Igra sudbine Epizoda 1427,Igra sudbine 1427,Igra sudbine 1428,Igra sudbine Epizoda 1427, Igra sudbine Epizoda 1428,Epizoda 1427 Igra sudbine ,Epizoda 1428 Igra sudbine
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00:00This is the story of a young girl who became a star in the film industry.
00:13Just sign here.
00:15Is it written somewhere?
00:16It's not written, but believe me when I tell you.
00:19Just here.
00:20Down here?
00:21Yes, here.
00:22Ok.
00:30Come on, I believe you.
00:31Wait, you have to sign here too.
00:33Sorry.
00:34Ok.
00:38You see, a performance in other places would be great for me and Olga's career in the future.
00:47And then I thought that maybe we could perform in a business club, but only if you agree.
00:56Look, man, I thought you were going to ask me for some money or something.
01:01What money, what money, what do you want?
01:04Of course you can perform in a business club, and I don't know why you didn't ask me before.
01:08Oh, look at her, how her brain works, only when she wants to.
01:12Of course my brain works when I want to break up with this woman.
01:16Ok, let's hear that idea.
01:18Well, I would personally go to that ordination and I would put that dryer.
01:26What?
01:27Why are you staring at me like that?
01:30Ok, now wait until I finish my sentence.
01:33Wait until I finish.
01:34Oh God, I wouldn't do that during the night, I would do it in the middle of the day.
01:40Sit down.
01:42Do you have five minutes?
01:43I have, Vito told me.
01:45We have to talk about something.
01:47Ok, about what, what's the problem?
01:49Look, I have a great idea for the next number of magazines.
01:53Ok, suggest it to your colleagues, we'll see.
01:56Yes, I can.
01:57Ok.
01:58I can, but I won't.
02:00Why?
02:01Because I want to consult with you first, you know?
02:05That's not according to the protocol, but tell me.
02:09Jovana, believe me, this is completely different from everything until now.
02:12Ok, let's agree on that.
02:14I found a person who is ideal for the report for the next number.
02:18Well, you have to allow other people, some other audience to see you, hear you and enjoy your performance.
02:25Ok, fine, but didn't we say that we won't perform in a business club because it's nepotism?
02:30Yes, it was nepotism in the beginning and that's why I didn't even want to ask Aleksa.
02:35However, we made some kind of success in Maldives, we made some kind of income,
02:41it will be the same in a business club and that's why it's no longer nepotism.
02:46Our success is beyond nepotism.
02:50Aleksa really missed her father.
02:52And you know that they were constantly talking about how they miss him.
02:56Well, that's luck, so you were there instead of me.
02:59Well, I just flew in to help.
03:02I mean, I flew into the disease, Aleksa's meetings.
03:05I know, I already told Aleksa.
03:07Yes, I know.
03:10Lenka, let me explain something to you right away.
03:13What?
03:15Are you mad at me for helping Aleksa?
03:20I was at the party with Vitomir and it was really great.
03:26I just don't know why he didn't call me.
03:28He hasn't called me since then.
03:32You really took it out on Vitomir, huh?
03:35Darko, that's not the right word.
03:37Okay, I took it out on him.
03:39I just don't want every conversation to be based on whether he called you or not.
03:43You know?
03:45Come on, man.
03:53Hello.
03:54Good afternoon.
03:55I didn't know we had a double session today.
04:01I have one offer for you.
04:08What?
04:11Your Pablo is alive and well.
04:13He just left.
04:14Yes, but if he comes back, I can't let something destroy his reputation.
04:21You're trying to say that I'm destroying his reputation.
04:24How is that?
04:26By not working.
04:27I mean, you're working, but you're not doing what you should be doing.
04:32There.
04:34What do you two think I'm doing here?
04:38You're confusing me.
04:40You're confusing me, and if that's the case, you'll have to leave.
04:44Look, I'm working on a very complicated case,
04:47and I think you can help me with that.
04:53Wait, wait, wait.
04:54I'm helping you with that complicated case,
04:58and not photographing it?
05:00That's right.
05:01I'm interested in how I can help you with that, even if it's not photographing.
05:06Well, you'll have to do one thing for me.
05:16I have no intention of answering your stupid questions.
05:20Why is that?
05:22Because they're stupid and unreal.
05:31I have no intention of answering your stupid questions.
05:36Because they're stupid and unreal.
