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Superstar (2025) Season 1 Episode 5

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Transcript
00:00Tamarismo
00:14Tamarismo really came as a blessing for all of its protagonists.
00:18A true gift in form of instant recognition.
00:22But few understood how to enjoy it as much as Tony Heniel.
00:26Tony Heniel knew better than anyone how fleeting fame could actually be.
00:31For some today, Tony Heniel is simply a ghost of that time.
00:36Another vampire who tried to take advantage of Tamar's success even if it was through insults and defamation.
00:45But Tony Heniel is so much more.
00:47Rumor has it that he met Michael Jackson himself.
00:51And even cooked him a plate of pasta in tomato sauce.
00:56If you happen to meet him one night, and that night is enchanted enough, he'll tell you the truth.
01:03The whole truth.
01:05THE END
01:14THE END
01:15THE END
01:16THE END
01:17THE END
01:19THE END
01:20THE END
01:22THE END
01:24THE END
01:25THE END
01:27THE END
01:29THE END
01:30THE END
01:31THE END
01:32THE END
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01:37THE END
01:38THE END
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01:41THE END
01:42THE END
01:44THE END
01:45THE END
01:46THE END
01:47THE END
01:48THE END
01:49THE END
01:50THE END
01:51THE END
01:52THE END
01:53THE END
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01:59THE END
02:00THE END
02:01THE END
02:02THE END
02:03Aren't you making him a plate of pasta?
02:05I don't want to talk about that, Paquita.
02:07Ruben, play the song, Ruben.
02:09Who am I supposed to sing, Paco?
02:10Tell it!
02:11I don't get you, Tony. I don't get you.
02:13You've spent half your life blabbing about it
02:15to anyone you crossed paths with,
02:17and now you don't want to talk.
02:18What's wrong?
02:19I'll tell you the story.
02:20Tony says that one time the Jackson Five came to Madrid,
02:23and they left the youngest boy in his care,
02:25and he made him a bowl of tomato pasta.
02:27And tuna, too.
02:28With tuna, Jesus Christ.
02:29What about you? What's your story?
02:31You're always telling the same story, Paco,
02:33about how you were kidnapped in Altea,
02:35and they had ties up and blah, blah.
02:36Well, because it's true. It's sad.
02:37I'll tell you, it's really sad
02:38that my own friends don't believe me.
02:39It's a real shame, Paco,
02:40to have to talk about these things all the time.
02:42There are more important things to talk about,
02:44for example, that they're robbing us.
02:46Come on!
02:47And who are you referring to?
02:48Who are you referring to? The politicians?
02:49Oh, yeah, because if you want to talk about stealing,
02:51we'll be here for a while.
02:52A while, indeed exactly a long while.
02:54They've been stealing from us a long while.
02:56They've been stealing since the Aznar government.
02:59No, there were others, there were others.
03:01How have you know, I was a fan of Aznar government.
03:03And what about Manuela Carmela, huh?
03:04And what about Mr. Ponytail?
03:05What about him?
03:06They sure have.
03:07They sure have.
03:08Come on.
03:09They haven't robbed anyone.
03:10They haven't robbed anyone.
03:11And for the record, I'm not a Podemos fan, okay?
03:13I am a social democrat.
03:14Tony, who are you kidding?
03:15I voted for the PSOE.
03:16You are a communist.
03:17No, no, no.
03:18Come on, Tony, you live like a king.
03:19These are the right-wing capitalist millionaires.
03:22Come on.
03:23Okay, sure.
03:24What about the radical left, huh?
03:25Radical?
03:26The puppeteers talking to kids about ETA.
03:27What about-
03:28Go ahead.
03:29Come on, sit.
03:30Just a bunch of-
03:31Just a bunch of cowards.
03:32Cowards?
03:33Wait, wait.
03:34Your father was a puppeteer.
03:35Isn't that right?
03:36No.
03:37No.
03:38Yeah, I've seen you puppeteering with them.
03:39You better not.
03:40You better not.
03:41You better not.
03:43Don't go there.
03:44Don't go there or I'll pull the fuck and he'll be out of here.
03:46Don't go there.
03:47Don't go there.
03:48Did he or did he not used to do that?
03:49Yes, yes, but he never defended the ETA.
03:51Okay.
03:52He never defended ETA.
03:53You better be careful with the ETA.
03:54What?
03:55What do you mean not talking about ETA?
03:56What do you mean not talking about ETA, huh?
03:58All of you have been stealing.
03:59All of you have been lying in your pockets.
04:01All of you have been lying in your pockets.
04:02Whoa.
04:03Enough.
04:04Enough.
04:05This is enough.
04:06Enough.
04:07The TV.
04:08I can't change anymore.
04:09Prove it.
04:10I can't change anymore.
04:11Tony, did you?
04:12I will never talk to him again.
04:14Screw this.
04:15I'm done with this.
04:17My parents are sacred.
04:19Play the song.
04:20And they have much more decency than his family.
04:23Okay.
04:24I won't put up with him.
04:25I won't put up with him coming on my show and mocking him.
04:28No, I can't do it.
04:29I can't do it.
