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  • 7/2/2025
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Transcript
00:01Previously on Desperate Housewives,
00:03Detective Vance got aggressive.
00:06Have you seen this man?
00:07But Ben came to the rescue.
00:09It's pretty hard to build a case without a money.
00:11I'll take care of it.
00:13And Mike got rid of the body.
00:15But so many secrets led to a falling out.
00:18We're done.
00:19Don't you think you're ever reacting?
00:21I don't think she is.
00:23And Susan expressed her anger the only way she knew how.
00:30There is nothing more peaceful than the sounds of Wisteria Lane at night.
00:37Whether it's the murmur of a neighbor's television.
00:43The hum of the street lamps.
00:49Or the songs of the night birds.
00:55Wisteria Lane is so peaceful that even the slightest disturbance...
01:02...can be very alarming.
01:06911.
01:08There's an intruder in my home. I'm at 4355 Wisteria Lane. Please hurry.
01:14Oh my God. Chuck.
01:21Hello Brie.
01:23What are you doing here? I could have shot you.
01:25I heard your call over the radio. When I got here, the door was wide open. So...
01:32I'm just gonna have a look around.
01:34If you don't mind putting the gun in your pocket while I do.
01:41So tell me again what you heard.
01:48Um, a loud bang and then some footsteps. Like someone had forced their way in.
01:55Are you sure you didn't accidentally leave the door open?
01:58Positive. I locked it.
01:59Well, I don't know what to tell you.
02:02Maybe it was just some drifter looking for a few bucks and you scared them off.
02:04I don't get a lot of drifters around here.
02:05I don't get a lot of drifters around here.
02:07Well, I don't know what to tell you.
02:08Maybe it was just some drifter looking for a few bucks and you scared them off.
02:10Except for that guy we saw right out front a few months ago.
02:13The one who turned up as a missing person?
02:15I told you I don't remember anything about that.
02:16And yet, you're positive you locked your door before you went to bed last night.
02:19Hmm. It's funny but you had a little bit of trouble.
02:20I thought you were good.
02:21You were good.
02:22You were good.
02:23I was good.
02:24I was good.
02:25I was good.
02:26I was good.
02:27I was good.
02:28I was good.
02:29I was good.
02:30I was good.
02:31I was good.
02:32I was good.
02:33Well, I was good.
02:34I was good.
02:35I was good.
02:36I was good.
02:37I was good.
02:38I was good.
02:39It was good.
02:40Things we remember, and things we don't.
02:43Are you interrogating me?
02:45No, of course not.
02:47You're a victim.
02:50And why would you say that?
02:51Because it's obvious to me what's going on here.
02:55Someone's sending you a message.
02:58What kind of message?
03:00Maybe they think you're hiding something.
03:03Maybe they're trying to rattle you, hoping you'll slip up.
03:07Or maybe they just don't want you to feel safe in your own home.
03:14Yes, there's nothing more peaceful than a night on Wisteria Lane.
03:19But I wouldn't lose any sleep over this brain.
03:22I'll be keeping an eye on you.
03:25Until someone comes along.
03:28And disturbs the peace.
03:36In a stressful world, we can all be forgiven for having a few weaknesses.
03:50Some of us are lured by a sweet treat.
03:55Others by a sad face.
04:00And still others by the pull of a great novel.
04:03But Gabrielle Solis was about to discover that some weaknesses
04:10Is he yours?
04:13Aren't so easy to forgive.
04:17Depends. Is he drunk?
04:19Unless he throws up in cabs when he's sober.
04:23I'm so sorry.
04:25Here's 20 bucks for the ride.
04:27And another 20 for your upholstery.
04:29This will make you feel better.
04:34Oh, it smells like hot sauce.
04:36Yeah, it's Mexican hangover cure.
04:38It's the only thing I inherited from my family that's actually worth anything.
04:43I'm really sorry about all this.
04:46I thought it would get better after Ben did what he did, but...
04:50It hasn't.
04:52Maybe we need to get you help.
04:53Like, rehab or something.
04:55I'm not addicted, Gabby.
04:57It's just when I'm stressed, this is what I do.
05:00Really? You were stressed on the golf course this morning?
05:02It was work.
05:04And there's always drinking when it's work.
05:06We're golfing with a client.
05:08Beer. We're hammering out a deal.
05:09Wine. We make the deal.
05:10Champagne.
