Igra sudbine Epizoda 1438,Igra sudbine 1439,Igra sudbine 1438,Igra sudbine Epizoda 1439, Igra sudbine Epizoda 1438,Epizoda 1439 Igra sudbine ,Epizoda 1438 Igra sudbine
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00:00The End
00:30That's what I'm waiting for.
00:33Now you're going to help me.
00:36How do you want?
00:38Now you're going to help me very slowly.
00:45Go ahead.
00:46Good day.
00:49It's nice.
00:50It's nice.
00:51It's nice.
00:57I'm here.
01:00I hope I won't stop you.
01:03I can see you here.
01:05Yes.
01:06From here to here.
01:08How are you?
01:09How are you?
01:10How are you?
01:11Great.
01:12Great.
01:13I haven't been there yet.
01:15We'll have to go here.
01:16Hello.
01:17Sorry about that.
01:21I don't have to go.
01:24I don't think I told you to sit down.
01:30I'm going to ask for the invitation to sit down.
01:33Maybe.
01:34Okay, sorry.
01:35I can sit down.
01:36What do you want?
01:37Okay, sorry.
01:38I can sit down.
01:40What do you want?
01:44Hello, team.
01:45Hello.
01:46Hello.
01:47I'm going to sit down.
01:50You are right.
01:51I'm going to sit down.
01:52I was hoping for what you expected.
01:53You think because we were better meeting with interviews?
01:56Yes.
01:57I think about that.
01:58I know I was thinking that it will be okay.
01:59But this is not that good.
02:00I'm going to sit down.
02:01I didn't expect that.
02:02No, it's because we are a great way.
02:04Okay.
02:05What do you think?
02:06We did so well.
02:07We did everything like that we needed.
02:08Yes, yes.
02:09If we weren't doing you, we didn't even miss you.
02:11Thank God.
02:12You want me to follow your former girl with whom you have already written?
02:19That's right, I knew it in the right place.
02:22What do you think that one of such powerful people
02:26only tries to go without the consequences?
02:29Or is it for the poor seven sons?
02:32My head is lost for a lot of money.
02:35Don't worry, you know.
02:37You sell me some stories, but I don't have to eat.
02:40Don't worry about me.
02:43I'm not a people's kitchen.
02:46If you don't have food to eat, go there.
02:49Good friend, thank you for advice.
02:52You know, I thought that after a little Ido Murrije would come back.
02:57What do you think that's important to me?
02:59Evo, Komido.
03:01It's a hard heart and a humorous soul.
03:04I can't do it anymore.
03:06I'll give you an answer.
03:08Who gives me an answer?
03:10What's that?
03:11What's wrong with you?
03:12What's wrong with you?
03:13What's wrong with you?
03:14What's wrong with you?
03:15I can't do it anymore.
03:16I can't do it anymore.
03:17I can't do it anymore.
03:18Evo me!
03:19Deci!
03:20I'm good to ask you.
03:22What are you?
03:24I'm going to drink a drink of Jivojna.
03:27You call me Jivojna, right?
03:28What's wrong with you?
03:29I don't know what I'm thinking.
03:31I'm thinking, who I call Jile, you're an unborn.
03:34You're going to call you Živković.
03:37But when I'm thinking, yes, you can do it.
03:40You're right.
03:41What's wrong with us?
03:42What do we do?
03:44We are.
03:46We are.
03:47I don't see you here, I don't see anyone else.
03:49No, I don't care, but answer.
03:51You know what you're saying.
03:53If you don't talk to me, I don't have anything against you, soul.
03:59Don't forget to watch you in life with a smile.
04:05What are you doing now?
04:07You're normal now.
04:11You're talking to me now, I'm talking to you.
04:13I'm saying I'm going to cry and get everything in my face.
04:17Stop it.
04:21Don't you start me like that?
04:23Don't you turn the damn thing?
04:25Don't you turn the damn thing?
04:27Don't you turn the damn thing.
04:29Don't you turn the damn thing?
04:34I'm not going to sit, you're going to adultery.
04:39You're going to hate me.
