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  • 7/2/2025
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00:00Previously on Desperate Housewives, Rene confronted Lynette.
00:05Look, you and Tom tried to make it work and you couldn't.
00:08Now he's moved on.
00:09Carlos agreed to go into rehab.
00:12I know a great place. I can call tomorrow.
00:14Susan's secret work of art.
00:16No one can see these!
00:18Fueled the detective's suspicions.
00:20All I see is four women that killed a guy with a candlestick and dumped his body in the woods.
00:26And drove a wedge between friends.
00:28More secrets?
00:30What did you think you were doing?
00:32I was protecting you!
00:33Yeah, well, great job.
00:41Whenever Brie Vandekamp was feeling low,
00:45she found solace in the act of baking.
00:51When her first husband passed away,
00:53she made coffee cake.
00:55When her second husband went to jail,
01:00she made sugar cookies.
01:03And when her teenage daughter got pregnant,
01:06she made creme brulee.
01:09So when Brie's best friend stopped speaking to her,
01:13she hoped that her warm cherry scones
01:16might thaw their chilly relationship.
01:19Susan!
01:23Susan!
01:36Hey, sweetie, is your mom home?
01:38Uh, no.
01:38She's at church.
01:40On a Thursday?
01:43She told you to say that, didn't she?
01:44Only if it was you.
01:46If it was the priest, I'm supposed to say she's reading to the blind.
01:49Hey, can you stop pounding?
01:59I just put Paige down.
02:02I'm sorry, but no one will talk to me.
02:04Really?
02:05I wonder why that is.
02:06Look, I have made a mess of things,
02:08but I want to make it up to you all.
02:10You really think you can bake your way out of this one?
02:13Of course not.
02:14It's just a peace offering,
02:15a way to begin the conversation.
02:16I have nothing to discuss with you,
02:18not after the way you and Gabby lied to me.
02:20Lynette, please understand,
02:21I was only trying to protect you, all of you.
02:24No!
02:24You were trying to control us
02:26the way you try and control everything.
02:29That's not fair.
02:30You told us that as long as we trusted each other
02:32and stuck together, everything would be fine.
02:35It will be.
02:36As long as we have our friendship,
02:37they can't do anything to us.
02:39Don't you get it?
02:41There is no us.
02:42There is no friendship, not anymore.
02:44You're on your own.
02:45We all are.
02:53Yes, Brie had always taken comfort in baking.
02:58But when baking failed her,
03:01she took comfort in something else.
03:04In a place as peaceful as Wisteria Lane,
03:20the smallest crime can prompt a call to the police.
03:24When a neighborhood kid makes a reckless mistake.
03:27When children need to be taught a lesson.
03:35When the teenagers next door start a band.
03:41Yes, the women of Wisteria Lane
03:43were used to calling the police.
03:46What they weren't used to
03:47was having the police
03:48call them.
03:50So, what's going on?
03:53Not sure.
03:54No one's talked to us yet.
03:56Do you think we need a lawyer?
03:58I don't know.
03:59Maybe Susan can paint one for us.
04:01Lawyers won't be necessary, ladies.
04:04This is not an official investigation.
04:05It's just a casual conversation among friends.
04:09But if you want to bring lawyers into it,
04:10I can open a case file,
04:12take your fingerprints.
04:13No, no.
04:14We like the friend thing.
04:15Great.
04:16So, the first friend I'd like to talk to is
04:19Susan.
04:24Try my coffee.
04:24The guys are always complimenting me on it.
04:30Thanks.
04:30I'm trying to cut down on caffeine.
04:33Gets you all jittery and nervous.
04:35Yeah, I hate that.
04:36So, you're feeling jittery and nervous right now?
04:38What?
04:39No.
04:39No, absolutely not.
04:47Uh, yum.
04:48My compliments.
04:49Why'd you paint those?
04:58Uh, why?
05:00It's hard to say
05:01why artists
05:02paint what they do.
05:06Gosh, that probably
05:07sounded so
05:08artsy.
05:09No, not really.
05:11I would imagine it's even possible
05:13that the artist herself
05:15doesn't really know why she did it.
05:17Sometimes
05:18you say to yourself
05:20where the heck
05:23did that come from?
05:24Maybe I
05:25shouldn't have
05:25eaten that pepperoni pizza
05:27before bed.
05:29Or maybe you say to yourself
05:31I feel so guilty
05:33about what I did.
05:37I don't
05:38Who
05:40Who is that?
05:41The guy in your painting.
05:43The one in the grave.
05:45No.
05:45Uh, uh, no.
05:48That came from
05:49my imagination.
05:50Bull.
05:51It's him.
05:52Ramon Sanchez.
05:54A missing person
05:54from Oklahoma.
05:57I don't know anything
05:58about that.
