- 2 days ago
Superstar (2025) Season 1 Episode 3
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Short filmTranscript
00:00The Marismo begins with no cambie.
00:14But what about its ending?
00:18There are those who believed it reached its culmination with an automobile accident in the year 2001.
00:24A deeply unsettling accident that captured widespread people.
00:30At the wheel was Miguel de Diego Fernandez Arlequin.
00:35And at his side, Lolly Alvarez.
00:38What exactly brought them together, other than their bitter hatred towards Tamara?
00:43And their obsessive desire to dethrone her, even if that meant igniting accusations and scandals?
00:49What were they doing in the same car?
00:53To answer these questions, we'd have to lie.
01:00In the spring, I live in my way.
01:07In the summer, I give you my hand.
01:12No.
01:13Let's see what lines are.
01:18No, that's way too.
01:20No cambiare, no cambiare, no cambiare.
01:22Sigo siendo la misma, pero ya no sufro por tu querer.
01:30Higher up, Lolly. Up there. Yeah? The girl goes higher. The party's higher.
01:35Yeah, I'll just repeat that.
01:43I need to memorize it.
01:47Leonardo?
01:49Leonardo, I think I got it.
01:50Got what?
01:51No cambié in past tense.
01:53It's much better.
01:54No cambié, no cambié, no cambié.
01:57No cambié, no cambié, no cambié.
02:01In the past?
02:01Look, let me explain.
02:02I'm a real small-town girl.
02:03I told you this, right?
02:05Well, despite all the dumbasses I've met in the city and along the way,
02:09I'm still me.
02:10Doesn't it make more sense?
02:12Well, fine.
02:12Come on, come record it with me.
02:14We'll try it.
02:14This song's going to be a big success.
02:15What's up, man?
02:16What's up, guys?
02:17Hey, Miguel, come here.
02:18I want to introduce you to my partner from Luna Azul.
02:20We're recording an album.
02:21This is Lolita from Granada.
02:22Jennifer Taylor.
02:23We got to talk about that.
02:25What's your name, sweetheart?
02:26Jennifer Lolita or Princess?
02:28Well, as an artist, it's Jennifer Taylor.
02:31I'm Miguel.
02:32Pleasure.
02:32I arrived and I saw you and I've, I mean, have I hit the jackpot or what?
02:38Leonardo, please.
02:39We're recording an album, Miguel.
02:40What do you want, huh?
02:41Ah, yeah, sorry.
02:42I was here yesterday with the flamenco crew and we were Ari Catan, Ari Caprún, Oblal,
02:46Le Tron, Triqui, Triqui, and I left my things here.
02:50And now all this, I walk in and then all of a sudden, I'm struck with Blondie's breasts
02:54here and I can't think straight and I, uh, where's that, man?
02:58Where's that, man?
02:59I'm fucking lost here.
03:00Look, Miguel is an artist and he invented that word, what's that, man?
03:04And so he blurts it out to see if it sticks.
03:06What sticks?
03:07May I have your attention?
03:08I want to show you this paper.
03:09No, Miguel, not now, buddy.
03:10We're in the middle of recording our album and we've got the studio.
03:13I just want you to see that it's real paper and I'm going to put it, I'll eat it.
03:16Nothing happens, nothing.
03:17But if you look closely, I can open wide.
03:24Uh-oh.
03:28Uh-oh.
03:31Oh.
03:32Bet you didn't know there was all that paper.
03:35I'm telling you, appearances can be deceiving.
03:36Hang on, I'm almost done.
03:37Look, look, look, look, look.
03:40The trick's way longer than I remember.
03:42All right, now, can you let us get back to it?
03:44I know many more tricks, Blondie, if you want.
03:46I can show you later.
03:47All right, let's go, buddy.
03:48I'll change here because I'm late.
03:50Come on, man, please, we've got to record.
03:51Yeah, let me just go.
03:54Let's have a little reverse.
03:55Yeah, let me go a little.
03:56It sounds like I'm an abortionist.
03:58Awesome.
03:59I'm good.
04:01I'm a abortionist.
04:03I'm a abortionist.
04:03I'm a abortionist.
04:08I'm a abortionist.
04:29Nolly, come on.
04:52Let's get started.
04:55Leonardo?
04:55Leonardo, is he a clown or something?
04:59Well, you see, Miguel does tricks at events and birthdays, or whatever he's hired for.
05:06He means well.
05:07He's just been through a lot.
05:08It's been really tough.
05:10But, well, just like us, he's both through.
05:13Right.
05:13Why don't you check the volume?
05:15Go on.
05:16Uh, hello, hello.
05:17One, two, my name is Loli.
05:20I'm Loli Alvarez.
05:22I'm from Guacho, a small town in Almunica.
05:26Well, that was great.
05:28Come on, let's do this.
05:30I think this will be good.
05:30No.
05:31No.
05:33No cambié, no cambié, no cambié
05:45No cambié, no cambié, no cambié
05:48Sigo siendo la misma pero ya no sufro por tu querer
05:53No cambié, no cambié, no cambié
05:59No cambié, no cambié, no cambié
06:02No cambié, no cambié, no cambié
06:16Listen Lolly, I would have loved for our band to work out too
06:31What was I supposed to do? Leave the song tucked away inside a drawer? You know? I mean, knowing it's a hit?
