a really cool mom.
19:14You think so?
19:16No.
19:17I'd probably just leave the kid in the nightclub or Morocco.
19:22Hey, what are you doing here?
19:23What am I doing here?
19:24I'm looking for my daughter, who said she'd be home by five.
19:27I guess we got carried away.
19:29Totes.
19:30Use the whole word!
19:31How much time are you saving?
19:33Calm down.
19:34Can you stay out of this?
19:35This is between me and my daughter.
19:37Stop.
19:37You're embarrassing me.
19:39I don't care.
19:40You need to come home with me.
19:41Now.
19:42What if I say I'm not ready to leave?
19:44What if I say you're grounded for a week?
19:45Should we keep going?
19:46What?
19:47You are so unfair!
19:54Aren't you being a little hard on her?
19:56Back off, Renee.
19:57You're not her mother.
19:58What if I say you're a little hard on her?
20:02Mmm.
20:03My sweet.
20:05That was your most delicious meal yet.
20:07What was in this?
20:08Just walnuts, hemp curds, and one very special ingredient.
20:13Please don't say love, because I'm already nauseous.
20:16I find that a walk after a meal helps encourage my digestive flow.
20:21Anybody care to join me?
20:22You go.
20:23I'll clean up.
20:23Oh, Lynette, that's full of poison.
20:32Yes, delicious, creamy poison, which, by the way, you used to suck down by the gallon.
20:36Yes, I know, but I've changed, and I want to help you change, too.
20:41It's why I'm here.
20:42Wow, that's a bigger load of crap than the one we just ate.
20:46Excuse me?
20:47You're not here for me.
20:49You're here because, for once, you're the one in the happy relationship, and you just
20:53couldn't wait to rub my face in it.
20:55How could...
20:56Why do you all...
20:58No!
20:58No, no, no, no, no.
21:00No.
21:00You won't drag me down to your level.
21:03I am surrounded by a beautiful bubble of loving energy.
21:07Yes, Lydia, you are in a bubble, but once the pebble collector dumps you, like they all
21:12do, you'll go right back to being the ice cream-binging, wine-swilling, neurotic mess
21:16You really are, pup.
21:19You are so mean.
21:21God, I hate you.
21:22There she is.
21:23Welcome back.
21:23My whole life, you've treated me like a screw-up.
21:26You always had to be the happy one, the smart one, the married one.
21:29Well, guess what?
21:30Now you're the screw-up bitch.
21:32You're alone and miserable, and I love it.
21:35I love it, I love it, I love it, I love it, I love it!
21:37Wow.
21:40I just, uh, forgot my iPod.
21:43I just, uh, forgot my iPod.
21:47Wow.
21:48Wow.
22:13Uh-oh.
22:16A Chardonnay float.
22:19Does that mean...
22:20Yes.
22:22Rashi's gone to the retreat, alone, so congratulations.
22:27Now I'm just as miserable as you are.
22:30Did he dump you?
22:33He said now that he's seen the real me, he needs to meditate on whether or not he can still
22:37marry me, but I'm so screwed, dude.
22:42Oh.
22:45You know, if he was that quick to run off, maybe he's not the guy.
22:50He's the guy.
22:52I'm just not the girl.
22:54I thought I could put all that loser stuff behind me and actually have a functional relationship.
23:02I guess that's too much to ask for.
23:04Why don't you go talk to him?
23:06I can't.
23:08After how I behaved, I've been told my energy is no longer welcome in the yurt.
23:26Where is she?
23:28Where is who?
23:29Jenny.
23:30She's supposed to be grounded, but when I went to her room to check on her, she was gone.
23:32Well, she's not here.
23:34I've been out all afternoon.
23:35I don't think I trust you.
23:38Jenny, are you in here?
23:41This is all your fault, you know.
23:42My fault?
23:43How is it my fault?
23:44I'm sorry, I'm not speaking to you right now.
23:46We were a perfectly happy family before you got involved.
23:49Got involved?
