Igra sudbine Epizoda 1422,Igra sudbine 1423,Igra sudbine 1422,Igra sudbine Epizoda 1423, Igra sudbine Epizoda 1422,Epizoda 1423 Igra sudbine ,Epizoda 1422 Igra sudbine
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00:00In the middle of nowhere, in the middle of nowhere
00:14What are you talking about?
00:16I know what I'm talking about and why I'm talking about it.
00:19You need to be a little more careful.
00:22About what?
00:23About yourself.
00:25Be in love as much as you want, but...
00:28You need to open all four of your eyes.
00:31You play with words.
00:33I don't love you, I don't know you.
00:35You're free to say whatever you want.
00:38Just pull out the axe and say it.
00:42Don't get me wrong, but I've noticed that you're a little protective of me.
00:49What do you think?
00:50Didn't someone deliberately place that information to protect Sara?
00:57It's possible.
00:59But I have to investigate.
01:02Otherwise, it all leads to my business reputation.
01:08My life.
01:09Our common life, too.
01:11Yes.
01:13But Sara...
01:18I'm not excluding anything.
01:21We have to be very careful, you know.
01:25What can we do?
01:27We have to give up everything if we have to.
01:30We have to be careful.
01:32Everything will be fine.
01:34Gala, I'm being honest.
01:36You know, my heart is aching.
01:39I've been going through his stuff.
01:42It's very expensive.
01:43I read that I'm overdoing it.
01:45I took a short edition.
01:46Please.
01:47Do you remember when I did that?
01:48Please.
01:49I really like it.
01:50Listen to me.
01:51Or you'll fall in love five times a day.
01:53Gala, don't be like that.
01:54Your friend is very...
01:57What's wrong?
01:59Nothing.
02:01You seem upset.
02:04I'm not upset.
02:05What's wrong?
02:07You can't fool me.
02:10What's going on?
02:12Nothing's going on.
02:14I just don't want to make you even more upset.
02:16What's wrong?
02:17We have to talk.
02:19What was that?
02:22What was that yesterday?
02:25I don't know what yesterday was.
02:27You know it very well.
02:29I really don't know what you're talking about.
02:31That digging up in front of Jovan.
02:32What did it mean to you?
02:33What?
02:35I'm talking to you about that mining yesterday at the meeting.
02:38What's going on?
02:39I really don't understand what you're talking about.
02:41Don't make a fool of yourself.
02:43Wait.
02:44You're really excited today, I see.
02:47I wasn't.
02:50But when you came in, my heart skipped a beat.
02:53You know how it is.
02:55And you're still the Queen of Maldives, you know?
03:00I heard you wanted to see me.
03:03Yes, I wanted to talk to you.
03:05Okay.
03:06I'm listening.
03:08I don't want to end up working behind your back again.
03:12Why would I think you were working behind my back?
03:17I saw you talking to Andrija.
03:20Okay, I can't say what I think.
03:23You can't.
03:24You can, but not in front of the boss.
03:26Do you understand?
03:28Yes.
03:29Maybe you learned that on the tabloid that you can't say what you think.
03:33But here it's all a little different.
03:36Please.
03:37Are you sure?
03:39Yes.
03:40You probably told him about Sarah Berger.
03:43So you already know.
03:45Someone's looking for you.
03:55It's time to open the cards.
04:16They say that life is a novel
04:21They say that life is not fair
04:26Sometimes it's better, but often it's worse
04:30And everything is unknown, except for fate
04:38Like love in a war
04:43There are no rules
04:48You have one life, only one chance
04:53To become a hero, because the star gives everything
05:02The game of fate is like a wheel of fortune
05:07Someone wants it, someone doesn't
05:11Like on a plane, the world turns
05:16And we are the passengers of our fate
05:31Like on a plane, the world turns
05:36And we are the passengers of our fate
05:57Let me tell you something, Edo.
05:59What?
06:00About the movies and all that.
06:02It's so hard to make them.
06:05I'm like water.
06:07Believe me.
06:08I can imagine, Pancetta.
06:10Where is it so easy?
06:13I think it's easier to dig canals than to do that.
06:17That's right.
