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  • 5/22/2025
Igra sudbine Epizoda 1425,Igra sudbine 1425,Igra sudbine 1426,Igra sudbine Epizoda 1425, Igra sudbine Epizoda 1426,Epizoda 1425 Igra sudbine ,Epizoda 1426 Igra sudbine

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00:00It's not fair at all that you're attacking me like this.
00:15It's not fair at all that you're talking about our private stuff.
00:18If you haven't noticed, Alex, Gabriela and I have gotten very close lately.
00:23And I don't know what the problem is that I share intimate things with someone who's my friend.
00:29Or maybe it bothers you that I share something that bothers me with anyone.
00:32It doesn't bother me at all.
00:33But what bothers you?
00:34It bothers me that it's private and business. These people work with us.
00:37Well, you're talking as if I went to the whole company and talked about how I can't hire. Come on, please.
00:43So, we made a deal. You're in the foreground, and I'm going to be the brain of the operation.
00:49Well, if you put it that way, it sounds bad to me.
00:52You will try to be the best manager in the world, there is no doubt about that.
00:57You're making me suspicious.
00:59I'm sorry, I'm sorry, I'm sorry, this is a little incident.
01:05And this is an incident for you, too.
01:07Well, I mean, considering how many cocktails I've had, maybe it's not.
01:11I agree.
01:13Why do you agree?
01:15Well, I agree that this can never be attributed to an incident.
01:20I'm just asking you one more time to be careful about these things, Gata.
01:23Okay, I'll be careful, okay?
01:25Have we solved this now?
01:27Under these conditions, yes, Gata.
01:29Okay, great.
01:31I'm very tired of all this.
01:35Let's go to bed.
01:40Okay.
01:45It's an honor for me to be the manager of a future big star.
01:50Because the stadiums and arenas are waiting for you.
01:53Okay, now don't tease me anymore, really.
01:55I'm not teasing you, I'm actually teasing you a little.
01:58I believe, I wouldn't tease you if I really didn't like it.
02:02I really think that people adore you and listen to you, you know.
02:07Okay.
02:08What are you doing?
02:11I'm working in a circle in Don's magazine.
02:15Don's magazine?
02:16Yes.
02:17The world is so small, I can't believe it.
02:19Why?
02:20Well, I'm working in Don's magazine.
02:22Really?
02:23Yes, I'm photographing some events and interviews for them.
02:26We're colleagues.
02:27It doesn't matter.
02:29Do you know anyone from Don?
02:31I know you.
02:32You forgot.
02:34What did I forget?
02:35I'm going to a job interview.
02:37I'm going to a job interview and I won't be there until later, Aleksa.
02:41I'm sorry, I forgot.
02:43Yes, you're right.
02:45I'm glad you realized that.
02:47Mile!
02:48You're here.
02:49Mile!
02:51Black Mile, Black Mile.
02:53Where are you?
02:55I'm here.
02:56Do you know what time it is?
02:58What time?
02:59It doesn't matter.
03:01Maybe something good happened to you in life.
03:04How do you know all that?
03:07It's true.
03:08What is true?
03:10Maybe something good happened to you in life.
03:14Like what?
03:17A woman.
03:19Okay, Milorad.
03:20Does it have to be a woman?
03:22Does it have to be a woman for me to feel good?
03:25Okay, it's either a woman or she's in a hurry.
03:33I'm sorry.
03:34I have a situation.
03:36I have to go out for private reasons.
03:38Can I help you?
03:39I hope it's nothing serious.
03:41I have a stomach ache.
03:43I don't know anything.
03:44It's probably okay.
03:45We'll talk later, okay?
03:47I can't do anything without coffee.
03:49Tell him to put the coffee.
03:51Tell him to put the coffee.
03:53I'm going to sleep for another five minutes.
03:56And you talk.
03:58The most normal thing is silence.
04:00Bye.
04:01I'm free.
04:03If you want, I can talk to him.
04:05Really?
04:06Yes, seriously.
04:07I can't ask you that.
04:09It's not a problem.
04:11I'll make him tea.
04:12We'll draw and everything will be okay.
04:14Are you sure?
04:15Yes, seriously.
