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00:00In the middle of nowhere, in the middle of nowhere
00:14What are you talking about?
00:16I know what I'm talking about and why I'm talking about it.
00:19You need to be a little more careful.
00:22About what?
00:23About yourself.
00:25Be in love as much as you want, but...
00:28You need to open all four of your eyes.
00:31You play with words.
00:33I don't love you, I don't know you.
00:35You're free to say whatever you want.
00:38Just pull out the axe and say it.
00:42Don't get me wrong, but I've noticed that you're a little protective of me.
00:49What do you think?
00:50Didn't someone deliberately place that information to protect Sara?
00:57It's possible.
00:59But I have to investigate.
01:02Otherwise, it all leads to my business reputation.
01:08My life.
01:09Our common life, too.
01:11Yes.
01:13But Sara...
01:18I'm not excluding anything.
01:21We have to be very careful, you know.
01:25What can we do?
01:27We have to give up everything if we have to.
01:30We have to be careful.
01:32Everything will be fine.
01:34Gala, I'm being honest.
01:36You know, my heart is aching.
01:39I've been going through his stuff.
01:42It's very expensive.
01:43I read that I'm overdoing it.
01:45I took a short edition.
01:46Please.
01:47Do you remember when I did that?
01:48Please.
01:49I really like it.
01:50Listen to me.
01:51Or you'll fall in love five times a day.
01:53Gala, don't be like that.
01:54Your friend is very...
01:57What's wrong?
01:59Nothing.
02:01You seem upset.
02:04I'm not upset.
02:05What's wrong?
02:07You can't fool me.
02:10What's going on?
02:12Nothing's going on.
02:14I just don't want to make you even more upset.
02:16What's wrong?
02:17We have to talk.
02:19What was that?
02:22What was that yesterday?
02:25I don't know what yesterday was.
02:27You know it very well.
02:29I really don't know what you're talking about.
02:31That digging up in front of Jovan.
02:32What did it mean to you?
02:33What?
02:35I'm talking to you about that mining yesterday at the meeting.
02:38What's going on?
02:39I really don't understand what you're talking about.
02:41Don't make a fool of yourself.
02:43Wait.
02:44You're really excited today, I see.
02:47I wasn't.
02:50But when you came in, my heart skipped a beat.
02:53You know how it is.
02:55And you're still the Queen of Maldives, you know?
03:00I heard you wanted to see me.
03:03Yes, I wanted to talk to you.
03:05Okay.
03:06I'm listening.
03:08I don't want to end up working behind your back again.
03:12Why would I think you were working behind my back?
03:17I saw you talking to Andrija.
03:20Okay, I can't say what I think.
03:23You can't.
03:24You can, but not in front of the boss.
03:26Do you understand?
03:28Yes.
03:29Maybe you learned that on the tabloid that you can't say what you think.
03:33But here it's all a little different.
03:36Please.
03:37Are you sure?
03:39Yes.
03:40You probably told him about Sarah Berger.
03:43So you already know.
03:45Someone's looking for you.
03:55It's time to open the cards.
04:16They say that life is a novel
04:21They say that life is not fair
04:26Sometimes it's better, but often it's worse
04:30And everything is unknown, except for fate
04:38Like love in a war
04:43There are no rules
04:48You have one life, only one chance
04:53To become a hero, because the star gives everything
05:02The game of fate is like a wheel of fortune
05:07Someone wants it, someone doesn't
05:11Like on a plane, the world turns
05:16And we are the passengers of our fate
05:31Like on a plane, the world turns
05:36And we are the passengers of our fate
05:57Let me tell you something, Edo.
05:59What?
06:00About the movies and all that.
06:02It's so hard to make them.
06:05I'm like water.
06:07Believe me.
06:08I can imagine, Pancetta.
06:10Where is it so easy?
06:13I think it's easier to dig canals than to do that.
06:17That's right.
06:19But it's a little expensive, isn't it?
06:23No, I haven't seen anything yet.
06:27They didn't pay me the money.
06:30It will be.
06:31What?
06:32It will be.
06:33Believe me.
06:34Pancetta, you'll be satisfied.
06:36You'll see.
