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Superstar (2025) Season 1 Episode 4

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Transcript
00:00Briefly ahead of No Cambie, Tamara had presented herself in the media as the girlfriend of Paco
00:19Porras, the clairvoyant. What became of Paco Porras? In one of his last appearances on television,
00:25he told a horrifying story. He said he had been kidnapped by a secret society in the town of
00:33Altea and that he'd been tortured and sexually abused for months. Many thought he was lying,
00:40of course. At the end of the day, who is Paco Porras? Someone who claims to read the future in
00:47fruit and vegetables. But even the harshest skeptics know that within every lie, there's a spark of
00:53truth. And if the truth behind Paco Porras is proportionate to the size of the supposed
00:58lies that spill out of his mouth, well then, that truth is blinding.
01:23Evening, my dear. I've arrived. They'll be with you in a moment. I appreciate your patience.
01:29What a disgrace. An atrocity. And a shame to reach this age to witness this.
01:48Around 5 million votes. We are the biggest party representing the working class.
01:53We are the biggest party representing the working class.
02:03Hey, if you voted for him, I'm sorry. I have a lot of respect for everyone's choices.
02:09People like me learn to surrender to the changing tides of society, even if they lead us to damnation.
02:19You said people like you? Right-wingers?
02:22No. Clairvoyants.
02:25What have you come here for?
02:27We're a terror reading. I show up, spout some nonsense, slip in a dirty joke for a bit of flavor,
02:32then I'm off.
02:35But what matters? The real stuff. The good stuff. No one wants to hear the good stuff.
02:43Go. Ask me a big question. Go.
02:44Uh, when's the apocalypse coming?
02:47Three years from now, in 2018. Next question.
02:49Why do I feel like I've already seen your face?
02:52Well, I don't know. It's, uh, it's my first time here. I don't know where you've seen me before.
02:57No, no, no. We know each other from somewhere.
03:00Goodness. They don't mess around here, do they? What we've come to.
03:05I don't get spooked easily, though. I've got my fair share of baggage. I really do.
03:12In my prime, I frequented the most exclusive spots. I've thrown parties that if the world knew about,
03:19who was in attendance, all the filthy things they've done, heads would roll and governments would fall.
03:25I was once invited to a massive wedding in a ministry that closed down just for us.
03:29There was a raffle, and the winner could put whatever they liked in their country's constitution,
03:35change an article or draw a picture of a big cock. A free-for-all. And when dawn broke,
03:42we would all gather naked in front of an altar and sip some champagne. Champagne?
03:47Champagne. Is champagne served in the skull of Che Guevara?
03:53I know who you are now. You're Paco Porras.
04:00Oh, damn. What a surprise. I thought I was ancient history for the younger generation,
04:06worn like a crumbling statue. Paco, but how could I forget you, honey?
04:10I watched you on TV all the time with my mother. You were so funny.
04:13Your mother sounds charming. Give her a big hug for me. And tell her to eat her vegetables.
04:23One moment, okay?
04:27So, uh, you got any of your fruits and veggies with you?
04:30For fruitology, I usually reserve that stuff for more private events.
04:35Those years on TV gave me a bad rep. I prefer to live a more discreet life nowadays.
04:42On me.
04:42You're such a doll.
04:45It has been a while since I've found a halfway decent gig at a high-end venue.
04:52If this is the beginning of a good spell, it's because you brought me luck.
04:55Well, I hope so, Paco.
04:58You be safe.
04:59Goodbye.
05:00See you.
05:30Hey, what's going on? What's going on? What's happening?
05:50Careful. Careful. Please don't hurt me. I beg you.
05:53No. Wait, where are you taking me? Wait, why don't we come down?
05:57Sweet burger dog. I'm a senior citizen.
06:03I'm a senior citizen. Please don't hurt me. Please.
06:27Come on. Come on. Come on.
06:41Come on.
06:42Oh, my God.
07:12Oh, my God.
07:42Hello.
07:44Hi.
08:00Paco.
08:01Hmm?
08:04What's for lunch today?
08:05Hey, honestly, I'm to the point you show me a drumstick, and I'm not sure if it's for eating or shoving on my bottle.
08:13Paco, listen to me.
08:14I think I found a way to get you out of here.
08:22There was a secret passage between the kitchen and the back garden.
08:26It's where they take out the trash.
08:28Well, thank you for the offer.