05:11Well, maybe you need to take a little time away from work.
05:14Dry out. Kickstart your sobriety.
05:16I am the CEO.
05:17If I do that, the whole place will fall apart.
05:19And if you don't, you'll fall apart.
05:20But...
05:21Maybe you're right.
05:26But I can't do it today. I've got payroll to sign.
05:28You're sweating bourbon. You're not going anywhere.
05:30I'll go in and I'll sign it for you.
05:32You can't sign my name.
05:33Please. I forge your signature all the time.
05:35How else do you think I got that platinum card?
05:39Mom must be in bad shape. I don't even have the energy to get mad.
05:41Oh, with any luck, you'll forget I said it.
05:43I'm sure some of you feel I've been too hard on you these past few weeks.
05:51I think I speak for all of us when I say, uh, all of us.
05:54Well, after today, you will long for the mother's milk that's been my criticism.
05:58Please meet our special guest, my art dealer
06:00and the owner of the Bergman Gallery, Felix Bergman.
06:04I smell fear and mediocrity.
06:10Oh, God. It's like someone left Andre in the dryer too long.
06:14Shh.
06:15Felix has agreed to evaluate your work, give honest feedback, and teach you the business of art.
06:20So, what do you call this piece?
06:23A celebration of the female nude.
06:26This is why I don't sleep with women.
06:28It's repulsive.
06:29Well, it's not a literal...
06:31Mind drifting, eyelids drooping, and I'm gone.
06:36He's not a critic. He's a little ball of hate.
06:39Oh!
06:40Oh, God.
06:40No art student's portfolio would be complete without the obligatory squares and circles colliding,
06:46or what I like to call man's inhumanity to art.
06:50Well, Amy is one of my most promising students.
06:52I find her work to be bold, defiant, and dazzlingly layered.
06:56You're stooping her, aren't you?
06:58Regardless, I just think that there's a place for her work.
07:02I think you may be right.
07:07Found it.
07:11So, what do you have for me?
07:14The same thing you have for us, contempt.
07:17Excuse me?
07:18We got it.
07:19You're a super sophisticated art snob who hates everything.
07:23Well, guess what? I'm not playing.
07:24Susan?
07:25No, I am not getting my teeth kicked in just because your mother didn't breastfeed you.
07:30Go play your game with someone else.
07:35Look, if you want to be a professional artist, you need to develop a thick skin.
07:40Did you paint this?
07:44Yes, I did, and I have no interest in hearing what you think of it.
07:47Well, that's too bad, because I think it's brilliant.
07:50Really?
07:51Really?
07:52It's original.
07:53Dark, brooding.
07:54It tells a story.
07:55I'm totally drawn in.
07:58Congratulations, Andre.
08:00I do believe you've struck artist.
08:04Yeah, I suppose she shows promise.
08:06She may amount to something one day.
08:08One day?
08:09This girl has arrived.
08:11In fact, she reminds me of a young you.
08:13Now, now, where's that thick skin you were crowing about?
08:24And for the den, Franklin wants a southwestern look.
08:27You know, Navajo rugs, red chili peppers, chairs made of horns.
08:32Southwestern.
08:33Fun.
08:34And bound to come back in style since it's been out so long.
08:37We can't wait to work with you, Cindy.
08:40Yes, all we need is a $5,000 deposit, and then I will saddle up, mosey into town, and
08:45rustle up that wagon wheel table.
08:48What's the date today?
08:49Uh, the 13th.
08:5013th?
08:51No.
08:51Can't be.
08:53Yes.
08:53Why?
08:54It's my wedding anniversary.
08:5622 years.
08:58Congratulations.
08:5922 years.
09:00What is that?
09:01Copper, brass?
09:02Separation, in my case.
09:04Oh, I'm sorry, I saw your ring, and I just assumed that...
09:08Yeah, still wearing it, even though we're hanging on by a thread.
09:12You poor thing.
09:13Yes, we're all devastated.
09:14Would you like a pen?
09:16I remember what my mother sent me on my wedding day.
09:20It's bad luck to get married on the 13th, and for 21 years, Tom and I have been laughing
09:25about how wrong she was.
09:28About this year.
09:29Yes.
09:29Let's make it out to Perry Scavo Designs.
09:32Well, don't give up, Lynette.
09:34It's never too late.
09:35Yeah, I think his girlfriend might disagree with you on that one.
