Skip to playerSkip to main contentSkip to footer
happy
  • 5/20/2025
Igra sudbine Epizoda 1423,Igra sudbine 1423,Igra sudbine 1424,Igra sudbine Epizoda 1423, Igra sudbine Epizoda 1424,Epizoda 1423 Igra sudbine ,Epizoda 1424 Igra sudbine

Category

📺
TV
Transcript
00:00I've been thinking about him a lot, and I've managed to look at my own situation, and I have to tell you, we won't be able to go on like this anymore.
00:26Well, from the business side, everything is fine.
00:30Is that so?
00:31Mhm.
00:32But there are some little problems.
00:36What kind of problems?
00:38Well, nothing terrible. I mean, from the business side, there's a little atmosphere at work somehow.
00:46It's really incredible.
00:48It is. I mean, it's really strange to look around.
00:51Yes, very strange.
00:53But it's real, I really believe it.
00:57Well, if Andrija believed it, why would I doubt it?
01:12Okay. I assume you know I'm here.
01:17I think so.
01:20Excuse me, I just forgot my phone.
01:22We have a guest.
01:26Good day.
01:30Good day.
01:33I think you two have something to tell me.
01:37All your life you've had a driver.
01:40And now you want someone to give you a hand.
01:43To tell you, don't worry, Marica.
01:46I will. I will.
01:49Who will, if I don't take care of you?
01:59Aleksander.
02:00Huh?
02:01Huh?
02:03Sorry, sorry, I'm a little tired, so I...
02:06It's okay, I told you, I'll talk to you later.
02:08Yes, yes.
02:10What is that offer you have?
02:14I would like to be your manager.
02:18Please.
02:19I would like to be your manager. What do you think about that?
02:23I don't know what to think. I don't know where that comes from.
02:27Well, all soloists have managers.
02:29I know, of course, but I didn't expect that offer.
02:32I think it would be great, Mary.
02:34Wait, wait, how do you know that?
02:36Well, we saw it on social media.
02:38And?
02:39It's very authentic.
02:41Yes.
02:42Okay, what does that mean?
02:44Well, it means that it really stuck to her social media.
02:47Yes, and that means that it would never be said that a woman does such a man's job.
02:53And as far as the job is concerned, it has great reviews.
02:56Yes.
02:57That sounds great to me.
02:59Does that mean we're going on a trip?
03:02You're going, Natalija, just call Vanja for the expenses.
03:06Okay.
03:07Where are you, Mina, what's up?
03:09Here I am.
03:10I heard you promised to take life into your own hands,
03:13that you would stop running away, right?
03:15When did you hear that?
03:17Yes, that's right.
03:19I will try, I will try, I will try.
03:22Great.
03:23I have the first test for you.
03:27Lenka trusted me.
03:29What exactly did she trust you?
03:33Well, she told me that you're trying to have a baby.
03:36Yes.
03:37And that you're not doing well.
03:39And I completely understand you, because that's a huge stress for both of you.
03:43That's a private matter.
03:44Okay, I didn't want to interfere.
03:46Well, I just don't see why you have to know something like that.
03:49I know because Lenka decided to tell me.
03:51I mean, I'm really sorry, but we're talking about private matters.
03:53Okay, Nina.
03:55I really have nothing personal against you.
04:00Okay, so how is this dirty campaign being conducted against me?
04:05Are you behind this?
04:11Are you both behind all this?
04:18Come on, maybe you should start answering.
04:22Or what?
04:25Come on, come on.
04:27I know you're behind this, but I'm interested in why.
04:32Sometimes someone doesn't go anywhere, and then they go.
04:36Many times I didn't go, and then I go.
04:40Okay, this is a really bad argument.
04:42I have a better one.
04:44Because I'm alive, I don't want to hear who.
04:47I'm ready to emotionally insult you, just let's go.
04:55I'm ready to emotionally insult you, just let's go.
05:00I'm ready to emotionally insult you, just let's go.