04:30I'm taking the cold with him.
04:32It's a lot more than a geographical area.
04:35Oh, shit.
04:36Drinks.
04:37The computer.
04:38I'm getting into this vacuum here.
04:40I see him.
04:42I see him.
04:43I see him.
04:44This is all mine.
04:45I will never see him again.
04:46He's not sick.
04:47I'm doing this.
04:48I can't do it.
04:50I can't do it.
04:51I'm doing this.
04:52He's all mine.
04:54I can't do it.
04:55No, no.
04:56I just don't like this.
04:57I'm not feeling the other thing.
04:58He's in my palm of Hisana.
05:00The land of Pisana, and that I can only be in love.
05:07Spain, my love, how much I love you, how much I'm taking you from.
05:16And I hope, with anxious, to see you again.
05:22Hello, you have reached.
05:24Paco Porras, if you're telling me to leave me alone, please leave your message after the tone.
05:30Let's go.
05:32Oh, my god.
05:36Oh, my love.
05:40Oh, my god, my god.
05:48Oh, my god.
05:50Oh, my gosh.
05:54It's like a salmon.
05:59Oh, my God.
06:29Ah, careful, not the nipple. I've got an injury. I've been pretty naughty.
06:37Uh-oh. Paco? Tony?
06:41Let this be the last time I call you and you don't pick up.
06:44I'm not picking up because I have nothing to say to you. Just get lost.
06:47What's it got here and you're kicking me out already, huh?
06:50I've been calling you for months, Paco, okay?
06:52I've been looking for you all over and couldn't find you anywhere.
06:55Tony, please leave. No, not you.
06:57Oh, fuck this shit.
06:58What?
07:01What are you doing?
07:03Why won't you answer the phone?
07:05I won't answer the phone because whenever we go out, I get as drunk as a skunk and I'm too old for that.
07:10Well, that's not my fault.
07:11No? Then who's is it?
07:13Well, Madrid's, because there's a bar in every corner.
07:15Yeah, it does have a few.
07:17And museums, too, and theaters. Aren't there theaters in Madrid?
07:19The theaters for when...
07:20For when we're old bitches. God, this is tight.
07:22Fuck.
07:23Tony.
07:24What?
07:25We are old bitches.
07:27Speak for yourself. I made you like a fine wine.
07:30Like a fine wine?
07:31When's the last time you looked in the mirror?
07:32Well, for? Huh? Why?
07:35I can see myself reflected in the eyes of men who lust after me.
07:40Where'd you get that from?
07:41From nowhere. I came up with it just now.
07:44Because not only do I have the body, but I have the talent, you see?
07:46My blood aches as it blows through my artistic veins.
07:48The body, you say?
07:49But you look like a croquette. Huh?
07:51Could that be why everyone seems to like me then?
07:54Red wine, white wine.
07:55Red wine, red wine.
07:57Wine, just like the night.
07:59Red wine, like the night.
08:08Paco.
08:09Why?
08:09Uh...
08:10I actually wanted to say I'm sorry.
08:12Mm-hmm.
08:13I know that I...
08:14It was a bit below the belt.
08:16I shouldn't have brought up your family.
08:18It was a low blow. Didn't appreciate it. It was fucked up.
08:20Yeah, yeah, I know, I know.
08:22That's why I was trying to reach you this whole time, Paco, to apologize to you.
08:26Well, screw you. Apology not accepted.
08:29Two glasses of red, darkest of night.
08:31Thanks.
08:33It'll be 10 euros.
08:34Quit it on his tab.
08:35Fuck's sake.
08:36Okay.
08:38Cough it up and shut your mouth, you rat.
08:40Look at that.
08:41Look who's on TV.
08:44What? Who?
08:45Look at the TV.
08:46Why did they kick...
08:46Wait, wait.
08:47Yurina, out.
08:48Hang on.
08:48Here's what I think.
08:49What I think is that she spent the whole time obsessing over her mother and her family.
08:54I can't get you.
08:55Hey, kid.
08:55You mind turning that up?
08:57Of course.
08:58I mean, do you really think that's what they wanted to see on TV?
09:00Yurina's been officially kicked out of Survivors.
09:03I wanted to take advantage of this moment to thank all of the viewers who have been supporting
09:10me from home.
09:11It's time for me now to, um, to leave the island, to climb into that helicopter and return to
09:18Madrid, to, to keep making music.
09:21And I also wanted to send a big, big kiss to my mama.
09:26And I want her to know that I have missed her very much while I've been here.
09:31Well, that's it.
09:32That's the end of Survivors for Yurina.
09:34Meeting she'll get to the Madrid, Barajas, Alombo, Suarez Airport early in the morning tomorrow.
09:38And our colleagues will be there to greet her and hear her first comments.
09:49Bring it in, brother.
09:54Fuck her.
09:56Fuck her.
09:57Fuck her.
09:58Fuck her.
09:59Fuck her.
10:08Tony, what if we do follow your plan and go throw eggs at her?
10:35Where do you get them?
10:35Frozen section or the normal one?
10:38Oh, darling.
