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cusekaxur
  • 6/11/2025
Igra sudbine Epizoda 1445,Igra sudbine 1445,Igra sudbine 1446,Igra sudbine Epizoda 1445, Igra sudbine Epizoda 1446,Epizoda 1445 Igra sudbine ,Epizoda 1446 Igra sudbine

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Transcript
00:00...
00:00...
00:14...
00:16...
00:20...
00:24...
00:28Well, there is something new and it's something very interesting.
00:32Hey, talk.
00:33Ellen.
00:37You won't believe that we were with Alexei Cicic.
00:39Jim.
00:40We were with Gabriela at home.
00:43How does that happen, life?
00:46No one called us, she called us, she didn't have a chance.
00:51Can we have a little bit to calm down?
00:53I don't want to calm down when she starts.
00:55What does it mean?
00:56We are on the stage.
00:58What does it mean, the stage is finished.
01:09If I can tell you something, this is all about.
01:18What are you talking about?
01:21What is it?
01:23Cicicamido, it's nothing now, but it's all the same.
01:28It's all the same.
01:29It's all the same.
01:31My dear, I love Cicicamido.
01:33Come and look at me.
01:35I don't want to stop this.
01:37I don't want to finish this conversation.
01:39I don't want to finish this conversation.
01:41We've already finished this conversation.
01:42No.
01:43We're not.
01:44We're not.
01:45And calm down.
01:46Okay.
01:47Calm down.
01:49I'm sorry.
01:50You can tell me what you want.
01:51But I'm saying everything you want.
01:52I'm saying everything you want.
01:53You're saying everything you want.
01:54You're saying everything you want.
01:55You're saying everything you want.
01:56But I'm saying everything you're doing will be in a moment.
02:00I'm saying everything you want.
02:01You have to leave.
02:02I'll tell you.
02:03I'll tell you what happened.
02:04You're not going to die.
02:09You're saying everything you want.
02:10You're saying everything.
02:12Look.
02:13Look.
02:14Look.
02:15Look.
02:16I see you.
02:17I've got a mask on your heart.
02:19You have to use the help.
02:21You have to keep my videos.
02:25I don't know.
02:27I'm waiting for an espresso for 15 minutes.
02:30Are you normal?
02:31What are the services?
02:33I'm sorry, I'm on the phone.
02:35Don't let me know, friend.
02:37We're in the state.
02:39This is an elite local. This is my local.
02:41He's clean and inexplicable.
02:43He's a liar.
02:45Wait, is that Biljana trying
02:49to send Alex to Gabriela?
02:53I'm going to invite my secretary to give you Irvin a number.
02:58She'll explain all the details.
03:00She led this local for a couple of months.
03:06Okay, the manager was...
03:08It's clear to me that Mr. Bošnjaka said
03:11that an elite restaurant,
03:13a cafe,
03:14and it's the same for the manager.
03:16Believe me.
03:17Hey, hi!
03:19Where are you?
03:20Here.
03:21I hope not to be able to get into anything.
03:23No, no, no.
03:24How? We talk about a client's message.
03:28I wanted to thank you for the time you were here.
03:31I hope it was nice to me,
03:33despite my mother's face.
03:35Yes, yes.
03:36It was really nice.
03:38It was really nice to me.
03:40I'm not happy because of the things I said.
03:42Well, no, no, no, no.
03:43No, no, no.
03:44No, no, no.
03:45No, no, no, no.
03:46No, no.
03:47No, no, no.
03:48No, no, no.
03:49No, no.
03:50Okay, I just wanted to do this.
03:51We'll see you later.
03:52We'll see you later.
03:53We'll see you later.
03:54We'll see you later.
03:55Bye.
03:56Bye.
03:57Bye.
03:58I was glad that Magda called Gabriela
04:00for meeting us later.
04:01He invited me to meet.
04:02I returned to the interests of the situation,
04:05and the information that happened between us
04:08has bothered either Don, either you, or Joanna.
04:11I want to tell you all about that.
04:12What?
04:12Bye.
04:14No, I don't think of Magda.
04:16From here?
04:18I think of Gabriela.
04:20Dont Mr Brad well call Gabriela among you,
04:23in that moment.
