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cusekaxur
  • 6/12/2025
Igra sudbine Epizoda 1446,Igra sudbine 1447,Igra sudbine 1446,Igra sudbine Epizoda 1447, Igra sudbine Epizoda 1446,Epizoda 1447 Igra sudbine ,Epizoda 1446 Igra sudbine

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00:00We were in the Maldives, and if you want to kill me, then we came back to you.
00:18Oh, God, help me, man. You are normal.
00:24I saw you a little bit, to see some other people, to change the environment.
00:28But you, you are all the opposite.
00:30When you change the environment, you will see you in the middle of your head with your mouth.
00:34What are you, man? Don't let me go here.
00:36That's why we came to the business club.
00:40Who do you want?
00:42Who do you want?
00:44Who do you want?
00:46Who do you want? Who do you want?
00:48Who do you want?
00:50You don't want me to paint.
00:52Come on.
00:54Well, nothing.
00:56What do you want me to do?
01:00Korane, it's interesting to me.
01:04Who is the man who writes me?
01:08It's a mess.
01:10I don't know why he writes me.
01:14Please?
01:16Sorry.
01:18How do you think?
01:20Like that, like that I said.
01:22I don't understand why.
01:24Why do you think?
01:26I think that's a decision about the collegiate.
01:27A decision about the collegiate.
01:28Yes, that's a decision about the collegiate.
01:30Yes, that's a decision about the collegiate.
01:32What's the problem?
01:35No, I don't know why.
01:38I think it's so awkward.
01:40It's sobetweener?
01:42Yes, I think it's so awkward.
01:44We can do this for sure.
01:46I've been reading that.
01:47Not 26 times.
01:49Yes.
01:50Go for now.
01:51I don't see that you're always on to go there.
01:53I'll try it.
01:54I'll try it.
01:56Prvo prase se brzo umorilo.
02:00Za tre noka napravilo je kućicu od slame i leglo da spava.
02:05Nema posle, srce moj. Pa nema posle.
02:08Kad je to posle? Znam ja posle kod muškaraca šta znači.
02:12Neću zaboraviti, ne briniti ništa.
02:15Targo, djubre za sobom, to ja tebe moram da naučim.
02:20To se sklanja odmah, sad, ovog sekunda.
02:24Zumeš, nema posle.
02:26Ovo me sad poteće kod sam kod roditelja u žicu.
02:30Svi su otešli.
02:33Da.
02:36Pa ćemo i mi da krenemo.
02:40Idi ti, ajde.
02:44Sigurno?
02:46Da, sigurno.
02:49Vidite mi repopio si. Pa šta?
02:54Ajde ti, repopio.
02:58Mogu sam.
03:01Šta se dešava ovde gde su svi, gde su baš, baš, baš svi?
03:07Baš, baš, svi su u akciji spašavanja.
03:10Gde sam tu ja, koga spašavam?
03:14Mido je izveo milete na pice za to što je imao da nam krepao tuge ođe.
03:19A šta je?
03:21Šta je?
03:23Odvratno.
03:25Odvratno.
03:26Blaboru jedan.
03:28Ne imaš ti pojma, čovječe, džabes ja mu...
03:31Panče, ja volim te misteri. Slušaj.
03:43A?
03:44Šta ti misliš kako bi se on osjećao?
03:47Da sad on zna koliko tebe kopka da ti njega vidiš.
03:54Govorim ti o pisanju.
03:56Aaa, o pisanju.
03:58Da, da, mnogo mi je značilo to što si ti rekla da ja imam talenta.
04:06Ništa, kažem, to je to.
04:08Ne može to tako.
04:11Vidi, Saro.
04:12Nemoj tako da razgovaraš sam.
04:13Saro, ja pričam, a ti čutiš.
04:16Nemoj mnogo da se praviš luda i da si iznenađena što si dobila otkazu do oni.
04:20Posle svega što si uradila, Andriji, ovo je najmanje strašno što je moglo da ti se desi.
04:26Imaš sreću da ti ja nisam sudila.
04:28Jer da sam ti ja sudila, otkaz bi ti bio najmanji problem.
04:32Zato čuti i pale.
04:36Nešto mi je palo na pamet.
04:39Šta?