23:50You made me take a shopping because you're scared of boobs.
23:52Yeah, and then you glommed on because you don't have kids of your own.
23:56It's not her fault.
23:59Jenny.
23:59I snuck in a back window.
24:03Sorry.
24:03What's going on?
24:04Why are you here?
24:06I like it here.
24:07We did our nails.
24:09More?
24:10I don't know.
24:12Sometimes I think it'd be cool to have a mother.
24:17Oh my God, the M word.
24:18Easy.
24:19What can a mother do that I can't?
24:23You want to do your nails?
24:25Mani-pedi Monday.
24:25Start next week.
24:26You want to try on shoes?
24:28I have the stilettos that Cher wore to the Moonstruck premiere.
24:32You can't go in the ladies' room with me.
24:34So that's the problem?
24:36Well, you've got me.
24:38I see why having a dad and a papa is so horrible.
24:41Jenny, why don't you go in the kitchen?
24:43The latest Vogue's in there.
24:44We have magazines at our house, too.
24:49Are you okay?
24:55This is my worst nightmare come true.
24:58I've worried about this moment ever since she came into our lives.
25:01What if Bob and I aren't enough?
25:02What if she does need a mother?
25:08Oh, shut up.
25:11Excuse me?
25:14You took a girl who was bouncing from one foster home to another
25:17and gave her two great parents who love her.
25:19But you hurt her.
25:20It's not enough.
25:21Oh, please.
25:22She's a kid.
25:23Today she wants a mom.
25:24Tomorrow she'll want a car.
25:26Jenny is not lacking for anything,
25:28and you guys are doing an amazing job with her.
25:31Really?
25:32Yeah, really.
25:33So amazing that for the first time in my life,
25:36I actually enjoyed hanging out with a kid.
25:41Oh, thank you.
25:43And I take back everything I said about you being an insensitive bitch.
25:48Uh, you never said that.
25:50Don't open your email.
25:56We are the sun, the warmth radiating from our hearts.
26:01Sorry.
26:02We are the endless sea rolling beneath the forever sky.
26:08We are the leaves.
26:10The wind blows us from trees.
26:13Sorry.
26:14Sorry.
26:14Stupid wind.
26:15We are the stars, glowing, growing, losing ourselves, but gaining the universe.
26:23You got a sec.
26:28What are you doing here?
26:29Besides trying not to laugh my ass off, I need to talk to you.
26:33Well, not now.
26:34My students have been meditating for six hours.
26:36They are very close to finding their bliss.
26:37I'm sure they can spare you for a few minutes, so come talk to me,
26:40or I will start singing Bethel Merman at the top of my lungs.
26:43There's no business like show business.
26:47There's no...
26:48So sorry.
26:49I'll be right back.
26:51Come on.
26:56You can't leave Lydia.
26:58I don't want to, but I didn't recognize that person I saw yelling at you.
27:02I did.
27:03It's the person I turn her into every time we get together.
27:06The Lydia I didn't recognize was the one who breezed through my house, happy and in love.
27:10You don't understand.
27:11It's too hard for me to be around people like you and Lydia.
27:15Then eat a root or chant or whatever.
27:18It's not going to help, okay?
27:19Why not?
27:19Because you are exactly like my family.
27:23My name is not Rashi.
27:26It's Herbert Brickmeyer from Levittown, Long Island.
27:30And that energy in your kitchen, that was pure Brickmeyer.
27:33And I can't be around that again.
27:35Okay.
27:36Okay, first of all, Lydia doesn't act like that when I'm not pushing her buttons.
27:40And even if she did, work it out.
27:42That's what a relationship is.
27:44And you're a relationship expert?
27:46I'm an expert on screwing them up.
27:51I'm guessing it took you a while to stop being a crazy Long Island Brickmeyer.
27:56So give Lydia a little time to find her bliss too.
27:58I'll think about it.
28:09All this talk about my family's got me really jonesing for a cigarette.
28:12You wouldn't happen to...
