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  • 5/21/2025
Igra sudbine Epizoda 1424,Igra sudbine 1425,Igra sudbine 1424,Igra sudbine Epizoda 1425, Igra sudbine Epizoda 1424,Epizoda 1425 Igra sudbine ,Epizoda 1424 Igra sudbine

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Transcript
00:00BEDTIME STORY
00:04EPISODE 1
00:09Kajo, just one drink and we'll go back home. What's wrong?
00:16I don't know. I really don't know. I'm sorry.
00:20Do I need to call Panchetta now to drive you nuts?
00:23No.
00:24You know her better than me.
00:27She's really much more reliable.
00:29So you're sure that she didn't bluff?
00:33Yes, yes, she told me.
00:35She doesn't do it herself.
00:39And who else is talking about that?
00:41I don't know.
00:44And who does Zhila work for?
00:46I have no idea who she works for. Maybe she works for herself.
00:51I don't know why Sara Berger would start that campaign.
00:54I don't know either, but we'll find out.
00:57And what does Sara have to do with us?
01:03This is your last chance.
01:09Oh my God.
01:16Yo!
01:18Why are you hiding? You're scaring me.
01:21Do you think you're the only one on the phone?
01:24I don't think, I am.
01:26I snatched it because my camera doesn't work.
01:29I really can't live without you, you brought me to this place.
01:32What?
01:34What, what?
01:35What, what?
01:37I don't think so.
01:40In which universe does this remind you of Mileta?
01:43Believe me, it's a long story.
01:45I have time to hear it.
01:47Believe me, this is where I was the last time I was with Mileta's aunt from Australia.
01:52So?
01:53It's better if I don't remember that hell, it was disgusting, disgusting.
01:58Hey.
02:04What happened?
02:07You really overdid it, Lenka.
02:12I don't know, I can't wait, and on the other hand, I don't know what to do.
02:16Why didn't you call the police?
02:18Well...
02:20Sara told me something,
02:23that it wouldn't be good.
02:26Well, yes.
02:27What am I supposed to do with Sara?
02:31Nothing, I think you should leave it as it is.
02:34You don't believe me?
02:35At this moment, she would rather give up.
02:37No, no, no.
02:39The best enemy is to keep to yourself.
02:42Leave it as it is.
02:44Hey, tell me the exact date of birth.
02:47I won't do a birth certificate twice.
02:50Birth certificate?
02:51Yes.
02:52December 5th.
02:53Okay, December 5th is fine.
02:55In the morning, dark, dawn, night...
02:57Dark, dark, 20-30.
02:59Okay, and what now?
03:01Was it that hard?
03:03Come on, that's all we need.
03:06Nothing?
03:07December 5th, 20-30?
03:08Yes.
03:09Come on, enjoy the cake, now the cocktails.
03:12Oh...
03:15I'm looking at you like it's the first time I'm hearing you.
03:19What are you going to do with me?
03:20What are you going to do with him?
03:21That's what I'm asking you.
03:22Come on, like this.
03:23This is without a bow, this is not right anyway.
03:26Come on, this was here.
03:28This was here.
03:31Come on.
03:32Come on, Marica, bow down.
03:34And start.
03:35Respect!
03:36Look, this is...
03:37I don't know, turn on the camera first, okay, slowly.
03:39Slow down.
03:40It's an old phone, I can't...
03:42Come on, then.
03:44Okay, here it is.
03:47You can also google it, it's okay, they're both symmetrical.
03:52You can say, respect...
03:54No, I have to talk now.
03:57I've decided to accept your proposal.
03:59Really?
04:00Yes.
04:01I mean...
04:03I have a feeling that I can leave you alone again, you know?
04:07Of course, that's what I told you.
04:09Yes, and I don't think there's anything wrong with you being my manager.
04:13No, Olga, I'm very glad you made that decision.
04:16Look, I can do a miracle in this room.
04:21But what does that Natalina say?
04:23So?
04:24Huh?
04:25When did you break up?
04:33How do you know we didn't break up?
04:35I don't know.