09:39His beautiful doctor girlfriend.
09:42That's P-E-R-R.
09:44Now, you listen to me.
09:45My Franklin and I almost split up two years ago.
09:47He was getting bored, and I could see he was about to pronounce our marriage dead.
09:51But then I said no.
09:54No?
09:55No.
09:55Splitting up wasn't an option.
09:57I had waited too long to find this man.
09:58I wasn't going down without a fight.
10:00So what'd you do?
10:01I changed.
10:02I got a new do, new wardrobe.
10:05Franklin liked the new Cindy so much, he started to change too.
10:08That's amazing.
10:09You know what?
10:10Just sign it.
10:11We have a stand.
10:13I will go to the tile yard to see if they have those adobe shingles.
10:18You want to check on the fabric?
10:19Do you think I fought enough?
10:24Lynette, you're taking marriage advice from a woman who wants coyote sconces.
10:27I'm serious.
10:28Am I giving up on my marriage too easily?
10:30No.
10:31I think you knew when it was time to call it quits.
10:34That's just it.
10:35I'm quitting.
10:37Instead of not taking no for an answer.
10:39Look, you and Tom tried to make it work, and you couldn't.
10:42Now he's moved on.
10:45And you are an amazing woman with your whole life ahead of you.
10:48Take off that wedding ring.
10:51Go live it.
11:00Hey, Gabby.
11:00Do you have a minute?
11:02Oh, now's not really a good time.
11:04Why don't we talk tomorrow?
11:05Please?
11:06I don't know who else to turn to.
11:07Susan won't return my phone calls, and when I went to Lynette, she pretended she wasn't home.
11:12Yeah.
11:13Okay.
11:17How do things get so bad so quickly?
11:20This morning I was all set to make food for poker night, and then I remembered.
11:23No poker night.
11:25I feel like I've lost the life I had.
11:28First my family, and now my friends.
11:30Who knows if Susan or Lynette will ever speak to me again.
11:33They'll cool off once they realize we're in the clear.
11:35What if we're not in the clear?
11:37What do you mean?
11:38The body's eight feet under dirt and concrete.
11:40No body, no crime.
11:41I know, but, well, Chuck came by yesterday.
11:47Chuck?
11:48What did he want?
11:51Oh, hey.
11:53Babe, do we have an answer?
11:55Yeah.
11:58Um, are you feeling better?
12:00Mm-hmm.
12:05Is he?
12:07I thought he stopped drinking.
12:09Me too.
12:10Oh, Gabby, I'm so sorry.
12:12I keep saying it's because of work, but I know it's the guilt still eating away at him.
12:16I just don't understand how drinking helps.
12:19I do.
12:19Sometimes a drink feels like the only friend you have left.
12:23Well, I just thank God this ordeal is behind us.
12:25We all need to move on.
12:28You're right.
12:29I'm gonna go.
12:31Mm.
12:31You never tell me what Chuck wanted.
12:35Oh, uh, what else?
12:37He wanted to get back together again.
12:39Oh, God.
12:40Please tell me you said no.
12:41Of course I did.
12:43Oh, and Brie.
12:44I never think you lost me as a friend, because you're my rock.
13:00Oh, hey, Marilyn.
13:02Oh, Mrs. Sillis, thank God.
13:03I've been trying to reach Carlos, and it keeps going to voicemail.
13:06Oh, it's okay.
13:07No need to bother, Carlos.
13:08I'm here to sign the payroll.
13:09This isn't about the payroll.
13:11Frank Sweeney, one of our biggest clients, he's on his way here, and he did not sound happy.
13:16I'm gonna try Carlos again.
13:17Whoa, whoa, whoa.
13:18I, uh, I don't want to stress out Carlos.
13:21He's home with the flu.
13:23Besides, I'm here.
13:24How does that help?
13:26I know Frank Sweeney.
13:27He grabbed my ass at the Christmas party.
13:30Actually, a lot of guys did.
13:31That was a good party.
13:33Yes, it was.
13:34Leave this guy to me.
13:37I know I'm setting women's lib back 20 years, but I can do this.
13:42So, Frank, it's been forever.
13:46When's the last time we've seen each other?
13:48Uh, I'm not sure.
13:50I am.
13:52Jingle bells, jingle bells, jingle all the way.
13:57Is Carlos coming in?