04:24What in which朝?
04:26We were Oleg and I with Gabriela in the evening.
04:29Good evening.
04:31Good evening.
04:33Hello.
04:34What is it, Dona Slavia?
04:36I'm not invited.
04:38I tried to get up in the driver's car,
04:44but it doesn't work in a good way.
04:48Listen, I'm happy with such people in my career.
04:53Do you have any evidence for this?
04:56Did you do something wrong?
04:58I don't know.
04:59What did you do?
05:03I found him accidentally and then I read it.
05:07You accidentally found my dream.
05:11And then you also read it accidentally.
05:14Yes.
05:15I don't want to do something wrong.
05:20It's bad.
05:21Okay.
05:22I hope we will continue in a better atmosphere.
05:25Thank you very soon.
05:26I can only listen to you.
05:28I also hope.
05:29But I would like to listen to you.
05:35Tell me.
05:36What is it?
05:37I thought we will be able to move this conversation.
05:40I didn't expect you to meet you.
05:42What conversation?
05:44Tell me.
05:45What is it?
05:46What are the reasons why we are not needed.
05:48I love you, I love you, I love you.
06:18I love you, I love you, I love you.
06:48I love you, I love you.
07:18I love you, I love you.
07:47I love you.
08:17I love you, I love you.
08:47I love you, I love you, I love you.
09:17I love you, I love you.
09:47I love you.
10:17I love you, I love you.
10:47I love you, I love you.
11:17I love you, I love you.
11:47I love you.
12:17I love you, I love you.
12:47I love you, I love you, I love you.
13:17I love you, I love you, I love you.
13:47I love you, I love you, I love you.
14:17I love you, I love you, I love you, I love you.
14:47I love you, I love you, I love you.
15:17I love you, I love you, I love you, I love you.
15:47I love you, I love you, I love you.
16:17I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you.
16:47And if you see him, nothing, you continue to do it and you need some help.
16:54Oh God, now listen. I pray, go and get out of the sea, get out of the sea.
16:59I know, I know.
17:00I know, I know.
17:01I know, I know.
17:04Good night.
17:05Bye.
17:07Bye.
17:07Bye.
17:17Bye.
17:24Now it's starting the tasting.
17:27How it smells. How it's getting out of the heart.
17:32See how it's getting out of the sea.
17:34See how it's getting out of the sea.
17:36Here's your little bit.
17:38Now I'm going to try.
17:40Come on, come on, let's get out of the sea.
17:43How it's getting out of the sea.
17:47How it's getting out of the sea.
17:49How it's getting out of the sea.
17:51Let's try it. Let's see how it's getting out of the sea.
17:54Let's go.
17:55This is a quality.
17:57What?
17:58This is a falsehood.
18:00This is falsehood.
18:02This is falsehood.
18:04You don't have any knowledge.
18:06This is a good one.
18:13This is falsehood.
18:15This is falsehood.
18:24What happened to you?
18:25What happened to you?
18:26Olga, I think you were to open your eyes.
18:31Really?
18:32What did you do?
18:34Really?
18:35Really?
18:36I have something that I thought was impossible to do this.
18:39It is possible to be possible.
18:43What is it that is possible?
18:46I was constantly feeling that something is missing in me,
18:51but it doesn't go to the surface,
18:54it doesn't appear on the screen,
18:57but at the end it appears.
19:01I was constantly feeling that something is falling.
19:08I'm sorry, I'm sorry.
19:12Sorry, if you can, I can tell you what I can,
19:16I don't know what I'm talking about.
19:19I'm talking about the writing.
19:22Oh, the writing?
19:24Yes, it's very important to me that you said that I have talent.
19:38How are you going, Mido?
19:52How are you going?
19:54How are you?
19:56What's your name, Mile?
19:58We've come to a drink,
20:02we'll have some tasks.
20:04We'll talk about it.
20:10This is my friend, Nemanja.
20:12Dear mom, I am Nemanja.
20:14Those are my founding goals.
20:16You hear our name.
20:17You say Chika Mida.
20:18No, just you.
20:19No, just me.
20:20Just I'm, Mile, I am Ido Pljanovic.
20:22Kaju, why are you in the business club?