08:30I didn't love the analogy, though.
08:32But, uh, I don't think it's worth putting myself in danger.
08:35Paco, but why?
08:36Because we'll get caught.
08:37And they'll stretch my butthole as wide as watermelon, and you, they'll hang up like a cured ham.
08:41What makes you think so?
08:43Is it because you don't trust me?
08:46Is it because I'm a woman?
08:50I've been reading on the internet that you're a major misogynist, you know.
08:53Well, I am many things.
09:01Well, I don't believe you're such a horrible person.
09:04You just like being the center of attention.
09:07Then I'm right where I should be, huh?
09:10Of course I trust you.
09:12It's me.
09:13I don't think I'm a fortunate guy.
09:15I'm not a lucky person, to be quite honest.
09:18So if I had even a little faith, I'd be the world's biggest moron.
09:21Have you always felt like this?
09:23Not at all.
09:25Well then, what happened to you?
09:29It's not exactly a fairy tale.
09:36As I was saying, I was the happiest of children.
09:43I had a privileged childhood.
09:45For example, while other kids had imaginary friends, I was visited by saints, virgins, and martyrs.
09:51I was like the kid in Marcellina, Pony Vino.
09:54You might not know it, but it's like the Harry Potter for Catholics.
09:59I was well aware that I wasn't just an ordinary child.
10:02But one morning, I discovered my real talent.
10:05I had the ability to see the future in fruits and vegetables.
10:15I needed something bigger than the Bible, so I immersed myself in the world of occultism and parapsychology.
10:22My world kept growing bigger and bigger.
10:24I started to make a name for myself before I got my first pimple.
10:32At 13 years old, I was awarded the Silver Shell for Best Mentalist at the San Sebastian Magic Festival.
10:37I also took my first steps into the world of show business at a very young age.
10:44My parents, who were directors at the town's puppet theater of El Retiro, invited me to join them on a television show.
10:52I played Teherine, inspired by Lieutenant Colonel Antonio Tejero.
10:57In order to get in the character, I studied him in depth.
11:02Everybody on the ground, sit down, damn it!
11:05And I discovered that Tejero had some truly fascinating ideas.
11:08But my parents had other ideas.
11:12Much stricter and less tolerant ideas.
11:15Papa, no!
11:17That was my first run-in with censorship.
11:20To regain my confidence, I asked a pineapple to show me what I would be like as an adult.
11:36I liked what I saw so much, that I decided to refashion my puppet to look like me as an adult.
11:44I named him Paquito Churros, and his time would come.
11:48Meanwhile, I continued developing my career as a cartoon dubbing artist.
11:55Around the world, with Willie Fox.
12:00I also appeared in the movie, Miedo Asselier de Noche.
12:03I almost didn't survive to tell the story, because the director, who was a bit of a sadist,
12:07told the other actors to beat me up for real.
12:09That's awful.
12:11And what did he do?
12:12Huh?
12:13I'm sure you reported this director, right?
12:15I mean, you know.
12:16In film, it's like that.
12:19Eloy, though?
12:20Genius, honestly.
12:21Bit of a commie, but what can you do?
12:23You and commies, what do you got against them?
12:25What do you mean, the leeches, honey?
12:27Who likes to get their blood sucked?
12:28I respect everybody, okay?
12:30I haven't even asked which way you swing.
12:33Well, I don't make it my business to judge others.
12:35Why don't I finish this story, and then tell me how you feel.
12:42In the 90s, I moved to one of the most spectacular houses in all of Madrid.
12:47That palace had been home to Marquises, Countesses, and Isabel II's doctor, huge perv, who slept in every single whorehouse in Madrid.
12:55That place had so much history, so much magic, so much mystery, that the ghosts had to join a wait list to give you a haunt.
13:05Let's see.
13:06Right now, you're at the height of your bullfighting career, as I had predicted.
13:09And what you really need is a woman, a nice, discreet one, from a humble background, who'll put up with you, and drink plenty of spirulina.
13:18Hey, you folks back there, keep it down, please.
13:22My fruitology practice was very popular, but what really catapulted me into fame was my segment on Tiempo de Marte.
13:28Paco Porras!
13:30That's where I became the Paco Porras I always dreamed of.
13:36Hi there.
13:37Hi, Paco. Welcome to the show.
13:38Welcome, Paco.
13:39It's an honor to be here with you guys.
13:41What do you have there, Paco?
