Igra sudbine Epizoda 1447,Igra sudbine 1447,Igra sudbine 1448,Igra sudbine Epizoda 1447, Igra sudbine Epizoda 1448,Epizoda 1447 Igra sudbine ,Epizoda 1448 Igra sudbine
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TVTranscript
00:00Oh, good morning.
00:16Good morning.
00:19Where are you here?
00:22I live here, I don't know. We still share the room.
00:26I don't ask for you, Darko.
00:28You, or you are you here?
00:32Like, I?
00:34Yes.
00:35I'm going to drink the morning coffee.
00:39You know what, when you look at something,
00:43you have to change things around yourself.
00:49I don't know.
00:51What do you say?
00:53You have to change something around yourself.
00:57Let's get out of here.
00:59Look at what you look at.
01:01Get out of here.
01:03Get out of here.
01:05What do I have to thank you?
01:08What do I have to do?
01:10I'm coming with a very clear goal.
01:16Okay.
01:17Listen.
01:18You need your special expertise.
01:26Expertise?
01:31Mina?
01:32Where are you going?
01:34I'm going to to the restaurant.
01:36Stay with us for 5 minutes to drink coffee.
01:39No, drink coffee.
01:42Wait, wait, wait. I wanted to ask you something.
01:47Yes, see.
01:49I think you've changed your life since you became popular.
01:55Enjoy coffee.
01:58Hello.
02:06Oh, Tikajić.
02:14I think you were surprised.
02:20I came to talk to you.
02:24Because I think you would have been a couple of times.
02:31Stevane, you are empathetic. Your approach is not a option.
02:37Why is it not a option?
02:40It is because Lazar is an orphan from the council.
02:43Yes, what does it mean? It doesn't mean anything.
02:48I am not interested in men.
02:51Why did you go to women?
02:54No.
02:56No, it is not good for me.
02:58No, it is not at all.
03:01What is at all?
03:02I am not interested in the question.
03:03Well, I am right.
03:04It was okay to you.
03:05It wasn't good for me to see you with Nemanja.
03:08What was it?
03:12What was it?
03:14Don't say it.
03:15It was good for me.
03:17It not my touch.
03:21It was true.
03:25It wasn't a fault.
03:29It would of an absolute security.
03:30Okay, how do you do it?
03:34I love you.
03:35And you, Mateo, how do you do it?
03:37That Stevane's father falls on the lupes.
03:40Listen, you are an ideal guy, looking at the side.
03:44Listen, Stevane, Mateo is much younger than me.
03:46In other words, it doesn't matter to me.
03:49Wait, wait, the question is just going to be done.
03:53What question?
03:54What is he doing?
04:01Is he doing it?
04:03Is he doing it?
04:04Did I say it?
04:06So, now we have the opposite side of the lupes.
04:11What is the lupes?
04:14How do we have the lupes?
04:16When we got the lupes, we found the lupes.
04:20Now we try to understand who you are in general.
04:27We have to start from something,
04:29to make some priorities
04:31and to get to the end of the tragedies.
04:33Do you understand?
04:34The question is that you will be happy.
04:37That's important.
04:39The question is not me.
04:41Free, child.
04:43Cool.
04:45And just...
04:48I don't know him.
04:50I don't know him, but...
04:51I think it's true.
04:53It's true.
04:54And even if you are happy with that,
04:58it's only important.
05:01Kaj will be.
05:03My dear, the first time in the night
05:06he saw Kaj in the family of the other man.
05:10And...
05:13Let's go.
05:15Ha ha, ha.
05:19I don't know.
05:20I don't know anything that is.
05:22I'm sorry.
05:23I don't know anything.
05:24I don't know anything about you.
05:26I don't know anything about you.
05:27Because, you know, I am the only one.
05:29I don't know anything about you.
05:31A message that lives...
05:34So we are not alone.
05:36more novels say that life is not fair
05:43sometimes it's a relief, but often it's a man
05:48and everything is unrighteous, except for my fate
05:54like love in the war, there is no rules
06:06you have one life, only one chance
06:11to become no one, because the star is all
06:17a game of luck, someone wants
06:26someone who doesn't want, someone who doesn't
06:29like the moon, everything is over
06:34and we are our own
06:40anyway
06:43oh
06:46oh
06:50oh
06:55oh
06:59oh
07:01oh
07:03oh
07:05oh
07:07oh
07:09oh
07:11oh
07:12oh
07:13oh
07:14oh
07:15oh
07:16oh
07:17oh
07:18oh
07:19oh
07:20oh
07:21oh
07:22oh
07:23oh
07:24oh
07:25oh
07:26oh
07:27oh
07:28oh
07:29oh
07:30oh
07:31oh
07:32oh
07:33oh
07:34oh
07:35oh
07:36oh
07:37oh
07:38What's wrong with you?
