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Igra sudbine - 1461 epizoda NOVO

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00:00The End
00:02The End
00:04The End
00:06The End
00:08The End
00:10The End
00:12What do you think?
00:14How could he have something?
00:16I don't know.
00:18I have some idea,
00:20but I wouldn't do it now
00:24and do a theory.
00:26How do you do it?
00:28Now I tell you that it is a theory.
00:30Why do you do it?
00:32Why do you do it?
00:38What do you think?
00:40What do you think?
00:42I know it sounds paranoid,
00:44but I'm not paranoid.
00:46What did you say?
00:48Someone watched me all the time on the street.
00:50Who?
00:52I don't know who.
00:54I don't know who.
00:56I saw it, but I didn't see it.
00:58He was masked.
01:00What?
01:01It's nice.
01:02He was masked.
01:04He was masked.
01:06I don't know who he is.
01:08I don't know who he is.
01:10I'll be masked.
01:12I'll be masked.
01:14I'll be masked.
01:16I'll be masked.
01:18I'll be masked.
01:20I'll be masked.
01:22I'll be masked.
01:24You have to be masked.
01:26No, I don't have anything.
01:28You have to be masked.
01:30You have to be masked.
01:32It's easy to say.
01:34I won't be masked.
01:36You know what I'm doing?
01:38I don't know who he wants.
01:39What happened today?
01:40I don't know what happened today.
01:42I don't know what happened today.
01:44What happened today?
01:45What happened today?
01:46What happened today?
01:47I'm good.
01:48I'm good.
01:49I'm good.
01:50What are you asking?
01:51I don't care about it.
01:53I don't care about it.
01:54You can't believe me anymore.
01:57There's no special reason.
01:59No, no, no.
02:00No, no.
02:01It's nothing.
02:02No, no, no.
02:04No, no, no.
02:06Well, no, no, I don't care about it.
02:11Why don't I care about you?
02:13Why do I don't care about you?
02:15Because I know you, Gabriel.
02:18I'm completely erased.
02:20Lazarus, I can't tell you.
02:23Me too.
02:25No, no.
02:26I have to think that I'll do this.
02:30You have to help me.
02:32Listen, it's so nice to me now.
02:35There's no chance, there's no chance.
02:37How did I do it?
02:38I did it.
02:39I did it.
02:40I did it.
02:41I did it.
02:42I did it.
02:43I did it.
02:51Hello, Natalia.
02:52I talked to your daughter.
02:56Okay.
03:00Let me tell you,
03:03why is it so quick that we have to see ourselves again?
03:12What do you have to do with the Hormac?
03:26What do you have to do with the Hormac?
03:28What do you have to do with the Hormac?
03:33I asked you for a little Hormac,
03:35since I knew that...
03:39he is standing for Sare Berger.
03:44It's great.
03:45What?
03:48What did you do?
03:50You finished your job.
03:53You gave me information.
03:58What did you do?
03:59What did you do?
04:00What did you do?
04:01What did you do?
04:02What did you do?
04:04What did you do?
04:05What did you do?
04:06What did you do?
04:08Listen.
04:09I have to say something very important.
04:15That's all that my son says.
04:17What did you do?
04:19What did you do?
04:20What did you do?
04:21What did you do?
04:22I took this one.
04:24Don't do that, Natalia.
04:25Don't do that.
04:26Don't do that.
04:27I really love him.
04:28I really like him.
04:29I really like him.
04:30I really like him.
04:31We never had a problem.
04:33What did you do?
04:34What did you do?
04:35A combination?
04:36What a black combination.
04:37It was all crazy.
04:40We were a little bit of a mess.
04:43I really tell you.
04:45You know what we are friends.
04:47We are the best friend.
04:50Believe me, Natalia.
04:51There is no space for the relationship.
04:55I don't need it.
04:56We will be able to do it.
04:59We have to do it on purpose, Mr. Tamburo.
05:02Hold on.
05:03You hear me?
05:04I don't need it on purpose.
05:06Do you understand me?
05:09Mr. Tamburo,
05:10we have to do it on purpose.
05:13We have a task.
05:14The protocol is like this.
05:15We will be here.
05:16We will not be able to do it.
05:18Wait a minute.