05:59That isn't a painting,
06:00Susan.
06:01It's a guilty conscience
06:03trying to find peace
06:04but it never will,
06:04ever.
06:06Until you tell the truth.
06:07So you've never seen
06:12this guy before?
06:13You already asked me that
06:14and I told you.
06:16No.
06:16You know something like that?
06:17You'd have made a good cop.
06:19You know how to stay cool,
06:20keep your emotions in check.
06:24Listen to me.
06:26You women are good people.
06:28I know that.
06:29But you're obviously
06:30covering something up.
06:31Now forget about me being a cop,
06:33okay?
06:33Let me tell you something
06:34as a friend.
06:34A jury will forgive a lot
06:35when they understand
06:36why something happened.
06:38But first,
06:38you have to stop lying.
06:41I'm not lying.
06:44How much more of a toll
06:45are you going to let
06:46this thing take on you?
06:47What does that mean?
06:48It means
06:49that whatever it is
06:50you've done,
06:51it's clearly the reason
06:52your husband
06:53walked out on you.
06:57Sorry.
06:58But you said
06:58to forget you were a cop.
07:01Huh, look at that.
07:04What happened
07:04to keeping your cool?
07:11Recognize him?
07:12Sorry.
07:14You want to look at it
07:15for two seconds
07:16before you answer?
07:19I got nothing.
07:20Can I go?
07:21He's a person, Gabby.
07:23He's two kids,
07:24not much older than yours.
07:25Two girls
07:26and may never see
07:27their daddy again.
07:27I don't know him.
07:33Now may I leave?
07:34I have a lot of things
07:35to do.
07:37Oh, yeah?
07:37Like what?
07:39Visiting your husband
07:40in rehab?
07:42I heard about his drinking.
07:43I'm sorry.
07:45Yeah.
07:46Well, the good news is
07:47it looks like
07:47we nipped it in the bud.
07:49Oh, it's a new problem.
07:51Yeah.
07:52Why?
07:52Usually there's a trigger
07:53when somebody starts
07:54abusing alcohol
07:55out of the blue.
07:56Anything come to mind?
07:58Anything stressful?
08:03He...
08:03He had an affair.
08:05Carlos?
08:07It's hard to believe.
08:08I know, right?
08:09I mean,
08:09who would cheat on this?
08:11I meant because
08:12he seems like
08:12such a good man.
08:13Well, he's not.
08:15He's a cab.
08:16Philandering S.O.B.
08:17But I love him.
08:19So,
08:19if I go there tomorrow
08:21and ask Carlos
08:22that same question,
08:25he gave me
08:26the same answer?
08:28You bet?
08:29Great.
08:31I might just do that.
08:39I'll have another, please.
08:42Okay.
08:43You got a friend
08:46who can drive you home?
08:49No.
08:50Turns out
08:50I'm friendless
08:51at the moment.
08:52Don't worry.
08:53I'll take a taxi.
09:04You ladies
09:05sound like
09:05you're having fun.
09:07What's the occasion?
09:08Just, you know,
09:09girls' night out.
09:10Let the kids
09:11and the husbands
09:11at home.
09:12Woo-hoo!
09:13I'll drink to that.
09:13Yeah,
09:14invent that, sister.
09:15I mean,
09:15who needs families
09:16when we've got
09:17girlfriends?
09:18Am I right?
09:18I'm sorry?
09:21Who are you?
09:22Oh,
09:22where are my manners,
09:24Bree Van De Camp?
09:25I heard you all
09:26carrying on
09:27and, well,
09:28frankly,
09:28I've been feeling
09:29a little disconnected
09:30lately,
09:30and I thought,
09:31Bree,
09:32a little human contact
09:33is just what you need.
09:35Ah,
09:35yeah.
09:36Kelly just had a baby
09:37and we haven't seen
09:38each other for a while
09:39so we were hoping...
09:40A baby!
09:41Oh,
09:41that's wonderful.
09:42Well,
09:42we need to celebrate.
09:44A bottle of champagne?
09:45It's on me.
09:48So,
09:48how do we all
09:49know each other?
09:51Well,
09:51these two I know
09:52from college
09:53and you I know
09:54from randomly
09:55sitting down
09:56at our table.
10:00God,
10:01I missed this.
10:04And then one day
10:06you wake up
10:07and you realize
10:07you've got nothing.
10:09Nothing.
10:11Your children
10:11abandoned you.
10:13Even the gay one.
10:14I mean,
10:15aren't gay men
10:15supposed to be obsessed
10:16with their mothers?
10:18As far as relationships go,
10:19forget it.
10:20Two of them left me.
10:22Three of them are dead.
10:23And all of this
10:24I could bear
10:24as long as I had
10:25my girlfriends.
10:26But now they've
10:27abandoned me too.
