- 2 days ago
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TVTranscript
00:01Hey!
00:04I'm here to give you this.
00:09I'm going to ask you to sue me.
00:13Maybe you're a muscle and you're nervous, Marija.
00:16You don't like me.
00:18The happiness has been.
00:20What? What was it?
00:22Well, I don't know.
00:24Do you think about it?
00:29It's not right now. It's an important decision. You don't have to do it right now.
00:38I can't do it.
00:41How can I do it?
00:44From the street, I looked at the street.
00:48He asked me when I'm going to get better.
00:50Come and see what's going on.
00:54There was one end and the beginning.
00:59Nothing more needs.
01:03Yellow and yellow.
01:05Don't get everything for time.
01:08Look at me now.
01:10There are seven beautiful faces.
01:12That's my family.
01:14And nothing I've said,
01:16I've said nothing.
01:17I've said nothing.
01:18I've said nothing.
01:19It's not.
01:21I can't say anything.
01:23I can't call it a lie.
01:27One and one are seven.
01:31I don't have a gram.
01:33I'm not a gram.
01:35It's so easy to be happy.
01:39It's not a dream.
01:40It's not a dream.
01:41It's not a dream.
01:43It's not a dream.
01:45It's a dream.
01:47It's a dream.
01:49It's a dream.
01:51Look how it's hard.
01:53Why did you get these kids together?
01:55I'm going to be a couple days old.
01:57I know the doctor said I must stay in a few weeks.
02:01What are you doing with him?
02:04A day, please.
02:05The method is to leave the mobile immediately and talk to him.
02:09I'll talk about the method with his father.
02:12He's in school.
02:13Let's go! I'll take you to the hospital.
02:16Teresa, you were right now.
02:18Tata must be in the hospital with a few weeks.
02:22Like Davidić started on him.
02:25You know what I'm interested in?
02:27How can a man take a look at his bedroom?
02:31No, it's in his bedroom.
02:34It's complicated. It's better to not do it.
02:38It's hard to explain it.
02:40It's better to not do it.
02:41Now there was a lot of pain.
02:42Let's go.
02:43Really?
02:44The method is like, stop playing with your hands.
02:48Every team needs a good trainer to be able to work.
02:52And when the trainer is not there, someone needs to take care of it.
02:56It's mostly a helpful trainer.
02:58But if the helpful trainer is not good to be the main one,
03:01then you need to think about the new trainer.
03:04Let's go.
03:05Let's go.
03:06You don't want to be the mother.
03:07Let's go!
03:08Let's go!
03:09Let's go!
03:10Let's go!
03:11Let's go!
03:12Let's go!
03:13Let's go!
03:14Let's go!
03:15Let's go!
03:16Let's go!
03:17Let's go!
03:18Let's go!
03:19Let's go!
03:20Let's go!
03:21Let's go!
03:22Let's go!
03:23Listen to me!
03:24Gojko is the brain of the team.
03:25He is the brain of all operations.
03:26The other brain is like the brain.
03:28I know.
03:29I know.
03:30I've lost everything.
03:31Let's go!
03:32Let's go!
03:33Let's go!
03:34Let's go!
03:35Let's go!
03:36Let's go!
03:37You're right!
03:38You should remember it!
03:39It's true!
03:40It's true!
03:41It's true!
03:42It's true!
03:43Let's go!
03:44Let's go!
03:45Let's go!
03:46Let's go!
03:47It's all right!
03:48No!
03:49I don't care about the family.
03:51I don't know how they will be the child.
03:54They really are not able to do it.
03:56They really are in danger.
03:58They really are in danger.
04:00You're my brother!
04:04Yes!
04:05Can you tell us a little bit?
04:06Let's go!
04:07Let's go!
04:08Let's go!
04:09Let's go!
04:10Let's go!
04:11I don't have a problem!
04:12I'm sorry!
04:13I don't have a problem!
04:14Why don't you bring us to our kids?
04:16They are like the kids!
04:19No!
04:20It's okay!
04:21Then he will have to spend a couple of weeks in the hospital
04:23until he doesn't care.
04:25Lila will stay with us alone.
04:28I think this will be a lot of difficult weeks for all of us.
04:33I'll come back!
04:35I'll come back!
04:40Gojko!
04:41Gojko!
04:42Gojko, I'm sorry!
04:44Gojko, I'm sorry!
04:45Get in the hospital!
04:46Sit down and eat!
04:47You're the one that will eat!
04:48Shut up!
04:49Gojko!
04:50Oh my God!
04:51No!
04:52This is a joke!
04:53Someone has been really nice!
04:54I've got to make it and get to the hospital!
04:55Gojko!
04:56Gojko!
04:57Get in the hospital!
04:58Sit down and eat!
04:59I'm sorry!
05:00You're the one that will eat!
05:01After the cake, after the cake.
05:03Do it. Do it.
05:05The method of evening.
05:07Mom, listen.
05:09I've talked to her about the pictures.
05:13She told me that I'm very photogenic.
05:15Then she has another photographer.
05:17She could have a picture.
05:19She would make a book.
05:21I mean, for me, it's a great idea.
05:23I don't know what you're saying.
05:25I don't know what you're saying.
05:27It's an awesome idea.
05:29Let's go.
05:31Let's go.
05:33Let's go.