04:16Thank you a lot.
04:18I'll call you later.
04:19Bye.
04:20Come on, I'll make you something nice.
04:22You're welcome.
04:23Let's go.
04:26What's that?
04:27Contracts.
04:31What contracts?
04:32Contracts that you have to sign.
04:38But that's not our job.
04:40It is now.
04:42You have a job until the end of the day.
04:44It would be better for you to finish it.
04:46Don't worry.
04:47You'll know for sure.
04:55What do you think?
04:56Do we want to go on vacation?
04:57Yes, we want to go on vacation.
05:02You should go alone, too.
05:04To enjoy together.
05:06What do you say?
05:07Let's go on vacation.
05:09If you want, with us.
05:12Why not?
05:14Eh?
05:18Here you go.
05:19What did you come up with?
05:25Here you go.
05:27Have a nice day.
05:36Don't be crazy, Vanja.
05:38What is this?
05:41Look, Vitomir.
05:42We can talk about anything at any time.
05:46But you can't just barge into my office.
05:49Vanja, please.
05:50Don't be silly.
05:53Look at this.
05:55Technically, it's a total failure.
05:58We can't post it on social networks,
06:00not on our platform.
06:01What are we going to do?
06:02I don't know.
06:03I just know that we can't post that video.
06:12For more accidental encounters,
06:17no less.
06:26Do you know what time it is
06:29that I have to do your job?
06:33I don't understand.
06:36Okay, let me explain.
06:39I actually did your job.
06:42What?
06:47Do you know who is behind that campaign?
06:51No.
06:55Who?
06:58Sara Berger.
07:12Sara Berger.
07:13Sara Berger.
07:14Sara Berger.
07:15Sara Berger.
07:16Sara Berger.
07:17Sara Berger.
07:18Sara Berger.
07:19Sara Berger.
07:20Sara Berger.
07:21Sara Berger.
07:22Sara Berger.
07:23Sara Berger.
07:24Sara Berger.
07:25Sara Berger.
07:26Sara Berger.
07:27Sara Berger.
07:28Sara Berger.
07:29Sara Berger.
07:30Sara Berger.
07:31Sara Berger.
07:32Sara Berger.
07:33Sara Berger.
07:34Sara Berger.
07:35Sara Berger.
07:36Sara Berger.
07:37Sara Berger.
07:38Sara Berger.
07:39Sara Berger.
07:40Sara Berger.
07:41Sara Berger.
07:42Sara Berger.
07:43Sara Berger.
07:44Sara Berger.
07:45Sara Berger.
07:46Sara Berger.
07:47Sara Berger.
07:48Sara Berger.
07:49Sara Berger.
07:50Sara Berger.
07:51Sara Berger.
07:52Sara Berger.
07:53Sara Berger.
07:54Sara Berger.
07:55Sara Berger.
07:56Sara Berger.
07:57Sara Berger.
07:58Sara Berger.
07:59Sara Berger.
08:00Sara Berger.
08:01Sara Berger.
08:02Sara Berger.
08:03Sara Berger.
08:04Sara Berger.
08:05Sara Berger.
08:06Sara Berger.
08:07Sara Berger.
08:08Sara Berger.
08:09Sara Berger.
08:10Sara Berger.
08:11Sara Berger.
08:12Sara Berger.
08:13Sara Berger.
08:14Sara Berger.
08:15Sara Berger.
08:16Sara Berger.
08:17Sara Berger.
08:18Sara Berger.
08:19Sara Berger.
08:20Sara Berger.
08:21Sara Berger.
08:22Sara Berger.
08:23Sara Berger.
08:24Sara Berger.
08:25Sara Berger.
08:26Sara Berger.
08:27Sara Berger.
08:28Sara Berger.
08:29Sara Berger.
08:30Sara Berger.
08:31Sara Berger.
08:32Sara Berger.
08:33Sara Berger.
08:34Sara Berger.
08:35Sara Berger.
08:36Sara Berger.
08:37Sara Berger.
08:38Sara Berger.
08:39Sara Berger.
08:40Sara Berger.
08:41Sara Berger.
08:42Sara Berger.
08:43Sara Berger.
08:44Sara Berger.