07:40Sorry Barbara, you're still standing in a rabbit,
07:43you're hiding and you're hiding something
07:45that someone's there is. What's wrong with you?
07:48I told you, you're going to try and see what's wrong with you.
07:50Okay, I'm sorry, I'm sorry, I'm sorry.
07:52I'm sorry, I'm sorry, I'm sorry, I'm sorry.
07:54I don't know anything about you.
07:57Okay.
07:59So, another Spanish series on the repertoire.
08:03I'm even worse than that.
08:05I can't listen to them anymore.
08:07What's wrong with you?
08:09I'll have to intensify the repertoire of jilets.
08:12Well, that's a good idea.
08:15Why, Barbara?
08:17Be ready for the next period,
08:19very quickly,
08:21you'll start working over time.
08:23Over time?
08:25Why?
08:26Because it will increase your number of tasks.
08:31What tasks?
08:33You'll get a new task.
08:35How much?
08:36How much?
08:37How much?
08:38How much?
08:39How much?
08:40Hello!
08:42Hello!
08:44Hello!
08:46Hello!
08:48Hello!
08:50Hello!
08:51I'm coming, excuse me a little later.
08:53I'm working here.
08:55Are you okay?
08:56Yes, yes, I'm okay.
08:58What do you say?
09:00At the place?
09:02At the place?
09:03I say that it's great and innovative,
09:05but I've never been here.
09:07People, how many times we've been here,
09:09we're working guests.
09:10No, I know that we're in some way here.
09:13We didn't think about it,
09:14but I'm going to propose a film.
09:17Why?
09:19So, you wouldn't be afraid
09:22that you'd like to invest in a business club.
09:25That's right!
09:26It's not related to a business club, you know?
09:29Now it's a little uncomfortable,
09:32because I'm thinking about it
09:34and that I'm afraid to invest in a business club.
09:36No, no, no.
09:37No, no, no, no.
09:38No, no, no.
09:39I think we don't have any problems
09:41when we meet Mileta, you understand?
09:42Neither I, nor you should.
09:44It's nice to me to hear you, honestly.
09:45And I'm also,
09:46because I've seen him today.
09:49Mileta?
09:50Yes.
09:51Really?
09:52Yes.
09:53You've probably knocked on the street
09:54by 100 meters.
09:55Now I'm going to knock on Konobaru,
09:57and then I'll tell you the whole story.
09:59Konobaru!
10:01He's a little bit of the way he's kind of
10:02even in the north.
10:04Let's go.
10:05Please.
10:06Here goes.
10:07That's right,
10:08he's going to do that in the east.
10:09I'm not going to do that in the east.
10:10I don't know.
10:11I am.
10:12I am.
10:13He's going to do that in the east.
10:14He's going to do that in the east.
10:15My쪽 is going to go.
10:16We didn't know that it was in the question, but I would say that you didn't say that to my people.
10:22But what am I going to do? I don't know.
10:24Well, okay.
10:26There's nothing to mention.
10:30Nothing to say.
10:32Nothing.
10:33Nothing.
10:34That's right, my dear.
10:35That's right.
10:36Okay.
10:37I don't know.
10:38There's no need for you to play a play, to play a play.
10:43I don't know.
10:45Why are you watching?
10:47Nothing.
10:48We want to play a play and play, but you, when you're out with Kajom, you work for me every day on the murder of the crime.
10:55No, I'll be right, I'll be right.
10:58God, you're listening to me.
11:00I'll be right back.
11:01I'll be right back.
11:02I'll be right back.
11:03I'll be right back.
11:04I'll be right back.
11:05I'll be right back.
11:06I'll be right back.
11:07Who was that guy with Kajom?
11:09I'll be right back.
11:10I'll be right back.
11:12He was the guy in the Russian company in an hour.
11:14The guy who is smoking me.
11:15The guy from Josh Spielberg, you have anidad.
11:18I don't know this guy.
11:19Okay, well, I'm asking if you're really good.
11:22Yes!
11:23Yes, yes!
11:24Yes, yes, he'll be right back.
11:25Yes!
11:26You know when?
11:27Don't stop me to beat me up and push me in front of me.
11:30That's it. Let's look at my job.
11:33Let's go.
11:35You've got to get hurt.
11:37Okay.