20:28I had a little bored.
20:30Sorry, Mile.
20:32I think we know each other,
20:34You are in Konobar Maldivim, is that right?
20:39Yes.
20:41I know, I know where.
20:44I came there a few times.
20:51Wait, I have to go.
20:54We have to go.
20:56We have to go.
20:58We have to go.
21:00Sorry, I have to go.
21:02We have to go.
21:05Sorry.
21:07I will not stop you.
21:09It's nice.
21:22I pray.
21:24Sorry.
21:26What do you think?
21:28I don't understand why.
21:31Why do you think?
21:32I think it's a decision.
21:34I think it's a decision.
21:36Yes.
21:37I think it's a decision.
21:39What are you saying?
21:41What is now?
21:43Nothing.
21:44I think I'm afraid of that.
21:47Yes.
21:48I believe that I'm afraid.
21:51I don't need to be honest.
21:53I'm expecting you to be honest.
21:55I'm expecting you to be honest.
21:57Yes.
21:58Yes.
21:59Yes.
22:00Yes.
22:01Yes.
22:02Yes.
22:03Yes.
22:04Yes.
22:05Yes.
22:06Yes.
22:07Yes.
22:08Yes.
22:09Yes.
22:10Yes.
22:11Yes.
22:12Yes.
22:13Yes.
22:14Yes.
22:15Yes.
22:16Yes.
22:17Yes.
22:18Yes.
22:19Yes.
22:20Yes.
22:21Yes.
22:22Yes.
22:23Yes.
22:24Yes.
22:25Yes.
22:26You don't make a fool of yourself, and you're surprised that you've received a call from Doni.
22:30After all that you've done with Andrii, this is the worst thing that could happen to you.
22:35You're lucky that I didn't judge you.
22:38Because if I judge you, the call would be the worst problem.
22:41That's why you hear and call me.
22:56You're lucky that I helped you.
23:02You're not aware of how much I helped you.
23:06Did you see that at the end it was good to read your book?
23:09You know that.
23:10I'll tell you.
23:11You're the only university after you did it.
23:15Do you think?
23:16Yes, I think.
23:18I don't know how to tell you.
23:21Tell me.
23:23Something fell on my mind.
23:25What?
23:26Tell me what?
23:28What?
23:29What?
23:30What?
23:31What is your opinion?
23:32You can write a novel.
23:34What?
23:35I'll write a novel.
23:36What?
23:37Yes.
23:38What?
23:39I think it's a great idea.
23:42I don't know.
23:44What?
23:45What?
23:46What would you write?
23:47I don't know exactly what you think.
23:48What?
23:49What?
23:50I don't know exactly what you think about.
23:52I am sure, but I would like to be something for me.
23:57Something like autobiographical?
23:59No, no, no, my life is so interesting that it would be an autobiographical novel,
24:05but there would be some details from my life.
24:10I would like to be fiction.
24:13To be something like Bukovskog.
24:17Koga?
24:18You can read it from Bukovskog.
24:20Ne, who is that?
24:22On, in principle, everything that he wrote, he wrote about himself.
24:26It was a fiction, like Bludni sin,
24:29and then the second Bludnog sin, factotum.
24:31Critičari said to him is the best book.
24:33I am going to give you the book,
24:35and it will help you 100% to write the novel.
24:38Super.
24:39That's what it is, really.
24:41I don't know how much it is.
24:43I don't know how much it is.
24:45It's not true that we were both together, you know?
24:49Yes.
24:50We have found two artificial souls.
24:52The artificial souls.
24:55You would have much more than this.
24:57And you don't.
24:58I'm sorry, but I have to ask you something.
25:11Say it freely.
25:13Don't be wrong to understand me,
25:15but...
25:16I'm sorry.
25:17You're the one that you have to tell me.
25:19You know you can say it freely.
25:23Well, you know everything.
25:28I don't know how much, but it's Capirous.
25:31I can't believe that you both know each other.
25:34Well, yes, we both know each other.
25:36I don't know each other.
25:37A few times I'm sitting here.
25:38And I have a photographic memory.
25:40I don't know how much to love them here.
25:43I really don't know how much I feel.
25:45I feel like I live in a Turkish series.