04:41I'm going to sleep, you're going to die.
04:42Do you understand me?
05:12Do you understand me?
05:14Do you understand me?
05:16And I hope you won't be back again.
05:22Well, I won't be back again.
05:24It's okay.
05:26See you later.
05:28See you later.
05:34Well, I told you to...
05:36I don't care.
05:38I don't care.
05:40I don't care.
05:42I'm very interested in you.
05:44I'm very interested in you.
05:46I'm interested in you tomorrow.
05:48Jovana, I'm working on the road.
06:06I'm very interested in you.
06:08I'm doing this game.
06:10I don't care.
06:14But I'm very interested in you.
06:18And, I'm very interested in you.
06:20And, thanks for your support.
06:22And, you know, it's something that's necessary.
06:24And, you know, the truth is no doubt.
06:26That's nothing that happens to me.
06:28As love in the war, there is no law, there is no law, you have one life, only one chance, to find no one, because the star is the right.
06:52Oh, oh, oh, oh, oh, oh.
07:22Oh, oh, oh, oh, oh.
07:51Oh, oh, oh, oh, oh, oh, oh.
08:21Oh, oh, oh, oh, oh, oh.
08:23Oh, oh, oh, oh, oh, oh.
08:25Oh, oh, oh, oh, oh, oh.
08:27Oh, oh, oh, oh, oh, oh.
08:29Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
08:31No, Jovana, of course, of course.
08:35Okay.
08:37And what do you mean by that?
08:41I tell Vanja that you and I will now have something to explain.
09:01Hello.
09:03Hello.
09:05Hello, my name is Lazar from the store Dona.
09:08Sorry if I'm calling you in the same time.
09:10No, no, I'm listening.
09:12I wanted to tell you that the photos are coming.
09:16Really? That's super, I'm waiting for them to see them.
09:20If you want, we can see you in the evening for a while.
09:24Yes, yes, yes, yes.
09:27Where are we?
09:29We could have been in the business club.
09:32It's the most simple because I'm at the time.
09:36Okay, okay.
09:39Yes, yes, we'll see you in the evening.
09:46And who are you now?
09:48No.
09:51Why don't you say that you don't want to see?
09:54It's related to the photos.
09:56I don't lie.
09:58No, no.
10:00Mina, don't tear me off.
10:03Tell me who is he.
10:05Do you want me to drink anything?
10:24I don't want to drink anything. I want to tell me what you say.
10:29What do you mean what I say?
10:32You don't know what I'm talking about.
10:36I don't know.
10:38Why do you believe for Olgou?
10:41I believe for Olgou.
10:43You believe for Olgou.
10:46I'm an amateur who believes for anyone, and even for Olgou.
10:52Why would you be on her stage if you don't believe?
10:56I enjoyed music.
10:58Really?
11:00No.
11:02Is Olgou.
11:04Is Olgou.
11:06Is Olgou.
11:08You really don't know where you are.
11:12I'll ask you.
11:14I can't believe that someone has no idea like you.
11:18Is Olgou.
11:20Is Olgou.
11:22Is Olgou.
11:24Is Olgou.
11:26Is Olgou.
11:28Is Olgou.
11:34Is Olgou.
11:36I don't like that you have a nose in your job.
11:40But I had the best chance.
11:42How do you know I'm not a mistake or not?
11:45It was like you were not.
11:47It was like you were looking for intrigue,
11:50and you just want to go around and try it.
11:52Jovana, that's not the case.
11:54What are you doing?
11:56No, I just wanted to bring you information.
11:58I didn't want to make a problem.
12:00I don't always make a mistake.
12:02I don't understand.
12:04E, Vanja, I've still had your own issues.
12:08How many?
12:10Jovana, I have a problem.
12:12What problem?
12:14I want to talk about the unemployed in the company.
12:16I mean, actually, one of the unemployed.
12:18I know I have some reasons.
12:20The reasons?
12:22Is it related to the time?
12:24In one hand.
12:26You're talking about who and what you're doing.
12:29O Vanja.
12:31How do you relate to Vanja?