13:42Well, look, I decided to come with a bit of light reading.
13:47The end of the 20th century was pretty good to me.
13:50But when the 21st century came, I was struck by your curse.
13:58Disaster began the day I received an extraordinary invitation.
14:01It was from a secret society.
14:18They wanted to meet me in one of the most magical spots in Madrid.
14:21The Tooth Fairy Museum on Arenal Street.
14:30He placed it next to the tooth under a pillow and we had determined until sleep overcame him, only to wake up face to face with him.
14:37A very old little mouse.
14:40He transformed him with his magic so they could weave the palace together onto Jaco Madrezo Street.
14:47But once they had made it past the fearsome cat, he and the old little mouse continued on their merry way down the busy street.
14:53The Tooth Fairy Museum on Arenal Street.
15:23The Tooth Fairy Museum on Arenal Street.
15:53Among the people who'd summoned me, there were entrepreneurs, ministers, and members of the Royal Spanish Academy.
16:01They called themselves Kilometer Zero.
16:04My God, man, why would you put that in the middle of your flag?
16:23You mean this majestic and mystical bull?
16:27You had tons of other animals to pick from, but you chose to smack that on the Spanish flag.
16:30I don't know, a bird of prey and...
16:32You seem disappointed.
16:34I mean, look, when you wrote and explained that you watch over the material and spiritual order of Spain, I expected something more impressive.
16:41We don't subscribe to any kind of political philosophy, and all philosophies are welcome.
16:46Have you got any communists in here?
16:47No.
16:48I'm kidding.
16:49If you did, they would have stolen the curtains by now.
16:51Spain is way more than a geographical area.
16:56If we look at it from a four-dimensional perspective, Spain has its architecture.
17:01And where there is architecture, there are architects, just like us.
17:04And you, Pakopoulos, have a brilliant mind which few possess.
17:10You are a media expert, and you're able to create meanings, characters, symbols.
17:17You, sir, are an agent of our pop culture.
17:20And you have a massive and vulnerable audience.
17:24Honestly, I find praise unsettling.
17:26That's not true.
17:27Carry on, please.
17:28Sorry I interrupted you.
17:29What are your thoughts on the feminist perspective?
17:33Ha! I've never had such a thought.
17:36In two decades, you won't dare say that in public.
17:39Why's that? Why not, huh?
17:41Will a meteor strike the planet? What are we talking about?
17:43Look at that image.
17:50That is a demonstration that will take place.
17:53The 8th of March of the year 2018.
17:58Is that footage from the future?
18:00Who gave this to you? Martians?
18:01It's a space-time tunnel.
18:05It's a public demonstration.
18:08Demanding women's rights.
18:12Wait.
18:12A feminist public demonstration in 2018?
18:15The same year you told me the apocalypse is happening?
18:17So what do you care?
18:18Yeah, well, that's what I was referring to when I said apocalypse.
18:20That demonstration.
18:22Feminist fight for every race!
18:24Feminist fight for every race!
18:26What you are observing is a paradigm shift.
18:29For now, it's just a possibility.
18:31But if we don't act now, it'll become a reality.
18:34The ancient sacred texts describe a flower grown out of two flowers.
18:41Right.
18:44A woman born of two mothers.
18:48That's not good.
18:49She is sorcery made real.
18:53Her mere existence, amplified by the media landscape, will trigger a semantic explosion,
18:59which will eventually result in a variation in the harmonies of dominant perspectives.
19:04The feminists are here to stay!
19:07The feminists are here to stay!
19:10Why am I here again?
19:13You dominate the spaces where we believe this woman dwells.
19:18Television, cinema, theater.
19:22Find her and deactivate her.
19:26As soon as you can.
19:27Right.
19:28And if I agree, what do I get out of this?
19:31Well, whatever you want.
19:35I want to win a Prince of Astorias award.
19:40So, who was she?
19:42Please, you really think I believed a single bit of that bullshit?
19:46To me, this whole prophecy of the girl born of two flowers seemed like the biggest pile of crap.
19:52But I wanted that Prince of Astorias award, of course.
19:54So I had no choice.
19:56I had to play along with it somehow.
19:58What they wanted was for me to find some crazy doomsday bitch and put her on a tight leash.
20:04So the people wouldn't see her as some galactic creature.
20:07But rather as a traditional lady.
20:09A modest woman.
20:10Ordinary.