05:35Let's go.
05:37Let's go.
05:39What's this?
05:41I call him in the evening.
05:43I see him.
05:45I'm just a little bit.
05:47He's not a child.
05:49If he wants to.
05:51What?
05:53Who will you do?
05:55We'll throw this.
05:57I'll throw this.
05:59I'll throw it.
06:01I'll throw it.
06:03I'll throw it.
06:05It's so nice.
06:07It's so good.
06:09It's so good.
06:11It's so good.
06:13Let's write the address.
06:15We'll be in Africa.
06:17Abdulla Daoudi.
06:19Boko Harama 4.
06:21Are you satisfied?
06:23Let's go.
06:25Let's go.
06:27Not at all.
06:37Here is the third message.
06:39I don't know why you're doing that.
06:41I don't know what happened.
06:43Unless the answer is...
06:45These are two words.
06:49Right now.
06:51Come on, come on, come on.
07:05Let's open the door.
07:07I didn't know that you were there.
07:09Let's go.
07:10Wait, wait, wait.
07:11Let's go.
07:12Let's go.
07:13Let's go.
07:17There.
07:21Let's go.
07:22Let's go.
07:23Let's go.
07:25Let's go.
07:26Are you going somewhere?
07:27No, ma'am.
07:29I will stay here,
07:32while my brother is in the hospital.
07:34Thank you very much.
07:36There's no need to be.
07:38I can't do it.
07:39There's Denny.
07:40There's no need to be.
07:42There's no need to be.
07:44It's not difficult for me.
07:46Here we go.
07:47Let's celebrate my holiday.
07:50First, the cake and the cake.
07:52Leave it.
07:53No, Teresa.
07:54Go.
07:55No, let's go.
07:56What should I do?
07:57It's a great example.
07:58Give me, dear.
07:59Let me ask you,
08:02let me call you the method.
08:03I can.
08:04Mama, we agreed on the image.
08:06I'll tell you that I'll be able to image.
08:08I think that's just 150 euros.
08:10I'll be able to image for 70 euros.
08:14You won't be able to image.
08:15I ask you, open your eyes.
08:17You're back.
08:18I'll tell you the truth.
08:19I'll be able to image for a photo.
08:20There's no more pictures.
08:21There's no pictures.
08:22It's a crazy idea,
08:23to see you.
08:24Yes, of course,
08:25but I ask you,
08:26you know what?
08:27When you decide what will you do when you grow up?
08:29You'll be able to tell me.
08:30Do you?
08:31And just know,
08:32I'll start to give you the money.
08:33That's it.
08:34Great.
08:35Just start, because the money is just taken.
08:37Yes, yes, yes.
08:38From this moment.
08:39What are you stupid things?
08:41What are you doing?
08:42You look like you are...
08:44You fell asleep!
08:46I said that he won't be in the evening.
08:49I want to go and get him out of the oven.
08:51No, I want to, thank you.
08:52Please, take your time just to get a coffee.
08:55First, I'm going to eat.
08:57First, I'm going to eat.
08:58One, two...
09:08What did you say?
09:10No, I'm not...
09:12I'm waiting.
09:14I'm waiting for something.
09:16I don't know why I'm waiting for something.
09:18Well, what's that?
09:25What did you say?
09:27What are you doing here?
09:40Hey, how are you?
09:42I wanted to tell you that the photos are amazing.
09:47Yes, I'm taking a picture with you.
09:49I have an aparat with a great object.
09:54Yes.
09:55We could do some activity next week.
09:57Asfalt.
09:58That's what I'm going to do.
10:00Next week.
10:08What a mess.
10:12I'm not going to go to school.
10:14I'm going to die.
10:16I'm buying my script.
10:18What are you doing here?
10:20Nothing.
10:22Nothing.
10:24There's nothing.
10:25There's nothing.
10:26There's nothing.
10:27There's nothing.
10:28If you ask Deoiku to be able to tell you one day,
10:30that's right.
10:31Femka is thinking.
10:32If it's two days,
10:33it means thinking about social life.
10:35You know what you can do to her?
10:37You don't have anything to do to her.
10:40If it's three days,
10:42it means some other frayers in the game,
10:44and she's thinking about it.
10:46If it's four days,
10:47then you write down.
10:48It's gone.
10:49Look,
10:50you have to mess every day
10:51and say you have 24 hours
10:53to answer
10:54and answer
10:55to the end.
10:56Do you understand?
10:57And this one...
10:58What?
11:01You're right.
11:02You're right.
11:03I'm.
11:04I'm...
11:05again.
11:06Maybe this'll sound like this,
11:07but you'll have 24 hours left to give me a answer.
11:11If not,
11:12you'll know nothing.
11:13Maybe this will sound like an ultimatum, but you'll have 24 hours to give me the answer.
11:19If not, then...
11:22I'll know that it's nothing.
11:28Just listen to me, you're far away from me.
11:43Metode, what's happening with you? Are you okay?
11:53Everything is okay, everything is okay.
11:56I'm dead, so...
11:59Did you hear me?
12:02I mean, it's just two days before me.
12:06No.
12:07No.
12:08What's wrong with you?
12:13When you came to New Sada, you're crazy.
12:16What's wrong with you?
12:19I'm not wrong with you.
12:22Metode.
