Igra sudbine Epizoda 1429,Igra sudbine 1429,Igra sudbine 1430,Igra sudbine Epizoda 1429, Igra sudbine Epizoda 1430,Epizoda 1429 Igra sudbine ,Epizoda 1430 Igra sudbine
Category
📺
TVTranscript
00:00THE BUSINESS
00:13It's never too late to start a business.
00:16You're right.
00:17I hope it's not too late for you.
00:20No, no, no. I assume you've thought about our offer and what you'll announce.
00:25Magda and I will be in Belgrade tomorrow.
00:28Could we arrange a meeting and talk about everything in detail?
00:32Of course. Why not?
00:34Please inform Aleks about the meeting.
00:38Why?
00:40It would be necessary for him to be there with us.
00:43Yes, but you can also talk to me about sponsorships.
00:47It's very important to us that Aleks is present.
00:50Your and my yard. I like that a lot.
00:55Hey!
00:57Gabriela?
00:58What are you doing here?
01:00What do you mean? We agreed to go out for a drink.
01:10I totally forgot.
01:12You didn't call me. I was worried.
01:15I came to see if everything was okay.
01:17Everything is fine. I'm sorry.
01:19I don't know how I bothered you.
01:22I'm not such a boring friend.
01:25You're not. Believe me, I don't know where my head is these days.
01:28I'm sorry. It's my fault. I wanted to surprise you.
01:39See you upstairs. Good night.
01:41It's not good night. Sit down.
01:44Why should I sit down?
01:46Just a moment.
01:48We have to hold a business meeting.
01:51A business meeting in the kitchen.
01:54Because the living room is taken.
01:57They're doing something very important.
01:59Do we really have to?
02:01You're in a bad mood today. What's wrong?
02:05I can still get a drink. What do you think about that?
02:09Can I have a cocktail?
02:11Give me something normal.
02:14Here you go.
02:16Here's a cocktail.
02:18I said normal.
02:20Take a picture of me.
02:22So I can tag you on Instagram.
02:24I'll hold it.
02:26Take a picture of me.
02:28You have to learn how to be less naive.
02:34You're a pure soul.
02:37And it's easiest to put a pure soul into everything that's wrong.
02:44Everything will be fine.
02:46Don't worry.
02:48You'll have a wonderful life.
02:50And some wonderful men.
02:54What's wrong with me?
02:56I'm not mentally prepared.
02:59I can't go to the business meeting so soon.
03:02You'll get ready slowly.
03:04I'll get ready before tomorrow.
03:06Slowly.
03:07We have two days.
03:09No, we have one day.
03:11Just one day.
03:13Bye.
03:19What do I want?
03:27Do you have any idea what they're asking for tomorrow?
03:29Not the least bit.
03:31If they're asking for something so explicitly, I'm sure they want something.
03:37We'll find out tomorrow.
03:39Where are you?
03:41How are you?
03:43How did you get the video I sent you?
03:47I got it, I got it.
03:49I got it and I watched it.
03:52Why don't you say anything?
03:54I'm sitting here like on needles.
03:56I wanted to call you.
03:59To tell you about the video and to give you some more information.
04:05What?
04:07Thank you for the question.
04:09And you?
04:11I can't say goodbye.
04:13I'm glad to see you again.
04:15Us too.
04:17Especially in this meeting.
04:19That's why I wanted to ask you.
04:21Why did you insist that Aleks be at the meeting?
04:24There was no reason.
04:26What do you mean?
04:28What happened?
04:30What's wrong with you?
04:32Let her go, she won't talk.
04:34What are you talking about?
04:36Let her go.
04:39Yes, come in.
04:45Good afternoon.
04:47Good afternoon.
04:49I came for the job announcement.
04:51Sponsorship doesn't suit us.
04:53That's why I propose a contra-offer.
04:56As a kind of compromise.
04:59I'm listening.
05:01Our offer is to enter ownership.