06:01I have no intention of answering your stupid questions.
06:06Because they're stupid and unreal.
06:11I have no intention of answering your stupid questions.
06:16Because they're stupid and unreal.
06:21I have no intention of answering your stupid questions.
06:26Because they're stupid and unreal.
06:31I have no intention of answering your stupid questions.
06:36Because they're stupid and unreal.
06:41I have no intention of answering your stupid questions.
06:46Because they're stupid and unreal.
06:51I have no intention of answering your stupid questions.
06:56Because they're stupid and unreal.
07:01I have no intention of answering your stupid questions.
07:06Because they're stupid and unreal.
07:11I have no intention of answering your stupid questions.
07:16I have no intention of answering your stupid questions.
07:32Hey.
07:33Hi.
07:35I hope I'm not bothering you.
07:38No, you're not.
07:40I'm not doing anything special.
07:44What are you doing tonight?
07:47Nothing. Do you have a suggestion?
07:50I'd like to meet you at a party.
07:53Fame, for example.
07:55Half past nine.
07:56If you haven't planned anything else.
07:58I haven't actually.
08:00Okay, okay.
08:01See you tonight, then.
08:03Okay.
08:05Bye.
08:13Bye.
08:19Do you know what just happened?
08:21I saw and heard.
08:23I decided to go to the party.
08:25Okay.
08:27Now it's all clear.
08:29What's clear?
08:32It's clear that you didn't call.
08:35I don't have a dilemma anymore.
08:37I don't understand what you wanted to tell me.
08:40Look at yourself from the plane.
08:42You like it.
08:43It would be a pain in the ass if you didn't call.
08:46And it would be good for you, Darko, to mind your own business.
09:00This is incredible.
09:02And what am I supposedly doing?
09:05Belgrade is a small town and you always find out everything.
09:08You're messing with some suspicious people here and that's why you heard everything.
09:11Really?
09:12Who told you that?
09:13That's not important.
09:15And how do you even have the right to make such conclusions?
09:19Based on what?
09:20Based on the fact that this is Pablo's ordination.
09:25Biljana, this is quite an unusual situation.
09:28You are my patient, I am your psychotherapist.
09:32And I thought we had built some kind of trust so far.
09:37These subjects just come out of real situations.
09:42And they have absolutely nothing to do with our therapy.
09:45Do you think it won't affect our relationship?
09:48Why would it?
09:50Purely due to love.
09:52I just want all of this to be cleared up.
09:55What exactly do you two want to clear up?
09:58Who I see in my free time?
10:00No.
10:01I don't care at all who you see in your free time or what you do.
10:04But this ordination has to work.
10:06Like a doctor's ordination.
10:08It works.
10:09Does it?
10:10And where is your doctor in practice?
10:12We are in the process of hiring.
10:14Oh, I see.
10:16I think you went too far with the conclusion.
10:21Well, then I'm really sorry.
10:25I'll leave you to continue with your therapy appointment.
10:29Bye, Mom.
10:32Hello, Gabi. Hello.
10:38Well, it's not that hard.
10:54Eavesdropping?
10:56Come on, Lukas, what kind of eavesdropping?
10:58This has to be a hidden camera.
11:00You're eavesdropping on me right now.
11:02What are you talking about?
11:04Are you kidding me?
11:06No, I'm not kidding.
11:08I mean, what you do with your camera,
11:13your camera doesn't differ much from what I would do with a microphone, right?
11:18Well, when you compare, it's an interesting comparison.
11:21Yes, it is.
11:23For example, when you shoot with a camera or a microphone,
11:28you get a complete product, right?
11:31Okay, forget about the comparison,
11:33but tell me a little more about the whole thing.
11:36It's about working on a complicated case
11:41that gives me a lot of headaches.
11:44Okay.
11:45And it's very hard for me to get out of it.
11:47In the end, why?
11:49Because I have a lot of doubts.
11:54I don't have any evidence.
11:56And you know, you're not a policeman, but you know,
12:00if you don't confirm any doubt with evidence,
12:04the case doesn't exist anymore,
12:06and I want to solve that case,
12:10to punish bad guys, to reward good guys, you know?
12:14Wait, you want me to...
12:17That's right, that's right.
12:20I want you to set up that hearing aid
12:27so that you can help me solve the case.
12:31But why me?
12:35I mean, I know you have your associates
12:38and your private detectives
12:40who can do that job much, much better than me.