10:30Everything I touch.
10:32Everything I love.
10:36Well,
10:37on that note,
10:38I think I'll call it a night.
10:39Same here.
10:40Wait,
10:40it's barely midnight.
10:42Awfully early
10:42for four single gals
10:44like us.
10:44We're all married.
10:46You don't have to
10:47rub it in, Lynette.
10:47Stop calling me Lynette.
10:49It's really creeping me out.
10:50Wait,
10:51I've got an idea.
10:52Why don't you all
10:53come back to my place
10:54so we can have a sleepover?
10:56Good night.
10:57No,
10:57no,
10:58please,
10:58please come home with me.
10:59I have a really big house
11:00with lots of empty rooms
11:01and...
11:02Okay, lady,
11:07you want me to call you
11:08to your cab yet?
11:08No.
11:11I'm just going to finish
11:11Lynette's champagne.
11:12Okay.
11:12Ben.
11:25Hello.
11:26How are you feeling?
11:28Fine.
11:29I do ask.
11:30You don't remember
11:31last night,
11:32do you?
11:33Of course I do.
11:34Really?
11:35What do you remember?
11:37I went out to dinner
11:38with a few girlfriends,
11:39came home and went to bed?
11:41Uh,
11:41close.
11:43You knocked on my door
11:44at two in the morning
11:45to borrow money
11:46because the cab driver
11:47wouldn't take the fried zucchini
11:48you had in your purse.
11:50Then you cursed on me
11:51for not making your pancakes
11:52before you stumbled
11:54back to your house.
12:00How long have you been
12:04off the wagon?
12:04A few days.
12:06I'd appreciate it
12:07if you wouldn't tell anyone.
12:08It's just a temporary
12:10relapse.
12:11I'll get it under control.
12:14Isolating yourself
12:15is only going to make
12:16matters worse.
12:18You've got a great
12:18group of friends.
12:20Reach out to them.
12:22I can't.
12:23We're not on speaking
12:24terms right now.
12:25Well, I'm sure
12:26you can fix that.
12:27I tried.
12:28But they all
12:29seem to hate me.
12:31My recommendation?
12:34Start with the one
12:34who hates you the least.
12:42Oh, not ready for that.
12:45It's a beautiful day.
12:47I'd hate for you
12:48to waste another one
12:48with a hangover.
12:51Thank you, Ben.
12:58See you.
13:04I know Chuck
13:08could tell I was lying.
13:10I always do that thing
13:11when I lie.
13:12What thing?
13:14Oh, like I'm
13:14going to tell you.
13:16You have no idea
13:17how terrifying it was.
13:19Have a drink.
13:21It'll calm you down.
13:22I don't want a drink.
13:24Really?
13:24Of course I want a drink.
13:25See?
13:26I'm a terrible liar.
13:27Look, if Chuck
13:29had something concrete,
13:30we'd know.
13:31I'm sure he's just fishing.
13:34He's not going to let up.
13:35He is just waiting
13:37till I crack.
13:38Honey, you're panicking
13:39over nothing.
13:39The body's gone.
13:40Chuck doesn't have
13:41a case without it.
13:43Now, the only way
13:43this thing blows up
13:44is if somebody talks.
13:46Are you not listening to me?
13:47I talk.
13:48Me.
13:49I'm the one
13:50who's going to
13:50send us away.
13:51We need to get out of town
13:54just for a few weeks
13:55until Chuck finds
13:57someone else to focus on.
13:59Not only would that
14:00look incredibly suspicious,
14:02we don't have the kind
14:03of money to do
14:03something like that.
14:04Okay, money.
14:05If we need money,
14:07we can have a garage sale.
14:08Grab some chairs,
14:09I'll put up some flyers.
14:11Trust me.
14:12We're going to stay here
14:13and everything
14:15is going to be fine.
14:17Wow.
14:19You're an even worse
14:20liar than I am.
14:21Oh, hello.
14:28Excuse me.
14:30Hello.
14:30Someone is never
14:31going to finish the help.
14:33What can I do for you?
14:33I need to speak
14:34with my husband,
14:35Carlos Solis.
14:36Is it an emergency?
14:38No.
14:38I just need
14:39to tell him something.
14:40Then I can't allow you.
14:42Mr. Solis is still
14:42on restricted access.
14:44What does that mean?
14:45First week after admission,
14:46no visitors,
14:47cell phones or emails,
14:48no distractions.
14:48We only want our patients
14:49to focus on getting better.
14:51Okay, but I...
14:51really need to talk to him.
14:53I'm sorry.
14:54Those are the rules.
14:57Well,
14:58rules are
14:59made to be broken.
15:01I'm sure there's
15:01no boobs
15:02on the counter rule, too.
15:05Seriously?
15:07Mail nurse.
15:11Right.