05:19Wait a minute.
05:20You don't understand me.
05:21You are not needed.
05:23Okay?
05:24Wait a minute.
05:25Hold on.
05:26Hold on.
05:28They say that life is written in novels, they say that life is not good for me.
05:50Ponekad pobodi, al' često mane, i sve je nežesno, osim sudbine.
06:04Kao u ljubavi u ratu, puca se nema pravila, imaš jedan život,
06:15samo jednu šansu, da postaneš nikom, jer zvezda sve mi rad.
06:26Igra sudbine, kao kolo sreće, nekoga hoće, nekoga baš neće.
06:36Kao na uletu sve se obreće, a mislo ta oci.
06:42I svoje sube, nekoga hoće, nekoga hoće, nekoga hoće, nekoga hoće.
06:47Oh, oh, oh, oh, oh
07:17Tell me, what do you think? How should I react?
07:22Maybe you should blame yourself.
07:26Why are you blaming yourself?
07:29Yes, but for you.
07:32There is no need to say, believe me.
07:35This is a situation where I'm under control.
07:39How?
07:41On my own way.
07:45And I don't need to blame myself.
07:49You don't need to.
07:51You've done your job of doing your job.
07:53Great.
07:55But maybe I've done it enough.
08:01Yes.
08:03Andrija,
08:05whatever you want to do,
08:09I want to help you.
08:11There's no need to believe me.
08:13I'm insisting.
08:17It's such a dangerous team.
08:19Listen.
08:21If there were any needs,
08:23the first person who will return to me,
08:26you're you.
08:27Are you ready?
08:29Are you ready?
08:31Let's go.
08:33Oh, please.
08:35I bet I do not believe you would do this for me.
08:36Why?
08:37I do not believe you.
08:38It's not so,
08:39that I'm going to be able to feel.
08:40Because I'm going to feel.
08:42So for me,
08:43I'm going to do this for me,
08:44and I'm going to do this for you.
08:45I'm going to go to the very beginning of the dead.
08:46For me,
08:47I'm going to do this for me.
08:48the contrast and the effect of the finish.
08:56For me the most important finish is not to cook the head,
09:03and not to leave the red taste in the ears.
09:09I see how I talk to a professional.
09:13That's right. It's all in mind when it's time for work.
09:18It's time for work.
09:20It's time for work. You see the word?
09:28It's time for work. It's time for work.
09:32It's time for work.
09:35Hello, Tamura.
09:42Hello, Živu.
09:45What do they do here on the beach?
09:49What do they do? They hear.
09:52What do they hear?
09:55Well, don't worry.
09:58He thought that I needed help,
10:01and he brought me here to Muriju to see me.
10:05Listen, they won't be there to be non-stop.
10:08I don't know. They'll be there for a while.
10:11You have to do something to not come.
10:16Why are you so sad?
10:19The Muriju is here in my location.
10:21Do you not plan something?
10:23Some criminals?
10:25No, Tamura.
10:26What do I have to plan?
10:28What?
10:30I don't know.
10:31I don't know.
10:32I don't know if Boris will come.
10:33And then, all of this campaign against Bošnjaka
10:38is lost.
10:40That is the end of the story for me.
10:43What?
10:44It is the end of the story,
10:46but Boris will come.
10:48But here, besides them,
10:50we cannot be able to talk with him.
10:52What if Boris will come?
10:56I mean, if he will come, he will come back to me.
10:58I don't see what is illegal here.
11:00That is the first one.
11:01And the second one,
11:02what would you find with Boris here?
11:05In my location?
11:06I mean, besides so many other places in the city.
11:09And the third one,
11:11when did that happen to Boris?
11:14What?
11:15Are you planning something here?
11:17I don't plan anything.
11:18I can do anything else.
11:20I can do anything else.
11:22That's what I don't know.
11:23What is happening?
11:24What does it happen to you?
11:26What does it happen to you?
11:27What does it happen to you?
11:28What does it happen to you?
11:29It doesn't happen to you.
11:30Well, then,
11:31take your care.
11:33If the police is hurt here,
11:36in the local,
11:37I will not go.
11:38Come on, let's go.
11:39Come on, let's go.
11:40Come on, let's go.