13:58I really need to speak with him.
13:59Well, aren't you all business?
14:02Yes.
14:03Ooh, and all muscle, too.
14:05Does Carlos even know I'm here?
14:06I mean, if he doesn't take an $80 million account seriously.
14:09No, no, no.
14:09Of course he takes it seriously.
14:13What are you doing?
14:15In my modeling days, we called this the moneymaker.
14:17Well, now it looks like a neck spasm.
14:21Look, where is Carlos?
14:23I don't know what kind of business he's running here, but if he thinks he can pawn his clients
14:26off on his wife...
14:27No, no, no, no.
14:27We understand you've been a little unhappy, and we want you to know you've been hurt.
14:33I haven't said anything yet.
14:37Knock, knock.
14:38Mr. Sweeney.
14:39Sir.
14:40Heard you were in the building.
14:41Just wanted to make sure you were being taken care of.
14:43Oh, I'm sorry.
14:44I didn't mean to interrupt.
14:46No, no.
14:47Please, interrupt, whoever you are.
14:49Jeffrey Mathers, senior account manager.
14:52I understand you have some concerns about the market.
14:54I do have three or four real-world solutions to protect your money in this economy.
14:58That is if you'd like to hear them.
15:00Actually, that's what I came in to talk about today.
15:03Well, of course it is.
15:05I was just getting to it.
15:06But, uh, it seems like Jeffrey here has a handle on things, so please, join us, Jeffrey.
15:14Have a seat, sir.
15:15So, I noticed you weren't using derivatives to approach against further declines in the market.
15:23That was fun.
15:25I like Felix.
15:26I thought you were annoying when you were cheerful, but this smugness is much worse.
15:30Why would I be smug just because he called me the young you?
15:34I guess that makes you the, uh, ooh, old you.
15:40He can be a touch theatrical.
15:42I wouldn't take his praise too seriously.
15:44Oh, I would.
15:45I think this time I may have laid it on a little too thin.
15:48I have not been this excited since I discovered Andre doing caricatures at the pier.
15:54They weren't caricatures.
15:55They were images of the American grotesque.
15:58Uh-huh.
15:58And if you bought two, you got a free churro.
16:01Oh, I am not surprised he didn't tell me about you.
16:04I'm sure he saw you in his rearview mirror gaining on him, and it scared him to death.
16:09Why would a professional like Andre be threatened by, what did you call me?
16:15A silly, bored housewife unburdened by talent.
16:19You are a housewife?
16:21Hmm.
16:23I love it!
16:24You're like a, uh, a sexy suburban Georgia O'Keeffe without all the pesky vaginas.
16:30Because I can sell the heck out of this story at my gallery.
16:36What?
16:37Oh, wait, you want to show my painting in public?
16:40Welcome to the big time!
16:41No, no, no.
16:42No, that, uh, no, that can't happen.
16:44My dear, do you understand what an opportunity this is?
16:47Hundreds of people will see your work.
16:49I'm sorry.
16:50I'm, I'm, I'm flattered, and, uh, I thank you for your offer.
16:54Um, but I can't.
16:59Artist.
17:02My pleasure, Frank.
17:03And I'm serious, you call me any time.
17:05Yeah, Frank, great talking to you.
17:11Oh, thank God you got here.
17:14I was 30 seconds away from flashing him a boob.
17:16He was nothing.
17:17Carlos has done a lot for me over the years.
17:20Is he okay?
17:23Yeah.
17:23Yeah, he's just got the flu.
17:25Really?
17:26Because he usually comes running the second Sweeney pup's into town,
17:29and I don't think the flu would keep him away.
17:32Um.
17:36Mrs. Solis, your husband has been like a father to me.
17:40I really want to help if I can.
17:45Okay.
17:46He's been going through a rough time, and, well, he's been drinking a lot.
17:51So he's going to be staying home for the next week or two, trying to pull himself together.
17:56Poor guy.
17:57Well, don't worry.
17:58You go home, and you take care of him.
18:00I'll take care of things here.
18:01Really?
18:02Just get him better.
18:03We need him back.
18:07You're a good kid.
18:08You know what?
18:08I'm telling Carlos you deserve a raise.
18:10Can you tell him when he's sober?
18:15Yeah.
18:16Yeah.
18:24Lynette Scava?
18:25Yes.
18:26Wow, these are beautiful.