05:05But in a limited scope.
05:08What does that mean exactly?
05:11It means that I would buy 5% of shares from both.
05:17So we would have 10%.
05:19I know we wouldn't be leading the main word.
05:23But we would get to work.
05:25Angela is waiting for you in the office.
05:29With all the conditions.
05:31And that would be fair, right?
05:33That's right.
05:35Read it, and if it suits you,
05:37you can already become a part of our family.
05:40For real.
05:42Don't you think it's unfair?
05:44Of course I agree.
05:46I didn't expect this.
05:48Aleksa, did you know about this?
05:50What do you remember?
05:52If you did anything behind my back again,
05:56my trust in you will be destroyed.
05:59Jovana, this is a big shock for me.
06:01You called me here.
06:03Yes.
06:05Let's move on.
07:10Like a wheel of fortune
07:12Someone wants it
07:14Someone doesn't really want it
07:17Like on a plane
07:19The world turns
07:21And we are like a shadow
07:26Of our fate
07:40We are like a shadow
07:42Of our fate
08:02I hope I'm on time.
08:04Yes, I had some work for you.
08:07You are Nemanja, right?
08:09Yes, I am.
08:11Sara Berger, nice to meet you.
08:13Have a seat.
08:17How are you?
08:19I'm good.
08:21I think I'm good.
08:23Is this your first time at psychotherapy?
08:25Yes, it's my first time.
08:27Are you a little scared?
08:29Or does it seem like it?
08:31No, no.
08:33It's just a little weird.
08:35That's perfectly normal.
08:37You will meet a new situation and new circumstances.
08:40You will see.
08:42Everything is completely relaxed here.
08:44You will get used to it very quickly.
08:46I'm sure of it.
08:48But the most important thing is
08:50that you came to psychotherapy.
08:54Eavesdropping.
08:56Yes, Vukasin, eavesdropping.
08:58This must be a hidden camera.
09:00Where is the camera?
09:02You are eavesdropping me right now.
09:04What are you talking about?
09:06Why are you eavesdropping me?
09:08I mean,
09:10what you do with your camera,
09:12your camera,
09:14is not much different
09:16from what I would do with a microphone, right?
09:18When you compare, it's an interesting comparison.
09:20Yes, it is.
09:22For example,
09:24when you record with a camera
09:26or a camera and a microphone,
09:28you get a complete product.
09:30Right?
09:32Okay, forget about the comparison.
09:34Tell me more about it.
09:36It's about
09:38working on a complicated case
09:40that gives me a lot of headaches.
09:42Okay.
09:44It's very difficult for me
09:46to get out of it.
09:48Why?
09:50Because I have
09:52a lot of doubts.
09:54I don't have any evidence.
09:56And you know,
09:58you are not a policeman,
10:00but you know
10:02that if you don't have any doubt,
10:04you don't have any evidence,
10:06the case doesn't exist anymore.
10:08And I want to solve that case,
10:10to punish bad guys,
10:12to reward good guys.
10:14Do you understand?
10:16So, you want me to...
10:18That's right.
10:20I want you to install
10:22that
10:24eavesdropping device
10:26and help me
10:28to solve the case.
10:30Why me?
10:34I know that you have
10:36your associates
10:38and private detectives
10:40who can do much better than me.
10:42I am a photographer.
10:44I like your question.
10:46I will answer it now.
10:48Because the situation
10:50is completely different,
10:52specific.
10:54For this case,
10:56I need a new face
10:58and that's you.
11:00But you don't know,
11:02that I have never
11:04violated any law in my life.
11:06And I really try not to.
11:08And I don't have to be a professional
11:10to know that eavesdropping
11:12is a violation of the law.
11:14Look, don't look at it like that.
11:16It's a matter of perspective.
11:18You are now
11:20among good guys
11:22who are trying
11:24to get into the heads of bad guys.
11:26That's not a violation of the law.