06:37Listen to me, Edo.
06:38What do you say, Edo?
06:39Edo, this, this.
06:40Nose.
06:41Okay, Edo.
06:42Let me believe you.
06:43I came here to see what the cafe is like.
06:47Is everything all right?
06:48Tell me.
06:50Pancetta, on the other hand...
06:52Yes.
06:53Everything is fine.
06:54Is that so?
06:55But there are a few problems.
06:59What kind of problems?
07:01Nothing serious.
07:03The atmosphere at work is not good.
07:08What about the atmosphere?
07:12Not that.
07:13Mile.
07:14Mile, Pancetta.
07:15I don't know what's wrong with him.
07:17He's grumpy.
07:18It's as if he's been drowning.
07:20He's depressed.
07:21It's as if my day of judgment was far away.
07:24Yes, it is.
07:27But...
07:29I can't deal with Mile now.
07:32I'm on the young man's side.
07:34Listen to me, Pancetta.
07:36No, wait, Edo.
07:37I'm very serious.
07:39Look.
07:40I'm going to handle Kai.
07:43And you're going to deal with Mile.
07:45Me?
07:46Yes.
07:47Why me?
07:48Because you're men.
07:50Who?
07:51Us?
07:52Yes, we are, but...
07:54Pancetta.
07:55What?
07:56Why me?
07:57It's the hardest part of the job.
07:58Why?
07:59Is it fair?
08:00It is.
08:01Okay.
08:04If it's fair, then it's fair.
08:22Excuse me, can we talk?
08:38We can after you apologize.
08:42I'm offering you a big apology.
08:45Apologize.
08:46Apologize a hundred times.
08:50I'm aware that I made a mistake.
08:53Sometimes I lose control of my emotions.
08:59I'm sorry if you can forgive me.
09:03I'm really sorry.
09:06Okay, I accept your apology.
09:08I hope it won't happen again.
09:10I'm sure it won't.
09:12I understand your feelings.
09:14I understand that you're in a state of love
09:16where you can't control yourself.
09:18But you really don't need to doubt my loyalty anymore.
09:21You don't need to do that.
09:22I won't let you do that.
09:24I know, I know.
09:26I'm ashamed because of that.
09:28I'm ashamed because I doubted you.
09:31But believe me, there's a reason for that.
09:36A reason for what?
09:39A reason for my stupid feelings.
09:45What reason?
09:47Sometimes I feel like I'm in a dream.
09:53In a dream?
09:54Yes, like I'm in your dream.
09:57In my dream?
09:59Yes.
10:03I'm sorry, I had no idea you felt that way.
10:06I mean, if I did something wrong,
10:08it wasn't on purpose, believe me.
10:10No, but the worst part is that it has nothing to do with you.
10:13It's not your fault.
10:15I managed to look at my situation.
10:31So, Andrija told you everything.
10:34Of course he did, he just didn't tell me
10:36that the information came from you.
10:38That's good, he's discreet about his sources.
10:41He always was.
10:44But you told him first.
10:47I did, because I was working on it,
10:49but I really didn't want to overdo it.
10:52Yes, I understand that.
10:54No, I really didn't.
10:57How do you know all that?
10:59Where did that thread come from?
11:02From my mother.
11:04Excuse me?
11:05Yes, I mean, she goes to therapy with Sara Berger
11:08and when she went to the ward,
11:11she thought that Sara had something to do with all this.
11:15So, all of this comes directly from your kitchen?
11:19I trust my mother,
11:21she wouldn't say that she wasn't suspicious.
11:24And what was suspicious?
11:26Well, the whole situation, when she went to the ward,
11:29she saw a picture of your husband on the computer.
11:33That's really incredible.
11:35Yes, I mean, it's really a strange coincidence.
11:38Yes, really strange.
11:40But it's real, I really trust her.
11:43Well...
11:45If Andrija trusted her, why would I be suspicious?
11:51I hope you're not mad because I told him first.
11:54No, you did the right thing.
11:57And what did you find out?
11:59Olga, I thought a lot about it,
12:01and I managed to look at my situation.
12:04And I have to tell you,
12:08we won't be able to do this anymore.