04:40Kaži slobodno šta.
04:44Palo mi je na pamet da napišem roman.
04:49Roman?
04:50Da.
04:51No šta?
04:53Ja mislim da je to odlična ideja.
04:55Sada.
04:56Da.
04:57A o čemu bi pisao?
04:59Pa ne znam još stačno.
05:01Pa jesi razmišljao?
05:03Svakako nismo stigli malo preda si ispriča.
05:05Nećemo se nis pričati pošto sam upravo dobila otkaz.
05:11Šta to?
05:12Šta sam gotivio tvoje tekstoje.
05:14Hvala ti.
05:16I tebe sam gotivio.
05:18Hvala ti, ali...
05:20To me baš ništa ne znači.
05:23Ali meni znači.
05:24Šta tebi znači?
05:29Šta ću opet morati rejnko konj?
05:31Šta ti kažem, ja sad mislim da je Mile tu mnogo teže kad me je video nego pre i onda sam i ja loše, razumeš?
05:42Pa jo, ja moram tebe da podsjetim da je Mile tebe ostavio, ne ti njega.
05:46Znam, ja to vrlo dobro znam i ja to ponavljam sebi non stop, ali jednostavno ne mogu da nastavim tek tako dalje.
05:53Nije mi lako, razumeš?
05:54Znam, znam, ali sve će se rešiti.
05:56Ajde.
06:00Kažu da život piše romane, kažu da život nije fej.
06:25Ponekad pobodi, ali često mane.
06:30I sve je nežesno, osim sudbine.
06:36Kao ljubavi u ratu, kuca sve nema pravila.
06:48Imaš jedan život, samo jednu šansu, da postaneš nikom, jer zvezda sve mira.
07:01Igra sudbine, kao kolo sreće.
07:06Nekoga hoće, nekoga baš neće.
07:11Kao naru letu, sve se okreće.
07:15A mi smo dao ti, svoje sudbine.
07:22Ponec.
07:52Oh, good morning.
08:10Good morning.
08:11Good morning.
08:13Where are you here?
08:17I live here, I don't know.
08:19We're in the same room.
08:20I don't ask for you, Darko.
08:23You, or you are you here?
08:27I?
08:28Yes.
08:28What do you think of me?
08:30I'm going to go to drink the morning coffee.
08:33And we were going to drink the morning coffee.
08:36Yes, in the night of the night.
08:39What do you think of the morning coffee?
08:41No, nothing.
08:43It's not clear how you've got so quickly.
08:46First drink in Fame, then drink here at 9am.
08:52I mean, drink in the evening, drink in the evening.
08:56We're together.
08:57We're together, yeah.
08:58Yes, yes, yes.
08:59But it's not clear since you didn't communicate so much in Doni.
09:05Do you pray something?
09:07What?
09:08We?
09:09Oh God!
09:10We don't have a chance.
09:11Is that so, Darko?
09:12No.
09:13No.
09:14What would we ask?
09:15Okay, I'm asking.
09:16I'm happy.
09:17I mean, how did we get rid of ourselves?
09:22It's just a crazy situation, right?
09:24Yes.
09:25I came to Doni to bring some advice from Fame.
09:30We met here a little better.
09:33And we were happy.
09:35We started to get together.
09:37Yes.
09:44I came to happen.
09:45I came to Russia.
09:46I was waiting for Sakolov.
09:47I was in my pocket.
09:48No reason why I was waiting for the opportunity to come and see you are still alive.
09:50Yes, that's It's possible.
09:51Yes, back in the house.
09:52Even I'm still alive.
09:53See it.
09:54It's a moreful time.
09:55It's not a beautiful place.
09:56See it.
09:57I live a little bit.
09:58Over here.
09:59Actually, there's no more time.
10:00There's no more time.
10:01There's no more time at home.
10:03There's no room.
10:04There's no room.
10:05There's no room.
10:06Yes, the way you're living in this place.
10:07There's not much better.
10:09You're not still in the house.
10:10Good morning, but it's not something amazing, so it's only from tomorrow.
10:17Where is it?
10:19How?
10:22Do you want a little drink?
10:25No.
10:26No.
10:28Do you know what I'm saying?
10:30When I look at you, I'm afraid you have to change things around yourself.