18:27Someone must be thinking of you.
18:28Have a good one.
18:29Thanks.
18:29Who sent flowers?
18:39Um.
18:40Just your Aunt Renee.
18:42That was nice.
18:43Right?
18:45A little unexpected, but very, very nice.
18:48Mm-hmm.
18:49Hey, honey.
18:59How was your day?
19:00Daytime TV sucks.
19:02Just a bunch of women sitting around talking about menopause and things they don't eat anymore.
19:06You did record that, right?
19:08Yes.
19:11So I had to go to the office.
19:13Took you a long time to sign the payroll.
19:14Well, it wasn't just that.
19:16People were asking where you were.
19:17So what'd you say?
19:18I told them you had the flu and you were very comfortable staying home because you had a great staff.
19:23Which you do, by the way.
19:24Yeah?
19:24Who'd you talk to?
19:25Bunch of people.
19:26Um.
19:27Steve, Marilyn, Jeffrey.
19:28Jeffrey?
19:30Right.
19:31Guy probably started doing cartwheels as soon as you left.
19:34Why would you say that?
19:35He's a snake.
19:37Well, you mean like a nice snake?
19:40No.
19:41Like a backstabber.
19:42His contract's up at the end of the month.
19:44And I'm not keeping him on so he's trying to poach my biggest clients.
19:50Wow.
19:51What a day.
19:52I really need a drink.
19:54Hon.
19:56You threw out all the booze when I quit, remember?
19:58Oh, please.
19:59There's a bottle of Chardonnay in the tank of the guest toilet.
20:01It's like you don't know me at all.
20:02I don't know.
20:09Lynette, it's me.
20:11Go ahead.
20:13Ta-da.
20:15Oh, my God.
20:16Look at your hair.
20:18Do you like it?
20:19Is it permanent?
20:20No.
20:21Then I love it.
20:23Especially if it means you're finally ready to put yourself out there again.
20:27Not so much out there as back there with Tom.
20:30Oh, Lynette, stop it with that.
20:34He's moved on.
20:36Then why did he send me flowers for our anniversary?
20:39Love always, Tom.
20:41Well, I don't get it.
20:42Isn't he seen, Jane?
20:44Yeah, but maybe with the anniversary coming up, he started thinking about it and he wants
20:50to give it another try.
20:51What are you going to do?
20:55Well, I got Penny's keys to his apartment and...
20:58Oh, I get it.
21:00He gets home, you meet him at the door wearing nothing but whipped cream and a smile.
21:05Now, I'm going to put a bottle of scotch on his nightstand.
21:09That is our anniversary thing.
21:11He sends me flowers, I give him scotch.
21:13Oh, now I get it.
21:15You get him all liquored up and then you undress him.
21:18No, Renee, no sex.
21:19Okay, I don't get it.
21:21I was thinking maybe he sees the outfit, the hair, and he realizes I've changed.
21:28And then maybe he wants to change too.
21:32Are you sure that's what you want?
21:34All I know is we have been walking away from each other since this thing started and this
21:38is the first time he's taken a step toward me.
21:41I think I have to take a step too.
21:44Well, you look amazing.
21:47I hope it works.
21:49Thanks.
21:50I do too.
21:51And if it doesn't, I know this really hot thing you can do with a dinner mint and a feather.
21:57No sex.
21:58How are we even friends?
22:00You're an idiot.
22:08And that's why you're not getting any coffee.
22:12Susan, hanging our paintings in the gallery is a major opportunity.
22:16Listen to me.
22:16I consider myself a mentor to you.
22:19What?
22:20You have insulted and discouraged me since the day we met.
22:24What else does a mentor do?
22:25Okay, fine.
22:28You got me.
22:28I don't care about you.
22:29I care about me.
22:30You came over just to tell me that?
22:32I teach to support my painting.
22:34If one of my students does well, maybe I can teach at a better college.
22:37Like one that doesn't have a major in air conditioning repair.
22:39Look, if you taught me anything, it's that the only gallery that matters is the one in here.
22:47Was that a Tuesday because I drank at lunch on Tuesdays?
22:50I made those paintings for me.
22:53And no matter what you say, I'm not sharing them with anyone.
22:57You're scared.
22:59What?
23:00You're afraid of being judged.
23:04Yep.
23:05You're right.
23:07I'm a big old scaredy cat.
23:09Fear of rejection.