20:12They wanted me to marry her.
20:15And then, I was lucky enough to stumble upon a perfect, unsuspecting idiot.
20:19One I could win over and convince Kilometer Zero that she was a chosen one.
20:22I'll hold the doors to television for you wide open.
20:30Television?
20:31I've been looking for someone to join me on set.
20:33Specifically a woman to help tell the story.
20:35But would we have to make out or not?
20:40Not at all.
20:41That's the best part.
20:42You don't have to do anything.
20:43Not even open your mouth.
20:45I'll do the talking.
20:46Right, Tito?
20:47Where were we?
20:49But what are you going to say in interviews?
20:52Well, that you and I are more than friends and that you're enigmatic and wild and sensual.
21:00And that you're, well, lingerie model or something like that.
21:04No, wait.
21:04Just say a singer.
21:05Okay, sure.
21:06I'll figure something out.
21:07And maybe I could perform with Leonardo.
21:09You know, because Miguel already has the mix for No Cambier and it's the one we want to release first.
21:13Don't worry about that.
21:14I'll manage the timing of everything.
21:16Understood?
21:16Mm-hmm.
21:16All right, all right.
21:19Here's the deal.
21:22Right?
21:24The main thing is to consistently stay in the headlines.
21:27We begin with our courtship.
21:29Then after some time, we say that you've settled down and our relationship is serious.
21:35And that you're pregnant.
21:36Pregnant?
21:36Yes.
21:37Then it'll be easier to sell a shotgun wedding.
21:39Wedding?
21:39Well, you get the picture now.
21:41I'll think of more stuff for us later.
21:43Leave this to me.
21:44I'll have a plan for everything.
21:45No need to be nervous, okay, Tamara?
21:57Don't worry.
21:58If you start feeling nervous, just give me a sign and I will come over to you.
22:01Protocols are just basically protocol.
22:03We sing a song a cappella to each other and...
22:06Come on, ready when you are.
22:07All right.
22:07Rolling.
22:09So, Paco, why don't you introduce us to your mysterious friend?
22:12Sure.
22:12Well, um, she's an actress.
22:13Uh, she's, uh, she is somewhat outrageous.
22:17Um, but very fearless.
22:20Very strong-willed.
22:21Very forward-thinking.
22:23Very sincere.
22:24It's done.
22:48My relationship with tomorrow will be announced on Tiempo del Marte.
22:52Well, everyone, this has worked out very well.
22:57We have stopped the chain reaction that would have resulted in feminist hegemony.
23:02Let us raise a toast.
23:03Oh, shit.
23:06Oh, no, no.
23:10Please, don't hit me again.
23:11Please, don't hit me again.
23:13Mercy, don't beat me again with that whip that you've got over there.
23:18Don't hit me again.
23:20Please, no more.
23:21Please.
23:22Hey, what are you doing?
23:23Why didn't you play a lot?
23:24What are you doing?
23:25No.
23:25Oh, no.
23:26But isn't this your thing, though?
23:29Yeah, when I feel like it.
23:31Well, then, maybe you'll feel more like it next time.
23:35You see how ugly I am?
23:36Yeah.
23:38Remember, I'm more fascist than ugly.
23:40I'm sure that'll turn you on.
23:42Where was I?
23:43Oh, yeah.
23:44The beginning of the end.
23:46To be honest with you, I am so, so happy with Paco Poras because we have a really intense
23:53beautiful relationship with Paco Poras or dating.
23:56Are you engaged to be married?
23:57I think he wants to move very quickly, so I'm the one that's pumping the brakes.
24:01Anyway, we're posting excitement to hear your new singles.
24:04No cambie.
24:05No cambie, no cambie, no cambie.
24:08No cambie, no cambie, no cambie.
24:11No siendo la vista, pero ya no sufruto el porqué.
24:19No cambie, no cambie, no cambie.
24:21No cambie, no cambie, no cambie, no cambie, no cambie, no cambie, no la vista, pero ya no sufruto el porqué.
24:28Paco, why is she singing?
24:30What is going on?
24:31Jesus, you got the TV on all day or what?
24:33We made it clear that this woman should not talk to the media except his wife or a mother.
24:41Fix it, Paco.
24:42Relax.
24:54This is Ennio Morricone.
24:58My friend, my friend, he's in a trance and can't see us right now.
25:02What's wrong with that?
