Igra sudbine Epizoda 1426,Igra sudbine 1427,Igra sudbine 1426,Igra sudbine Epizoda 1427, Igra sudbine Epizoda 1426,Epizoda 1427 Igra sudbine ,Epizoda 1426 Igra sudbine
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00:00In the previous episode...
00:13Well, you know, to prevent bad material from coming to us,
00:17because then we're late, readers ask where are the new clips,
00:21and it all has a very bad impact on our vlog.
00:24Yes, okay, and what should we do?
00:26Well, what's the solution?
00:28Well, it's a pretty simple solution.
00:30Tell me, what's the solution?
00:32Let's buy Panchetti a new phone.
00:34Please.
00:36Lula!
00:39Marijana!
00:41Hey!
00:42You're here.
00:43Hi.
00:44I'm here.
00:45Tell me, where are these two?
00:47They're not here.
00:48They didn't come, or...?
00:51I've been here all the time, I haven't seen them.
00:54Here they are.
00:56Oh, look who's here!
00:58Look who's here!
00:59Oh, where are you?
01:03Hi.
01:08You're back, huh?
01:09I just got here, and Marijana says it's weird that you're not here.
01:13Sara Berger is behind that dirty campaign.
01:19How did it go?
01:21I have my own channels.
01:24Okay, we all have our own channels,
01:26and you have some evidence.
01:28I have no evidence, nothing.
01:29Listen, that's not important.
01:30What's important is that it's 100% confirmed.
01:37Okay.
01:39I would love to get this bouquet of flowers
01:42at the address every day,
01:45but...
01:46but I'm afraid for you!
01:49I'm afraid you're going to rob me!
01:52What am I going to do?
01:53What?
01:54What?
01:55Why would I rob you?
01:57I really don't know what the problem is,
01:59I mean, I guess you have a reason for doing this.
02:02That's right, I have a reason.
02:04You know I don't talk about things like this
02:07when I don't have a reason.
02:09Okay, Aleks and his son invited me,
02:11so I accepted their invitation.
02:16Where did that come from?
02:18Long story.
02:20And how was it?
02:22It was nice.
02:27What's so funny?
02:29You and the kids.
02:31So what?
02:33I would never say...
02:35Okay, Mom, come on, you don't have to be like that.
02:38I want to be a mother one day.
02:41And the cat?
02:45It was really dynamic.
02:46Come on, people, let's see what we're going to eat.
02:48Come on.
02:49Come on, Stevan.
02:50Cheers.
02:52Cheers.
02:59What is this?
03:00What?
03:01What do you mean?
03:02Wait, what are these prices?
03:04Is this some kind of fraud?
03:06What prices?
03:07Trust me.
03:08Plus.
03:10Plus is comfortable.
03:11Okay.
03:12Pretty.
03:13Younger.
03:16I knew it.
03:17Younger.
03:18Younger.
03:19This is a disaster.
03:22Why?
03:23What?
03:24What?
03:25Just a little...
03:27Just let Mileta get out of her head.
03:29Friend.
03:31Let Mileta get out of her head
03:33and let this young man get into his head
03:36as a big problem in the announcement.
03:40Young people.
03:42Young people are looking for fun.
03:44I really need a girl for fun.
03:47This young lady wants to have fun
03:49and this one wants a child.
03:52You don't want anything in the world
03:54but to have a child.
03:57Lukas, who are you thinking of?
04:03I don't know.
04:04You don't know.
04:06Look, Barbara, if I say I don't know,
04:08that means we'll soon find out
04:12who's behind all this.
04:16Wait.
04:18What should we do?
04:19Should we call her?
04:20Call her.
04:22Let's call her.
04:30Good evening, Mr. Horvat.
04:32I'm really sorry to bother you
04:34but we have a problem.
04:38Panči!
04:43Panči!
04:45Gala!
04:47I'm at the dentist's but you didn't hear me.
04:52Gala, I'm here.
04:56Sit down, welcome.
05:00Gala, who are you?
05:03Good evening, gentlemen.
05:05Good evening.
05:06Hey, bravo.
05:08Stjepan, I didn't expect you here.
05:12Well, my colleagues took me out for dinner.
05:16Colleagues?