06:39Do you really think she sings well?
06:41Tamara? I mean, I think she's got a sort of allure
06:45So what have I got?
06:47A different kind of allure, but that's exactly the beauty of it, isn't it? That every artist has their own thing
06:51We're different
06:52I just get this feeling that when I went to Sevilla I was replaced or something, Leonardo
06:58Darling, you're a veteran. You know how this goes. The gigs, the hustle and the road, I...
07:03What's up with you, huh? You know you're in this for the long run
07:05Yeah, but I'm over this fight and this hustle
07:07And now I'm getting evicted and I'm gonna have to go back to the middle of fucking nowhere
07:11Well, let me see if I can make a call, okay?
07:15Who knows? We might strike a little bit of luck
07:17Okay, but tell her to drop by this week
07:37I'm literally ass-deep in work, okay? Do you understand?
07:40Yeah
07:40Talk to you later
07:41Hey, do you have a sec?
07:42I'm sorry for interrupting
07:43Yes, you are
07:43I'm Mario, Mario Veccarezo
07:45You wrap tomorrow?
07:46Yeah, be careful
07:47Oh, oh, I was close
07:48I wanted to say congrats, darling
07:49Firstly, because Tamara is the absolute shit
07:51I am obsessed with her
07:52Thanks so much
07:52She's a trash queen, she's pure punk
07:54Wait, wait, wait, wait
07:54And so I was...
07:55What'd you say?
07:55That she's a trash queen
07:56I'll smash your head in you here
07:58Don't you dare insult her
07:59No, hon, that's not an insult, honey
08:00I was...
08:01Fuck off
08:01...say that like it's normal
08:02Give me a break
08:03Well, it is a little bit
08:04You know perfectly well that that's not how it is
08:05No, a little bit
08:06That's not true
08:06A little bit
08:07There are things I can say
08:08And I don't have anything to say
08:10In response to the questions you're asking me, okay?
08:12Tamara, you've got to understand
08:14What do I have to understand?
08:15That it is hard for us to have...
08:16No, no, no
08:16I think you think I'm stupid
08:17You keep saying that I have to understand
08:19What do I have to understand?
08:20Understand that it can be confusing for us
08:21No, no, no, no, no, no
08:23Don't give you nice shit
08:24That is not what we discuss, man
08:26Don't have you
08:27Just relax, but it's not a big deal
08:28You'll find something else
08:30What?
08:30You don't get to tell me that
08:31You're a real son of a bitch
08:33You know that?
08:34That screw you
08:35Screw all of you
08:36Come on
08:37Let him go
08:40You think he'll notice if I...
08:42If I keep these two photos?
08:44No, darling
08:45Let's not kid ourselves
08:46He's only got eyes for her now
08:48I just like them so much
08:49Okay, well, so long
08:51Good morning
08:57This is Maria Rosacobo
08:58This is Wesselman
08:59How can I help you?
09:01I'm sorry to bother you
09:02But which way is the restroom?
09:04All the way at the end of the hallway, darling
09:05Listen, I am looking at your numerology
09:13And I have to say
09:14I am very impressed
09:16Why?
09:16Well, the first thing I do
09:17Is I look at the positive in each person
09:20The negative parts come later
09:22Let's just focus on this part
09:24Happy, darling
09:26What stands out the most
09:28From your numbers
09:29Is my...
09:30I am very impressed
09:31I am very impressed
09:32I am very impressed
09:33I am very impressed
09:34I am very impressed
09:35I am very impressed
09:36I am very impressed
09:37I am very impressed
09:38I am very impressed
09:39I am very impressed
09:40I am very impressed
09:41I am very impressed
09:42I am very impressed
09:43I am very impressed
09:44I am very impressed
09:45I am very impressed
09:46I am very impressed
09:47I am very impressed
09:48I am very impressed
09:49I am very impressed
09:50I am very impressed
09:51I am very impressed
09:52I am very impressed
09:53I am very impressed
09:54I am very impressed
09:55I am very impressed
09:56I am very impressed
09:57My, my, I've got a princess hidden in this castle
10:02and I didn't even know it.
10:04Miguel Di Diego.
10:06In the flesh, darling.
10:07Hello.
10:08Hello. Who are you again?
10:10I, uh, Lolita.
10:12Jennifer?
10:13Jennifer.
10:14Loli?
10:15Loli. Uh, I, I don't know.
10:18Uh, oh, you're Leonardo's friend, right?
10:21Yeah, yeah, that's right. Sit down.
10:23He called and told me you were coming.
10:25I'm sorry, I totally forgot.
10:26Uh, Loli, Loli.
10:28Loli, right.
10:29Welcome to my humble abode.
10:30How can I help you?
10:32Well, I'm here because I have a lot of potential in the music world.
10:35I'm a dancer, I'm a singer, I'm also an actress,
10:38so, like, I'm multifaceted, you know.
10:39Yeah.
10:40But things are tough right now, I'm not gonna lie.
10:42Yeah.
10:42Because if there's one thing I am in life, it's sincere.
10:44Sincere and artistic.
10:45Okay, Loli, look, uh, darling, I know you're here
10:47because I, uh, I manage Tamara.
10:50And you probably think that everything I touch turns to gold,
10:53but look, Tamara can't sing.