08:45Sara Berger.
08:46Sara Berger.
08:47Sara Berger.
08:48Sara Berger.
08:49Sara Berger.
08:50Sara Berger.
08:51Sara Berger.
08:52Sara Berger.
08:53Sara Berger.
08:54Sara Berger.
08:55Sara Berger.
08:56Sara Berger.
08:57Sara Berger.
08:58Sara Berger.
08:59Sara Berger.
09:00Sara Berger.
09:01Sara Berger.
09:02Sara Berger.
09:03Sara Berger.
09:04Sara Berger.
09:05Sara Berger.
09:06Sara Berger.
09:07Sara Berger.
09:08Sara Berger.
09:09Sara Berger.
09:10Sara Berger.
09:11Sara Berger.
09:12Sara Berger.
09:13Sara Berger.
09:14Sara Berger.
09:15Sara Berger.
09:16Sara Berger.
09:17Sara Berger.
09:18Sara Berger.
09:19Sara Berger.
09:20Sara Berger.
09:21Sara Berger.
09:22Sara Berger.
09:23Sara Berger.
09:24Sara Berger.
09:25Sara Berger.
09:26Sara Berger.
09:27Sara Berger.
09:28Sara Berger.
09:29Sara Berger.
09:30Sara Berger.
09:31Sara Berger.
09:32Sara Berger.
09:33Sara Berger.
09:34Sara Berger.
09:35Sara Berger.
09:36Sara Berger.
09:37Sara Berger.
09:38Sara Berger.
09:39Sara Berger.
09:40Sara Berger.
09:41Sara Berger.
09:42Sara Berger.
09:43Sara Berger.
09:44Sara Berger.
09:45Sara Berger.
09:46Sara Berger.
09:47Sara Berger.
09:48Sara Berger.
09:49Sara Berger.
09:50Sara Berger.
09:51Hey, bring me a new phone camera.
09:52Look, nobody's talking about finishing the deal, mister introducer.
09:53And for that, we have assigns.
09:54Now who would know whatInsurance pants to the next day.
09:55To hire, ehh, editors, are shooting Jessica.
09:56Look, look, she's thinking it through.
09:57Can you imagine that you have to pay.
10:01The editors, the scriptware, shooting day and all that.
10:04I mean, if that was expensive, this is the cheapest solution, believe me.
10:09I don't have a choice.
10:12Okay, buy Panchetti a new phone.
10:15Okay, and just to say, I can't buy her a broken phone, a Chinese one, if we're going to buy something of quality.
10:23Gala, I told you, buy any phone.
10:27Okay, I'll choose one for myself.
10:30Thank you, we agreed on that.
10:39This time would really be a waste of time.
10:50Sara Berger?
10:52Yes, Sara Berger is behind that dirty campaign.
10:58How did that happen?
11:00I have my own channels.
11:02Okay, everyone has their own channels. Do you have any evidence? Without evidence, nothing.
11:08Listen, that's not important. What's important is that it's 100% confirmed.
11:16Okay.
11:18And what now? Are you going to the police? Are you going to report her?
11:24Not really. Things are much more complicated.
11:27It's obvious that someone much bigger is behind Sara Berger.
11:33And this guy, this guy, Zilet.
11:36Who?
11:39I have no idea.
11:43You should ask that when I've already asked this.
11:49Yes. I'll start the action right away.
11:53Of course.
11:54And tell me...
11:57Do you have any leads on where I could start?
12:01Any suggestions?
12:03You have a lead.
12:05Which one?
12:07The one about Sara Berger and Zilet.
12:12Yes, yes, yes.
12:14Yes, okay.
12:17I have to go.
12:19Okay, but we haven't started the action yet.
12:21Yes.
12:23He didn't even offer.
12:25Come on.
12:27See you later.
12:29See you later.
12:34He didn't offer.
12:37Then I will.
12:41Sara Berger.
12:51Hey.
13:13Hi Kaja!
13:15Hi.
13:17How are you?
13:18Well, yes. I mean, technically, just now, yes.
13:21I went after my brother to finish some things, so I just got here.
13:29What is it? What is it? What is it?
13:30What?
13:33This?