15:11You can come back
15:13on Tuesday.
15:14I don't need this place.
15:16Because I love you.
15:17It's all my fault.
15:18It wasn't your fault.
15:18It wasn't mine.
15:19I was never around.
15:19Kid didn't have a role model.
15:20They're going to take care of me.
15:22I don't need this place.
15:23I told you.
15:23I don't have a problem.
15:24Come on, Donnie.
15:25We called.
15:26Admissions is right
15:26through that door.
15:28Come on.
15:28It's going to be all right.
15:29We should have seen
15:33this coming.
15:36Jimmy,
15:37we're only doing this
15:38because I love you.
15:39Such a tragedy.
15:41So much potential.
15:43All right.
15:44Gotta go.
15:47Excuse me.
15:48Where are you
15:49supposed to be?
15:50Oh,
15:51I'm with them.
15:52The Manzinis.
15:53If you're with the family,
15:54you need to stay
15:54for group counseling.
15:55Oh,
15:56I don't think I have
15:56much to contribute.
15:57It's vital.
15:59This way.
16:03Come on, Tom.
16:05I know you're there.
16:09Fine.
16:10I'll get in another way
16:11and pound on your door
16:11until you open up.
16:13Yes?
16:14Hola.
16:15My name is Maria.
16:17I forgot the keys
16:18to Mr. Tom's casa.
16:20Could you let me in,
16:21por favor?
16:22There's no Mr. Tom here.
16:23You have the wrong apartment.
16:24No.
16:26I am doing
16:27the cleaning
16:27for Mr. Tom.
16:30Wow.
16:31Impersonating a maid stereotype.
16:33Pathetic much?
16:34Oh,
16:34Chloe,
16:35look,
16:35I know your mother
16:36and my husband
16:37are leaving for Paris.
16:38I just need to talk to Tom
16:39for five minutes
16:40before they head
16:40to the airport.
16:41They left an hour ago.
16:42Who's there?
16:43I got it,
16:44Miss Schoenfield.
16:45This is Miss Schoenfield.
16:47Do you know
16:47what flight they're taking?
16:48It's really important.
16:49I talk with Tom.
16:49He's not picking up his phone.
16:51Geez.
16:51Stalk much?
16:53Come on,
16:53come on.
16:54I'm not a stalker.
16:55Seriously?
16:56My mom told me
16:57you were hiding
16:58under his bed
16:58while they were in it.
17:00So I'm certainly
17:00not going to help you
17:01sabotage her trip to Paris.
17:02Listen to me,
17:03something happened
17:04yesterday
17:05and I can't go into it.
17:07But Tom needs to be here.
17:08Not for me,
17:09for the kids.
17:10Please.
17:11Please.
17:14Fine.
17:15I've got their
17:16flight information upstairs.
17:17It's clear
17:20Jimmy feels conflicted
17:21about whether or not
17:22he belongs in rehab.
17:23But his loved ones,
17:24all of you in this room,
17:26are here because
17:26you care deeply
17:27about helping him.
17:28So let's start
17:29by sharing with Jimmy
17:30the ways his drinking
17:31has impacted
17:32your lives.
17:33Mrs. Manzani,
17:34go ahead.
17:36Well, actually,
17:36can I go first?
17:37I have somewhere
17:38I need to be.
17:42Who are you?
17:44I thought she worked here.
17:45No, no, no.
17:46I am
17:47his girlfriend.
17:49Ex-girlfriend.
17:50You know,
17:50since all the problems started.
17:52Girlfriend?
17:53Another thing
17:54you didn't tell us about.
17:55She's not my girlfriend.
17:57I've never seen her before.
18:02Yeah, that's the problem
18:03right there.
18:04You know,
18:05how can you have
18:05a relationship
18:06when your boyfriend drinks
18:07and doesn't even remember you?
18:08Why are you wearing
18:09a wedding ring?
18:12Oh.
18:13Because I moved on.
18:14That's right, Jimmy.
18:15You had to hear it.
18:15I seriously had you
18:16for a girlfriend.
18:18You are smoking hot.
18:20Yeah, I am.
18:21Oh, my God.
18:22I do have a problem.
18:24I was with someone like you.
18:25I don't even remember it.
18:27Mom, Pop,
18:28I want to get better.
18:31Jimmy!
18:31That's the spirit, Jimmy.
18:33Now, there's a lot
18:34of people in here
18:35just like you
18:36who can help you.
18:37Like, uh,
18:38like Jason Kerwitz
18:40and Peter Morton
18:41and Carlos Toulouse
18:42from 247.
18:43Okay, good luck.
18:51Hey.
18:53Gabby,
18:54what are you doing here?
18:55Are the kids okay?
18:56Yeah, the kids are fine.
18:57I just needed to talk to you.