10:55Not really.
10:56And her physique.
10:57Well, I mean, you tell me.
10:59The song isn't even hers.
11:00Of course.
11:00I like a song, my guai, yes, amen.
11:02That song's not hers.
11:04Leonardo recorded that song ages ago
11:06with some skank who disappeared into obscurity,
11:09and you want to know why she disappeared?
11:10Because I wasn't her manager.
11:12It was me.
11:15Who?
11:16I'm the skank in the song.
11:18You're kidding.
11:19Are you serious, Loli?
11:25No way.
11:26Oh, wow, look at that.
11:27Damn, that is you.
11:28That's right.
11:29It's you, Loli.
11:30Babe, don't worry about it.
11:32Whatever.
11:32It's normal.
11:33That was like a million years ago.
11:34I look so much better now.
11:36I mean, look, totally different.
11:37I think you look divine, to be honest.
11:39Anyway, listen.
11:40In this cassette, we taped so many songs,
11:42and there's one that I want to sing to you right now,
11:44because I want to show you that I've got range
11:46and that I've improved a lot.
11:47Okay, fine.
11:53Ben, al clú de los románticos.
11:56Miguel!
11:57Ben, si estás.
11:58I'm so sorry.
11:59I'm afraid I have to go.
12:00You've caught me at a bad time.
12:02Tell you what, how about next week
12:04we go out for a drink somewhere, yeah?
12:06But for real, okay?
12:07We'll have more time to talk.
12:09Yeah, why don't you take this,
12:11because I start to hoard things
12:12and end up drowning and shit.
12:15No, no.
12:16Thank you, darling.
12:17Thank you for visiting.
12:18It's over, Miguel.
12:47What's over?
12:49Look, someone named Mario
12:51is going to call you tomorrow.
12:53He's my new manager.
12:55What?
12:56What?
13:01I'm leaving, Miguel.
13:03I don't want to be part of a circus every day.
13:06I came to Madrid to be a singer,
13:08to make music.
13:09I want the place I have earned and deserve in my world,
13:12which is a different world than yours.
13:15I'm sorry and thank you for your time.
13:17I don't want to be part of a circus every day.
13:24I don't want to be part of a circus circus.
13:25Stop waiting for lunch every day.
13:25I don't want to be part of a circus.
13:26I'm waiting for a circus.
13:27I was shaking down for grief.
13:27I've got to be part of a circus circus crewados.
13:28I'm joking.
13:28I feel like the waves doing work to be part of my culture.
13:29I've got to be part of an absolute racing circus China.
13:30Cough, cough, cough, cough.
14:00Hello, hello, what's up, man? I brought you a gift, darling.
14:15What I mean is, if Marta Sanchez comes and says,
14:19I have no interest in interview, that's awesome, then,
14:22because Marta is an artist, a real artist, a legitimate one.
14:26The real question here is, why did she even volunteer to do it?
14:29She doesn't look good, it's embarrassing.
14:31It's awful.
14:32Wait, hang on, let me ask you this.
14:33When we talk about Catalonia...
14:36What are we talking about?
14:38We are not talking about that.
14:39Don't change the subject.
14:40Chloe, where's my camera?
14:42There it is.
14:43We take it to the streets, what for?
14:46Because we asked Tamara herself for her opinion on this issue.
14:49Let's go!
14:52Look, whatever I need to understand,
14:54is that that's something I did for her casting.
14:56It was something only the director was meant to see.
14:58It was something I filmed with that piece of shit,
15:00because it was supposed to be for a movie.
15:03I never ever thought that it would ever end up in everyone's TVs.
15:07I never thought that everyone would laugh at me,
15:10and that they'd think I'm a whore or a slut for recording this kind of thing.
15:15Tamara, who exactly are you referring to when you say that piece of shit?
15:19Miguel de Diego, my former representation,
15:22who can't stand the fact that I no longer want to work with him.
15:25So this is his revenge.
15:27Do you think you will want to continue your career in show business
15:29after everything that's happened?
15:31I think what matters most right now is promoting my new album,
15:34because ultimately, it's all about the music.
15:36Tell me about the music.
15:49Good evening.
15:50Oh, God.
16:05You poor thing.
16:07Who are you?
16:11The girl from No Cambie.
16:21How dare she?
16:23How dare she honestly?
16:25So when I started out, I started out as a little girl.
16:28I knew I was going to be an artist, because I am.
16:30It's who I was born to be.
16:31I went to a dance conservatory first.
16:33They were telling me I couldn't eat regular food like a normal person,
16:37that my diet was apples all day every day.
16:39So I was like, are you insane?
16:42So I signed up for music school.
16:44You play music?
16:45I used to play the piano.
16:46I used to play the piano.
16:47That's something she can't do.
16:49Yeah, but it's like you said.
16:50It's not her.
16:51It's the song.
16:52So what am I doing here?
16:54Because I'm the real deal.
16:55I sang the song before her.
16:56Careful, the writer was Leonardo, so...
16:58But I brought it to life, Miguel.
17:00I gave it a voice.
17:02And then she waltzed in and claimed the song.
17:04Claimed what?
17:05Like the voice?
17:06Like the song.
17:08Well, yeah, the voice.
17:10She stole the song and the voice.