06:19But it's a little expensive, isn't it?
06:23No, I haven't seen anything yet.
06:27They didn't pay me the money.
06:30It will be.
06:31What?
06:32It will be.
06:33Believe me.
06:34Pancetta, you'll be satisfied.
06:36You'll see.
06:37Listen to me, Edo.
06:38What do you say, Edo?
06:39Edo, this, this.
06:40Nose.
06:41Okay, Edo.
06:42Let me believe you.
06:43I came here to see what the cafe is like.
06:47Is everything all right?
06:48Tell me.
06:50Pancetta, on the other hand...
06:52Yes.
06:53Everything is fine.
06:54Is that so?
06:55But there are a few problems.
06:59What kind of problems?
07:01Nothing serious.
07:03The atmosphere at work is not good.
07:08What about the atmosphere?
07:12Not that.
07:13Mile.
07:14Mile, Pancetta.
07:15I don't know what's wrong with him.
07:17He's grumpy.
07:18It's as if he's been drowning.
07:20He's depressed.
07:21It's as if my day of judgment was far away.
07:24Yes, it is.
07:27But...
07:29I can't deal with Mile now.
07:32I'm on the young man's side.
07:34Listen to me, Pancetta.
07:36No, wait, Edo.
07:37I'm very serious.
07:39Look.
07:40I'm going to handle Kai.
07:43And you're going to deal with Mile.
07:45Me?
07:46Yes.
07:47Why me?
07:48Because you're men.
07:50Who?
07:51Us?
07:52Yes, we are, but...
07:54Pancetta.
07:55What?
07:56Why me?
07:57It's the hardest part of the job.
07:58Why?
07:59Is it fair?
08:00It is.
08:01Okay.
08:04If it's fair, then it's fair.
08:22Excuse me, can we talk?
08:38We can after you apologize.
08:42I'm offering you a big apology.
08:45Apologize.
08:46Apologize a hundred times.
08:50I'm aware that I made a mistake.
08:53Sometimes I lose control of my emotions.
08:59I'm sorry if you can forgive me.
09:03I'm really sorry.
09:06Okay, I accept your apology.
09:08I hope it won't happen again.
09:10I'm sure it won't.
09:12I understand your feelings.
09:14I understand that you're in a state of love
09:16where you can't control yourself.
09:18But you really don't need to doubt my loyalty anymore.
09:21You don't need to do that.
09:22I won't let you do that.
09:24I know, I know.
09:26I'm ashamed because of that.
09:28I'm ashamed because I doubted you.
09:31But believe me, there's a reason for that.
09:36A reason for what?
09:39A reason for my stupid feelings.
09:45What reason?
09:47Sometimes I feel like I'm in a dream.
09:53In a dream?
09:54Yes, like I'm in your dream.
09:57In my dream?
09:59Yes.
10:03I'm sorry, I had no idea you felt that way.
10:06I mean, if I did something wrong,
10:08it wasn't on purpose, believe me.
10:10No, but the worst part is that it has nothing to do with you.
10:13It's not your fault.
10:15I managed to look at my situation.
10:31So, Andrija told you everything.
10:34Of course he did, he just didn't tell me
10:36that the information came from you.
10:38That's good, he's discreet about his sources.
10:41He always was.
10:44But you told him first.
10:47I did, because I was working on it,
10:49but I really didn't want to overdo it.
10:52Yes, I understand that.
10:54No, I really didn't.
10:57How do you know all that?
10:59Where did that thread come from?
11:02From my mother.
11:04Excuse me?
11:05Yes, I mean, she goes to therapy with Sara Berger
11:08and when she went to the ward,
11:11she thought that Sara had something to do with all this.
11:15So, all of this comes directly from your kitchen?
11:19I trust my mother,
11:21she wouldn't say that she wasn't suspicious.
11:24And what was suspicious?
11:26Well, the whole situation, when she went to the ward,
11:29she saw a picture of your husband on the computer.
11:33That's really incredible.
11:35Yes, I mean, it's really a strange coincidence.
11:38Yes, really strange.
11:40But it's real, I really trust her.
11:43Well...
11:45If Andrija trusted her, why would I be suspicious?