18:59What's this?
19:00You don't lift your finger
19:00at home,
19:01but here you vacuum?
19:02This is my group task.
19:04Recovery here
19:04is based on
19:05two core principles,
19:06responsibility
19:06and total honesty.
19:08Okay, great.
19:09Come in here.
19:10I need to talk to you
19:10about a lie.
19:13So when Chuck asks
19:14what made you start drinking,
19:15and I'm guessing
19:16he will say
19:17you cheated on me.
19:18With who?
19:19It doesn't matter.
19:20I mean,
19:20someone ugly,
19:21don't go overboard.
19:22So,
19:23Chuck saw Susan's paintings.
19:25He's questioned each of you,
19:26and you think
19:26this one lie
19:27is going to throw him off.
19:28He's got nothing else.
19:29Gary,
19:30let me tell you
19:30something about cops.
19:31What you think he knows
19:32is about one-tenth
19:34of what he does know.
19:37We've got to stop this guy.
19:38God,
19:39this is a hell of a time
19:40for me to be stuck in here.
19:41No, honey,
19:42hey, hey,
19:42it's going to be fine, okay?
19:44You just focus
19:44on getting better.
19:47I'll try.
19:48Okay,
19:49well,
19:49I should get out of here
19:50before they find me.
19:52Tell the girls
19:52I miss them.
19:54They miss you, too.
20:01Mr. Bergman,
20:02hi.
20:03Remember me?
20:04Remember you,
20:05Susan Delfino.
20:06You sold five paintings
20:0720 minutes
20:08into your first art show.
20:10You are my prodigy.
20:12Are you here
20:12to revel in your glory?
20:14Actually, no.
20:16See,
20:16I'm kind of
20:18in a rough spot right now.
20:20Oh, dear.
20:20You seem a bit agitated.
20:23You're not considering
20:24jumping off a bridge,
20:25are you?
20:26But if you are,
20:27could you please
20:27leave behind
20:28a large body of work
20:30for me to sell?
20:31No.
20:32It's just,
20:33I need the money
20:36from my paintings,
20:38please.
20:39Oh,
20:39I just started
20:40on the paperwork.
20:41You should receive
20:42a check in
20:43four to six weeks.
20:44No, no, no.
20:45I need it now.
20:48I, um,
20:49I have to get out
20:51of town
20:51for a while.
20:52Oh,
20:53my housewife
20:54just got even
20:55more interesting.
20:56Are you a junkie?
20:58Gambler?
20:58Are you on the run
20:59from the mob?
21:01I can't tell you
21:02what it is.
21:03I just really
21:04need that money.
21:05Well,
21:05here's the thing.
21:06Um,
21:06I am having
21:07a teensy bit
21:08of a cash flow
21:10problem,
21:10but I assure you
21:12eight to ten weeks.
21:13I thought you said
21:14four to six.
21:15Okay,
21:15not so teensy.
21:17Mr. Bergman,
21:18I wouldn't ask
21:18if it wasn't
21:19really important.
21:20No,
21:20I will see
21:21what I can do,
21:22but no promises.
21:23My mysterious
21:25little housewife.
21:32That's nice.
21:34What's that for?
21:35Oh,
21:35you're right.
21:36A hug should be
21:37for something.
21:38Like the one I saw
21:39you giving Brie
21:40this morning.
21:41What was that for?
21:42Oh,
21:42for a night.
21:43That was nothing.
21:44Oh,
21:44so you're just going
21:45door to door
21:46giving hugs?
21:47What is that,
21:47an Australian thing?
21:48Look,
21:49there is nothing
21:50between me and Brie.
21:51She's just going
21:53through something
21:53right now.
21:55I was a shoulder
21:55to cry on.
21:58As long as that
21:59shoulder isn't
22:00a gateway body part.
22:04Oh,
22:04I'm sorry to interrupt.
22:05I only need a minute.
22:07I just have to ask you
22:08a couple questions
22:09about your girlfriend.
22:11So ask me.
22:12I'm standing right here.
22:14Not you,
22:14Brie.
22:17Funny.
22:18We were just talking
22:19about your girlfriend,
22:20Brie.
22:21Brie.
22:23Brie.
22:26What the hell
22:26did you do that for?
22:27I don't know.
22:28Just trying to make
22:29your life miserable.
22:31Oh,
22:31and I got more.
22:32I'm tracking down
22:32a missing person.
22:33It turns out
22:34his last phone signal
22:35came from somewhere
22:36on your construction site.
22:38I don't know
22:39anything about that.
22:40Doesn't matter.
22:40Still a great reason
22:41to shut you down.
22:43How long?
22:44Two weeks,
22:45maybe a month.
22:46I don't know.
22:47I'll let me guess.
22:48As long as it takes
22:49for me to lose
22:49my investment.
