Skip to playerSkip to main contentSkip to footer
happy
  • 5/23/2025
Igra sudbine Epizoda 1426,Igra sudbine 1427,Igra sudbine 1426,Igra sudbine Epizoda 1427, Igra sudbine Epizoda 1426,Epizoda 1427 Igra sudbine ,Epizoda 1426 Igra sudbine

Category

📺
TV
Transcript
00:00In the previous episode...
00:13Well, you know, to prevent bad material from coming to us,
00:17because then we're late, readers ask where are the new clips,
00:21and it all has a very bad impact on our vlog.
00:24Yes, okay, and what should we do?
00:26Well, what's the solution?
00:28Well, it's a pretty simple solution.
00:30Tell me, what's the solution?
00:32Let's buy Panchetti a new phone.
00:34Please.
00:36Lula!
00:39Marijana!
00:41Hey!
00:42You're here.
00:43Hi.
00:44I'm here.
00:45Tell me, where are these two?
00:47They're not here.
00:48They didn't come, or...?
00:51I've been here all the time, I haven't seen them.
00:54Here they are.
00:56Oh, look who's here!
00:58Look who's here!
00:59Oh, where are you?
01:03Hi.
01:08You're back, huh?
01:09I just got here, and Marijana says it's weird that you're not here.
01:13Sara Berger is behind that dirty campaign.
01:19How did it go?
01:21I have my own channels.
01:24Okay, we all have our own channels,
01:26and you have some evidence.
01:28I have no evidence, nothing.
01:29Listen, that's not important.
01:30What's important is that it's 100% confirmed.
01:37Okay.
01:39I would love to get this bouquet of flowers
01:42at the address every day,
01:45but...
01:46but I'm afraid for you!
01:49I'm afraid you're going to rob me!
01:52What am I going to do?
01:53What?
01:54What?
01:55Why would I rob you?
01:57I really don't know what the problem is,
01:59I mean, I guess you have a reason for doing this.
02:02That's right, I have a reason.
02:04You know I don't talk about things like this
02:07when I don't have a reason.
02:09Okay, Aleks and his son invited me,
02:11so I accepted their invitation.
02:16Where did that come from?
02:18Long story.
02:20And how was it?
02:22It was nice.
02:27What's so funny?
02:29You and the kids.
02:31So what?
02:33I would never say...
02:35Okay, Mom, come on, you don't have to be like that.
02:38I want to be a mother one day.
02:41And the cat?
02:45It was really dynamic.
02:46Come on, people, let's see what we're going to eat.
02:48Come on.
02:49Come on, Stevan.
02:50Cheers.
02:52Cheers.
02:59What is this?
03:00What?
03:01What do you mean?
03:02Wait, what are these prices?
03:04Is this some kind of fraud?
03:06What prices?
03:07Trust me.
03:08Plus.
03:10Plus is comfortable.
03:11Okay.
03:12Pretty.
03:13Younger.
03:16I knew it.
03:17Younger.
03:18Younger.
03:19This is a disaster.
03:22Why?
03:23What?
03:24What?
03:25Just a little...
03:27Just let Mileta get out of her head.
03:29Friend.
03:31Let Mileta get out of her head
03:33and let this young man get into his head
03:36as a big problem in the announcement.
03:40Young people.
03:42Young people are looking for fun.
03:44I really need a girl for fun.
03:47This young lady wants to have fun
03:49and this one wants a child.
03:52You don't want anything in the world
03:54but to have a child.
03:57Lukas, who are you thinking of?
04:03I don't know.
04:04You don't know.
04:06Look, Barbara, if I say I don't know,
04:08that means we'll soon find out
04:12who's behind all this.
04:16Wait.
04:18What should we do?
04:19Should we call her?
04:20Call her.
04:22Let's call her.
04:30Good evening, Mr. Horvat.
04:32I'm really sorry to bother you
04:34but we have a problem.
04:38I'm sorry.
04:43Panči!
04:44Juh, juh!
04:45Gala!
04:46Gala!
04:47I'm Kucah, but you don't look like Čulov Uđo.
04:51Oh, who is it?
04:52Gala!
04:53I'm gone.
04:55Oh, I see.
04:56Sit, welcome.
04:58Sit.
05:00Hey, Gala, where are you from?