12:27Oh, my God.
12:29Pull, pull, pull.
12:31Pull, pull.
12:33Pull, pull.
12:35I'll give you a hand.
12:37I'll tell you, don't worry, Marica.
12:40I will, I will.
12:42Who will, if I don't worry about you?
12:48I'm going to get you.
12:50I'm going to get you.
12:52I'm going to get you.
12:54I'm going to get you.
13:02Come on.
13:04Hey.
13:06Come on.
13:16We won't be able to do this anymore, Olga.
13:19What do you mean, we won't be able to do this?
13:22What are you talking about?
13:24You and I in a band, we won't be able to do this.
13:27Oh, man, what are you talking about?
13:29We're doing great.
13:31You're doing great,
13:33but I'm not doing great.
13:36What do you mean, you're not doing great?
13:38You play great, you're great on stage,
13:40you love what you do, the audience loves you.
13:42The audience loves you, Olga.
13:44The audience is crazy about you.
13:46No, the audience is crazy about us.
13:48No, no, no.
13:50The audience is crazy about you.
13:52If you sing and you have to continue,
13:54you're a star.
13:56I still don't understand you.
13:58Really.
14:00I mean, you said this was the realization of all your dreams,
14:03that you'd finally become a musician.
14:05Yes, yes, yes.
14:07But I didn't imagine it this way.
14:09What way?
14:11You and I were created to perform together.
14:13Hey, we're a great team.
14:15Do you know how far we could go together?
14:17Maybe, but not this way.
14:19I don't know what you mean.
14:21Look,
14:23you need to continue singing,
14:26and I need to leave the band,
14:30but to stay in the same story.
14:34What do you mean, leave the band,
14:36but stay in the same story?
14:38Hey, I have a suggestion for you.
14:50How did you get in?
14:52I told you to wait.
14:54That's your problem.
14:56This is unacceptable.
14:58It's okay, Angela.
15:00Leave us.
15:05I'm very surprised by this visit.
15:08Are you?
15:10I am.
15:12But when you're already here, sit down.
15:20Okay.
15:22I assume you know why I'm here.
15:25I think I do.
15:28I'm sorry, I forgot my phone.
15:30We have a guest.
15:34Good day.
15:38Good day.
15:42I think you two have something to tell me.
15:45I think you two have something to tell me.
15:50This conversation was supposed to happen later,
15:54but now that he's here...
15:58Let's not waste time.
16:01Tell me,
16:03what do you have against me?
16:16What was that?
16:19Breathe.
16:21Inhale.
16:23Let's do it together.
16:25Inhale.
16:27Exhale.
16:29Inhale.
16:31Exhale.
16:33A little more.
16:38What was that, honey?
16:41A parrot.
16:43What parrot, honey?
16:47He forgot it.
16:49Who forgot the parrot?
16:51Honey.
16:52Honey forgot the parrot. And?
16:54And nothing.
16:56I was making a fool of myself
16:58with both of those parrots,
17:00and when I realized they were his parrots,
17:03I just started crying,
17:05and I can't imagine how bored I was.
17:08Give me the parrot.
17:10Give me the parrot.
17:12Give me the parrot.
17:14No, please.
17:15How long are you going to cry?
17:17You want to cry in the parrot?
17:19Is that it?
17:20I don't want to cry.
17:21How far have we come to make you cry
17:23in this smelly parrot?
17:25I don't want to.
17:27I don't want to.
17:39What's your suggestion?
17:42I'd like to be your manager.
17:46Please.
17:48I'd like to be your manager.
17:50What do you think of that?
17:52I don't know what to think.
17:54I don't know where that came from.
17:56They have a manager.
17:58They do, of course, but I didn't expect that.
18:00I think it would be great.
18:02Believe me.
18:04Do you know why?
18:06Because your talent for singing and dancing,
18:08and my ability for organizing,
18:10and you know I own them,
18:12I think it would be great.
18:14I know, I know.
18:16But how would that actually work?
18:19It would work fantastically.
18:22Ok, but what would you do?
18:24How would you do that job as a manager?
18:26I would do what a manager does.