05:05I'm ready to emotionally insult you, just let's go.
05:10I'm ready to emotionally insult you, just let's go.
05:15I'm ready to emotionally insult you, just let's go.
05:20I'm ready to emotionally insult you, just let's go.
05:24I'm ready to emotionally insult you, just let's go.
05:29I'm ready to emotionally insult you, just let's go.
05:34I'm ready to emotionally insult you, just let's go.
05:39I'm ready to emotionally insult you, just let's go.
05:44I'm ready to emotionally insult you, just let's go.
05:49I'm ready to emotionally insult you, just let's go.
05:53I will crush you just like my money.
05:56I will tear you apart.
06:00I will tear you apart.
06:05I will tear you apart.
06:10I will tear you apart.
06:15She come to me just like it's the first day.
06:20Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
06:50Yes, I am better, but I'm not so much better that I would go out now, you know?
06:55Well, I want us to go out.
06:58And I put it in the colloquium, they just called me.
07:02Really?
07:03Yes.
07:04Well, congratulations.
07:07That's why I respect you.
07:09Let's go for a drink.
07:11Kayo, just one drink and we're going home.
07:14What's wrong with you?
07:15I don't know.
07:16I really don't know.
07:17Sorry.
07:19Should I call Panchetta now to push you away?
07:22No.
07:23You know her better than me.
07:24No, please.
07:25I just don't have her anymore.
07:26I'm really fed up with her.
07:28Okay, okay.
07:29Let's see what we have here.
07:31There's a nice one.
07:32What?
07:33What?
07:34There's a nice one?
07:35I'm planning to throw away half of it.
07:36Why?
07:37Look how many nice things.
07:38It's just that you rarely wear it.
07:39Well, that's true.
07:40When I don't go out, I never have anywhere.
07:45This.
07:46This.
07:47That's it.
07:49What am I going to do with it?
07:51What am I going to do?
07:52You're going to wear it.
07:54Me?
07:55Yes.
07:56You have half an hour, just like me.
07:58Let's get ready and go.
08:00This is our evening.
08:06Look.
08:07Get ready.
08:16You go, too.
08:35I can't believe you're getting me a new table.
08:38What?
08:40What is it?
08:41What is it?
08:42It's not like that, Kajo.
08:46In which universe does this remind you of Mileta?
08:49Believe me, it's a long story.
08:51Sit down, Kajo, don't just stand there. Sit down so I can have a nice talk.
08:54I will.
08:55I will.
08:56What do you want to talk about?
08:58Well, I certainly won't talk about the production of peas.
09:01What would I talk about if it wasn't for Mileta and me?
09:03You're spiritual, and I really like that.
09:05Okay, go ahead.
09:06There's no more flirting.
09:08I've had enough of you and your dirty Australian dollars.
09:11Kajo, you haven't even seen them.
09:13No, what do you have to do with it?
09:15You're treating us here like tempting horses.
09:17Yes, you even persuaded Mileta to leave me because of money.
09:21That's not true, and I don't want you to believe that.
09:24No, no, no. Mila had a choice.
09:26She could have refused.
09:27She could have. Stop philosophizing.
09:29Stop philosophizing. Mila and I love each other.
09:31We love each other, just like we love each other.
09:33We love each other.
09:34And why do you even care why we love each other?
09:36And what are his reasons for love?
09:38And what more do you want with that money?
09:40I wanted to help you understand what it is that you want.
09:44Is it love, or is it money?
09:46Besides, I think I just rushed things.
09:48It's up to you to decide whether you like each other or not.
09:52The only thing you rushed was that Mila left me.
09:56Do you want to fight for him? Do you love him? Do you need him?
09:59I do.
10:00What are you doing here with me? Go talk to him.
10:02I'm going.
10:03Go right now.
10:04You know I want to.
10:05Come on.
10:06Kajo!
10:07I'm begging you!
10:08I'm sorry.
10:09Don't you dare beg him!