23:10Never felt good enough.
23:11Blah, blah, blah.
23:12Happy?
23:14Bye-bye.
23:20So, did you get me the paintings?
23:25No, she still won't do it.
23:27But you know what they say.
23:29Some were born great.
23:31Some achieve greatness, and others have greatness thrust upon them.
23:35Looks like it's time to start thrusting.
23:37If you're spying on me, you're not very good at it.
23:53Oh, I thought I was pretty good when I followed you to the gardening store in Euclid.
23:56And that stop you made for frozen yogurt?
23:58Our little secret.
24:01Isn't stalking illegal?
24:03We cops like to call it surveillance.
24:04Stay.
24:08I'm not done with you.
24:12This guy.
24:14The one you say you don't remember seeing.
24:16You think you might remember seeing his car?
24:18His car?
24:19Yeah.
24:20A silver Ford Focus.
24:22Just like the one you and Gabby were dropping back to her aunt Shirley the day I pulled you over.
24:27What are the odds?
24:29I'm sure it's just a coincidence.
24:31You want to hear another coincidence?
24:32The missing guys from Oklahoma City.
24:34Wasn't Gabby's aunt?
24:37A big fan of the Oklahoma City Red Hawks?
24:40I don't know what personality deficiency causes you to act this way,
24:43but I feel compelled to inform you how utterly unattractive it makes you.
24:48Fine.
24:48You don't want to answer my questions?
24:50Maybe Gabby does.
24:52You leave Gabby out of this.
24:53Carlos has been sick.
24:55She has her hands full.
24:56Oh, I'm so sorry to hear that.
25:01I'm patient.
25:02I can talk to her later.
25:04Bree, I've been a cop for a long time.
25:08And I can always feel when I'm getting close to the truth.
25:11You want to hear a wild guess?
25:13If it would allow me to get on with my day, I would be delighted.
25:16Something happened to this guy.
25:17Something bad and permanent.
25:19Now, I don't think you did it, but I think you know who did.
25:27Probably one of your friends.
25:29And you, being Bree, are protecting them.
25:33I do protect my friends.
25:35I would do anything for them, anything.
25:38They're the one thing in my life that have never failed me,
25:40and I will never fail them.
25:43And against that, you are powerless.
25:46Now, I am tired of your little guesses and your games,
25:49so if you want to charge me with something,
25:50I suggest you take out your cuffs.
25:53If not, you get the hell off my street.
26:02You scum!
26:25Oh, not you, Mr. Sweeney.
26:26Good to see you again.
26:27Mrs. Solis...
26:28We're sort of in the middle of something here.
26:29Yeah, I know.
26:30You're in the middle of stealing my husband's client
26:32while sitting at his desk in front of a photo of his wife and kids.
26:37Wait a minute.
26:38That's not me.
26:39That's me and my girlfriend in Belize with our dog.
26:43What kind of man puts his photos on another man's desk
26:46or takes his dog to Belize?
26:48I'll tell you what kind of man.
26:49The kind that shows up for meetings, unlike your husband.
26:53I told you he's got the flu.
26:56Gabby, I think Mr. Sweeney deserves to know the truth.
27:02Fine, I'll tell him.
27:05Carlos is a drunk.
27:07He isn't here because he drinks too much
27:08and he's unable to perform the responsibilities that come with the job.
27:11You know what?
27:13Carlos will get sober,
27:14but you will always be just a low-life son of a bitch.
27:18Is this true?
27:21Yeah.
27:21I need to speak to him.
27:24Right now.
27:32Carlos.
27:33Carlos, wake up.
27:34Wake up.
27:34Oh.
27:36Hey, babe.
27:37I was just dreaming about you.
27:39Remember in that little black number?
27:40Carlos!
27:41Mr. Sweeney's here.
27:43Huh?
27:44Hello, Carlos.
27:46Mr. Sweeney.
27:47Mr. Sweeney.
27:48Yeah.
27:49In our house.
27:50And I'm in pajamas, covered in chips.
27:53He knows what's going on.
27:55I'm sorry.
28:00Look, I am really sorry.
28:04I had a rough couple days.
28:07But I'm fine now.
28:09You can count on me.
28:10You see this?
28:13Fourteen years sober.
28:15But there was a time when I was standing right where you're standing.
28:19The only thing that got me back together was admitting I had a problem and going to rehab.