12:23I'm not wrong with you.
12:26You're not.
12:28Okay.
12:29I'm fine.
12:31Let's go.
12:32If you think you're going to eat your food...
12:34Let's go.
12:37Let's go.
12:40Hey.
12:42What?
12:44Let's go.
12:45Let's go.
13:04Let's go.
13:05Let's go.
13:06What's happening with you?
13:07I'm a mother.
13:08You try to tell me.
13:09I'm doing my method.
13:10He's like getting rid of everything.
13:11It's like they've been better.
13:13They're not.
13:14You have to go.
13:15We're not, mama.
13:16Everything is okay.
13:18I'm not.
13:19I think I'm getting caught.
13:20Not, mama.
13:21Let's go.
13:22Let's go.
13:23How are you in Beograd?
13:24How are you doing?
13:25What do you do?
13:26What do you do?
13:27What do you do?
13:28You're not a woman who is a woman.
13:29You're not an ordinary girl.
13:30You're a girl.
13:31Mama.
13:32I've got 18 years.
13:33You had 19 when you went home, which means that I would have been the same as you...
13:39When you went home, you would have...
13:4220.
13:43What are you talking about?
13:45Okay, let's go crazy.
13:46You're drunk.
13:48No, I'll come to New Sad tomorrow to visit you.
13:52Why are you coming?
13:53No, Mom, you can't. You can't come. I'm against you.
13:57Why are you coming to me?
13:59Let me drive my life like I want.
14:02What?
14:03We have to talk about some things.
14:10I'm spioniering.
14:12We'll go to New Sad tomorrow.
14:15Don't go away!
14:23KOLJA!
14:25What did your mother say?
14:27KOLJA!
14:28KOLJA!
14:29KOLJA!
14:30What?
14:31What?
14:32What?
14:33What?
14:34What?
14:35What?
14:36What?
14:37What?
14:38What?
14:39What?
14:40What?
14:41What?
14:42What?
14:43What?
14:44What?
14:45What?
14:46What?
14:47What?
14:48What?
14:49What?
14:50I don't know it.
14:51What?
14:52What?
14:53We can't. We can't watch it. I think we can't watch it.
14:57I told him that that film is not for children.
15:00Lord, that film is for children. Especially for children and children.
15:06They need to see how children should become.
15:10What does it mean? You showed a film with Hugh Grant, Leonardo DiCaprio...
15:15To stop!
15:17You can see how many hours is. 11!
15:20I pray, Deni, now is the end. Just to see how they will accept the murder.
15:24The murder? I said that!
15:27I don't like anyone and nothing.
15:30Lord, the children should be able to watch the end of the film.
15:35The world will not stop turning around.
15:38If they are turning around 10 minutes longer, they will be able to watch the show and make the Gestapo.
15:44Do you have to call me a racist?
15:48A racist?
15:49Sit down!
15:51Sit down!
15:52Sit down!
15:53Don't be a racist!
15:54You have to be wrong with my authority.
15:58You have to be wrong with my tolerances.
16:02The children have the right to watch the film.
16:04All with a fake gun.
16:05You are a racist.
16:07You are a racist.
16:08I am a racist.
16:10I am a racist.
16:11I am a racist.
16:12I am a racist,
16:13and you have to look up the show.
16:14You have to talk,
16:19you know them.
16:20I will be the writer.
16:22Next time, I will ask you.
16:23Let's see what Lila will be saying.
16:25Who is the authority?
16:27You don't have to go to bed!
16:36You're looking for the trouble, Inspector Kalahan.
16:40I don't care, Eva. Something happens between her and her methods.
16:44I don't know, I won't tell you about what she's doing.
16:49I'm saying...
16:53I'm saying...
16:56Love...
16:58You can come whenever you want.
17:01You can tell me everything.
17:03Who will you if you don't want me?
17:04I'm waiting for you.
17:06I'm always here for you.
17:08No, no, no.
17:09This is my control.
17:11Really?
17:12You know me?
17:13I'm dying now.
17:16I'm waiting for you to see you.
17:20I'm feeling a little better.
17:23Tomorrow?
17:24I'm waiting for you.
17:26I'm waiting for you.
17:28I love you.
17:35What is it?
17:36Why are you crying?
17:38Why are you crying?
17:39What are you crying here?
17:41I'm looking for this one.
17:43Why are you crying?
17:45I'm crying for three...
17:46Why do you have you crying?
17:47Why don't you cry, short?
17:48Why do you cry?
17:49Or how do you cry?
17:50Good morning, good morning.
17:51Good morning, good morning.
18:11How come?
18:14What is it?
18:15Life in the family with a child.
18:17Pakao!
18:18I don't know.
18:49What are you saying?
18:50What are you saying?
18:52I don't know what to say.
18:54I don't know what to say.
18:55I don't know what to say.
18:57I'm thinking about it.
19:00Kill it.
19:01How can you be a idiot to be able to pull the leg in the room?
19:08Let me tell you.
19:10What do you think?
19:11I'm thinking about everything and everything and nothing would have fallen to my mind.
19:14I don't know what to say.
19:16I don't know what to say.
19:17I don't know what to say.
19:18I don't know what to say.
19:19I don't know what to say.
19:20I don't know what to say.
19:21I don't know.
19:22I don't know what to say.