04:37Erski knows everything, and the stars know even more.
04:42Is it possible for me to get so many messages here?
04:44Is it possible that I'm so disappointed?
04:46No, don't worry about it.
04:48It's written here.
04:50I don't know what you're talking about.
04:52I really have a lot of these players.
04:55I'm sorry, Aleksa, what players?
04:58You know very well that I've never played any games with you,
05:01and I'm not planning to do that.
05:03Aleksa, please stop attacking me in vain,
05:06and tell me what this is all about.
05:09Why did you tell Gabriela about our situation regarding the baby?
05:14How do you know that?
05:15Because she told me.
05:17Wait, wait, let me tell you something.
05:18Why wouldn't you be my manager and play and sing with me?
05:21Olga, we've already talked about that.
05:23I'm a good thinker, and that's it.
05:26So you're 100% sure?
05:28100% sure.
05:29This is professional.
05:31It's a clear division of work.
05:33You sing and perform, I'm the manager, and that's it.
05:38You know what this feels like?
05:40It feels like you'll never have a man in your life again.
05:45Yes, yes, that's what you heard.
05:47How can I not have a man in my life?
05:49That's what you heard, Kayo.
05:52She told you well, I told her, and what's the problem?
05:56And what's the problem?
05:57What's the problem?
05:58Why do you go around our team and talk to people like that?
06:29Life is not a fairytale
06:33They say life is a fairytale
06:37They say life is not a fairytale
06:42Sometimes it wins, but often it loses
06:46And everything is unknown, except for fate
06:54Like love in a war
06:59In a dream
07:02You have one life, only one chance
07:06To become a hero or a star
07:11Like a wheel of fortune
07:14Someone wants it, someone doesn't
07:18Like a wheel of fortune
07:21Someone wants it, someone doesn't
07:28Someone wants it, someone doesn't
07:48Like a wheel of fortune
08:10It's not fair at all that you attack me like this.
08:12You see, it's not fair at all that you talk about our private matters.
08:15Haven't you noticed, Alex, that Gabriela and I have become very close lately?
08:20And I don't know what the problem is that I share intimate things with someone who is a friend of mine.
08:25Or maybe it bothers you that I share something that bothers me with anyone.
08:29It doesn't bother me at all.
08:30But what bothers you?
08:31But it bothers me that he interferes privately and business.
08:33These people work with us.
08:34Well, you talk as if I went to the whole company and talked about how I can't hire.
08:39Come on, please.
08:40I found a person from the company I trust and for whom I know that he won't abuse such a story.
08:46And?
08:47How are you sure she won't abuse it?
08:49What's going on with you?
08:51I have the right to choose who I'm going to say something to.
08:54And I have the right to assess who I'm going to say something to.
08:59Can I beg you not to do that anymore?
09:02Why? Because you don't like it?
09:04Yes, I don't like it.
09:05Alex, listen to me carefully now.
09:08What you're doing looks like an attempt to control me.
09:11Look, Lenka, I'm not controlling you at all.
09:13Just what?
09:14You're just doing that.
09:16And you and I know you're not like that.
09:18And I'm begging you not to cross that line.
09:21Okay.
09:22And since you crossed the line for me too, I would only ask you not to talk about our intimate things to other people.
09:29And you're so fed up with that.
09:30Yes, I am.
09:31Okay, fine.
09:32Here, I will try to be very discreet in the future when it comes to what I'm talking about and with whom I'm talking to.
09:39I understand.
09:40Okay, I agree.
09:41And I'm begging you to give me some space.
09:43Because I have to share something with someone that's bothering me.
09:46And I just can't keep it all to myself.
09:48That's not normal.
09:49Okay, okay, okay.
09:50You're right.
09:51I exaggerated a bit, I admit.
09:53I'm just begging you one more time to be careful about those things.
09:57Okay, I'll be careful.
09:58Okay.
09:59We're done now, right?
10:00Under these conditions, yes, ma'am.
10:01Okay, great.
10:03Excellent.
10:05I'm very tired of all this.
10:09Let's go for a swim.
10:14Okay.