05:19Where do you work now?
05:21I work for them, in that store.
05:24Dona, as a security guard.
05:27Is everything okay, Pancho?
05:29It is, but I don't know how to...
05:31Huh?
05:33Don't worry, the phone is a phone.
05:35You'll pay for it all.
05:37We'll put it all in our rooms.
05:39It's a touch screen.
05:41Yes, yes, yes.
05:43Mr. Horvat, what do we do now?
05:45Do you have any ideas?
05:47That's my problem.
05:49You just do your job.
05:51Is that clear?
05:54We will, Mr. Horvat.
05:56Don't worry.
06:03BROKEN ANGEL
06:33BROKEN ANGEL
07:03BROKEN ANGEL
07:08BROKEN ANGEL
07:13BROKEN ANGEL
07:18BROKEN ANGEL
07:23BROKEN ANGEL
07:28BROKEN ANGEL
07:33BROKEN ANGEL
07:38BROKEN ANGEL
07:43BROKEN ANGEL
07:48BROKEN ANGEL
07:53BROKEN ANGEL
07:58You see, this is the gallery.
08:00Why not?
08:02Today's phones can do everything by themselves.
08:04They can.
08:06Anything.
08:08Can they make sarma instead of me?
08:10To tell you the truth,
08:12I wouldn't be surprised if they made one like that one day.
08:14They can.
08:16It's beautiful.
08:18I'm glad you like it.
08:20My wife used it.
08:22It's beautiful.
08:24I will use it in Zravlje.
08:26I will.
08:30Just one last thing.
08:32Can you sign here?
08:34No, no, no.
08:36Not that.
08:38Please?
08:40Don't ask me to sign anything.
08:44Listen, you have to sign...
08:46I don't have to sign anything.
08:48Ever since I signed with Tihomir Pasamid,
08:50I regret it and curse the day
08:52I learned two words.
08:54Second, this is an expensive phone.
08:56A new phone.
08:58What if someone hits me in the bus tomorrow?
09:00I'll keep it open.
09:02And?
09:04Believe me, sir.
09:06This was also a formality.
09:08Listen.
09:10If something happens to the phone,
09:12you are not obliged to compensate us.
09:14Believe me.
09:16Just sign here.
09:18It's not there.
09:20It's not, but believe me.
09:22Just here.
09:24Down here?
09:26Yes, here.
09:34Come on, believe me.
09:36You have to sign here.
09:38I'm sorry.
09:40Okay.
09:42Lift your hand.
09:46So, in the end,
09:48a little bad news.
09:50I knew it.
09:52No, no, no, wait, wait.
09:54It's not that bad.
09:56You'll just have to shoot this last video again.
09:58Oh, that?
10:00I'll do it.
10:02Is it okay?
10:04Come on, what is it for you?
10:06This, for example.
10:08I have to, I have to.
10:10Send it as soon as possible.
10:12Come on.
10:14I will.
10:26Gala!
10:28Gala!
10:30Oh, my God.
10:32I ruined it.
10:34Gala!
10:36Gala!
10:44Gala!
11:08Hey.
11:10Hey.
11:12What are you doing?
11:14Well, I'm looking at some articles
11:16in the Don.
11:18Do you have a little time
11:20for your old father?
11:22I have, of course.
11:24Tell me, what was it about?
11:26About work.
11:28Okay, just tell me
11:30that you don't want to get into the Don.
11:32No, it's not about work.
11:34I wouldn't even think about it.
11:36I would think about it.
11:38That's what you say.
11:40Although, this is about
11:42some other business.
11:44About your band?
11:46Yes, about my
11:48and Olga's business.
11:50Okay, and what about you?
11:52Well, as you know,
11:54we're doing great.
11:56Although,
11:58there have been some changes.
12:00What changes?
12:02Well, I decided not to sing
12:04and play the guitar in the band anymore.
12:06Why?
12:08It's a long story,
12:10but I think it's best
12:12because of Olga's career
12:14and because of me.
12:16We decided that I will be the manager.
12:18You will be the manager?
12:20Yes.
12:22Okay, nice.
12:24Does it have anything to do with me?
12:26Well, it does.
12:28Actually,
12:30it could have something to do with you.