17:12I can do some media rounds and say I'm going to sue her.
17:16For thievery.
17:19For grabbing what's mine.
17:21I can probably find you a show or something.
17:26Do you like my idea?
17:31Yeah, yeah, yeah.
17:33I love it, yeah.
17:34Love it.
17:35You're way smarter than you look, huh?
17:38Like some man.
17:45Idiot.
17:46Oh, no?
17:47Are you dumb or what?
17:48What do you want?
17:49Why'd you come here?
17:50Put it on.
17:51What?
17:52I don't...
17:53I'm just...
17:54I'm not into this.
17:55I don't...
17:56Why not?
17:57It brings back bad memories.
17:58Fuck, it reminds me of when I was the dumbass dressed as a fucking clown at kids' parties.
18:01I don't like it.
18:02Well, I'm into it.
18:03I'm an artist, Lolly.
18:04I've been an artist.
18:05I've recorded cassettes that sell at gas stations and shit.
18:06I did my performances with my guitar, my jokes, my humor and stuff.
18:10But, you know, since singing pays jack shit, I had no choice but to dress up as a clown.
18:11You're not an artist anymore.
18:12Nor will I be.
18:13And Wessaman?
18:14What about it?
18:15Wessaman, Harlequin, Choo Choo, whatever.
18:16Wessaman, Aleka, Son Maguai, Choo Choo.
18:19I don't like it.
18:20I don't like it.
18:21Well, I'm into it.
18:22I'm an artist, Lolly.
18:23I've been an artist.
18:24I've recorded cassettes that sell at gas stations and shit.
18:25I did my performances with my guitar, my jokes, my humor and stuff.
18:28But, you know, since singing pays jack shit, I had no choice but to dress up as a clown.
18:31You're not an artist anymore.
18:32Nor will I be.
18:33And Wessaman?
18:34What about it?
18:35Wessaman, Harlequin, Choo Choo, whatever.
18:37Wessaman, Aleka, Son Maguai, Choo Choo.
18:40It's just some shit I came up with that I would say when I performed and no one ever picked it up but me.
18:46Well, you put that on or no one's getting laid, period.
18:56Who am I?
18:57Who am I?
18:58Ah, the girl from...
19:00No, no, from no coming.
19:05My Sibelius.
19:06It's the first thing I saw when I came to Madrid.
19:19I said to myself, this is where it all begins, Lolly.
19:22It begins here.
19:24Did you like fucking her?
19:39Uh, she's a dirty girl, what can I say?
19:45Did she want you to record her?
19:49Well, I mean, that video, um, the, the, the idea of a raunchy video was actually hers.
19:58That's crazy.
19:59And now she's playing the saint, making me look like a moron, but I know she wanted to dabble in, in, in other disciplines.
20:07She's very evil.
20:08Hmm.
20:09Tamara is mean.
20:10She looks sweet, but...
20:12Tamara.
20:13Tamara.
20:14Tamara.
20:15Tamara.
20:16Tamara.
20:17Tienes cara de buena, pero eres mala. Tamara.
20:19Tamara.
20:20Tamara.
20:21Tienes cara de buena y eres muy mala.
20:25Oh, you've gotta sing that. Sing it straight to her face.
20:40Uh, no, no. The tabloids and the drama, that's for you to handle.
20:45What's the difference? Everybody's seen you in that video anyway.
20:47No, no, trust me. The camera doesn't like me, Lolly.
20:50I don't know why they don't see what I see. You in that outfit. It's so sexy.
21:02Put it on, find her, and let the skank have it.
21:20Tamara, listen, I've come to apologize for what happened. Ma'am, ma'am, ma'am, ma'am, ma'am, please. I've come to apologize, but ma'am.
21:35I can kill you right now. I can kill you right now. I can kill you right now. I can kill you right now. I can kill you right now.
21:40I can kill you. I can kill you right now. I can kill you. I can kill you. I can kill you.
21:42Lolly, there's cameras.
21:43It's been great. We're very excited because a few hours ago, we closed the deal on the rights, which means we're releasing No Convier, Lolly's version.
21:49How does it go?
21:50She mimics my voice. She mimics my voice. I have the promo. I have all the songs. In the originals, you can hear me. I was the first one. She sings over me. She can't sing for shit. She's horrible.
21:58There'll be one more artist who will be singing, who's very famous, but for now, we won't say who it is.
22:04Bravo! Bravo, everybody!
22:06Hey, hey, hey.
22:07Leonardo said that Tamara didn't even know who you were, that she'd never heard your voice in her life. So how could she possibly have imitated you?
22:13Of course, she also claims she has to wear a wig on her head.
22:15She's got a gunner head.
22:21Two small chicks at the neighborhood bar. The waiter comes over and says, peep, peep. And the other one goes, peep all you like. Drinks are on me tonight.
22:30The summer! The summer!
22:35I can get on this table without falling.
22:38I know. And God knows I'm the one who actually sings well. The one with the pretty face and the great tits, baby. Not that dehydrated skank. Or the guy with the parrot on his head. Come on.
22:49What's the name? What's the name? What's the name?
23:06I like Friday because Saturday is a weird day.
23:09Wait a minute. Wasn't Tamara playing on that same exact day? At the gluten-free?
