Igra sudbine Epizoda 1423,Igra sudbine 1423,Igra sudbine 1424,Igra sudbine Epizoda 1423, Igra sudbine Epizoda 1424,Epizoda 1423 Igra sudbine ,Epizoda 1424 Igra sudbine
Category
📺
TVTranscript
00:00I've been thinking about him a lot, and I've managed to look at my own situation, and I have to tell you, we won't be able to go on like this anymore.
00:26Well, from the business side, everything is fine.
00:30Is that so?
00:31Mhm.
00:32But there are some little problems.
00:36What kind of problems?
00:38Well, nothing terrible. I mean, from the business side, there's a little atmosphere at work somehow.
00:46It's really incredible.
00:48It is. I mean, it's really strange to look around.
00:51Yes, very strange.
00:53But it's real, I really believe it.
00:57Well, if Andrija believed it, why would I doubt it?
01:12Okay. I assume you know I'm here.
01:17I think so.
01:20Excuse me, I just forgot my phone.
01:22We have a guest.
01:26Good day.
01:30Good day.
01:33I think you two have something to tell me.
01:37All your life you've had a driver.
01:40And now you want someone to give you a hand.
01:43To tell you, don't worry, Marica.
01:46I will. I will.
01:49Who will, if I don't take care of you?
01:59Aleksander.
02:00Huh?
02:01Huh?
02:03Sorry, sorry, I'm a little tired, so I...
02:06It's okay, I told you, I'll talk to you later.
02:08Yes, yes.
02:10What is that offer you have?
02:14I would like to be your manager.
02:18Please.
02:19I would like to be your manager. What do you think about that?
02:23I don't know what to think. I don't know where that comes from.
02:27Well, all soloists have managers.
02:29I know, of course, but I didn't expect that offer.
02:32I think it would be great, Mary.
02:34Wait, wait, how do you know that?
02:36Well, we saw it on social media.
02:38And?
02:39It's very authentic.
02:41Yes.
02:42Okay, what does that mean?
02:44Well, it means that it really stuck to her social media.
02:47Yes, and that means that it would never be said that a woman does such a man's job.
02:53And as far as the job is concerned, it has great reviews.
02:56Yes.
02:57That sounds great to me.
02:59Does that mean we're going on a trip?
03:02You're going, Natalija, just call Vanja for the expenses.
03:06Okay.
03:07Where are you, Mina, what's up?
03:09Here I am.
03:10I heard you promised to take life into your own hands,
03:13that you would stop running away, right?
03:15When did you hear that?
03:17Yes, that's right.
03:19I will try, I will try, I will try.
03:22Great.
03:23I have the first test for you.
03:27Lenka trusted me.
03:29What exactly did she trust you?
03:33Well, she told me that you're trying to have a baby.
03:36Yes.
03:37And that you're not doing well.
03:39And I completely understand you, because that's a huge stress for both of you.
03:43That's a private matter.
03:44Okay, I didn't want to interfere.
03:46Well, I just don't see why you have to know something like that.
03:49I know because Lenka decided to tell me.
03:51I mean, I'm really sorry, but we're talking about private matters.
03:53Okay, Nina.
03:55I really have nothing personal against you.
04:00Okay, so how is this dirty campaign being conducted against me?
04:05Are you behind this?
04:11Are you both behind all this?
04:18Come on, maybe you should start answering.
04:22Or what?
04:25Come on, come on.
04:27I know you're behind this, but I'm interested in why.
04:32Sometimes someone doesn't go anywhere, and then they go.
04:36Many times I didn't go, and then I go.
04:40Okay, this is a really bad argument.
04:42I have a better one.
04:44Because I'm alive, I don't want to hear who.
04:47I'm ready to emotionally insult you, just let's go.
04:55I'm ready to emotionally insult you, just let's go.
05:00I'm ready to emotionally insult you, just let's go.
05:05I'm ready to emotionally insult you, just let's go.
05:10I'm ready to emotionally insult you, just let's go.
05:15I'm ready to emotionally insult you, just let's go.
05:20I'm ready to emotionally insult you, just let's go.
05:24I'm ready to emotionally insult you, just let's go.
05:29I'm ready to emotionally insult you, just let's go.