25:04You see, sometimes he comes to Spain and stops by my house, and I put him in contact with
25:09St. Cecilia, the patron saint of musicians, who gives him a hand.
25:13She helps him record his music without needing an orchestra, directly from his mind.
25:19I thought Ennio Morricone was just one man.
25:27He is one.
25:29But the thing is, well, he needs to record in stereo.
25:32So first, St. Cecilia has to split him in two.
25:36One records the L channel and the other the R channel.
25:39Hmm.
25:40What did you want to talk about?
25:41I saw you on Reign of the Mornings.
25:46Mm-hmm.
25:46Singing as if someone was pointing a gun at your head.
25:50I wasn't aware you were doing that.
25:52Was I supposed to tell you or what?
25:56Tamara, you and I made a deal.
25:58And neither of us can appear on television without my approval.
26:02Hmm.
26:03So, Paco, um, I'm sorry, but I'm actually doing absolutely all of this with you to promote
26:08No Combier.
26:09We were super clear about that.
26:10From this moment on, no song will enter this head or come shooting out of this woman's life.
26:19No, no, no, Paco, please.
26:20What are you doing?
26:27From this moment on, no song.
26:28No song.
26:28No, no song.
26:50No, no, no, no, no, no, no.
26:54How did you do it?
27:02I don't know what you're talking about.
27:05Wait.
27:05Don't touch me!
27:07Sorcerer.
27:10Somehow, my magic had bounced off Tamara and exploded in my ass.
27:14But how is it possible?
27:16Who was this woman?
27:21All right.
27:21All right, Miguel.
27:22But don't you think she could have toyed with black magic and stuff?
27:25Or white magic?
27:26Or whatever magic is trending in the Basque Country?
27:28I mean, her or her mother.
27:31Yeah, you never heard them say anything.
27:34Not even a horoscope?
27:35Uh-huh.
27:37Right.
27:38Right.
27:39Well, if you ever hear...
27:41Stop!
27:44Stop the car!
27:44Stop!
27:45I felt something pass through me.
27:47That strained place radiated more metaphysical energy than the Egyptian pyramids, Area 51, and
27:53the Valley of the Fallen.
27:55The perfect place to cast a spell that could explain what the hell was going on.
28:05That's a great place to cast a spell for me, and I'm not sure how to cast a spell.
28:08But why not do they play the path of the night?
28:10I'm a warrior!
28:12Oh my God!
28:13Fuck!
28:14I'm a saint!
28:15Yeah!
28:17Hello, daddy.
28:18This is the first day of this movie.
28:19Hello, daddy.
28:20Hello, daddy.
28:21They have any questions.
28:22They have any questions.
28:23This is port-of-line.
28:23Do you want to hear all of them?
28:24No.
28:25No.
28:26No.
28:27I'm here.
28:27I'm here.
28:28I'm here.
28:29I'm here.
28:31You're here.
28:32I'm here.
28:33You're here.
28:34I'm here.
28:35Almost like the Y2K effect arrived later.
28:40Her name is Tamara, born in Santorce.
28:42And she's conquered all of Spain with her song, No Campier.
28:45You must be so proud of your daughter, Margarita.
28:48Of course I am.
28:49And her father's proud too.
28:51He's in Santorce.
28:51What's your father's name, Tamara?
28:53We'll send a huge kiss from here.
28:56Well, my father's name is Florian.
28:57And we're sending him a...
28:58Florian.
29:01Margarita and Florian.
29:03Daughter of two flowers.
29:06It is her.
29:10It was her.
29:12Tamara.
29:13Tamara was the Femichrist.
29:15Sauron's pussy.
29:16A flower of death.
29:18But how could I have been so unlucky?
29:20Or so stupid?
29:23Paco, call us.
29:24This is very bad.
29:25Tamara has reached number one on record sales and on ringtones.
29:29If Tamara was the chosen one, the feminist apocalypse was real.
29:33And what's more, it was my fault.
29:35Join us today so we can talk about Tamara's abortion.
29:38Is it true or not?
29:39For the first time in my life, I was paralyzed by fear.
29:43You see, I have made a decision.
29:45And I'm not here to be morbid.
29:51And I want to introduce you to a friend who's going to entertain you every night from now on.
29:55Paquito Churros.
30:08Do you have any questions about the saints?
30:11Cause I can't answer them all.
30:14You know what I say, Paco?