23:14Yeah, yeah, I think so, yeah. At the end of the month?
23:17Fuck yeah, then let's do it on the same day. At the same time as her. And let the crowd decide. They'll think, hmm, what do I want to do tonight? Am I gonna go watch that boring and pathetic witch? Or the global debut of Loli, Alvarez, and Tony Heniel?
23:30And let's be honest, they're the new wave. Come on, what do you think?
23:33Ah, my Loli. Here's something else.
23:36We're something else. Darling, you and I both. Birds of a feather, flock together.
23:41Well, I'll call him tomorrow. First thing in the morning. Oh, I'll call Arturito to see what we can come up with.
23:49But...
23:51What are you doing?
23:53Well, this is your street.
23:55Yeah, but why stop here? I thought we were going to your office.
23:58Jesus, Loli. You knew I had plans with Chimo.
24:01With your lawyer at two in the morning?
24:03Don't start.
24:04You never told me anything.
24:05I told you one Thursday that I was beating Chimo today because he wants to talk about some, some business, some investments. Get off my ass.
24:12That's not it, Miguel. I just don't want to sleep alone.
24:15Look, I'll call you first thing tomorrow and I'll tell you everything in detail. And if you want, I'll come eat you out at some point.
24:22See what?
24:34Sorry to think about a review for the first thing.
24:38Oh, my God.
25:08Don't they look like they're mine?
25:20No, no, there's no two-for-one today.
25:23Who did these?
25:24One complimentary drink a ticket.
25:26Okay, fine, thanks.
25:27Edmundo. He's the best one.
25:30Apparently he touched up Nicole Kidman when she was working in Santander.
25:34Oh, that's right. I know who that is.
25:35Do you think I could go see him because I really want to lift him a little bit, you know?
25:39That would be perfect. Let me give you his card.
25:42He gave me a bunch because he knows I've rubbed shoulders with everyone here.
25:44Wow. You really can't help yourself, can you?
25:47You're not tempted, gorgeous?
25:49Huh? To what?
25:51To get some work done.
25:53No, no, no, no, no. I'm fine.
25:54Yeah, but a little tweak never hurt nobody, right?
25:57It never hurts. It never, ever hurts.
26:00Okay, thanks.
26:01Fernando's here.
26:02Fernando's here already?
26:03Yes.
26:03Form a drink. We'll be there in a couple minutes.
26:05All right, copy that.
26:06Fix your hair. Smile. It's a great night. Let's go. Come on.
26:18You got this, Loli. You got this, Loli. You got this, Loli. You got this, Loli.
26:22For Wattos and all my fucking people, knock them out.
26:29Fue de mi, ya no quiere, quiero tu querer, te he borrado, ya no quiero, besar tu labio.
26:48Oh, no.
26:49Please, give it up, or Loli under.
26:58Now we're going to sing a very special, very special song that stole my heart.
27:03It's the bomb, like we say in Granada.
27:09But it flew away. It flew away. But it's back, though. It's back.
27:13And I'd like to thank the man who brought it back to me. This next one's for him.
27:17So here's to you. Here's to all of you.
27:22No cambie, no cambie, no cambie.
27:25No cambie, no cambie, no cambie.
27:29No cambie, no cambie, no cambie, no cambie.
27:42No cambie, no cambie, no cambie, no cambie.
27:57No cambie, no cambie, no cambie, no cambie.
28:00No cambie, no cambie, no cambie.
28:01No cambie, no cambie, no cambie.
28:03No cambie, no cambie, no cambie.
28:05Thank you!
28:24Let's hear it for Zali Alvarez, the greatest artist this country's ever seen!
28:35Hey! What are you doing here? Where are you going? What's the matter, Miguelita? I know you, are you okay?
28:52Have you seen Miguel?
28:55Oh, spectacular! Gorgeous!
29:03Thank you!
29:05Oh my god, she's even pretty in person, too!
29:15Loli! Loli! You're even more beautiful in person!
29:19Hey, thanks!
29:21You mentioned me, right? I'm Alfonso. Alfonso. Alfoncito. Alfoncinito. Cito. Martin Escursito, the director. Miguel tells me you're interested in showbiz. Why don't you come over one day? Do an acting demo and see, huh? Blondie?
29:39Well, thanks, but I'm already in showbiz, Mr. Cito. And my pussy is only available for your friend Miguel to demo, honey. All right? Asshole.
29:51Tony! Tony!
29:53Everybody loved the show, Loli.
29:55I know, but where's Miguel? I can't find him anywhere.
29:57I don't know. I don't, but whatever. Don't worry about it. He'll turn up eventually. You know how he is, don't you?
30:02No, apparently. I don't know what he's like, Tony. Tell me, what do you like?
30:06Tony, for the love of God, where is he?
30:14Loli, how was your world premiere?
30:17A giant success? Isn't it obvious?
30:19Is your date at the Czar's Lela confirmed?
30:21Go fuck yourself.
30:23Hey, hey, hey, hey, are you on the list?
30:38Stick the list up your ass.
30:39Excuse me. Hey, hey, ladies, stop.
30:42Hey, you just can't.
30:47Hey, Gabs?
30:53Miguel, I'm sorry.
30:58No, I can't take this anymore.
30:59Darling, it's okay. It's okay. Calm down, my darling. It's over.