12:33I would just want to do nothing to do with her.
12:36But it's obviously not possible,
12:38because she's not-stop in my job.
12:40What do you think, Vitamira?
12:42I wanted to solve the situation with Vanja,
12:44but that's not possible.
12:45Is something happened?
12:47Yes, it happened.
12:49And it happened.
12:50It happened.
12:51She constantly asks new tasks
12:53to my employees.
12:55It's like she is ready, not me.
12:57No, that's not the question.
12:58That's not the question.
12:59Yes, it's not the question.
13:01What happened?
13:02What happened?
13:03What happened?
13:04What happened?
13:05What happened?
13:06They constantly give them some stupid tasks.
13:08They go to copy them some pages, some paper,
13:11I don't know why.
13:13I tried to talk with Vanja.
13:16You understand?
13:17I told them that she isn't the person,
13:19but that I am the person.
13:20But she doesn't understand it.
13:23I heard that she is the person who is going to send her a letter.
13:28It's just that she is a bad atmosphere in the company.
13:31You understand?
13:32I don't believe it.
13:34I don't believe it.
13:35I pray for you if you can talk with her a little bit.
13:38I want it.
13:39I need it.
13:40I want it.
13:41Take your time.
13:42I don't want it.
13:43I want it.
13:44I don't want it to be anything new to your work.
13:46I don't want to give you the advice to other people who are not in the description of their work.
13:54Let me explain.
13:56Lazar and Matea are novinari-priprivate assistants.
14:00They are not your secretary.
14:02Stevan does our service,
14:04and they don't have to bring you back to our company.
14:08I hope that we understand.
14:10Is there something else to say?
14:12Great. I think everything is clear now.
14:15Good.
14:17Good.
14:42Good.
14:45Good.
14:47Good.
14:48Good.
14:49Good.
14:51Good.
14:52Good.
14:53Good.
14:54Good.
14:55Great.
14:56Good.
14:57Good.
14:58Good.
14:59Good.
15:00Good.
15:01Really good.
15:02Good.
15:03Good.
15:04Good.
15:05Well, why don't you go away?
15:07Why can't you say?
15:09Really?
15:10It's because he got my photos and then he wanted to make it together with me.
15:19I heard it in business club.
15:22Yes, it's a problem.
15:24The problem is that I flirt with a gun.
15:32Again?
15:35It really doesn't have any connection with what you're talking about.
15:39It's just because of the photo and nothing else.
15:41Okay, I've said what I've said.
15:44And now you're done.
15:46Okay, we're done.
15:48We're talking about Lazar and Lazar.
15:50Yes, but we didn't have a shot.
15:53Let's take the phone.
15:55We don't have much more.
15:57Let's take the phone.
15:58Let's take the phone.
16:00Let's take the phone.
16:02Cutting the phone.
16:04Cutting the phone.
16:06Cutting the phone.
16:08Cutting the phone.
16:10Cutting the phone.
16:18You said not to do it, what are you going to do?
16:19I'm not telling you to get it.
16:21I can't do it.
16:22Just know that it doesn't make sense.
16:23Okay, I don't know what.
16:25I can't do it, but I can't do it.
16:26No, I can't do it.
16:27Just check it.
16:28Just wait, I want to tell you something important.
16:29What's up?
16:31I saw you with Magdon, that's right, Gabriela, and I saw you with him.
16:37Really? Look, I just wanted to talk to you with me.
16:41I'm talking.
16:42Okay, what do you want to tell me?
16:44What?
16:45You're crazy.
16:46Okay, I just want to talk to you normally.
16:49I'm talking to you normally.
16:50Let's tell you what you want.
16:51What do you want?
16:52I want to talk to you when you're going to do these things for me.
17:01Come on, sit down.
17:06Let's go, sit down.
17:08Sit down.
17:18Tell me what you're talking about with Olga.
17:22Nothing.
17:25I don't have any concerns for Olga, except for professionalism.
17:30I don't think she's a great singer.
17:32I think she should be here in Fade.
17:36And I think she's improved.
17:38What do you think?
