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Bolji život (1987-1991) - Epizoda 57 - Domaća serija
U centru zbivanja serije je petočlana beogradska porodica Popadić, koju čine muž, žena, dva sina i kćerka. Oni se sukobljavaju sa svakodnevnim problemima u društvu. U ulozi glavnog junaka, Dragiše Popadića, glave porodice Popadić je Marko Nikolić. Njegovu suprugu Emiliju glumi Svetlana Bojković, starijeg sina Sašu, Boris Komnenić, kćerku Violetu Lidija Vukićević a najmlađeg Bobu, Dragan Bjelogrlić. Povremeni član domaćinstva je i Emilijin ujak, Kosta Pavlović koga glumi Predrag Laković, vlasnik idealne trećine njihovog porodičnog doma u koji se vratio iz Pariza.
U centru zbivanja serije je petočlana beogradska porodica Popadić, koju čine muž, žena, dva sina i kćerka. Oni se sukobljavaju sa svakodnevnim problemima u društvu. U ulozi glavnog junaka, Dragiše Popadića, glave porodice Popadić je Marko Nikolić. Njegovu suprugu Emiliju glumi Svetlana Bojković, starijeg sina Sašu, Boris Komnenić, kćerku Violetu Lidija Vukićević a najmlađeg Bobu, Dragan Bjelogrlić. Povremeni član domaćinstva je i Emilijin ujak, Kosta Pavlović koga glumi Predrag Laković, vlasnik idealne trećine njihovog porodičnog doma u koji se vratio iz Pariza.
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Short filmTranscript
00:00Why are you looking at me like this?
00:07I don't know.
00:09Why are you?
00:12What did you give me to me?
00:16Koviljka! Koviljka!
00:19When I killed my husband
00:22or made a serious work for you,
00:26would you take into consideration my case?
00:30I didn't know that the thing came out.
00:33How did you know?
00:35When you know all of a sudden.
00:38If it's like that, sir,
00:40then I'll make a decision.
00:45I'll take my case.
00:47Koviljka, I'm going to court.
00:49I know it.
00:50Through the city of the city.
00:51From work to work.
00:52And I can't get two precious days for Segedin.
00:55This is court.
00:57I'm going to take my case.
00:58I'm going to take my case.
00:59I'm going to take my case.
01:00I'm going to take my case for 15 minutes.
01:02I'm going to take my case for 15 minutes.
01:04U spretnju privođenja!
01:05To the
01:25Good night, Ivovi.
01:27Good night, Ivovi.
01:28Good night, Ivovi.
01:29Do you know how we tried to hide the car?
01:32Did you try to hide or hide?
01:35Well, no, I'm happy.
01:36I've got time.
01:37Is that something else?
01:39It's my nervous system.
01:40I'm going to play with you.
01:42No, I can't play with you.
01:44Don't let me play with you.
01:47I'm coming!
01:51Can I?
01:53Yes.
01:54I want a life, a better life.
02:00I'm blind with me.
02:04I'm blind with me.
02:06Where is it?
02:09There it is.
02:13What are you doing?
02:14What's up?
02:15What's up?
02:16What's up?
02:17What's up?
02:18What's up?
02:19If you need a daughter, she's still at home.
02:22I know.
02:23What's up?
02:24I'm curious.
02:25Who's going to be in the house?
02:26I'm curious.
02:27Who's going to be here?
02:28Who's going to be there?
02:29And if someone's going to be there,
02:30who's going to be there?
02:31Who's going to be there?
02:32Who's going to be there?
02:33No, I didn't.
02:34I called myself like a church.
02:35I was 4 hours.
02:36I'm curious.
02:38I'm curious why you call me?
02:40Why are you so sad?
02:42You're so sad to call me.
02:45I'm curious.
02:46I'm curious.
02:47I'm curious.
02:48I'm curious.
02:49You're not here.
02:50I'll go.
02:51If you don't go, I'll go.
02:53I'm curious.
02:54Who's there?
02:55You're not allowed me to be a victim?