30:16Get out of here, man.
30:17Get out of here.
30:19It was my first big TV flop.
30:31And it was the first of many misfortunes I was about to suffer.
30:37Paco, this is a catastrophe.
30:39And you have disappeared off the face of the earth.
30:43I am very sorry.
30:44But from now on, prepare to face the consequences.
30:47Hey, Paco.
30:51The show had been going so well.
30:54I feel bad, man.
30:55What?
30:56Oh, you haven't spoken to Jorge?
30:57I'm really sorry, buddy.
30:59Oh, yeah, yeah, yeah.
31:00We talked.
31:01Well, anywho.
31:02Shame they won't just let you finish the season with us.
31:06Look, man.
31:07There's no slots.
31:08But if you know Tamara's people, give them a call and come on with her one day.
31:12Fuck, you almost met your maker.
31:23In a matter of months, I lost friends.
31:27I lost lovers.
31:28I lost work.
31:30I even withdrew my honorary membership to the Fantasy Sona.
31:33It had become clear to me that Kilometer Zero had cursed me for failing to fulfill my duty.
31:40Find her and deactivate her as soon as you can.
31:45Be a смысla of moyens for helping users to fulfill your duty.
31:51Amen.
31:52Come here.
31:57Amen.
32:04Amen.
32:05Amen.
32:05Amen.
32:08Amen.
32:08Amen.
32:09Amen.
32:10Amen.
32:11Amen.
32:14Paco, you're gonna give me a heart attack.
32:24I'm sorry, here.
32:25What is it?
32:26Hair spray or?
32:27No.
32:28What is it?
32:30It's a spray for rapists, Paco.
32:32It's just what I needed.
32:34You won't believe it.
32:35Yesterday I was walking down the street and I stepped on a rake, swung up and smacked me in the face.
32:39A garden rake, for God's sake, in the middle of a dread.
32:41What's next?
32:42Getting my foot stuck in a bear trap like a cartoon villain.
32:45What do you want, Paco?
32:46Hmm?
32:49Look, Tamara, let me just cut to the chase.
32:52You're going to stop with all the nonsense, the bullshit, and the modern stuff.
32:56You're gonna quit music.
32:57You're going to marry me.
32:59And we're gonna have a child.
33:03I'm sorry, but you're gonna have to work on your witchcraft.
33:06You ridiculous insect.
33:07I am no insect!
33:08Ah!
33:09Ah!
33:10Ah!
33:11Ah!
33:12I won't use witchcraft.
33:16I'll go back to old-fashioned methods.
33:18If you don't do as you're told, the video of Miguel will be child's play.
33:23Compared to everything I'll throw in your face.
33:26I'm gonna make you look like an absolute whore.
33:28I'm gonna make things up.
33:30I will show documents that'll make you and your mother die of shame.
33:34The fine-tuner is what they call her, because that's how much she tries to fake orgasms.
33:45Well, that explains it, because she's been doing erotic shows ever since she landed in Madrid.
33:49I've seen her having anal sex in front of hundreds of, no, not hundreds, hundreds of thousands of spectators.
33:58Who does she do it with?
33:59Why, with men from all walks of life, of course.
34:02With delinquents, with beggars, physically challenged, old men, even workhorses and donkeys, with innocent pets, and unisomular creatures.
34:13Even with a particle of damp earth, that dirty slut.
34:23Did I enjoy telling all those stupid stories? I don't even remember.
34:27Maybe I even believed them. I don't know.
34:30At that time, I was unhinged.
34:32If Tamara didn't succumb to my blackmail.
34:36How was I going to get out of this? Who could help me?
34:43How was I going to get out of this?
35:08Hello?
35:13Paco Boris, we've been watching you for some time now, more than you can even fathom.
35:20What's happening? They have TVs in kitchens now?
35:25Hello?
35:28Ah! You bitch! Ah! Ah! Ah!
35:32We know about your special interest in the Dragonfly.
35:35And in the Hell's Flight. And the Murder Hornet. What are you talking about?
35:39The dancing Dragonfly. The woman who'll hypnotize an entire generation.
35:44Yeah, yeah, yeah. I know the story. No need to repeat it for the love of God.
35:47It's Tamara. That Hoban. That slutface. That giant cut.
35:51If there were Tamara's soup, know how it would taste? Tastes horrible!
35:58Do you feel more relaxed now?