05:34I'm ready to emotionally insult you, just let's go.
05:39I'm ready to emotionally insult you, just let's go.
05:44I'm ready to emotionally insult you, just let's go.
05:49I'm ready to emotionally insult you, just let's go.
05:54I'm ready to emotionally insult you, just let's go.
05:59I'm ready to emotionally insult you, just let's go.
06:04I'm ready to emotionally insult you, just let's go.
06:09I'm ready to emotionally insult you, just let's go.
06:14I'm ready to emotionally insult you, just let's go.
06:19I'm ready to emotionally insult you, just let's go.
06:24I'm ready to emotionally insult you, just let's go.
06:29I'm ready to emotionally insult you, just let's go.
06:34I'm ready to emotionally insult you, just let's go.
06:39I'm ready to emotionally insult you, just let's go.
06:44I'm ready to emotionally insult you, just let's go.
06:49I'm better, but not so much that I would go out, you know?
06:54I'm better, but not so much that I would go out, you know?
06:59I want to go out. I put the colloquium, they just called me.
07:04Well, congratulations. Thank you.
07:07Thank you. That's why I congratulate you. Let's go for a drink.
07:12Kayo, just one drink and we're going home. What's wrong with you?
07:16I don't know. I really don't know. I'm sorry.
07:19Should I call Panchetta now to push you away?
07:22No.
07:23You know her better than me.
07:25No, please. I just don't have her anymore. I'm really fed up.
07:29Okay, okay. Let's see what we have here.
07:32It's beautiful.
07:33What? What's beautiful? I'm planning to throw away half of it.
07:36Why? Look how many beautiful things.
07:38Only you rarely wear it.
07:40Well, that's true.
07:41When I don't go out, I have nowhere to go.
07:46This.
07:47That's it.
07:50What am I going to do with it?
07:52What am I going to do? To dress you.
07:55Me?
07:56Yes.
07:57You have half an hour, just like me.
07:59Let's get ready and go.
08:00This is our evening.
08:06Look.
08:07Get ready.
08:30I really can't believe you brought me to this place.
08:33What?
08:35What, what?
08:36What, what?
08:38I don't think so.
08:41In what universe does this remind you of Mileta?
08:44Believe me, it's a long story.
08:46Sit down, Kaja, don't stand. Come on, sit down so I can talk nicely.
08:49I will.
08:50Come on, I will.
08:52What do you want to talk about?
08:54Well, about the production of peas, of course.
08:57What do you want to talk about?
08:58Well, about the production of peas, of course.
09:01What would I talk about if it wasn't for Mileta and me?
09:03You're spiritual, and I really like that.
09:05Okay, come on.
09:06There is no more flirting.
09:08I'm fed up with you and your dirty Australian dollars.
09:12Kaja, you haven't even seen them.
09:13No, what do you have to do with the fact that we haven't seen them?
09:15You treat us here like tempting maids.
09:18Yes, you even persuaded Mileta to leave me because of money.
09:21Because of money.
09:22That's not true, and you don't have to believe me at all.
09:24No, no, no.
09:25Mileta had a choice.
09:26She could refuse.
09:27She could.
09:28Don't philosophize anymore.
09:29Don't philosophize.
09:30Mileta and I love each other.
09:31We love each other.
09:32The way we love each other.
09:33We love each other.
09:34We love each other.
09:35And why do you care at all why we love each other?
09:37And what are his reasons for love?
09:38And what more do you want with that money?
09:40I wanted to help you children to understand what it is that you want.
09:44Is it love or is it money?
09:46Otherwise, I think I just accelerated things.
09:48To decide, brother, whether you like each other or not.
09:53The only thing you accelerated is that Milo left me.
09:56Well, do you want to fight for him?
09:58Do you love him?
09:59Do you need him?
10:00I do.
10:01Well, what are you doing here with me?
10:02Go talk to him.
10:03I'm going.
10:04Go right now.
10:05Come on.
10:06Well, you know I want to.
10:07Come on.
10:08What's this?
10:09I'm begging you.
10:10I'm sorry.
10:11Don't accidentally beg him.
10:12I don't even think about it.
10:13I'm sorry, ma'am.