05:03Good evening, gentlemen.
05:05Good evening.
05:06Hello.
05:08Stjepan, I didn't expect you here.
05:12Well, my colleagues took me out for dinner.
05:16Colleagues?
05:19Where do you work now?
05:21I work for them, in that store.
05:24Dona, as a security guard.
05:27Is everything okay, Panči?
05:29Not really, I don't know how to say it.
05:31Huh?
05:33Oh, don't worry.
05:34It's a phone, a phone.
05:35You'll borrow it.
05:36We'll bring it to our rooms.
05:39It's a touch screen.
05:40Yes, yes, yes.
05:43Mr. Horvat, what do we do now?
05:45Do you have any ideas?
05:47That's my problem.
05:48You just do your job.
05:50Is that clear?
05:54We will, Mr. Horvat.
05:56Don't worry.
06:04We will, Mr. Horvat.
06:35And everything is unknown
06:37Except for fate
06:45Like in love and in war
06:49There are no rules in war
06:54You have one life, just one chance
06:58To become a hero
07:00Because the star is shining
07:06The game of fate is like a wheel of fortune
07:11Sometimes it wants, sometimes it doesn't
07:15Like on a train, everything turns
07:20And we are the passengers
07:25Of our fate
07:30Oh-oh, oh-oh
07:37Oh-oh, oh-oh
07:44This is not a real story.
07:58Here you see, this is the gallery.
08:00Why not?
08:01Why not?
08:02Today's phones can do everything by themselves.
08:04They can.
08:06Anything.
08:07Do they know how to tie a sarong instead of me?
08:10If I were to tell you the truth, I wouldn't be surprised if they produced such a thing one day.
08:14God.
08:16It's beautiful.
08:17I'm glad you like it.
08:18You like it?
08:19I used it in Zdravlje.
08:20It's my punch.
08:21Look at it.
08:22Yes.
08:23It's nothing.
08:24It's flat.
08:25I will use it in Zdravlje.
08:27I want to.
08:28I want to.
08:29Thank God.
08:30I know.
08:31I just want you to sign here so I can have a picture.
08:34No, no, no.
08:36No, not that.
08:37Not that.
08:38Please.
08:39You don't have to sign anything.
08:44Listen, Panči.
08:45You have to sign something.
08:46I don't have to sign anything.
08:48Ever since I signed with Tihomir and Mido, I regret and curse the day I learned all the words.
08:55Okay, okay.
08:56Second, this is an expensive phone.
08:58A new phone.
08:59What if someone hits me in the bus tomorrow?
09:01I keep it nice and open.
09:03And?
09:04What then?
09:05Panči, trust me.
09:06It's pure formality.
09:08Okay, listen.
09:09If something happens to the phone, you don't have to give us anything in return.
09:15Trust me.
09:16Just sign it.
09:17Is it written somewhere?
09:18It's not written, but trust me when I tell you.
09:21Okay, okay.
09:22Just here.
09:23Down here?
09:24Yes, here.
09:25Okay.
09:33Come on, trust me.
09:34You have to sign here too.
09:36I'm sorry.
09:37Okay.
09:42Lift is a manuscript.
09:43Come on.
09:45That's right.
09:46Thank you, Panči.
09:47And for the end, a little bad news.
09:51I knew it.
09:52No, no, no, wait, wait.
09:53It's not that bad.
09:54You'll just have to shoot this last video again.
09:58Oh, that?
09:59Yes.
10:00Well, come on.
10:01I'll get drunk.
10:02Is it okay?
10:03Come on.
10:04Come on, what is it for you?
10:05Do you wear this, for example?
10:06I have to, I have to.
10:07I have to wear it at Jovana's.
10:08Well, okay.
10:09Come on, send it as soon as possible.
10:12Come on.
10:13Bye.
10:14I will.
10:15Bye.
10:16Come on, thank you.
10:26Gala!
10:28Gala!
10:30Oh, my God, I ruined it.
10:33Gala!
10:35Gala!
11:06Hey.
11:07Hey.
11:08What are you doing?
11:11Well, I'm looking at some articles in Don.
11:16Aha.
11:17Aha.
11:18Do you have a little time for your old father?
11:22I have, of course.
11:23Tell me what it was.