22:50Yeah.
22:50That sounds
22:52about right.
22:54You're not getting
22:55on that property
22:56without a warrant.
22:59Oh,
22:59jeez.
23:01Where would a detective
23:02get one of those?
23:06See you Monday.
23:06Oh, my God.
23:17This tastes so good.
23:18I know.
23:19Reminds me of the first time
23:20when I ever flew
23:21first class.
23:23We had been so used
23:23to traveling coached.
23:24Tom?
23:25Yeah?
23:26Please don't take this
23:27the wrong way,
23:28but
23:28you're on a romantic
23:31trip with your girlfriend.
23:32Do you think it could
23:33just stay the two of us?
23:36I'm sorry.
23:38Old habits.
23:40That is the last time
23:41you will hear
23:42of Lynette.
23:43It's in Paris.
23:48My show.
23:51Oh,
23:52God.
23:53Stay close with that, Mom.
23:57I'm going to run
23:58to the men's room.
23:58It's a long flight.
24:00And airplane bathrooms?
24:01Freak me out.
24:02Well,
24:03there goes one fantasy.
24:04What the hell
24:16are you doing here?
24:17I need to talk to you.
24:18I can't believe you.
24:19You think I want
24:19to chase you down
24:20in an airport men's room?
24:21Now listen to me.
24:22I can only breathe
24:23through my mouth
24:23for a few minutes.
24:24Well,
24:24you can save your breath.
24:27I am going...
24:29I am going
24:31to Paris
24:32with Jane,
24:33and I am sorry
24:33if you're having
24:34a hard time with it.
24:34This isn't about
24:35you and Jane.
24:36Look, see?
24:36Good with it, okay?
24:37Okay, good.
24:39Then why are you here?
24:40Because
24:41you can't go
24:43to Paris,
24:43not now.
24:44Okay, I'm confused.
24:46You don't care
24:46if I go to Paris
24:47with Jane,
24:47but you're telling me
24:47I can't go to Paris
24:48with Jane.
24:48I'm sorry.
24:49I have to tell you
24:49something,
24:50but it's just
24:50really hard to say.
24:51I'm sorry,
24:52but my plane is boarding.
24:53I have to go.
24:54I'm an accessory
24:55to murder.
25:03Here,
25:07let me help you
25:07with this.
25:08I think you've
25:09helped enough.
25:10Gabby,
25:11please,
25:11I can't stand
25:12this anymore.
25:13Can't we talk
25:13for a minute?
25:14To be honest,
25:15after what Chuck
25:15put me through,
25:16I'm kind of
25:16talked out.
25:17Wait,
25:17what do you mean?
25:19He interrogated us.
25:20Me,
25:20Lynette,
25:21and Susan,
25:21he called us
25:22down to the station
25:22and grilled us
25:23one by one.
25:24Why didn't he
25:24call me down there?
25:25Good question,
25:26given this whole thing
25:27is about you.
25:27What are you
25:28talking about?
25:28Brie,
25:29he wants revenge.
25:30He wants to bring
25:31you down
25:32and we're all
25:32going to go down
25:32with you.
25:34Gabby,
25:34please,
25:35I will figure out
25:36a way to make
25:36things better.
25:37No,
25:38you won't.
25:38This isn't going
25:39to stop until
25:39Chuck is stopped.
25:49Say something.
25:51Why didn't you
25:51tell me this?
25:52I wanted to
25:53a hundred times,
25:54but we weren't
25:55together anymore
25:55and it seemed wrong
25:56to drag you into it.
25:57Tom,
25:59plan's boarding.
26:04You've got
26:04to be kidding me.
26:06Jane,
26:06I'm sorry,
26:07I know what
26:07this must look like.
26:08Really?
26:10You know what
26:11it looks like
26:11to walk into
26:12a men's room
26:13and find your
26:14boyfriend's ex
26:14chatting him up
26:15before your flight
26:16to Paris?
26:16It's not like that.
26:18Oh,
26:18of course not.
26:19I'm the crazy one.
26:21You two rendezvousing
26:22in an airport toilet.
26:23I'm the nut job.
26:24She's hiding
26:24under your bed.
26:25Jane's the one
26:26who needs to be sedated.
26:27Tom,
26:27I really can't
26:28deal with this
26:28right now.
26:29Can we just go?
26:39You are not
26:40doing this
26:41to me right now.
26:44We will go
26:45at the end
26:45of this month.
26:47I promise.
26:48I promise.
26:48Jane,
26:58Jane,
26:58it's really not
26:59Tom's fault.
27:04Tom?
27:06Honey?
27:06you know what
27:08she's doing,
27:08you give in here
27:10now.
27:11It'll never stop.
27:14I am so sorry.
27:16But,
27:16there are
27:18extenuating
27:18circumstances.
