- 6/14/2025
Category
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Short filmTranscript
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20:39It's pretty good. You're pretty good.
20:42Listen, I feel great.
20:45And what's the reason for that?
20:48You can see me there. I saw that Sara is not the only woman in all.
20:54Oh, this is the reason for good health.
21:00Come on.
21:04Give me a little bit.
21:07I'll give you one more.
21:21Aha. I'll give you a number.
21:26I mean, if you want to listen to me,
21:30it's better to wait for him to call you first.
21:33I'll give you one more.
21:35I'll give you one more.
21:37I'll give you one more.
21:39Yes.
21:41Thank you, Carica.
21:43Bye.
21:45Bye.
21:47Bye.
21:49Bye.
21:51Bye.
21:53What's the matter?
21:55Everything's happened.
21:57What?
21:58How are you about this question?
22:01I don't know.
22:31Oh, and on, and on, and on.
22:33Thank you for everything.
22:35You're welcome.
22:41You've been...
22:43a good sign, I can't tell you.
22:49Nothing...
22:51That's it, right?
22:53That's it.
22:55Let's wait.
22:57Maybe it's better to stay with my friends, huh?
23:03You're on the job, yes?
23:05Aha, now I'm going to go.
23:07I don't want to go.
23:09No, I don't want to go.
23:11Here, the taxi is coming for a minute.
23:15Okay, good.
23:19Good luck.
23:23Who knows.
23:25Maybe we're going to go somewhere, yes?
23:27Maybe.
23:29Who knows?
23:31Let's go.
23:33Let's go.
23:35Let's go.
23:37Let's go.
23:39What question?
23:41What question?
23:43What about Natalija Juri Goran?
23:45What?
23:47Okay, what?
23:49I mean...
23:51What do I have to do with you?
23:53What?
23:54I can't tell you.
23:55I can't tell you.
23:57I can't tell you.
23:59I can't insist on it.
24:03I can't believe the situation.
24:15I can't tell from you.
24:17Okay.
24:24Olga,
24:28we need to talk about something we're doing.
24:34What?
24:38I can't be your manager anymore.
24:47How do you see the sale of the magazine?
24:54I'm looking forward to seeing you.
24:59What are you doing to me?
25:17What happened?
25:32The message was from Lazar.
25:35Ask me to go out to the drink.
25:43Dear friends, we didn't expect you to expect.
25:46We didn't know that you were in Beograd.
25:48Of course, I'm in Beograd.
25:50You're going to destroy me and destroy my family.
25:52First of all, no one does not work with the lead.
25:55It works with the most brutal way.
25:58It's not true.
26:00How is it true?
26:01I ask you to sit down and talk to normal people.
26:05Now you call yourself people.
26:07That's a very serious question.
26:11I ask you to sit down and listen to us.
26:15I'm listening to you.
26:17We don't work with the lead.
26:19Why do you think?
26:21Because you accept the orders that are directly against me.
26:25You are making the orders for me.
26:27How do you think of my authority?
26:30The authority on the company.
26:32And the hierarchy of decision making.
26:34We have received relevant advice on which we have answered so that we have accepted.
26:41It doesn't work so that works.
26:43You've invested in something that doesn't matter.
26:46We really don't know what's going on.
26:48You're just invested in your family.
26:51You've invested in your family.
26:52Okay.
26:53Nobody has the right to go into your family.
26:54But you've already gone.
26:56But believe me, we don't know what's going on.
27:00I can't do it anymore.
27:01But if you didn't know what's going on to go into your family, you gave me the trust.
27:02You didn't even know what's going on to go into your life.
27:05Yeah.
27:06I don't want to be your manager.
27:18Did you know that you did?
27:20No, I didn't know that I was very serious.
27:24Wait, where is that?
27:26I think it's the best for us both.
27:32Why?
27:33Well, that's how I decided.
27:38No, that's how I decided.
27:40There's something to do.