12:38Bukasin's idea
12:40Bukasin's idea
12:42Bukasin's idea
12:44Bukasin's idea
12:46That's a great idea, Bukasin.
12:48Listening
12:50always gave some results
12:52because, what do I say,
12:54whoever listens
12:56always hears something.
12:58Yes, that's the most adequate option
13:00in this situation.
13:02That's right.
13:04I have an idea, Bukasin.
13:06See how her brain works
13:08only when she wants to.
13:10Of course, my brain works
13:12when I want to make this woman
13:14go crazy.
13:16Okay, let's hear that idea.
13:18I would personally go to the ordination
13:20and I would put that hair dryer.
13:24What?
13:26It's normal.
13:28Okay, now wait
13:30until I finish my sentence.
13:32Okay, finish it.
13:34During the night.
13:36I would do that in the middle of the day.
13:38What do you mean in the middle of the day?
13:40That's risky.
13:42How risky? I would go to her ordination.
13:44Yes.
13:46Then I would come to talk to her.
13:48There would be a fight.
13:50I would put the hair dryer.
13:52The fight would continue.
13:54She would throw me out.
13:56And that's it.
13:58Do you understand?
14:00Yes.
14:02Why?
14:04It's risky.
14:06No, Bukasin.
14:08Barbara, if I said it's risky
14:10what's not clear to you?
14:12Okay, okay.
14:14Who would do that?
14:16Don't worry.
14:18I always find
14:20someone to do
14:22some job.
14:32Coffee is bad.
14:34But you can get rid of it.
14:36And that's great.
14:38And as soon as possible.
14:40So that she doesn't look at you anymore.
14:56What's my connection
14:58with your band?
15:00What's my connection with your band?
15:02Look, as a manager
15:04I made something like
15:06a business plan for the next period.
15:08Okay.
15:10And I think that
15:12a performance outside of Maldives
15:14would contribute to our visibility.
15:16That's great.
15:18Yes.
15:20What's my connection with that?
15:22Look, a performance in other places
15:24would be great
15:26for me and
15:28for my career in the future.
15:30And then I thought
15:32that maybe we could
15:34perform in a business club
15:36if you agree.
15:40Look, man.
15:42I thought you would ask me
15:44for some money or something.
15:46What money?
15:48Of course you can perform
15:50in a business club.
15:52I don't know why you didn't ask me before.
15:54It fell on my mind.
15:56I didn't want it to be a nepotism.
15:58I didn't want to put you in an awkward situation.
16:00Aha. It was a nepotism then.
16:02Now it's not a nepotism.
16:04It's not a nepotism.
16:06Do you know why?
16:08Because we had a great time in Maldives.
16:10And now if we perform in a business club
16:12it can be great because of our visibility.
16:14As you say.
16:16So you agree to perform in a business club.
16:18Of course I agree.
16:22I just want to say one more thing.
16:24I hope you enjoyed your time in Maldives.
16:26You were great.
16:28You deserve to perform somewhere else.
16:30At least it was mine.
16:34You don't need to thank me for such things.
16:54You're welcome.
17:14Darko!
17:16Coming.
17:18I'm waiting for you.
17:24I'm coming.
17:34Thank you, Darko.
17:36For your presence.
17:38You made this gathering bigger.
17:42You're welcome.
17:44What's so urgent?
17:46What's urgent?
17:48Are you still asking?
17:54What?
18:00This is a great model.
18:02I saw it on the internet.
18:04There are great reviews.
18:06The camera is great.
18:08Yes.
18:10The camera.
18:12Where did you get the money for this expensive phone?
18:14I didn't buy it.
18:16If you're interested.
18:18I said I wouldn't.
18:20I got it.
18:22From whom?
18:24From Donovac.
18:26What Donovac?
18:28From Don's store.
18:30Although...
18:32There's something about you.
18:34How come?
18:36When Donovac saw
18:38the phone you have,
18:40they decided
18:42to buy me
18:44a new phone.
18:46Expensive.
18:48Are you sure?
18:50I'm sure.
18:52Here's the material proof.
18:54I don't think my phone is missing anything.
18:56You're confused.
19:00Tell me.
19:02What's missing?
19:04The question is
19:06what's missing.