11:57How are you doing?
12:02I'm talking about Panceti.
12:04About Panceti?
12:06Yes, I don't know directly about her, but she asked me to help her.
12:13What do you mean?
12:16It would be better if you don't know, but I have to tell you.
12:20Okay, I don't know.
12:22It's okay, I don't ask anything.
12:24I just want to know what I need to do.
12:27What do I need to do?
12:29You need to find the identity of an anonymous user of a social network.
12:36I will send you a profile on email.
12:39What do you do?
12:40I'm an опасman criminal.
12:42I'm an опасman love criminal.
12:44Love?
12:46Don't ask me anything else.
12:49This is all right.
12:52So, the situation is a two-year-old.
12:55How do you feel?
12:57I don't know.
12:58I don't know.
12:59I don't know.
13:00We've known it, but we've known it.
13:01So, you've got a new package for the legs.
13:07I don't know.
13:08I don't know.
13:09I'm a new package.
13:10I'm a new message.
13:11I can't wait.
13:12I'm a new message.
13:13I can't wait.
13:14I can't wait.
13:15I can't wait.
13:16I can't wait.
13:17I can't wait.
13:18Barbara, you don't have to wait.
13:19I can't wait.
13:20You can't wait until you see.
13:21So, the message is a new message.
13:23Is it ready?
13:26Are you ready?
13:34Good.
13:37Barbara, please, please.
13:40What do you mean by these things?
13:43What do you mean by these things?
13:46What do you mean by this new letter?
13:51I hear you.
13:53Are you ready?
13:56What do you mean by this new letter?
14:00What do you mean by this new letter?
14:02What do you mean by this new letter?
14:04What do you mean by this new letter?
14:06I don't know, I'm going to lie to you.
14:08But this letter is going to be in a lot of serious cases.
14:14I knew it and I told you.
14:18Can you tell me about this question?
14:21You don't have to say anything.
14:23Barbara, you have to say a lot.
14:24Who is telling you a very clear letter?
14:26What letter?
14:27What letter?
14:28What do you mean by this letter?
14:30No, no, no.
14:32Who wants to tell you something more complex?
14:36Mother, I'm sorry.
14:38I'm sorry.
14:39I'm sorry.
14:40I'm sorry.
14:41I'm sorry.
14:42I'm sorry.
14:43I'm sorry.
14:44I'm sorry.
14:45I'm sorry.
14:46What's happening in your private life?
14:48I'm sorry.
14:49I don't know, I'm sorry.
14:50I'm sorry.
14:51I'm sorry.
14:52I'm sorry.
14:53I can't hear you.
14:54I'm sorry.
14:55What's up?
14:57I'm sorry.
14:58I'm sorry.
14:59I'm sorry.
15:00I'm sorry.
15:01I don't know what that was.
15:02What is your husband doing?
15:11My husband...
15:13...prasetino.
15:19That's Mid.
15:21Your former.
15:23What am I doing?
15:26Who am I being?
15:29What am I doing?
15:33Okay, okay, let's go.
15:35How slow, man?
15:37You see that we are a psychopath.
15:39Okay, okay.
15:41Now you have to go to the job.
15:43Do you have an idea of where you start?
15:46I am an idea.
15:48I will go to my relationship.
15:51I am a criminal.
15:53I don't care.
15:54They will give me everything for five minutes.
15:56That's how I am.
15:58I know you will have everything tomorrow.
16:00Okay.
16:01Don't do this job because of this job.
16:04I promise you.
16:06Of course I will not.
16:08You know I am a professional.
16:10Why do you care?
16:12Yes.
16:14You know I am a professional.
16:17I find out if you are not a professional.
16:20I am a professional.
16:21Thank you so much.
16:22I have to work on you.
16:24And for now.
16:25You have to work on me.
16:29Good.
16:30Hi, everyone.
16:31Good.
16:32Good.
16:33What am I doing?
16:34So, I didn't have a chance to ask him.
16:40That means that you have a chance to ask him?
16:43Yes, that means that I have a chance to ask him.
16:46Yes, I wanted to go and talk to him.
16:49Why do you want to ask him?
16:52We need to talk about some things.
16:55Okay, and did you talk about it?
16:58Yes, we talked about it.
17:01Okay.
17:02And I think that he doesn't have anything against you.
17:07Okay, that's good.
17:10That's great.
17:11And I wish him a lot of luck.
17:15He even said that you are very nice.
17:17You are nice?
17:18Yes.
17:19You have a taste?
17:20Yes.
17:21You have a taste.
17:22You have a taste.