10:15I have time to hear.
10:17Believe me, this is where I was the last time I was with Milo's aunt from Australia.
10:22Disaster.
10:23And?
10:24It's better not to remember that hell.
10:26It was disgusting.
10:27Disgusting.
10:28And secondly, really, this place is not in my phase at all.
10:32Really.
10:33Well, it's not even in my phase, but Darko works here and a little to have fun.
10:38Oops, oops, oops, oops.
10:43Well, who do I see here?
10:45Here comes the cat on the doorstep, right?
10:48Hi.
10:49Hi, fake Darko's girl.
10:52Yes, I am.
10:53How are you, my fake Darko's girl?
10:56I'm good, I'm not bad, I'm here with a friend, Kaja.
10:59We know each other.
11:00Yes, yes, yes.
11:01You know each other?
11:02No, we don't know each other.
11:04I came a little bit, I'm in a good mood.
11:07Yes.
11:08Oh, nothing, don't tell her anything.
11:09Nothing.
11:10Nothing.
11:11Not a word anymore, everything is clear to me.
11:12Absolutely clear to me.
11:13Everything is clear to me.
11:14What is clear to you?
11:15Well, it's clear to me.
11:16Now your addiction will make you a cocktail for a better relationship.
11:19We have to go.
11:20You're not going anywhere.
11:21Yes, yes, we have to go.
11:22You're not going anywhere.
11:23No, no, no, no, no.
11:24First a cocktail, then we'll see what we're on and how with that thing.
11:28Tell me, tell me the exact date of your birth.
11:32I beg you, don't bother me with that nonsense.
11:34If it's not a problem, what date and nonsense?
11:37Kaja, tell me the exact date of your birth.
11:39What?
11:40Why?
11:41Well, I won't, I guess they're doing a natal chart to you twice.
11:43A natal chart?
11:44Yes.
11:45December 5th.
11:46Okay, December 5th is fine.
11:48In the morning, pitch black, dawn, night.
11:50Pitch black.
11:51Pitch black.
11:5220, 20, 30.
11:53Yes, so what?
11:54Was it that hard?
11:55What?
11:56Come on, that's all I needed.
11:58So...
11:59Nothing.
12:00December 5th, 20, 20, 30.
12:01Yes.
12:02Come on, enjoy the fun, now we'll have a cocktail.
12:08He's looking at the natal chart for the first time.
12:29So you're sure she didn't bluff?
12:32Yes, yes, I would say so.
12:34She's not doing it alone.
12:37We have to do something,
12:39which is why readers will always buy our newspapers.
12:42They'll connect to it,
12:44and they'll always want to read that particular section.
12:48Yes, I think I have a suggestion.
12:51Yes?
12:52Sarah Berger.
12:54Who's that?
12:56Sarah Berger is a renowned psychotherapist.
12:59She's terribly eloquent, well-read, well-spoken.
13:02She's really wonderful.
13:04I think she could lead...
13:06...a section as a dear advisor.
13:08Yes.
13:09I don't think that's a bad idea.
13:11Yes, everyone is asking for it.
13:14Maybe we can help someone, right?
13:17Yes.
13:18Well, Gabriela will arrange a meeting.
13:25And who else is talking about that?
13:27I don't know.
13:30And that Zil, who is he working for?
13:32I have no idea who he's working for.
13:34He's working for himself.
13:38I don't know why Sarah Berger would start that campaign.
13:41I don't know either, but we'll find out.
13:43What does Sarah have to do with us?
13:48Nothing.
13:49I mean, she told me she didn't start it,
13:52but that there's someone else behind it.
13:54Who are those people, and why us?
13:57How do I know? Maybe I've put someone on a leash.
14:00You know, Andrija,
14:02it seems like an ordinary business conflict.
14:06Neither do I.
14:09It seems like Sarah Berger is playing a dangerous game.
14:12Yes, and that's to our detriment.
14:15Yes.
14:16So?
14:17How are we going to stop her?
14:22We'll stop her.
14:24But...
14:26First, we have to find out who's behind it.
14:31How are we going to do that?
14:44Okay.
14:45This goes here, this goes here.
14:48This is how it's supposed to be.
14:52Nice.