19:08Except the shape and the keyboard.
19:10There's nothing else.
19:12We just know it's a phone.
19:14Let's see.
19:16New.
19:20New.
19:22New.
19:24New.
19:26New.
19:28New.
19:30New.
19:40Good morning.
19:42How's my
19:44Diva?
19:46Great.
19:48I can tell you
19:50I'm even better when I see
19:52how much you care about me.
19:54It's not hard to care about you
19:56because I care about you
19:58only for my own pleasure.
20:00You're inspired.
20:02I was inspired
20:04last night.
20:06What did you do?
20:08I was doing some business
20:10and I think I managed
20:12to improve
20:14my career.
20:16How's that?
20:18I was thinking about the next steps
20:20and I came to the conclusion
20:22that we should perform
20:24outside of Maldives.
20:26Why outside of Maldives?
20:28Because
20:30it's important to achieve
20:32some new spaces,
20:34some important spaces
20:36so that other people can see you
20:38and we can expand the audience.
20:40Like?
20:42Like in the business club.
20:44And he agreed.
20:46So Diva, get ready
20:48for the most important
20:50performance so far
20:52in the business club.
21:06My phone is perfectly fine.
21:08Whoever doesn't like it
21:10doesn't have to use it.
21:12Why are you defending
21:14your phone like it's your brother?
21:16The Danes said
21:18that the recording
21:20from your phone
21:22is not good,
21:24not technically correct
21:26and it can't be uploaded
21:28to the internet.
21:30I guess they're not stupid.
21:32I'm not saying they're stupid.
21:34I repeat, my phone is perfectly fine.
21:36Maybe it doesn't have
21:38the technical
21:40form,
21:42the resolution
21:44like your new one,
21:46but I'm really satisfied.
21:48No, of course not.
21:50I don't care
21:52if you're satisfied or not.
21:54What do you care about?
21:56What do you care about?
21:58How do I turn this thing on?
22:00How do I turn this phone on?
22:02I have to record a new video.
22:04Ah.
22:06Okay, what's the problem?
22:08I won't bother you.
22:10Is that so?
22:12We're here.
22:14Say something.
22:16You have to help me.
22:18You.
22:20Ah, that's why you called me.
22:22I can't.
22:24I can't, I can't.
22:26I have a lot to learn and a lot to do.
22:28You can't.
22:30Everything you have to learn and do
22:32leave it for tomorrow.
22:34You have to help me
22:36because of you and your stupidity
22:38last time in Profastily.
22:40So I have to do it again.
22:42Because of me?
22:44Yes, yes, because of you.
22:46And don't get mad at me
22:48and help me.
22:50Turn that phone on if you can.
22:52I don't know.
22:54And this time
22:56everything has to be par excellence.
22:58It will be.
23:00Do you want some coffee?
23:02I do.
23:06I do.
23:18You've already talked to Aleks.
23:20Yes.
23:22To perform in the business club.
23:24Yes, and he's thrilled.
23:26He can't wait to see us.
23:28I don't know what a good idea that is.
23:30Why?
23:32Because I'm not ready to perform
23:34in the business club.
23:36We have to get out of our comfort zone.
23:38We've tried everything.
23:40We know it's going well.
23:42You won't perform all your life
23:44only in Moldova.
23:46I really don't know.
23:48I don't know.
23:50Olga, you can't miss
23:52such opportunities.
23:54In show business it's very important
23:56to take advantage of the opportunity.
23:58You have to let other people
24:00in the audience
24:02see you, hear you,
24:04and enjoy your performance.
24:06Ok, but didn't we say
24:08we won't perform in the business club
24:10because it's nepotism?
24:12Yes, it was nepotism in the beginning.
24:14That's why I didn't even want to ask Aleks.
24:16However, we've made some success
24:18in Moldova.
24:20We've made some profit.
24:22It will be the same in the business club.
24:24That's why it's not nepotism anymore.
24:26Our success is
24:28above nepotism.
24:30Besides,
24:32I don't feel comfortable
24:34going from club to club and singing.
24:36How is it different?
24:38I don't know.
24:40Look, Olga, you have to try.
24:42It's all up to us.
24:44I don't know.