02:58Or is it just initiative?
03:00You're my daughter to be in a cylinder.
03:03You're curious to be able to kill me
03:05to be able to kill you in the middle of the night.
03:08Who knows who's going to be?
03:09And I'm curious,
03:10I'll be curious to be there.
03:11I'll be curious to know who's there.
03:12Do you know who's there?
03:13Do I look at someone in the middle of the night?
03:16You look at me,
03:17at the cupola,
03:19master.
03:22At the dog-certainment.
03:24You look at alcohol,
03:26at the fountain,
03:27at the dead,
03:28at the dead.
03:29And all of these are women.
03:31They're women's family.
03:32That's women's family.
03:33Men?
03:34Only men.
03:35Men?
03:36Men?
03:37Men?
03:38Men?
03:39Men?
03:40I would like to see these holes.
03:41No one is there.
03:42It's all looked like people.
03:44What looked like?
03:45What would they do here?
03:46One is in the bank, the other is in the house.
03:49How do they do it?
03:50We know it.
03:51The other one is in the house.
03:52The other one is in the house.
03:53Okay.
03:54How many of them are?
03:56Four.
03:58A poker.
04:00The pot.
04:07The pot.
04:19The pot.
04:25The pot.
04:26The pot.
04:28Mama
04:44Do you want to lift yourself?
04:47They are to lift themselves, and as you can see, not lift them.
04:50What are you doing?
04:51I take a mug of a toothpick.
04:52Jesus Christ!
04:54Just to talk to you, I ask Please.
04:56It was horrible to you.
04:58From my daughter's house, she made a crackle.
05:01And that's because of poor pixels.
05:03The daughter is yours, but my house is mine.
05:06The pixels are not poor, there is a large lovage.
05:08Oh, my God!
05:10They have so much money that they don't know what to do with them.
05:13Oh, open the world.
05:15And take it.
05:21I'm not going to go.
05:23Open.
05:25Open.
05:37Open.
05:40Yeah.
05:41What did you see?
06:02Look at us, what are we waiting for?
06:05I pray for you, please come home.
06:07What?
06:08I mean, if you are satisfied with your health care,
06:11then leave the house.
06:12What do you want?
06:13I want to see this four-part band.
06:15In this case, I have to go physically
06:17to go.
06:18Jesus, Maria.
06:19It won't help me if I don't get this pixel.
06:22I'm going to put it in,
06:23and I'm going to fix it.
06:25I'm going to feed it from old bread.
06:29I'm going to eat it.
06:31Why do you do it when you don't have pixel without pixel?
06:35I don't do it I don't do it.
06:36I don't do it.
06:37I don't do it.
06:38I don't do it.
06:39I don't do it.
06:40I don't do it.
06:41I don't do it.
06:42I don't do it.
06:43You can wait as long as you want.
06:45I don't go from here until I see this pixel.
06:49I don't do it.
06:50I don't do it.
06:51But.
06:56Ljudi.
06:57Stvar se komplikuje.
06:58I don't do it.
06:59In serious state.
07:00I don't do it.
07:01Nooo…
07:11Repard.
07:19Here we go.
07:29Here we go, everything else I have left.
07:34Check it out.
07:49Full Kraljeva.
07:59Four pube.
08:08Good.
08:18Who is it?
08:22Nobody is here.
08:24Allow me.
08:26In this room you have to sleep.
08:28My daughter is in the 8th of the night.
08:31There is no more.
08:33Lord, let's go.
08:36Let's go.
08:38I'll be right back.
08:40Excuse me.
08:42We could have stayed in this party?
08:44No, I don't know.
08:46I don't play this.
08:48I don't play this.
08:50Allow me.
08:52Excuse me.
08:54It's a little more quality.
08:58Here.
09:00I'll be right back.
09:02I don't have my visit.
09:04Here.
09:06A moment.
09:10We hear you.
09:14Please.
09:16Sorry for this.
09:18I'll be right back.
09:20I'll be right back, Kevin.
09:22I'll be right back.
09:24Why?