11:41Come on, let's go.
11:42Come on, let's go.
11:43Except for you,
11:44you have to be ashamed of yourself.
11:46I have no tambour.
11:47I have no tambour.
12:09I am a father.
12:10Who has my wife,
12:12my brother.
12:13My brother.
12:14My childhood brother.
12:15I can deal with you
12:17all your knowledge.
12:18The Father of Peter,
12:19get out to you,
12:20send you your hand to the Bible,
12:22put everything down there.
12:23Gorane,
12:24do not have to explain anything here.
12:27What happened here,
12:29it was then.
12:30What I am talking about.
12:32I love you.
12:33I don't understand any moral judge here,
12:36nor do not.
12:38No, I was mad at Gala because she didn't tell me when we came here to Maldive,
12:42nor when she gave me your number of phones.
12:44Is she mad at me?
12:46No, I mean...
12:49Why would I be mad at you?
12:51You didn't have to tell me.
12:53She's so alive, true.
12:55You see, she's all so tired and tired.
13:00Yes.
13:02I'm sure.
13:04Yes.
13:06Let me tell you again,
13:09between us, nothing can be done.
13:12She's my brother.
13:14We're friends, we're friends, we're friends.
13:18She's a great friend.
13:20Why aren't you together?
13:22Who?
13:23You, Gala.
13:25When you're a great girl,
13:27when you're a beautiful girl,
13:29why aren't you together?
13:31She's a great friend, but she's not for me.
13:35And what's the girl need to be?
13:37She's for you.
13:38She's for you.
13:39Ha.
13:40Ha.
13:41Ha.
13:42Ha.
13:43Ha.
13:44Ha.
13:45Ha.
13:46Ha.
13:47Ha.
13:48Ha.
13:49Ha.
13:50Ha.
14:00Ha.
14:01Ha.
14:02Ha.
14:03Ha...
14:04I hope that you know what you're doing.
14:20I know you're doing the whole life.
14:23I'm so happy to live.
14:26I'm so happy to live.
14:28Thank you, I'm so happy to be here.
15:46I pray.
15:48I don't care.
15:50I have to take care of it. I see that something happens.
15:55The secret phone calls, the return of the internet campaign, and now it comes to Vukashi.
15:59I ask you something. Is there any problem in our lives that I haven't solved?
16:05No.
16:07I'll solve this.
16:10I hope.
16:21How do you deal?
16:30Why myself?
16:31What do you get?
16:32We give big big big figures to do.
16:34I don't get it for the last couple of years.
16:36I'm hungry, Vukashi.
16:37My soul...
16:39What's your final goal doing?
16:43You're gonna get it, a black power?
16:44What's your final goal?
16:46I can run up here.
16:48What?
16:50What is it?
16:52I think that tomorrow on the traffic is going to be a good time.
16:54What is it?
16:56What is it going to do with the traffic?
16:58It's going to be my first interview with my first interview.
17:02It's the main topic.
17:04Ok, ok.
17:06I'm sure that when you get out of the interview,
17:10you can buy the number with your interview.
17:14It's easy.
17:18If you are OK,
17:21you can buy more?
17:22I don't know.
17:24I'm going to do something.
17:25What do you think?
17:26Do you see a client again?
17:28I don't know.
17:29I've never done that, I've done it on the reviews.
17:32I've done it, I'm going to get you.
17:34What has to do now?
17:36No, before,
17:38I think it's fine doing a couple of things,
17:40it's fine doing right now.
17:42I'll be doing this for the center.
17:44I'm doing it here.
17:46You are the only one.
17:48Even if you get the new number,
17:51they are not placed in the stand.
17:54Now, the people just wait to get the new Dona
17:57and they wait to buy you.
17:59Let's go, let's go, let's go.
18:01Let's go.
18:03We go and see.
18:05Oh, my God, no chance.
18:07Let's go, let's go.
18:09Let's go, let's go.
18:11Let's go, let's go.
18:13I can't sleep.
18:15Take a tablet to sleep.
18:17Who knows where I'm going to sleep?
18:19I want to take a break.
18:21I can't sleep.
18:23Let's go, let's go.
18:25You are not feeling.
18:43You have no sleep.
18:46Beloved room.