13:33Yes, that.
13:35What, like you don't see that it's a bouquet?
13:37Really.
13:38If you hadn't told me, I wouldn't have known it was a bouquet.
13:41It's from God, when I ask you.
13:44I got flowers from Germany.
13:46Oh, from that handsome guy you had a fight with in Fame?
13:50Yes, yes.
13:51What yes?
13:52Yes.
13:53Come on, I beg you, a bouquet is like a bouquet.
13:55Why are you so hard-hearted?
13:57I'm not hard-hearted. Why do you think that?
13:59You're a genius because you say a bouquet is like a bouquet.
14:01Isn't it a nice gesture?
14:03You don't even like it a little bit.
14:05Mina!
14:06What are you, some kind of love inspector, I don't understand?
14:08Yes, exactly.
14:10Okay, I admit that the gesture of this random guest from Fame
14:16has really made my day.
14:18Yes, you see.
14:20It's really nice.
14:21It's really nice.
14:22Yes.
14:24MARIJANA
14:40I'm here.
14:43Aleksa.
14:45Lula.
14:48Marijana.
14:50You're here.
14:52Hi.
14:52I'm here, just in time.
14:54Tell me, where are these two?
14:56They're not here.
14:58They didn't come, or...?
15:00I've been here all the time, I didn't see them.
15:02Oh my God.
15:03Here they are.
15:04Let's go.
15:05Hi.
15:06Look who's here.
15:07Look who's here.
15:08Oh, where are you?
15:12Hi.
15:17You're back, huh?
15:18I just got here, and Marijana says it's weird that you're not here.
15:22Well, we went out for a bit.
15:24Did you? Where did you two go?
15:27Well, we went to the cinema with Gabriel.
15:31With Gabriel?
15:32Mhm.
15:33You didn't tell me anything about that.
15:35Well, I wouldn't believe what happened.
15:40What happened?
15:49Okay.
16:08Good.
16:11Enough.
16:13That's enough.
16:15Are you happy?
16:16Well, well, girls, it's so nice to hear what's new, what's happening.
16:30Well, I don't have anything new.
16:32Me neither.
16:33But that's why our Kayica has everything new.
16:39Really?
16:41So, what's up?
16:43Well, girls, it's so nice to hear what's new, what's happening.
16:48Come on, Kayo, don't look at me like that.
16:51What?
16:52Those are nice things, come on, tell me.
16:55Nothing, nothing important, trust me.
16:58I don't trust you, I trust me.
17:01Because you, Kayo, when it comes to nice things, you kind of minimize them.
17:07Minimize.
17:08That's what I said.
17:10She said it nicely.
17:11That's right.
17:12So?
17:13So, the two of us went out and she ran into a nice guy.
17:20Wow, Međo, where did you go?
17:23To Fame.
17:24Excuse me?
17:25Fame.
17:28Aha, you ran into that nice guy at Fame.
17:36I'm sorry, it's really stupid.
17:38It doesn't matter.
17:39We ran into each other, we ran into each other.
17:41In fact, we didn't even run into each other, we just bumped into each other on the way out.
17:44That guy and me.
17:45I mean, that's stupid.
17:46That's it, that's the end of the story.
17:47It's not really, Kayo.
17:49And how was it, Mina?
17:50Well, first they bumped into each other, and then he sent her flowers today.
17:55Ooh.
17:56Mm-hmm.
17:57Mm-hmm.
17:58I don't know why we're giving so much reason to all this, Nemanja, we just met, I don't
18:05understand.
18:06Nemanja!
18:07Mm-hmm, Nemanja.
18:08Nemanja.
18:09Nemanjica.
18:10Neca.
18:11Neca.
18:12Denimutivčić.
18:13Oh.
18:14Yeah.
18:16Mm-hmm.
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25:32Hmmm.
25:33Hmmm.
25:34So, Stevan, how do you like it here?
25:37Well, you know, it's a little fancy for my taste, but maybe it'll pass.
25:42Hey, I'm sorry we didn't pick you up earlier, really.
25:44Really, I'm sorry. We promised you a nomad, but we can't keep our promise.
25:48Yeah, we just fell asleep, it doesn't matter.