28:24No, that's not where I am.
28:26I mean, I know it looks bad, but trust me, I'm fine.
28:31Well, you can tell yourself that.
28:35But it's time for you to make a choice.
28:37Either throw away everything you've worked for, including your family, or take back control of your life.
28:45Honey, I think you should go.
28:46I know a great place, the place I went.
28:49I can call tomorrow and get everything set up for you.
28:57It's going to be okay, sweetie.
28:59It's going to be okay.
29:29I'm sorry, but that waiter was totally flirting with you.
29:35He was not.
29:36Oh, please, you're asking how your potato was.
29:39I mean, look, it's a potato.
29:41How many ways can it go wrong?
29:44Jared was just being attentive.
29:46Oh, oh, now it's Jared.
29:47I didn't realize you two were on a first-name basis.
29:50You know what?
29:51I like seeing you jealous.
29:53I'm not jealous.
29:53You just spent so much time on our table.
29:55You should have split the bill with me.
29:57Jealousy?
29:58Nah, Jared.
30:00I only got to bring you a potato.
30:02I got to bring you home.
30:08Oh, stop, stop, stop, stop.
30:09I'm here.
30:10Oh, my God.
30:11Oh, my God.
30:12I'm sorry.
30:13What is she doing here?
30:14Yeah, what are you doing here?
30:16I didn't think.
30:16I wasn't.
30:17I think she's on a bender.
30:18No, no, I just.
30:20What?
30:21You just what?
30:21Okay.
30:31Why don't I give you guys some privacy?
30:34As ironic as that sounds right now.
30:37I'll be at Chloe's.
30:43Please tell me this is the first time you have done this.
30:46I just wanted to bring you your scotch.
30:49You know, for our anniversary.
30:53Anniversary?
30:54Yes.
30:55I got the flowers you sent me.
30:58Oh, my God.
31:00What?
31:03You remember 12 years ago when I forgot our anniversary?
31:09I felt so awful I placed a standing order at the florist.
31:14I wanted to make sure you got flowers every year.
31:18Oh, God.
31:19I'm so sorry.
31:20No.
31:21No, honest mistake.
31:22It will never happen again.
31:24I am canceling it first thing tomorrow.
31:28Okay.
31:34I'm going to go.
31:41Lynette?
31:41Your hair looks nice.
32:03You made it.
32:04Oh, Felix was nice enough to invite me to the opening.
32:06It's the least I could do.
32:08Susan, that's art.
32:12Sorry.
32:16Wow.
32:18There's a lot of people here.
32:19Yep.
32:20And before the night's over, I believe they'll all be talking about you.
32:24What?
32:25I did something.
32:27And you're going to thank me for it.
32:28Oh, my God.
32:35Oh, my God.
32:36Oh, my God.
32:36Oh, my God.
32:37Oh, my God.
32:37You're welcome.
32:39What did you do?
32:41Well, you seemed so terrified about displaying your work, I figured I'd rip off the band-aid for you.
32:46And see?
32:47You're a hit.
32:50Don't forget who made you.
32:51Sweetie, can I help you?
33:07Nope.
33:07Don't mind me.
33:08I'm just adjusting the...
33:11Wow.
33:16That is really stuck on good, huh?
33:18What are you doing?
33:19Andre submitted these without my consent.
33:21They were meant to be private.
33:22I really want them back.
33:24Oh, jeez.
33:25How many screws have you got in there?
33:27Stop it.
33:28The only way they're coming down is if somebody buys them.
33:32Felix, please, please give them back.
33:36No one can see these.
33:37Oh, you are clever.
33:43Creating a scene like a crazy artist.
33:47There is not a person in this room who isn't looking this way.
33:51You're a genius.
33:52No.
33:52No, I'm not a genius.
33:53I swear.
33:54I just need the paintings.
33:56Keep it up.
33:56Keep it up.
33:57I'm going to grab the photographer from the Sentinel.
33:59The crazier, the better.
34:00Oh, her mind has snapped.
34:02Oh.
34:03Oh.
34:03Oh.
34:04Oh, stupid art.
34:22Oh.
34:22Bree, it's Susan.
34:23I know we're not talking right now, but I really need you.
34:26And Gabby.
34:27And your checkbooks.
34:30Susan, this isn't art.
34:31It's an illustrated confession.
34:33It's like a kid's book.