10:11I don't give a damn!
10:13I'm sorry.
10:15I have time to listen.
10:17Believe me, this was the last time I was here with Mila's aunt from Australia.
10:22It was a disaster.
10:23So?
10:24It's better I don't remember that hell.
10:26It was disgusting. Disgusting.
10:28Secondly, this place is not my thing at all.
10:32Really.
10:33Well, it's not my thing either.
10:35But Darko works here, so he can have some fun.
10:38Whoa, whoa, whoa, whoa!
10:43Who do I see here?
10:45Here comes the cat on the doorstep.
10:48Hi.
10:49Hi, fake Darko's girlfriend.
10:52Yes, that's me.
10:53What do you mean, fake Darko's girlfriend?
10:56I'm good, I'm not bad. I'm here with a friend, Kajo.
10:59We know each other.
11:00Yes, yes, yes.
11:01Do we know each other?
11:02No, we don't.
11:04I came here to relax a bit.
11:07Yes.
11:08Oh, nothing, don't tell me anything.
11:10Nothing.
11:11Not a word, everything is clear to me.
11:12Absolutely clear to me.
11:13Do you understand what I'm saying?
11:14What is clear to you?
11:15Well, it's clear to me.
11:16Now your addiction will make you a cocktail for a better relationship.
11:19We have to go.
11:20But you're not going anywhere.
11:21Yes, yes, we have to go.
11:22You're not going anywhere.
11:23No, no, no, no, no, no.
11:24First a cocktail, then we'll see what we're up to and how it goes.
11:28But you told me the exact date of your birth.
11:32I beg you, leave me alone with this nonsense.
11:34If it's not a problem, what nonsense?
11:36Date and nonsense.
11:37Kajo, tell me the exact date of your birth.
11:39What?
11:40Why?
11:41Well, I'm not going to work on your birth certificate twice.
11:43Birth certificate?
11:44Well, yes.
11:45December 5th.
11:46Okay, December 5th is fine.
11:48In the morning, dark, dawn, night.
11:50Dark, dark, dark, 20, 20, 30.
11:52Yes, well, what now?
11:54Was it that hard?
11:55What is it?
11:56Come on, that's all I need.
11:58So, nothing.
11:59Come on.
12:00December 5th, 20, 20, 30.
12:01December 5th, 20, 20, 30.
12:02Yes.
12:03Come on, enjoy yourselves.
12:04The cocktail will be ready soon.
12:08I've never heard of Natalka before.
12:11So, you're sure she didn't bluff?
12:32Yes, yes.
12:33She told me.
12:34She doesn't do it alone.
12:37We have to do something.
12:39Well, let's see.
12:40Why should she?
12:41Well, because of what our readers will always buy our paper,
12:45they'll get caught up in it,
12:47and always want to read a certain section.
12:50We're not talking about that.
12:51Yes, I think I have a proposition.
12:54Yes?
12:55Sarah Berger.
12:56Who's that?
12:57Sarah Berger is a renowned psychotherapist.
13:01She's terribly eloquent, well-read,
13:03and can really be a real beauty.
13:06I think she could maybe run
13:08I don't think it's a bad idea at all.
13:11Yes, everyone is asking for it.
13:14Maybe we can help someone, right?
13:17Yes. Well, Gabriela will arrange a meeting.
13:25And who else is talking about it?
13:27I don't know.
13:30And who is Žila working for?
13:32I have no idea who he's working for. Maybe he's working for himself.
13:37I don't know why Sara Berger would start that campaign.
13:40I don't know either, but we'll find out.
13:43What does Sara have to do with us?
13:47Nothing. I mean, she told me she didn't start it, but that there's someone else behind it.
13:53Who are those people and why us?
13:56How do I know? Maybe I put someone on a leash.
14:00You know, Andrija, this doesn't seem like an ordinary business conflict to me.
14:05Neither do I.
14:08It seems that Sara Berger is playing dangerous games.
14:12Yes, and that's to our detriment.