31:02Oh, Mario.
31:03He's been thrown out.
31:04I can't. That's so angry.
31:05I know, my love, but you have to try and calm down, okay? Let's try something.
31:08Breathe with me. Let's go back out, get ourselves something to drink.
31:11No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
31:13Please, I don't want to be here anymore.
31:15Honey, you need to calm down or you're going to make yourself sick.
31:17You don't understand, Mario. Miguel has been doing this for months.
31:20This isn't going to end well. This is just one of many.
31:23He calls me every night, me and my mom.
31:25He shows up at my house. He's spent the whole night outside my front door.
31:28The whole night.
31:29Tamara, you need to report him to the police, darling.
31:31We need to get the police involved.
31:32No, you don't understand.
31:33Calm down, honey. Breathe. It's okay. Calm down.
31:35I can't take it anymore. It's scary. She doesn't kiss me.
31:38Tamara, this is exactly why we need to get the police involved.
31:41Please.
31:42But here we need to take a while.
31:54Please.
31:59Oh, let's start to love you.
32:24What the fuck?
32:26You can't be in here.
32:27You can't be in here.
32:28I'm gonna get someone to take her away.
32:31Security! I need security!
32:33I'll just say this one thing, okay?
32:38It took me way too long to rid myself of that monster.
32:43Don't make the same mistake.
32:45Don't stay like me.
32:46Don't stay like me.
32:48Don't stay like me.
32:49Don't worry.
32:50Don't stay like me.
32:51Don't worry.
32:52That woman can't be in here, okay?
32:53I warned you, honey.
32:54You gotta go.
32:55Let's go.
32:56Let's go.
32:57Let's go.
32:58Let's go.
32:59Let's go.
33:00Let's go.
33:01Let's go.
33:02Let's go.
33:03Let's go.
33:04Let's go.
33:05Let's go.
33:06Let's go.
33:07Let's go.
33:08Let's go.
33:09Let's go.
33:10Let's go.
33:11Let's go.
33:12Let's go.
33:13Let's go.
33:14Let's go.
33:15Let's go.
33:16Let's go.
33:17You wanna go?
33:18I'll never be like you.
33:19Keep walking.
33:20This is totally unnecessary.
33:21I'm the one who wants to leave, okay?
33:22I want to.
33:23I'll never be like you.
33:24Keep walking.
33:29This is totally unnecessary.
33:30I'm the one who wants to leave, okay?
33:32I want to!
33:36Lolly?
33:38What you doing here?
33:40Apparently same as you.
33:41Looking like a dumbass.
33:46Ow!
33:47You're a pig and a shameless piece of shit!
33:53Lolly!
33:55científico
33:56What do you mean?
33:57I'm sorry, darling.
33:58I think you what you can find.
34:17What's up, man?
34:18What's up, man?
34:20Hey, you guys. Come on, guys. Leave him alone. Come on. Leave him alone. Get out of here.
34:37I said get out of here. Get lost. Let's go. Get lost right now. You heard me. Come on, let's go.
34:46What are you doing here, Miguel?
34:48Hold an all-nighter?
34:49No. It's 7.30 in the evening, man.
34:54Do you ever change out of that thing? Listen, I can smell you from here, man.
34:57How about we go to my place around the corner and I'll put it in the washroom.
35:00Johnny, can I borrow 8,000 pesetas?
35:028,000 pesetas? For what?
35:05For a little bump.
35:07Okay, you listen to me now. Go speak to Lali, okay? Just speak to her.
35:12You say anything to her. Whatever bullshit you come up with and she'll forgive you, Miguel.
35:16Miguel, where are you going?
35:17Miguel!
35:21Aye, Miguel.
35:22Such potential and you've thrown everything away.
35:27Lali, I think it'd be better if we do this in stages. We can start with the mammoplasty, breast augmentation, and liposculpture.
35:33And then, if you like afterwards, we could do the rhinoplasty, followed by the blepharoplasty.
35:38But I think it's best for us to manage this bit by bit so you can give your body a chance to adjust.
35:41I want to do it all now. I want to just be done with it, feel like a new person.
35:46Like Julia.
35:47Julia who?
35:49Julia Roberts.
35:51Like her.
35:51I'm removing your IV, okay?
35:59Let us know if there's anything that you need.
36:03Hello, Lali. How are you? How are you feeling? It's me. It's Wani from Whose Music. Do you remember me?
36:22How are you doing? Better? Fine.
36:23I've been trying to get a hold of your manager all day, but it's impossible. We heard on Tiempo Del Marte that you're completely changing your appearance. So we've got a really fun pitch for you to consider. We want an exclusive on your new face. And for you to show yourself as you are. Total freak show.
36:37Now wait for it. Here's the best part. Just wait. It'll blow you away. Hear me out. This is what we're offering you, darling.
36:44With a chuck like that, I'd get fixed up and then unfixed. Put a big rocket up my pussy and fly to the fuckin' moon. So? How's that sound?