34:34Meet Dick and Jane.
34:35See Jane kill Dick.
34:36See Jane bury Dick.
34:37Run, Jane, run.
34:38I swear I didn't know.
34:40He just took them out of the classroom and put them up.
34:42Well, we have to get them down immediately.
34:44Hello, ladies.
34:45Are you enjoying the art?
34:46Yes.
34:46So much so that we would like to buy this whole series of paintings.
34:50Then take them home with us.
34:51Immediately.
34:53Ordinarily, I would place a sticker on the work that says sold, and then I would contact you when the show's over.
34:58Yeah.
34:58Well, you heard the lady.
34:59We've got to have these paintings, and we've got to have them now.
35:01So how much?
35:01Well, if you're going to buy the whole series, I suppose I can trim a little off the price.
35:07$10,000 should cover it.
35:08$10,000 for my art?
35:11I mean, it seems a little steep.
35:13Yeah.
35:14She painted my kids a mural of monkeys playing soccer for a bottle of wine.
35:18Fine, we'll take them.
35:20Congratulations.
35:21Mrs. Delfino, you are officially sold out, thanks to this lovely lesbian couple.
35:27Oh, you know what?
35:28This is not the time.
35:29Uh, we'll start pulling the pieces down.
35:33I'm so sorry.
35:34Tomorrow I'm back to monkeys and squirrels.
35:37You bought these?
35:38Yep, there are, so stop looking at them.
35:41You really have a good eye.
35:43Yes, they're so powerful.
35:44It's clearly an allegory for the bludgeoning and burying of the middle class in this country.
35:50Oh, I don't know.
35:53All I see is four women who killed a guy with a candlestick and dumped his body in the woods.
35:59But then again, what do I know about art?
36:10Chuck, you followed me here?
36:12Why would he be following you?
36:13Yeah, what's going on?
36:14I'm just trying to get a little culture.
36:16Susan, you painted these?
36:19Yes.
36:22Bravo.
36:23They are amazing.
36:26I mean, this one, for example.
36:28I mean, I'm getting shivers just looking at it.
36:31And is it me, or do those women look familiar?
36:38The short one kind of looks like you, Gabby.
36:42And there's you, Susan.
36:45And your friend, Lynette.
36:46And the pretty one with the red hair, well, who else but Brie?
36:51It's a work of art.
36:52I'm sure it's open to interpretation.
36:55No, I'm pretty certain it's you.
36:56What I can figure out is, who's that?
37:04Susan, you painted it.
37:05You can't tell me who that dead body might represent.
37:10Brie, any theories?
37:13Maybe a certain missing person from Oklahoma?
37:17Okay, what the hell is he talking about?
37:22I am this close to putting this together.
37:24But you know what?
37:27I think I'm going to take my time.
37:30Because I want to enjoy watching the Ice Princess melt.
37:40Brie.
37:41What is he talking about?
37:43Alejandro.
37:44Somebody reported him missing, and Chuck thinks we're connected.
37:47Oh, God.
37:48Is that why he was at your house the other day?
37:50Yes.
37:51But I asked you about that.
37:52Why didn't you tell me?
37:52Because you're going through such a hard time with Carlos.
37:54I didn't want to burn you.
37:56God, Brie.
37:57More secrets?
38:00What did you think you were doing?
38:02I was protecting you.
38:03I've been protecting all of you ever since that night.
38:05I am the one trying to keep this thing together.
38:08Yeah, well, great job.
38:09There's the woman of the hour.
38:24How do you feel?
38:27I never wanted people to see these paintings.
38:30I feel miserable.
38:34Then congratulations.
38:39You're finally an artist.
38:47Yes.
38:48There comes a time when we must expose our weaknesses.
38:51When our secrets can no longer remain private.
39:00When our solitude can no longer be denied.
39:08When our pain can no longer be ignored.
39:12But sometimes we feel so alone that a weakness we thought we'd overcome suddenly becomes too strong to fight.
39:28Peace out.
39:30Love you with me.
39:33See you tonight.
39:35Bye-bye.
39:35Next week.
39:36Just Teams.
39:36Thanks.
39:37And we'll be back with CC for now.
39:37heartache.
39:39We'll be back with you next week.
39:41See you next week.
39:42See you next week.
39:43See you next week.
39:44See you next week.
39:44Take care.
39:46Great care.
39:47See you next week.