18:49Welcome.
18:51I?
19:01I?
19:02It's not looking.
19:03It is no repair
19:07It was very special.
19:09How are you thinking?
19:11We haven't finished until the end of the day, two hours of air.
19:16I'm sorry.
19:17I'm not sorry.
19:19What is it?
19:21Because it means that we can send an angel to the house earlier,
19:28open the door and stay here for the rest of us.
19:33I don't think it's funny, maybe it's time for the day to the day.
19:37Oh, wait, I don't miss you anymore?
19:39No, it didn't look like that last time, but okay.
19:43No, I just wanted to tell you that we're in order, you know,
19:46it's not enough because of the sanitation principles.
19:50Yes.
19:51You see, I'm the owner of this order,
19:54and I'm the owner of all these principles.
19:58Do you think it's not the idea that we have a little fun?
20:05No, I'm sorry. I love those old, good, classic rooms.
20:09Yeah.
20:10What if it's not good?
20:13Then...
20:15The doctor has to look at me.
20:17Yes, then you'll have to listen to the doctor.
20:20Yes, yes.
20:31I'm trying to get something out of here, yes?
20:34Veljko, if you can, please me.
20:36I'm going to send something to us with...
20:38Yes, sir.
20:39...m. Bošnjak.
20:41Yes, sir.
20:42Good morning.
20:50How can I help?
20:53I have a message.
20:55What message?
21:12How can I help you?
21:22Wait, wait.
21:26You are on the left side.
21:29Yes.
21:31It's the main interview.
21:33Let's see if you can see where it is.
21:38On the first side.
21:42What are you talking about?
21:44Super.
21:45Here is like a glum.
21:47Like a peva.
21:48I'm like a right star.
21:51Here is a little bit of an arrogant look.
21:56No, it's super.
21:58Here is a little bit of a shot.
22:02Here is a little bit of an empty.
22:05Cool.
22:07Super.
22:08Let's watch the interview.
22:10Let's go.
22:11Let's go.
22:12Super.
22:13Let's go.
22:15Let's go.
22:16Let's go.
22:17Let's go.
22:18Let's go.
22:19Let's go.
22:20Let's go.
22:21Let's go.
22:22Let's go.
22:23Let's go.
22:24Let's go.
22:25Let's go.
22:28Let's go.
22:32Let's go.
22:33Let's go.
22:34Let's go.
22:35There's no need to be a woman on the street.
22:39Now we'll talk about women.
22:42Everything.
22:44I don't know what you're talking about. What is Horvath? What a message?
22:49You don't know what I'm talking about.
22:52How do I bring a message to a person who I don't know?
22:56Yes, yes.
22:58You don't know.
23:00I don't know what you're talking about.
23:03Let's pray.
23:05Stop playing here.
23:08Do you know what you're doing?
23:10The rest of the day, you've already announced the arrival of some powerful people to Beograd.
23:18Some people who are responsible for all the possible birds that you've announced about me on all the possible and not possible portals.
23:27I really don't have anything against you.
23:31You're right.
23:32What do you think of this campaign against me?
23:35Do you stand behind me?
23:39Do you stand behind me?
23:40Do you stand behind me?
23:43Do you stand behind me?
23:45Do you stand behind me behind me?
23:47Let's go ahead and start talking.
23:54Or what?
23:58I know that you are doing this, but why?
24:05I can't tell you this moment.
24:10We didn't understand.
24:12You should tell me that.
24:15I am very happy to tell you everything, but not now.
24:20You will soon know everything.
24:22Don't let you play with me.
24:25Tell me, why?
24:29I believe I said everything, but my hands are tied to me.
24:35Why?
24:38Because we can't handle this conversation.
24:43There are still more interested.
24:50Who?
24:52I'll be convinced, Mr. Bošnjak.
24:56When? I'll pray for you.
24:58You've heard of me.
25:01You've heard of me.
25:03You're right, okay.
25:06Okay.
25:08And the best thing is to do the police on all this stuff.
25:12I don't do that at your place.
25:15There are no evidence.
25:16There are no evidence.
25:18There are no evidence.
25:19There are no evidence.
25:20There are no evidence.
25:21There are no evidence.