12:43I'm a photographer.
12:45I like your question, and here I am going to answer it now.
12:48The situation is completely different now,
12:51more specific.
12:53In this case, I need a new face,
12:57and an extremely smart guy.
12:59And that's you.
13:01But you, Vukas, don't you know
13:03that I've never broken any law in my life?
13:07And I'm really trying not to.
13:09And I don't have to be a professional
13:11to know that it's a violation of the law.
13:14Look, you shouldn't look at it that way.
13:18You're now among good guys
13:22who are trying to get into the heads of bad guys.
13:26That's not a violation of the law.
13:29That's it.
13:31I don't know.
13:32I mean, now you've caught me.
13:34I really don't know what to tell you.
13:36Well, okay.
13:37And, of course, you'll be very well paid for that.
13:42And how much risk does the whole situation,
13:45the action and all that, bring?
13:47Risk.
13:48Especially if it's not there.
13:50You need to go into an office
13:53with a small button,
13:55make contact with someone,
13:57and during the conversation,
13:59you stick that button somewhere,
14:02say hello and go out.
14:04That's all.
14:06And don't tell anyone about it.
14:09Don't tell anyone about it.
14:12Not even yourself, while you're shaving.
14:27I'm looking after my own business,
14:29but I'm also looking after you.
14:31Cimer and I are best friends since we were kids.
14:34We are.
14:35So?
14:36Well, I'm telling you,
14:38I'd die of pain if you didn't call me.
14:41Stop fooling around.
14:43Why?
14:45You could cool down a bit, huh?
14:47No, no, I think you should have cooled down a bit earlier.
14:52Darko, why drama?
14:54It's just dinner.
14:58What are you laughing at?
15:00Just dinner.
15:01Everyone knows what just dinner is.
15:03Dinner implies something.
15:05And now you're acting like a grandpa.
15:08I'm not acting like a grandpa.
15:10I'm just wondering why you're running away
15:14from admitting that you like me.
15:16I'm not running away.
15:18You are.
15:22I just don't want to lie to myself.
15:24Don't you get it?
15:26I do.
15:27That's why I'm hitting you,
15:29so you'd admit it.
15:32Can you tell me openly,
15:34instead of hitting me?
15:37I think you have a problem with opening up.
15:41With opening up and communicating.
15:44I'm afraid you'll shut yourself up
15:47and you'll be hurt.
15:49Where did you get the idea to treat me like that?
15:57I didn't mean to hurt you.
16:00I just wanted to suggest
16:04that maybe you could relax
16:07and enjoy yourself.
16:09Okay, okay. I'll relax.
16:11And enjoy myself.
16:31Biljana.
16:34What kind of attack is this,
16:36with the back and the blow under the belt?
16:39What do you mean?
16:41Just like I said.
16:43I don't think it's a blow to the back.
16:45You came here completely unexpectedly.
16:47You attacked me without reason.
16:49I'm not sure it's without reason.
16:51And I stand behind every word Gabriela says.
16:56Maybe this should be the topic of today's therapy.
16:59What exactly?
17:01Your double personality.
17:03What do you mean?
17:05The way you heard me.
17:07Isn't that a bit too partial
17:10for a professional?
17:13Like you, I'm trying to do something.
17:16I just want to preserve my son's reputation.
17:20By destroying mine?
17:22No, I'm not doing that.
17:24Then what is this?
17:26I just want an exact answer.
17:29In a very unusual way, I must admit.
17:33Sometimes you want me to spy on your daughter,
17:36sometimes you accuse me of nonsense
17:39with that same daughter.
17:57Hey, guys, I have a package for you.
18:02What package?
18:04I don't know.
18:06What does it say?
18:08You want me to be honest?
18:10Yes.
18:11I don't know.
18:13What if it's a bomb?
18:15Lazare...
18:16Lazare, is that even possible?
18:18It's not a bomb, for sure.
18:20I have to agree with him.
18:23I agree with him.
18:25The bomb is heavier.
18:27Don't ask me how I know,
18:29but it's heavier.
18:31I think you watch too many movies.
18:33Obviously.
18:35These are just some facial creams.
18:38I know this company.
18:40Wait, there's a message.
18:42Thank you for the ad in Don's magazine.
18:45That's a thank you.
18:47That's all I know about your bomb.
18:49Okay, Stevan, you never know.
18:51What do we do with this?