10:36What is it?
10:37I'm not. I'm praying.
10:40What do you pray? Don't you pray me?
10:42You have to change things around yourself.
10:45Let's take a look at yourself. Look at what you're saying.
10:50Take a look at yourself, when the fire is burning.
10:55I'm fine.
10:56I'm fine.
10:57I'm fine.
10:58I'm fine.
11:00Great.
11:01You're going to be safe.
11:02What?
11:03My dear.
11:04What about Kaje?
11:05I'm 100% sure.
11:06Who?
11:07You're not.
11:08You've never been affected.
11:09What?
11:10You've never been affected.
11:11You've never been affected.
11:12No.
11:13It's not.
11:14You've never been affected with this disease.
11:15It's a long story.
11:16You've never been affected.
11:18You're never that.
11:19I would like it to be like that.
11:25What?
11:33Okay, then you get together, friends.
11:35You can drink coffee. I go.
11:37Enjoy.
11:39Bye.
11:42Mina, where are you going?
11:44I'm going to the store.
11:46We'll have five minutes to drink coffee.
11:49No, please drink coffee.
11:52Wait, wait.
11:54I'm going to ask you something.
11:57Yes, please.
11:59I think you've changed life since you became popular.
12:06Enjoy coffee.
12:08Hello.
12:10Hello.
12:16You know what?
12:18What?
12:19You know how I love when I'm special, when I'm natural, when I'm in the middle.
12:25Mina is a cool guy, but...
12:27Did you say something bad?
12:29It's not bad, but be objective.
12:32She doesn't notice me.
12:34What?
12:35What?
12:36What?
12:37She doesn't notice me.
12:38No.
12:39No, no.
12:40Look.
12:41Mina is an open type.
12:42She, she's going to knock it out without any sort of turning.
12:46But she's like Santa Leda.
12:49So, you have to wait for her to close her.
12:52Okay.
12:53But I think that I'm not on map.
12:55What do you think?
12:56I'm not on map.
12:57What do you think?
12:58I'm not on map.
12:59No.
13:00What?
13:01No.
13:02Be careful. Be careful. Be careful and strong.
13:09Everything will be done.
13:11Okay. What do you say?
13:14Get out of the way.
13:16We'll hear it.
13:18Let's go.
13:20Let's go.
13:30My brother, I have to explain why you're working.
13:31You bastard.
13:42You know, it's a까요PS también?
13:46What do you think about it?
13:48Yes.
13:50How do you think about it?
13:52Who is my father's mother?
13:54Who is he?
13:56Who is he?
13:58Good, Chica Midol.
14:00Good.
14:02He's good.
14:04For the beginning, I believe,
14:06and that it's good for Kajun.
14:10What do you think about it?
14:12What are you talking about, dumb people?
14:14I'm really talking about what I'm thinking.
14:18Put your hand on the head.
14:20Put your hand on the head.
14:22Yes, yes, yes.
14:24Do you have a temperature?
14:26Chica Midol, I have a temperature.
14:28I have a temperature.
14:30I want Kajun to be happy.
14:34She deserves to be happy.
14:36If she is happy,
14:38it will be easier for me.
14:40It will be easier for me.
14:42I would like to do it.
14:44Good, good, good.
14:46Good.
14:47You know what?
14:48I'm going to go.
14:49Where do you think?
14:50I'm going to be quiet.
14:52I will be short.
14:54I have a place.
14:56I'll go.
14:57Let's go.
14:58Let's go.
14:59Let's go.
15:00Let's go.
15:01Let's go.
15:02Let's go.
15:03Let's go.
15:04Let's go.
15:05Let's go.
15:06Let's go.
15:07Let's go.
15:08Don't come out.
15:09Let's go.
15:10Come on.
15:11Let's go.
15:12Let's go.
15:13Let's go.
15:14Let's go.
15:15Let's go.
15:16Let's go.
15:18What is it?
15:19This is the end.
15:51Hello, Vitomire.
15:53I'm calling you to see how you are.
15:55It's not bad, here I go from the storehouse.
15:58The interview is great, it's gone.
16:00It's really nice.
16:01I've got to thank you for that, but I don't say it.
16:05But I'm a social media fan of you.