10:39You'd buy frozen eggs.
10:40How can eggs be frozen, Paco?
10:41Well, I don't know, Tony.
10:42I don't know.
10:43What I do when I buy stuff is I just grab, uh, package products.
10:46In a package.
10:47In a package.
10:47Because whenever I touch fresh stuff with my hands, then my head starts projecting the
10:51future.
10:52That's very tiring.
10:53You don't get it because you don't have any powers.
10:55Isn't it just vegetables that do that, huh?
10:56You know, like, uh, potatoes and the cabbage.
10:58Vegetables were your thing.
11:00But because chickens are herbivores, something stays in the egg.
11:03Herbivores?
11:03Herbivores?
11:03Yes.
11:04There's something left.
11:05So when I touch an egg, I see the future.
11:06But I see it in black and white.
11:07And a much lower volume.
11:08That's what happens.
11:09Come on, you're the airbivores.
11:10Leave me alone.
11:11Shut up already.
11:12Where you going with that flag?
11:14I'm not allowed to carry a flag now, huh?
11:16You want to take my ID as well?
11:17You want to take my ID?
11:17Listen, if we show up at the airport with a flag, it'll seem like we're up to something
11:20else, Paco.
11:21What'll it seem like, huh?
11:21What?
11:22We're doing something else.
11:23It's not going to seem like anything.
11:24The place is going to be packed, Paco.
11:25It'll be full of cameras.
11:26It'll seem like what?
11:27It'll seem like what?
11:28They're not going to think anything.
11:29I don't know, man.
11:30Your problem is you're a hypocrite.
11:31What?
11:31You're always singing about how much you love Spain.
11:33And oh, I love you so.
11:34And the truth is, the real truth is Spain.
11:36I don't give a shit about you.
11:38That's why you're a hypocrite.
11:39Do you know who I vote for?
11:40What do you know about who I vote for?
11:41What do you know about who I vote for?
11:42Well, do they sell eggs here or not?
11:43Pierre, the only eggs they sell here are gummy eggs.
11:46Gummy eggs, Paco.
11:47Want them?
11:48No.
11:48And if there aren't any eggs, I don't want the flag either.
11:51I'm not taking this either, okay?
11:58Shame that you don't sell eggs.
12:00Yeah, sorry, sir.
12:07You know who you look like?
12:09Who?
12:09What?
12:09Like the Home Alone kid.
12:11What?
12:11What is that?
12:11Look, put your hands like this and scream.
12:13Like this?
12:14That's it.
12:15Home Alone.
12:15Your problem is you know nothing about movies.
12:17You're...
12:21What the hell?
12:24Tony!
12:25Hello!
12:27He's taking off his wig.
12:29What are you doing here?
12:30The old queen looks like a ball sack.
12:32Hello?
12:32Didn't he move back home, though?
12:33Tony?
12:34Leonardo, is that you?
12:35Of course it's me.
12:36Who else?
12:37What are you doing here?
12:38I came to Madrid for a few days for some paperwork.
12:41Hey, you mind grabbing my hat?
12:43I dropped it.
12:44Yeah, sure.
12:44Wait, I'm coming down.
12:46When did we last see him?
12:47I don't know, like six or seven years more or less.
12:49Who knows?
12:49Time's been rough on him.
12:51He looks very different.
12:54Hello?
12:55Hello, look at this guy.
12:56He's blander than an unsalted egg.
12:58Some things don't change, am I right?
13:00Give me a hug, man.
13:01Come on.
13:01Yeah, bring it in.
13:03Tony.
13:04Hey, Paco.
13:04Leonardo.
13:05It's been too long.
13:05How are you?
13:07Well, here, man.
13:08Come on.
13:08There you go.
13:09So, what are you up to?
13:10Busy night?
13:11We were having dinner with friends.
13:12Oh.
13:12Tons of sausage.
13:13I'm sorry.
13:17What's so funny, man?
13:20Come on.
13:20Join us, buddy.
13:21No, I can't.
13:22Tomorrow I've got to go to the Songwriters Association with my songs and my stuff.
13:25I really can't.
13:26Songwriters Association.
13:26I can't, Tony.
13:27I said no.
13:28I've got to stop by the print shop.
13:29Please, man.
13:30There's some important matters.
13:31Leonardo.
13:31We kicked her off the island.
13:31She's the first person.
13:33The first person.
13:35Who have they kicked off?
13:38To be honest, I think it's outrageous, Paco.
13:41Well, I think that if we do that, it'll be...
13:43Epic.
13:44Well, count me out, Tony.
13:46What's the matter?
13:46Are you going to therapy or has the country ever rid you of all your trauma?
13:49What trauma?
13:51Come on, Leo.
13:52Come on.
13:52We've known each other forever, man.
13:54Who are you pretending for, huh?
13:55Listen, I'm not trying to fool anyone, Tony, but I've worked through some stuff.
13:58And I left Madrid because I want to find peace once and for all.
14:01Don't tell me that you're not the teeniest, tiniest bit resentful.
14:04Well, of course I somewhat resent Tamara.
14:06I mean, a lot went down, but I'm also fond of her and she's been...