11:51I hope you're not mad because I told him first.
11:54No, you did the right thing.
11:57And what did you find out?
11:59Olga, I thought a lot about it,
12:01and I managed to look at my situation.
12:04And I have to tell you,
12:08we won't be able to do this anymore.
12:27Oh, my God.
12:29Pull, pull, pull.
12:31Pull, pull.
12:33Pull, pull.
12:35I'll give you a hand.
12:37I'll tell you, don't worry, Marica.
12:40I will, I will.
12:42Who will if I don't take care of you?
12:49I'll tell you, Marica.
12:51I'll tell you, Marica.
12:53I'll tell you, Marica.
12:55Oh.
13:02Come on.
13:04Hey.
13:06Come on.
13:16We won't be able to do this anymore, Olga.
13:19What do you mean, we won't be able to do this?
13:22What are you talking about?
13:24We won't be able to do this as a band.
13:27Oh, man, what are you talking about?
13:29We're doing great.
13:31Well, you're doing great,
13:33and I'm just not doing great.
13:36What do you mean, you're not doing great?
13:38You play great, you're great on stage,
13:40you love what you do, the audience loves you.
13:42The audience loves you, Olga.
13:44The audience is crazy about you.
13:46No, the audience is crazy about us.
13:48No, no, no.
13:50The audience is crazy about you.
13:52You need to keep doing it.
13:54You're a star.
13:56I still don't understand you, really.
13:59I mean, you were saying that this is
14:01the realization of all your dreams,
14:03that you've finally become a musician.
14:05Yes, yes, yes, but I didn't imagine it this way, Olga.
14:08What way?
14:10You and I were created to perform together.
14:12Hey, we're a great team.
14:14Do you know how far we could go together?
14:16Maybe, but not this way.
14:19I don't know what you mean.
14:21Look,
14:23you need to keep singing,
14:26and I need to leave the band,
14:30but to stay in the same story.
14:34What do you mean, leave the band,
14:36but to stay in the same story?
14:38Hey, I have a suggestion for you.
14:51How did you get in?
14:53I told you to wait.
14:54That's your problem.
14:55This is unacceptable.
14:56It's okay, Angela.
14:58Leave us.
15:05I'm very surprised by this visit.
15:08Are you?
15:10I am.
15:11But, when you're already here, sit down.
15:22Okay.
15:24I assume you know why I'm here.
15:27I think I do.
15:30I'm sorry, I forgot my phone.
15:32We have a guest.
15:36Good day.
15:40Good day.
15:43I think you two have something to tell me.
15:48This conversation was supposed to happen later,
15:53but now that he's here...
15:57Let's not waste time.
16:00Tell me, what do you have against me?
16:17What happened?
16:19Breathe.
16:22Inhale.
16:23Let's do it together.
16:25Inhale.
16:26Exhale.
16:28Inhale.
16:30Exhale.
16:32A little more.
16:33One more.
16:34Inhale.
16:38What happened, honey?
16:41Papuča.
16:43What, dear Papuča?
16:47He forgot her.
16:49Who forgot Papuča?
16:51Mila.
16:52Mila forgot Papuča. And?
16:54And nothing.
16:56I made a mistake,
16:58and when I realized it was his Papuča,
17:02I started crying.
17:05I can't believe how sad I am.
17:08Give me the Papuča.
17:10Please.
17:11Give me the Papuča.
17:13Please.
17:14How long are you going to cry?
17:16Do you want to cry in the Papuča?
17:18Is that it?
17:19I don't want to cry.
17:21How far have we come to make you cry in Mila's smelly Papuča?
17:24Mila, don't go.
17:38What's your suggestion?
17:42I'd like you to be a manager.
17:46Please.
17:48I'd like to be your manager.
17:50What do you think about that?
17:52I don't know what to think.
17:54I don't know where that came from.
17:56All soloists have managers.
17:58They do, of course, but I didn't expect that.
18:00I think it would be great.
18:02Believe me.
18:04You know why?
18:06Because your talent for singing and dancing,
18:08and my ability for organizing,
18:10and you know I have them,
18:12I think it would be great.
18:14I don't know,
18:16but how would that function?