17:23You have a taste.
17:25Yes.
17:26Thank you very much.
17:29You have a taste.
17:30Yes.
17:31Yes.
17:32Yes.
17:33Yes.
17:34Yes.
17:35Yes.
17:36Yes.
17:37Yes.
17:38Yes.
17:39Yes.
17:40Yes.
17:41No, it's like a taste.
17:42No.
17:43Yes.
17:44Yes.
17:45Yes.
17:46Yes.
17:47Thank you very much.
17:49Yes.
17:50Yes.
17:51Yes.
17:52Yes.
17:53It's a surprise.
17:54Yes.
17:55Yes.
17:55Yes.
17:56Yes.
17:57Yes.
17:58Yes.
17:59Yes.
18:00Yes.
18:01Yes.
18:02Yes.
18:03Yes.
18:04Hey.
18:18This is really nice to meet you.
18:22Did you get on?
18:25Not yet. I wanted you to see you.
18:27What a great compliment. How are you?
18:29And now it's okay. This is home, work and all.
18:32Did you hear me soon with Luke?
18:34Yes, we heard that he is standard, everything is on the spot.
18:37Lenka?
18:38I Lenka is...
18:39Everything is standard, I understand.
18:40Ok, when I hear you like this, life sounds pretty sad.
18:45I can tell you that it's not so bad, you know?
18:49Ok, let me put it in. Kod you do a lot of things happen.
18:53Yes, but I can't do that anymore.
18:57Ok, everything happens is normal.
18:59Thank you very much for coming to Business Club.
19:02No, no, no.
19:03It's a lot of important.
19:04Yes, it's nice to be able to achieve your success in your career.
19:09Yes, it's a success in your career.
19:11Yes, it's a success in your career.
19:16Yes, when I have a good manager.
19:29Good evening, Chef.
19:31How are you?
19:32Please, what is this?
19:33What is this?
19:34What is this?
19:35I have a drink for you.
19:36I have never been asked for anything.
19:37You are not?
19:38You are enough.
19:39You are enough to see you at these doors.
19:40I know you are enough to see you at these doors.
19:41I know you are enough to see you at the door.
19:42You are enough to see you at the door.
19:43Good evening, Chef.
19:45How are you?
19:46Excuse me.
19:47Excuse me.
19:48What is this?
19:50What is this?
19:51What is this?
19:52I have never been asked for you.
19:53I have never been asked for anything.
19:55You are not?
19:56You are enough to see you at these doors.
19:58I know what you are going to ask for you.
19:59Did you know?
20:00Yes.
20:01How do you know?
20:02My responsibility and my obligation.
20:05I know what the guest will be before the guest.
20:07That is what he will do.
20:08That is first to say.
20:09My responsibility and my obligation.
20:11That each guest feels like a house.
20:14That is what is nice.
20:15And thirdly, my responsibility and my obligation,
20:17as a manager, in this case of Konobara,
20:21is that every guest is the most important person in the local.
20:26He is a local guest.
20:28He is a local guest.
20:29He is a special guest.
20:31He is a local guest.
20:32He is a local guest.
20:33He is a local guest.
20:34That is my responsibility and my passion.
20:36I see that you are very quickly at home.
20:39How are you going?
20:40How are you going?
20:41Well, you are going.
20:42There is a job, but I feel like a fish in the water.
20:47It is a nice idea.
20:48If you wanted everything, and I know that it is all,
20:53I would like to serve you now.
20:56No problem.
20:57It is all okay.
20:58Happy birthday.
21:00Please, what will I do for you?
21:03I know.
21:04I know.
21:05I know.
21:06I know.
21:07I know.
21:08I know.
21:09I know.
21:10I know.
21:11I know.
21:12I know.
21:13I know.
21:14I know.
21:15I know.
21:16I know.
21:17I know.
21:18I know.
21:19I know.
21:20I know.
21:21I know.
21:22I know.
21:23I know.
21:24I know.
21:25I know.
21:26I know.
21:27I know.
21:28I know.
21:29I know.
21:30I know.
21:31I know.
21:32I know.
21:33I know.
21:34I know.
21:35I know.
21:36I know.
21:37I know.
21:38I know.
21:39I know.
21:40I know.
21:41I know.
21:42I know.
21:43I know.
21:44I know.
21:45I know.
21:46I know.
21:47I know.
21:48I know.
21:49I know.
21:50I know.
21:51It's謝ane.
21:53Things on.
21:54You are not?
21:55You must have understood what you see.
21:56I know.
21:57I know.
21:58You are actually working on you.