19:23I don't know what to say.
19:24I don't know what to say.
19:25I don't know what to say.
19:26I don't know what to say.
19:27I don't know what to say.
19:29That because I know that nothing has been to anyone in practice.
19:30Like even something that can tell you.
19:31And I think that I'm really happy maybe my son or one sort of rapist, I don't know?
19:40Like at the circus.
19:43I think my baby can talk to me and that's how I know.
19:49Why am I going to say?
19:52There's only two weeks in my hospital waiting for us once.
19:58Like?
19:59Lila! Lila is a vegetarian, what are you talking about?
20:01Why don't you go back to the stupidity?
20:03Eh, she was angry.
20:06I was in a conversation.
20:09How did you get away while she was angry?
20:12I didn't get away, but I was in a conversation.
20:16When she was talking to another woman...
20:22Wait a minute.
20:23You see what Lila is saying?
20:26She wants to be happy.
20:29And it's not yellow, but muflons.
20:32Give me a hug!
20:34Listen, listen, I heard Lila talk with her.
20:38She has to get away.
20:40Listen, she has to get away.
20:42She has to get away.
20:44And when my brother is not here, she is looking for Lila.
20:47Yes, yes, yes.
20:48When she is not here, she is not here.
20:51Then she is in the water.
20:53Sorry.
20:55What are you talking about?
20:57Can I talk about lunch?
20:58What have I talked about?
21:00Because if you eat lunch, you're a bitch.
21:03You're a bitch.
21:04I'm a bitch.
21:06I hear you.
21:07I'm a bitch.
21:08I'm a bitch.
21:10I need to write a book about this house.
21:13I'm a bitch.
21:15I need to write a book.
21:16Yes.
21:17What is that?
21:18I was just wondering how she is told to look and see her with her.
21:24Yes, she is depressed.
21:25Every Saturday she is in the hospital.
21:27She is sick.
21:28Every Saturday she goes to the hospital.
21:30Every Saturday she is in the hospital.
21:31Everybody!
21:32You have no doubt to go to some doctor.
21:35Some doctor?
21:38Yes, do you think?
21:40Yes?
21:41Yes, yes!
21:43Yes, yes!
21:44You're crazy!
21:46They are dangerous.
21:48Doctors!
21:50Oh, look at me.
21:53Come on, come on!
21:54Come on!
21:55Come on!
21:56Come on!
21:57Come on!
21:58Come on!
21:59Come on!
22:00Come on!
22:01Come on!
22:02Come on!
22:03I'm sorry!
22:04Come on!
22:05Come on!
22:06Come on!
22:07Come on!
22:08I told you to say to me that I'm dead.
22:11Come on!
22:12Come on!
22:13How much is the ultimate ultimate?
22:15For 7 minutes it will be...
22:1910 hours and 15 minutes.
22:21If you could Jack Bauer for 24 hours,
22:24you can...
22:25You won't help me.
22:27It's like a stand-by.
22:29Maybe yes, maybe not.
22:31You can stop thinking about it.
22:33Otherwise you'll be mad.
22:34You'll be mad.
22:36You don't have to be mad.
22:37If you don't have to be mad,
22:38you don't have to be mad.
22:39You have to be mad.
22:40Who needs to be mad?
22:41Anu.
22:42Anu!
22:43A man waiting to be mad
22:44must be mad at the first time.
22:46People, no one will be mad at me.
22:48You see, Eva didn't tell you so long.
22:50There's nothing.
22:51It's not the only woman in the world.
22:55The only woman in the world.
22:56Adam and Eva.
22:57I'm sorry.
22:58You see the method.
22:59You know yourself.
23:00It's time to decide who will be pizza.
23:02Do you want to eat?
23:03Do you want to eat?
23:04Do you want to eat?
23:05Do you want to eat?
23:06Do you want to eat?
23:07Do you want to eat?
23:08Do you want to eat?
23:09You have to keep up with Anu.
23:11Yes, with Anu.
23:12Wait, wait.
23:13I'm only going to be good at this time.
23:15I'm sorry.
23:16I'm sorry.
23:17I'm sorry.
23:18I'm sorry.
23:19I'm sorry.
23:20I'm sorry.
23:21If Eva takes you so long to wait,
23:23it means she wants to say yes.
23:24When a girl takes you so long to wait,
23:27it means it's important.
23:28I know it's important.
23:29It's just a certain way,
23:32a romantic way to say that.
23:34Yes, yes, yes.
23:35A romantic way to say yes.
23:36Yes, yes.
23:37You can say yes.
23:38Yes, yes.
23:39Yes, yes, yes.
23:40The criteria is before.
23:41Tell me.
23:42I'm sorry, let me let you go.
23:44See you.
23:45You'll see what's going on.
23:46And...
23:47Listen to me briefly.
23:48I'm sorry.
23:49I'll give you a little.
23:50And it's the only one.
23:51The only one.
23:52Yes.
23:53What a big deal.
23:54Yes.
23:55Yes.
23:56Yes.
23:57We'll finish today's act.
23:58No, no.
23:59No, no.
24:00No, no, no.
24:01No, no, no.
24:02What a big deal.
24:03No, no, no, no...
24:04No, no, no.
24:05No, no, no.
24:07What are you doing? How are you doing?
24:12I'm...