25:50Come on, let it go.
25:53You're apologizing to me because you're taking me out to dinner,
25:57instead of me apologizing to you because I'm throwing you in the bin.
26:01Come on, let it go, it's not a bin at all.
26:03It's a waste of time.
26:04Listen, it's important that we relax.
26:06A waste of time?
26:07What do we care? We had a few crazy days at work.
26:10Oh, yeah, I was going crazy because of that...
26:14Yeah, me too.
26:15It was really dynamic.
26:16Yeah.
26:17Come on, guys, let's see what we're going to eat.
26:18Come on, come on, Stevan.
26:19Let's see.
26:20Here you go.
26:29What the hell is this?
26:30What?
26:31What's wrong with you?
26:32What kind of prices are these?
26:34Is this some kind of fraud?
26:35What kind of prices?
26:36These are the prices of the meal.
26:37Believe me.
26:38I know, I know.
26:39A chicken drumstick costs 1,200 dinars,
26:42so I can buy 2 kilos of drumsticks at the market for that money.
26:46Stevan, that's not expensive at all for a restaurant.
26:49Stevan, relax.
26:50Here, the meal kills how good it is.
26:52Well, the prices are killing.
26:54We'll see about the meal.
26:56But are you sure you want to eat here?
27:00What?
27:01Don't you like it here?
27:02No, I don't like it.
27:03I think it's all right.
27:04I mean, the prices are a bit abnormal.
27:06I mean, let's go to this Daretan's for a snack.
27:09Can we, huh?
27:10Oh, Stevan, come on, relax.
27:12Please, we're paying.
27:13I mean, don't look at the prices, but take what you want to eat.
27:15That's right.
27:16We respect you.
27:17Come on.
27:18Well, I know.
27:19I mean...
27:20Okay, is there lamb here?
27:23Well, there's no lamb right now.
27:27You know what?
27:28I don't understand half of this anyway.
27:31Stevan, do you want us to choose something nice for you?
27:33Come on.
27:34Come on, now we'll see what you like.
27:36Come on.
27:46Well, I could be a cat.
27:50Just to remind you.
27:52Aleksa is adopted.
27:54Okay, Mom, why do you think I am?
27:57I know you, Pusko, until you were a gun.
28:00Okay.
28:01Let's leave my life and my decisions to me, huh?
28:05Just be careful.
28:07Don't fall out of your boots.
28:09That won't happen.
28:10Ugh, it won't happen.
28:11It always happens in situations like this.
28:13It won't happen to me.
28:17Do you want to tell me that you don't like Aleksa?
28:21Aleksa is my type of man,
28:23but I don't see myself as a secret affair
28:26or a lover.
28:28But like a lady and a woman.
28:32Yes, yes, yes.
28:34Exactly like that.
28:35Why?
28:36Should I accept something less?
28:38Dream on.
28:40Yes, this is a dream thing.
28:42Okay.
28:43That's your thing, I won't interfere.
28:45That's impossible.
28:46I mean, that's part of your character.
28:49And what about that girl of his?
28:52An exceptional woman.
28:54She's more than exceptional if you praise her.
28:57Okay, let's talk about you.
28:59How are you doing?
29:01I haven't been.
29:02Tell me.
29:03I don't really want to go there.
29:05Tell me.
29:07We could go to the Tsar's together.
29:09We really should.
29:24Stjepan, how long have you been doing this?
29:27Doing what?
29:28Security.
29:30Oh, this is my first job.
29:33Really?
29:34First job.
29:36Come on, Zezer.
29:37What?
29:38I thought you've been doing this your whole life.
29:40How did you get rid of Nemanja?
29:43How did you make his bed?
29:45Congratulations.
29:46Okay, that's...
29:48I mean, that's...
29:49There's security, I've been doing it for a long time.
29:52Wait, wait, wait, wait.
29:54Did you work as a fat guy or a policeman?
29:57Well, that's not important to me at all.
30:00I mean, I didn't do anything...
30:02There's nothing important in my life, so to speak.
30:05Stjepan, don't talk like that.
30:07Well, it's not like that.
30:08Honestly, it's like that.
30:10I just...
30:11Whatever I did, I sat down for something.