25:22If you go to the police, you will have more problems with yourself.
25:26I think you'll be angry.
25:29I think you won't be able to risk it.
25:31Do you think?
25:40I don't know anyone who comes to Beograd.
25:42I don't care about it.
25:43This game starts to hurt me.
25:47It's just that it works like I said.
25:52Okay.
25:54Where are these information from you?
25:59I told me a bird.
26:00Can I know who it is?
26:02No.
26:07I don't want to lose time.
26:11I gave a message to you,
26:13and I want you to give it to you.
26:16If you don't do it, I'll come back here again.
26:20But I won't be angry anymore.
26:22But I won't be angry anymore.
26:23I won't be angry anymore.
26:25If you don't do it, I'll give you the message to you.
26:26If you don't do it, I'll be angry.
26:27If you don't do it, there's a warning of my own em connectors.
26:28If you don't do it.
26:29Because if you don't do it, you don't do it, there's an order to be a picture.
26:33And I'll give you the message.
26:34The truth is, you don't come back.
26:35I would like to discuss two important financial aspects, one is marketing and one is financial.
26:58So, who is the first one?
27:01I would like to say something about marketing, we are good.
27:08I don't want to say anything, we are quite good.
27:11Let me explain a little bit.
27:14Marketing pool is increased, especially on the portal.
27:17What is the marketing position and potential?
27:20The portal is better than the time, but it is expected,
27:23since we live in a modern digital age,
27:25and the print is slowly but surely.
27:28I have to say that the time is good.
27:31Yes, yes.
27:32And now we are waiting for a new sponsorship.
27:36If we are waiting for a new market,
27:39it will be very good for us.
27:41Good.
27:42How are we financially financially?
27:44Not bad.
27:46Well, I think that there is still an opportunity.
27:49We are not close, but we are not close, but we are not too close.
27:54Well, what is the biggest benefit?
27:56Well, I think that we need to pay the price.
28:02It is not a lot of money, but it is a lot of money.
28:07It is a lot of benefit.
28:08The benefit is much greater than the cash.
28:11How can we reduce our cash?
28:14When we ask you, it is just simple.
28:17That is, it will help.
28:18Things will take us result in the future.
28:22The way you can observe it is not enough.
28:23It is important for you, it is very cheap.
28:27And it is cooperating to the other with other other lessons.
28:31I am happy to phrase,
28:33this is possible, you can JulVER,
28:34but I think that is the only possible to have best jobs.
28:36It is definitely possible and then we need a abbreviation for transaction.
28:37I hope that this cooperation with the Mađarski partners will be able to stabilize a little bit.
28:45Yes, I believe that it will happen.
28:49I have to tell you that this interview with Olgo is great.
28:53I'm very pleased with the whole number.
28:56The interview is really fantastic, but I'm going to tell you that it's a whole number.
29:01Just wait.
29:03Jovana?
29:05Yes, everything is good.
29:07What are you going to do?
29:09I'm going to do it.
29:11Everything is okay, I'm just sleeping a little wrong.
29:13You're right.
29:15You're under stress.
29:17Yes, I'm under stress.
29:19All right, all right.
29:21I have water.
29:23All right, all right.
29:25All right.
29:35All right.
29:37All right.
29:39All right.
29:41All right.
29:43All right.
29:45What are you doing?
29:47I'm looking at the interview.
29:49Who knows what time is.
29:51Did you read it?
29:52Yes.
29:53What do you think?
29:55What do you think?
29:57It's really great.
29:59Really?
30:00Yes.
30:01Did you believe that it will be so good?
30:03Okay, be honest.
30:04I didn't believe, but I believed in you.
30:07You know I have a blockade when members of our family come to our store.
30:11Okay, Alexa.
30:12It's not like it happens every day.
30:14It's not like we didn't want this.
30:15Okay.
30:16Yes, we wanted it.
30:17But I have to admit that you were truly unbelievable.
30:19Like you were a journalist for years.
30:21You saw your personal memory.
30:22Okay.
30:23Don't worry about me, Zez.
30:24I'm really asking you.
30:25I'm really asking you.
30:26I'm really asking you.
30:27I'm really asking you.
30:28I'm really asking you.
30:29Here.
30:30Here, for example.