24:14I'm...
24:16Listen, I started talking about what you were talking about.
24:20Everything.
24:22I wanted to tell you, first, don't get nervous.
24:26And then, with your marriage, I don't know if it's very good.
24:30If you want...
24:32I don't think anyone will say anything.
24:35I'm the biggest problem, Vero.
24:38Go.
24:39Go.
24:40Go.
24:41Go.
24:42Go.
24:43Go.
24:44Go.
24:50They didn't do this bad.
24:52I have a lot of five and four.
24:54You?
24:56Who?
24:57Who?
24:58Anyone?
24:59Lila.
25:00Are you okay?
25:02I'm wrong with the daughter Nikolina.
25:07That's what I'm wrong.
25:08What's wrong?
25:10I don't know.
25:12I'm not sure.
25:13I'm not sure.
25:14I'm wrong with the other things.
25:15I don't know where I am.
25:16I'm wrong with the other things.
25:17I'm wrong with the other things.
25:18What's happening?
25:19Teresa wants to be a model.
25:21I don't listen to anything I'm talking about.
25:24I don't have any authority.
25:26sir.
25:27Marie.
25:29you man.
25:31She don't have no laws.
25:33she's just 17 years old.
25:35The likely moment to be done making a serious mistake?
25:38Echo.
25:39we talk about this!
25:41I'm ok that I don't know.
25:43She doesn't even have a problem.
25:45It can't leave her the solution.
25:47Она can do her.
25:48She Uliff.
25:49She great.
25:50No, it's horrible.
25:54I don't know what to do.
25:58I don't know. I don't know what to do.
26:02I don't know what to do with him.
26:06But I don't know what to do.
26:10Wait, come on. They've grown up.
26:14That's what I'd say. You always talk about everything.
26:18Yes, but now she's gone. There's no contact with me.
26:22And Teresa and Eva are now close to me.
26:26I don't know what to do.
26:30Listen to me. I'm wrong.
26:34I'm wrong.
26:36If you think you're wrong, you're wrong.
26:38You're wrong. You're wrong. You're wrong. You're wrong.
26:40You're wrong. You're wrong. You're wrong.
26:42You're wrong.
26:44You know what I want.
26:46You're wrong.
26:48You're wrong.
26:50Okay, nothing is wrong.
26:54What are you doing?
26:56What?
26:58You're wrong.
27:00What?
27:02What?
27:04What?
27:06What?
27:08What?
27:10My school is beautiful, because it is big, spacious and spacious.
27:15I like it because I am learning everything. Mathematics, nature and...
27:20Pridevi, Kolja. I said, what is it?
27:25I am learning...
27:28...the nature...
27:31...the nature...
27:33...the nature...
27:35...the nature...
27:38My school is a nice. I like to see my friends...
27:43...the yes and I will hit them...
27:45...the Big Show.
27:46I'm stopping.
27:47...and I, my friends were doing so, I am really happy with them.
27:52My team is nice, good and good stuff.
27:56...and I am the president of the program.
27:59And I am much more stellar.
28:01Thank you also.
28:02I don't stand.
28:05No, I'm just going to help you.
28:07Listen, Radko, I think that this is not all the time.
28:10I want quiet, right? Absolutely quiet.
28:14Continue.
28:16I love school because I'm learning a lot and fun.
28:21Slihtaro!
28:23That's enough now.
28:25Now, Radko, you'll be able to go there and read our own composition.
28:31Come on, come on, quickly.
28:35Hey, hello, Eva.
28:42No, no, no, no. I have to be a little love.
28:46Love and Momina, how are you?
28:49That's okay.
28:51Could I go to Beograd Park?
28:55That's it.
28:57That's it, that's it.
29:05I've been doing my job.
29:12I've done my job now.
29:14I just finished my job.
29:17What do you like?
29:18I'm sorry, Mama.
29:32Eva, love and mom.
29:35I thought you had to give me a call.
29:39I didn't. I'm in a way.
29:42I'm sorry, I'm sorry.
29:43I'm sorry to interrupt you.
29:44I'm sorry, I want something to say.
29:47It's very important.
29:48Well, I thought I was going to come in a few days.
29:51I'll go to Beograd and go home.
29:54Why?
29:56Well, let's talk a little bit.
29:59Mom, I don't want to talk.
30:01I don't want to talk to you.
30:02I'm going to talk to you.
30:04Why are you talking to me?
30:05You think I don't know?
30:07I know everything about me.
30:09I know.
30:10And you don't want to talk to me.
30:12It's all for me.
30:14Wait, who did you know?
30:16I don't want to talk to you.
30:17I don't want to talk to you.
30:18I don't want to talk to you.
30:19I don't want to know anything.
30:21I don't want to talk to you.
30:22What?
30:23I don't know.
30:24I have to know everything.
30:25I'm your mother.
30:26And I'm giving you.
30:27You know what I'm giving you.
30:29You hear me?
30:30What am I giving you?
30:32My life is my thing.
30:38I'm going to lie.
30:41I can't believe you.
30:42I'm going to lie.
30:44I don't care.
30:45I'm giving you a call.
30:46I think I have not allowed to talk to you.
30:47Oh, he is correct.
30:48Oh,
30:50good luck, Lila.
30:51I please, Csat.
30:52You face your wird.