17:40I want this space to end up with some new ideas.
17:46I think Olga is created for this.
17:50In other words, it would be an improvement for your career and her.
17:54It would be a situation like I said, win-win.
17:57You understand?
18:00Okay.
18:01I see that you don't understand.
18:06Ivana,
18:08I don't want to remember to enter into that love-like triangle with you and this.
18:13That's my past past.
18:15I'm a serious man.
18:17If you want to work with me,
18:19it's great.
18:20If you don't,
18:22it's great.
18:23I'm going to find someone who will be here in Fade.
18:25It's really hard.
18:26It's really hard.
18:27If you don't know,
18:28I don't know how you're looking.
18:29I don't know how you're looking.
18:30I don't know how you're looking at it.
18:31You're looking at it.
18:32What a funny story was all at the real place.
18:53It was the story on which I was not invited?
18:55Unfortunately, not.
18:56Why did I not were invited?
18:57It was such a situation.
18:58What kind of situation is that?
19:00Yes, Magda asked me to see.
19:02No, no.
19:03I thought I wanted something to hide from you,
19:05I would definitely find you in business club.
19:07And what did you see with Magda?
19:09Magda wanted to talk with me,
19:11because the atmosphere on the last stage
19:13was not good for any business business.
19:15And what did you talk about?
19:17Nothing.
19:18That she is aware that she won't go to sell,
19:20but that she is still interested in working with us.
19:23Okay. Is there something that we haven't heard?
19:25No, it's just that it's good for us.
19:27About offering materials from prestige?
19:30Yes.
19:31I know.
19:32I was in that situation in case you forgot.
19:34No, I forgot.
19:36Okay, and?
19:37No, nothing.
19:38We talked about it and that's what you said.
19:40That's what you said.
19:41Look, I really try to explain to you,
19:43I don't do anything wrong with anyone,
19:45I don't think anything wrong,
19:47and everything I do is exclusively
19:48for the good of this company.
19:50And I hope that you will succeed.
19:52Yes.
19:53I would like that I can trust you.
19:56Let me.
19:57Let me.
19:58Let sit down with me.
19:59There's a little bit.
20:00Let me.
20:01Let me go.
20:14Let me go.
20:15Let's go!
20:17Let's go!
20:19Let's go!
20:21Let's go!
20:23Let's go!
20:25Look, look, look!
20:27My punch came!
20:29I'm not your one!
20:31Okay, I've come to see
20:33what's going on here.
20:35Everything is the same!
20:37Dead sea,
20:39you're on the Shanks!
20:41Where's Mile?
20:43He's been a little indisponion!
20:45Yes!
20:47A little indisponion!
20:49Thanks, panchetta!
20:51You know, he's been a lot of fun.
20:53Yes.
20:55But where is he now?
20:57Pa, panchetta,
20:59we were able to do it.
21:01A little indisponion!
21:03Ah, we were able to do it,
21:05we're able to do it!
21:07Yes, yes, panchetta.
21:09He's supposed to do it.
21:11But I can't believe that he can't do anything.
21:13No, no.
21:14Why didn't he do these days?
21:17He was indisponed.
21:19That's right.
21:20Two times he was indisponed?
21:22That's right.
21:23Where is the young man now?
21:27Where is he going to spend his free evening?
21:31He's in the store.
21:33He's in the store.
21:35He's a pancheta, but you can see something.
21:38I am so good at this time.
21:41I'll go back to life.
21:43I can't think about it.
21:45I can't listen to this.
21:47At the end of the day, I didn't get it.
21:49What?
21:50I brought it.
21:51What did you bring, pancheta?
21:53Hello, hello.
21:54I didn't bring anything to you.
21:56I brought this pudding with jaguars.
22:01For that person, that nice and secret villain.
22:08For him.
22:09For him.
22:10For him.
22:11For him.
22:12For him.
22:13For him.
22:13For him.
22:14For him.
22:15I can't believe you.
22:16For him to be angry.
22:17For him to be angry.
22:18To be angry.
22:19Why not?
22:20Why not?