16:07And what do you say, how do you get to be a star?
16:10Not really.
16:11Not? How do you do that?
16:13Just not to be able to get popular.
16:16You should be using it.
16:17For now, I'm just going to get the notification.
16:23What can all of this mean for your job?
16:26I'm going to say that it can help me.
16:29Of course, it can.
16:30I'm going to say that it can help me.
16:36Do now, I've received six requests for marriage.
16:39Ten of them to death.
16:42And I'm going to count on new friends, and I'm going to count on them.
16:46You see what I'm saying?
16:47I'm going to say that they're talking about you and not talking about you.
16:51Maybe in your world.
16:53Maybe you like this world of my world?
16:57Maybe.
16:57Maybe.
16:59Maybe.
17:00Thank you for calling me.
17:01I have to go now.
17:03We'll hear you.
17:04We'll hear you.
17:05We'll hear you.
17:27Hello, Stefan.
17:29Again, later.
17:31Please, don't do it now.
17:33I don't know, 17 minutes.
17:35What do you want to say?
17:36Gužvo in the transport?
17:38Where is Mateo?
17:41She went and finished something.
17:44But he asked Vitomir for me.
17:46Vitomir is not.
17:49He is.
17:51He asked, but Mateo is hiding her.
17:55You really are the other one?
17:57Mateo is a beautiful girl.
17:59It is not a beautiful girl, but a beautiful girl.
18:02It is.
18:03Yes.
18:04And how do you want to do it together?
18:07I pray.
18:09And you, Mateo, how do you want to do it together?
18:12That Stevane's father falls on a memory of a lupet.
18:15Listen, you are an ideal partner.
18:18Listen, Stevane, Mateo is a lot younger than me.
18:21I don't care about Mateo.
18:23Okay, if you say that.
18:26But I like another girl.
18:29And who?
18:30Listen, don't tell me.
18:32Who is he?
18:33It's nice.
18:34You know, I work hard.
18:36And at the door, it will be great.
18:39But I will not tell you that I will not lose.
18:42See him.
18:43Okay.
18:44See, I can tell you only one thing.
18:50You can hide and hide and try and try and stay hard.
18:56You understand?
18:57There is nothing from that.
18:58Stevane, I don't understand anything.
19:00Good.
19:01Good.
19:01Good.
19:02Good.
19:03Good.
19:04Good.
19:05Good.
19:06Good.
19:07Good.
19:08Good.
19:09Good.
19:10Good.
19:11Good.
19:13It's okay.
19:15Excuse me.
19:26Why...
19:28Tikajić...
19:30I think...
19:33I was surprised that you came to me.
19:37I came to visit.
19:39What?
19:44How are you, Maric?
19:50Who are you?
19:52Hey, Lukashine!
19:53We haven't seen you yet.
19:54We haven't seen you yet.
19:55We haven't seen you yet.
19:56We haven't seen you yet.
19:57We haven't seen you yet.
19:58We haven't seen you yet, but now I'm here.
20:02How are you?
20:04I'm fantastic.
20:07And you?
20:09Very good.
20:10Thank you very much.
20:14Why do I have to thank your visit?
20:18Well, I'm here with a...
20:21...very clear goal.
20:25Okay.
20:26Listen.
20:28I need your professional expertise.
20:35Expertise?
20:44How do I have to go back?
20:45The moment?
20:46How do I have to go back?
20:47No, no, no...
20:49Never.
20:50There's nothing.
20:51The moment?
20:52One day?
20:54A night?
20:55Home?
21:05You're cold.
21:06One day?
21:07Where are you from?
21:09I said I came to talk to you.
21:11Why?
21:13I wanted to ask you to ask you.
21:15How are you?
21:17I wanted to ask you to ask you.
21:19Great.
21:21Good.
21:23Great.
21:25Good.
21:27Good.
21:29Good.
21:31Good.
21:33Good.
21:35Good.
21:37Okay.
21:39I wanted to talk about what happened.
21:41What happened?
21:43What happened?
21:45I don't know what happened.
21:47What happened?
21:49It wasn't nice to me when we met.
21:53I'm right.
21:55You can tell me.
21:57It was my name because it was nice to me.
22:03It wasn't nice to me.