18:56I'll take care of it.
19:10When did I ask you to spy on my daughter?
19:13Very soon.
19:16I was thinking...
19:18that I should give you a leave of absence.
19:21Really?
19:22Why?
19:24It's a business decision.
19:27You thought I'd give you a leave of absence for therapy?
19:31No, no, no.
19:33You should earn a leave of absence
19:35by telling me in due time
19:38what happened to my daughter.
19:42Are you suggesting that I spy on your daughter?
19:48It sounds a bit vulgar, yes, but...
19:51That's it.
19:53Are you aware that this goes against your therapy?
19:56Well, not really.
19:58I'd be a calmer person that way.
20:01I'd be a much better mother to my daughter.
20:05Family dynamics aren't solved that easily.
20:10And even paying the rent isn't solved that easily.
20:15Especially when your business doesn't go the way you imagined.
20:21If I agreed to it, what would that imply?
20:25Well, you'd simply bring me information
20:29about who you're meeting, who you're hanging out with,
20:32and especially what's going on in Donna's magazine.
20:37Do you need me as a spy or as a therapist?
20:42Both. Two in one, for example.
20:45Now, I'm begging you to take me seriously.
20:48Okay.
20:50I'll take this as your concern for your daughter,
20:53although it's expressed in an extremely destructive way.
20:58Now, I'd like to move on to therapy.
21:01I'm interested in why you have the urge to do things this way.
21:06Does that mean your answer is no?
21:08Absolutely.
21:10Even with a significant reduction in the rent?
21:14Incredible! You won't give up?
21:16No, why would I?
21:18Do we have a deal?
21:20Of course not.
21:21And the rent?
21:23You don't worry about my rent.
21:25Well, I have to. It's in my pocket.
21:28You'll get it on time, just like you've been getting it so far.
21:32If we can move on to therapy.
21:35Well, let's do it.
21:39I'm not sure you understand that.
21:42I don't know how else to understand a direct request to be a spy.
21:47I think you're exaggerating a bit.
21:50It wasn't literally a request to be a spy.
21:53Was it?
21:54No, I'm not a criminal.
21:56I'm not asking you to do some mafia and criminal business.
22:01Yes, just a little help from a friend.
22:04Yes, something like that.
22:06Then we can leave that aside and continue with the session.
22:11Okay.
22:13Okay, is there anything new this week?
22:16Well, I feel good, but everything is the same.
22:20I still have a bad sleep.
22:22Describe it, please.
22:23Describe what? I lie down and then I have a bad sleep.
22:26I'm spinning, spinning like on a grill.
22:28Do you have anxiety?
22:31Of course I have anxiety.
22:33I'm spinning with some thoughts in my head.
22:36I don't even know what's going on.
22:38And then if I accidentally fall asleep, I always wake up.
22:42Yes.
22:43I understand.
22:44I can recommend you a new medicine.
22:47Let's see how it will be.
22:51I'm not sure it will work for me at all.
22:54After the treatment you gave me, it didn't work at all.
22:57This is a new generation medicine.
22:59It's just to help in that acute phase.
23:02Okay, let's try it.
23:04Here, I'll write it down for you.
23:07And you tell me a little more about those thoughts.
23:10What to talk about?
23:12Ordinary black thoughts that every man has.
23:15What's there to talk about?
23:17You're free to talk.
23:20I'm here to listen.
23:23This one?
23:24Okay, I'll try this one too.
23:28Let's talk.
23:43That's good.
23:44Can you please leave that?
23:46Give it to me, give it to me.
23:48There you go.
23:50Hey, take it easy.
23:51Don't waste it all.
23:52That's my deodorant.
23:53Where does it say that?
23:54It says on the thank you note.
23:55Okay, when I see your name on the box,
23:58then maybe I'll admit it.
23:59I won't admit it.
24:00Okay, give it to me now.
24:01Give it to me.
24:02What?
24:06Now I'm going to spray a little.
24:07Lazar!
24:08Yes?
24:09What are you doing?
24:10What?
24:11It smells really good.
24:12You've overdone it now.
24:14We didn't put a lot.
24:15I can feel it in my nose.
24:16I can't breathe anymore,
24:17how much you sprayed it.
24:19Okay, maybe we overdid it a little.
24:21Okay, it doesn't hurt from the top of the head.
24:23But this is for me.
24:24It's phenomenal.
24:25It's disgusting.