09:25You're a player with the club.
09:27Like me?
09:28Me?
09:29I want to get some crows in the room.
09:33You take the man away.
09:35Wait.
09:36You didn't see the statue?
09:37The statue is in the right moment.
09:39There are no.
09:40This statue is the statue of the statue.
09:42This statue has served as a bloody statue.
09:44Come on.
09:51What?
09:52You look like the statue.
09:53Look at this.
09:54You're a lover.
09:55Why do you want a woman?
09:56Why do you want a job?
09:57How do you want a job?
09:58I'll be right back.
09:59I'll be right back.
10:00I want a job.
10:01I want a job.
10:02I'll be right back.
10:03I'll be right back.
10:04I'll be right back.
10:05I'll be right back.
10:06I can't get away from me. Just this one.
10:08That's how I gave it.
10:11Let's go, mother. Don't go so.
10:13This is a double-down. I will write it to you.
10:16Wait, paychecks.
10:18What paychecks?
10:19Paychecks, salt. Someone needs to be clean.
10:25Salt.
10:28Good.
10:31See you.
10:36One pixel plate, and for you, it's a question.
10:39Who is that guy? What does that do you do?
10:42They sell docks and televisions.
10:45Come on, maestro.
10:48Come on, maestro.
10:50We're going to do it.
10:52Come on.
11:06We're going to do it.
11:21We're going to do it.
11:37Have you finally realized?
11:40Oh, thank you, my God.
11:43Where am I?
11:44In the hotel.
11:46You sleep and enjoy it.
11:48While I'm hanging out with your baby.
11:51What is this baby?
11:52What can be done?
11:53I put it on the couch.
11:56Here's the thermophore.
11:57Here's the baby.
11:59And now, what are you doing?
12:00What are you doing?
12:01I put the car in the car.
12:03I'm waiting for the car to turn off.
12:05It's not a cost.
12:06Because I'm going to put everything on your account.
12:09You'll know it.
12:10What are you doing with the baby?
12:12Where is the baby?
12:13There's another room.
12:15He's sleeping.
12:16What?
12:17What is it going to do?
12:18Wait, what is it going to do?
12:20I'll do it.
12:22See how God killed you because you did it.
12:27You AND RANCH READY
12:29God killed me because I just tried to take it from the boy.
12:32I'll cut it off the standards.
12:34You made it out of my building.
12:36You had to cut me off the couch.
12:38And now, you had to get into the bed.
12:40You warmed up the kitchen.
12:42How did you dip the car out of me?
12:46For stronger. You know, since you are born, but I have given you my deep son.
12:53You are not normal.
12:54When I got a decision about the pension, I started to suffer.
12:58You know, I wake up in the night and realize how I'm going until the first time.
13:02Oh, my God.
13:03No, no, no, no. I consume him regularly and you know how to help.
13:10Oh, my God.
13:11You know what? I have to pay the cup of coffee.
13:14I'm sorry, my son.
13:15Give me it to me when I'm not sure. I will tell you.
13:19You know what? I have to pay the cup of coffee.
13:22I have to pay the cup of coffee and a cigarette, but the child is hot.
13:27Where is the cup of coffee?
13:28In the kitchen, my friend.
13:30In the kitchen.
13:31I'm a little child with these mothers.
13:34It's hot.
13:36It's hot.
13:38It's hot.
13:39It's hot.
13:41It's hot.
13:42It's hot.
13:43It's cold.
13:47It's hot.
13:48It's hot.
13:49It was hot.
13:50It's hot.
13:51It's hot.
13:52It's hot.
13:53You've killed my new mother.
13:54It's hot.
13:55Is that your mother?
13:56Yeah.
13:58You'd like.
13:59Something about it.
14:00To your mother and I go.
14:01That can't stop you.
14:02No, you're not mad.
14:03I have to give you a great drop.
14:04I have to... I have to wait a meter.
14:08Just to buy all this.
14:11Everything is gone.
14:13Everything is gone.
14:14Here it is.
14:17This is what it can be.