22:05It wasn't nice to me.
22:07It wasn't nice to me.
22:09What does that mean?
22:11I think it was always nice when I saw you.
22:15It was nice to me.
22:17It was nice to be known as well.
22:19It was nice to me.
22:21And, you know, ever doing this?
22:23The issue was nice.
22:25It wasn't easy to me.
22:27Secretaries?
22:29You said call me.
22:31It was nice to me.
22:33Very nice to me.
22:35Sure, right, shall we?
22:37I have a good friend of mine.
22:42Opa!
22:44Now, I would like to know who he is.
22:49Do you understand?
22:51Who is that guy who sends messages in the DM?
22:56How are they?
22:58We are going to write down a moment,
23:04and he is watching my blog,
23:09what I'm doing, what I'm preparing.
23:13Do you know?
23:15Yes.
23:16And now we are going to change recipes.
23:20Recepts?
23:22That means love.
23:25What love?
23:27I have a job.
23:29No, no, no, no.
23:31Wait.
23:32Is that guy telling you some symptoms?
23:36No.
23:37No, no.
23:38I have a job.
23:40No, no, no.
23:41What is the problem?
23:42The problem is that I want to know who he is.
23:46What?
23:48Can I?
23:57What are you doing?
23:58I don't know what you are talking about.
24:02Don't make a mess.
24:04I don't know why you're talking about my mother.
24:06And you don't want to be in my mother.
24:08You don't want to stop doing that.
24:10You don't want to tell me what you're doing.
24:12That's what you're talking about here.
24:14You're losing.
24:18We'll be together.
24:20We'll be together.
24:22We'll be together.
24:24Where are you from?
24:26You've got something bad for me.
24:29Darko, don't want to do anything here,
24:31you don't know anything.
24:33I understand.
24:35What did you understand?
24:37You look like you have more free time.
24:39And in that free time,
24:41you're thinking about movies
24:43and action sequences
24:45that don't have a connection with your life.
24:47It's not true.
24:49But I know you very well.
24:59I don't know.
25:05Maybe it's my problem.
25:07Yes.
25:09No, it's certainly my problem.
25:11I always feel a fear of trust in you.
25:13Always.
25:15And I don't have to feel like that.
25:17I think it's time to do this.
25:19How do you do this?
25:21So, we'll have to do the first actions.
25:23Знаешь, what are the most important actions?
25:25The most important actions is to keep you with me,
25:28and not you.
25:29No, you don't have to do it.
25:31You're doing that you need to do it.
25:33And why should you do it?
25:35Why?
25:37Why should you do it?
25:39I don't have to do it.
25:41So you'll have to do it.
25:43You'll have to do it.
25:45Yes, you'll have to do it.
25:46You'll have to do it.
25:47It was ok, it wasn't for you that you saw me with Nemanj, right?
26:00How are you going, Mido?
26:02How are you talking about?
26:04What about you?
26:06What is there, Mile?
26:09We've come a little to drink some things.
26:14We'll talk about...
26:17This is my friend, Nemanja.
26:21Dear guys, I'm Nemanja.
26:23You've heard our names.
26:26This is Chikamida.
26:28I'm Mile.
26:30I'm Ido Pljanovic.
26:32I'm Kajo.
26:34Where are you at the business club?
26:37I've lost a little bit.
26:40I'm sorry, Mile, I think we'll get to know each other.
26:44You've been in Conobor, Mile Divina, right?
26:49Yes.
26:50I know.
26:51I know.
26:52I know.
26:53I've gone there a few times.
26:56How many times?
26:57Aha.
27:01I've got to go to the money and the jobs that I have to do.
27:07That's right.
27:08I've got to go to the house.
27:09I've got to go to the house.
27:10I've got to go to the house.
27:11I've got to go to the house.
27:12I've got to go to the house.
27:16What happened?
27:17We die.
27:18Don't tell him.
27:20Let's proceed.
27:21It has ever been real.
27:24I've ever been more real.
27:27I've ever been more real.
27:29That's all.
27:30That's all.
27:31That's all.
27:32That's all.
27:34That's all.
27:35Nothing else?
27:37What's all serious?
27:39It's important to be happy.
27:41That's important.