14:08She's not fond of you.
14:10Okay?
14:10She's not fond of you.
14:12For fuck's sake.
14:12You gave her the very song that she got filthy rich off of.
14:15You are right about that.
14:16And after that, did she ever ask you to write her another one, man?
14:19Never asked for another song.
14:20No, right, no.
14:21And you know why, huh?
14:23Why?
14:23Because you actually disgust her so much, she'd take poverty and misery over having to see her sad gutter-wrapped face.
14:30Let's be honest, you fairy.
14:31But she's made a name for herself and you've got to hand that to her, Tony.
14:34Because she's a dirty fucking snake.
14:37A leech who has sucked the blood of everyone who's crossed her path to keep herself alive.
14:41She's a witch.
14:42That's what she is.
14:43And to get to where she is, she left a trail of corpses in her path.
14:48And those corpses, those corpses harass.
14:51Are you blind, Lail?
14:51Jesus, Tony, give me a minute.
14:53I can't get the printer to work.
14:54I can't do anything.
14:55I can't focus.
14:56And what's your deal with Tamara?
14:57I don't understand what she's done to you.
15:01Do you mean, do you mean to say that you're just going to blatantly ignore the signs of the magic of destiny, huh?
15:09What, you think that everything that's happened tonight is a coincidence?
15:13No, goddammit, no.
15:15Can't you see it was destiny that brought us here together?
15:19Tonight, time has flowed.
15:21Come on, this is crazy stuff.
15:22It's cosmic.
15:28Let's get our mustache on.
15:30It's amazing when you make your shit on your face and the dick of a curve.
15:33How cool are you?
15:35I mean, it's not a problem.
15:37Look, look, look, why are you touching the paper?
15:41Why are you touching that?
15:42I didn't do that.
15:43Now, what are you going to do?
15:44You're paying for that.
15:46Don't expect us to follow that.
15:47I don't know if you're going to do that.
15:48Just give me a second.
15:51All right, come on.
15:55Let's get out of here.
15:56No, I can't leave yet.
15:57There's still some songs I need to print.
16:00Hey, do you think they can see us through the cameras?
16:02Probably.
16:03Hello?
16:05What was that?
16:06We are nudists.
16:08Footballers.
16:09My friend Bagel likes to side.
16:13Well, we're a bit old now to be doing futbolistas, not turistas.
16:16They're not going to remember that.
16:18My friend Bagel likes to side.
16:20Anyway, we are nudists.
16:21What's up, man?
16:21If it isn't Tony, I need you.
16:23Oh, my God.
16:24What are you doing here?
16:26And you're still yelling that shit.
16:28Well, well, well, kid.
16:30Damn, you packed on some pounds, haven't you?
16:31Well, you're one to talk with your stupid fish face.
16:33Like seeing a ghost.
16:34I know, right?
16:35Wait, did Tony call you?
16:37No, no, no.
16:37I never called anyone.
16:39I just went out for a nighttime stroll.
16:41What's the matter?
16:42You're not glad to see me?
16:43Oh, Leonardo.
16:44Wow, I didn't recognize you.
16:45Miguel.
16:46It's been so long.
16:47Too long, really.
16:47I didn't even recognize you, man.
16:49Well, how could you now that I'm bald?
16:50Yeah, finally.
16:51About time.
16:52Finally, eh?
16:52Well, you know, it's a little embarrassing, to be honest, but it is what it is.
16:56Hey, so, you still songwriting?
16:57Yeah, actually, I'm printing some songs I've been working on in Badajoz.
17:00Well, you know what?
17:01It suits you.
17:02You remind me of what was the name of the girl who was singing, who tore up the photo of the Pope?
17:07Oh, oh, oh, I know.
17:09Sinead O'Connor.
17:09Yeah, yeah, that's her.
17:10Yeah, oh my God.
17:12I have been trying to figure it out all night.
17:14Yes, Sinead O'Connor.
17:15The girl that sings Rekin.
17:16What?
17:16Sinead O'Connor?
17:17Sinead O'Connor sang Rekin music?
17:19Don't be stupid.
17:20She converted to Islam.
17:21Yeah, yeah, she converted.
17:22Listen to me, buckle.
17:23That was Janet Jackson.
17:24No.
17:24I follow famous singers' careers really closely.
17:26Janet Jackson converted to Islam?
17:27I think she did, no?
17:30Well, I don't know.
17:31I mean, what y'all looking at me for?
17:33I don't know this woman.
17:34Did you have some pasta with her brother, with Michael Jackson?
17:36That is total and utter bullshit.
17:38I never believed that crap for one fucking minute.
17:41Not you or anyone.
17:42I bought it.
17:42Well, come to think of it, yeah, yeah, you're right, you're right, you're right.
17:46She converted to Islam.
17:47Janet Jackson.
17:48Yeah, yeah, yeah, she wears a veil.
17:50A veil?
17:51Yeah, over her shaved pussy so she won't...
17:53Oh, you guys, please, come on.
17:57Jesus Christ, don't joke like that.
18:01You guys are repulsive, but you are funny, to be fair.