10:23So, we made a deal.
10:25You're in the foreground, and I'm going to be the brain of the operation.
10:28Well, if you put it that way, it doesn't sound bad at all.
10:31I'll try to be the best manager in the world.
10:34You can't doubt that at all.
10:36I don't doubt my job.
10:37Look, I'll try to make your artistic potential always come first.
10:43I know, I know.
10:44I know you're the best man for that.
10:46It's an honor for me to be the manager of one of the future big stars.
10:51Because the stadiums and arenas are waiting for you.
10:55Okay, now let's go for a swim, really.
10:57No, I'm kidding.
10:58Actually, I'm teasing you a little.
11:00Believe me, I wouldn't tease you if I really didn't like it.
11:04I really think that people adore you and listen to you and watch you, you know?
11:08Well, your support means a lot to me, really.
11:11Well, who's going to support you if I don't?
11:13But I seriously feel that we can do great things together.
11:19Yes, I think so too.
11:22You know what?
11:24Now it's time for us to go to sleep,
11:26so we can be fresh for those new business moves.
11:29Artistic moves, don't forget the key word.
11:32I'm sorry, boss, I beg you.
11:34Artistic business moves.
11:36Come on, let's go to sleep for a beauty sleep.
11:38Let's go.
11:54I'm sorry, I beg you.
11:56I'm sorry, I'm sorry, this is a little incident.
12:01And this is an incident for you too.
12:03Well, I mean, considering how many cocktails I've had, maybe not.
12:07I agree.
12:09Why do you agree?
12:10Well, I agree that this can never be attributed to an incident.
12:16Aha.
12:17But what if it's not an incident?
12:20Here, I'll explain.
12:21Attracting a pretty girl to me can't be called an incident.
12:26It's all a little complicated.
12:28There's too much information.
12:30I'm Nemanja.
12:32When we got to know each other so well...
12:34We clashed.
12:35Yes.
12:36Should we switch to you or me?
12:39To you.
12:40To you.
12:41I wanted to say to you.
12:42We can switch to us too.
12:43Well, to you, to you.
12:45Kajo, I'm not you.
12:47Yes.
12:48I come here often.
12:49You're not.
12:50You're not because I've never been here in my life.
12:53Yes, well, I know.
12:54I never come here.
12:56If you were, I'd definitely notice you.
12:59I have an eye for that.
13:00Really?
13:01Yes.
13:02Well, yes.
13:03I'm a photographer.
13:04Photographer?
13:05Like that...
13:07Yes, I notice people, especially pretty girls and so on.
13:10I'm a pretty girl?
13:12Yes.
13:13Great.
13:14Super.
13:15Nice.
13:16Well...
13:17Kajo, what do you do?
13:21I...
13:22I work in...
13:23In the Don magazine, I don't know if you've heard.
13:25Don magazine?
13:26Yes.
13:27It's so small, I can't believe it.
13:28What?
13:29Well, I work in Don magazine.
13:31Really?
13:32Yes.
13:33I take photos for them.
13:34Some events and some interviews.
13:36We're colleagues.
13:37Wait, I didn't ask you.
13:39Do you know anyone from Don?
13:41Well, I know you.
13:42No, me, me.
13:44We're colleagues.
13:45Colleagues?
13:46Colleagues.
13:47Colleagues!
13:50Look, this is destiny.
13:51I think this is destiny.
13:52Kajo.
13:54Mina!
13:55I'm ready.
13:56I'm ready, too.
13:58This is definitely Nemanja.
14:01I'm definitely Nemanja.
14:02I'm definitely Mina.
14:05Me, too.
14:06Kajo.
14:07This is Kajo.
14:08Kajo.
14:09Great.
14:10I'm glad we met.
14:11Me, too.
14:12Me, too.
14:13We have to go.
14:14Bye.
14:15Let's go.
14:16Let's go.
14:19Bye.
14:21I can't believe you did this to me.
14:23What?
14:28Give me something to drink.
14:31I will, I will.
14:43One Year Later
14:54Hi.
14:56Hi.
14:57Hi.