14:14Yes. And? How are we going to stop her?
14:21We'll stop her.
14:24But first we have to find out who's at the top of that chain.
14:30How are we going to do that?
14:35I don't know.
14:44Good. That's there, that's there.
14:48This is how it's supposed to be.
14:52Nice.
14:54This is how you make a video.
14:56Come on, sweetheart.
15:05Camera.
15:08Come on.
15:13What's wrong with you?
15:16What's wrong with the camera?
15:21What do you want now, to give me up?
15:24Now when it's the hardest for me, is that it?
15:30Come on.
15:32Is this possible?
15:34Is this possible?
15:37You'll see now.
15:39This is your last chance.
15:42Come on.
15:45Come on.
15:52What are you doing?
15:54Why are you hiding? You're scaring me.
15:57Do you think you're stealing my phone?
16:00I don't think, I am.
16:02I stole it, because the camera doesn't work.
16:05Everything that doesn't work, I throw through the window.
16:08That's how I wiped my nipples.
16:10What the hell is this, Darko?
16:12Okay, take it easy, Pancheta.
16:14It's not that old TV with the ass, so you can hit it to fix it.
16:17Hey, hello, hello.
16:19What's missing from the old TV?
16:21Backhand, forehand.
16:23You hit it a little, you shake that stabilizer, and it works.
16:26It used to be so much nicer and simpler.
16:29And look at this now.
16:31Why doesn't the camera work?
16:33I don't know.
16:34Why? What don't you know?
16:35Now you don't know.
16:37And a little while ago, you acted like a caveman to me.
16:40Okay, take it easy.
16:41Fix it.
16:42I'll fix it now.
16:43Fix it.
16:44Here.
16:46This onion is killing me.
16:51Or will it?
16:53It's not that easy.
16:55Try it.
17:05I can't believe I gave DNA data for the birth certificate.
17:09I'm such an idiot.
17:10Come on.
17:11No, really, don't do this nonsense anymore.
17:15Here's the cocktail.
17:17Here's one, here's the other.
17:21Come on, don't thank me, just try it.
17:23Come on, try it, try it, drink, drink.
17:25So I can hear what kind of cocktails you like.
17:27This one's not bad.
17:28It's great, it's not bad.
17:29I think if someone else made them, they would be better.
17:32They're good, they're good.
17:34But that Natalina, what does she say?
17:36And?
17:37And?
17:38When did you break up?
17:46How do you know we broke up?
17:49Erski knows everything.
17:51And the stars know even more.
17:54Is it possible that it says here,
17:56that we broke up?
17:57Is it possible that I'm such a failure?
17:59No, don't worry.
18:00It doesn't say where.
18:01It says here.
18:02Here.
18:03Everything is written here.
18:05You see?
18:06Here.
18:07You see?
18:08You can see it clearly.
18:09Over here, here.
18:10It clearly says we broke up.
18:11There's nothing else that could have happened
18:13but we broke up.
18:14That's it.
18:15And?
18:16Well, Kayo,
18:19I don't like this.
18:21Wait, that was recently, right?
18:22Yes.
18:23A few days ago.
18:24Yes, yes, yes.
18:25Well, I can see it all.
18:26This, what I don't like.
18:28When someone has these triangles,
18:30Where are the triangles?
18:31Come on, you won't like this.
18:33Nothing.
18:34This.
18:36This looks, you know how?
18:38This looks like you'll never have a man in your life again.
18:42What?
18:43Yes, yes.
18:44How am I going to have a man in my life?
18:47That's what you heard, Kayo.
18:50Wait, wait.
18:51Slowly, slowly.
18:52I'm one of those who only speak the prettiest.
18:54I've only seen beauty in these natal charts, you know?
18:58Look, here I see,
19:00how can I explain this to you?
19:02I see some light at the end of the tunnel.
19:04You know?
19:05I don't mean the light at the end of the tunnel
19:07as if someone is dying.