18:04I can't believe we are all here, all four of us.
18:08You see now, you see, Leonardo, huh?
18:10Plain and simple.
18:12I mean, is it not a real coincidence?
18:14I mean, the wildest coincidence that we, the four of us, found each other...
18:19Here, have the print show.
18:20...on the very day she's voted on.
18:21To be continued...
18:33Te quiero mucho
18:35Aunque te suene a lo de siempre
18:40Más que un amigo
18:44Eres un mago
18:47Diferente
18:51Andar a saltos
18:53Entre el tráfico
18:57Leer a medias
18:59El periódico
19:05Colarnos juntos
19:07En el autobús
19:11Cantar hasta
19:13Quedar a fónicos
19:15Quedar a fónicos
19:19Amada y su madre vinieron a la ciudad con dos centos en sus bolsas
19:21Ellos estaban sin dinero, Paco, sin lugar para romper
19:23Su madre sentía y escuchaba a ella cantar en algún bar en Satruzzi
19:27Ella no podía cantar
19:29Ella no podía cantar
19:31Ella no podía cantar
19:33Ella no podía cantar
19:35Ella vino con ella, quedó en algún lugar
19:37Ellos estaban cerrados
19:39Ellos comiencen en un bar debajo de la casa de Malditrini
19:41Y compartían un placer
19:43Entre los dos
19:45Uno tenía la santa y el otro
19:47Un día y el otro
19:49Y el otro que tenía la santa
19:51Y el otro que tenía la santa y el otro
19:53500 pesetas
19:55Si, por Margarita
19:57No debería haber encontrado ella en todo el drama
19:59Pero...
20:01Pero...
20:02Pero yo lo he encontrado
20:03¿Qué significa Paco?
20:04¿Qué significa?
20:05¿Quién fue que ella estaba casando?
20:06¿Quién fue que ella estaba casando?
20:07¿Quién fue que yo?
20:08¿Quién fue que ella estaba casando?
20:10¿Quién fue que ella estaba casando?
20:12I was there.
20:13Who came up with the drama? Marco?
20:14What do you mean who came up with the drama?
20:15We would both go on TV saying she was my girlfriend.
20:17Well, what I'm left with from those days is when I walk down the street, people keep asking about the drama.
20:22Of course, man.
20:23Because the people are expecting.
20:24They still ask me about our gang and what happened.
20:26Because they're expecting.
20:27And they always say they used to watch us on TV.
20:29Of course, of course.
20:30That's true.
20:31I'm constantly being asked when we're going to make a comeback, guys.
20:33Of course.
20:34And that we owe it to Spain?
20:35To Spain and to television, which gets more boring every day.
20:38You know, I think that if we do this, that if we do this well.
20:41Yeah?
20:42We'll be making headlines again.
20:43Right, Paco?
20:44I don't know.
20:45They'll lock us up, Tony.
20:46So what?
20:47For how long?
20:48What?
20:49Two days?
20:50Two days?
20:51Based on what we've been doing in the street, maybe we should be locked up.
20:52Come here.
20:53Come here.
20:54Come here.
20:55A photo.
20:56A photo of us.
20:57No, no, no.
20:58It's not a photo.
20:59Oh, no?
21:00Who are you calling?
21:01What is it?
21:02Loli!
21:03Look who I'm hanging out with.
21:05What's going on?
21:06Why are you calling me at this time?
21:07Are you okay?
21:08Have you seen the news?
21:09Who are you with us?
21:10Loli, it's Francisco de Cicier.
21:11You look great, by the way.
21:12Can't say the same about you.
21:13What do you want?
21:14Wait till I tell you.
21:15You're gonna die, Loli.
21:16You're gonna die.
21:17I'm already dead looking at your dumb fucking faces.
21:19What do you want?
21:20So we just found out that they have officially voted Tamara off of survivors.
21:24They kicked her out first.
21:26And then in a few hours, she'll fly into Barajas, and we've come up with a plan.
21:31To bring back the drama, huh?
21:33Look, ages ago when it all went down, I told you that I want absolutely nothing to do with
21:37any of this crap.
21:38Why not, Loli?
21:39Come on, the freaking stars have aligned for us.
21:41Yeah, but see, your fucking stars have consistently fucked me in the ass, okay?
21:46The stars, Tamara, and you assholes who are a bunch of petty lowlifes.
21:50What?
21:51Well, it's her loss, am I right?
21:53Oh, fuck, there he goes.
21:54Get it all out.
21:55Jesus Christ, Tony.
21:56Disgusting.
21:57So what's up with Loli?
21:58She married a millionaire, didn't she?
21:59No.
22:00She's got some inheritance.
22:01I don't know.
22:02Oh, I see.
22:03I bet she had the damn jackpot in life.
22:04And why'd you move to the site?
22:05You just kept moving to the site on the...
22:06You kept moving out of the shop the whole time.
22:09Didn't you want to go to the shop?
22:10I don't know.
22:11Oh, I see.
22:12I bet she had the damn jackpot in life.
22:13And why'd you move to the site?
22:15You just kept moving to the site on the...