14:19And the rest, you write and write.
14:21Don't say to me.
14:23My child is sick.
14:24I have something to ask for Davić.
14:26Where are you?
14:27I will just ask you.
14:29Let me just ask you to go.
14:30Friends, a moment.
14:32A moment.
14:33Aha, zato su naše apoteke prazne, što vi sve skupljate za sebe ko hrčak.
14:39Pa sve su to meni lekari prepisali, na recept,
14:41izvinite. Maa, samo ja da sredim dete, pa ću da pozovem
14:44inspekciju, da ona pogleda ove zalihe, dok pravi bolesnici umiru ko muve.
14:49Feniraš svoj buđavi dušek dok dete laži mokro trk po lekara?
14:53Ko , kog lekara? Znaš ih t recommended,
14:56neko ko još nije pošizio tebe. Što stoje u Terence zovi, ajde.
15:01Just a moment, just a moment.
15:03Here you go.
15:04Here you go.
15:05Here you go.
15:07Here you go.
15:08Here you go.
15:10Here you go.
15:12You'll be good.
15:19What, did you get out yet?
15:20No, not yet.
15:21What are you doing?
15:23I'm going to get the wife to get the similar,
15:26I just want to touch this.
15:31I like it.
15:32How original is it, I'm sorry.
15:34And very short.
15:35But it stands out well.
15:37It doesn't stand out.
15:39It's all discovered before him.
15:44Good day.
15:45What are you looking at?
15:46It's your husband.
15:48My husband.
15:50Do you have a memory of me?
15:52I have.
15:53I'm coming for the third time from tomorrow.
15:55Later.
15:56When you get Kočubić, let's go.
16:01That's amazing.
16:04You're going to throw it out.
16:09Good day.
16:10Can you go there?
16:12Good day.
16:13You can.
16:15The job is waiting.
16:17I'm sorry, but I'm welcome.
16:19Because of his race board, everything is happening.
16:22There are various Kočubićs, Stevovićs, Rapajićs.
16:25They come when they come.
16:27They're calling and calling.
16:29And when we're doing our job, make a small child.
16:32Listen to me, my friend.
16:33I don't know who to make a small child.
16:36I know.
16:37And it's your wife.
16:38While the job is standing there, I want him to be half a mile.
16:41It's going to be a race board.
16:44Sorry.
16:45I want you to call me, Rapajić.
16:46Is that what?
16:47Well, if you're not a problem.
16:48If you're doing it, it's my sorrow.
16:49We're trying to get your life.
16:50Okay.
16:51And I'm going to call you in the car.
16:52And as you're willing, it's my life.
16:53And as you're willing to do it.
16:54And as you're meeting, it's my life.
16:55And as you're opening it up, it's my life.
16:56You're calling me in the house.
16:57I'm going to ask my friend.
16:59Yes, what?
17:01Of course, if it's not a problem.
17:03Listen.
17:05And if you can...
17:07What do you say?
17:09Two cards.
17:13What?
17:15For a concert.
17:17What concert?
17:19For your wife.
17:23Or at least one.
17:25I'm not the manager of my wife.
17:29Excuse me.
17:31And I'm not going to the concert.
17:33Then what?
17:35And call me Rapajić.
17:37Oh my God, what did I need?
17:49Hello, I ask the second Rapajić for the second Jatagan.
17:53What happened?
17:55You go.
17:57What happened?
17:59What happened?
18:01What happened?
18:03I told you to go immediately.
18:05Listen, Rapajić, I'll tell you something.
18:11I'll tell you something.
18:13What happened?
18:15What happened?
18:17What happened?
18:19What happened?
18:21What happened?
18:23What happened?
18:25What happened?
18:27What happened?
18:29What happened?
18:31I know.
18:33I know.
18:35I know.
18:37I know.
18:39Listen.
18:41I know.
18:43I know.
18:45I know.
18:47I know.
18:49What happened?
18:51What happened?
18:53What happened?
18:55What happened?
18:56I know.
18:57I know.