14:54This is how you make a video.
14:56Come on, sweetheart.
15:00Come on.
15:06Camera.
15:08Come on.
15:14What's wrong with you?
15:17What's wrong with the camera?
15:22What do you want now, to give me up?
15:25Now, when it's the hardest for me, is that it?
15:30Come on.
15:31Is this possible?
15:34Is this possible?
15:37You'll see now.
15:39This is your last chance.
15:43Come on.
15:45Come on.
15:52What are you doing?
15:53Hey!
15:54Why are you hiding? You're scaring me.
15:57Do you think you're stealing the phone?
16:00I don't think, I am.
16:02I stole it because the camera doesn't work for me.
16:05Everything that doesn't work for me, I throw through the window.
16:08That's how I raped my husbands.
16:10What is this, Darko?
16:12Okay, take it easy.
16:14It's not that old TV with a hole, so you can hit it to fix it.
16:17Hey, hello? Hello?
16:19What's wrong with the old TV?
16:21Backhand, forehand.
16:23You hit it a little, shake that stabilizer, and it works.
16:26It used to be so much nicer and simpler.
16:29And look at this now.
16:31Why doesn't the camera work for me?
16:33I don't know.
16:34Why? What don't you know?
16:36Now you don't know.
16:37And a little while ago, you acted like a caveman to me.
16:40Okay, take it easy.
16:41Fix it.
16:42I'll fix it now.
16:43Fix it.
16:44Here.
16:46This onion is killing me.
16:51Or will it?
16:53It's not that easy.
16:55Try it.
17:05I can't believe I gave DNA data for the birth certificate.
17:09I'm such an idiot.
17:10Come on.
17:11No, really, don't do this nonsense anymore.
17:15Here's the cocktail.
17:17Here's one, here's the other.
17:21Come on, don't thank me, just try it.
17:23Come on, try it, try it, drink it, drink it,
17:25so I can hear what kind of cocktails you like.
17:27This one's not bad.
17:28It's great, it's not bad.
17:29I think if someone else made them, they would be better.
17:32They're good, they're good.
17:34But that Natalina, what does she say?
17:36So?
17:37Huh?
17:38When did you break up?
17:46How do you know we broke up?
17:49Erski knows everything.
17:51And the stars know even more.
17:54Is it possible that it says here,
17:56that we broke up?
17:57Is it possible that I'm such a failure?
17:59No, don't worry.
18:00It doesn't say where.
18:01It says here.
18:02Here.
18:03Everything is written here.
18:05You see?
18:06Here.
18:07You see?
18:08You can see it clearly.
18:09Over here, here.
18:10It says we broke up.
18:11Nothing else could have happened,
18:13but we broke up.
18:14That's it.
18:15And?
18:17Well, Kayo,
18:19I don't like this.
18:20Wait, that was recently, right?
18:22Yes.
18:23A few days ago.
18:24Yes, yes, yes.
18:25I can see it all.
18:26Uh, this, I don't like this.
18:28When someone has this triangle, I'm like, uh.
18:30Where is the triangle?
18:31Come on, I don't like this.
18:32Nothing.
18:33Uh, this.
18:36This looks, you know how?
18:38This looks like you'll never have a man in your life again.
18:42What?
18:43Yes, yes, what you heard.
18:45How am I not going to have a man in my life?
18:47That's what you heard, Kayo.
18:50Wait, wait, slowly, slowly, slowly.
18:52I'm one of those who only speak the prettiest,
18:54and only see beauty in these natal charts, you know?
18:58Look, here I see, how can I explain this to you?
19:01I see some light at the end of the tunnel, you know?
19:04But I don't mean that light at the end of the tunnel,
19:06as if someone is dying, no, no, no.
19:08I don't mean that metaphorically.
19:09Light at the end of the tunnel,
19:10as if something nice is going to happen to you.
19:12But be careful, be careful.
19:14Please, it's going to happen in six months,
19:17but don't be crazy and miss the opportunity.
19:19It's going to be something you've been waiting for your whole life, Kayo.
19:22Believe me.
19:23Everything will be fine.
19:24And when it happens, you know who you should honor?
19:27Diana Erski.
19:28I know, Diana.