21:59I have no84Cómo.
22:00Your communication talk with me.
22:01You know.
22:02You don't know.
22:03You know.
22:04You must follow me.
22:06And know.
22:07I know.
22:08You know.
22:09You must trust me.
22:10I know.
22:12You must founder me.
22:13You have done it.
22:15You must trust it.
22:15Friends.
22:16You imagine?
22:17You something.
22:18It's nice to say that people don't need to mix the family with us.
22:23I've listened to the time, where are you going?
22:27I've listened to the time, but this is good. This is really good.
22:51What?
22:54It's sweet.
22:58It's something that has passed through my head.
23:02What?
23:04When everything is so good and everything is necessary,
23:10I don't think there's any reason to leave me in the evening.
23:24What is it?
23:30What is it?
23:40What is it?
23:44What is it?
23:46What is it?
23:48What is it?
23:58What is it?
24:00You and Ivan will never forget me.
24:02You're nervous.
24:04You're nervous.
24:06You're nervous.
24:08I love you.
24:10When we were with Ivana, I didn't tell you anything about him.
24:16It was a little unexpected.
24:20What is the question? Is something happened?
24:22No, no, no.
24:24It's not something happened.
24:26It's strange.
24:28What is it?
24:30Ivan decided to become a writer.
24:34Ivan is a writer.
24:36Yes.
24:37I believe it's not a whole thing.
24:39Yes.
24:40Yes.
24:41It's as if it doesn't mean anything.
24:43No, no.
24:44You're nervous.
24:45No, you're nervous.
24:46Time is your manager, the time is your manager,
24:47now you're the manager,
24:48now you're the director.
24:49Why can't someone be trying to be looking for something?
24:52You're right.
24:53As long as you are going to be thinking.
24:54You're right.
24:55You're right.
24:56You're right.
24:57I'll tell you that it's never late.
25:00Did you cry with me or did you cry with me?
25:13Please, don't forget me.
25:15Why?
25:17Did you cry with me?
25:19I don't know why you're such a strange evening.
25:22You're not sure.
25:25Are you laughing at my mother?
25:27Yes, I'm laughing.
25:28I haven't even laughed at that evening from your house.
25:32No, I don't need you. Thank you very much.
25:35But really, Biljana, you're amazing everything.
25:37Thank you very much for your time.
25:39We need to give you some time.
25:41Yes.
25:42There's no need to give you some time.
25:47But...
25:50Maybe you'd be able to answer me?
25:52I'll ask you one question.
25:55Just tell me.
25:59Is there a company in your company
26:02a film for my Gabriel?
26:10Mama, what are the questions?
26:12It's normal.
26:13I don't have to tell you.
26:15Let's ask your fine friend.
26:17What do they think?
26:18They're certainly in trouble.
26:19What is it?
26:20What are you doing?
26:21Normal, no.
26:22Any one of the loves my gents, no?
26:25Okay, mama, please.
26:26I'm going to do it.
26:27What do you do?
26:29I'm gonna do it.
26:30I would love to see you.
26:31I would love to see my Gabriel.
26:34I wouldn't listen to my book.
26:38My heart is listening to my book.
26:39I understand you completely. It's natural. I think that every mother would think so.
26:44Thank you, Lenka. It's amazing that you understand me.
26:47Could you talk to me a little bit more about Gabriel?
26:51You ignore Lenka, I mean, she's very good to know that she doesn't have to do that.
26:56You see, it's been impossible. It's impossible.
26:59Everything is clear.
27:01So I'm happy to understand me.
27:04Tell us what you want for Gabriel.
27:08I mean, since we have a lot of different types.
27:16Like him.
27:24Why are you laughing at me?
27:26Of course, I'm laughing at you.
27:28I'm ready for your friend.
27:30Good God, my God.
27:32I don't want to make sure you don't know what you're doing.
27:34What are you doing?
27:36I'm going to tell you, I'm going to tell you, I'm going to tell you, I'm going to tell you.
27:38Yes, are you really stupid or are you stupid?
27:40I'm stupid.
27:42I'm stupid.
27:43I'm stupid.
27:44But you really decide to download it?
27:46You're going to lose your life!
27:47I trust you.
27:48Oh my God, you're going to tell me I'm just gonna tell you.
27:51I'm just gonna do it.
27:52I'm not being
28:07My friends are kind of silly.
28:09Mom, I had to say truth, I had to say things.
28:13I don't doubt that it was done well.
28:28There's no reason to go to me at night.
28:30We don't have to go to me at night.
28:32I'm just saying that without connection.