18:28Administration, contracts,
18:30organization of shows,
18:32new places, logistics,
18:34lighting, sound.
18:36And if the audience becomes really
18:38over-the-top, I could be your teleprompter.
18:41Wait, you really, 100%,
18:44think this is a good idea?
18:46I think it's a fantastic idea.
18:48And you want to do it, and you're willing to do it?
18:50Yes, yes.
18:52You did it before on your own,
18:54and you were fantastic.
18:56You were simply born for the stage.
18:58I don't know what to tell you.
19:00I don't know if at this moment
19:02I'm able to perform on my own again.
19:04I mean, without you and without the audience.
19:06But you've already performed, and it was great.
19:08I know, really.
19:10Ok, you know what?
19:12These are great things, you need to think about it.
19:14You can't tell me right away.
19:16Ok, I'll think about it.
19:22I don't have anything personal against you.
19:24Ok, then what kind of dirty campaign
19:26are you conducting against me?
19:28Are you behind all this?
19:32Are you both behind all this?
19:38I don't know.
19:40I don't know what to do.
19:42I don't know what to do.
19:44I don't know what to do.
19:46I don't know what to do.
19:48I don't know what to do.
19:50I don't know what to do.
19:52Maybe you should answer me.
19:54Maybe you should answer me.
19:56Or what?
19:58Or what?
20:00Come on.
20:02I know you're behind all this,
20:04but I'm interested in why.
20:06But I'm interested in why.
20:08I can't tell you that right now.
20:10I can't tell you that right now.
20:12We didn't understand each other.
20:14That's exactly what you should tell me.
20:16That's exactly what you should tell me.
20:18I will gladly tell you everything,
20:20but not now.
20:22But soon you will find out everything.
20:24But soon you will find out everything.
20:26Don't play with me.
20:28Tell me.
20:30Why?
20:32Believe me, I could tell you everything,
20:34but my hands are tied.
20:36but my hands are tied.
20:38Why?
20:40Because we can't conduct this conversation
20:42Because we can't conduct this conversation
20:44alone.
20:46There are other interested parties.
20:48There are other interested parties.
20:52Who?
20:54You will be notified soon,
20:56Mr. Bošnjak.
20:58When, I beg you?
21:00When, I beg you?
21:02You heard the lady well.
21:04Soon.
21:06Soon.
21:10Then it's best if the police
21:12deal with these things.
21:14If I were you,
21:16I wouldn't do that.
21:18You have no proof under number one.
21:20Under number two,
21:22there are big things at stake.
21:24If you go to the police,
21:26you will make yourself even bigger problems.
21:28I think you're bluffing.
21:30I think you're bluffing.
21:32I think you're bluffing.
21:34You think so?
21:44You think so?
22:06We'll do it this way.
22:08I know.
22:10I have a solution for this situation.
22:12Are you sure?
22:14I'm sure.
22:16Give me those slippers.
22:18That's right.
22:20Slippers, darling.
22:22Don't!
22:28Why did you do that?
22:30What do they want?
22:32I didn't do anything.
22:34What do they want?
22:36They can go to their chairs.
22:38What do I care?
22:40We'll throw everything away.
22:42What reminds you of Mileta?
22:44We'll throw everything away.
22:46If we're going to throw everything away,
22:48we should throw the whole house away.
22:50We should throw the whole house
22:52and me and the house away.
22:54I can't take it anymore.
22:56I can't take it anymore.
22:58Everything reminds me of him.
23:00I can't take it anymore.
23:02I miss my mother.
23:04I miss him so much.
23:06I can't take it anymore.
23:08I'm going crazy.
23:10You know what, Kayo?
23:12If you really want to
23:14cure someone,
23:16you have to be
23:18very determined.
23:20But I'm determined.
23:22You're determined.
23:24Let me see how determined you are.
23:26What's wrong with you?
23:28You broke down.
23:30You fell and broke down.
23:32And now you're crying.
23:34You've been crying for a day,
23:36but you can't cry for the rest of your life.
23:38What's wrong with you?
23:40Take your life in your hands.
23:42It's one. It's precious.
23:44Do something that makes you happy.
23:46Do something that fulfills you.
23:48I want to.