19:29You can have a cocktail, it's really great.
19:31It's phenomenal.
19:33I'm going to keep this.
19:34If you can, someone can look at it later, and that's it.
19:37I'm enough for you.
19:38One Erski is enough for you in life.
19:40Enjoy your dinner.
19:41Goodbye.
19:42Goodbye, thank you.
19:45Oh, let me see.
19:51She could look at it later.
20:07And what's the next step? Waiting?
20:11I don't know, I can't wait.
20:13Oh, again.
20:14On the other hand, I don't know what to do.
20:16Why didn't you go to the police?
20:20Then it's best for the police to deal with these things.
20:25I wouldn't do that in your place.
20:29You have no evidence under number one.
20:31Under number two, there are big things at stake.
20:35If you go to the police, you'll make yourself even bigger a problem.
20:39I think you're bluffing.
20:42I don't think it's worth the risk.
20:45You think so?
20:57Sara told me something.
21:00That it wouldn't be good.
21:03Yeah.
21:04What am I supposed to do with Sara?
21:08Nothing. I think you should leave it as it is.
21:10Do you believe me?
21:11At this moment, she would have preferred to give up.
21:13No, no, no.
21:15It's best to keep the enemy at bay.
21:18Leave it as it is.
21:20At what price?
21:23Okay.
21:25The price is high.
21:27The campaign is brutal.
21:31And now we have to pretend like nothing is happening.
21:34Like nothing is happening.
21:36Who knows what they're capable of doing.
21:40On the other hand, maybe it's good that I showed up to see them.
21:45Do you think that will stop them?
21:47They're probably not that crazy.
21:50I don't know.
21:51I don't know.
21:52I just know that we still don't know what Sara Berger is up to.
22:00I don't know.
22:01It's best to leave it as it is.
22:05I'm not smart.
22:06No, you're not.
22:10I'm going to get some air to clear my head.
22:12Okay.
22:13Do you want some?
22:14No, I'll stay here for a while to drink some beer.
22:18Okay.
22:35Huh?
22:47Jerko?
22:50Hey!
22:52Look at him.
22:53He's looking at him like he's in the operating room.
22:57Are you a micro-surgeon?
22:59What are you doing in NASA?
23:02You have a lot of memories.
23:04Yes, I do.
23:05I have a lot of them.
23:07I keep them all in my head.
23:09I'm very smart.
23:10I don't mean that.
23:11Don't delete the photos.
23:13You only have 19,000 photos.
23:16So what?
23:17You can't.
23:18You have so much to delete.
23:21I don't care.
23:22Those are all my memories.
23:24I don't want to delete them.
23:26You have 19,000 memories.
23:2819,000!
23:29It's not that important.
23:31It is important to me.
23:34Come on.
23:36Come here.
23:37I mean, if it is,
23:38you can either buy an online memory
23:41or a new phone.
23:43Both are paid for.
23:44Don't tell me to pay for anything.
23:47To put it in my phone.
23:49It's not a coincidence.
23:52I can maybe delete two or three photos.
23:57I can delete the ones I took this morning.
24:00The sheep and the men.
24:02But not in two or three days.
24:04I can't do it right away.
24:05Do you want me to do this?
24:07No, I don't.
24:08No, you don't?
24:11Wait, wait, wait.
24:13Don't you have a phone?
24:14I do.
24:15How do you keep track of your memories?
24:17I delete them.
24:18I keep track of everything.
24:19Are you going to film me?
24:20Are you going to film me now?
24:21No, I'm not.
24:22No, you're not.
24:23What can I ask you?
24:24Come on, like this.
24:25This is without a camera.
24:26This is not working anyway.
24:29This was here.
24:31This was here.
24:33Come on.
24:34Come on, Marica.
24:35Bow.
24:36And start.
24:37Respect.
24:38Look at this.
24:39I'll turn on the camera first.
24:40Okay, slowly.
24:41You're slow.
24:43It's an old phone.
24:44Come on, then.
24:46Okay, here it is.
24:49You can also google it.
24:50It's okay.
24:51They're both symmetrical.
24:55Can you say it again?
24:56Respect.
24:57No, no, I have to say it now.
24:59Okay, can I?