27:43I don't know him anymore.
27:45That's fine, child.
27:47Cool.
27:51I don't know him, but...
27:55I don't know him.
27:57That's what I'm saying.
27:59And if...
28:01You're happy.
28:03But that's important.
28:05What's going on?
28:07Okay.
28:09That's fine.
28:11That's fine.
28:15Thank you for the conversation, Mila.
28:17I don't know.
28:19I have to go now.
28:23Let's go.
28:25I have a lot of work.
28:27I work.
28:29Bye.
28:31Bye.
28:33Bye.
28:39I...
28:41...
28:43I will not feel the truth of you.
28:45I hope and I will not feel the truth of each other.
28:47I will not feel the truth of each other.
28:49If I have to go now.
28:51And...
28:52I will not think of each other.
28:55What were you thinking?
28:57Are you thinking of each other, maybe, or, or...
28:59The other one?
29:00Do you really think that?
29:04Do you think that I'm going to be in between Lazara and you?
29:09You have to ask me a few times questions in different forms.
29:14Okay, Mina.
29:16If you really want me to do well, you know that it's all my mind.
29:20Yes, Darko, if you really want me to do the next thing,
29:24you should do the next thing.
29:26Lazar, if he wants something to do with me, he will do it alone, and not to do it against you.
29:31Wait, wait. The question is only about you.
29:35What is the question?
29:41Is he...
29:44Is he Lazar's chance against you?
29:46I have to say it.
29:47Why are you kidding me?
29:49No, I don't want to say it. I don't want to say it.
29:52Okay, I didn't want to say it.
29:54In other words, I don't know what Lazar wants or not.
29:58I don't care about it.
29:59But I don't like it when something is done like this.
30:03I don't give up these things.
30:05But, Mina...
30:07Listen.
30:08Listen.
30:09Listen.
30:10We finished the story.
30:11Everything I told you.
30:12You understood everything.
30:13How many hours?
30:30How many hours are you?
30:345.15.
30:37Don't say, it's time for hand.
30:40It's time for hand.
30:42It's time for hand.
30:44No, if you're in a special regime.
30:47What is special regime?
30:49Lazar is sad when I ask him how many hours is.
30:53What is he in a special regime?
30:56No, he likes to eat.
30:58Do you want to eat?
31:02What do you want?
31:04Here, I have meat with meat.
31:06I have meat with meat.
31:08No, meat with meat.
31:10Okay, that's how you say.
31:12Otherwise, meat with meat with meat.
31:15Okay, what is the difference?
31:18What is the difference?
31:20First, you have meat with meat.
31:23You have meat with meat.
31:25Yes, I have meat with meat.
31:27Wait, I can explain the difference.
31:29Because meat can also be sweet.
31:33Meat with meat with meat.
31:35Meat with meat.
31:37Meat with meat.
31:39Meat with meat.
31:40The meat is only meat.
31:41The meat is found in my home.
31:43The meat is the end of the day.
31:45You want to eat.
31:46You want it or you don't want it?
31:48You want it.
31:49You want it.
31:51I want it.
31:52Good.
31:53What do you want?
31:54Good.
31:55Good.
31:56Good.
31:57Good.
31:58Good.
31:59Good.
32:00Good.
32:01Now I want yogurt.
32:02Good.
32:03Good.
32:04What do you want?
32:05Give me some...
32:06...maramice.
32:07Here is the salve.
32:08Salve.
32:09I know I don't want yogurt.
32:11Where is Laza?
32:13Do you want something to finish?
32:15Laza, a little bit.
32:17You know what?
32:18Great.
32:19You want something to finish?
32:21Great.
32:22What is there?
32:23You won't believe me.
32:26What do you want to believe?
32:29I just wanted to talk about Laza.
32:33What?
32:34What do we want to talk about Laza?
32:47Okay.
32:50So, now we have a case of the opposite of the Svinjski's head.
32:56What is the Svinjski's head?
32:58What is the Svinjski's head?
33:00When we have the Svinjski's head, we looked at who was going to lead.
33:05Now we try to know who is going to turn to you.
33:11We have to start from something to do.
33:13To make some priorities as we can get to the end of the investigation.
33:17Do you understand?
33:18What do you think?