28:13Sorry, Herb.
28:14Hi.
28:28Hi.
28:33What?
28:34Rashi called.
28:35He had an epiphany during the retreat.
28:37He knows I'm changing, and he's willing to be patient.
28:41Hey.
28:43Oh, ma.
28:46He's right.
28:47You are changing.
28:48I have never seen you like this before.
28:51Really?
28:52Yeah.
28:52Really, honey.
28:54I think...
28:55I think that is why I have been so rotten to you.
29:00I'm jealous.
29:01I don't get in relationships, Lydia.
29:10I get on them.
29:12I mount them and grab them by the hair and kick them in the sides until I make them go where I want.
29:19And God help the other person if they have a different idea than me.
29:24Is that what happened with you and Tom?
29:28Oh, yeah.
29:29Yeah.
29:32You can change, too, Lynette.
29:35I don't know if I can.
29:38I'm pretty sure this is as good as it gets.
29:40No, Lynette.
29:42No.
29:42Because you recognize your problem now.
29:45And a wise man once said that to begin the journey of change, we must pull on the boots of self-awareness.
29:55And was that wise man Rashi?
29:59Isn't he adorable?
30:00When he talks to Scout and Jem, you know he doesn't want to just do the right thing for the community.
30:11He wants to do the right thing as a father.
30:13I know.
30:13It's like when Gregory Peck looks at those kids, you can tell that he's...
30:17Gregory Peck?
30:20You didn't actually read the book, did you?
30:21Yeah.
30:22I started and then it was on cable.
30:26I'm sorry.
30:27It's just too many pages.
30:29Mike.
30:30What?
30:31Oh, God.
30:34He's turning around.
30:35Okay.
30:39Okay, come on.
30:47Do you think he saw us?
30:48I don't know.
30:51I don't see the stroke.
30:52I think he left.
30:53Oh, thank God.
30:54Well, that was close.
30:57I know.
30:58My heart's pounding.
30:59I know.
30:59I can feel it.
31:06What is going on here?
31:10Nothing.
31:13Are you sure?
31:14No, we're just two friends who have gone through a tough time and are trying to help each other through it, right?
31:24Then why are we hiding in the back of a van for my husband?
31:32I don't think we should do this anymore.
31:36Yeah.
31:42Mike!
31:42What are you doing?
31:44When you're done helping your boyfriend, we need to talk.
31:47Oh.
31:49Okay.
31:49Yeah.
31:57Hello.
31:59How was your day?
32:01It was a little stressful.
32:03Oh, mine too.
32:05We need to unwind.
32:06How about a nice long walk?
32:09I have a better idea.
32:10There's someplace special I'd like to take you.
32:13Oh?
32:14Where?
32:18It's a surprise.
32:21I don't really like surprises.
32:24I do.
32:25Shall we?
32:27Now?
32:27Uh, can I freshen up first?
32:30You look plenty fresh to me.
32:32Well, I've been in these clothes all day.
32:34I'd really like to change.
32:37Okay.
32:38Don't keep me waiting.
32:39Bri, have you left yet?
32:49No plan.
32:50He's taking me out and he's got the envelope.
32:52Where are you going?
32:53He won't say, but if he won't say, but if he won't that letter and he's bringing me somewhere
32:56with the evidence, this is when he gives you the shakedown.
32:59I'll follow you.
32:59I thought you were going to change.
33:05I did.
33:06I did.
33:07My attitude.
33:08I didn't want to go, but now I do.
33:11What about that table in the corner?
33:28We'd like some privacy.
33:28No, no, no, no, no.
33:29I hate privacy.
33:31I like noise and bustle and lots of people.
33:33How about this one in the middle?
33:36Whatever you say.
33:46Oh, aren't you warm in that jacket?
33:48Actually, a little.
33:49So, um, let's order first and then we can talk.
34:06Don't these appetizers sound delicious?
34:09Yum.
34:10Escargot.
34:11And I love onion soup, but it'll be hard to pass up on a beef tartare.