25:00You can.
25:01Three.
25:02Four.
25:03Now.
25:05Dear viewers.
25:07All of you who follow me, love me.
25:10You who are my faithful fans.
25:16Cabbage.
25:18Cabbage.
25:20Cabbage is not a topic.
25:22But that's why
25:24the topic is
25:26something
25:29much more interesting
25:30and better.
25:48Oh, God.
25:50Oh, how this man writes.
25:52What a style.
25:54Respect.
25:57Hey.
25:58Hey, love.
26:00What's up?
26:03I changed my mind.
26:13Hey.
26:19What's up?
26:22What did you do, Lenka?
26:53Hello?
27:01Hello?
27:03Where are you?
27:11I don't understand.
27:12What did I do?
27:14Our intimacy is for you
27:15to run around and wash your mouth.
27:18What kind of nonsense is that?
27:19What are you talking about?
27:20And now you're going to say
27:21that you don't know what I'm talking about.
27:23I don't know what you're talking about.
27:25I really have enough of these games.
27:26This is too much.
27:27I'm sorry, Aleksandar.
27:28What kind of games?
27:30You know very well
27:31that I've never played
27:32any games with you
27:33and I'm not planning to do that.
27:35So, I'm begging you
27:36to stop attacking me in vain
27:39and tell me what this is all about.
27:41Why did you tell Gabriela
27:42about our situation
27:43about the baby?
27:44Did you?
27:46How do you know that?
27:47Because she told me.
27:48Okay, she told you.
27:49I told her.
27:50So, what's the problem?
27:51So, what's the problem?
27:52What's the problem?
27:54Why are you going around
27:55and telling people
27:56about our intimacy?
28:01I've made a decision.
28:02Really?
28:03What have you decided?
28:05I've decided to accept
28:06your proposal.
28:08Really?
28:09Yes.
28:10I mean,
28:12I have a feeling
28:13that I can go on my own again.
28:15Of course,
28:16that's what I told you.
28:17Yes, and I don't think
28:18there's anything wrong
28:19with you being my manager.
28:20No, Olga,
28:21I'm very glad
28:22that you've made that decision.
28:23Look,
28:24we can make a miracle
28:25in this combination.
28:26Yes,
28:27although I think
28:28we can make a miracle
28:29in the old combination as well.
28:30Wait, wait,
28:31let me tell you something.
28:32Why wouldn't you be
28:33my manager
28:34and play and sing alone?
28:35No, Olga,
28:36we've already talked about that.
28:37I've thought it over
28:38and decided
28:39that I'm going to be
28:40your manager.
28:41I'm going to be your manager.
28:42I'm going to be your manager.
28:43I'm going to be your manager.
28:44I'm going to be your manager.
28:45I'm going to be your manager.
28:46It's a clear division of work.
28:47You sing and perform,
28:48I manage the company,
28:49and that's it.
28:50Well, OK, but...
28:51Yes, yes,
28:52but I'm sure
28:53you should go all the way
28:54in that.
28:55You're like a birthmark
28:56for the stage.
28:57People love you.
28:58You're magical.
28:59You attract people.
29:00And I'm sure
29:01that's it.
29:02And I'm sure
29:03that's it.
29:04And I'm sure
29:05that's it.
29:06And I'm sure
29:07that's it.
29:08And I'm sure
29:09that's it.
29:10And I'm sure
29:11that's it.
29:12And I'm sure
29:13that's it.
29:14And on the other hand,
29:15I have a sense,
29:16as a manager,
29:17that you're the star.
29:18that you're the star.
29:19And I have to tell you,
29:20No matter
29:21how much I liked
29:22being a musician,
29:23performing,
29:24I realized
29:25that I don't have
29:26that spark for the stage
29:27like you do.
29:28That magical attraction.
29:29And then I realized
29:30that it was suffering.
29:31And I like concerts,
29:32I like music,
29:33and then you're
29:34the star.
29:35And I like concerts,
29:36I like music,
29:37and then you're
29:38the star.
29:39And then you're
29:40the star.
29:41And then you're
29:42It's somehow nicer for me to be behind the scenes than on the stage.
29:47Somehow nicer and easier, you know?