11:24What are you doing?
11:25About work.
11:26Okay, just tell me you don't want to get into Don, okay?
11:31No, it's not about work.
11:34I wouldn't even think of that.
11:36You think I would think of that?
11:38Yes, that's what you say.
11:40Although, this is about some other business.
11:43About your bands, what is it?
11:46Yes, about me and Olga's business, yes.
11:48Okay, and what about you?
11:50Well, nothing, as you know, it's going great for us.
11:53We're doing great, great.
11:54Okay.
11:55Although, there have been some changes, you know.
11:59What changes?
12:00Well, I've decided not to sing and play the guitar in the band anymore.
12:05Why?
12:06Well, it's a long story.
12:09I mean, it's best for Olga's career and for me.
12:15You know, we've decided that I'll be the manager.
12:18You'll be the manager?
12:20Yes.
12:21Okay, nice.
12:22Yes.
12:23Does that have anything to do with me?
12:27Well, it has.
12:29Actually, it could have.
12:45That's a great idea, Bukasin.
12:49Listening always gave some results.
12:53Because, what can I say?
12:55Whoever listens always hears something.
12:58Well, yes, that's the most adequate option in this situation.
13:02That's right, that's right.
13:04I have an idea, Bukasin.
13:06Oh, you see how her brain works, only when she wants to.
13:10Well, of course, my brain works when I want to get rid of this woman.
13:14Okay, let's hear that idea.
13:16Well, I would personally go to that ordination
13:19and I would put that hairdryer there.
13:25What?
13:26It's normal, it doesn't matter.
13:28Well, okay, now wait until I finish my sentence.
13:31Okay, finish it.
13:32Oh, God.
13:33Well, I wouldn't do it during the night, I would do it in the middle of the day.
13:38What do you mean in the middle of the day?
13:40Well, that's risky.
13:41Well, how risky?
13:42I would go to her ordination.
13:44Yes?
13:45Then I would come to talk to her about something.
13:47There would be a fight.
13:48I would put the hairdryer there.
13:50The fight would continue.
13:52She would throw me out.
13:55And that's it.
13:57Do you understand?
13:58Yes.
13:59The idea is not good at all.
14:01Why?
14:04It's risky.
14:06No, Bukasin, why?
14:08Barbara, if I said it was risky, what is not clear to you?
14:11What didn't you hear?
14:12Well, okay, okay.
14:13Who will get it then?
14:16I don't care about anything.
14:18I always find someone to do a job.
14:36Coffee is bad, but you can do it.
14:41And that's great.
14:43And as soon as possible.
14:45So that she doesn't look at you anymore.
15:00What do I have to do with your band?
15:02Well, look, as a manager, I made something like a business plan for the next period.
15:08Okay.
15:09Yes.
15:10And I think that a performance outside of Maldives would contribute to our visibility.
15:17That's great, yes.
15:18Yes.
15:20What do I have to do with it?
15:22Well, look, a performance in other places would be great for me and Olga's career in the future.
15:31And then I thought that maybe we could perform in a business club, if you agree.
15:40Look, man, I thought, who knows what you're going to ask me, if you're going to ask me for some money or something.
15:44What money, what money?
15:47Of course you can perform in a business club, I don't know why you didn't ask me before.
15:52Well, it came to my mind before Maldives, you know.
15:55But I thought it would be nepotism, so I didn't want to put you in an awkward situation.
16:00Aha, then it was nepotism, now it's not.
16:02Your logic is great.
16:03It's not nepotism, you know why?
16:05Because we had a great time in Maldives.
16:07And now, if we perform in a business club, it's for a business club.
16:11And it can be great because of the visibility.
16:13Okay.
16:14As you say.
16:15So you agree to perform in a business club?
16:17Of course I agree.
16:20You're welcome.
16:21And I just want to say one more thing.
16:23When you performed in Maldives, you were really great.
16:26So you deserve to perform in another place, even if it was mine.
16:30Thank you, thank you very much.
16:32No need to thank me for such things.
17:13Darko!
17:14Coming.
17:16I'm waiting for you.
17:17Come.
17:20Here you go.
17:34Thank you, Darko, for honoring me with your presence,
17:38for increasing this gathering.
17:42You're welcome.
17:44What's so urgent?
17:46What's urgent?