24:46I think you took it too seriously.
24:48Of course I took it too seriously.
24:50You are a serious singer,
24:52I am a serious manager,
24:54and this is a serious project.
24:56Of course I will take it seriously
24:58in our careers.
25:00Don't worry so much.
25:02Leave everything to me.
25:04I keep everything under control.
25:06Just prepare your beautiful voice,
25:08your beautiful performance,
25:10your beautiful style,
25:12and everything will be fine.
25:14Believe me.
25:28Hello?
25:32Yes?
25:36Vesna,
25:38how are you?
25:40Not bad.
25:42How was your job interview?
25:46Pretty good.
25:48Really?
25:50Yes.
25:52How is that car mechanic?
25:54She is
25:56a very interesting woman.
25:58Yes.
26:00You know, I often thought
26:02that I would like to have a car fixed
26:04by a self-conscious woman.
26:08Did she give you any advice
26:10on how to take care of your car?
26:14No.
26:16She gave me advice
26:18on how to put my liner.
26:20Well, she is a self-conscious woman.
26:22Yes.
26:24How was it for you in the cinema?
26:28It was pretty good.
26:30But your two were really sweet.
26:32Yes, they were really sweet, right?
26:34Yes. Lula is wonderful.
26:36Aleks is like a father to me.
26:38You know, they were always talking
26:40about how much you miss them.
26:42That's good. You were there instead of me.
26:44Well, I just
26:46flew in to help.
26:48I mean, Lula is sick,
26:50Aleks' meetings...
26:52Yes, I know.
26:56Lenka, why don't you
26:58explain something to him?
27:00Are you mad at me
27:02for helping Aleks?
27:10Hey, Jovana.
27:12Sit down.
27:14Do you have five minutes?
27:16I do, tell me.
27:18We need to talk about something.
27:20Look, I have a great idea
27:22for the next issue of the magazine.
27:24Okay, suggest it to your colleagues,
27:26and we'll see.
27:28Yes, I can, but I won't.
27:30Why?
27:32Because I want to consult with you first.
27:36That's not according to the protocol,
27:38but tell me.
27:40Jovana, believe me, this is completely
27:42different now.
27:44Okay, I agree.
27:46I mean, I found a person
27:48for the next issue.
27:50I got that, but what's different?
27:52No, this is
27:54completely different. A woman, as they say.
27:56Until now, we've been focusing
27:58on a successful business of a woman, right?
28:00Yes.
28:02A successful business of a mother.
28:04Yes.
28:06This is completely different.
28:18Why would I be mad?
28:20I don't know.
28:22I don't think there's a reason,
28:24so I'm just checking.
28:26Maybe it's just your imagination.
28:28Maybe.
28:30I mean, I got the impression
28:32that you're up to something.
28:34I just have a lot of work.
28:36Maybe that's it.
28:38Really?
28:40Okay, I'd like us to be honest.
28:42Okay,
28:44we can be honest and open,
28:46but let's be honest.
28:48You went to the cinema
28:50with my Alex and his son
28:52while I was on my business trip.
28:54How do you feel about that?
28:58It seems to me
29:00like a situation that could
29:02bother some women.
29:04Do you think
29:06that I'm one of those
29:08women?
29:10No, you're not a woman.
29:12You're not a stupid woman.
29:14But as I said,
29:16I'd like us to be honest.
29:18I'm glad you think so.
29:20It's different.
29:22Yes.
29:24Look, Gabriela,
29:26we're friends, right?
29:28Of course, more than that.
29:30Then I don't have
29:32a reason to be mad.
29:34Great.
29:36I'd like there to be no disagreement between us.
29:38Me too.
29:40In that case, I'll take you out for a drink,
29:42okay?
29:44Okay, of course.
29:46I'd really like a drink after this whole day.
29:48Great.
29:50We'll go over all the details later.
29:52Okay.
29:54I'll leave you to it.
29:56See you later.
29:58See you.
30:12I don't understand.
30:14Wait, listen, Jovana.
30:16I found a young, successful woman.
30:18Do you understand?
30:20Where?
30:22At Pancetta's.
30:24In her apartment.
30:26I mean, she's a maid.
30:28Pancetta has a maid?