27:42If it's because of the interview that I told you...
27:45It's not because of that, Olga.
27:47What about you then?
27:50I don't do that anymore.
27:53How can you say that I don't do that anymore?
27:56First, we wanted to play together in band.
27:59Okay, we played together.
28:01I didn't want to play together.
28:03I wanted to be a manager.
28:04Okay, I accepted that.
28:05I organized my concerts.
28:06Then, when I got the problem with the drums,
28:08I was playing again like you wanted.
28:11And now, when I need to give an interview
28:13for the newspaper of our son,
28:15you won't be a manager.
28:16I don't know how many times I need to repeat
28:18that it was really spontaneous.
28:20Alexa initiated it.
28:21I didn't want you to do anything.
28:22I didn't want you to do anything.
28:24I didn't want you to do anything.
28:25It's not because of that, Olga.
28:27And what?
28:28What?
28:29What?
28:30What about you?
28:31I don't know.
28:32What about you?
28:33What about you?
28:34What are you doing now?
28:41What are you doing now?
28:43What are you doing now?
28:45Let's go.
28:49Tell me something, Mina.
28:51I'm already scared.
28:53What am I scared?
28:55What am I saying?
28:56Just a couple of words.
28:58I think...
29:01Darko molja.
29:04What?
29:06I think Darko molja something with this.
29:10Thank you for your attention.
29:12I have to do this.
29:14Really?
29:15Yes.
29:16What are you doing now?
29:18What are you doing now?
29:20What are you doing now?
29:22You are a good girl.
29:24Darko is a good girl.
29:26What are you doing now?
29:28I think that he is going to talk to the second part of us.
29:31A second, the second part.
29:33Why do I not like that?
29:35Actually, I think you are being able to talk to us with a Lazar.
29:38That's not the point of being you, but he is not right.
29:41I think he is going to play on the other hand where he is not here.
29:45I'm sure.
29:46I told you that he was not going out there.
29:48If Lazar wants to talk to us, he does not to be able to talk to us.
29:52If he doesn't want to talk to us, he does not have a choice.
29:54Oh, that's fine.
29:56Yes.
29:57And?
29:58What do we do now?
30:00I don't know, but...
30:02But?
30:03I'm sure Darko has advised him to come and write me.
30:07It's not the case.
30:10It's not the case.
30:13It's the case.
30:16It's the case.
30:20It's the case so that Magda managed to take care of my friends' family in their company.
30:28So she goes to the power of the decision.
30:33And it's related to you and it's related to the conversation with you.
30:37Do you think about the conversation between Dona and Prestiža?
30:41Yes, exactly.
30:43Do you want to say that you don't know anything?
30:47Yes, of course not.
30:49How is it possible?
30:51The question is really true.
30:53I mean, I don't understand because I thought that you were doing together.
30:56Yes, exactly.
30:57Yes, I thought so.
30:59In any case, I'll be able to answer your wife.
31:03It would be better for you to talk directly with me, not with her.
31:10Who is the wife in this moment?
31:14Magda.
31:16That means that our conversation is still alive.
31:20If you solve your problems in your house, we don't have any connection with you.
31:27Yes, that's right.
31:29We only do meetings with those who have the majority of them.
31:31The majority of them is the legitimacy of those jobs.
31:34Whatever you want, that's all.
31:36And that's your final statement?
31:39It would be impossible for your company to get the same.
31:42We'll see. We'll be in contact.
31:46Not at all.
31:48Well, what are they doing?
31:49You're right?
31:50It took us.
31:51Yes.
31:52Yes, I'm sorry, we have to stop.
31:53We'll be in contact with the people.
31:54OK, so we can talk to them.
31:55However, that's when things are done.
31:56The people who never knew that they were here.
31:57Yes, that's why.
31:58Oh yes, that's why.
31:59We'll never know.
32:00It's all about.
32:01We'll be in contact with the other people.