17:47You're still asking?
17:51This.
17:58This is a great model.
18:01I saw it on the internet a few days ago.
18:04It has great reviews.
18:05The camera is great, too.
18:07Yes, yes.
18:09Camera, camera.
18:10Where did you get the money for this expensive phone?
18:14I didn't buy it.
18:16If you're interested, I said I wouldn't.
18:20I got it.
18:22From who?
18:24From Donovac.
18:25What Donovac?
18:27The guys from Don's store.
18:30Although, there's a little bit of your work in that, too.
18:35How could I?
18:36Well, when the Donovacs saw what kind of phone you have,
18:41they decided to buy me a new phone.
18:46Expensive.
18:47Are you sure about that?
18:49What, am I sure?
18:50Here's the material evidence.
18:53Okay, but I really don't think my phone is missing anything.
18:57You're confused, boy.
18:59Okay, tell me, what's missing when you're so sure?
19:03That's a better question.
19:04What's missing?
19:06Except for the shape and keyboard, there's nothing else.
19:10That's the only thing we know the phone is missing.
19:14And look at this.
19:16New.
19:19New.
19:40Oh, good morning.
19:42How's my diva been since this morning?
19:45Great.
19:46I'm glad to hear that.
19:48I can tell you I'm even better when I see how you've been taking care of me.
19:53Listen, it's not hard to take care of you,
19:56because I've been taking care of you only for my own pleasure.
20:01You're inspired since this morning.
20:03You know how inspired I was last night?
20:07What did you do last night?
20:08Well, last night I was doing some business,
20:10and I think I managed to get Makica to give us a promotion.
20:15Really? How's that?
20:17I was thinking about the next steps,
20:19and I came to the conclusion that we should perform outside of Maldives.
20:25Why outside of Maldives?
20:28Well, because it's important to achieve some new spaces,
20:33some more significant spaces,
20:35so that other people can see you, to expand the audience, you know?
20:38Like, for example?
20:40Like, for example, in the business club.
20:42I've already talked to Alex, and he agreed.
20:46So, Divo, get ready for the most significant performance in the business club so far.
21:06My phone is perfectly fine.
21:08Whoever doesn't like it doesn't have to use it.
21:11You're so boring.
21:12Why are you defending your phone like it's your brother's?
21:17The Danes said that the recording from your phone is not good,
21:23it's not technically correct,
21:25and it can't be uploaded to the Internet.
21:28So what? I guess they're not stupid.
21:30I'm not saying they're stupid,
21:32I'm just repeating myself again.
21:34My phone is perfectly fine.
21:36You don't have the possibility of a technical form,
21:42resolution, like this new one of yours,
21:45but I'm really satisfied.
21:47No, of course not.
21:49And what you're satisfied with or not satisfied with,
21:52that's what really concerns me.
21:54And what concerns you, what interests you?
21:57How do you turn this thing on?
21:59How do you turn on the phone?
22:01I have to record a new recording.
22:03Ah.
22:04Yes.
22:05Fine, what's the problem, record the recording.
22:08I won't bother you.
22:11So that's how it is.
22:13Here we are.
22:14Call me.
22:16You have to help me.
22:17You.
22:18Ah.
22:19You, you.
22:20That's why you called me.
22:22I can't.
22:23I can't, I can't.
22:24I have, I have, I have a lot to learn and a lot to do.
22:28Well, you can't.
22:29Everything you have to learn and to do,
22:31leave it for tomorrow.
22:33You know, you have to help me,
22:35because because of you and your crap,
22:37we missed the recording last time,
22:39so now I have to do it again.
22:40Because of me?
22:41Yes, yes, because of you.
22:43And don't get mad at me and go crazy, you know?
22:46You have to help me.
22:47Come on, turn that phone on if you can, I don't know.
22:49Okay, come on.
22:50I'm going to the office.
22:51Come on.
22:53And this time, everything has to be par excellence.
22:55Clear?
22:56It will be.
22:57Do you want coffee?
22:58Yes, I do.
22:59Let's go.
23:17You've already talked to Aleks.
23:19Yes.
23:20To perform at the business club.
23:21Yes, and he's thrilled to see us.
23:25I don't know what a good idea that is.
23:27Why?
23:28Because...