14:59So, where did you come from?
15:00What do you mean, where did I come from?
15:02I came to see you, to call you.
15:04To call me?
15:05All right, since we're here.
15:06What's the matter?
15:07Well, we haven't been here that long.
15:10What are you talking about?
15:13You forgot.
15:14What did I forget?
15:16I'm going to work.
15:18I'm going to work and I won't be there until later.
15:21Aleksa...
15:22Sorry, sorry. I forgot.
15:24Yes, you're right.
15:26I'm glad you came back.
15:27Okay.
15:29I accept your apology.
15:31And I wanted to ask you...
15:36Is everything okay after last night?
15:38Is there anything left unsaid?
15:40No, everything is okay.
15:42I'm fine. Everything is fine.
15:44Great. I'm glad to hear that.
15:46And good luck on the set.
15:49I will need luck.
15:51I'm pretty nervous.
15:53You're nervous?
15:54Yes.
15:55Of course I'm nervous.
15:56This is my first full reportage.
15:58You would be nervous for sure.
15:59Okay, listen.
16:00You're going to be great.
16:01I don't doubt that at all.
16:03You're wonderful.
16:06Bye.
16:07See you.
16:08See you.
16:09Bye.
16:10Bye.
16:30It's so dark in here.
16:31Who turned off the lights?
16:33You have no idea.
16:35What time is it?
16:36You have no idea.
16:37It's between 8 and 9.
16:39We're going to get a lighter.
16:41It's supposed to be open at 8.
16:43We're starting at 9.
16:44What is this?
16:45I'm just asking.
16:46Where's Mile?
16:47I don't know.
16:48That's why it's weird.
16:49He has to go to the bathroom at 8.
16:52Didn't he lock himself in the toilet for five minutes?
16:55What toilet?
16:56He's supposed to mess it up.
16:58Mile!
16:59He's overreacting.
17:00Don't be nervous, Mile.
17:01Mile!
17:02Don't be nervous.
17:03Mile!
17:04Black Mile, Black Mile.
17:07Where are you?
17:08I'm with you.
17:09Why?
17:10What time is it?
17:11I don't know.
17:12It doesn't matter.
17:23I was at a meeting with the Hungarians.
17:25I proposed this sponsorship.
17:27How did they react?
17:28They didn't turn it down right away.
17:30I sent them the offer via e-mail.
17:32We're waiting for their response.
17:33I don't know what they're waiting for.
17:34That's their process.
17:36I didn't think they'd respond right away.
17:39How long do we have to wait for their response?
17:41I think until the end of the week.
17:43I'm sorry.
17:44I have to take this call.
17:46What's up?
17:47Alex, I'm sorry to bother you,
17:49but Lula's not well.
17:51What's wrong with him?
17:52He has a stomach ache.
17:53You should go see him.
17:55I'll be right there.
17:57I'm sorry.
17:58I'm sorry.
17:59I have a situation.
18:01I have to go.
18:03Can I help you?
18:04I hope it's nothing serious.
18:06Lula has a stomach ache.
18:08I don't know.
18:09Everything's fine.
18:10I'll see you later.
18:12I'll be there when you get back.
18:16I'm sorry.
18:26Mile, you're insane.
18:28You're completely insane.
18:30Neither are you.
18:32I'm not talking.
18:33You saw himself.
18:34See what he said?
18:35What are you saying?
18:36Do you even know what the problem is?
18:40Do you know what we're talking about?
18:42Sleepiness.
18:43Sleepiness.
18:44What else can I do?
18:46What do you mean, what else can you do?
18:48Get up on time for a change,
18:50and come and open the tavern!
18:52When I close the tavern on time,
18:54I'll open it on time.
18:56Milo, Milo, come on,
18:58look, we all have an understanding
19:00for your problems.
19:02That's right, and to know that we're on your side
19:04and we support you in everything.
19:06That's what I meant to say.
19:08I support you too.
19:10Thank you, Uncle Mido, thank you.
19:12I'm listening.
19:14Come on, come back to life.
19:18I'm really sorry for your problem.