27:20Okay.
27:21Then tell me.
27:22Tell me what they are.
27:24I think I
27:25at least deserve that.
27:26I'm going to Paris.
27:44And if you want,
27:46you can meet me there.
27:47I'm so sorry.
27:56But I don't,
27:58just,
28:00don't
28:00talk.
28:01Oh my God,
28:13you brought it.
28:14Now,
28:14before I give it to you,
28:16oh,
28:16well,
28:16that never works.
28:18What I was going to say,
28:19I have a little
28:21proposition for you.
28:23Oh,
28:23calm down.
28:24It's not sex.
28:25Dang it.
28:27I believe
28:28you have that
28:29certain something
28:29that makes
28:30a great artist.
28:32Maybe it's talent.
28:34Maybe it's mental illness.
28:35All I heard was
28:36great artist.
28:37Keep going.
28:38Fairview
28:38is not the fertile ground
28:40required for you
28:41to grow.
28:43I think we need
28:44to move your skinny
28:45little tush
28:45to New York City.
28:46Move?
28:48No.
28:49I just need to get
28:50away for a few weeks.
28:51I'll set you up
28:51in an apartment.
28:52You paint.
28:54I'll take 50%
28:54of whatever I sell.
28:56But let's not get
28:57bogged down in
28:57how the sausage
28:58gets made.
28:59What about my family?
29:01My son is
29:01in the middle
29:02of third grade.
29:03New York has
29:04the best private
29:05schools in the world.
29:06He can wear
29:06a little blazer
29:07to school.
29:09Heck,
29:10if he can fit
29:10into a child's medium,
29:11I can loan him
29:12one of mine.
29:13Oh.
29:16I never really thought
29:17about moving before.
29:19Well,
29:19what is keeping you here?
29:26Yeah,
29:26not much.
29:28Okay.
29:29Think it over.
29:31But if you turn me down,
29:32then I'll know
29:33it's mental illness.
29:35I want to offer you
29:47a deal.
29:48A deal?
29:49Really?
29:51Terms?
29:52Whatever I've done,
29:54or whatever it is
29:55you think I've done,
29:56you write it up
29:58and I'll sign a confession.
29:59in exchange for...
30:02You leave my friends
30:02out of it.
30:04Oh, darn.
30:05I was actually
30:06interested there
30:06for a minute.
30:07What do you hope
30:08to gain by harassing
30:09my friends?
30:09What do you want?
30:10This?
30:12You in pain.
30:14You see,
30:15I could never figure out
30:17a way to hurt you
30:17the way you hurt me.
30:19If you had any idea
30:21how much I'm hurting already.
30:22It's not enough.
30:23You know why?
30:24Because you're too resilient.
30:25Husbands die.
30:26Kids leave.
30:27Businesses collapse.
30:28Brie always bounces back,
30:30but threaten her friends.
30:32Ouch.
30:33Police.
30:35You're talking about
30:36the people I love.
30:38They're my whole world.
30:39I have nothing else.
30:41You have nothing else.
30:45It's a bad position
30:46to make a deal from.
30:51Sorry.
30:55Hey,
30:56you remember that deal
30:56I wanted to make with you?
30:59You marry me
30:59and I take care of you
31:00for the rest of your life?
31:04Maybe you should have taken it.
31:09You're old and pretty much housebound.
31:25Have you noticed
31:26if Ben's been
31:28entertaining a lot lately?
31:30This is what I get
31:30from that having a pit bull.
31:33I think he's cheating on me.
31:34Ben?
31:35No,
31:36he seems like a great guy.
31:37My ex was a great guy, too.
31:39Ask any stripper
31:39in New York City.
31:41Oh, my God.
31:42I cannot go through that again.
31:43I just can't.
31:45Renee,
31:45I may not be your biggest fan
31:47or even like you,
31:49but there's one thing
31:50no one can argue with.
31:52You are hot.
31:55Pardon?
31:55Look at you.
31:57You're a knockout.
31:58Those gams,
31:59those curves
32:00that kill her smile.
32:02Basically,
32:02you're me 35 years ago.
32:05So this is my future.
32:07The point is,
32:09whoever this woman is,
32:10she can't hold a candle to you.
32:12Oh, thank you, Karen.
32:14Now, go out there
32:15and fight for your man.
32:16You're right.
32:17Tonight,
32:18I will throw on
32:18a little nothing
32:19and make a house call.
32:22At a girl.
32:22You know what?
32:27I wish I'd known you
32:2835 years ago.
32:29We would have made
32:30a hell of a team.
32:31Hey, we still can
32:32if the Aussie's into it.
32:38Stop packing.
32:39We're not moving.
32:40Don't you see
32:40how great this is?
32:41Living in New York
32:42and getting paid to paint.