33:20Do you want me to say something?
33:22Do you want me to talk to you?
33:24I'm going to talk to you.
33:25Do you want me to talk to you?
33:26Wait.
33:27Wait.
33:28I don't like that.
33:29I didn't know that it was so bad.
33:31It was more than the beginning of some romance.
33:35Hey!
33:37I think I'm going to go to some other agency to seek help.
33:42Just so know that you know.
33:43What do you think?
33:44What do you think?
33:45What do you think about you?
33:46What do you think about this at the end of the S corp?
33:47Are you okay?
33:48Are you okay?
33:49Yes.
33:50I don't have time for the visaging.
33:54You will help me, or you won't help me, tell me.
33:58I want to, of course, I want to.
34:01Okay, do I need to do something for him or do I want to do an expertize?
34:06Well, I'll give you an expertize.
34:10Marica, how do you think I can find this guy if you don't give me any information about him?
34:17I don't know, he's a man from the network.
34:20He's a false profile.
34:23I know, now you give me that profile,
34:26follow me, send me your description, conversation, you understand that I can...
34:33Is that what I have to do?
34:35Yes, I have to do it, but then I don't know who I am.
34:40Okay.
34:42Is it the address of the agency?
34:44Is it.
34:45Wait, wait, wait, wait.
34:48Go ahead.
34:49Go ahead.
34:51Go ahead.
34:51I can't find him who is this guy, and tell him.
34:56I can't believe it.
34:56Where is he?
34:57It's been sent.
34:58But I know it.
35:00I will, I ask you, find me and tell you who is your person, and I'll give you.
35:07I'm sure. And I'll show you everything.
35:11And I'll tell you, all that on the devices, it is very intimate.
35:18I will, I'll tell you, it's only ours.
35:22Yes, yes, yes.
35:26You hear me.
35:28It's a new one.
35:30Come on.
35:31Come on.
35:32Come on.
35:33Come on.
35:34Come on.
35:35Come on.
35:36Come on.
35:37Come on.
35:38Come on.
35:43Recepts.
35:48But it has been burned by a man.
35:51Yes.
35:52Yes.
35:58I think that we are generally talking about Lazy.
36:06Okay.
36:07What about general?
36:09I mean, generally, how do you get into that men and women's sense?
36:17Yes, Stevane.
36:18Why are you asking me?
36:20Because I think that you would have been a great partner, according to your side.
36:26No.
36:27Stevane, skroz mi esti empatičan, tvoj pristup, ali to nije opcija?
36:32Zašto nije opcija?
36:34Evo, odlično izgledate.
36:35A to što je Lazar, ortak iz kancelarije.
36:38Ma da, naravno.
36:40Šta to znači ortak iz... to ništa ne znači.
36:43A i trenutno nisam zainteresowana za muškarci.
36:46Šta si, prešla na žene?
36:49Ne, dobro.
36:50Ne, ne, nije to lepo, ja nemam ništa ko...
36:53Ne, ne, uopšte nije to u pitanju.
36:56Pa šta je u pitanju?
36:58Ma, izašla sam nedavno iz nekog toksičnog odnosa, ubi Bože, i sad mi treba malo vremena da se sabere.
37:04Aaa, bivš ti dečko da...
37:07Dobro, dobro.
37:09Pustimo te malo da se sabereš, da malo dođeš sebi i vratimo se na Lazu.
37:16Da, da, da, kako ti kažeš?
37:18Na razgovor ulazi sam, te da kažem.
37:21Ej, stvarno si luc.
37:23Lazar i ja, ja ne znam kako ti uopšte to palo na pamet.
37:27O ne, jel.
37:31Malo ti masno ovaj, ve?
37:33Jesi malo masno.
37:34Al dobro je, dobro.
38:03Jesi malo.
38:04Jesi malo.
38:05Jesi malo.
38:06Jesi malo.
38:07Jesi malo.
38:08Jesi malo.
38:09Jesi malo.
38:10Jesi malo.
38:11Jesi malo.
38:12Jesi malo.
38:13Jesi malo.
38:14Jesi aki.
38:15Jesi malo.
38:16Jesi malo.
38:17Jesi malo.
38:19Jesi malo.
38:21Jesi.