23:30I'm not ready to perform somewhere outside of Maldives at this moment.
23:34Look, Olga,
23:35we have to get out of our comfort zone.
23:38You know, we tried there,
23:39we saw that it was going great, you know?
23:41So we're not going to perform all our lives,
23:43I mean, you're not going to perform all your life
23:45only in Maldives.
23:46I don't know, really.
23:48I don't know, I don't know.
23:49Olga, Olga,
23:50opportunities like this are not to be missed.
23:53In show business, it is very important
23:55to make the most of the opportunity you have.
23:58So you have to allow other people,
24:01some other audience to see you, hear you,
24:03and enjoy your performance.
24:05Okay, all right.
24:06But didn't we say we weren't going to perform at the business club
24:08because it's nepotism?
24:10Yes, it was nepotism in the beginning,
24:12and that's why I didn't even want to ask Aleks.
24:15However, we've made some success in Maldives,
24:19we've made some profit.
24:21The same will be the case at the business club.
24:24Because of that, it's no longer nepotism.
24:26Our success is beyond nepotism.
24:31Besides, I don't feel comfortable at all
24:33going from club to club and singing.
24:36How is it different?
24:37I don't know.
24:38Look, Olga, you have to try.
24:42It's all up to us.
24:44I don't know.
24:45I think you took it too seriously, really.
24:48Of course I took it too seriously.
24:50You're a serious singer,
24:51I'm a serious manager,
24:53and this is a serious project.
24:56Of course I'll take our careers seriously.
25:00Look, don't worry so much.
25:03Leave it all to me.
25:04I'm in control of everything.
25:06Just prepare your beautiful voice,
25:09your beautiful performance,
25:11your beautiful style,
25:12and everything will be fine.
25:14Trust me.
25:23Yes?
25:37Where are you?
25:38Hi.
25:39How are you?
25:41Not bad.
25:43How was your business trip?
25:47Pretty good.
25:49Really?
25:50Yes.
25:51How is that car mechanic?
25:55She's a pretty interesting woman.
25:58Yes.
25:59You know, I often thought I'd really like
26:01a self-conscious woman to fix my car.
26:07Okay.
26:08Did she give you any advice
26:10on how to take care of your car?
26:14No, she didn't.
26:16She gave me advice on how to install my liner.
26:20She's a pretty self-conscious woman.
26:22Yes, yes.
26:25How was it at the cinema?
26:29It was pretty boring.
26:31But your two were really sweet.
26:33Yes.
26:34Really sweet, right?
26:35Yes.
26:36Lula is wonderful.
26:37Aleks really took after his father.
26:39And you know,
26:40they kept talking about how much you miss them.
26:42That's good.
26:43You were there instead of me.
26:46Well, I just flew in to help.
26:50I know, Aleks already told me.
26:52Yes, I know.
26:56Lenka, let's get this straight.
27:00Are you mad at me for helping Aleks?
27:09Hey, Jovana.
27:11Sit down.
27:13Do you have five minutes?
27:14I do, tell me.
27:16We need to talk.
27:18Okay.
27:19What's the problem?
27:20I have a great idea for the next number of magazines.
27:23Okay, suggest it to your colleagues,
27:25and we'll see.
27:27Yes, I can.
27:28Okay.
27:29I can, but I won't.
27:30Why?
27:31Because I want to consult with you first.
27:33Do you understand?
27:36That's not according to the protocol.
27:38But tell me.
27:39Jovana, believe me,
27:40this is completely different now.
27:43Okay, I'm all ears.
27:44So, I found a person
27:46who is ideal for the next number of magazines.
27:49I got that.
27:50But what's the difference?
27:52No, this is completely different.
27:54A woman, as they say.
27:55Up until now,
27:56we've all focused on a successful woman's business, right?
28:00Yes.
28:01A successful mother's business.
28:03Yes.
28:04Yes.
28:05Well, this is completely different.
28:17Why would I be mad?
28:21I don't know.
28:22I think there's no reason,
28:23so I'm just checking.
28:25Maybe it's just your imagination.
28:28Maybe.
28:29I mean,
28:30I got the impression
28:31that you're up to something.
28:34I just have a lot of work.
28:36Maybe that's it.
28:37Really?
28:38Yes.