19:08No, no, no.
19:09I mean metaphorically.
19:10The light at the end of the tunnel
19:11as if something nice is going to happen to you.
19:13But be careful.
19:14Please.
19:15It's going to happen in six months,
19:17but don't be crazy and miss the opportunity.
19:19It's going to be something you've been waiting for your whole life, Kayo.
19:22Believe me.
19:23Everything will be fine.
19:24And when it happens,
19:25you know who you should congratulate?
19:27Diana Erski.
19:28I know, Diana.
19:29You can have a cocktail.
19:30It's actually excellent.
19:31It's phenomenal.
19:33I'm going to keep this.
19:34If anyone can,
19:35send me a look later.
19:36That's it.
19:37I'm good enough for you.
19:38Diana Erski is good enough for you.
19:40Enjoy your dinner.
19:41Goodbye.
19:42Goodbye.
19:46Oh.
19:47Let me see.
19:52She could look at me.
20:07What's the next step?
20:08Waiting?
20:11I don't know.
20:12I can't wait.
20:13On the other hand,
20:14I don't know what to do.
20:15Why didn't you go to the police?
20:17Well...
20:20It's best if the police take care of these things.
20:25I wouldn't do that if I were you.
20:28You have no proof under number one.
20:30Under number two,
20:32there are big things at stake.
20:35If you go to the police,
20:36you'll get yourself into even bigger trouble.
20:39I think you're bluffing.
20:41I don't think it's worth the risk.
20:44You think so?
20:56Sara told me something.
20:59That it wouldn't be good.
21:02Yeah.
21:03What am I supposed to do with Sara?
21:07Nothing.
21:08I think you should leave it as it is.
21:10Do you believe me?
21:11I think you should leave it as it is.
21:14No, no, no.
21:16It's best if you keep your enemies at bay.
21:19Leave it as it is.
21:21At what price?
21:24Okay.
21:26The price is high.
21:28The campaign is brutal.
21:31And now we have to act like nothing's happening.
21:34Like nothing's happening.
21:37Who knows what they're capable of doing.
21:40On the other hand,
21:41maybe it's good that I showed up to see them.
21:45Do you think it'll stop them?
21:47They're probably not that crazy.
21:50I don't know.
21:51I don't know.
21:52I just know that we still don't know
21:54what Sara Berger is up to.
22:00I don't know.
22:01It's best if you leave it as it is.
22:05I'm not smart, Mikey.
22:06You're not.
22:10I'm going to get some air to clear my head.
22:12Go ahead.
22:13Do you want some?
22:14No, I'll stay here for a while to drink some beer.
22:18Go ahead.
22:41Huh?
22:44Jerko?
22:47Hey!
22:49Oh, my God.
22:50Look at him.
22:51He looks like he's in the operating room.
22:54Are you a micro-surgeon?
22:56What are you?
22:57What are you doing in NASA?
22:59No, it's just that I have a lot of memories.
23:02Oh, yeah?
23:03A lot?
23:04What do you mean, a lot?
23:05I remember everything.
23:06No, no, no.
23:07No, no.
23:08I remember a lot.
23:09No, no.
23:10I'm very smart.
23:11No, no.
23:12I don't mean that.
23:13Don't delete the photos.
23:14You have 19,000 photos.
23:15Huh?
23:16What?
23:17You can't.
23:18You have so much to delete.
23:21I don't care.
23:22Those are all my memories.
23:24I don't want to delete them.
23:26You have 19,000 memories.
23:2819,000!
23:30It's not that important.
23:32It is to me.
23:35Go on.
23:36Go on.
23:37Well, I mean, if you are,
23:39either buy an online memory,
23:42or a new phone.
23:43Both pay.
23:44Don't tell me to pay for anything.
23:48To put it in my phone.
23:49It's not a coincidence.
23:52Maybe I can delete two or three photos.
23:57I can do what I did this morning,
23:59the door and the manhole.
24:02But in two or three days.