18:59I know.
19:01I know.
19:03I know.
19:04I know.
19:05I don't want to say anything.
19:07I don't want to say anything.
19:12I don't want to say anything.
19:16I know that he is a man who is forced,
19:19but for me it is a half-forced man who needs to be.
19:25I know very well that this society needs
19:28and that society will take me,
19:30and not Kurčubić.
19:32Yes, yes, yes.
19:35And if you want to call me a young,
19:38fresh, brave,
19:40dirty watercolist,
19:42then the society would take him,
19:44and I would take him for this place
19:46and then I would be able
19:48to take the time of German language in the house.
19:53Well, listen,
19:54everything is possible.
19:58I hear that now is the main
20:00Zoričić.
20:03Zoričić.
20:04Zoričić.
20:05Yes, yes, Zoričić.
20:06Yes, yes, Zoričić.
20:07Yes, yes.
20:08I hear that you are great with him.
20:12Well, see.
20:14Yes, I know.
20:15I know that he is cool,
20:16and that he is principled,
20:17and I am principled,
20:19and I am principled,
20:21and I am for a wide open,
20:23democratic and so on.
20:25I just heard that your Zoričić
20:29play Kazačok before Lazićić.
20:32If you didn't know.
20:34Yes, yes, yes,
20:36that your Zoričić played Kazačok before Lazićić.
20:40Why?
20:41Why?
20:42Well,
20:45because his son, his son,
20:47one-year-old Ladovan,
20:49he was in the faculty of Trojkaš,
20:52which was five points in the middle.
20:57Yes, in the middle.
20:59Yes, in the middle.
21:00Yes,
21:01so you will be able to take your Zoričić
21:05and I will be able to add
21:07to my Lazićić,
21:08for example,
21:09for a Friday night.
21:10And we will be able to talk to them at the evening.
21:14To organize ourselves,
21:15to be involved,
21:16to be engaged in the evening,
21:18to be engaged in the evening,
21:20and to be engaged in the evening.
21:21Of course,
21:23my Troshak,
21:24to be on Friday night.
21:26Is that okay?
21:28Okay,
21:30I will be able to take care of you.
21:34You are welcome.
21:35You said it was great.
21:37Just don't do anything,
21:39do you want to talk to me?
21:44For Sunday night,
21:45you reserve the Lovac's bag
21:47100 for 4.
21:48Yes,
21:49for 4.
21:50Yes.
21:53Kurčubicu,
21:54I can't get any more
21:56of the last time.
21:57That's why I will talk.
21:58I will go to the Lovac's bag.
21:59When you remember,
22:00everyone will be born.
22:01No,
22:02you don't care
22:03when I tell you,
22:04it will go.
22:05Every time,
22:06but don't go to the Lovac's bag.
22:09What?
22:10They won't go there.
22:11Why not?
22:13The people of that range are out of the cafe.
22:16When?
22:17When they are looking for Tanjir.
22:19I don't want to go to the cafe anymore.
22:21No.
22:22As you see a bigger group,
22:25he will be for the Jagnjec Brigade.
22:27Who says we have to go to Jagnjec?
22:29All right.
22:30You can eat pudding, gris, sutlijaš,
22:33and you are Brigadier.
22:34The people have lost their family.
22:37There are a number of people who don't take care of him.
22:40He is the first one.
22:43When you make the store,
22:45you start paying the price.
22:47First, in the kitchen,
22:48and then from the women to the local community.
22:50If you pay a bill,
22:51then you pay the government.
22:53If you pay the money,
22:54then you pay the money,
22:55and you have to pay the money.
22:57You don't want more money,
22:59friend of Jagnjec,
23:00but if you ask me,
23:02the best is in the home atmosphere.
23:05They ask me
23:07what is the best,
23:08what is the habit of,
23:09or what is the habit of,
23:10what is the habit of?
23:11I don't know.
23:13No one.
23:14Tell me.
23:18Only at home,
23:19the Jagnjec family.
23:20Let's go!
23:42Come on!
23:43Emilia!