25:49Well, good.
25:50It's not that right now.
25:52You don't need to feel like that.
25:54You live in the same city.
25:55You go to the same places.
25:57And there's a great possibility that you'll be treated.
26:00And if we are here, we can go somewhere else.
26:04No.
26:05Thank you for seeing you, but we'll stay here.
26:09Are you sure?
26:10The safest.
26:11There's no need to go from here.
26:13And that's my story with Milet.
26:15No.
26:16No.
26:17We'll have to go.
26:18We'll have to go.
26:19We'll have to go.
26:20Okay.
26:21We'll live.
26:38All were gone.
26:41Do you want me to go?
26:43Yes.
26:45Do you want me to go?
26:49Come on, come on.
26:53Are you sure?
26:57Yes, sure.
26:59Did you drink me?
27:01Well, what?
27:05Come on, trust me.
27:09I can.
27:13Good.
27:27Natalie, I told you that I can.
27:33Eh.
27:35Eh?
27:37No, I don't trust you.
27:39No, I don't trust you.
27:41We haven't reached out a little before.
27:43We won't trust you since I received an apology.
27:47What is it?
27:49I've got your texts.
27:53I've got you.
27:55Thank you, but
27:57It doesn't mean anything.
27:59But it means to me.
28:01What does it mean to you?
28:05I'll have to take a horse again.
28:07I'll have to take a horse again.
28:09I'll have to take a horse again.
28:11I'll have to take a horse again.
28:13Sorry, my friend.
28:15I'm the blood.
28:17I'm the blood.
28:19I'm the blood.
28:21I'll have to take a horse again.
28:23I'll have to take a horse again.
28:25What a mental mother, my son.
28:35I'll have to take a horse again.
28:37I've already read it twice.
28:39I've read it twice.
28:41If you see Alex's always been a bug,
28:43I'll have to take a bite.
28:45Let's take a little bit.
28:47First, the tree was suddenly sad.
28:51For the tree, he made a house from the slame, and he had to sleep.
28:56At the door, he had a terrible voice.
28:59Open up, because if I'm going to die, I'll break the house.
29:04Is it enough?
29:06Just a little bit.
29:08Let's go, let's go.
29:10Prase nije otvaralo, ali Vuk Dunu oduva kuću i uhvati ga.
29:19Drugo prase bilo je pomalo lenju.
29:22Napravilo je kućicu od pruća i leglo da spava.
29:27Spavaj.
29:29Ali u taj kraj stigao je Vuk.
29:33Otvaraj, jer ako dunem, srušit ću ti kuću.
29:40Valdi čo ja u skoro daimam svoje dėte.
29:52Hedij, toči zrači uko me.
29:54Toči.
29:55Toči.
29:56Toči.
29:57Da te ušškam.
29:58Da te ušškam.
29:59Skroz.
30:00Da te ušškam.
30:01Ai, ai, ai, ai, ai.
30:10Ta te ušškam.
30:11Da te ušškam.
30:12Toči.
30:13I don't know.
30:43I don't know.
31:13I don't know.
31:15I don't know.
31:17I don't know.
31:19I don't know.
31:21I don't know.
31:23I don't know.
31:25I don't know.
31:27I don't know.
31:29I don't know.
31:30I don't know.
31:31I don't know.
31:33I don't know.
31:35I don't know.
31:37I don't know.
31:39I don't know.
31:41I don't know.
31:42I don't know.
31:43I don't know.
31:45I don't know.
31:47I don't know.
31:48I don't know.
31:49I don't know.
31:51I don't know.
31:52I don't know.
31:53I don't know.
31:54I don't know.
31:55I don't know.
31:56I don't know.
31:57I don't know.
31:58I don't know.
31:59I don't know.
32:00You're �ano.
32:00I think I'mo.
32:02I don't know.
32:03I don't know.
32:04I'm going to remind my mother, I'm going to remind her, and tomorrow I'm going to remind her.
32:10Hey, docks, hello? We're not your family.
32:14Where is this story, pancheta?
32:16What's that?
32:17I'm coming to drink some milk.
32:19What do you mean?
32:21Look how you do yourself!
32:23Mina, for example, never allowed to be allowed.