22:21For him to come and get half a bowl of pork.
22:23We won't listen.
22:25Because that's what we will listen to.
22:26We will listen to the whole thing.
22:27But what?
22:32Pancetta?
22:34Yes.
22:35I've never fallen to the memory that you made me this pudding with Jagodama while we were together.
22:42And of course, logically, I ask you why.
22:45You ask me why?
22:47Why?
22:48You don't know why.
22:49I don't know.
22:50So now I'll tell you why.
22:52People, I'm going to go to the magazine.
22:54We're just looking at the names together.
22:56Let's go.
22:57Let's go.
22:58Let's go.
22:59Let's go.
23:01Let's go.
23:03Let's go.
23:05Let's go.
23:06Let's go.
23:08Let's go.
23:10Let's go.
23:12What do you mean by that you found with Magdum without me?
23:16How much I can understand your story, Alexei, I'm trying to explain the reasons.
23:21What do you think about?
23:23I think it's a sense.
23:24I can't explain.
23:25I can't explain.
23:26I see, Magda, of course, after the interview she wanted to talk about someone who will listen to me.
23:34I can tell you what to say about it?
23:36I thought I was thinking about Magdino's story, when the stress was a little smir.
23:44And?
23:46And I think, maybe it won't be my opinion, but it seems to me that it's a great story.
23:54I've come to try to achieve a new agreement.
23:58While I have a problem with my father and dad, I'm going to give you an example of our exclusive series of our Budim Peštanskog časopisa Prestiž.
24:09Do you want to do that?
24:11Yes, of course.
24:13I'm thinking about interviews with the stars, from the most popular events, films and festivals.
24:21What are you looking for?
24:25Nothing.
24:26It's a sign of my goodwill because of the current unfortunate situation.
24:33Interesting, yes.
24:35I believe that I'm 100% in the partnership and cooperation with Don.
24:41It's a project and people who lead me.
24:45I think that we could together create a great empire and a great story.
24:51I'm sorry, but I have to say that we don't want to get into your business and family relations.
24:59It seems to me that in this situation we shouldn't have to do any kind of agreement.
25:04I don't have to do that.
25:05I don't have to do anything.
25:06I don't have to do anything.
25:07It's not a reputation.
25:08I don't have to do anything.
25:09Why do you think so?
25:11Because the magazine has a large number of materials.
25:16They don't pay me.
25:18Just so?
25:20You expected something else?
25:22What about the things, the family quarries,
25:26they don't need to mix them?
25:28The family quarries may be a problem,
25:32but maybe it can be done.
25:35And I don't think so.
25:55Hey, hi.
25:56I told you that you came.
25:57Thank you for the invitation.
26:02I'm waiting for the photos.
26:04I understand.
26:06Is it clear why we didn't see you in Doni?
26:09Don't ask me anything.
26:11I had such a crazy day on the job.
26:13Really?
26:14Yes, chaos.
26:15Non-stop is coming and coming.
26:16I know how important it is.
26:18Yes.
26:19That's why I wanted to focus on peace,
26:21look at all the pictures
26:23and choose the best.
26:25I agree.
26:27I'm waiting for them to see them.
26:29I'm waiting for them to drink.
26:31Okay.
26:32Ehm...
26:33Kisela voda.
26:34Samo to?
26:35Yes.
26:36What's wrong?
26:37Okay.
26:38What's wrong with me?
26:39I'm waiting for them to drink water,
26:41and then I'm whiskey.
26:42Okay.
26:43Okay.
26:44Okay.
26:45Okay.
26:46Okay.
26:47Okay.
26:48Okay.
26:49Okay.
26:51Okay.
26:52Okay.
26:53But it's really interesting.
26:54Good, good, good, good, good, good, good, good, good, good, good, good, good, good, good, good, good, good, good.
27:01But it's really interesting why I never got ready for that pudding with eggs. Why?
27:07That's why, Midu, that the marriage didn't have been wasted until the first season of eggs.
27:12Let's go.
27:13Yes, you understand.
27:14Well, you understand, Pačet.