23:50Do you want to?
23:52Who is he?
23:54Who is he? Look at you.
23:56You're young and pretty.
23:58You do the job you love.
24:00You have both.
24:02You have me.
24:04He's not Brad Pitt.
24:06That's right.
24:08You're right.
24:10I'm going to calm down.
24:12Okay.
24:14I'm going to calm down.
24:16I'm going to my room.
24:18I'm going to pack my things.
24:20I'm going to pack my summer and winter clothes.
24:22You're going to unpack.
24:24I'm going to unpack.
24:26I'm going to feel better.
24:28Are you going to cry
24:30if you find something
24:32in my shirt?
24:34You'll see when I put you in my jacket.
24:36I won't promise.
24:38Thank you. I love you.
24:40Breathe.
24:42Okay.
24:44I'm not crying.
24:46I can see that.
24:50Come on.
24:58What's going on?
25:00What's going on?
25:04Kaja is crying.
25:06Why?
25:08She found her shoes.
25:10She's crying.
25:12She's crying.
25:14I told her to take her life into her own hands.
25:16She said she would.
25:18Will she?
25:22I'm going to solve this.
25:24You're going to solve it.
25:26I didn't make it.
25:28I'm going to solve it.
25:30Don't worry.
25:32You'll see.
25:58How did he know?
26:00What's going on?
26:02What happened
26:04had to happen.
26:06How did he know
26:08we were involved?
26:10I don't know.
26:12This is not good.
26:14No matter how he found out,
26:16there's no proof.
26:18Yes, but he knows.
26:20Believe me,
26:22the most important thing
26:24is not to tell anyone.
26:26Believe me,
26:28he can't accuse us
26:30because there's no proof.
26:32Why didn't you tell him
26:34we had nothing to do with this?
26:36Because Andrija is not stupid.
26:38I've protected us many times.
26:40I'm not sure.
26:42Believe me.
26:44How do you know he won't go to the police?
26:46Believe me,
26:48he won't go
26:50because he doesn't know anything.
26:52Maybe because
26:54he's the type of person
26:56who likes to solve problems on his own.
26:58Ljuša,
27:00it's not that I don't trust your expertise,
27:02but here,
27:04the role is too big.
27:06Believe me,
27:08he won't go to the police.
27:10I hope you're right.
27:14And?
27:16I'm right.
27:18What are we going to do now?
27:20Nothing, we need to contact some people
27:22because
27:24there will be a change of plans.
27:26Okay.
27:46Okay.
27:48I've looked through the contracts.
27:50Everything is fine.
27:54I think we should change the payment date
27:56on the first one.
27:58I think we should be sure
28:00that we'll finish it on time.
28:04Aleksa?
28:08Sorry, I'm a bit busy.
28:10It's okay, I've talked to you about the contracts.
28:12Yes.
28:14What are we looking at here?
28:16The payment date.
28:18Okay, and what about him?
28:20I'd like to ask him to extend it.
28:22I agree.
28:24You've noticed well.
28:26That's what I'm worried about.
28:28I'm sorry
28:30that I was a bit late.
28:32No, it's okay.
28:34I understand everything.
28:38What do you understand?
28:40I understand everything.
28:42You don't need to apologize.
28:48Hello.
28:50I've found a woman, a car mechanic.
28:52She's from Aleksinac.
28:54She's very willing to give an interview for Don.
28:56Yes.
28:58The idea is to take a picture of her at work and at home.
29:00We spend the whole day with her.
29:02And that at home is very important to us.
29:04Yes.
29:06Because she's a woman in the workshop
29:08and a woman at home.
29:10Wait, how do you know that?
29:12We've seen it on social media.
29:14And?
29:16Okay, what does that mean?
29:18Well, it means that it's really up to her social networks.
29:20Yes, and that means
29:22that it would never be said
29:24that a woman does such a man's job.
29:26As for the job,
29:28it has great reviews.
29:30Yes.
29:32Well, that sounds great to me.
29:34Does that mean we're going on a trip?
29:36You're going, Natalija.
29:38Just call Vanja for expenses.
29:40Okay.
29:42I really wanted this to be a top.