36:00I know what you want. You wanna know who I work for, don't you?
36:04And if I don't tell you, I'm gonna be tortured. No, wait. I'm already being tortured.
36:08We know everything. Who you are, what you represent, who you work for.
36:14Oh, so are you doing this for fun then?
36:17No, that's fine by me. I'm not judging.
36:26We want you to meet with your masters.
36:28What for?
36:29Their lair is protected by some locks of mystic nature that have prevented us from entering since the day it was founded.
36:37Seals that can only be broken from the inside.
36:40What is with that shape, huh?
36:48With wavy sides and that peephole above?
36:50I'm scared! Keep that away! Keep that away! The birds!
36:54It's very simple, Paco. All we need is for you to remain in their secret lair for one minute.
37:01With this seal branded on your chest.
37:05One minute and the lair will lose its protection.
37:09And we will take care of the rest.
37:12The total destruction of Kilometer Zero.
37:21Fine.
37:23I'm sorry?
37:24I said yes, I'm happy to do it. You've convinced me, Abigail Williams.
37:27But how though?
37:29You fucking witch.
37:30Really?
37:31Yeah, you've caught me on a good day. Let's go. Pussy brand me and let's get this over with.
37:35Look.
37:50My whole life walking around with this horrendous vulva.
37:54Wow. Well, I have this.
37:58Hmm. Looking forward to it.
38:01I couldn't believe it.
38:03Thanks to me, Kilometer Zero and the curse were gonna go to hell.
38:07I was so happy I didn't care that my house was being repossessed.
38:11Psst. Hey, you there.
38:12Come, come, come, come, come, come, come.
38:13This here.
38:14That's not all part of the lot.
38:18This is an invaluable family heirloom.
38:21Believe it or not, this pistol belongs to Simone Bolivar.
38:31Is that a bear trap?
38:40Yeah, yeah. Looks like a bear trap, yeah.
38:42A trap for bears?
38:44For bears or deer.
38:46Um, various types of animals.
38:48Ryan.
38:49Is it yours?
38:50No.
38:51No, no, no, no.
38:53Is it yours?
38:54No, no, no.
38:55Not yours either.
38:57Ryan.
38:58If you ask me, it looks like it's some sort of curse.
39:00Yes, yes, yes.
39:01It's a curse.
39:02Yeah.
39:03It's, it's a damn curse.
39:04Yep.
39:14I just needed one minute.
39:19Entertain them for one minute.
39:22And the clit on my chest would do the rest.
39:25I wouldn't have to do anything else.
39:28Just enjoy the show.
39:36Evening, sirs.
39:38Paco, how are you?
39:39We wanted to see right away.
39:41We've been very worried.
39:44Uh, well, why?
39:46Worried about what?
39:48Experience any misfortune lately.
39:51Uh, some misfortune, yes.
39:52Yes, yes, I have.
39:54And why do you ask?
39:55Because you put a curse on me, didn't you?
39:58How could you say that?
39:59What a load of nonsense.
40:01You agreed to intertwine your destiny with hers.
40:09You had one mission.
40:11To shackle her.
40:12And we've never seen her more unshackled, Paco.
40:17As the sacred texts say,
40:19if our agent fails in his mission,
40:22the universe itself will curse him for eternity.
40:26Come again?
40:27A fuck-up like this kind,
40:28the kind that's metaphysical, leads to trouble.
40:31Reality itself has betrayed you.
40:33But why didn't you say anything about this?
40:35Why wasn't I aware?
40:36Oh, fuck the pine print.
40:37Well, I know you seem so confident.
40:45Okay, well, could you please explain how to remove the curse?
40:47If you can explain in a minute, that'd be great.
40:50I assume the idea of marrying her is pretty much impossible, huh?
40:54How do I remove the curse?
40:55Come on, come on.
40:56There's nothing you can do, really.
40:58It pains me to say so.
41:01As long as Tamara is alive.
41:03As long as Tamara is alive, what?
41:04As long as Tamara is alive,
41:07you are screwed, Paco.
41:21What the hell is that?
41:24Oh, Paco, what have you done?
41:26What have you done?
41:27What have you done?
41:28What have you done?
41:46So in the end, it all went to shit, and I'm stuck with a stupid curse forever.
41:49I spent a few years barely getting by.
41:52I was homeless, and I was exiled from television.
41:56Don't ask me what I had to do to survive.