30:30Yes. She's from the interior, you know.
30:32But she lives a very fast,
30:34modern pace of life.
30:36What does she do?
30:38She studies.
30:40She studies and at the same time
30:42she's a hairdresser.
30:44I mean, she works in a hair salon.
30:46Nice. Congratulations.
30:48She could be an ideal
30:50example for a successful, ambitious,
30:52bold woman.
30:54We need that.
30:56Okay, maybe it's not a bad idea.
30:58That's what I'm saying.
31:00It's ideal.
31:02Maybe you're right.
31:04No, it won't be a mistake.
31:06Believe me, Jovana.
31:08My experience and my instinct
31:10won't let me down this time.
31:12It'll be a perfect hit.
31:14Okay, then we'll do it this way.
31:16How?
31:18I'll let you write the script.
31:20Great.
31:22I just hope everything will be as it should be.
31:24Everything will be, Jovana. I promise.
31:26You're free to go.
31:28Jovana,
31:30thank you.
31:32Get out, man. I have work to do.
31:38What's up?
31:56What's up?
31:58What did you do?
32:04What does it mean to you?
32:06Nothing.
32:08I have a lot of work.
32:10I have a lot to learn.
32:12And I'm tired.
32:14What did you do
32:16when you didn't learn?
32:18I didn't have time for video shoots.
32:20I don't know.
32:22And I don't really care.
32:26I'm just talking to myself.
32:28What about you?
32:30Nothing.
32:32Except...
32:34I was drinking with Vitomir
32:36and it was great.
32:40I just don't know why he doesn't call me.
32:42He hasn't called since then.
32:46You're really mad about that Vitomir, huh?
32:48Darko, that's not the right word.
32:50Okay.
32:52I'm sorry, but I don't want
32:54every conversation to lead to
32:56whether he called you or not.
32:58Come on, man.
33:00I'm not mad at all.
33:02I'm just sharing my thoughts
33:04with you.
33:06Okay.
33:08Let's put it this way.
33:10Vitomir will never call you again.
33:12Don't call him,
33:14don't text him.
33:16If he follows you, follow him.
33:18Is that okay with you?
33:20Why are you asking me that?
33:22I have a right.
33:24You have a right,
33:26but I'm interested in the reason.
33:28To see if you're hot for a man.
33:32Come on.
33:46Hey.
33:48How are you?
33:50Can we take a break?
33:52Yes, but just a little.
33:54What are you doing, honey?
33:56What am I doing?
33:58I don't know where I'm going.
34:00Today, I'd like you to finish your work on time.
34:03Are you taking care of my overtime, or...
34:06I forbid you overtime.
34:08Really? Why?
34:10Are you saving on the budget?
34:12No, but I want us to do something together later.
34:16What?
34:17Let's say it's a surprise.
34:19Surprise?
34:21What kind of surprise?
34:22I'll take you to a place where you can rest, cool off, and enjoy yourself.
34:27Okay, I really need that.
34:29Can I know where?
34:31No.
34:32But you'll enjoy it.
34:33No, no, no, no, surprise.
34:35Okay.
34:36They won't refuse, for sure.
34:37Good deal. So, let's go after work?
34:39Let's go, let's go, definitely. I can't wait.
34:41There you go.
34:42Let's go, see you at work.
34:44Let's go.
34:44And don't work too much, or you'll tire me out.
34:46I won't, I'm almost done.
34:57Ivan, I have an offer for you.
35:28Hello.
35:29Good day.
35:30I didn't know we had a double session today.
35:33We didn't come here for a double session.
35:35What is it about?
35:37We came to talk about...
35:39some things.
35:41You should have told me first.
35:43What things?
35:45It's not all that clear to me about you.
35:47I don't understand, what's not clear to me about me?
35:51Okay, wait.
35:52Easy.
35:54Wait.
35:55Easy.
35:56I'll explain everything nicely, so we don't have to talk about numbers anymore.
35:59I'll tell you everything directly and clearly.
36:01Please, go ahead.
36:03We gave you this Pavle in order for you to continue his practice, right?
36:09That's right, I'm doing it.
36:11No, you're not.
36:13What do you mean, I'm not?
36:14You're not.