19:20Believe me, my soul doesn't hurt.
19:22But you can't do that.
19:24You have to run a little,
19:26to come back to life.
19:28We all have our problems, right, Gorena?
19:30I know, I'm sorry.
19:32Here, he has problems too.
19:34Life is not just black and white.
19:36We all have problems.
19:40Here, I was planning
19:42to call you.
19:44That's right.
19:46And for starters,
19:48I can do two shifts,
19:50if necessary.
19:52Milo, Milo, Milo, we didn't get it.
19:54There's no need to exaggerate.
19:58No need, is that right, Gorena?
20:00No, thank you.
20:02Don't do that.
20:04Listen, for starters,
20:06wake up on time,
20:08it's not a problem.
20:12For starters, here you go.
20:14Hey, what are you talking about?
20:16Do you know that I've had cats all night?
20:18Because there are two now,
20:20if you didn't know.
20:22And I didn't close my eyes,
20:24just so you know.
20:26And what do you want right away,
20:28the first day, cat?
20:30I can't do anything without coffee.
20:32Tell him to put the coffee.
20:34Tell him to put the coffee.
20:36Three, four.
20:38The most normal is silence.
20:40Take it out. Six times four.
20:42Done.
20:44Done. Seven times five.
20:46Done.
20:48Eight times eight.
20:50Done.
20:52And you could have said something else.
20:56Gorena.
20:58I think
21:00our real Milo is back.
21:02I think so too.
21:06I think so too.
21:14I'm really glad
21:16that you came back to me before work.
21:18We haven't had coffee together for a long time.
21:20Look,
21:22maybe it will become a routine for me.
21:24I hope so.
21:28You look good.
21:32Not like usual.
21:34Because I look
21:36like I was
21:38thrown out of the water.
21:40I'm good.
21:42When do you look
21:44fresh and healthy?
21:46Probably
21:48because I slept a lot.
21:50Really?
21:52Just that.
21:54What else should be?
21:56I don't know.
21:58Maybe something nice happened to you in life.
22:00You know everything.
22:02You know it's weird.
22:04It is.
22:06What is it?
22:08Something nice happened to you in life.
22:10Something like that.
22:12A woman.
22:14Ok, Milo.
22:16Does it have to be a woman
22:18to feel good?
22:20To be happy?
22:22It's either a woman or
22:24she's in a hurry.
22:32Let's go inside.
22:34Come on.
22:36Sit down.
22:38Wait.
22:40What is it?
22:42I fell asleep.
22:44Come on.
22:46Let's sit down.
22:50Is this good?
22:52Listen.
22:54Dad has an important meeting.
22:56We will finish it quickly.
22:58And as soon as we finish it,
23:00we will go home.
23:02Ok?
23:04Wait.
23:06Where are you?
23:08Where are you?
23:10Are you ok?
23:12I'm fine.
23:14I have a stomachache.
23:16Ok.
23:18That's great.
23:20He will solve it quickly.
23:22He is strong.
23:24But he wanted dad to come to him.
23:26That's normal.
23:28He is brave.
23:30I don't doubt that everything will be ok.
23:32I have a meeting with Jovan.
23:34I don't know how I can leave him alone.
23:36Jovan won't like
23:38children going to meetings.
23:40That's the problem.
23:42I'm free.
23:44I can talk to him if you want.
23:46Really?
23:48Yes.
23:50I can't ask you.
23:52I will make him tea.
23:54Are you sure?
23:58He will be back soon.
24:00Bye.
24:02Bye.
24:04Let's try it.
24:06How much?
24:08I like it.
24:10What will be the price?
24:12The same.
24:14We will decide it together.
24:16Can we?
24:18Let's add some money.
24:20Or not yet?
24:26And?
24:28One or the other?
24:30And?
24:32It looks like
24:34I'm in a hurry.
24:36Really?
24:38I made a mistake
24:40with the razor.
24:42I solved
24:44some serious cases.
24:46Then they called
24:48from the directorate.
24:50They said they are busy.
24:52That's great.
24:54They said they are busy.