32:27Mina is a woman.
32:29But...
32:31Tarko, da ti kažem jednu stvar.
32:36Vi muškarci ste navikli da žene idu za vama i stalno da rasklanjaju.
32:42Ja ne znam da li je vreme da počneš da prosipaš ovde proso po kući, pa Mina i ja da idemo da kljucamo za tobom.
32:49Evo i Kaja može da se priključi. Svi da radimo za tebe.
32:55Se.
33:01Ja?
33:12Kaja, šta je bilo?
33:14Ništa.
33:16Ja sam krenula da spavam ali, vidim da ti nisi ok.
33:20Muš? Ma okej ništa ništa, stvarno, sve okej.
33:22Me, I can't.
33:24What was that? No.
33:26Nothing.
33:28Nothing? You can see how you feel of a toll, and of course it happened.
33:32Yes. It happened.
33:34What?
33:40What the greatest problem is that I am a crazy woman.
33:44I'm a crazy lady and crazy, and you can't help me.
33:48No, I'm not. I'm not. I'm not.
33:51I'm just saying that everything will be ok and nothing will be as necessary.
33:56And that's the biggest problem.
33:58Let's go. First of all, calm down.
34:00Tell me what happened and it will be easier.
34:04It was a catastrophe.
34:06Which one?
34:09So, I went with Nemanja to drink.
34:14Okay. And?
34:16And we're not less than mine.
34:24Well, good.
34:29Tell me.
34:32I'm always right, Darko.
34:35Always.
34:36I don't know if you understand what I'm talking about.
34:40Today, Darko, are you very excited.
34:44God, thank you.
34:45No one will serve you.
34:47Don't do that.
34:49What did you think, Darko?
34:50That you're going?
34:51What?
34:52I didn't plan that.
34:54I'm going to tell you.
34:55I'm going to tell you.
34:56I'm going to tell you.
34:57When you're already so much, you're going to thank you, you're going to find a girl than mine.
35:02It's a very small man that I have to tell you.
35:03When you're looking at my sister, you're going to tell me, I had to tell you something.
35:06And you're going to tell me.
35:09You're going to tell me.
35:10I'm going to tell you.
35:11I know.
35:12That's why she's very specific.
35:13She's a very good man, but, she's very difficult character.
35:15Who has a difficult character?
35:16What a difficult character?
35:17No.
35:18No.
35:19What, Darko?
35:20No.
35:21She's just having high criteria.
35:24God bless you!
35:26Everything is nice in theory, but in practice I found her very nice mom.
35:34Who is my mom?
35:36Yes.
35:37You?
35:38Is it looking for you?
35:44No.
35:46I don't remember that.
35:50The girl is fine, cultural, educated, working, valuable.
35:56Okay, it is.
35:58When I get a little child, I get a mental.
36:02But all of this is on a very nice way.
36:07I've heard everything in my life, but I really didn't have a nice simpatic mentality.
36:12Mancheta, I've known him.
36:14I've seen him with him.
36:16And he recognized me that he liked me.
36:20Who is the girl?
36:22Lazar.
36:26Lazar.
36:27The one who buys the photos and photos and photos in the night in business club.
36:32Is that?
36:34I don't know.
36:36I don't know that.
36:38You really don't know that.
36:40And you are my best friends.
36:42I don't know that.
36:44So, let's see.
36:46Look, you're in.
36:48That, that you can do anything to do.
36:50Let me know that you can do whatever things you do that.
36:52You're in a manner of being in business.
36:53OK, you are...
36:54You're in a way.
36:55You're in a way, I can hear you get nothing to do that.
36:56Don't know.
36:57You're in a way.
36:58You're in a way.
36:59You're in a way.
37:00You're in a way.
37:01You're in a way.
37:03is the pure wisdom and human being.
37:08Really?
37:10See, I'll teach you something.
37:13Don't ask you to provide help
37:15where you don't need help.
37:18That's true.
37:19Don't ask me to provoke you
37:22like in the middle of the century.
37:25Do you understand that you will be
37:27at the end of the day
37:28that you will be wrong?
37:30You?
37:31What do you think?
37:33What do you think?
37:34What do you think?
37:35What do you think?
37:36What do you think?