32:43It's an amazing opportunity.
32:45To uproot our family
32:46and move somewhere
32:47we've never lived before?
32:48So we'll go for a few weeks
32:49and see how we like it.
32:50Susan, you do know
32:51that if Chuck wants
32:52to take you down,
32:53moving to New York
32:54is not going to stop him.
32:55I know that.
32:57Well, then why would you
32:57want to give up
32:58the life we have here
32:59after all this time?
33:00Because it's different.
33:03Before,
33:04all I had to do
33:05was look out that window
33:06and I'd see a true friend.
33:08Someone who would do anything
33:09for me or my family,
33:10but now
33:11it's all gone.
33:14You think you're going
33:14to find that somewhere else?
33:17You're just running.
33:19Okay, so I'm running.
33:20Mike, if I get caught,
33:22I could go away
33:23for a lot of years.
33:25So in the meantime,
33:27why not try to live
33:29the life I've dreamed of?
33:30It's not my dream.
33:32If this is something
33:33that you need to do,
33:34you're on your own.
33:35Hello, Gabby.
33:46Is this a bad time?
33:49Chuck, I have two daughters
33:50under 13.
33:51It's always a bad time.
33:52Yeah, why don't you
33:52just step outside here
33:53for a second?
34:00So, did you talk to Carlos?
34:01Carlos, he's obviously ashamed
34:03of his affair,
34:03the whoremonger,
34:04but at least he's
34:06honest about it.
34:07No, I wound up
34:09taking a different angle
34:09on the investigation.
34:10Actually, you were
34:12the reason for that.
34:13Me?
34:14What do you mean?
34:15You remember
34:16when we were talking
34:17about this guy?
34:20Vaguely.
34:21I remember it vividly
34:22because it was
34:23the oddest thing.
34:24You see, when Susan
34:25saw this picture,
34:26she nearly passed out.
34:27And when Lynette saw it,
34:29she willed herself
34:30into not reacting.
34:32But you,
34:34you smirked.
34:40That's crazy.
34:40Why would I do that?
34:42Same question
34:42I asked myself.
34:44So, I started doing
34:45some digging
34:46into your background.
34:48Turns out,
34:49Ramon Sanchez,
34:51formerly of Oklahoma,
34:52is actually
34:55Alejandro Perez.
35:00Your stepfather.
35:02And you never
35:03mentioned him.
35:05Oh, come on, Chuck.
35:07You get him
35:07and see you, who?
35:09At this point,
35:09I don't think you
35:10should say anything
35:10without a lawyer present.
35:13Wait, am I under arrest?
35:15Not yet.
35:16But based on this,
35:16I have to start
35:17an official case file.
35:18I'm going to need you
35:19to come down to headquarters
35:19for an interview.
35:21Be there tomorrow
35:22at 10.
35:26And, Gabby,
35:26if you don't,
35:28I'll send a squad car
35:30to get you.
35:44Hi, I need to speak
35:45with Carlos Solis
35:46immediately.
35:47I'm sorry,
35:47but Mr. Solis...
35:48Yeah, I know,
35:48I know you have
35:48that annoying
35:49no-contact policy,
35:50but this is an emergency.
35:51Mr. Solis isn't here.
35:52He checked himself out
35:52two hours ago.
35:54What?
35:54Why didn't you stop him?
35:56He was not in the mood
35:57to be stopped.
36:03Ben!
36:04Are you in there?
36:06I'm wearing leather
36:07and I'm getting cold.
36:12Ben!
36:12Ben!
36:12Ben!
36:12Ben!
36:20Ben!
36:43Ben!
36:44Ben!
36:45Brie, no need to call me back
36:51Just wanted to let you know that my unofficial investigation is about to go official
36:56Be at the station tomorrow morning at 10
36:58Bring a lawyer
36:59Just when my friends needed each other most
37:15They found themselves utterly alone
37:17One with the frantic need to find her husband
37:23One with the consequences of revealing a painful secret
37:29And one with the feeling that she simply no longer belonged
37:36But for one of my friends
37:42The sense of isolation was so complete
37:45There you go
37:46There might be no escaping it
37:49Carnival breakfast runs till 10.30
37:51But the good stuff's gone by 8
37:52Oh, I don't think I'll be having breakfast
37:55Thank you
37:55Suit yourself
37:58I don't know
38:14Do you remember how wonderful things used to be on the lane?
38:34I had the perfect life.
38:39Doctor, husband.
38:40Two beautiful children.
38:46Oh, and such dear friends.
38:51What happened?
38:53How did I lose it all?
38:57Things change, Bree.
39:00I'm so unhappy.
39:10Are you happy now?
39:16I'm not unhappy.
39:18I'm not happy.
39:18I'm not happy.
39:20Transcription by CastingWords