23:45What happened?
23:46The door again!
23:48What did you do?
23:50What did you do?
23:51You got a discount!
23:52You got a discount!
23:53You got a discount!
23:54God, you got a discount!
23:55So, one more discount!
23:56They are our two!
23:57God, I'm only yours!
23:58I believe I don't sit there anymore!
24:00And your phone is yours!
24:02I don't want to push the microphone!
24:04What?
24:05I'm gonna get me again?
24:06Again!
24:07Wait!
24:08I'm gonna get you!
24:09Hey, my kid!
24:10I'm gonna get you!
24:11Hello!
24:13Hello?
24:14I'm going to get you!
24:16I'm going to get you!
24:17I can't tell you!
24:18I mean, I'm going to get you!
24:19I'm going to get you!
24:20I'm going to get you!
24:21Please?
24:22Come on, my kid!
24:23Come on, me!
24:24Come on, me!
24:25Come on!
24:26Is that Violeta Popatich?
24:28It is!
24:29And where is she?
24:30That's the way she is,
24:31She's gone!
24:32She's away from her wife!
24:33And when will she be back?
24:37Which one is going to find her?
24:39Who do you find her good attorney?
24:40With her father.
24:42Well, I am her lawyer.
24:45What are you saying?
24:47Yes, you can bring her that the trial is written and written.
24:50You just need to sign it.
24:52I'm flying to Stuttgart,
24:55and then I'm in Copenhagen and in Haag.
24:58In the International Court, right?
25:00Exactly.
25:02Go ahead, go ahead.
25:04From Haag, I'm flying directly to Beograd,
25:07so I can see myself only in the afternoon.
25:10Hello, do you hear me?
25:12I hear you, I hear you.
25:13Do you bring it all if it's not difficult?
25:16Listen, you say something.
25:18I tell you something.
25:20This house is not for the airbag.
25:23If you're going to burn you,
25:25you're going to kill me,
25:27and you're going to kill me,
25:29and you're going to see me on the back,
25:31it won't be difficult to bring you to the trial
25:33and you're going to go directly from Copenhagen
25:35to the back of the trial.
25:37Let's go to the court.
25:38You're going to kill me.
25:39You're going to kill me.
25:40You're going to kill me.
25:41I'm going to kill you.
25:42And you're going to kill me.
25:43What do you want?
25:44I want your son to kill me.
25:46First, I'm trying to kill you and I'm afraid to the mother.
25:48and he was afraid of my mother.
25:50And now, when I hear my voice,
25:53he starts to kill me over the Maramice,
25:55perhaps as if I don't know him, Mangup.
25:57He wants to be the president of the court
26:00and to be the people of Hague.
26:01And now, you need to sign up
26:03to the international court,
26:05because he has to get to the Kopenhagena
26:08over Studrata.
26:10Let me see who is now going to Zvrtska.
26:13Father, you're an advocate of Milicjević.
26:16Who is that?
26:17Well, the Beograd's advocate Milicjević
26:19has written all the news.
26:20He took the woman who found his wife
26:22and, of course, killed him.
26:24What do you think of me?
26:26What do you think of me?
26:27Who is the fault for the marriage of my marriage
26:28when my father is like this?
26:31Why not?
26:32I'm not the fault of my case.
26:34I won't be able to talk to him anymore.
26:37Okay.
26:37Wait, wait, I'm going to stop you.
26:38Wait.
26:40Hello?
26:40What?
26:45Really?
26:46There's no normal people in this house.
26:49All the idiots are stupid.
26:51Mama!
26:53Milicjević.
26:54Good evening.
26:56Good evening.
26:58Good evening.
27:00Please, Mojvich, what do you need?
27:02A guitar for guitar.
27:04A guitar for me.
27:06What is the guitar for now?
27:08G.
27:10G.
27:12G.
27:14Yes.
27:16A guitar for me.
27:18A guitar for me.
27:20What is the guitar for now?
27:22G. G.
27:24G.
27:26Evo, zvori.
27:2816.