36:45for you to consider we want an exclusive on your new face and for you to show yourself as you are
36:50total freak show now wait for it here's the best part just wait it'll blow you away
36:56hear me out this is what we're offering you darling
37:01with a check like that i'd get fixed up and then unfixed put a big rocket up my pussy
37:09and fly to the fucking moon so how's that sound because a girl that serves herself isn't into
37:15bondage she's into bandages
37:16Lonely Alvarez Lonely Alvarez everyone
37:45okay lolly so what have you had done oh i didn't hold back i got all of it done i was like a vintage
37:53car that needed new wheels well wait a minute but what's all all of it cheekbones ears both ears of
37:59course it's either all or nothing you've had something else done honey because you didn't
38:03have those breasts before did you these tits you mean andre i got everything done except for armpits
38:08and butthole out of a magical pyramid straight from egypt to unveil herself because unveiling
38:12yourself is back am i right friends
38:14that's it let's go
38:15of course
38:16of course
38:18come on
38:19come on
38:22come on
38:35come on
38:41come on
38:43come on
38:48This is very exciting, amazing about this new glory.
38:55Wow!
38:57What?
38:58I don't need that arm.
39:00Well, well, well, well, well, well, well, well, well, well, well.
39:05Here comes the new glory.
39:10The new glory!
39:12The new glory!
39:21The new glory!
39:26The new glory!
39:34Tell him I'll be a second
40:04What are you doing here Miguel what do you want
40:12Nothing uh
40:16It's just seeing you is plenty for me
40:21Well now you have
40:23I believe you have lots of explaining to you Miguel
40:31Yeah yeah yeah whatever you want
40:34Take me to Wesselman
40:41No not Wesselman
40:43How about you let me take you to a place you're gonna love
40:47Nuh uh don't touch me
41:01And he does way better now since he got one it's where you put your stuff up it's called
41:24A webpage
41:27I don't want any Miguel
41:29A place to put my my songs my videos my magic tricks my performances etc etc
41:35I've considered naming it
41:37Websemen
41:38Or Wesselman
41:40Listen Miguel
41:42I need to know what happened to us
41:44What's the matter
41:45Tell me what's wrong
41:47I it's it's it's it's this suit I'm attached to it
41:52Thanks to this suit people recognize me they imitate me
41:58I'm everything I wanted to be as a child an artist and I'm famous like you that's why we can be together baby I can look you in the eye now
42:09This is who I am
42:14Funny because when I asked you to put it on you were disgusted
42:17What no no no no no no yeah when I asked you to put it on you didn't want no no no that was no that was Leonardo's friend some pretty girl who asked me to put it on because she wanted to fuck me sweetheart
42:28What's wrong Tamara what's wrong baby where are you going no no no wait wait wait wait no no please please please please don't leave me please Tamara I'm begging you please don't leave me again please I can't take it I can't live without you
42:46Tamara I can't live without you Tamara I can't live without you honey I'm begging you please without you I can't Tamara please I'm begging you Tamara I really need you I need you darling
43:05Without you I am nothing
43:16Without you
43:29Neither sun nor the stars can compare to you
43:35Because you are the loveliest rose in the rose bush beautiful and the flowers are beautiful you are even more so
43:44Because God has given you his celestial grace
43:49Drop whatever you're doing and come to the studio right now
44:07I've got a surprise for you
44:09And bring the best song you have
44:11But what for?
44:12To record a duet with the biggest star of all time
44:16Who is also dying to see you
44:18Miguel, but you're making me nervous
44:20What do you mean exactly?
44:21What star?
44:24Tamara
44:24Tamara
44:24She really told you she wants to see me?
44:42Hey
44:45Hey, I made it
44:47Hello?
45:00Welcome, Leonardo
45:03What's up, man?
45:06Oh my goodness, you are looking dapper
45:08Oh, I don't know
45:09Come, look
45:10I want to apologize
45:15I should have never abandoned you
45:17So much time has been wasted
45:19Oh, no, darling
45:20Please, it's no big deal
45:21You and I never had problems big enough
45:23That I really care about you, Lali
45:25But
45:25Wait, I'm sorry
45:28You said that, um
45:29That Tamara might be here
45:31I haven't, uh
45:32I haven't seen her
45:33What?
45:33What's wrong with you?
45:34Tamara
45:35Leonardo
45:35Where's Tamara?
45:36So what'd you bring us?
45:42What smash hit have you brought us today?
45:45The Wheel of Life
45:46So tell us, what message would you want to convey with The Wheel of Life?
45:51The Wheel of Life
45:52I'm, I'm intrigued
45:53Tell us
45:54Well, it's exactly what the title says
45:55The Wheel of Life
45:56There isn't, uh
45:57There isn't more to it
45:58It says
45:58I have a drink
46:00Then grab the bus
46:01Uh
46:02But what's it sound like?
46:05Sing it
46:05Yeah, sing it
46:07Vuelta y vueltas la virada
46:11A veces pa'lante
46:13Y a veces pa'lrás
46:15Vuelta y vueltas la virada
46:19La rueda de la vida nunca deja de girar
46:23Vuelta y vueltas la virada
46:26A veces pa'lante
46:28Y a veces pa'lrás
46:35Are we going to have any children?
46:41Babe, look, honestly, the truth is that despite the difficulties that fate might bring the two of you
46:47In both your personal lives and such things as those
46:50Yes, I do see some birth
46:52I sense an influence when the female stars, so
46:55Mar, Maria Rosa, don't worry about it
46:57Leave us alone, okay?