32:02Yes, yes, let's have a meeting with the old man.
32:03Let's have a meeting with the old man.
32:04Let's have a meeting with the old man.
32:05It's not because of it.
32:15No, no.
32:17Are you sure?
32:18I'm sure, Olga.
32:20It's not because of it, believe me.
32:22Olga, look at me.
32:25I don't pray for you to laugh.
32:29I think it's the best for both of you
32:33that you start from here.
32:36That you start from here?
32:38Yes, yes.
32:39I think I'm, as your manager,
32:41I've looked at the whole situation,
32:44all the angles.
32:46This is not a negative decision.
32:51I think that you would be better without me.
32:56I'm just a coach.
32:58I don't know what to say.
33:00You are smart, you are nice, you are beautiful, you are good.
33:05That you love me.
33:07You are just a bit more and more.
33:10You are just a bit more.
33:11You are just a bit more and more.
33:13You are always a bit more and more.
33:15You are just a bit more and more.
33:17That's why we are super and more.
33:19Yes, we are together and now we are coming to the stage.
33:23Now we are going to be able to get rid of the stage.
33:27And we need to start ourselves and start again.
33:31I would like to be able to get rid of the novel.
33:35I would like to be able to get rid of the novel.
33:39What great, from the beginning you said that it was really good.
33:43I know that I will tell you that it was just a way of showing you.
33:47It's not just something that I've already told you.
33:51I don't want to be a manager anymore.
33:54It doesn't mean that I don't want to be here for you for everything you need.
33:58For every consultation, repertoire, for the next step.
34:01I'm here and I'll always be here for you, Olga.
34:17You see how the laser is up and famous.
34:26He listened to Darka and loved you.
34:31What do you think? Do you need to give him a chance?
34:35I don't know. I don't know.
34:37I don't know. I don't know.
34:39I don't know. I'm going to tell you what you need to think.
34:45If I'm at your place, I'll give him a chance.
34:49Really?
34:51What?
34:53What is that laser?
34:56What? I don't know.
34:57Okay, cool.
34:59We didn't talk about something like that,
35:02but honestly, between us, I think I'm upset.
35:05I don't know. I don't know. I'm upset.
35:08I'm upset.
35:09I'm upset.
35:11I'm upset.
35:13Well, come on.
35:15Why don't you, honey?
35:17And you're a young woman.
35:19You're a young woman, like me as I'm.
35:21Sorry.
35:23What?
35:24You're a young woman.
35:26A, you know, everyone who tries to get a path and to try to go on the way with a very strong woman,
35:39it deserves some respect.
35:42Of course, it's interesting to me that you explain, that you tell me what you think about.
35:48Do you know what you think, Lazar, or something?
35:55I don't know.
35:58I don't really know.
36:03What do you know?
36:18Please.
36:22You've already been trained?
36:27What, at this cafe?
36:29No, I didn't think about it. I don't want to be trained.
36:33I thought about the coordination.
36:36Well, that's it.
36:38I mean, you've already had some time here.
36:41I don't know.
36:43I don't know what happened.
36:45I'm sure you'll have time to train.
36:47I don't know what happened.
36:49I don't know what happened.
36:50I don't know what happened.
36:51I don't know what happened.
36:52I can ask you something.
36:54Yeah.
36:56What happened?
36:57I can ask you later.
37:00I'm going to go and drink.
37:10Oh!
37:11I'm sorry.
37:12I'm sorry.
37:13Can I ask you to leave me with me?
37:16Yes, of course.
37:17Yes, of course.
37:26Angela!
37:27Hello.
37:28I'm sorry.
37:40Oh!
37:41What's going in?
37:42What's going in?
37:43What's going in?
37:44We had a visit to us.
37:46Yes, who was it?
37:48IÅ¡tvan Toth.
37:50Yes, what was it?
37:52He knew that Magda is working in the field
37:54and that he has the majority in the field
37:56and now he has to do it.