11:30Yes,
11:32to be honest,
11:34I was forced.
11:36What do you mean?
11:38A girl forced me.
11:40We have some problems
11:42and she thought
11:44that this could help.
11:46Yes.
11:48How do you feel about that?
11:50Excuse me?
11:52How do you feel about that?
11:54I am, I am, I am.
11:56Are you sure?
11:58I'm a little hot.
12:00Maybe I'm not.
12:02I don't know.
12:04Can you get me a glass of water?
12:06I can, of course.
12:08I'll be there in a minute.
12:24So, what have you decided?
12:26I've decided to...
12:28What?
12:30Come on, tell me.
12:32To accept your offer.
12:34That's right.
12:36Bravo.
12:38I didn't know you were the right person for this.
12:42You've made my day.
12:44You know what?
12:46I have an idea for you right now.
12:48If you don't mind.
12:50What is it?
12:52I have an idea for you right now.
12:54If you don't mind.
12:56What kind of idea?
12:58You're coming to Don tomorrow
13:00for a photo interview.
13:02If everything goes well,
13:04we can do it right away.
13:06Okay, sure.
13:08Whenever you want.
13:10Great.
13:12See you tomorrow.
13:14Okay.
13:16It's a deal.
13:18Bye.
13:23Darko?
13:25Darko?
13:27Do you hear what I'm saying?
13:29Do you understand Serbian?
13:31I'm just expressing my thoughts.
13:33Thoughts, please.
13:35What are you talking about?
13:37What can you express?
13:39Thoughts about my movies.
13:41Really?
13:43Okay, then I don't need you.
13:45Where have you been?
13:47I'm going.
13:49Where are you going?
13:51I don't know what to say.
13:53I mean, I can.
13:55But if I say it,
13:57it's better if I keep quiet.
13:59Exactly.
14:01Bravo, Darko.
14:03You see how you understood
14:05the rules of behavior in this house.
14:07Bravo.
14:09What am I doing here?
14:11You're here, my darling.
14:13You're here, the little one from the set,
14:15and you're helping me with my movies.
14:17Darling?
14:19No, no.
14:21You look more like a boring guy
14:23and a lazy bum.
14:25What do you have to do
14:27with my movies?
14:29You know what our mom says?
14:31What does she say?
14:33She says it fits.
14:35Of course it does.
14:37It's not as pretty as green grass.
14:43Mina?
14:45Mina, what are you doing?
14:49What are you doing?
15:19Here, the water is coming.
15:21Here you go.
15:29Is it better now?
15:31Yes.
15:33Yes, thank God.
15:37I'm crying.
15:39I'm crying.
15:41I'm crying.
15:43I'm crying.
15:45I'm crying.
15:47Take it easy.
15:49We can continue.
15:51We can, we can.
15:55So, Nemanja,
15:57you and the girl are having
15:59an argument.
16:01Yes, yes.
16:03We argue a lot.
16:05How long have you been together?
16:07Three years.
16:09What do you argue about?
16:11About everything.
16:13We argue all the time.
16:15I do what I do.
16:17I don't care what she does.
16:19I understand.
16:21It's not the same person
16:23I fell in love with five years ago.
16:25Wait, you said
16:27you've been together for three years.
16:29Yes, yes, yes.
16:31We've been together for three years,
16:33but I met her two years before that.
16:35So I didn't see her for two years.
16:37She didn't care.
16:39But in the end, we've been together for three years.
16:41It was July, and everything was great.
16:43We started arguing,
16:45but it's not like that anymore.
16:47You know how it is with money.
16:49I don't care what she does.
16:51I don't care how she breathes,
16:53how she eats, how she talks.
16:55I don't care how she brushes her teeth,
16:57how she sleeps, how her voice bothers me.
16:59I don't care what she does.
17:01I just don't like her behavior.
17:03It irritates me.
17:05It's unbelievable.
17:07I'm listening.
17:09Go on.
17:11That's it.