18:18It would function fantastically.
18:21Ok, but what would you do?
18:23How would you do that job as a manager?
18:26I would do what a manager does.
18:28Administration, contracts,
18:30organization of shows,
18:32new places, logistics,
18:34lighting, sound.
18:36And if the audience becomes really invalid,
18:39I could be your telephone operator.
18:42Wait, you really think this is a good idea?
18:46I think it's a fantastic idea.
18:48And you want to do it?
18:50Yes, yes.
18:52You did it before,
18:54and you were fantastic.
18:56You were just born for it.
18:58I don't know what to tell you.
19:00I don't know if I'm able to perform again
19:03without you and without support.
19:05But you've already performed,
19:07and it was great.
19:09Ok, you know what?
19:11These are big things.
19:13You need to think about it.
19:15You can't tell me right away.
19:17Ok, I'll think about it.
19:29I really have nothing personal against you.
19:34Ok, so what kind of dirty campaign
19:36is this against me?
19:39Are you behind all of this?
19:45Are you both behind all of this?
19:52Maybe you should start answering.
19:56Or what?
19:59Come on.
20:01I know you're behind all of this,
20:03but I'm interested in why.
20:07I can't tell you right now.
20:12We didn't understand each other.
20:14That's what you should tell me.
20:17I'll be happy to tell you everything,
20:19but not now.
20:21Soon you'll find out everything.
20:24Come on, don't play with me.
20:27Come on, tell me.
20:29Why?
20:31Believe me, I'd tell you everything,
20:33but my hands are tied.
20:37Why?
20:40Because we can't have this conversation
20:43by ourselves.
20:45There are other interested parties.
20:53Who?
20:55You'll find out soon, Mr. Bošnjak.
20:58When, please?
21:01You heard the lady.
21:03Soon.
21:06Ok.
21:09Then it's best for the police
21:11to take care of these things.
21:14I wouldn't do that in your place.
21:17You have no evidence under number one.
21:20Under number two,
21:22there are big things at stake.
21:24If you go to the police,
21:26you'll make yourself even bigger problems.
21:28I think you're bluffing.
21:30I think you shouldn't take the risk.
21:33You think so?
21:58I'm sorry.
22:06We'll do it this way.
22:08I know, I have a solution.
22:10I have a solution for this situation.
22:12Are you sure?
22:13I'm sure.
22:14Give me those slippers.
22:19Slippers, darling.
22:21Don't!
22:22Here.
22:28Why did you do that?
22:30What do they want from you?
22:32I didn't do anything.
22:34What do they want?
22:36Go to your chairs.
22:38What's next?
22:40What reminds you of Mileta?
22:42We're going to throw everything in his house.
22:45That's right.
22:46If we're going to throw everything,
22:48we should throw the whole house.
22:50The whole house and me.
22:52We should throw the whole house.
22:55I can't take it anymore.
22:57Everything reminds me of him.
23:00I can't take it anymore.
23:02I miss my mother.
23:04I miss him so much.
23:06I can't take it anymore.
23:08I'll go crazy.
23:11You know what, Kajo?
23:13If you really want to cure someone,
23:16you have to be very determined.
23:20But I'm determined.
23:22You are.
23:23I can see how determined you are.
23:25What's wrong with you?
23:27You broke down.
23:29You fell and broke down.
23:32And now you're crying.
23:34Crying all day.
23:36You can't cry all your life.
23:38What's wrong with you?
23:40Take your life in your hands.
23:42It's one.
23:43It's precious.
23:45Do something that makes you happy.
23:47Something that fulfills you.
23:49Do you want it?
23:52Who is he?
23:53Who is he?
23:54Look at you.
23:56Pretty, young, comfortable.
23:58You do the job you love.
24:00You have both.
24:02You have me.
24:03Why are you crying for Mileto?
24:05He's not Pete.
24:07That's right.
24:09I'm going to calm down.
24:13Okay.
24:14I'm going to calm down.
24:16I'm going to my room.
24:18I'm going to get Norman ready.
24:20I'm going to organize my summer and winter things.
24:23To sort them out.
24:24To sort them out.
24:25So that he'll be better.