29:50And I'm interested in how successful I'll be as a manager, you know?
29:56Okay.
29:57Do you remember who I am? Pacinic.
30:12No, I'm Pacinic.
30:14I'm really Pacinic.
30:16I allowed one Dijana Erski to look at my natal chart.
30:21No!
30:22Come on, come on, let it go.
30:25Cheers.
30:30I'm still drinking her strong cocktails.
30:33This is too much for me.
30:35It is.
30:36And I got a little drunk, you know?
30:38They are strong cocktails.
30:40Yes, yes, they are strong, strong.
30:43They're not good, but they're strong.
30:47How much did you drink?
30:49I can't believe it.
31:04You're to blame for this.
31:06I'm to blame?
31:07Why am I to blame, sorry?
31:09You're to blame, we came here because of you.
31:14What?
31:15It's not true at all, it's not true at all.
31:18Listen, you brought me here to this stupid place.
31:22You brought me here to flirt with Dijana Erski.
31:27I said I wanted to go, but you said no, no, no, no, no.
31:31Let's stay here, let's stay here.
31:33Darko works here, blah, blah, blah, blah, blah.
31:35Was that right?
31:36Was that right?
31:37And then I stayed.
31:38And what did I get?
31:39I got a glass.
31:41Because I found out that I will never have a man in my life.
31:49This is genius, genius.
31:52I see.
31:54Nice glass.
31:56Nice glass?
31:57Maybe for you.
31:58But Panchetta will kill me.
32:00He'll kill me when he sees that we're spoiling the young man, you know?
32:03Who? Me?
32:04You, of course.
32:05You'll see that I'll bring you home drunk.
32:07Panchetta won't accept us.
32:09He won't?
32:10And how did you think to avoid that?
32:13I have a plan.
32:14How?
32:18Listen.
32:19We're going to get drunk.
32:23And you think like...
32:29He won't come back.
32:31He'll never come back.
32:32But it doesn't matter.
32:33He'll come back.
32:34He'll come back.
32:35Cheers.
32:36Cheers.
32:37Cheers.
32:39I can't see.
32:40Thank you so much for this trip to fame, you know?
32:43Thank you too.
32:44I needed it.
32:45Me too.
32:46And to celebrate my new colloquium.
32:49Colloquium!
32:51It's not here anymore.
32:52Here you go.
32:54Come on.
32:58What did you get from that colloquium?
33:00From what?
33:01From the colloquium.
33:04We could start the colloquium.
33:06Yes.
33:07We could really push it.
33:09Come on.
33:10But I have to get to that first.
33:12Ok.
33:13Will you be able to do it yourself?
33:15I will.
33:16Are you sure?
33:17I will.
33:20Youngster.
33:21Come on.
33:25Let's go.
33:44It's so dark in here.
33:45Who turned off the lights?
33:47I don't know.
33:48Let me see.
33:49What time is it?
33:51I don't know.
34:01I found a person from the company I trust
34:03and who I know won't misuse such a story.
34:06So?
34:07How can you be so sure she won't misuse it?
34:10What's going on with you?
34:21How do you know all this?
34:23It's weird.
34:24It is.
34:25What is it?
34:26Something beautiful happened in your life.
34:30Something like that.
34:34A woman.
34:47What's that?
34:48Contracts.
34:50Yes.
34:51Contracts? What are you doing?
34:53We don't know, but we failed.
34:56We're dead.
34:58Yes.
35:09I don't know what to expect.
35:11It's their process.
35:12I didn't think they'd answer right away.
35:15How long do we have to wait?
35:17Until the end of the week.
35:20I'm sorry, I have to go.
35:33I agree.
35:35What do you agree on?
35:37I agree that this can't be brought up as an incident.
35:50I agree that this can't be brought up as an incident.
35:55Jovana.
35:56I'm sorry.
35:57I know work time is over, but I had to come.
36:04Sorry.
36:06Gala, what are you doing?
36:21Here you go.
36:22What did you come up with?
36:36What do you think?
36:37Do we want to go to Sladova?
36:39Yes, we can.
36:43You should go too, dad.
36:45You should enjoy it together.
36:47What do you say?
36:48Let's go to Sladova.