28:39Okay, I'd like us to be honest.
28:43Okay,
28:44we can be honest and open.
28:48You went to the cinema with my Alex and his son
28:52while I was on my business trip.
28:55How do you feel about that?
28:59It seems to me like a situation
29:01that could bother some women.
29:05Do you think I'm one of those women?
29:09No.
29:10You're not one of those women.
29:11You're not even a stupid woman.
29:13I don't know why we're having this conversation,
29:15but as I said,
29:16I'd like us to be honest.
29:18Well, I'm glad you think that.
29:20Yes,
29:21it's different.
29:22Yes.
29:24Look, Gabriela,
29:26we're friends, right?
29:28Of course,
29:29more than that.
29:30Well,
29:31then I have no reason to be mad.
29:34Great.
29:35I mean,
29:36I'd like there to be no disagreement between us.
29:38Same.
29:39In that case,
29:40I'll take you out for a drink after work.
29:42Is that okay?
29:43Yes,
29:44of course.
29:45I'd really like a drink after this whole day.
29:48Great.
29:49Okay,
29:50we'll go over all the details later.
29:51Okay?
29:52Okay.
29:53I'll leave you to it.
29:54I see you have a lot of work.
29:55See you later.
29:56See you.
30:10I don't understand.
30:11Wait, listen, Jovana.
30:13I found a young, successful woman.
30:16Do you understand?
30:17Where?
30:18At Pancetta's,
30:19in her apartment.
30:21I mean,
30:22she's a maid at her apartment,
30:23do you understand?
30:24Pancetta has a maid?
30:25Yes.
30:26She's from the interior,
30:27you know.
30:28But she lives a very fast,
30:30modern pace of life,
30:31do you understand?
30:32And what does she do?
30:34Well,
30:36she's a student.
30:37She's a student,
30:38and at the same time,
30:39she's a barber,
30:40I mean,
30:41she works in a barber shop,
30:42do you understand?
30:43Nice,
30:44congratulations.
30:45Yes.
30:46I mean,
30:47she can be an ideal example
30:48for a successful,
30:49ambitious,
30:50bold woman,
30:51do you understand?
30:52We need that.
30:53Yes.
30:54Okay,
30:55maybe it's not a bad idea.
30:56I'm telling you,
30:57it's ideal.
30:58Yes.
30:59Well,
31:00what do you say?
31:01Maybe you're right.
31:02No, no,
31:03that's not going to happen.
31:04No, no,
31:05that's not going to be a mistake.
31:06Believe me, Jovana,
31:07my,
31:08my journalistic experience,
31:09my instinct,
31:10this time,
31:11I don't believe it at all.
31:12Yes.
31:13It's going to be a perfect hit,
31:14believe me.
31:15Okay, Vito,
31:16then we'll do that.
31:17How?
31:18Well,
31:19I allow you to write that article.
31:20Yes, yes,
31:21great.
31:22There,
31:23I just hope
31:24everything will be
31:25as it should be.
31:26Everything will be,
31:27Jovana,
31:28I promise you.
31:29Okay.
31:30Come on,
31:31you're free,
31:32why are you sitting?
31:33Come on.
31:56What's up?
31:57What did you do?
32:04What does that mean to you?
32:07Well, nothing.
32:09I work a lot,
32:10I have a lot to learn.
32:12And I'm tired.
32:14So what did you do
32:15when you didn't learn?
32:17Well, I was bored
32:18with some video recordings,
32:19so I recorded them,
32:20I don't know.
32:22And it's not really funny to me.
32:26And I'm just talking to myself.
32:27What's wrong with you?
32:29Well, nothing,
32:30except
32:33I was at a drink with Vitomir
32:35and it was really great.
32:39I just don't know
32:40why he doesn't call me.
32:41He hasn't called me
32:42since then.
32:45You're really hot
32:46for that Vitomir, huh?
32:48Darko,
32:49that's not the right word.
32:50Okay,
32:51I'm cold,
32:52I just don't want
32:53every conversation
32:54to lead to
32:55whether he called you
32:56or not,
32:57you know?
32:58Come on, man.
33:00I'm not hot at all,
33:01I'm just thinking
33:02and I'm sharing
33:03that thought
33:04and thinking
33:05with you.