17:13Thank you so much.
17:15For what?
17:17For everything.
17:19I have a solution.
17:21I understand everything now.
17:23What do you understand?
17:25I don't like her.
17:27You don't like her?
17:29I don't like her at all.
17:31That's it.
17:33I don't like her at all.
17:35Thank you for that.
17:37If I hadn't come here,
17:39I would have married her.
17:41We would have fought all our lives.
17:43But that's it.
17:45I don't like her.
17:49You are wonderful.
17:51I don't need therapy anymore.
17:53Are you sure?
17:55Absolutely.
17:57I solved my problem.
18:01You are the best psychotherapist in the city.
18:03You are welcome.
18:09Have a nice day.
18:11You too.
18:19What a sociopath.
18:21Come in.
18:35Do you hear me?
18:37I hear you.
18:39I just finished a conversation with Vitomir.
18:41I'm sorry.
18:49Sit down.
18:55What did you tell him?
18:57Do you want an interview?
18:59I usually don't want to tell my phone conversations to third parties.
19:05Click, click, click.
19:07Hey, Mina.
19:09I'm fed up with Darko.
19:11What are you going to do now?
19:13Are you going to brainwash me?
19:15What do I have to do with this?
19:17Shut up.
19:19What did you tell him?
19:21I accepted the interview.
19:23Bravo.
19:25So, I'm going to Don tomorrow.
19:27Bravo.
19:29Bravo, bravo.
19:31I'm very happy.
19:33So, everything we agreed on, it stands?
19:35Yes.
19:37I don't want to.
19:39I don't want to.
19:41I can't help you.
19:43I can't say anything.
19:45I want to.
19:47But there has to be some kind of compensation.
19:49Like this?
19:51Me, whining and silent?
19:53And you treat me like this?
19:55Darko.
19:57Darko.
19:59You're a little stupid, aren't you?
20:01I don't talk about my movies at all.
20:04Bravo.
20:09I don't know why.
20:11Is this a madhouse?
20:13Or is this where everyone sits on their ears?
20:15I'm talking about the fact that we agreed
20:17that when Mina goes to Don,
20:19you go with her to watch over her.
20:25Oh, God.
20:27Oh, my people.
20:33Madhouse.
20:35Madhouse.
20:51So, it's like this.
20:53At work, it's still boring.
20:55Nothing happens.
20:57I mean,
20:59they told me twice
21:01that I should eat,
21:03but I don't count that.
21:05And now I have to watch out
21:07for this boss.
21:09But, okay,
21:11I have two people
21:13who are really friends.
21:15I mean,
21:17real friends.
21:19You wouldn't expect
21:21friends to show up at work.
21:23I would never say that.
21:25But this little one,
21:27Matea and Lazar,
21:29they are really
21:31phenomenal kids.
21:35They somehow
21:37accepted me.
21:39They take me out to dinner,
21:41to fancy restaurants.
21:43I told them right away
21:45that I'm not for that.
21:47They should have taken me
21:49to a bar.
21:51But, okay, I don't want to offend them.
21:53It doesn't matter.
21:55But they are so sweet.
21:57I wasn't at all...
21:59My heart was aching
22:01to ask for a steak
22:03in that fancy restaurant.
22:05It was kind of stupid.
22:07They don't have it.
22:09In the end,
22:11they can't make a steak.
22:13My grandfather, Miloje,
22:15when he made it,
22:17it was a steak from one move.
22:19You can't...
22:21A steak has to be cleaned
22:23from one move.
22:25Especially in fancy restaurants.
22:27They have no idea.
22:29You can't feel the muscles.
22:31But, okay,
22:33let's not talk about muscles.
22:35So,
22:37little Lazar
22:39and Matea,
22:41they are actually
22:43a couple.
22:45They just don't know it yet.
22:47He is a bit older,
22:49but he still has pimples.
22:51Who else has pimples?
22:53It's in the past.