34:17Rustic country pâté.
34:18Look.
34:20What am I looking at?
34:21It just says rustic country pâté.
34:24Maybe we should look on the left side of the menu.
34:26I definitely think we'll find something good on the left side.
34:29We didn't get a wine list.
34:31Where's our waiter?
34:40Wow.
34:41Wow.
34:43I'll be right back.
34:45Where are you going?
34:46To freshen up.
34:47Again?
34:48What do you think's in there?
34:56What if it's a bone?
34:57You open it.
35:05Oh, no.
35:07Maybe it's a tooth?
35:08Oh, the picture of my hand.
35:14He was trying to figure out my ring size.
35:16Wow.
35:16This doesn't necessarily mean he didn't send the letter.
35:19I think it does.
35:20Okay.
35:20Well, this is a relief, right?
35:21I mean, at least he's not blackmailing you.
35:24No.
35:24It means he wants to marry me.
35:27So what are you going to do?
35:28I like Chuck, but he's not the man I want to spend the rest of my life with.
35:33You can go.
35:34I'll do my best to let him down easy.
35:36Some rock and on a cop's salary.
35:41But you should still dump him.
35:50Mike.
35:51If you're going to say it, just say it fast.
35:54There is no fast way to say it, buddy.
35:55What the hell are you doing here?
36:00We're finally going to tell you the truth.
36:11About a month ago, the progressive dinner, you remember that night?
36:15Just get to the part that's the truth.
36:19I killed Gabby's stepfather.
36:21And me and the girls helped cover it up.
36:37I'm sorry that took so long.
36:39Oh, that's all right.
36:42It actually gave me a chance to have a scotch and a glass of red wine.
36:47Calm my nerves a little.
36:48God, I wish I could have a drink.
36:51Why?
36:51What are you nervous about?
36:53I have something important to say.
36:56Huh.
36:57Um, I wonder if it's the same thing that I'm going to say.
37:00I'm pretty sure it's not.
37:04Chuck, you are a wonderful man.
37:06And I have enjoyed our time together, but...
37:09Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
37:10Are you...
37:10Are you dumping me?
37:17I was...
37:18I was about to propose to you.
37:21I'm sorry if I misled you.
37:23Hey, there's a fake apology.
37:25You did mislead me.
37:26Chuck, please.
37:26You know, it's like you're two people.
37:28There's a woman I have fun with, who I really, I really connect to.
37:33And then this is the woman who's mysterious and weird and keeps sneaking out to run errands.
37:39There's another guy, isn't there?
37:43No.
37:44I assure you, there's no one else.
37:45Don't lie to me!
37:46Bri, was he the one who sent you that letter?
37:53What letter?
37:54The one that you, uh, you were reading the other night, you got all shook up about.
37:57Was that from him?
37:58There is no him.
38:00You know, Bri, I would have done anything for you.
38:04I protect the people that I care about.
38:08I don't care about you, you know.
38:10So if you find yourself in trouble, and I'm pretty sure that someday you will, then don't come calling me.
38:22You have made a very big mistake.
38:31Yes, the residents of Wisteria Lane are skilled at the art of concealment.
38:40They know how to cover the evidence of a messy breakup.
38:47To compensate for what their children might be missing.
38:54And to spare the feelings of a loved one whose taste they may not share.
39:02But for some, the art of concealment comes at too great a cost.
39:07And so they find themselves forced to reveal the truth.
39:14Even at the risk of facing an uncertain future.
39:19Good past pleasure.
39:20The town of Wisteria Lane.
39:21é©š.
39:22Who lives in Wisteria Lane.
39:23Wisconsin.
39:24The 70's.
39:25The 60's.
39:25The 70's.
39:26The 70's.
39:27The 60's.
39:28The 60's.
39:29The 70's.
39:30The 70's.
39:30The 80's.
39:31The 70's.
39:32The 80's.
39:33The 80's.
39:38The 70's.
39:38The 80's.
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