46:58Go
46:58Oh, sure, honey
47:00Say no more
47:01Right away
47:02Get ready, baby
47:16We're running late
47:17Where are we going?
47:20We're meeting with Alfonso in an hour, remember?
47:25Alfonso?
47:27Alfonso
47:28Alfoncito
47:29Fonzinito
47:31I don't know which one of his names I used when I introduced you
47:39Detractor
47:42Yeah, yeah, exactly
47:44That guy
47:44I've done some stuff with him already
47:47Is it an audition?
47:51You're going to knock it out of the park, sweetheart
47:53You know what I'm going to turn you into?
47:58A freaking superstar
48:00Can we go some other time?
48:25What do you mean?
48:26Why?
48:28I don't know
48:28I'm not feeling well
48:29Tamara, don't, don't
48:32You're telling me this now?
48:34Seriously?
48:35Don't do this, for real
48:36You've got to take Alfonso seriously
48:38He's not someone I can cancel on last minute
48:40I'm going to look like a moron
48:41There won't be another chance
48:43Well, I don't care
48:46It's too damn late
48:48Should have said something sooner
48:49You're going to thank me
48:52Darling, I do this because you matter to me
48:55You're a country bumpkin
48:57You're a country bumpkin
48:57You haven't been to Madrid long
48:58This will open up some doors for you
48:59It'll be good for you
49:00Pull over
49:04Enough
49:05All right, enough
49:06I said pull over
49:08I said pull over right now
49:08Hank, stop
49:10Fuck you, you stupid bitch
49:21What do you want from me?
49:23You fucking bitch
49:24Look at what you've done
49:25You tore my fucking skin
49:26You fucking psycho
49:27Now I really fucking had it with your shit
49:29I said pull over, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, low-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up, high-up,
49:59It's alright.
50:26I'll never be you.
50:29I'm Loli, raised in guachos.
50:43I'm Loli, and I was raised in guachos!
50:45I'm Loli, and I was raised in guachos!
50:47I was raised in guachos!
50:49I was raised in guachos!
50:51I was raised in guachos!
50:53I was raised in guachos!
51:13Miguel, what happened to us?
51:21No.
51:30Where's something?
51:43No.
51:45Fui yo.
51:47Fui nuestro corazón.
51:50The Seabellows didn't expect this kind of music.
51:52At 6am this morning, a car crashed into the result of the birds on harm.
51:56With the dramatic or malicious of this drama, a genius that wants to approach, and for the pair themselves.
52:01El cielo no entiende de este amor, y no nos contenderá el perdón, ya no me importa qué dirán.
52:16No doy lo que tengo por saber, de qué lado late el corazón, y me basta con ser su otra mitad.
52:31¿Qué le dio sentido a nuestro amor?
52:38No.
52:40Fui yo.
52:42Fue nuestro corazón.
52:46¿Qué le dio sentido a nuestro amor?
52:53No.
52:55Fui yo.
52:57Fui yo.
52:58Fui yo.
52:59Fui yo.
53:00Fui yo.
53:01Fui yo.
53:02Fui yo.
53:03Fui yo.
53:04Fui yo.
53:05Fui yo.
53:06Fui yo.
53:07Fui yo.
53:08Fui yo.
53:09Fui yo.
53:10Fui yo.
53:11Fui yo.
53:12Fui yo.
53:13Fui yo.
53:14Fui yo.
53:15Fui yo.
53:16Fui yo.
53:17Fui yo.
53:18Fui yo.
53:19Fui yo.
53:20Fui yo.
53:21Fui yo.
53:22Fui yo.
53:23Fui yo.
53:24Y yo solo busco libertad
53:30Pues se me...
53:32¿Quién le dio sentido a nuestro amor?
53:39No, fui yo, fui yo
53:41Fue nuestro corazón
53:45¿Quién le dio sentido a nuestro amor?
53:52No, fui yo, fui nuestro corazón
54:00El cielo algún día entenderá
54:06Que ser su mitad no basta
54:08También necesito su perdón
54:15¡Mira, Wacho!
54:22¿Quién le dio sentido a nuestro amor?
54:33No, fui yo, fue nuestro corazón
54:41¿Quién le dio sentido a nuestro amor?
54:48No, fui yo, fue nuestro corazón
54:54¿Quién le dio sentido a nuestro amor?
54:58¿Quién le dio sentido a nuestro amor?
55:03¿Quién le dio sentido a nuestro amor?
55:08Al langsam
55:09Y si me...
55:10Oh, yeah.
55:40Oh, yeah.
56:10Oh, yeah.
56:40Oh, yeah.
56:42Oh, yeah.
56:44Oh, yeah.
56:46Oh, yeah.
56:48Oh, yeah.
56:50Oh, yeah.
56:52Oh, yeah.
56:54Oh, yeah.
56:56Oh, yeah.
56:58Oh, yeah.
57:00Oh, yeah.
57:02Oh, yeah.
57:04Oh, yeah.
57:06Oh, yeah.
57:08Oh, yeah.
57:14Oh, yeah.
57:16Oh, yeah.
57:18Oh, yeah.
57:20Oh, yeah.
57:22Oh, yeah.
57:24Oh, yeah.
57:26Oh, yeah.
57:28Oh, yeah.
57:30Oh, yeah.
57:32You
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