36:15My Pavle, he was a very respected and esteemed doctor.
36:20Okay, and?
36:21Yes, and he had very good patients.
36:24They gave him their lives.
36:26So, this hospital had a phenomenal reputation.
36:30And as a reminder, I can't let anything go to waste here.
36:35Your Pavle is alive and well, he just left.
36:38Yes, but if he comes back, I can't let anything destroy his reputation.
36:45You're trying to say that I'm destroying his reputation.
36:49How is that?
36:50You're doing what you shouldn't be doing.
36:52I mean, you're doing it, but you're not doing what you should be doing.
36:57There.
36:58What do you two think I'm doing here?
37:02You're confusing.
37:04You're confusing something, and if that's the case, you'll have to leave.
37:08I'm leaving.
37:19Again?
37:20What do you mean, again?
37:22Do you remember when you came here a while ago
37:28to ask for some professional engagement of a photographer in the agency?
37:34Of course I remember.
37:35I mean, I remember you telling me you couldn't hire me
37:39because you already have someone to take pictures of you.
37:42You mentioned a photographer, didn't you?
37:45That's right.
37:46Did I change anything since then, or...?
37:49Well, you did, and you didn't.
37:54Although I still can't offer you a job as a photographer.
37:59But...
38:02You opened up a new opportunity.
38:06I turned into this.
38:08Look, I'm working on a very complicated case,
38:12and I think you can help me with that.
38:17Wait, wait, wait.
38:18I'm helping you with that complicated case,
38:22and I'm not photographing?
38:24That's right.
38:25I'm really interested in how I can help you with that,
38:28even though it's not a camera.
38:30You need to do a job for me.
38:37Well, when you say that,
38:39a job for a detective,
38:41I admit it sounds a little exciting.
38:44Well, it is exciting.
38:46It is exciting.
38:47I mean, I personally think it's much more exciting than photographing.
38:53Is it?
38:55Well, I'm sorry.
38:57I mean, I don't know what's more exciting to you,
39:01photographing or a detective job,
39:06at the level of observation.
39:24Why are you silent?
39:33I have no intention of answering your stupid questions.
39:37Why is that?
39:39Because they are stupid and unreal.
39:43I love you.
39:51Biljana, this is quite an unusual situation.
39:55You are my patient, I am your psychotherapist,
39:59and I thought we had built some kind of trust so far.
40:04These subjects simply emerge from real situations,
40:09and have absolutely nothing to do with our therapy.
40:25Hey, guys, I got a package for you.
40:30What package?
40:31I have no idea.
40:33Well, what does it say?
40:35Do you want to know the truth?
40:36Yes.
40:37Let's see.
40:50Come on, please, don't be like that.
40:52You see, you went too far.
40:54What is this for you?
40:56I went too far, Mido?
40:58Have I been two or three months younger?
41:00No.
41:01That.
41:02That, Mido.
41:04How hard is that?
41:06I don't know, Mido, I don't know.
41:09I don't know how much longer I will last.
41:12I don't know how many more lives I will have.
41:14Well, four.
41:25I have a lot of doubts.
41:28I have no proof.
41:30And you know, you are not a policeman, but you know,
41:34if you do not confirm any doubt with evidence,
41:38there is no case anymore,
41:40and I want to solve that case,
41:44to punish bad guys,
41:46to reward good guys, you know?
41:48Wait.
41:49You want me to...
41:52That's right.
41:53But you know what?
41:54I have one more question for you.
41:56What is it?
41:58I have one offer for you.
42:00I mean, it's more of a business offer, you know?
42:03Aha.
42:05Okay.
42:23Mido.
42:29Mido.
42:33Mido.
42:35Is this some cabbage?
42:37It is, it is.
42:39Mido.
42:40Mido.
42:53Good evening.
42:55I hope I'm not interrupting anything.
43:10How are you?
43:11I'm fine.
43:12I'm fine.
43:15Niko accepted me.
43:16That's wonderful.
43:17I'm glad.
43:18I knew he would.
43:20You know everything.
43:21Hey, hi.
43:22Hey, Marija.
43:23I just wanted to tell you, you have a guest.
43:25What guest?
43:26Niko has one.
43:40Good evening.
43:41How come you're so late?