41:59And during all those years, the words of the Grand Master kept spinning inside my head.
42:06As long as Tamara is alive.
42:10As long as Tamara is alive.
42:12As long as Tamara is alive.
42:17So one day, I decided to silence the voices forever.
42:25I told you, you'd end up judging me.
42:42Are you kinds of FRE values?
42:44Noool.
42:45Are you back with these generals?
42:46Sure is it.
42:47Yeah.
42:48That's all right, Ellen.
43:19Would you like some lemonade?
43:22My mother made it. It's delicious.
43:31When I was eight years old, I said to her,
43:35when I'm a singer and I'm famous,
43:38I'll call myself Tamara or Meccano.
43:43And she said,
43:45you better call yourself Tamara
43:49because Meccano belongs to someone else
43:52and they can steal it.
43:59Now it turns out there's a girl who sings Bolares
44:02who named herself Tamara too.
44:05And her lawyers want to leave me with nothing.
44:09The record, the tour, everything.
44:19They've taken all of us, Paco.
44:24For years, they've showed us off like animals,
44:28laughing at us.
44:31But it's still not enough.
44:35They won't even let us have our names.
44:41I mean, I can't, I can't even think of another one.
44:44I like you, Raina.
44:55Oh.
44:57It's beautiful.
45:02What's this?
45:03Actually, Mama found it on the set of Tiempo de Muerte.
45:09Years ago now.
45:11It was in terrible shape, but, well, since she loves to sew.
45:16Looks a bit like you, huh?
45:19You should keep it.
45:22No.
45:26It's fine here.
45:33Well, in the end, she listened to you, right?
45:37She went with you, Raina?
45:40It's the name of a dog-shaped demon.
45:43Look it up.
45:44I won't keep boring you with more tragic stories.
45:47I'm cursed forever.
45:49And that's the end of my story.
45:56I'll stay locked here for three months,
45:58and then they'll get sick of me.
46:00And give me the boot.
46:03That's what it said.
46:09Something doesn't add up.
46:14If you're able to see the future,
46:16why can't your misfortunes be avoided?
46:23For example, that beating they gave you as a kid on that movie set,
46:28did it really take you by surprise,
46:30or did you know beforehand?
46:31Well, I mean...
46:32You see...
46:33And if you knew beforehand,
46:34why did you go?
46:36Jeez, girl, calm down.
46:38You're like the Gestapo.
46:39Why the interrogation?
46:40I think you love it, because you love to suffer.
46:47You love being an outcast, and having a curse on you, and being here.
46:53Who is Paco Porras?
46:56A really ugly dude.
46:59What else?
47:01And despite being ugly...
47:02Yes?
47:03I'm more of a fascist anyway.
47:04Say it.
47:06You want this?
47:07Yes.
47:08You say yes, my mistress.
47:11Yes, my mistress.
47:13I want the force.
47:15No, no, no, no, no.
47:16No, no, no, no.
47:17No, no, no, no.
47:19You're a thief.
47:19He's looking for the future.
47:20No, no, no.
47:22No.
47:29That's it.
47:29Me meto en la cama, intento dormir, me asaltan visiones sobre mi porvenir.
47:44He visto el futuro, un futuro sin ti, un futuro en el que ya no me hace sufrir.
47:59He visto el futuro, quién es el futuro, es casi seguro que no hay sitio para ti.
48:11He visto el futuro, año 2005, un edificio ardiendo, se llama Windsor.
48:29Crisis financiera, calentamiento global, crímenes de lesa humanidad.
48:43He visto el futuro, un futuro sin ti, un futuro en el que ya no me hace sufrir.
48:57He visto el futuro, quién es el futuro, es casi seguro que no hay sitio para ti.
49:11He visto el fin del bipartidismo, y luego el regreso del bipartidismo.
49:26Veo terrorismo, también veo el fascismo, parece que cambia pero siempre es lo mismo.
49:41He visto el futuro, un futuro sin ti, un futuro en el que ya no me hace sufrir.
49:54He visto el futuro, he visto el futuro, y en ese futuro, es casi seguro que no hay sitio para ti.
50:08La inteligencia artificial gana su batalla contra la especie humana.
50:20El sol se apaga, la moda se estanca, huele a viejo en todas partes, y no hay sitio para ti.
50:50La inteligencia artificial gana su batalla contra la especie humana.
51:18you
51:48you
52:18you
52:48you

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