27:30Este.
27:32A, jel ti treba račun?
27:34Treba.
27:36Bra.
27:38Šta radiš sa tim žicama, monče?
27:42Nešto si malo oštro krenuo?
27:44Ha, vojna muzika, druže.
27:46Jel sviramo u spavak?
27:48Evo, izvori.
27:52Evo, izvori.
27:54Alla.
27:56L還ja…
27:58popolješi.
28:00Klejši jale TVV.
33:36What are you doing here?
33:38I'm waiting for you.
33:40Who is Nino?
33:41Who is Nino?
33:42Andreevich.
33:44What will you do?
33:45That's my brother.
33:47I know.
33:49Do you have a call for the city?
33:52I don't know.
33:54Do you have a call for the city?
33:56That's it.
33:57That's it.
34:00These are my guitars for guitars.
34:03I bought them at the orchestra.
34:05In the house?
34:06Yes.
34:07Yes.
34:08Yes.
34:09I bought them.
34:11Here.
34:12Please.
34:13I have a plan if you need.
34:14Why?
34:15For the guitars.
34:16I don't know.
34:17I know.
34:18I don't know.
34:19I don't know.
34:20I know.
34:21You're a girl.
34:22You're a girl.
34:23You're a girl.
34:24You're a girl.
34:25You're a girl.
34:26What?
34:27Until you go to the army,
34:29she's from the orchestra.
34:31I'll tell you how you want.
34:33Yes.
34:34How many hours do you have to pay?
34:36Eight.
34:37How many hours do you have to pay?
34:39Eight.
34:40How many hours do you know?
34:41Eight.
34:42How many hours do you know?
34:44Five.
34:45I don't know.
34:46There's only a couple of hours.
34:47Half a person maybe.
34:48I won't be.
34:49I'll be.
34:50I won't be.
34:51It's 9 and 20, huh?
34:52Yeah, it's 9 and 20.
34:53It's all time.
34:55We didn't try.
34:56The supplier and the manager are over.
34:59Let's go a little bit.
35:00Wait a little.
35:01I'll be waiting.
35:02Let's go a little.
35:03Wait.
35:04Let's wait for the daughter.
35:06Let's go into the door.
35:08The door.
35:09Right?
35:10I'll bring the package.
35:11Let's go!
35:12Let's go.
35:14I'm already a military hunter.
35:16I can't wait for a minute.
35:18Let's start.
35:20You're free.
35:22You're free.
35:24You're free.
35:26Hello.
35:28Do you serve in the army?
35:30Yes, here.
35:32Here's your uniform.
35:34I'm a born soldier.
35:36Let me know you.
35:38My friend, Nina Andrejević.
35:40Have you been at a concert?
35:42I don't have time.
35:44I work a lot since I'm coming up tomorrow.
35:46Where are you coming?
35:48In the house.
35:50We're in a military training.
35:52Now we're forced to shoot.
35:54What are you doing?
35:56On the guitar.
35:58I'm a grueless in the army.
36:00Do you need something?
36:02Nothing.
36:04I see that you're sold.
36:06I thought that if you don't have a car,
36:08I'm going to take care of you.
36:10I have a car.
36:12We'll take care of you.
36:14Okay.
36:15I'm happy to see you.
36:16Yes, I'm happy to see you.
36:17Yes, I'm happy to see you.
36:18Let's go.
36:19Bye.
36:20Bye.
36:22Bye.
36:23Good.
36:25Bye.
36:32Bye.
36:36Did you know you boom?
36:43when they were told.
36:45So?
36:46Yes, it doesn't matter.
36:48Okay.
36:59For this one, you don't want to do it?
37:01What?
37:02What do you want to do one day?
37:05I have 15 days because of her.
37:07How many?
37:0815.
37:09I'm in the brazer.
37:135.
37:145.
37:155.
37:165.
37:176.
37:187.
37:19Second Order
37:226.
37:238.
37:247.
37:258.
37:269.
37:2710?
37:288.
37:298.
37:309.
37:3110.