24:56That's great.
24:58They came
25:00from the ministry.
25:02That's it.
25:04Wait.
25:06Nothing
25:08concrete?
25:10They said
25:12they are busy.
25:14What is concrete?
25:18I have to warn you.
25:20About what?
25:24That they
25:26sometimes give false hope.
25:28What false hope?
25:30Yes.
25:32You boast, you hope,
25:34and then...
25:36What then?
25:38You don't wait,
25:40and then nothing.
25:42Fuck it.
25:44That's why I left the police.
25:46Come on.
25:48It was like that.
25:50What was like that?
25:52Are you real?
25:54Me?
25:56I'm too real for you.
25:58How can you know
26:00what it was like?
26:02I know what it was like,
26:04what you did and who fired you.
26:06What are you talking about?
26:08I don't get it.
26:10Because it's the truth.
26:12What is the truth?
26:14The truth is that you were
26:16messing with criminals,
26:18that you took a knife,
26:20and that's why you had to leave the country.
26:22Yes, but I'm not the subject here,
26:24you are, Batica.
26:26Batica?
26:28Are you talking to me on Batica?
26:30Ok, come on.
26:32Don't change the subject, please.
26:34I'm not changing the subject,
26:36but you and I are constantly
26:38talking nonsense.
26:40And thank you for the coffee.
26:42When you don't have an argument,
26:44you leave, right?
26:46I don't have an argument,
26:48see you.
27:08He's sleeping, he doesn't care.
27:12What do you think,
27:14how long will I wake up?
27:16I don't know.
27:18Let's make a bet.
27:20What?
27:22Did you make a bet?
27:24No.
27:26Ok, never mind.
27:28What do you think,
27:30when will he wake up?
27:32In an hour, I think.
27:34In an hour?
27:36Who has two more hours to sleep?
27:38There's no chance before two hours.
27:40What do you mean,
27:42there's no chance?
27:44We all know that you don't do anything,
27:46you don't have to make a bet.
27:48That's not true.
27:50But you're right, you'll have a lot of work until the end of the day.
27:52I don't understand.
27:54What? Do we have anything else to finish?
27:56For example, to help me.
28:00Excuse me?
28:02What is it?
28:04Contracts.
28:06What kind of contracts?
28:08Contracts that need to be signed.
28:10I mean,
28:12that's not our job.
28:14Well, now it is.
28:16You have work until the end of the day,
28:18you'd better finish it,
28:20don't worry,
28:22you'll know for sure.
28:24Excuse me.
28:32No, really,
28:34we're journalists.
28:36No.
28:38I don't know,
28:40this is really unpopular.
28:42Let's see.
28:46Which brand is that,
28:48the one in the van?
28:50Charming, right?
28:52Mhm.
28:54Charming.
28:56And these are the boxes inside.
28:58Really? What do you carry in those boxes?
29:00Toys for kids.
29:02Pretty Charming.
29:04There must be some Batman in there.
29:06Where are you?
29:08It's too cold.
29:10Well, yeah, it's too cold,
29:12but how are you?
29:14What's wrong?
29:16My neighbor,
29:18he carries toys in the boxes.
29:20Yeah.
29:22Are you feeling better?
29:24Yeah.
29:26He drank tea,
29:28everything is fine.
29:30You can go to the pool.
29:32Thank you very much.
29:34We're going to the pool, right?
29:36Yes, we're going to the pool.
29:40You should go too,
29:42so you can have some fun together.
29:44What do you say,
29:46let's take her to the pool?
29:48If you want to go with us.
29:50Why not?
29:52There.
29:54Let's see what's there,
29:56so I can help you.
30:00Let's put something here.
30:02I want us both to sing now.
30:04How sweet you are,
30:06you want to help me.
30:10I don't know.
30:12I really don't know this.
30:14Neither do I.
30:16I've never signed a contract in my life.
30:18Give me that paper,
30:20and here you
30:22cross this out.
30:24That's it.
30:26Do you think we should split up like that?
30:28I have no other solution.
30:30Let's do it this way.
30:32Yes.