22:17You kept moving out of the shop the whole time.
22:19Didn't you want her to see you on the call, man?
22:21Well, things...
22:23Things didn't end well between us.
22:25Didn't end well?
22:26How?
22:27Since you crashed into Sabellus?
22:28Yeah, but that was all a big setup.
22:29Yeah, yeah, yeah, yeah.
22:30What?
22:31That was ages ago now.
22:32Paco, Paco, Paco, Paco.
22:33Look at where we are.
22:34This is...
22:35This is...
22:36This is the...
22:37This is the real heart of Madrid.
22:38No, no, babe.
22:39Connie, Connie.
22:40This is the soul of Spain.
22:41Beautiful.
22:42I look all the form.
22:43It's so weird.
22:44Look.
22:45Shut up, Leia.
22:46You're cute.
22:47Yeah, shut up, Leia.
22:48The streets are the same.
22:49Yeah, but this one's got something special about it because there's something special about
22:53everything in the capital.
22:54No, no, no, don't live.
22:55Did you know that this spot was in Lucis de Bohemia, huh?
22:57This one?
22:58The most important Spanish play.
23:00Yeah, bet you didn't know.
23:02These mirrors inspired by Ramon Maria del Van Inclan himself to create his theory of esperpento.
23:09Right, Paco?
23:10Yeah.
23:11Huh?
23:12Yeah, that's right.
23:13Well, I recommend you read it because if you've come here it's because you want to see Spain
23:16not to shop at Corte Inglés or Warner Bros, right?
23:19Read Luces de Bohemia, damn it.
23:21Of course.
23:22Record me, record me.
23:23Attention, esteemed friends and foes.
23:26Enough, Tony.
23:27Shhh.
23:28If European tragedy was never successful in our country of Spain, as Malik Monk used to
23:33say, it's because in Spain, unlike France and Germany and Austria, people have never been
23:41interested in work and effort.
23:44Nah.
23:45The only thing anyone's interested in here is mugging and being scoundrel.
23:50That's true.
23:51Where are you going, man?
23:52Don't leave.
23:53Don't leave.
23:54Don't leave.
23:55Hey!
23:56Be wary of where your path takes you because Spain is crumbling!
24:00Don't do that, Tony.
24:01Don't do that.
24:02Ever.
24:03What's wrong?
24:04My blood, it aches as it flows through my artistic veins.
24:07People are sleeping.
24:08Goddamn tourists!
24:09Tony, Tony.
24:10People are sleeping.
24:11Why don't we go to the clearance?
24:12Oh, come on.
24:13I'm down.
24:14I'm down.
24:15Great idea.
24:16Let's go.
24:17Like old times, remember?
24:18And we'll make it hip again.
24:19Right, Miguelito?
24:20No.
24:21Count me out.
24:22I'm not going with this stuff and all.
24:23Plus, we're filthy.
24:24Seriously, Leonardo.
24:25You've always been such a party pooper, darling.
24:27No, man.
24:28Listen.
24:29I've got to take the bus now and I can't...
24:30Hey, Paco.
24:31How did it end?
24:32The theory of the esperpento.
24:35Spain is a gruesome distortion of European civilization.
24:41No, Rosa Benita and I never had a fight.
24:48We just wanted to put a bit of life into it because it was so dead.
24:51That means you were so dead.
24:52So we'd get in front of the cameras and just pretend like we were fighting.
24:55You've told me stories about Rosa Benita that don't.
24:57I haven't told you anything, Paco.
24:58Excuse me.
24:59Excuse me.
25:00What happened was we fought with the young people who were there.
25:01Guys, guys, guys.
25:02They said that we have to wait in line.
25:03Who's the bouncer?
25:04I don't know.
25:05Luisito.
25:06Luisito's here.
25:07It's some girl.
25:08Tony.
25:09We're not trying to cut the line, okay?
25:10Excuse me.
25:11One moment.
25:12Just a moment.
25:13Excuse us.
25:14Excuse us.
25:15We're not trying to cut in.
25:16I know the owner.
25:17Sorry.
25:18Hello.
25:19No.
25:20I've already said to your friend that if you're not on the list, you need to join the queue,
25:21baby.
25:22What list?
25:23What is this?
25:24Just tell Luisito to come outside.
25:25What is this?
25:26But do you even know who I am?
25:27I'm sorry, but I'm not going to repeat myself, honey.
25:28I'm Tony Genil, okay?
25:29Yeah, yeah, yeah.
25:30Singer of one of the most important songs of 1975, España Cuanto Te Quiero, which I
25:35later re-recorded for the World Cup of 82.
25:37Do you remember the Naranjito Masca?
25:39Seriously, girl?
25:40I can't even.
25:41I'm dying.
25:42Well, then you're going to die even more because at the age of 50, I made it big again,
25:46okay?
25:47It was raining money.
25:48I was rolling in it, and we were all on the TV shows.
25:50Weren't we?
25:51Weren't we?
25:52Ask these people.
25:53Go ahead.
25:54Do you even know what we have meant to this country?
25:57Huh?
25:58You don't know, do you?
25:59Tell them.