30:53You feel free to act.
30:54Come one day at me.
30:55You perceive her free.
30:56I swear a second.
30:57Even this, her threaten.
30:58Not this.
30:59Let'skommen to Chicago.
31:00Give her a second.
31:01Without this.
31:02Thats her name is her.
31:03Who am going to stand?
31:04What did I do?
31:05I know she Susan and the other people say I don't care,
31:06The women are going to be safe.
31:07And her filenade the time is when she loving her.
31:08And those are not good yet.
31:09Anyway there isn't.
31:10E, Gorane, I ask you, we have to see quickly.
31:15Yes.
31:16We have to talk about Evie.
31:19In five.
31:21Yes, it is possible.
31:23Let's see you.
31:25Bye.
31:30Here is my brother who likes a dog and likes him as a land.
31:34Tishina, Tishina, Ratko, in the process you need to use more money.
31:41You didn't use any one.
31:44Let's give me a example of a money.
31:48I can write what I want.
31:51You can.
31:52Okay.
31:53The president is a dog and you give it.
31:56Tishina, Tishina, Tishina!
32:02Ratko, it's not good to be wrong with church from the second section.
32:09These are all the errors.
32:12The errors from...
32:14of Daves is a bit...
32:17...信ine.
32:18That's why I think the same thing about him.
32:21Tishina!
32:23I'm not wrong with him, but I just wrote how you keep trying.
32:27Isn't that right?
32:28I'm not evil with him.
32:30That's enough! That's enough, that's enough!
32:36Now I have to go and drink a tablet for your head.
32:40Kola, go and sit there to control the order,
32:44and you can write everything that you've spoken.
32:47If you're written, you'll get an automatic opinion.
32:54Wraith me up there!
33:00Hello!
33:02No!
33:04Let's go!
33:06Let's go!
33:08Kola, let's go!
33:16Let's go, Kola.
33:18Now tell me, what are you talking about in the papers?
33:20I told me that I'm a smarach,
33:22and the teacher told me that I have to listen to them.
33:24Oh, Kola!
33:26You work with her, why is she paid?
33:28In school, you're the first principle, as well as in the police.
33:32You don't agree with the authority.
33:34That's right!
33:36You don't have to do it!
33:38You have to do it so that the majority of you can accept it!
33:42You understand?
33:44But...
33:45You're the president!
33:47They were the president!
33:48Oh, what a president!
33:49You should be the president!
33:51You should be the president!
33:53Yes!
33:54I've never experienced this.
33:55But what's there?
33:56When I came to the army,
33:58you know,
33:59the first night in the army,
34:00you put your hands on your hands,
34:02you put your hands on your hands on your hands,
34:03and you hit your hands on your hands.
34:04It's called a bike bike.
34:05You'll see it when you come to the army.
34:06And the other day,
34:07they killed me.
34:08You killed me?
34:09Yes!
34:10Yes!
34:11And the third day,
34:12I killed him,
34:13I killed him,
34:14and I killed him,
34:15and I killed him,
34:16and I killed him.
34:17You see?
34:18That's how the authority came out.
34:19Strico,
34:20I need to put them in the club.
34:23What?
34:24Oh, no, no, no.
34:26You should stop having this!
34:27You have to do something...
34:28You don't have to do something very scary...
34:33You need to do something to do,
34:34a great fruit!
34:35Do you understand?
34:36I am riding a fruit?
34:37Yes.
34:38Or you will be okay.
34:39I will be okay,
34:40three days,
34:41and you'll remember all your living.
34:43Hold on.
34:44Listen!
34:45Take a seat and the teacher.
34:48Okay,
34:49let me tell you,
34:50let me tell you.
34:51Let's finish the nursery.
34:52I'm going to open the door.
34:54But it's three days.
34:56Three days, but that's why it's a self-esteem.
35:00That's it. Let's leave you to leave.
35:03You're thinking of a big one.
35:05Listen, we've put him on the right path.
35:07Let's think now.
35:09In a big style.
35:15I guarantee you, Lila is certainly out of this type.
35:18I'm here. What happened?
35:20Where are you?
35:21We'll go to the hospital if you want.
35:24That's right.
35:25I can't.
35:27I'm really tired today.
35:29I have two hours of control as much as you want.
35:36Don't love him for me.
35:38Let's see.
35:41I can't, Risto.
35:43I can't give you questions for control.
35:45Where are you from?
35:47I'm sure you've hurt him.
35:49What?
35:50I didn't have to hurt him.
35:51She's again upset me.
35:52I want to see control.
35:54I want to know that I'm doing well.
35:55I have the same answers as the method.
35:57Love, you're totally right.
35:59And you sit and set the table.
36:01Learn something to do with one another.
36:03Nikolina, what do you want to do with us?
36:05I want to.
36:06I want to, of course.
36:07I want to know that you have a lot of concerns about control.
36:11Yes.
36:12Yes.
36:13I forgot.
36:14We have control control.
36:15Nothing.
36:16Hello.
36:17I have time.
36:18Mom.
36:19Mom, see.
36:20Why should I have to learn the formula of natrium sulfate?
36:22What will I do?
36:23I'll forget tomorrow.
36:24I have to concentrate on the other subject.
36:25The question is about my future.
36:26And my patience, Risto.