30:14Just like you.
30:15And then, whatever institution, I sit down for something.
30:19I mean, it's not like I'm hiding a Nobel Prize in FIAT at home.
30:23I'm just like that.
30:25There's nothing important.
30:27Stjepan, I don't believe a word you say.
30:30Me neither.
30:31I'm sure you've done something in your life.
30:34You seem to me like a guy with a dangerous past.
30:38Yes, I played James Bond in the first sequel.
30:42But if I tell you, I'd have to kill you.
30:46Good evening, gentlemen.
30:48Good evening, hello.
30:50Stjepan, I didn't expect you here.
30:54Well, my colleagues took me out for dinner.
30:58Colleagues?
31:01So, where do you work now?
31:03I work for them, in that store.
31:06Don, as a security guard.
31:10Would you like to have a drink on the counter?
31:13Sure, I'd love to.
31:16Alright.
31:17Here you go.
31:21How do you know the owner of the cafe?
31:24Well, something from the past.
31:27It's probably an unimportant past.
31:31Let me go.
31:33Where are you taking me?
31:35I'll be right back.
31:36I'll be right back.
31:48Andrija visited us.
31:51Who's Andrija?
31:56What?
31:57Who's Andrija?
31:59What do you mean, who's Andrija?
32:01Bošnjak.
32:02Who else, Andrija Ivanović.
32:03And?
32:05He came to tell us that we're not doing our job well,
32:11and that he's doing it for us.
32:15And he's right.
32:17Why is that?
32:19Because he found out who was behind that campaign against him.
32:25Really?
32:26Who was it?
32:30Now you'll be surprised.
32:33Your Sarah Berger.
32:36I could say I'm surprised, but I'm not.
32:41That's not all.
32:43There's more?
32:44Yes, yes.
32:45There's Sarah.
32:47She's not working alone.
32:49Well, she's working with Žilet.
32:51I'm with her, I know that.
32:53No, no.
32:54I'm not talking about him.
32:55Then who are you talking about?
32:57I'm talking about someone much more dangerous than Žilet.
33:01Okay, who?
33:04Someone very dangerous, who's leading the whole campaign.
33:14Andrija Ivanović
33:30Andrija?
33:32Gala! Gala!
33:35I'm at Sahal's, but you didn't hear me.
33:39Gala? I'm gone.
33:43Sit, sit, welcome!
33:46Sit!
33:48Gala, where are you from?
33:50I came because...
33:53I have something for you.
33:56A present?
34:09What should we do, call her?
34:11Call her.
34:13Let's call her.
34:21Good evening.
34:22Good evening, Mr. Horvat.
34:24I'm really sorry to bother you, but...
34:28We have a problem.
34:31Please.
34:34Who are you thinking of?
34:39Look, Barbara, if I say I don't know,
34:43that means we'll soon find out who's behind all this.
34:50Okay?
34:54What's this?
34:56I have something for you.
35:00And what's inside?
35:03Open it, you'll see.
35:06Let's see.
35:12What is it?
35:14It's a present.
35:17A present?
35:21No.
35:23It's...
35:25a phone.
35:28I thought you'd...
35:31No, it's okay.
35:34Wait, do you like it?
35:37No, it's great.
35:40It's a beautiful color.
35:43Why would I need a phone? I have one.
35:46I know you have a phone, but...
35:49Look, that last video wasn't of satisfactory quality.
35:55Really?
35:57The previous one was fantastic, but this one...
36:00This one is fantastic, too, in terms of content,
36:03but in a technical sense.
36:05The quality of the footage.
36:07Ah, in a technical sense.
36:09That's it.
36:10So we decided it would be best to provide you with a new work tool.
36:14Yes, yes, yes.
36:17How much does this cost?
36:20It doesn't matter.
36:22Please, don't worry about it.
36:24Who's going to worry?
36:27I mean, okay, but...
36:31I don't know.
36:33I have my old phone.
36:36How would I know?
36:39Okay, here's the phone.
36:41Take it.
36:43I don't want anything.
36:47Here it is.
36:49Here it is.
36:50That's the least we could do for you, believe me.
36:53It really is.
36:55Wait a second.