24:27Are you going to cry if you see Mileto's suit?
24:31Underwear?
24:32Something?
24:34You'll see when I fly you into the cocoon.
24:36I won't promise.
24:37Okay.
24:39I love you.
24:40Breathe.
24:41Okay.
24:42Take it easy.
24:44I'm not crying.
24:46I can see that.
24:50Come on.
24:51Let's get down to business.
24:59What's going on?
25:03Kaja is crying.
25:05Why?
25:07She found Mileto's shoes.
25:09She found Mileto's shoes.
25:11She's crying.
25:14I told her to take her life into her own hands.
25:16She said she would.
25:18She said she would.
25:22I'm going to solve this.
25:23Wait.
25:24You're going to solve it.
25:25I didn't make it.
25:26You're going to solve it.
25:27Sit down.
25:28Don't worry.
25:29I'm going to solve it.
25:30Don't worry.
25:31You'll see.
25:48I'm going to solve it.
26:03How did he know?
26:05What's going on?
26:07What had to happen happened.
26:10How did he know we were involved?
26:13I don't know.
26:16This is not good.
26:18Whatever he found out,
26:21there's no evidence.
26:23Yes, but he knows.
26:26Believe me,
26:27the most important thing is that he can't accuse us
26:29because there's no evidence.
26:31Why didn't you tell him
26:33that we had nothing to do with this?
26:35Because Andrija is not stupid.
26:38And I protected us more this way.
26:40I'm not sure.
26:41Believe me.
26:43How do you know he won't go to the police?
26:46Believe me, he won't go
26:48because he doesn't know anything yet.
26:51Maybe because he's the type of person
26:55who likes to solve problems on his own.
26:59Ljuso, it's not that I don't trust your expertise,
27:02but here, the role is too big.
27:06Believe me, he won't go to the police.
27:10I hope you're right.
27:15And?
27:16I'm right.
27:18What are we going to do now?
27:20Nothing, we need to contact some people
27:23because there will be a change of plans.
27:27Okay.
27:41Okay.
27:43I've looked through these contracts.
27:45This is all fine.
27:49I think we should change the payment deadline
27:52on this first one.
27:54I think we should be sure
27:56that we'll finish it on time.
28:01Aleksa?
28:03Sorry, I'm a bit absent,
28:06so I'm a bit busy.
28:08Sorry, I'm a bit absent, so I'm a bit busy.
28:10It's okay, I told you about the contracts.
28:12Yes, yes.
28:14What are we looking at here?
28:16The payment deadline.
28:18Okay, and what about him?
28:20I would like to ask him to extend it.
28:23I agree, okay.
28:25You noticed well.
28:27That's why I'm worried about the company.
28:29Sorry, I'm a bit absent, so I'm a bit busy.
28:32No, no, it's okay, I understand.
28:38What do you understand?
28:40I understand everything.
28:42I really don't need you to apologize.
28:48Elem, I found a woman, a car mechanic.
28:51She's from Aleksinac,
28:53and she's very willing to give an interview for Don.
28:56Yes, our idea is to take a picture of her at work and at home.
28:59Yes.
29:00So we can spend the whole day with her.
29:02And that at home is of key importance to us.
29:04Yes.
29:05Because she's a woman in the workshop
29:07and a man at home.
29:08Wait, wait, how do you know that?
29:10We saw it on social media.
29:12And?
29:13She's very authentic.
29:15Yes.
29:16Okay, what does that mean?
29:18Well, it means that she really made it to her social media.
29:21Yes, and that means that one would never say
29:23that a woman does such a man's job.
29:26And as far as the job is concerned,
29:28she has excellent reviews.
29:30Yes.
29:31Well, that sounds great to me.
29:33Does that mean we're going on a trip?
29:35Come on, Natalija.
29:37Just contact Vanja for the expenses.
29:39Okay.
29:40I really wanted this to be top-notch.
29:43Our idea is to make it so that people can talk to each other.
29:46I totally agree.
29:48And great, and congratulations.
29:50So we're supposed to take a picture of her?
29:52Absolutely, absolutely.
29:54Great.
29:55Great.
29:56I think the audience will love it.