36:28But I don't have to worry.
36:29My little kid will fall out of all subjects.
36:31Two of them have agreed.
36:33Nikolina is a mask.
36:35No, please.
36:36You're in paranoia.
36:37Lila has a member.
36:39Yeah.
36:40Nikolina is her member.
36:43I do not know.
36:44I can still hear it.
36:45Let's go.
36:46Let's go.
36:47Let's go.
37:00You can see that Naković is quite a little.
37:02Let's go.
37:04Nothing.
37:13Here we go!
37:29Here we go!
37:39What is this?
37:43What has happened here?
37:45Just listen!
37:46God, no one can leave you for five minutes!
37:50What am I?
37:52God, I have crushed it!
38:00Good children!
38:03Now we are going to talk about the Roman Empire.
38:08We are going to talk about the fall of the Great Empire.
38:13It's an ideal lesson for what happens!
38:15We are going to talk about the Roman Empire.
38:17We are going to talk about the Roman Empire.
38:18We are going to talk about the Roman Empire.
38:21The Roman Empire.
38:22The Roman Empire.
38:23The Roman Empire.
38:24The Roman Empire.
38:29I am just telling you, as a man, I am not satisfied with your brother.
38:34I've managed to find him.
38:36You don't find him, brother.
38:38You don't find him, brother.
38:40You don't feel him.
38:42We don't have any evidence
38:44that Galila lies and lies.
38:46We don't have any evidence
38:48after the conversation today.
38:50You don't feel him.
38:52You don't feel him.
38:54What will happen tomorrow
38:56if everything is stupid and lies?
38:58What will you do then?
39:00I can't hear that in myself.
39:02You'll have to hear it.
39:04You'll have to hear it.
39:08I'm happy, brother.
39:10My only brother.
39:12What did you do so much?
39:14Where are the other children?
39:16Okay, all are fine.
39:18I have to tell you what happened.
39:20What happened?
39:22Hear it.
39:24What happened?
39:26You're dead.
39:28You're dead.
39:30I'm sorry.
39:32Let's go.
39:34I got the shoes for the ball.
39:36I love you.
39:38You look like he will go
39:40to the micka-trovac.
39:42You're dead.
39:44Yes.
39:45He's dead.
39:47Yes.
39:48It's less than he can expect.
39:50Yes.
39:51It's possible to pay him more than me.
39:54Listen, I don't want to be wrong.
39:57It's not just been proven.
39:59But we're so confused.
40:02We've heard it.
40:04Why are you so nervous?
40:06Why are you so nervous?
40:08I don't want to talk to him when I'm back.
40:11You can see how happy he is.
40:13He's a nice person.
40:15You can't even ask someone to have any evidence.
40:19And when you have any evidence,
40:21then you can get him out of the way.
40:23Look, if he doesn't feel nervous,
40:26we'll change it.
40:28Look, when you get out of the way,
40:30you'll get out of the way.
40:32You'll get out of the way.
40:34Why do you do this?
40:36You'll see the pain and the pain.
40:38Why do you do this?
40:39I couldn't get out of the way.
40:41Listen, I'm going to get out of the way.
40:45We'll follow it.
40:47I'll ask the inspector Callahan.
40:48You're not normal.
40:50You'll be able to get out of the way.
40:51You'll be able to get out of the way.
40:53You won't understand the way.
40:54They're not familiar with us.
40:55They'll be able to do what you do.
40:57Here she is, dumb.
41:00Let's go.
41:01Let's go.
41:02Let's go.
41:03Let's go.
41:05Let's go.
41:06Let's go.
41:07Let's go.
41:08Let's go.
41:09Let's go.
41:10Let's go.
41:11Let's go.
41:13Let's go.
41:14Come on.
41:15Hello?
41:16Hello?
41:17Are you listening?
41:19Yes, yes, yes.
41:20Nobody has anything...
41:21Aha.
41:23Why did you do this?
41:25I can't wait.
41:26Let me see you at the block.
41:29I don't want to know anything about that.
41:40What is she doing?
41:42She's standing with the Schwalera in the middle of the day where everyone sees it.
41:47I don't want to hear you. I'll be honest with you only when I see her in the office.
41:51Come on! Come on! What are you doing?
41:54I don't know the author!
41:56Have you watched action films?
41:58It's red when it comes to mind.
42:00Yes.
42:01As Inspector Callahan.
42:02How do you watch Inspector Callahan?
42:04I pray.
42:05I pray.
42:06If a woman goes to the freezer, we're crazy.
42:10Why won't they be the first time?
42:12Maybe you're right.
42:16I'm trying to understand my own self.
42:19My soul is greater.
42:21Maybe she's lying to us to protect us from something else.
42:27Maybe she's hiding with a friend from the province.
42:31He's hiding.
42:34He's hiding in the aerodrome.
42:36Maybe she's hiding in the aerodrome.
42:41From the province or the aerodrome?
42:43You're right.
42:44Yes.
42:45And they come to the aerodrome.
42:46I hope they come to the aerodrome.
42:49You see, love, every girl needs to be in this little bit.
42:53There are all kinds of colors,
42:56the ends, the gala.
42:58Look at these cute little ones.
43:01For example, these reserve rings.
43:05There are some great parts of it.
43:08You want to try to make a piece of it?