26:00Hey, enough.
26:01You're really not coming in now after this scene you've caused.
26:03You think this is a scene, huh?
26:04Arlequin, show her magic trick.
26:06Now you'll see what a real scene is.
26:07Show her magic trick.
26:08Come on.
26:09Go, go.
26:10I'd like you, if you will, I'd like you to look at this paper.
26:13Here it goes.
26:14Girl, look at the actual box.
26:16This is so bizarre.
26:17Are you serious?
26:18Take it!
26:19And it keeps coming out.
26:23Look, it's coming out of his belly.
26:25It's coming out of his belly.
26:27Bravo!
26:28Bravo!
26:29Bravo!
26:30Fernando!
26:31Get over here.
26:32Fernando, come out and wipe your ass with his paper!
26:34Fernando!
26:35Fernando!
26:36His buzzer, come out!
26:37Hey, man.
26:38Easy, easy.
26:39Relax.
26:40Chill out, man.
26:41Chill out.
26:42Oh, my goodness, man.
26:50What a performance!
26:51Let's hear it for the great Tony Hill!
26:53Thank you!
26:56Thank you very much!
27:12What's wrong, darling?
27:16Too much for you, huh?
27:17No, I'm just dizzy.
27:19Anyway, they don't have any eggs.
27:22The Chinese guy said we should throw poop at Tamara.
27:24Says if we wait 30 minutes, he'll sell us some.
27:28Half a kilo.
27:29I'm sure we got plenty of shit back home.
27:31Right, Tony?
27:32Poop is perfect.
27:34Our own poo that we pooed, guys.
27:37Well, it's too late for me, because I took two dumps a while ago at Ballet in class.
27:41And, uh, where should we shit, man?
27:45In Tupperware.
27:48I've got some, uh...
27:49I've got a few at home.
27:52What the fuck kind of haunted hallway is this, man?
27:54It's like a maze!
27:55He used to be a hostel, and I got rid of that wall and opened the area.
27:59He's probably kidnapped some pimp, and he's got him in your peeling potatoes.
28:02Oh, yeah, he wishes.
28:03Shut your mouths!
28:04Listen to me.
28:05I want the two of you to promise something.
28:08It's a secret.
28:09What secret?
28:10A secret I've kept for a long time.
28:12But you have to promise me that it will stay a secret.
28:14Okay.
28:15Well, if you want it to stay a secret, you shouldn't tell this lady over here.
28:18Shh.
28:19And why not?
28:20No one will leave.
28:21He's in here.
28:22Open.
28:23You're gonna meet him now.
28:25Honestly, I feel sorry for him, you know?
28:27Confined in here all day, all cooped up, no sign.
28:30But that's what he wants.
28:31That's what he wants.
28:32If that's what he wants, who is Tony Heniel to say no to the king of pop?
28:37Hey, don't worry.
28:38Don't worry.
28:39It's okay.
28:40They're my friends.
28:41They're friends of mine, okay?
28:42Yeah, but...
28:43Look, that one there is Paco Porras, okay?
28:44And the other one next to him is Miguel.
28:45Just like you.
28:46Like you, Miguel.
28:47But we call him Arlequin.
28:48Ah, Arlequin.
28:49Arlequin.
28:50Arlequin, Arlequin.
28:51Do you like it?
28:52Yeah.
28:53A Harlequin is like a...
28:54How can I explain this?
28:55Like a clown, but who is always a little bit sad.
28:58Like you.
28:59So sad.
29:00All right, go on.
29:01Leave the pasta and get up, man.
29:02Get up, go on.
29:03Hi.
29:04I'm Michael.
29:05I'm Michael.
29:06I'm Michael.
29:07I'm Michael.
29:08I'm Michael.
29:09I'm Michael.
29:10I'm Michael.
29:11I'm Michael.
29:12I'm Michael.
29:13I'm Michael.
29:14I'm Michael.
29:15I'm Michael.
29:17I'm Michael.
29:18I'm Michael Jackson.
29:20Nice to meet you.
29:22Um...
29:23Sorry.
29:24I'm really very shy.
29:26Um...
29:27Pleasure to see you Tony's friends.
29:30Friends?
29:31It's...
29:32M-m-m-m...
29:33Michael Jackson.
29:34Michael Jackson?
29:35Michael Jackson?
29:36Yeah.
29:37That's Michael Jackson.
29:38And I'm Purple Ring.
29:39How could that be Michael Jackson?
29:40This is Michael Jackson.
29:41His face has got paint on it.
29:43Fuck's sake, Michael.
29:44God, this is Michael Jackson.
29:45He's not. Can't you see that?
29:46He's Jackson.
29:47He's not Michael Jackson.
29:48He's not.
29:49He's not.
29:50He's not.
29:51He's not.
29:52He's not.
29:53He's not.
29:54He's not.
29:55He's not.
29:56He's not.
29:57He's not.
29:58He's not.
29:59He's not.
30:00He's not.
30:01He's not.
30:02He's not.
30:03He's not.
30:04He's not.
30:05He's not.
30:06He's not.
30:07He's not.
30:08He's not.
30:09He's not.