37:58He has to do it from now.
38:00He has to do it from now.
38:02Okay.
38:04What are you talking about?
38:06We told him that we didn't want to enter
38:08in the field of the company
38:10and that he has to do it from now.
38:12We told him that he will do it from now,
38:14only on who has the majority of the company.
38:16Yes, that's a good tactic.
38:18Do you think?
38:20Yes, I think.
38:22Just that we need to do it.
38:24There is no other options.
38:26I agree.
38:28Only we need to have one thing.
38:30Which one?
38:32In this situation,
38:34we need to be prepared
38:36and we can always get our hands.
38:38Are you ready?
38:40Yes, it's the same thing.
38:42It's the same thing...
38:44What does that mean?
38:46Go!
38:48Yes.
38:50What does that mean?
38:52What happens?
38:54It's not that this event,
38:56if I've seen you watch anything else?
38:57It's been a fall,
38:58it's not that way.
39:00It is not that way.
39:01What?
39:02I just invited him to drink, because I had a friend in the evening, so I didn't want to go to the house.
39:09Yes, why didn't I invite him to drink?
39:12I really didn't think anything wrong.
39:15Yes.
39:17Look, while you're here, in my clinic, the rules must be loved.
39:22Of course.
39:24A special rule is that there is no relationship and emotional.
39:29Of course.
39:31And that rule must be loved.
39:33I'm sure I'm going to love you.
39:35Okay.
39:36Well, I think.
39:38Here everyone must know where it is.
39:40Everything is clear.
39:41Yes.
39:42Okay.
39:43I hope that he won't return.
39:44No, certainly not.
39:45Do I do now?
39:47Of course.
39:48Angela!
39:50I'll call you Veljka.
40:01Okay.
40:02There are no longer work as you can see.
40:04Could we talk now about what we want?
40:06What?
40:07What?
40:08For what?
40:09What?
40:11What?
40:12Or drama between Goran and Nathalie and Natalie.
40:13Or what?
40:16Or...
40:17Or that...
40:18Or that, ma?
40:19Or...
40:20...
40:21Or that, everything is ok.
40:22Okay.
40:23I absolutely understand you, so you can tell me all you can freely.
40:39Why are you talking?
40:42You talk with Olgo.
40:45What happened?
40:48What happened? What happened?
41:08Do you want me to experience something here?
41:13Do you want me to experience something?
41:15I only do you want me to die in my life.
41:18I hope you've got a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a problem.
41:28I'll just wait to see you in the next few hours of the night.
41:31Pajo!
41:35You're alive?
41:37You're here!
41:39Are you my mother?
41:40Yes, I'm.
41:42Where did you go?
41:43I just got to see you.
41:45I was in the zone, wait, wait, wait, wait, I need to feel, no, he needs to feel bad, but he doesn't feel bad.
42:02And I feel bad because I don't, I can't.
42:05I mean, the best thing is then, the moment when he told me, when he looked at me, when he told me, that's it.
42:15Hello.
42:17Hello.
42:19Hello.
42:21Hello.
42:23Hello.
42:25Hello.
42:27Hello.
42:29Hello.
42:31Hello.
42:33Can you be here?
42:37Well, I'm so happy to get you to get me to call me.
42:45Hello.
42:46Hello.
42:47Hello.
42:48Hello.
42:49Hello.
42:50I don't expect anything.
42:51No, no.
42:53We're starting to play this play at all.
42:55Hello.
42:57Hello.
42:58Hello.
42:59Hello.
43:00Hello.
43:01Hello.
43:02So I don't expect anything.
43:16Let's go on to something.
43:18I ask you to go on to something.
43:25Let me tell you identity.
43:27You don't know people from society.
43:30You won't believe when you hear it.
43:34It's not bad.
43:44People are drinking today for a while.
43:46I'll try it.
43:47You're crazy.
43:53Good evening, Miliko.
43:54How are you?
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