29:58I think so too.
30:00I'm very happy and can't wait to read about it.
30:05You're free to go.
30:07Back to work.
30:11See you.
30:12Bye, bye.
30:13Bye.
30:15I'm a singer.
30:32Do you want to stop?
30:36Here, I'm finishing.
30:38Here.
30:40Great.
30:41Where are you, Mina? What's up?
30:43Here I am. I heard you promised you'd take life into your own hands and that you'd stop running away, right?
30:50When did you hear that?
30:52Yes, that's right. I'll try, I'll try, I'll try.
30:56Great. I have the first test for you.
31:01What is it? Why are you so serious?
31:03Don't worry, it's nothing serious.
31:05Listen, I don't do that nonsense anymore, just so you know.
31:09What nonsense?
31:10Well, if you thought I'd go to Mileta and all that, that's out of the question.
31:14Well, no, I'm not going to Mileta, I'm not going to Maldives, don't worry.
31:18That's not it?
31:20That's not it. We're not going to risk it anymore. I have a better idea. I'll take you somewhere else.
31:29Look, thank you so much for trying.
31:32Kajo, I know what you're going to say. Don't.
31:36I really don't feel like going anywhere.
31:39Here, to be honest, I'm not really in the mood to go anywhere.
31:44You know, sometimes I don't feel like going anywhere, so I go.
31:49A lot of times I didn't feel like going, so I go.
31:53Okay, this is a really bad argument. I have a better one.
31:57I haven't heard you say that in my life.
32:00I'm ready to emotionally hurt you, just let's go.
32:05I'm ready to emotionally hurt you, just let's go.
32:15I don't understand, what exactly do you understand?
32:19Well, I can guess why you're absent.
32:22Aha.
32:24Lenka confessed to me.
32:27What exactly did she confess to you?
32:31She told me that you're trying to have a baby.
32:34And that you're not doing well.
32:37And I totally understand you, because that's a huge stress for both of you.
32:40That's a private matter.
32:42Okay, I didn't want to interfere.
32:44Yeah, I just don't see why you need to know something about that.
32:47I know because Lenka decided to tell me.
32:49I mean, I'm really sorry, but we're talking about private matters.
32:51Okay, it's not...
32:53It's not up to you, I just didn't know you knew what you were doing.
32:58Yes.
32:59Lenka is very sensitive.
33:01And this is a big hit.
33:03I know.
33:05I know it's not easy for you, but...
33:08I told her that everything will be okay.
33:11And that you will definitely succeed in what you intend to do.
33:14Thank you for your kind wishes, and...
33:17Now, if we can, let's get back to work.
33:24So, you're sure that she didn't bluff?
33:27Yes, yes, I would say so.
33:29She's not doing it alone.
33:33And who else is talking about that?
33:35I don't know.
33:38And who is she doing it for?
33:40I have no idea. Maybe she's doing it for herself.
33:44I don't know, really, I'm sorry.
33:46Should I call Panchetta now to push you away?
33:49No.
33:50You know her better than I do.
33:52No, please, I just don't have her anymore.
33:54I'm really fed up with her.
34:13Hey.
34:14Hey, love.
34:16What's up?
34:19I broke up with him.
34:34I love you.
34:36I love you more.
34:38I love you more.
34:40I love you more.
34:42I love you more.
34:48What are you doing?
34:49Yo!
35:00It's best to keep the enemy within your reach.
35:03Leave it as it is.
35:05At what price?
35:08Okay.
35:10The price is high.
35:12The campaign is brutal.
35:16And now we have to act like nothing is happening.
35:19Nothing is working.
35:31Hey.
35:37What happened?
35:39You've really gone too far, Alenka.
35:54I'm the one who has to deal with this nonsense.
35:56If it's not a problem, what nonsense?
35:58What's this?
35:59Tell me the exact date of birth.
36:01What?
36:02Why?
36:09I don't know.
36:27What's up?
36:29Where are you?
36:40Now you're going to tell me you don't know what I'm talking about.
36:43I don't know what you're talking about.
36:45I've had enough of these actors.
36:47I'm sorry, Aleks.
36:48What do you mean, actors?