37:3210.
37:3310.
37:3410.
37:3511.
37:3610.
37:3711.
37:3811.
37:3911.
37:4011.
37:4112.
37:4212.
37:44Let's go.
37:52Did I get it?
37:54Let's go.
37:57Let's go.
38:13Let's go.
38:18Wait, wait, wait.
38:19I don't hear how much you call.
38:20I've been here, brother.
38:21Oh, my God.
38:22What do we do now again?
38:23We're waiting every morning.
38:24Who will see who is?
38:27Who can be in this time?
38:29If you're a police officer,
38:31then you'll open it.
38:32Why is the police officer?
38:34I don't know.
38:35See who is.
38:39Sasha.
38:43Oh, my God.
38:45You didn't get it.
38:46I didn't get it.
38:47I didn't get it.
38:48Good, Sasha.
38:49You didn't get out of the house?
38:50Good morning.
38:51Good morning.
38:52I'm sorry, brother.
38:53Did you get out of the house?
38:54Holy shit, son.
38:55Holy shit.
38:56Good morning.
38:57Good morning.
38:58Hey, my Sasha.
38:59If you have a son like you should,
39:00you won't get out in front of your mother.
39:02Good morning.
39:04Good morning.
39:05Excuse me.
39:06Come on.
39:07Come on.
39:08Come on.
39:09Come on.
39:10Come on.
39:11Hey, my God.
39:12Good morning.
39:13How are you going to get out of the house?
39:15Mamo,
39:16what do you do?
39:17What happened?
39:18I asked you, Lord?
39:19I told you.
39:20Hi, sir.
39:21Hi.
39:22Hi, my God.
39:23Alright, Sasha?
39:24Good morning, Sasha.
39:26Hey.
39:27You's a man playing the child of the child.
39:29Hi.
39:30You're a man!
39:31Yes, sir.
39:32Hi, my friend.
39:33I'm sorry.
39:34I'm sorry.
39:36Surprisingly.
39:37Hi.
39:38My friend, I wanted to know where you bought it
39:39and why?
39:40Here, mama, take a look at the doctor's coffee.
39:43When I'm there, I can eat it.
39:45No, don't you, don't be the water or the water.
39:47Is it a question if you have coffee at home?
39:49No, no.
39:51Columbia Deluxe, right from the free shop.
39:54I have a bonbonnet and a whiskey.
39:56Come on, take a look at it,
39:58and I'll give you a bag for it.
40:01Sorry, my friend.
40:03Wait, Emma.
40:04I'm going to take a look at the coffee.
40:09No, you're not so sick and sick.
40:12Now you've got a drink.
40:14Like when you've been a little,
40:15then you'll go to hell.
40:16I'll give you to you, Gigo.
40:18Don't look at how I'm on the couch
40:20and don't go to the house.
40:24There's also a bag.
40:26Here.
40:27Here, you'll get all your pockets.
40:30Wait, wait, wait.
40:32Lord, please,
40:34what did this happen?
40:36No, no, let me...
40:38What did you do?
40:39Did you drink?
40:40Did you sleep on the trottoir?
40:42Did you write down the road?
40:43Did you get a job?
40:44Did you get a job?
40:45Did you get a job?
40:46Did you get a job?
40:47What did you do?
40:48No, no.
40:49Don't go.
40:50Brother,
40:51where did you find him?
40:53Before the doors.
40:54Okay.
40:55Which doors?
40:56What did you do?
40:57What did you do?
40:58What did you do?
40:59I called him.
41:01I went to the other one.
41:03No, my friend,
41:06I didn't get him.
41:07I only went to the other one.
41:09I came to you because of the other one.
41:11I came to you because of me.
41:13I have a license for your invitation.
41:15Please.
41:16I had a license.
41:18I have a license for my attention.
41:19I go to the other one.
41:21I have a license for my attention.
41:22I didn't have a license.
41:23So, now I'll go check it out.
41:24Come back on.
41:25I can't wait until this one will be sent to you.
41:26I'm going to go.
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