33:07Okay,
33:08let's put this
33:09in a hypothetical situation.
33:10Okay.
33:11Vitomir will never
33:12call you again.
33:13He doesn't call you,
33:14he doesn't send you messages,
33:15if someone follows you,
33:16you follow them everywhere.
33:17Is that okay with you?
33:19Why are you asking me that?
33:21I have a right.
33:23You have a right,
33:24but I'm interested
33:25in the reason.
33:27To see
33:28if you're hot
33:29for a man.
33:33Hey,
33:34where are you from?
33:36Can we have a little break?
33:39Yes,
33:40but just a little.
33:42What are you doing, honey?
33:43I'm working.
33:44What am I doing?
33:45I don't know
33:46where I'm going to start.
33:47Okay,
33:48today I'd like to ask you
33:49to finish
33:50the work
33:51that you're doing
33:52for me.
33:53Okay,
33:54I'll finish
33:55the work
33:56that I'm doing
33:57for you.
33:58Okay,
33:59I'll finish
34:00the work
34:01that I'm doing
34:02for you.
34:04Do you care
34:05about my overtime
34:06or...
34:07I forbid you
34:08overtime.
34:09Really?
34:10Why?
34:11Are you saving on the budget?
34:12No,
34:13but I want us
34:14to do something
34:15together later.
34:16What?
34:17Let's say
34:18it's a surprise.
34:19A surprise?
34:21What kind of surprise?
34:22I'm taking you
34:23to a place
34:24where you can rest,
34:25cool off
34:26and enjoy.
34:27Okay,
34:28I really need that.
34:29Can I know
34:30where it is?
34:31No,
34:32but you'll enjoy it.
34:33No, no, no,
34:34it's a surprise.
34:35Okay,
34:36I won't refuse,
34:37for sure.
34:38Okay,
34:39so let's go
34:40after work.
34:41Let's go,
34:42let's go,
34:43definitely,
34:44I can't wait.
34:45Let's go,
34:46see you at work.
34:47Let's go.
34:48And don't work too much,
34:49you'll tire me out.
34:50I won't,
34:51I'll finish
34:52in a bit.
35:01I have
35:02one offer
35:03for you.
35:31Hello.
35:32Good day.
35:33I didn't know
35:34we had a double session today.
35:36We didn't come
35:37for a double session.
35:38What are we doing here then?
35:40We came to talk
35:41about
35:43some things.
35:45You should tell me
35:46first,
35:47what things?
35:48I don't understand
35:49what you mean.
35:51I don't understand
35:52what you mean
35:53when you say
35:54I don't understand.
35:55Wait,
35:56take it easy.
35:57I'll explain
35:58so we don't talk
35:59too much.
36:00I'll say everything
36:01directly and clearly.
36:02Please,
36:03go ahead.
36:04We gave you
36:05this Pavle ordination
36:06so you could
36:07continue
36:08his practice,
36:09right?
36:10That's right,
36:11I'm doing it.
36:12No,
36:13you're not.
36:14What do you mean?
36:15You're not.
36:16My Pavle,
36:17he was a very
36:18respected
36:19and esteemed doctor.
36:20Okay,
36:21and?
36:22Yes,
36:23very good patients
36:24came to him.
36:25They gave him
36:26their lives.
36:27So,
36:28they gave him
36:29a phenomenal reputation.
36:30And as a reminder,
36:31I can't let
36:32anything
36:33go to waste
36:34here.
36:35Your Pavle
36:36is alive and well,
36:37he just left.
36:38Yes,
36:39but if he comes back,
36:40I can't let
36:41anything
36:42destroy
36:43his reputation.
36:45You're trying
36:46to say
36:47I'm destroying
36:48his reputation.
36:49How is that?
36:50By not doing it.
36:51I mean,
36:52you're doing it,
36:53but
36:54you're not doing
36:55what you should be doing.
36:56There.
36:58And what do you two
36:59think
37:00I'm doing here?
37:01You're confusing me.
37:03You're confusing me,
37:04and if that's the case,
37:05you'll have to leave.
37:18Again?
37:20What again?
37:22I remember
37:24when you came here
37:25some time ago,
37:26to
37:28ask me
37:29about some
37:30professional engagement
37:31of a photographer
37:32in the agency.
37:33Of course,
37:34I remember.