30:34What's that?
30:36Contracts.
30:38What contracts?
30:40What are you doing?
30:42We don't know, but we failed.
30:44We killed the job.
30:46Yes.
30:48Wait, I don't think I owe you
30:50a lot of work today.
30:52You didn't.
30:54You didn't?
30:56No.
30:58Wait, wait, wait.
31:00I'm the only one giving you orders.
31:02Is that clear?
31:04Vanja!
31:06Vanja gave us
31:08these envelopes full of contracts
31:10that need to be signed.
31:12Leave it.
31:14Stop it.
31:16Pack the papers, quickly.
31:18Come on.
31:28No!
31:32Jovana,
31:34I'm sorry.
31:36I know it's working hours,
31:38but I had to come.
31:40I'm sorry.
31:42Gala, what's going on?
31:44We have a problem
31:46with Poncetini's blog.
31:58Come in.
32:00What are you up to?
32:10Good afternoon.
32:12Good afternoon.
32:14Is that you, Kaja?
32:16Yes, it's me.
32:18I told you over the phone
32:20that I don't expect any packages.
32:22Look, I really don't care
32:24if you expect them or not.
32:26You need to sign this
32:28right here.
32:30That's it.
32:32It's very simple.
32:34Sign it.
32:36No problem.
32:38Great.
32:40Have a nice day.
32:52Are you sure
32:54you want to talk to me?
32:56I'm 100% sure.
32:58What do you think?
33:00You know very well what I think.
33:02No, I don't.
33:04Don't be crazy, Vanja.
33:06What is this?
33:08Look, Vitomir,
33:10we can talk about anything,
33:12anytime,
33:14but you can't just walk into my office.
33:16Vanja, please,
33:18stop this nonsense.
33:20It's not nonsense.
33:22You can't just walk into my office.
33:24And you shouldn't have done what you did.
33:26Vitomir,
33:28I really don't want to continue
33:30if you don't adjust your behavior.
33:32I'm just asking you nicely.
33:34What is this?
33:36Adjust your tone.
33:38I will adjust my tone.
33:40To whom?
33:42To those colleagues
33:44who don't push their noses into other people's work.
33:46Did I push my nose?
33:48Yes.
33:50Who pushed their nose?
33:52I don't know. You tell me.
33:54Vanja, don't be crazy.
33:56You shouldn't do this.
33:58What should I do, Vitomir?
34:00You can't give any task
34:02to my journalists.
34:04You shouldn't give orders to Lazar and Matej.
34:06Do you understand?
34:08I understand, Vitomir.
34:10I have a lot of work and I don't have time for everything.
34:12And I think it's okay
34:14to give tasks to my younger colleagues
34:16to help me.
34:18We have a problem with Mr. Četin's vlog.
34:20Yes.
34:22It's not of satisfactory quality.
34:24Well, I didn't expect that.
34:26I mean...
34:28It's no one, I'm telling you.
34:30Wait, what happened?
34:32Everything was okay until now
34:34and the audience loves it.
34:36Everything she's done so far, they liked it.
34:38I don't know what could be such a problem.
34:40Wait, are you talking about the content?
34:42Yes. And what do you think?
34:44No, no, no. The content...
34:46The content is excellent,
34:48but the quality is a problem.
34:50Wait, I have to show you this.
34:52Here.
34:54Look how it looks.
34:56Technically,
34:58it's a total mess.
35:00We can't upload it on social media,
35:02not on our platform.
35:04What are we going to do?
35:06I don't know, I just know
35:08that we can't upload that video.
35:10Is there any way
35:12to improve that video here?
35:14We used to have a studio for editing,
35:16and now we bring it to professionals.
35:18Believe me, it's more expensive
35:20than...
35:22What do you think,
35:24should we upload it like this?
35:26They love Punch-Out so much,
35:28maybe they won't go to America.
35:30Believe me, Jovana,
35:32this can't be used like this.
35:34Okay, what are we going to do?
35:44I really don't expect
35:46any bouquet,
35:48even though it's really pretty.
35:52But too bad.