30:32Here's this set of questions.
30:34How do you look at art work with such a life experience?
30:38What does a woman mean when she buys the strength to be in the next few years?
30:43How many challenges on that journey?
30:45Well, it's really amazing.
30:46You've already received some amazing answers from her.
30:48So, every chance.
30:49How do you like the bucket?
30:51It's for you.
30:52It's amazing.
30:53It's amazing.
30:54It's amazing.
30:55It's amazing.
30:56I'm sorry.
30:57I don't want to be with those bad things.
30:58Well, good.
30:59I need a little bad things.
31:00Don't do bad things.
31:01It's amazing.
31:02It's amazing.
31:03It's enough.
31:04I love you.
31:05It's for you.
31:06It's amazing.
31:07And it's a dream about all those bad things.
31:08It's amazing.
31:09Wow.
31:10Yeah.
31:11천 On their own boat.
31:12Eat head!
31:14Eat head!
31:29Eat head!
31:30Eat head!
31:31Eat head!
31:33Dragi, dragi moj, prvo da vam se zahvalim kao i uvek što me pratite, što gledate moje klipove i što mi udarajte lajk, lajk, lajk, lajkove.
31:49Mnogo vam hvala na svemu tome, jako mi znači.
31:53E ovako, danas sam strašno razmišljala šta bih mogla da napravim za ishranu.
32:01Pitala sam samu sebe, da li da napravim nešto što je jako komplikovano ili nešto što je prosto i jednostavno.
32:11I znate šta? Vi ste ti koji ste mi pomogli. Pitate se kako?
32:17E pa evo ovako, vama se strašno dopao moj kulinarski pomoćnik, Brđanin Mido.
32:27I sad sam ja tako razmišljala i došla do zaključka.
32:31Ha! Napraviću jelo koje je jako jednostavno, jelo koje može da napravi neko koje je i Brđanin Mido.
32:42Vi se sigurno sada pitate koje je to jelo.
32:45Ja ću vam reći, to jelo se zove popara. A možda poparu volite, možda poparu ne volite, možda niste voljeli, nikad ste bili mali.
33:00Ali popara je jedno divno, jedno fantastično, jedno jako jednostavno jelo božanstvenog ukusa.
33:13Evo ovde imamo sve sastojke za poparu. Imamo hleb od juče, imamo sir po vašem izboru, imamo puter, imamo mlijeko, imamo vodu i imamo, dakle, so.
33:32Jel' tako? Hleb je potreban da bude jučerašnji. Znači da bude malo tvrđi, da kada ga potopimo, on omekša.
33:43Znači da bude malo tvrđi, da kada ga potopimo, on omekša.
34:13Da vam se zahvalim na tome što me pratite, što me volite, što mi udarate lajk, lajk, lajkove i što me podržavate u svemu što kuvam za vas.
34:27Danas sam razmišljala da li da napravim jedno jako, jako komplikovano, jel'
34:33Ajde! Ajde! Ajde, malo. Ajde, malo. Ajde, možeš.
34:52Dobar dan, dragi moji. Dobar dan. Želim vam dobar dan. Ja bih trebala da dam otkaz, ovo ništa ne valja.
35:06Evo bože. Evo bože, zašto ovo ne valja?
35:11Gde je snaga? Gde ti je Marice snaga?
35:16Otvoreno je.
35:25Šta je?
35:27Pa Četa, ja sam došao da vidim kako si.
35:30I? Kako ti se čini intervju, ha?
35:50Pa, ne znam što da kažem, onako.
35:54Misliš da nešto nije baš najbolja ispreda?
35:57Pa, iskreno, malo je dosadno.
36:01Dosadno, stvarno?
36:03Pa, ova pitanja, toliko toga ima zanimljivog u vašem životu, mogli su da vas pitaju svašta.
36:09Ovo, ovo je meni potpuno generičko pitanje.
36:13Ko je generičko pitanje?
36:14Evo, ovo kao, kako ste počeli sa pevanjem? Ja ne razumem što. Kako su ovo što odgovara na to pitanje?
36:19I ovo, čekajte, ovo kao, ko su vam bili muzičke uzori? To pitaju svakog pevača, predosadno je.