28:35Kemanja, sorry, but this isn't quite simple.
28:41No, it's simple. I asked you.
28:43You won't. I see you don't want to.
28:45Okay, don't laugh. I don't laugh at all.
28:47No, you're right. It's not true.
28:49Now, let me explain.
28:52It's obvious that between us there is a headache.
28:56That's obvious.
28:58Yes.
28:59I agree.
29:00And one part of me really says that go to him.
29:04But the mind tells me something completely different.
29:07The mind?
29:08Yes.
29:09The heart says one thing, but the mind says the other thing.
29:12Who hears the mind?
29:14Yes.
29:15And the mind says that we need to stop and that it's still early.
29:20I don't know.
29:22I don't know how to deal with the rules, the formalities, the norms when it's early, when it's early, when it's early.
29:30Look, Nemanja, I'm not a formality.
29:32You know what?
29:33Okay, what do you think?
29:34What do you think?
29:35That's so nice.
29:36I think that it's not a formality.
29:37I'm totally fine as it is.
29:39And if it's not, it's fine.
29:41Just tell me.
29:42I just want to be open and tell you everything as it is.
29:45Do you understand?
29:46I understand.
29:47I understand.
29:48I'm happy to speak.
29:49Do you understand.
29:53You so much.
29:55I'm so happy.
29:57Why should I trust me?
29:58I'm sorry.
30:02Good.
30:03How about you?
30:05I'll see myself when I came to some years.
30:07I hope, when I come to your years, that I wouldn't have a crisis of identity or some extraordinary environmental aspirations.
30:14Yeah, it's typical for you to be able to sue.
30:17Well, I'm sorry for you.
30:19What are you thinking?
30:20What do you think when people come to a new year,
30:22they don't need to live?
30:23Are you thinking about it?
30:25We have some desire, some desire...
30:27I don't think so.
30:29I don't think so.
30:30How do you think so?
30:31I don't think that everyone has the right to change their profession,
30:34but I just want to say that I think that
30:37is for Ivan's writing a long-term phase.
30:40Okay, we'll see if we're going to see a long-term phase.
30:42I just think that we need to support him completely.
30:45I support him, but it's a little funny.
30:48I believe that it's not funny.
30:50I've read something that's written and he's really really talented.
30:54What do you think?
30:56What do you think?
30:57What do you think?
30:58I don't know, I don't know what he said.
31:00He's creating his own art work.
31:02What do you think?
31:04You're right.
31:05You're right.
31:06You're right.
31:07You're right.
31:08You're right.
31:09You're right.
31:10You're right.
31:11You're right.
31:12You're right.
31:13Yeah.
31:14You're right.
31:15after that I enjoy reading.
31:17Are you sure for this enjoyment?
31:19Of course not sure.
31:21I'm going to see you in the middle of it.
31:24I'm going to write it down.
31:37You don't have to worry about how I'm being,
31:39but that I have to clean for you.
31:41No, nothing is wrong.
31:43I'm not asking you.
31:45I'm going to ask you.
31:47You've got to know all the rules.
31:49Yes, yes.
31:51I don't care when I'm doing something,
31:53I don't care when I'm not.
31:55You know what I think?
31:57I think you're not satisfied with your life
31:59and you're going to put everything in my mind.
32:01No, you're going to control my life
32:03and you're thinking about me.
32:05I don't think so.
32:07I don't care about your serious provocations.
32:09Listen to me as you talk about.
32:11What do you think?
32:13What do you think?
32:14I don't care about me.
32:15You don't have any respect for my mother?
32:17Well, this is emotional.
32:19Yes, yes, emotional.
32:22And my whole life is emotional for you.
32:25Is it for you?
32:26Is it for you?
32:27No, no, mama.
32:28You know what you're not like.
32:29When you're going to make it,
32:30I'm going to make it a little.
32:32Yes, yes, yes.
32:33I'm fine when you're going to help you something.
32:35Yes, yes, yes.
32:36When you're not satisfied,
32:37I'm going to make it a little bit.
32:38I'm going to make it a little bit.
32:39I'm going to make it a little bit.
32:40I'm going to make it a little bit.
32:41It's not possible.
32:42It must be like I want.
32:44I'm going to make it a little bit.
32:46I'm going to make it a little bit.
32:48I don't want to make it a little bit.
32:50You don't know what?
32:51You won't be more involved in my life.
32:53Never.
32:54What do you think?
32:55That's right.
32:56I won't consult you anymore.
32:57I won't talk to you anymore.
32:58I won't know anything about my private life.