22:55Freddie Mercury
22:57had pimples,
22:59and another man
23:01had his reasons.
23:03It doesn't matter.
23:05But he is like an angel.
23:07I have to tell Lazar
23:09to be more direct
23:11with Matea.
23:13She dreams
23:15what he thinks.
23:17Okay,
23:19I don't want to interfere.
23:21At least I can
23:23push them aside a bit.
23:25What do I know?
23:27I don't know anything.
23:29I mean, okay,
23:31I have to help them a bit.
23:33I will somehow connect them,
23:35but I don't know how.
23:37Anyway,
23:39my conclusion for today,
23:41dear Dnevnice,
23:43a steak on the grill
23:45only in the village
23:47to be eaten
23:49by a dreamer.
23:51What am I talking about?
23:53I don't care.
23:55So, again,
23:57the conclusion is
23:59that Matea and Lazar
24:01are two hearts.
24:03I mean,
24:05they should be connected,
24:07but they don't know yet
24:09that they should be together.
24:11That's it.
24:19Good day.
24:21Good day.
24:23Here we are.
24:25Sit down.
24:31That's it.
24:33Okay.
24:35I called you about a few things.
24:37About what?
24:39Slowly, slowly.
24:41I called you about
24:43tomorrow's interview.
24:45What kind of interview?
24:47An interview with a young,
24:49successful woman,
24:51a girl, let's say,
24:53who is studying psychology
24:55and
24:57a hairdresser.
24:59I mean, she works as a hairdresser.
25:01Cool.
25:03My man.
25:05Hairdressers and psychology.
25:07That could be an interesting topic.
25:09What's so strange about that?
25:11There are a lot of young people working today.
25:13Okay, but I didn't do that.
25:15So, you still work?
25:17Yes, I still work.
25:19Okay, but I don't think you're in such a hurry.
25:21Okay, enough.
25:23Okay?
25:25So, we're on a meeting now.
25:27You can talk later about who studied
25:29and what he did.
25:31I'm sorry.
25:33We didn't have any information
25:35about that interview.
25:37I didn't have any information
25:39about that interview either.
25:41Okay, now we all have information.
25:43Okay.
25:45I talked to Jovan.
25:47Everything is fine.
25:55Stevan?
25:57Yes?
25:59Where are Lazar and Matea?
26:01They went to a meeting with Mr. Vitomir.
26:03Okay.
26:05What do you do?
26:07What do I do?
26:09I'm a guard.
26:11What do I do?
26:13What do you do now?
26:15Now?
26:17Nothing special.
26:19Great.
26:21Why?
26:23Because someone needs to deliver a message.
26:25Who?
26:27That someone is you, Stevan.
26:29But I can't leave my workplace
26:31because I'm worried about security.
26:33Okay, Stevan.
26:35We don't expect a terrorist attack
26:37at this moment.
26:39Then you will deliver a message
26:41and then you will come back
26:43and do whatever you do.
26:45Okay?
26:47Let's go to the office.
26:49Come on.
26:55Tomorrow will be
26:57a very dynamic day.
26:59It didn't seem dynamic
27:01until now.
27:03I'm sorry.
27:05Okay.
27:07I wanted to tell you
27:09that you have to get ready for tomorrow.
27:11Of course.
27:13I'm at your disposal.
27:15I'm here.
27:17Don't worry, we will do everything.
27:19We will prepare as many topics as we can.
27:21This is a story of our generation,
27:23so there is a lot of material.
27:25Yes, I can learn something from my personal experience.
27:27Me too.
27:29You go to private faculty,
27:31yours pay you everything.
27:33But I have a business partner who studies and works.
27:35Here.
27:37You will take care of it.
27:39I wanted to put you in the machine.
27:41Okay?
27:43Okay.
27:45I have a question.
27:47Are we doing the interview?
27:49Yes, I wanted to ask that.
27:51Unfortunately, no.
27:53Not because this is the first interview,
27:55so I have to handle things.