36:56Let's see how it is.
37:02Is everything okay, Pancho?
37:04It is, but I don't know how to...
37:07Huh?
37:09Don't worry.
37:10A phone is a phone.
37:11You'll learn how to use it.
37:13We'll put it all around the room.
37:15It's a touch screen.
37:17Yes, yes, yes.
37:19Touch screen.
37:20And I have this, you know, this...
37:22This is for you, so...
37:25Let's see how we're going to...
37:26Here, look.
37:28So now, like this...
37:29Don't take it.
37:40I agree, Bukasin.
37:41We need to find out who's behind Sara.
37:43You know, we need to find out the truth.
37:48Just this once, for everyone.
37:49Raska Inga will kill me.
37:51Yes, she wouldn't come back here...
38:10You're not aware of how much I'd like her to pay for everything.
38:13For everything.
38:14Easy, easy.
38:15I'd like her to rot in prison,
38:17never to see the light of day again.
38:19To sit in a cell and think about what she's done to everyone.
38:23And to feel guilty.
38:25Calm down.
38:26Press the button.
38:27To Mars.
38:28What's wrong with you?
38:30I'm sorry.
38:34We need to be rational and fast.
38:36We need to be pedantic.
38:38And we need to take things slowly.
38:41Otherwise, we can't do anything.
38:43Do you understand?
38:44Easy.
38:45Okay.
38:46Do you have an idea?
38:47What?
38:48An idea.
38:49Do you have one for now?
38:50Of course.
38:51You know me.
38:52If I don't have one, I don't want an idea.
38:53I always choose the oldest, oldest option.
38:56Okay, the oldest.
38:57So, interrogation, right?
38:58Bravo, bravo.
39:02Put the cup down.
39:19Mr. Horvath, what do we do now?
39:21Do you have an idea?
39:23That's my concern.
39:24You do your job.
39:26Is that clear?
39:30Who do we want, Mr. Horvath?
39:32Don't worry.
39:40Just write it down.
39:42Does it say something?
39:44It doesn't, but trust me when I tell you.
39:46Okay.
39:47Just here.
39:48Down here?
39:49Yes, here.
39:50Okay.
39:58Come on, trust me.
39:59You have to be here.
40:00I'm sorry.
40:01Okay.
40:19Hey.
40:20Hey.
40:22What are you doing?
40:24I'm looking at some articles.
40:28Do you have a little time for your old father?
40:43What?
40:44Are you crazy?
40:45It doesn't make sense.
40:46Okay, now wait until I finish my sentence.
40:49Finish it.
40:50Oh, God.
40:51I wouldn't do it during the night.
40:53I would do it in the middle of the day.
41:07Sit down.
41:08Do you have five minutes?
41:09I do, Vitomir says so.
41:12We need to talk.
41:14Okay.
41:15What's the problem?
41:16I have a great idea for the next issue of the magazine.
41:19I have a great idea for the next issue of the magazine.
41:21I hope to see it.
41:22Yes, I can.
41:23Okay.
41:24I can, but I won't.
41:36You have to let other people, some other audience, see you, hear you and enjoy your work.
41:42Okay, all right.
41:43Didn't we say that we won't perform in the business club because it's nepotism?
41:47Oh, yes.
41:58Aleksa really missed her father.
42:00And you know that they were constantly talking about how much she missed him.
42:03Well, you were there instead of me.
42:07Well, okay, I just flew in to help.
42:10I mean, I flew in sick, Aleksa's meetings...
42:12I know, Aleksa already told me.
42:14Yes, I know.
42:18Lenka, why don't you tell him something right away?
42:22Are you mad at me for helping Aleksa?
42:37I was at the party with Vito Miro and it was great.
42:43I just don't know why he didn't call me.
42:45Vito Miro didn't call you at all.
42:50You're really mad at Vito Miro, aren't you?
42:52Darko, that's not the right word.
42:55Okay, I'm sorry, but I don't want any of our conversations to be based on whether he called you or not, you know?
43:02Come on, man.
43:15Hello.
43:21Hello.
43:22Good afternoon.
43:23I didn't know we had a double session today.
43:40I have an offer for you.
43:45What?