35:54Now we'll see
35:56who it's for.
36:04For more coincidences.
36:10No less.
36:14Yes.
36:22Really?
36:24Yes, really.
36:26You needed help, right?
36:28Yes, I needed help.
36:30I don't know how to explain it to you,
36:32I wanted my colleagues,
36:34younger colleagues,
36:36to meet me.
36:38They don't do anything,
36:40but they get paid.
36:42Because first you need to talk to me.
36:44Why you?
36:46Because there's a hierarchy.
36:48In every company there's a hierarchy,
36:50and in ours.
36:52Okay, since we're talking about hierarchy,
36:54let me explain something.
36:56I'm a financial director.
36:58I have a lot of work,
37:00and I can't do everything.
37:02I don't see why it's bad
37:04to ask younger colleagues to help me.
37:06Okay, listen, I really don't have time
37:08or space to argue with you
37:10because I'm your boss.
37:12Okay, but I don't understand.
37:16I see you don't understand,
37:18but I hope you'll understand soon.
37:20Okay, I probably will,
37:22but I still stand for what I did.
37:24Listen, I really don't intend
37:26to argue with you.
37:28They're my journalists,
37:30I'm their boss, and that's the end of the story.
37:32Okay?
37:34Of course not.
37:36See, everything can be fine.
37:38You can tell me...
37:40You, no problem.
37:42Everything's fine?
37:44Of course.
37:46So you'll tell me?
37:48Yes.
37:50Okay.
37:56I'll tell you.
38:08Come in.
38:10Hey.
38:12Hello.
38:14Sit down.
38:18How are you?
38:20I'm good. How are you?
38:22About the same.
38:24Good, me too.
38:26What's new?
38:28Nothing yet.
38:30Nothing?
38:32I need a little more time
38:34to make a campaign against you.
38:36Okay.
38:38But I'll figure it out.
38:40Yes, yes.
38:42I need a little more time.
38:46Do you know what time it is
38:48that I have to do your job?
38:52I don't quite understand.
38:56Okay, let me explain.
38:58I actually did your job.
39:06Do you know who's behind that campaign?
39:10No.
39:14Who?
39:16Sarah Berger.
39:24We need to prevent
39:26this bad material from reaching us
39:28because then we'll be late.
39:30The readers will ask where the new clips are
39:32and it all has a bad effect on our log.
39:34Okay, so what do we do?
39:36What's the solution?
39:48Lula?
39:50Marijana?
39:54You're here.
39:56Hi.
39:58Where are these two?
40:00They're not here.
40:02It's like they didn't come
40:04or I haven't seen them all this time.
40:16Okay, we all have our channels.
40:18Do you have any proof?
40:20I have no proof.
40:22It doesn't matter.
40:24What matters is that it's 100% confirmed.
40:28Okay.
40:32Okay.
40:42I would love to get
40:44a bouquet of flowers
40:46every day.
40:48But...
40:50But I'm afraid for you.
40:52I'm afraid you'll steal them.
40:54What am I going to do?
41:02What are you laughing at?
41:04You and the kids.
41:06Why?
41:08I would never say that.
41:10Okay, Mom.
41:12You don't have to be like that.
41:14I want to be a mother one day.
41:16What about Maciha?
41:32It was really dynamic.
41:34Let's see what we're going to eat.
41:36Let's go.
41:48What is this?
41:50What?
42:02Panči?
42:04Gala!
42:06Gala!
42:08I'm at Saha's, but you didn't hear me.
42:10Come in.
42:12Gala?
42:14I left.
42:16Welcome!
42:20Gala, where are you from?
42:32Show me.
42:34Who are you thinking about?
42:36I don't know.
42:38You don't know?
42:40Look, Barbara.
42:42If I say I don't know,
42:44that means
42:46we'll soon find out
42:48who's behind it.
42:50Okay?
43:02What should we do?
43:04Should we call him?
43:06Call him.
43:08Let's call him.
43:16Good evening, Mr. Horvat.
43:18I'm really sorry
43:20to bother you,
43:22but we have a problem.
43:32THE END