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ERA
  • 12/21/2023
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Transcript
00:00 Even though you don't speak, you know sometimes when you speak you get confused
00:03 Like, is it true that Malaysians can understand it so easily?
00:07 So actually it's a very good skill
00:09 Of course it's because he didn't use any language
00:11 Like body language, eyes, hands, etc.
00:14 The director set him as a deaf friend
00:17 So maybe in terms of language, I just skipped it
00:20 I have to learn, for example, Malaysian gun or Malay language
00:23 But another difficulty is probably to practice the hands of deaf Malaysians
00:27 But I don't think it's that difficult to learn
00:30 What I find difficult is
00:32 How to integrate into the bar
00:34 To be like them, people who work there
00:37 So when it starts to get dark, I become a shrimp first
00:40 I'm red first
00:42 Then wait for it to slowly settle
00:44 Then I'll do it again
00:46 Then I'll take off my skin
00:48 After taking it off, it's not too dark
00:51 Then continue to dry
00:52 So I remember at that time I was at the hotel
00:54 It has a recording platform
00:56 Then on that platform
00:57 It will be calculated that the sun rises from here at about 10 o'clock every day
01:01 Then 12 o'clock above
01:03 Then the best sun between a few o'clock in the afternoon
01:06 Is the worst place
01:08 Where to go
01:10 You have played so many roles
01:11 Of course some are easier to handle
01:14 Some are the characters in the original story
01:16 Is a tragic character
01:18 After these, we are all curious
01:20 When Wu Kangren is not acting
01:22 What does he look like
01:24 Because you feel like a water
01:26 No matter what kind of container you are
01:29 You are that thing, you know
01:31 So how is Wu Kangren in private
01:34 Is a person who is easily shy
01:37 So just now when recording OS
01:39 The staff stood too close to me
01:41 I said, oh, sorry, stay away from me
01:43 If you are on the road
01:44 People want to say, ah, Wu Kangren, I want to take a picture with you
01:46 What about that
01:47 Because no manager, no one will block you
01:49 I will refuse
01:50 And quite escape
01:52 I will, because I walk very fast
01:54 You let people know how you escape
01:56 You said your hand flew to the ground and immediately ran away
01:58 I think I can escape
01:59 I will say, sorry, sorry
02:01 And I often reach out first
02:04 I don't want to take pictures
02:05 But I will take the initiative to hold the other person's hand first
02:08 Sometimes I will be a little confused
02:10 Just suddenly held by me
02:11 Hold it very hard, thank you, thank you
02:13 Then you say a few words and then run away
02:15 Yes, I am probably like this
02:17 Can we take a picture later?
02:19 Yes, yes, yes
02:21 The actor is really a very intricate job
02:23 If you are given another choice
02:25 Would you still choose to be an actor?
02:26 Will keep acting
02:27 Actually there is a very special reason
02:30 At a certain level
02:31 I really don't know what to do
02:32 Like I just said
02:33 The actor is a job that is easy to talk to yourself
02:36 You have to play a role
02:37 You have to keep talking to yourself
02:39 Then the actor is a job that is easy to self-reflect
02:42 Because that self-reflection may come from external voices
02:45 Hey, is this play not so good?
02:47 Or people are directly
02:48 People who don't know you
02:49 Even people who don't know you so well
02:51 Have some misunderstandings about you
02:52 Even feel
02:53 Hey, your performance seems to be wrong
02:54 That even the award nomination
02:56 Will also give the actor a big emotional wave
03:00 Being an actor is a job that is easy to talk to yourself
03:04 But I believe that people in the entertainment industry are
03:06 Whether it's a host or a musician
03:08 Because the entertainment industry is an external
03:10 In fact, you are not just voices
03:11 I was thinking
03:12 It's easy to talk to yourself
03:14 To tell yourself
03:15 What is good or bad
03:16 Even a lot of voices outside will tell you
03:19 [Music]