33:01Gabriela, do you want to tell me?
33:03Don't lie.
33:04Everything is all about you.
33:08Gabriela?
33:24I understand.
33:25And this is a little...
33:26And?
33:27I don't understand.
33:28I don't understand.
33:29You think?
33:30I don't understand.
33:31When the two don't understand,
33:32they don't understand.
33:34I said something,
33:35you didn't understand me,
33:36and I don't understand them.
33:37Yes, of course.
33:38Yes.
33:39That's right.
33:40I didn't want to tell you.
33:41You didn't?
33:42What did you want?
33:43Okay.
33:44That's my subtle way to try something.
33:48What do you mean?
33:49Let me ask how it goes.
33:52Is it ok or not?
33:54Do you understand?
33:55No.
33:56Let me see the situation at the market.
33:58I don't know if you're in the market.
34:00I'm in the market.
34:01I'm in the market.
34:02I'm in the market.
34:03I don't know if I'm in the market.
34:04I'm in the market.
34:05What do you mean?
34:06No.
34:07I just wanted to ask you.
34:08I'm not sure.
34:09I'm not sure.
34:10I'm not sure.
34:11You're in the market.
34:13It's a bit more.
34:14It's like I want to ask.
34:15Kajo?
34:16Kajo?
34:17Kajo?
34:18Kajo, I'm like you.
34:20Kajo?
34:22Kajo.
34:23You're like me.
34:24Of course I like you.
34:25I didn't listen to myself.
34:26Of course, I'm just a slow.
34:27I'm so sad.
34:28But really tell me.
34:29Imagine you 100% on it.
34:30What do you do?
34:31Of course you like me.
34:32Of course you like me.
34:33But I've never been able to get rid of the whole story with Mila.
34:37You've never been married to him?
34:39It's not about marriage. It's about something completely different.
34:43Mila and I had serious plans.
34:46We planned marriage. We planned children.
34:52It was really serious?
34:54It was really serious.
34:56And if someone asked me if I could be with someone,
34:59I wouldn't be able to be in life. Not now, but for 20 years.
35:03But then I saw myself.
35:07And I really fell down.
35:10We started walking by walking by walking by walking.
35:13I don't know.
35:16If it's all about you, I'll understand you.
35:19I'll really understand you.
35:22I don't have any problems.
35:24I just want to know how I feel.
35:26I want to be honest and transparent.
35:28And that's it.
35:30It wasn't before me.
35:32I called me Kornjača.
35:34I'm Kornjača Puš.
35:35I like it.
35:36It's a simple thing, but it's a simple thing.
35:38It's my motto.
35:39It's just transparent and honest.
35:40I'm transparent.
35:41Now I'll tell you.
35:42Listen to me.
35:43You like me.
35:44You like me.
35:45You like me.
35:46You like me.
35:47You like me.
35:48Kaja.
35:49What are you like?
35:50What are you doing?
35:51I'm waiting for you.
35:52How old are you?
35:53How old are you?
35:54How old are you?
35:55How old are you?
35:56How old are you?
35:57How old are you?
35:58How old are you?
35:59How old are you?
36:17Exactly.
36:18Thank you very much.
36:20Thank you very much.
36:24Where is Alex?
36:26He's gone to the job.
36:28He's gone to the job.
36:30He's gone to the end.
36:32We've had such a great conversation.
36:36Really?
36:38What about you?
36:40I don't think we've talked so long and nice.
36:46We've talked about my interview.
36:48Interview?
36:50Yes.
36:52For Don?
36:54Yes, for Don.
36:56I didn't mention it.
36:58I'm sure we've already talked about it.
37:00I'm really happy to give you an interview for a renowned magazine.
37:04You know what?
37:06It will be a great promotion for our next tour.
37:10Yes.
37:14Where are you going?
37:16I'm not going to the job.
37:18I'll finish something early.
37:20I'll finish it.
37:22No, I don't have time.
37:24You're welcome.
37:26Bye, Lenka.
37:40I'm sorry.
37:42I'm sorry.
37:43I'm sorry.
37:44I'm sorry.
37:45I'm sorry.
37:46I'm sorry.
37:47I'm sorry.
37:48I'm sorry.
37:49I'm sorry.
37:50I'm sorry.
37:51What happened?
37:52We have to leave.
37:54What to leave?
37:55We're all with Mino.
37:57Wait.
37:58I'm sorry.
37:59I'm sorry.
38:00It's not funny.
38:01You know what I'm thinking?
38:02I don't know.
38:03Mino is a good friend.