24:26It smells like some cheap deodorant.
24:31What's that smell here?
24:33What?
24:50Here.
24:51Here.
24:53Here.
24:55Anči!
24:57How are you?
24:58What's up?
24:59Here.
25:00What is it?
25:01Wait a minute.
25:02Make me a cup of coffee.
25:04But a thick one.
25:05Don't waste it.
25:07I'm tired.
25:09Like a dog.
25:11Anči, it's really nice that you're back.
25:15I came to see you.
25:16I came to see you.
25:18Come on, I haven't been long.
25:22What's wrong with you?
25:23From work?
25:24From work, Mido.
25:26From work.
25:28Don't ask me anything.
25:30I had to shoot the same clip twice,
25:33because the previous one
25:35had some technical shortcomings.
25:38What's wrong?
25:39No, no.
25:40That.
25:41How hard is that?
25:44That.
25:45Believe me, Mido.
25:46It would be easier for me
25:48to go through Northern Banat,
25:50than to shoot the same clip twice
25:53with the same heat.
25:55Come on, please.
25:56Come on, please.
25:57Don't be like that.
25:58See, you overdid it.
25:59It's a little harder.
26:00What's that for you?
26:02I overdid it, Mido.
26:03But I was two or three months younger.
26:06No.
26:07That.
26:08That.
26:09Mido.
26:10How hard is that?
26:12That.
26:13I don't know.
26:14I don't know, Mido.
26:15I don't know.
26:16I don't know how much longer I'll last.
26:18I don't know how many more lives I'll have.
26:20All right.
26:21Wait.
26:22I didn't expect that from you.
26:24What are you going to say?
26:25What's that for you?
26:26You're a miracle.
26:27You won't overdo it.
26:29I'm begging you to say something.
26:31All right, you go.
26:32I'm serious.
26:34People love you.
26:35Don't ever forget that.
26:37People love you.
26:38God.
26:39God, what are you talking about?
26:41It's best if they don't love me.
26:44I'm so indisposed these days.
26:47Everything's falling apart.
26:49No, it's not.
26:52What's wrong with you?
26:54Why are you messing with my brain?
26:55Make me some coffee.
26:56All right, all right.
26:57I'm sorry.
26:58It's nothing.
27:03Mido.
27:07Mido.
27:09Is this some cabbage?
27:11It is.
27:12Mido.
27:14Isn't he going to call us?
27:16He won't.
27:17Let me go.
27:18God, I can't...
27:21Are you serious?
27:22Did you do your homework?
27:26Which homework?
27:27What do you mean?
27:28Did you fix Milet or is he hopeless?
27:32Fix Milet?
27:33Yes.
27:34I'd rather fix Medja than him.
27:36Let me go.
27:37He'll be fine.
27:38He won't be fine.
27:39Come on.
27:40Come on.
27:41So he's done.
27:59What is this?
28:01I have no idea.
28:03I smell something.
28:04Something stinks.
28:06I don't smell anything.
28:08It's like some cheap deodorant.
28:13Maybe it's this.
28:16I knew it had something to do with you.
28:18But boss, the worst thing is that I'm a collateral damage here.
28:22Yes.
28:23We received a promotional package of cosmetics.
28:25That's right.
28:26We got some creams and this.
28:29It must be cheap.
28:31Cosmetics want to be included in our schedule.
28:33Really?
28:34A hundred percent.
28:35A hundred percent?
28:37Yes.
28:38The cheapest is the so-called economic one.
28:42Listen, only through me, the dead,
28:44will this cosmetics have anything to do with our schedule.
28:47I absolutely agree.
28:48Likewise, only through me, the dead,
28:50will my employees stink this place
28:52with these trash and boffle things.
28:56What should we do with the package?
28:58Just throw it away.
28:59I don't care.
29:00No, no, no, no, no, no.
29:01Give it to me.
29:02Give it to me.
29:03This is crazy.
29:21Thank you for the dinner.
29:23You're welcome.
29:24And you were right about the wine. It's really good.
29:26What do you say? Do you like it?
29:27Yes.
29:28Yes.
29:29I have to admit, you're a real gentleman.
29:31I'm glad.
29:32I'm glad you think so.
29:33But you know what?
29:35I have one more question for you.
29:37What is it?
29:39I have one offer for you.
29:41I mean, it's more of a business offer, you know?
29:44Aha.
29:46Okay.