27:57I think it's stupid
27:59if they don't do anything.
28:01I didn't think they wouldn't do anything.
28:03If I hired them to do something,
28:05then they will do it.
28:07Yes, but if you do the interview
28:09and the photographer takes a picture,
28:11I think they will just do the tattooing.
28:13Yes, okay, Natalija.
28:15They will definitely have their task.
28:17They have to relax the girl a little
28:19for that interview.
28:21These are their tasks.
28:23They will do it.
28:25Okay, we are here for anything.
28:27First, the photographer should come
28:29to take a picture of the mine.
28:31Yes, to the girl who is doing the interview.
28:33Okay.
28:35That's your task.
28:37You will call, book the space,
28:39and everything will be done.
28:41Is that clear?
28:43Yes.
28:45That's it.
28:57Tell me,
28:59how do you feel about these people?
29:03Have you become a lot more sensitive
29:05since you became an editor?
29:25What is this?
29:27What are you doing here?
29:29What do you mean? I came to see you.
29:33But you could have at least told me.
29:35That's right.
29:37Sorry, I could have told you,
29:39but I didn't.
29:41No, I saw that the flower
29:43didn't go well with you,
29:45so I came personally.
29:47No, the flower is great.
29:49Thank you, but I didn't know
29:51how to tell you.
29:53I realize that the flower is
29:55great, but...
29:57Yes.
29:59I have to go back to work.
30:01I just wanted to ask you something.
30:03Tell me.
30:05I was thinking, if you are free
30:07these days,
30:09let's go for a drink, coffee,
30:11anything.
30:13Look, I really don't want anything
30:15except a drink.
30:17Yes.
30:19I don't know.
30:21I'm not sure if I want that.
30:23But you're not 100% sure
30:25that you don't want that, right?
30:27I mean, if you only wanted 50%,
30:29no, 20% if you wanted,
30:31it would be 10%.
30:33What?
30:351% if you wanted to go for a drink.
30:37For me, it's as big as a house.
30:39Only 1%.
30:41You definitely want 1%.
30:43Okay.
30:45Let's go for a drink, and that's it.
30:47Famous.
30:49Half past nine.
30:51Perfect.
30:53Half past nine.
30:55I have to go back to work.
30:57Thank you again.
30:59Half past nine.
31:01That's it.
31:03See you.
31:05Bye.
31:21HALF PAST NINE
31:23THE REST
31:29Look at this.
31:31I have to repeat this.
31:33One more time.
31:35Like this.
31:37How's it going?
31:39Mille.
31:41What are you doing?
31:43I'm working.
31:45Do you have a tongue?
31:47I have it.
31:49Let me see, let me look at these new panchettinovideos, look at these pictures.
31:57What is it?
31:59Nothing, traditionally I'm indifferent to blogs, vlogs, videos and so on, you know.
32:05Since I was a little kid.
32:07Since you were a little kid?
32:08Yes.
32:09God, help me.
32:11When you're angry, I'll tell you seriously.
32:14I'm serious, dear, I'm serious.
32:16I have to tell you two things.
32:18Can I tell you later?
32:20No, you can't tell me later, dear, now, now, now.
32:22Listen to me carefully.
32:24First of all, when you were a little kid, there were no vlogs like this.
32:28Secondly, this is...
32:31You have no idea who I'm talking to.
32:33This is top art, man.
32:35God, this is...
32:37Panchettinovlog.
32:38Yes, yes.
32:39Let me give it back to you.
32:41You're lying on my shoulders like a fruit.
32:44Do you hear me?
32:45To tell you the truth, it hurts me.
32:49There.
32:50It hurts you.
32:51Guys, if you're talking about panchettinovlog, it's top for me.
32:54And that food looks delicious.
32:57Did you hear?
32:58Did you hear?
32:59It's top.
33:15Come in.
33:18Good evening, Mr. Kašin.