37:38Listen to me what I'm talking about.
37:41I understand.
37:42I understand.
37:43Yes.
37:45I have one thing, Mancheta.
37:47I have no idea.
37:49Yes, bravo.
37:51Bravo.
37:52It's a good night.
37:54Let's go.
37:55Tad.
37:56Wow.
37:57Good night.
37:58Come on.
37:59Hey.
38:00Hey.
38:05Hey.
38:06Hey.
38:07Hey.
38:08Hey.
38:09Hey.
38:10Hey.
38:11Hey.
38:12Hey.
38:13Hey.
38:14Hey.
38:15Hey.
38:16Hey.
38:17Hey.
38:18What happened to you when you hit Mileta?
38:23Nothing, nothing. I thought it was a catastrophe.
38:26It was someone who killed someone.
38:28No, nothing.
38:30How did Mileta react?
38:32How did he react?
38:33He escaped from the same training.
38:35We had to meet him.
38:37We had to meet him, but we had to meet him.
38:39Okay.
38:40And you, are you left?
38:43Yes, but not everything.
38:46The biggest shock was the fact that they knew from Maldives.
38:52Do you know anything?
38:53Yes.
38:54Yes.
38:55Yes.
38:56Yes.
38:57Yes.
38:58Yes.
38:59Yes.
39:00Yes.
39:01Yes.
39:02Yes.
39:03Yes.
39:04Yes.
39:05Yes.
39:06Yes.
39:07Yes.
39:08Yes.
39:09Yes.
39:10Yes.
39:11Yes.
39:12Yes.
39:13Yes.
39:14Yes.
39:15Yes.
39:16Yes.
39:18Yes.
39:19Well, she didn't do so much very important.
39:21No problem.
39:23Okay.
39:24I think that Mila is a lot of difficult when I saw him before and then I'm a bad guy, you understand?
39:34Kajo, I need you to think that Mila is left you.
39:38I know, I know it very well, and I repeat it non-stop, but I can't do it just like that.
39:45I don't understand, you understand?
39:46I know, I know, but everything will be done.
39:48Hajde.
39:52Biće sve okej?
39:53Dagoj domaćeš, ajde.
39:59Oo, dobro jutro.
40:02Dobro jutro.
40:05Otkud vi ovde?
40:08Pa još živim ovde, ne znam da li znaš, čak istu sobu delimo.
40:12Ne pitam za tebe, Darko.
40:18Znaš šta Mila?
40:19Pa ovako kad te gledam nešto, mukam i je kulem ti se, morat ćeš konačno da mijenjaš neke stvari oko sebe.
40:33Čoječe Boži.
40:35Nisem molim.
40:37Šta moliš? Nemoj da mi moliš nisem.
40:39Morat da mijenjaš nešto oko sebe, na sebe.
40:42Evo recimo.
40:43Hajde skidaj recimo tu prvog aderobu.
40:45Gledaj naš šta ličiš tu.
40:46Gledaj, gledaj.
40:47Skidaj te prnje.
40:48Čemu imam da zahvalim tvoje poslje?
41:03Pa dolazim sa jednim sasvim jasnim ciljem.
41:08Dobro, slušam.
41:13Treba mi tvoja stručna ekspertiza.
41:30Mina!
41:31Hm?
41:32Idem do prodavnice pa na posao.
41:35A ostani sa nama pet minuta da popijemo kafu.
41:38Ne, pijte vi kafu, uživajte.
41:41Čekaj, čekaj, čekaj.
41:43Teo sam da te pitam nešto poslovno.
41:45Mhm, vidi.
41:47Mislim, jel ti se promenio život od kad si postala popularna?
42:02Muzika!
42:15Te koji če?
42:17I don't know what that means, I don't know anything.
42:33I'm not interested in boys.
42:36Are you going to go to a woman?
42:47Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.
42:52What question?
42:58Is he...
43:00So, now we have a similar case to that woman's head, is that right?
43:18What is the woman's head? What is the woman's head?
43:30What was it, I'm kidding!
43:35No, don't tell me everything.
43:37Let's go!
43:38Be a visual of physics.
43:41Be a real...
43:42..with news.
43:44Just very...
43:47..with news.