29:49Explain to me what it's about.
29:51Look, I want to do an article with you in my magazine.
29:56An article?
29:57Yes.
29:58With me?
29:59Yes.
30:00What do I deserve to be in a magazine?
30:03I'm begging you.
30:04I'm begging you.
30:05What do you deserve?
30:06Look, we need strong, stable women like you.
30:10Do you understand?
30:12I really don't know.
30:13No, no, no.
30:14Don't even think about it.
30:16Don't even think about it.
30:17When I met you, when I saw you,
30:19did I know you were the right candidate for this?
30:26I mean, I know you're in shock right now,
30:28and it's all normal,
30:29and it's your first time, your first interview.
30:31But look,
30:32everything I've said to you here,
30:35I really mean it.
30:56Why are you so nervous?
30:58I should be the one to tell you.
31:01What, because of this problem about the campaign?
31:04It's not just that.
31:05Wherever I turn, there are always problems.
31:09What kind of problems?
31:12Biljana and Gabriela are the biggest problems for me.
31:15What do they want now?
31:18They came here today,
31:20and they're suspicious that I have my ordination open,
31:23and I don't have a doctor.
31:24So what?
31:26Well, they say you're just in the process of searching,
31:28and that's it.
31:29You don't know them.
31:31If they get involved,
31:33they'll blow my head off,
31:35and who knows what else.
31:38Okay, can I help?
31:40No, unfortunately, I'll have to do it myself.
31:44Do you have any idea how?
31:47By giving them what they want.
31:50How?
31:52Now, to appease them,
31:54and not to be suspicious,
31:56I have to hire a doctor.
31:59So that Biljana's son's ordination
32:02works as it should.
32:07Good evening.
32:09I hope I'm not interrupting anything.
32:21I'm sorry.
32:30Before I give you an answer,
32:32I'd like to get some additional information.
32:36I'm listening.
32:37I mean,
32:39what's going on there?
32:41Me, an interview?
32:43I'm not famous at all.
32:45I'm completely unknown.
32:47They don't even know me in Uzice,
32:49or somewhere else.
32:50I want to make a profile about you.
32:52What does that mean?
32:54I want to introduce you to the magazine,
32:57to introduce your lifestyle,
32:59how you connect it,
33:01your job, your studies,
33:03how you live in Belgrade,
33:05and you're not from Belgrade.
33:07Is that clear?
33:08Yes, yes, I understand.
33:10I have nothing against it,
33:12but I didn't expect this.
33:14No, no.
33:15Listen, it's very important
33:17that what I write in that magazine
33:19is presented in the most positive light.
33:21Do you understand?
33:22And it's also very important
33:24that everything I write there
33:26won't come out without your approval.
33:28And without authorization.
33:29Is that clear?
33:30Yes, yes, I understand,
33:31but I'm confused for other reasons.
33:33There's no reason at all.
33:35Why?
33:36Such a beautiful, beautiful,
33:38comfortable, young, successful woman
33:40should hear everything about you.
33:43Yes, I don't know how to tell you this.
33:46What do you mean, how?
33:48Come on, say it, say it with your own words.
33:50Uh, well, okay.
33:52I think this invitation to the party
33:54was of a different nature,
33:56if you don't understand.
34:14So, why did you call me?
34:16Things got a little complicated.
34:18They got really complicated.
34:20In what sense?
34:22In the sense that we have to
34:24postpone the campaign.
34:25How?
34:26I mean, why?
34:28That's why.
34:30But what happened?
34:31Boris, you're not here to ask questions
34:34and ask for additional explanations,
34:36but to do what you're told.
34:38Okay, I was just interested.
34:40I hope you understand that by now.
34:42Yes.
34:44Did you really understand what he told you?
34:47I did.
34:48There is no continuation of the Internet campaign.
34:51That's right.
34:52Until the following instructions.
34:54Agreed.
34:55Is that all?
34:56Yes, that's all.
35:07The whole situation is getting more and more stressful.
35:10I don't like this at all.
35:13Tell me, do you think they've
35:15defeated us too quickly?
35:17Maybe it would be smart to turn Croatia around?
35:21Are you afraid of that?
35:24Who's afraid?
35:26I'm not afraid at all,
35:27I'm just trying to be careful.
35:30Caution is one thing,
35:32and not having a heart is something completely different.
35:35Or are you trying to tell me something?
35:38Just that there's no going back.