24:04I can't do it right away.
24:05Do you want me to do this?
24:07I don't.
24:08You don't?
24:11Wait, wait, wait.
24:13Don't you have a phone?
24:14I do.
24:15How is it with your memory?
24:16I delete it at the end.
24:18I do everything.
24:19Do you want to film me?
24:21I don't.
24:22No, what do you want?
24:23What do I ask you?
24:24Come on, like this.
24:25This is without a camera.
24:26This is not working anyway.
24:28Come on.
24:29This was here.
24:30This was here.
24:33Come on.
24:34Come on, Marica.
24:35Bow.
24:36And start.
24:37Respect.
24:38Look at this.
24:39I turn off the camera first.
24:40Okay, slowly.
24:41You're slow.
24:43It's an old phone.
24:44Come on, then.
24:46Okay, here it is.
24:49You can also google it.
24:50It's okay.
24:51They're both symmetrical.
24:54Can you?
24:55Respect.
24:56No, no, I have to.
24:57Three, four, now.
24:59Okay, can I?
25:00You can.
25:01Three.
25:02Four.
25:03Now.
25:33But now I don't know how to use it.
25:48Oh, my.
25:50Look how this man writes.
25:52What a style.
25:54Respect to everyone.
25:57Hey.
25:58Hey, love.
26:00What happened?
26:04I changed my mind.
26:14Hey.
26:20What happened?
26:22You really went too far, Lanka.
26:33I'm sorry.
27:01What's up?
27:03Where are you?
27:11I don't understand.
27:12What did I go too far with?
27:14Our intimacy is for you
27:15to brush your teeth and brush your teeth.
27:18What kind of nonsense is that?
27:19What are you talking about?
27:21And now you're going to say
27:22you don't know what I'm talking about.
27:23I don't know what you're talking about.
27:25I really have enough of these players.
27:26This is too much.
27:28I'm sorry, Aleks.
27:29What kind of players are you talking about?
27:31You know very well
27:32I've never played any games with you
27:34and I'm not planning to do that either.
27:36So, please stop attacking me in vain
27:39and tell me what this is all about.
27:42Why did you tell Gabriela
27:43about our situation regarding the baby?
27:47How do you know that?
27:48Because she told me.
27:50Okay, she told you.
27:52I told her.
27:53So, what's the problem?
27:54So, what's the problem?
27:55What's the problem?
27:57Why do you go around our intimacy
27:58and talk about people like that?
28:03I've made a decision.
28:05Really?
28:06What have you decided?
28:08I've decided to take over your position.
28:11Really?
28:12Yes.
28:14I mean, I feel like
28:15I can do it all by myself again.
28:18Of course.
28:19That's what I told you.
28:21Yes, and I don't think
28:22there's anything wrong with you
28:23being my manager.
28:25No, Olga.
28:26I'm very happy
28:27you've made that decision.
28:29Look, I can do a miracle
28:30in this combination.
28:32Yes, but I think
28:33we can do a miracle
28:34in the old combination as well.
28:36Wait, let me tell you something.
28:37Why wouldn't you be my manager
28:39and play and sing?
28:41Olga, we've already talked about that.
28:43I'm a good thinker.
28:44That's it.
28:46So, you're 100% sure?
28:48I'm 100% sure.
28:49This is professional.
28:51It's a clear division of the job.
28:53You sing and perform.
28:55I'm the manager.
28:56That's it.
28:58Okay, Olga.
28:59I'm 100% sure
29:01that you should go all the way
29:03in this.
29:05You're born for the stage.
29:07People love you.
29:09You're magical.
29:10You attract people.
29:12I'm sure that's it.
29:14On the other hand,
29:16I have a sense
29:18as a manager
29:20that you're a real star.
29:22I have to tell you
29:24that no matter how much
29:26I liked being a musician,
29:27performing,
29:29I realized that I don't have
29:31that passion for the stage
29:33that you have,
29:35that magical attraction.