38:23Jesi.
38:25Jesi malo.
38:27Jesi, a Zero.
38:28Normalize, normalize, you understand?
38:30I am sure that it's my own way
38:33when our milet is in the question.
38:36Is it right?
38:38Yes.
38:39What about milet's behavior
38:41is that your theory?
38:43Is it right?
38:44You know.
38:45I don't know, I see.
38:47You see?
38:48You don't see anything.
38:50You didn't see anything.
38:51You didn't see anything.
38:53You didn't see anything.
38:55You didn't see anything.
38:57Mila, tell me that.
38:58Mila, tell me.
38:59Mila, tell me.
39:00Don't worry about it.
39:01Don't worry about it.
39:02Just tell me.
39:03My eyes look better.
39:05My eyes look better.
39:06My eyes look better.
39:08My eyes look better.
39:10I tell you how it was.
39:12Mila, Mila, tell me.
39:15Mila.
39:16Our Mila is the first time
39:18in the night
39:19he saw Kaju
39:21in the family of the other man.
39:27If you don't care,
39:28I'll be fine.
39:29Nothing to do.
39:31So, the Spanish series
39:33is on the repertoire.
39:34I'm even worse than that.
39:36I can't listen to them anymore.
39:38My mother.
39:39I'm going to intensify
39:41the jury of the jury.
39:42My mother.
39:43My mother.
39:44My mother.
39:45I'm going to ask you.
39:46Why?
39:47I'm going to ask you.
39:48Why?
39:49What do you think about it?
39:53I would suggest a film.
39:56Why?
39:58So, you wouldn't be afraid
40:01to invest Millet in the business club.
40:04That's it!
40:06It doesn't have a deal with Millet, you know?
40:09It's a little uncomfortable,
40:11because I think about it,
40:13that I'm afraid to invest Millet.
40:15No, no, it's not really.
40:19You're not sure about it.
40:21You're not sure about it.
40:23You're not sure about it.
40:25You're not sure about it.
40:27How are you, Millet?
40:29It's all.
40:31Okay.
40:33You don't have to do a drama,
40:35you're on a show.
40:37You're on a show.
40:39What do you do?
40:41Nothing, nothing.
40:43We don't do a drama and a drama,
40:45but you, when you're released with Kajam,
40:47every day on Ivica, I was killed.
40:59Good evening, Chef.
41:01Where are you?
41:02Excuse me.
41:03What's this?
41:05What's this?
41:06What's this?
41:07It's about you.
41:08I haven't asked anything anymore.
41:10You're not.
41:11It's about you.
41:12It's about you.
41:13It's about you.
41:14It's about you.
41:15It's about you.
41:27Ivan, as a manager, who would you say?
41:29Who would you say so well?
41:31Who would you say so well?
41:32What would you say so well?
41:33What would you say so well?
41:34You know what?
41:35I'm afraid of what will happen
41:37if everything will happen in a moment.
41:39It will happen to you.
41:40You are born for me.
41:41You are born for me.
41:42I don't know why you are the mother of the singer.
41:46All I need to say so well.
41:56What's this?
41:58He's sweet.
42:00Did you pitch this like something?
42:02Something which fell for me?
42:04What's this?
42:05Now, when everything is so good and everything is necessary, I think there is no reason to leave in the evening.
42:18You are used to control Pavlov's life, but you thought that you will control me.
42:36Yes, you will not be able to do that. I do not fall into your serious provocations and your thoughts.
42:40Watch how you talk about me.
42:42Oh my God, what do you think?
42:44It was me.
42:46You do not have any respect to your mother.
43:00What do you do? Some dangerous criminal?
43:03Yes, dangerous love criminal.
43:05Love criminal?
43:07Don't ask me anything else. If you are rich, please, this is enough to solve this.
43:13I mean, the situation is one of the two of us.
43:26You know what? It will be a great promotion for our next episode.
43:30What?
43:31What?
43:32What?
43:33What?
43:34What?
43:35What?
43:36What?
43:37I will go to Kosovo. I will have something to finish later.
43:40What?
43:41What?
43:42What?
43:43What?
43:44I will do?
43:45What's the usual hymn of what you love to do?
43:58Yeah, right.
43:59Carly, come.