27:15But you see, here, now it's the season of trishan,
27:18and you can get ready for one pint or a pudding or a pudding or a pudding.
27:21Don't fall into memory.
27:23Don't fall into memory.
27:25Don't fall into memory.
27:26Is it, Midu?
27:27I pray.
27:28Are you a little Pjanović-Ljubomoran?
27:33I?
27:37You see, I'm Ljubomoran.
27:39Is it, Midu?
27:40Pjanović-Ljubomoran.
27:43Pačeta, just to tell you,
27:45I'm just in the past a little bit of a hand from us.
27:48Yes?
27:49Yes?
27:50Yes.
27:51Good.
27:53Good, if it's like that.
27:55Yes.
27:56And why do you think that this isn't the end of your writing?
28:00Oh, how do you read me?
28:02Like the author of the book.
28:04Yes.
28:05You're right, Pačeta.
28:06Yes, yes.
28:07Always.
28:08You see how you know me well.
28:10And?
28:13You see, Pačeta, if I'm going to...
28:16No, no.
28:17Just say it.
28:18Good.
28:19Say it.
28:20Say it.
28:21Say it.
28:22Take it from yourself.
28:23No, Pačeta.
28:24No, I'm going to.
28:25No, Pačeta.
28:26No, I'm going to.
28:27No, I'm going to.
28:28You know that I have so much heart.
28:29I have heart as I want.
28:30Yes.
28:31And the memory.
28:32Okay, Pačeta, I won't be able to stop.
28:34And then, you, I understand.
28:35You're like a woman.
28:36You're like a woman.
28:37A woman.
28:38You deserve, Pačeta.
28:39You deserve, Pačeta.
28:40You deserve all the joy in life.
28:42Believe me.
28:43Just as if you want, of course.
28:46What are you doing?
28:47What are you doing?
28:48What are you doing?
28:49There's no man on the planet who doesn't want the greatest joy in the world.
28:52Okay, Pačeta.
28:53I think that everyone wants joy in life.
28:56That's why I understand.
28:58I completely understand.
28:59That romantic relationship with your secret love.
29:05You understand?
29:06What romantic relationship?
29:07What secret love?
29:09What are you doing?
29:10What are you doing?
29:11What are you doing?
29:12What are you doing?
29:13I've never seen a man in the beginning.
29:14I don't know how it looks.
29:16Okay, Pačeta.
29:17I pray.
29:18I can't say anything.
29:19I can't say anything.
29:20What are you doing?
29:21I'm going to lie.
29:22Sit down.
29:23I'm sorry.
29:24I didn't know you.
29:26Okay, Pačeta.
29:27Can I pray?
29:28Let's pray.
29:29Let's pray.
29:30Let's pray.
29:31Let's pray.
29:32Let's pray.
29:33Let's pray.
29:34What are you doing now?
29:35No, I don't drink a drink at night.
29:38You can see how many of you don't know me.
29:41Oh, I'm sorry.
29:42I'm sorry.
29:43I'm sorry.
29:44I'm going to drink a racket.
29:45Well, that's the other one.
29:48You can.
29:49Sit down.
29:50You can see that I'm sorry.
29:52Yeah.
29:58Why are you doing it?
29:59Do you want it?
30:00Yes.
30:01Then I'm going to drink a drink at night.
30:02Well…
30:03How do you think?
30:05Come on, Dona is a new product.
30:08Yes, she was having a successful success.
30:10But it's a good job.
30:11To do well-positioned situation on the market at night.
30:15And on the first one of us first, we managed to product.
30:18And then, we managed to product.
30:20And this is a good idea of the famous taikunske-mađarske family.
30:25I think that there is no coincidence.
30:28What do you think?
30:30I don't know. I don't know what you think.
30:35This opportunity doesn't happen every day.
30:39Well, I don't know.
30:41I don't know what you think.
30:43I told you, and maybe one of the best business advice that I got in my life,
30:51from one of the old billionaires, from Dubai.
30:55No, I don't know what you think.
30:57I asked him how he made his wealth and made it.
31:04Yes.