35:40We should both know that, you know?
35:43Croatia is your decision.
35:46Did you hear what he told me over the phone?
35:49Nice.
35:50Nice, but I didn't expect you to treat me like that.
35:54Okay, but don't get mad at the end of the day.
35:59Okay, sweetheart.
36:01Come on, let's go.
36:07Who's bothering you?
36:11Come on, let's go.
36:13What's on offer?
36:16What's on offer?
36:31Yeah, okay, I get it.
36:34I mean, I get what you're trying to say.
36:37I mean, I don't want to talk about this.
36:40I thought there was something between us and...
36:45Well, yeah, there wasn't.
36:47I mean, there's something.
36:49I want to say...
36:51I liked you.
36:53I mean, at first glance, I liked you.
36:55You attracted me.
36:58But...
37:01But...
37:03There were buts?
37:04Yes, there were buts.
37:05I quickly realized that you attracted me more professionally.
37:11Okay, maybe that's wrong now, but...
37:14I quickly realized that I don't want to mix business and private.
37:18I understand.
37:19That's it.
37:20Everything's okay.
37:22I'm sorry if I sent you some wrong signals or something.
37:25No, no, relax.
37:27I'm sorry if I sent you some wrong signals or something.
37:28I'm sorry if I sent you some wrong signals or something.
37:29I'm sorry if I sent you some wrong signals or something.
37:30I tried it once and it didn't work out.
37:32I see, you're right.
37:35I mean, everything's clearer now, right?
37:37Yes, yes, nothing happened.
37:40Nothing happened.
37:41What do you think about my business proposal?
37:44Can I think about it for a bit?
37:46Then I'll call you.
37:47Yes, of course.
37:48Let's have another drink while you're thinking.
37:51I have a colloquium tomorrow, so I'd have to go.
37:55Okay, then let's call Konobara to pay.
37:58I'm kidding, I'll pay.
38:00Excuse me.
38:01Can we just pay?
38:03Yes.
38:06Think about it.
38:07I will.
38:22You should know that this was a phenomenal idea.
38:25I enjoyed it so much.
38:27It was so nice.
38:29I'm so glad.
38:31I knew you'd like it.
38:33You know everything.
38:34Hey, hi.
38:35I have to tell you that you have a guest.
38:37What guest?
38:38I don't know.
38:43Come on.
38:46Hi.
39:13Good evening.
39:15Where did you come from?
39:20Eamonn.
39:44Eamonn.
39:49Nina?
39:52You look pretty.
39:54What was it?
40:03See you upstairs.
40:04I'm going to bed.
40:05It's not bedtime, it's sitting time.
40:09What do you mean sitting?
40:10Just a second.
40:19What's wrong with you today?
40:24What's wrong with you?
40:29Can I get a drink?
40:30What do you think about that?
40:32Can I get a cocktail?
40:33Give me something normal.
40:36Here you go.
40:39Here's a cocktail.
40:50You have to learn to be less naive.
40:55You're a pure soul.
41:00And it's easiest to put a pure soul into everything that's wrong.
41:05Everything will be fine.
41:20What do I want?
41:29Do you have any idea what they're looking for?
41:32Not the least bit.
41:34I mean, if they're asking for something so explicitly, they probably want something.
41:39We'll find out tomorrow.
41:50She got what she wanted.
41:55And she got it back.
41:58Why don't you make a statement?
42:00I'm sitting here like I'm on needles.
42:02I wanted to call you,
42:05tell you about the video,
42:07and give you some information.
42:20What?
42:22Thank you for asking.
42:25And you?
42:26I can't say goodbye.
42:28I'm glad to see you again.
42:30Me too.
42:31Especially in this meeting.
42:33That's why I wanted to ask you,
42:35why did you insist that Aleks be at the meeting?
42:40Why?
42:49There was no way.
42:51What do you mean, no way? What happened?
42:54What's wrong with you?
42:56Come on, let her go. She won't talk.
42:58Why are you hitting her?
43:00Let her go.
43:01Let her go.
43:11Yes, come in.
43:20Good afternoon.
43:21Good afternoon.
43:33Aleks, did you know about this?
43:35What do you remember?
43:37If you did something behind my back again,
43:41my trust in you is destroyed.
43:43Look, Jovana, this is a big shock for me.
43:46You were the one who called me.
43:48Yes, yes.
43:49Okay, let's move on.