36:28O, ti sad baš se toliko razumeš u intervju, baš sada kaže da je taj dosada, mislim, stvarno.
36:33Naravno da se razumem u intervju, koliko sam dugo radila kao novinarka. Mnogo intervjua sam uradila.
36:37Izvini, izvini, stvarno nisam tako mislila, zaboravila sam, izvini, molim te.
36:41Samo sam telao da podelim radost sa nekim zbog tog vrata.
36:45Da, razumem, ali, iskreno, meni nije do radosti.
36:48Zvarno!
37:12Gde je seo, Kavšina?
37:13Where are you going?
37:17Do you hear me?
37:21I hear you.
37:23Andrije Bošnjak was with the car Berger.
37:27Opa!
37:29He ordered a meeting with Horvath.
37:33Really? Where did they get to see you?
37:37Business club, in 5.
37:41Now many things are clear.
37:45What are we going to call it?
37:47What is the police?
37:49We won't be able to tell them.
37:51What do you think we'll do it?
37:53We'll do it together.
37:55What?
37:57I'll do it together.
37:59Do you know how Tomislav Horvat is a dangerous man?
38:03I don't care.
38:05I have to do it for him.
38:11I have to do it for him.
38:13I have to do it for him.
38:15I have to do it for him.
38:17I have to do it for him.
38:19I have to do it for him.
38:21I have to do it for him.
38:23Here's the police.
38:25Please, please.
38:27How are we today?
38:29Good, thanks.
38:31I have to do it for him.
38:33I have to do it for him.
38:35I have to do it for him.
38:37I have to do it for him.
38:39We need to talk about this.
38:41This new officer is the best.
38:45I have to do it for him.
38:47Leave me alone.
38:49I have to do it for him.
38:51I don't know.
38:53Sorry.
38:54Sorry.
38:56I have to do it for him.
39:10See, I received my speech.
39:14What?
39:15I've only got to see.
39:16I promise.
39:18You came to ask me how I am.
39:20That's why I came here. I was fantastic!
39:24Good, good, I came here.
39:27See, it's not just because of that, understand?
39:29I'm sure.
39:30Well, listen, I came here for you.
39:44What are you doing now?
39:46Do you really forget it? We've talked about it now.
39:49Okay, let's go.
39:50In half an hour we have to go there.
39:52Let's go.
39:55I pray for these policemen.
40:10These are a little difficult. Why do you think so?
40:13I don't think so.
40:15I don't think so.
40:16I don't think so.
40:17I don't think so.
40:18I don't think so.
40:19I don't think so.
40:20I don't think so.
40:21They're the ones that you want to do from my view of my life.
40:24If you are okay.
40:25You wouldn't be.
40:26I'd never been in such a situation.
40:30Toca.
40:49Eh?
40:51What is it? How are you?
40:57I've seen it.
41:00What is it?
41:12Do you want to be honest?
41:13Yes.
41:15Good.
41:18I don't know.
41:20I don't know, I thought it will be better and easier,
41:26but it's not easy to leave the life that you carry out here,
41:30and then you go to...
41:32Do you want to be honest?
41:33Do you want to be honest?
41:35Do you want to be honest?
41:37I don't know.
41:38Do you want to be honest?
41:40Do you want to be honest?
41:41Do you want to be honest?
41:42Of course.
41:43Do you have anything to do?
41:45Do you have anything to do?
41:48No, nothing.
41:50You can tell me, it will be easier.
41:54All of my interviews have understood me on the right way.
41:57It hurt me a little.
41:59I'm really sorry.
42:01It hurts me.
42:02There are many, including you.
42:16You have to do it.
42:18I was doing music.
42:21I was writing a novel.
42:23What if you didn't do it?
42:25You have to do it.
42:27You are really making me laugh.
42:29I'm crazy.
42:30Maybe I'm crazy, but I'll see you all when I write this book.
42:46It's not important.
42:48I'll do it myself.
42:50And don't let you change.
42:54You'll do it myself.
42:55You'll do it myself.
43:02Maybe this will be a little bit difficult for your taste,
43:08but your decision to do it myself is quite stupid.
43:25If you have the key, turn it yourself.
43:30Who is in this house?
43:34Who is in this house?