38:05Mino is a good friend.
38:06I'm sorry.
38:07I'm sorry.
38:08Who knows what you are?
38:09Okay.
38:10What's that?
38:11Okay.
38:12You're not going to know anything about Mino.
38:13I don't know anything about Mino.
38:14I know that she's beautiful.
38:16I know that she's nice.
38:17I know that she's nice.
38:18I know that she's not a manekinke,
38:20but I'm the best in my life.
38:22Okay.
38:23I know that she's nice.
38:25I know that she's nice.
38:26I don't know anything about her.
38:27I don't know anything about her.
38:29I don't know anything about her.
38:30I don't know anything else.
38:31You don't know anything about her?
38:32Like what?
38:33You don't know, for example,
38:34that she's very charismatic.
38:35What does it mean?
38:36If she doesn't like anything,
38:37that she does something to her.
38:55What happened?
38:57What happened?
38:59Do you know what happened?
39:01I don't know.
39:03I don't know what happened, right?
39:05I don't know.
39:07Okay, Alexa, is it normal to make an interview with Olga
39:09and that you don't ask me anything?
39:11What?
39:13What? Is it possible?
39:15Okay, you can see me with Olga,
39:17and tell me, because it's very difficult
39:19to create something in your huge family.
39:21Okay, I don't want to sit.
39:23I don't want to sit in general.
39:25I'm a lot more than you are going to be like a princess
39:27and that I'm just a princess.
39:29I don't want to bring out a surprise.
39:31How do you do that?
39:33How do you do that?
39:35I'm not right.
39:37I don't know why you give an interview with Olga.
39:39I don't know why you give an interview with Olga.
39:41Alexa, in general, it's something else.
39:43It's something else, it's something else.
39:45It's something else, it's something else.
39:47It's something else.
39:49You don't communicate with me.
39:53I don't know why you're looking at me.
39:55You think you're going to be a little bit like that?
39:57Why did you look at me?
39:59I don't know.
40:00I don't know.
40:01It's like she's looking at me.
40:03I don't know why I'm looking at you.
40:05I don't know why I'm looking at you.
40:06Yeah.
40:07I don't know why you're looking at me.
40:09You look at me, you look at me.
40:14Yeah.
40:15Well, thank you.
40:17I don't know why you look at me.
40:19I'm going to tell you if you look at me very hot.
40:21You look at me a lot.
40:24The dress is very nice.
40:26Did you make anything new with the costume?
40:28Do you need something?
40:32Yes, I need a service.
40:48You planned to tell me that you had an interview with your mother.
40:52Why is it so scary?
40:54Because it's a nepotism.
40:56It's a repotism of the first class.
40:58And that's exactly what I don't want to do.
41:00Don't do it!
41:12Wait, wait.
41:14We didn't change anything.
41:16It's not so.
41:18And you know that it's not so.
41:20You understand?
41:22You tried to get to mine.
41:24Figuratively.
41:26Wait, wait.
41:28Yes.
41:30What are you doing now?
41:42I don't know.
41:44I don't know.
41:46What are you doing now?
41:48I'm going to tell you something, Minna.
41:50You're already scared.
41:52What did I do?
41:54What did I do?
41:56I'm going to tell you a couple of words.
41:58I think...
42:00I'm going to tell you something.
42:02I'm going to tell you something.
42:04What?
42:06What did I do?
42:24We have to talk about something serious.
42:29Why?
42:43Do you need something?
42:47I wanted to ask you something.
42:49Tell me.
42:51Do you want me to drink?
43:17What is this?
43:19What?
43:21How are you talking about this question?
43:24Which question?
43:26Which question?
43:28How are you selling?
43:29I'm looking at it.
43:30I'm very happy.
43:31What are you doing?
43:33How are you selling?
43:34I'm looking at it.
43:35I'm very happy.
43:36What are you doing?
43:37How are you selling?
43:38I'm looking at it.
43:39I'm very happy.
43:40What are you doing?
43:42What are you doing?
43:43What are you doing?
43:44What are you doing?
43:45What are you doing?
43:46What are you doing?
43:47What are you doing?
43:48What are you doing?
43:49What are you doing?
43:50What are you doing?
43:51What are you doing?
43:52What are you doing?
43:53What are you doing?
43:54What are you doing?
43:55What are you doing?
43:56What are you doing?
43:57What are you doing?
43:58What are you doing?
43:59What are you doing?
44:00What are you doing?
44:01What are you doing?
44:02What are you doing?
44:03What are you doing?
44:04What are you doing?
44:05What are you doing?