37:35I remember
37:36you telling me
37:37you couldn't
37:38hire me,
37:39because you already
37:40have someone
37:41who's better at
37:42taking photos for you.
37:43You mentioned
37:44a photographer,
37:45I think.
37:46That's right.
37:47Has anything
37:48changed since then,
37:49or?
37:50Well,
37:51it has,
37:52and it hasn't.
37:54Although,
37:55I still can't
37:56offer you
37:57a job as a photographer.
38:00But...
38:02But another possibility
38:03has opened up.
38:06I've turned into this.
38:08Look,
38:09I'm working on a very
38:10complicated case,
38:11and I think
38:14you can help me
38:15with that,
38:16a lot.
38:17Wait, wait, wait.
38:18I'm helping you
38:19with that
38:20complicated case,
38:22and not photographing?
38:24That's right.
38:25I'm really interested
38:26in how I can help you
38:27with that,
38:28even though it's not
38:29a camera.
38:30Well,
38:31you need to do
38:34a job for me.
38:37Well,
38:38when you say that,
38:39a job on a detective case,
38:41I have to admit
38:42it sounds a little
38:43exciting.
38:44Well,
38:45it is exciting.
38:46It is exciting.
38:47I mean,
38:48I personally think
38:49it's much more
38:50exciting
38:51than photographing.
38:54Is it?
38:55Well,
38:56I'm sorry,
38:57I mean,
38:58I don't know
38:59what's more exciting
39:01for you,
39:02photographing
39:03or
39:04a detective job
39:06at the level of
39:09eavesdropping.
39:11Hmm?
39:24Why are you silent?
39:33I have no intention
39:34to answer
39:35your stupid questions.
39:37Why is that?
39:39Because
39:40they are stupid
39:41and unreal.
39:51Biljana,
39:52this is
39:53quite an unusual situation.
39:54You are
39:55my patient,
39:56I'm your psychotherapist,
39:59and I thought
40:00we've built
40:01such a trust so far.
40:04These subjects
40:05simply emerge
40:06from
40:07real situations
40:08and they have
40:09absolutely
40:10nothing to do
40:11with our therapy.
40:25Hey, guys,
40:26I got
40:27a package for you.
40:30What package?
40:31I have no idea.
40:33Well,
40:34what does it say?
40:35Do you want to know the truth?
40:36Yes.
40:37I have no idea.
40:50Come on, please,
40:51don't be like that.
40:52You see,
40:53you went too far
40:54with the harder stuff.
40:55What's that for you?
40:56Ha!
40:57I went too far,
40:58Mido.
40:59But I was
41:00two or three months younger.
41:01No,
41:02that,
41:03that,
41:04Mido,
41:05it's hard.
41:06That,
41:07I don't know.
41:08I don't know, Mido.
41:09I don't know.
41:10I don't know
41:11how much longer
41:12I'll last.
41:13I don't know
41:14how many more
41:15lives I'll have.
41:26I have
41:27a lot of doubts.
41:29I have no proof.
41:31And you know
41:32you're not a cop,
41:33but you know
41:35that if
41:36you don't confirm
41:37any of the doubts
41:38with the evidence,
41:39there will be
41:40no more cases.
41:41And I want
41:42to solve
41:43that case,
41:44to punish
41:45the bad guys,
41:46to reward
41:47the good guys.
41:48Do you understand?
41:49Wait.
41:50You want me to...
41:52That's right.
42:03You know what?
42:05I have one more
42:06question for you.
42:07What is it?
42:09I have an offer
42:10for you.
42:11I mean,
42:12it's more like
42:13a job offer,
42:14you know?
42:15Aha.
42:16Okay.
42:30Wait.
42:33Mido?
42:34Yes?
42:36Is this some kind
42:37of business?
42:38It is, it is.
42:39Mido?
42:53Good evening.
42:56I hope
42:57I'm not interrupting.
43:04I'm sorry.
43:16I'm so glad
43:17you're here.
43:18I'm glad, too.
43:20I knew you'd come.
43:21You know everything.
43:22Hey, hi.
43:23I just wanted to let you know
43:24you have guests.
43:25What guests?
43:26I don't have any.
43:34I'm sorry.
43:45Good evening.
43:47What took you
43:48so long?