31:06And he said, he said that the business opportunity is one or two times in life.
31:14It's a surprise.
31:15It's the sky.
31:18When you're in the sky.
31:20And now, your thing is.
31:23Do you think you'll be aware of it or not?
31:26Mm-hmm.
31:27You mean everything that happens to us now?
31:29Do you suggest the situation and the fate of you?
31:32No.
31:33I can't say that.
31:36It's true.
31:38It's true.
31:39But maybe you have to give a chance.
31:42Maybe you have to try it.
31:44What if it goes to the wrong direction?
31:46It won't go to the wrong direction, Jovana.
31:49No.
31:50I'm not sure.
31:52Let's go ahead.
31:54That's right.
31:55I mean, we weren't from yesterday, right?
31:59Okay.
32:00What do you say?
32:01No.
32:02You don't care.
32:04I hope I won't.
32:06I hope I won't.
32:24This is Mr. Žile.
32:25Sara's in the order.
32:32Good evening.
32:34Good evening.
32:36Good evening.
32:37What is the problem?
32:39There's no problem.
32:41Why can't I reach?
32:44I'm not interested in talking a little.
32:47Let me share something.
32:49Ah, tell them.
32:51You see, we are in a relationship with you.
32:56I know you said that.
32:58You don't know.
33:00You don't understand me.
33:02We are in a relationship with you.
33:06What do you want from me?
33:09No, nothing.
33:11I just want to remind you that you don't forget.
33:16You see, Mr. Nežile?
33:19I came here to work, do you understand?
33:22I don't care about me either in or outside or outside.
33:26I have a personal relationship with her.
33:28That's all.
33:29That's right.
33:31And you don't really need to give me anything.
33:35Who gives you?
33:37I don't really give you anything.
33:39I just want to remind you.
33:42Don't give me anything.
33:44Okay.
33:45Then I don't have anything else to tell you.
33:49That's all, right?
33:50That's all.
33:51Can I go now?
33:57Thank you very much.
33:58Have a nice night.
34:00Have a nice night, have a nice night.
34:15I don't like this.
34:16I don't like it.
34:17I mean, I'm so crazy.
34:18I'm so crazy.
34:19I don't like it anymore.
34:20I don't like it anymore.
34:21I'm sorry.
34:22You're kidding me.
34:23I'm sorry.
34:24You're kidding me.
34:25I'm sorry.
34:26You're kidding me.
34:27I don't like it anymore.
34:28I don't like it anymore.
34:29I really like it.
34:31I'm so crazy.
34:32I'm so crazy.
34:33I don't like it anymore.
34:34You're kidding me.
34:35You're kidding me.
34:36Look how beautiful it is, look at the position of the camera, and you look like a model here.
34:43No, you don't hurt yourself. Can we go next?
34:47What do you say?
34:51This is in order. This is in order. What is funny?
34:56It's in order, but you look like a model here.
35:00Thank you, but it's okay. You can go to the ballot.
35:05Okay, here it is. Do you want to go further?
35:09How many of them have you?
35:10If you ask me, they have a lot of them. Everything is great.
35:13You're going to turn off again, but it's still on me to decide. I see what the boys don't see.
35:19Okay, as you say.
35:31What are you doing here?
35:34I want to talk about, Saru.
35:36We don't have to do what we do with you.
35:38We have to do it. We have to do it. We have to do it.
35:42We have to do it. We have to tell you everything.
35:45You have to do it.
35:46You have to do it.
35:47If you want to talk about the job, you have to do it.
35:50And that's all done.
35:52What is it?
35:53What is it?
35:54What?
35:55What is it?
35:56Why are you doing it?
35:58Why are you doing it?
35:59Because it's possible.
36:02What is it?
36:03What is it?
36:04What is it?
36:05I think you and I have something special.
36:10What is it?
36:11What is it?
36:12What is it?
36:13What is it?
36:14What is it?
36:15What is it?
36:16What is it?
36:17What is it?
36:18What is it?
36:19What is it?
36:20What is it?
36:21What is it?
36:22What is it?
36:23Yes.
36:24It's not the best thing you have.