33:19Hello, hello.
33:20Sit down.
33:22Are you okay?
33:24Now I am.
33:25How did it go?
33:27The most important thing is that it went well.
33:29Did you send it?
33:30Yes, I did.
33:31It was a lot of stress and tension, but the task was successful.
33:35Where did you put it?
33:38Under her desk.
33:39Bravo, bravo.
33:40Did you treat her well?
33:42Mr. Kašin, I did everything the way you explained it to me.
33:46Everything?
33:47From A to Z.
33:48So we don't have a problem?
33:50We don't.
33:51Okay.
33:53Now we're going to...
33:57check...
33:59Over the phone?
34:00There's an application that allows me to hear that device over our phones.
34:13Did you turn it on?
34:21I can't hear anything.
34:22Mr. Kašin?
34:23Excellent.
34:25Excellent.
34:26That's good.
34:27You can't hear anything.
34:28That's good.
34:30You can hear the atmosphere.
34:33But you can't hear people because they went home.
34:36So, bravo.
34:37So it's working.
34:38It's working, man.
34:39It's working.
34:40So it's working.
34:41It's working, man.
34:42I can hear you.
34:43Okay, so...
34:44Now we're going to drink.
34:45So I did it, huh?
34:46No, no, Mr. Kašin, Mr. Kašin.
34:47Please.
34:48I can't drink if...
34:50Don't get me wrong, I just have a date.
34:53What do you have?
34:54A date with a girl, so I have to hurry.
34:58Do you have a girl?
35:00Well, I'm trying.
35:03Yes, okay.
35:07Here you go.
35:11Thank you, Mr. Kašin.
35:13God, thank you.
35:14You deserve it.
35:17I really have to go.
35:18Okay.
35:19Can I count on your services in the future?
35:22Please?
35:23Please?
35:24We'll talk.
35:25I really have to go.
35:26Okay, bye.
35:27I'm waiting for you.
35:29Okay, bye.
35:30Bye.
35:31Bye.
35:41This is better.
35:55Brane.
35:56Hm?
35:57Let me ask you something.
35:58Did you watch Pancetti's videos?
36:01Yes, of course I did.
36:02They're so interesting and so good.
36:05Phenomenal.
36:06Everything about him is phenomenal.
36:09Shut up, Vile.
36:10Shut up.
36:11Listen, I have an idea.
36:13Yes?
36:14Why don't you ask Pancetti to prepare this?
36:17This is cooked, it's beautiful.
36:19It smells so good.
36:20I smell it from my phone.
36:22Why don't she bring it to the cafe so we can try it?
36:30What's so funny?
36:31Nothing.
36:32Nothing is funny.
36:33It's sad.
36:34Why?
36:35Because Pancetti hates you.
36:37Out of spite.
36:40I know.
36:41And she can put a little bit of sea urchin in your dish.
36:47And a little bit of arsenic.
36:49Sea urchin?
36:52A little bit.
36:53Look, look, look.
36:54Slowly, slowly, slowly.
36:58It's not such a bad idea, but...
37:00Why are you staring at me like that?
37:05What?
37:06I'm thinking, I'm thinking, I'm thinking, I'm thinking.
37:10I killed myself.
37:11I'm thinking.
37:12For example, God forbid, if I didn't exist...
37:15God forbid what?
37:16God forbid.
37:17What?
37:18What?
37:19I mean, if I didn't exist...
37:21What?
37:22Who would replace me?
37:23Who would replace you?
37:25Who would replace you?
37:26Me.
37:27Wait, Goran.
37:28What?
37:30No, no, no, wait, wait, wait.
37:32I don't see any adequate replacement.
37:34I don't see any adequate replacement.
37:35I don't see any.
37:36I created a bad dump here.
37:38I'm an icon.
37:40You know, that landowner, I'm sick of him.
37:44Me too.
37:45I'm sorry, Goran.
37:46Why are you talking about that, legend?