29:37And then I realized
29:39that it's a torture.
29:41But again, I love concerts,
29:43I love music,
29:45and it's somehow nicer
29:47to be behind the stage
29:49than on stage.
29:51It's nicer and easier.
29:53And I'm interested
29:54in that.
29:57Okay.
30:10Do you remember who I am?
30:11I'm Pacinic.
30:13No, I'm Pacinic.
30:15I'm really Pacinic.
30:17I allowed myself
30:19to be looked at
30:21by one Diana Erski
30:22Come on, let it go.
30:24Cheers.
30:26Cheers.
30:30I'm still drinking
30:32her strong cocktails.
30:34This is too much for me.
30:36It is.
30:38I got a little drunk, you know.
30:40They are strong cocktails.
30:42They are, they are strong.
30:44They're not good,
30:46but they're strong.
30:48How much did you drink?
30:52I don't know.
31:01I can't believe it.
31:04You're to blame for this.
31:06I'm to blame?
31:08Why am I to blame?
31:10You're to blame.
31:12We came here
31:14because of you.
31:16What?
31:18That's not true at all.
31:19You brought me here
31:21to this stupid bar.
31:23You told me
31:25that I'm going out
31:27with Diana Erski.
31:29I said I wanted to go
31:31and you said no,
31:33let's stay here,
31:35it's dark here,
31:37blah, blah, blah.
31:39And what did I get?
31:41I got a glass
31:43because I found out
31:45that I'll never have
31:47a man again.
31:49That's genius!
31:51Genius!
31:53I see.
31:55Beautiful.
31:57Maybe for you,
31:59but Panchetta will kill me.
32:01He'll kill me when he sees
32:03that we're ruining his youth.
32:05Who? Me?
32:07You, of course.
32:09I'll bring you home drunk.
32:11Panchetta won't accept us.
32:13He won't?
32:15How did you think
32:17to escape?
32:19We'll get drunk.
32:23Don't you think
32:25like this?
32:29He won't.
32:31He'll never come back,
32:33but it doesn't matter.
32:35Cheers.
32:37Cheers.
32:39I can't see.
32:41Thank you so much
32:43for this fame.
32:47Me too.
32:49And the colloquium.
32:51The colloquium is gone.
32:53Here you go.
32:58What did you get
33:00from that colloquium?
33:02From what?
33:04From the colloquium.
33:06We could start slowly.
33:08Yes.
33:10We could go too far.
33:12I have to go first.
33:14Will you be able to do it?
33:16I will.
33:18There, there,
33:20young man.
33:26I'm going.
33:44It's so dark in here.
33:45Who turns off the lights?
33:47I don't know.
33:49What time is it?
34:00I found a person
34:02who I trust
34:04and I know
34:06she won't abuse it.
34:08Are you sure she won't?
34:10What's going on with you?
34:15I don't know.
34:22How do you know everything?
34:24It's a miracle.
34:26Is it?
34:28What is it?
34:30Did something beautiful happen to you?
34:32Something like that.
34:34A woman?
34:45Here you go.
34:47What's that?
34:49Contracts.
34:51Contracts? What are you doing?
34:53We don't know, but we failed.
34:56We're dead.
34:58Yes.
35:09I don't know what to expect.
35:11It's their process.
35:12I didn't expect her to answer right away.
35:15How long do we have to wait?
35:18Until the end of the week.
35:20Sorry, I have to go.
35:33I agree.
35:35With what?
35:37I agree this can't be a coincidence.
35:40It can lead to an incident.
35:42Aha.
35:55Jovana.
35:57I'm sorry.
35:59I know work is over, but I had to come.
36:04Sorry.
36:06Gala, what is this about?
36:10I don't know.
36:22Here you go.
36:24What were you thinking?
36:37What do you think?
36:38We're going to Sladove, right?
36:40Yes, we're going to Sladove.
36:44You should go, too.
36:46You should enjoy together.
36:48What do you say?
36:50Let's go to Sladove.