43:12I'm just going to ask you something.
43:16It's just a couple of pictures.
43:18Mama doesn't understand it, but...
43:20Mama, you understand it, and that's why you don't have to look at yourself, you know?
43:26A young and inexcusable girl can lose their life from those pictures that you tell.
43:33Don't tell me that you're on her side.
43:37I'm not. I'm just trying to explain to you that it's possible.
43:42You'd have to complete your intellect.
43:47Well, that's not true. Let's continue. Did you understand?
43:54I didn't understand.
43:56Okay, let's go to the answer.
44:04No!
44:06What? What did Pavla say to me?
44:09What did Pavla say to me?
44:12What did you say to me?
44:14Wait, wait, I can do one more.
44:17Hey, idiot!
44:19That's what you need. And Pavla, don't push me.
44:29I can't drink that now.
44:31All the time I can do this.
44:33How is everyone doing this?
44:38I can't do it. Let's give it to you.
44:41Please, give me an�.
44:43What?
44:45How do we all do with you?
44:47No.
44:48Let me show you who is.
44:50Give me money.
44:52I don't know if you're a big fan.
44:54I'd like it to be more than if you're all happy when you're going to the gym.
44:57I'm sorry. Who's going to be here?
44:59I'm here. I'm here. I'm here.
45:01My house is here.
45:03Where are you?
45:04What's wrong with me?
45:06Let's go and let me know.
45:08What's wrong with you?
45:11Hey, someone's going to drink. I'm going.
45:14Hey, I'm going to drink.
45:16Hey, love, could you have me a kicker?
45:18What's good for you?
45:19Love, you need to be a medium.
45:22Wait, don't worry if you have a problem down there.
45:25No, no, but it's internal.
45:27You need to be a medium.
45:30Let's try it.
45:32How are you?
45:33I'm going to drink some coffee.
45:42Hello, Eva.
45:43Kasija.
45:44You see, it's not mine to meet you,
45:46but you have to talk about something.
45:48Let me ask you something.
45:51I don't know where it is.
45:52I will hear you.
45:53I love you.
45:54Bye-bye.
46:07Lily!
46:08You are sparing.
46:10You have to be a young girl from the city with a single one.
46:15Yes, yes.
46:20And according to your words, not to you even a dearer?
46:25Not to you, she's an ugly girl.
46:27You are a younger woman with a single one.
46:29When you say Eva, it's possible for the method.
46:33Come on.
46:34Our Eva.
46:35Our little Eva.
46:40The former ones.
46:42The most famous ones are the former ones.
46:45What do I do now, Pametnjaković? Tell me what I do.
46:48Let me see what I'm going to do.
46:50Let me see what I'm going to do.
46:51Let me see what I'm going to do.
46:52Let me see what I'm going to do.
46:53Let me see what I'm going to do.
46:54She's still there.
46:56How do you say she's herself?
47:01You know that I've been a lot of times.
47:03But I'm really trying to get my own responsibility.
47:06I'm telling you that Eva is going to do it.
47:09You don't really know me.
47:11How do I know you?
47:13How do I know you?
47:14But Eva has only 17 years.
47:17You know that it's some of her friends.
47:19You don't know your daughter.
47:21I know.
47:22I can't leave her now.
47:24You say something.
47:27No.
47:28You can't leave her now.
47:32You remember that she is with you now?
47:35She says that she is with her.
47:39She says that she is with her.
47:41I'm going to be back to New York.
47:43I promised to talk to her with her.
47:46I will not believe her.
47:49The zone is in New York and he says that you won't trust me.
47:56You see, the new world is not over the world.
48:00Yes?
48:01If you're wondering, you sit in the car and go to her and talk to her,
48:06which is our daughter.
48:09He says that you come to the new world and give her the daughter.
48:14The third time.
48:31Show me when you come.
48:34It's good. You didn't get out of here.
48:37I don't like this.
48:39Listen.
48:43Listen.
48:44We have to understand what is the problem.
48:48Listen.
48:49I'm going to tell her that I know everything about Goran and other things.
48:52You can't tell her.
48:53That's crazy.
48:54You have to understand that woman's psychology.
48:57You can tell her.
48:59You can tell her.
49:01You can tell her.
49:02You can tell her.
49:03You can tell her.
49:04You can tell her.
49:06Listen.
49:07I'm going to tell her everything.
49:08Let's see what she wants.
49:10I'm going to tell her.
49:13I'm going to tell her.
49:14But where'd you belong?
49:15Who is the magic?
49:16I'm going to tell her.
49:17I can tell her.
49:18How do you want to do this?
49:19Why do you do this?
49:20Joe?
49:21Well, I don't like that.
49:22What would you like to do?
49:23What'd you like to do?
49:26Oh nice.
49:27It's Evino.
49:28Evino!
49:29Evino!
49:30No, no, no!
49:31Evino, no!
49:32No, no!
49:33Evino, no!
49:34No, no!
49:35I pray!
49:36Did you do the fire?
49:37I think I'm a little bit hurt.
49:40What?
49:41I'm going to go to the new house.
49:43Wait!
49:44You're sure you want it?
49:46I'm sure.
49:47I can't even make a second to get out of it.
49:50I want to ask you to ask me.
49:53Do you want me to judge?
49:55Yes.
49:57Woo!
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