37:48You were ashamed and ashamed to talk about your landowner, right?
37:51I was ashamed and ashamed to talk about him.
37:53You were ashamed.
37:54I'm sorry, Goran.
37:55It's nothing.
37:56Okay, come on, play.
37:57But look, no one comes to my mind.
38:01No one except me.
38:02Dude, what do I lack?
38:03Wait, shut up, Goran.
38:04What?
38:05I am irreplaceable.
38:07You?
38:08What do I know here?
38:09I work like a horse.
38:10What?
38:11I'm a horse.
38:12You don't have to work like a horse.
38:13You have to work like a horse.
38:14You will replace me.
38:15What do I lack?
38:17Six times six.
38:18Done.
38:19Five times...
38:20Done.
38:21I'm not going to talk at all.
38:22Seven times four.
38:23Seven times four is twenty-eight, brother.
38:25Done.
38:27Done.
38:28I don't know.
38:29So...
38:31Here I am.
38:32Topša, we'll see.
38:33If you...
38:38It's a little cold.
38:48Come on, get in.
38:49Get in.
38:50Why do we have to get in?
38:51Sit down.
38:52What's going on?
38:53Sit down.
38:54You can devote two minutes to your old man.
38:55Two minutes?
38:56What are you dragging me here for?
38:57Sit down.
38:58I'll tell you slowly.
38:59What is it?
39:00First of all, I wanted to thank you for allowing the business club for Olga's performance.
39:06Not at all.
39:07Of course.
39:08Your mother means a lot to her.
39:10I'm glad about that.
39:11You see, Alisa, she's going through a very beautiful period in her life.
39:16That's why I'm glad.
39:18Yes.
39:19And I actually wanted to ask you not to worry her for a while.
39:25What?
39:26Well, she needs some peace, to prepare mentally and physically for that performance.
39:32Me, not to worry her?
39:33Well, yes.
39:34You know, you never know.
39:36I'm just warning you that she's in that state now.
39:39Okay.
39:40Yes, I really wanted to worry her, but now I won't.
39:43Of course.
39:46Anything else?
39:47There's something else.
39:48Well, of course there's something else.
39:53Are you okay?
39:55Yes, why?
39:56Do you still feel a little lost?
40:02Well, no.
40:04I'm just a little tired because of work, so...
40:08Is that all for sure?
40:25Hey.
40:27New styling?
40:28New hairstyle?
40:30Andrija, let the styling go.
40:32I need to talk.
40:46You look beautiful.
40:48Lanče, my dress is beautiful.
40:54You're a queen.
40:55God, this is all so beautiful.
41:02Look, look, look, look.
41:04Look, look, look, look.
41:07Who the hell are you?
41:10This guy hasn't called me yet.
41:16Look, look, look, look how beautiful he is.
41:22Hello.
41:32Hello, Gala.
41:33Hello, Mr. Manager, how are you?
41:36Good, how are you?
41:38What are you doing here?
41:40Well, honestly, it's interesting.
41:42Oh, good afternoon, good afternoon.
41:44Good afternoon.
41:45Lazar, my dear.
41:46Good afternoon.
41:47Lazar.
41:49Welcome to the Don Magazine.
42:07How is your investigation going?
42:10You won't believe what I found out.
42:13Really?
42:14I don't know where to start.
42:16I'll wait.
42:18Try this.
42:38What is it?
42:39Why are you staring at me?
42:41What is it?
42:42How can you say that everything is under control,
42:44that there is something?
42:45Come on, let me hear the story.
42:46Here you go, Stenica.
42:47Boring watching.
42:50What are you writing?
43:04What should we talk about?
43:06Sit down.
43:13All right.
43:15Let's see if you're serious.
43:18What is it about?
43:20We need to talk about Hungary.
43:32Great, we'll talk later.
43:33Bye.
43:36Bye.
43:41Tell me...
43:44Is there something between you and Gabriela that I should be worried about?