36:28What is it?
36:29I haven't shown you the best. I've been working as I know and know. And what's wrong?
36:35I really don't have a chance to get into it where you've been wrong,
36:39but the chef doesn't make mistakes.
36:42Don't talk about numbers. Tell me what's going on.
36:49Something's happened. You're hiding something from me.
36:51Get out of here.
36:53Let's go.
36:59How's the situation?
37:14I've been working as I know and know you. And what?
37:18I've trusted you.
37:19I have no plan to go to the right place where you've been wrong.
37:22But the chef doesn't make mistakes.
37:26Where are we?
37:40Can I ask you something?
37:42Ask me.
37:43Do you have a daughter?
37:45I can tell you a great story.
37:56You can be satisfied.
37:59How is it?
38:00I'm satisfied.
38:02I brought a little Maldivu to you as you can see.
38:05How do you?
38:07I see.
38:08I see how they sit in the store and drink.
38:12Let's go.
38:13Let's go.
38:14Let's go.
38:15Let's go.
38:16Let's go.
38:17Let's go.
38:18Tell me.
38:22How does that look, my secret agent?
38:30What are you talking about?
38:32Don't ask yourself about it.
38:35There's no start.
38:37I don't want to keep everything in the country today.
38:39Have you made a decision?
38:42Are you first you or I?
38:44I'll go.
38:45Andrija and I have agreed.
38:47I'm listening to you.
39:06How are you?
39:08How are you?
39:09Yeah, absolutely.
39:10How are you doing?
39:11How are you doing?
39:12How are you doing?
39:13Good.
39:14I think I'm happy.
39:15I'm happy.
39:16You're welcome.
39:17I'm happy.
39:18You're welcome.
39:19You're welcome.
39:20You're welcome.
39:21You're welcome.
39:23Do you know what you're saying?
39:27Tell me if you have something.
39:29Yes, I'm happy.
39:31You're welcome.
39:33I don't know what to do.
40:03We didn't know anything specifically.
40:05We didn't know anything.
40:07Okay, now it's clear that there are some serious actors behind them.
40:13Yes.
40:15Just to know who are serious actors are.
40:20Well, what about that? I'm asking, I'm asking.
40:34How can I look at that?
40:37Tell me, good.
40:40What can I tell you?
40:42Tell me something good about your words.
40:44How do you look?
40:46Help me if you need.
40:48I don't think so.
40:50I think you've already asked me.
40:53Yes!
41:08Hello.
41:10Excuse me, child. What is your problem?
41:14What? I'm dealing with someone who has a problem?
41:16You don't deal with it, but you obviously have a problem.
41:19You have a problem with me?
41:21You have a problem with me.
41:23I don't know.
41:25I don't know where you have a idea to get me off with Jovane.
41:40What are you watching?
41:41I'm watching these minine photos.
41:43I mean, Delica is amazing.
41:46Clearly, it's normal to me.
41:48Like that?
41:50Okay, what?
41:52It's not Tottenham.
41:55It's good to me as well.
41:58It's compassionate to me.
42:00It'sortal to me.
42:02I'm not sure.
42:04But whatever, I'll decide to make a decision.
42:08That's all.
42:19You're right. You've managed to finish.
42:23Let me give you a coffee.
42:25It's coming.
42:27The guest is waiting for you.
42:29I'm not sure.
42:31I didn't finish.
42:33I was not sure.
42:35I'm not sure, but I'm not sure.
42:37I'm not sure.
42:39I'm not sure.
42:41I'm not sure.
42:43What are you doing?
42:45Don't do that.
42:47Don't touch your hands.
42:49I'm not sure.
42:51I'm not sure.
42:53Today I'm planning to get out of.
42:55I'm Margaret Chohente.
42:57Here's what Christopher conduits.
42:59I'm having solar panels.
43:01Ahm媽?
43:03Yeah.
43:04Hey.
43:30Hey.
43:32Hey.
43:33Hey?
43:35Do you think I am?
43:37No, you don't. You're free.
43:45I wanted to ask you something with Alex.