29:44I think we should do it
29:46so that it is discussed among people.
29:48I totally agree.
29:50Great.
29:52And congratulations to you all.
29:54It is understood that we will also take a photo of her.
29:56Absolutely.
29:58Great.
30:00I think the audience will really like it.
30:02I think so too.
30:04I'm very happy and can't wait to read about it.
30:10You're free.
30:12Bye.
30:32Do you want to stop it?
30:36Here.
30:38I'm finishing.
30:40Great.
30:42Where are you, Mina, what's up?
30:44Here I am.
30:46I heard you promised to take life into your own hands
30:48and that you would stop running away.
30:50When did you hear that?
30:52Yes, that's right.
30:54I will try, I will try.
30:56Great.
30:58I have the first test for you.
31:00What is it?
31:02Why are you so serious?
31:04Don't worry, it's nothing serious.
31:06Listen to me.
31:08I'm not doing anything, just so you know.
31:10What is it?
31:12If you thought I would go to Mileta,
31:14it doesn't matter.
31:16No, I'm not going to Mileta.
31:18I'm not going to Maldives, don't worry.
31:20It's not that?
31:22It's not that.
31:24We won't risk it anymore.
31:26I have a better idea.
31:28I'll take you to another place.
31:30Look, thank you so much for trying.
31:32Kajo, I know what you're going to say.
31:34Don't.
31:36I really don't feel like going anywhere.
31:38To be honest,
31:40I'm not in the mood to go anywhere.
31:44You know,
31:46sometimes I don't feel like going anywhere,
31:48so I go.
31:50Many times I didn't feel like going,
31:52so I go.
31:54Okay, this is a bad argument.
31:56I have a better one.
31:58I'm not ready to hear which one.
32:00I'm ready to emotionally hurt you,
32:02just to go.
32:06It's not clear to me
32:08what you really understand.
32:12I can guess
32:14why you're absent.
32:16Aha.
32:18Lenko confessed to me.
32:20What did she confess to you?
32:24She told me you're trying
32:28to have a baby
32:30and you can't.
32:32You have a baby, and if you don't feel like it, I totally understand, because it's a huge stress for both of you.
32:40That's a private matter.
32:42Okay, I didn't want to interfere.
32:44Yeah, I just don't see why you need to know anything about it.
32:46I know because Lenka decided to tell me. I mean, I'm really sorry, but we're talking about private matters.
32:51Okay, it's not...
32:53It's not about you, it's just that I didn't know you knew what you were doing.
32:58Yes. Lenka is very sensitive, and this is a big hit.
33:03I know.
33:05I know it's not easy for you, but I told her that everything will be okay, and that you will definitely succeed in what you intend to do.
33:14Thank you for your kind wishes, and now we can go back to work.
33:23So you're sure she didn't bluff?
33:27Yes, yes, I would say so. She's not doing it alone.
33:33And who else is talking about it?
33:35I don't know.
33:38And that Zhila, who is he doing it for?
33:40I have no idea who he's doing it for. Maybe he's doing it for himself.
33:44I don't know, really, I'm sorry.
33:46Should I call Panchetta now to push you away?
33:49No.
33:50You know her better than I do.
33:52No, please, I just don't have her anymore, I'm really fed up with her.
34:15Hey.
34:16Hey, love. What's up?
34:21I broke up with him.
34:36I love you. I love you more.
34:41Oh my God.
34:48What are you doing?
34:49Yo!
35:00The best enemy is to keep to yourself. Leave it as it is.
35:05Calm down.
35:07Okay.
35:09The price is high, the campaign is brutal.
35:15And now we have to act like nothing is happening, like nothing is working.
35:31Hey.
35:37What's up?
35:39You've really gone too far, Alenka.
35:54I'm the one who has to deal with this nonsense, if it's not a problem.
35:57What nonsense?
35:58What's this?
35:59Tell me the exact date of birth.
36:01Why?
36:06I don't know.
36:27What's up?
36:29Where are you?
36:36What's up?
36:41Now you're going to say you don't know what I'm talking about.
36:43I don't know what you're talking about.
36:45I'm really fed up with these players.
36:48I'm sorry, Alex, what players?