30:10He's not.
30:11He's not.
30:12He's not.
30:13He's not.
30:14He's not.
30:15He's not.
30:16He's not.
30:17He's not.
30:18He's not.
30:19He's not.
30:20He's not.
30:21I give him his bowl of pasta every single day.
30:24He's totally content.
30:25Isn't that right?
30:26Don't be a motherfucker, Tony.
30:28You know, he's really very.
30:29He's very talented.
30:30The fucker's good.
30:31And you know, I'm being exploited.
30:33Every day, I give him his pasta bowl.
30:35I mean, the nerve, huh?
30:37Yes, darling.
30:38You hear that?
30:39He calls me darling.
30:40When he calls me darling, it means he's happy.
30:42Yeah, I can tell he's happy.
30:43Look how happy he is.
30:44Happy guy.
30:45You're a happy guy, right?
30:46Michael.
30:47And what did you do tonight, Tony?
30:48We should tell him what we're doing.
30:49Oh, but do you think that's in no good?
30:51We're up to no good.
30:52Look, he'll get it.
30:53I think from spending so much time together, we just understand each other.
30:55I just understand him, and he just totally understands me.
30:58Right, buddy?
30:59Of course, darling.
31:00Hey, he called me darling again.
31:02Tony, man, I want to apologize for all those years I called you a liar for the pasta story.
31:08Huh?
31:09Huh?
31:10Huh?
31:11What happened?
31:12He called you up, or who put you in touch, or something?
31:13Well, look, it was the simplest thing in the world.
31:15He's like that.
31:16Normal.
31:17Came knocking on my door, I opened.
31:19And he told me to my face that he faked his death to the world.
31:22Well, because?
31:23He was sick of the life, and he had said he wanted to revisit the places where he felt
31:27joy.
31:28And apparently, one of the places he felt the most joy was at my house that afternoon
31:32and he called us.
31:33Am I messing up or am I telling the story right now?
31:35Come here.
31:36Come here.
31:37I could just eat you off.
31:38You're so cute.
31:39You've got all this white powder all over.
31:41Hey, so what if, what if we ask him to come with us to the airport?
31:46No.
31:47No, no, no, no, no.
31:48No, Michael.
31:49Michael hasn't set foot outside this place since.
31:51He first arrived, and he's not going to do it today.
31:54But wouldn't it be incredible to turn up at the airport with Michael Jackson?
31:58Hey, no!
31:59Kevin, no.
32:00Michael Jackson's not going to be around us.
32:01But don't tell me it wouldn't be incredible.
32:04Sure.
32:05I said no.
32:06He wasn't put on the fucking tree.
32:07Leave him.
32:08Hey, man.
32:09Michael, listen, honey.
32:11Would you come with us to the airport to throw Pua tomorrow?
32:14Could you shut the fuck up already, Miguel?
32:17You lie more than you shit, and you've got diarrhea.
32:19Shut your mouth!
32:20Well, no, I...
32:21Shut your mouth!
32:22Isn't that what we're doing?
32:23Shut your mouth!
32:24Do me a fever.
32:25Shut your mouth.
32:26You ever throw shit at someone?
32:27Shit.
32:28Well, that's what we're going to throw at Tamara.
32:29Shit.
32:30A big file.
32:31For being a hobad.
32:32And a monster.
32:33We've got the exclusive then, Tamara.
32:36Yes, sir.
32:37Urena?
32:38Tamara Urena.
32:39Evil Tamara.
32:40She's the worst.
32:41What the fuck are you talking about?
32:42Tony!
32:43What the fuck are you talking about?
32:46Fuck you.
32:47What the...
32:48But she's...
32:49He's upset.
32:50No.
32:51Fucking...
32:52You...
32:53Fuck this shit.
32:54See?
32:55Now he's angry.
32:56Michael!
32:57Michael Jackson!
32:58Michael!
32:59Michael Jackson!
33:00What's wrong, Michael?
33:10Don't you like my friends?
33:11It's not that.
33:13So...
33:14You think these are fine to put our shit in?
33:15Or...
33:16Or not?
33:17Hey, where...
33:18Where's, uh...
33:19Leonardo?
33:20I haven't seen him for a while.
33:21Jesus, focus, Miguel.
33:22That's enough.
33:23Tony's housing some Catalan weirdo.
33:24And he's freeloading because of this Michael Jackson nonsense.
33:25You think it's funny that he's scamming a senile old man?
33:27I won't stand for it.
33:28I won't.
33:29It's Michael Jackson, man.
33:30How's that Michael Jackson?
33:31Don't be a fucking idiot, Miguel.
33:32He's a fraud.
33:33Looks more like Seurat.
33:34Are you sure, Tony?
33:35Really?
33:36Listen to me.
33:37Everybody does things that are bad, you know?
33:41Look at me.
33:42Look at me.
33:43Everybody knows I'm not innocent.
33:49Really, listen to me, everybody does things that are bad, you know, look at me, everybody
34:06knows I'm not innocent, everybody knows I robbed the song Thriller that I stole from
34:21Luisi Toledo, and I never beg for forgiveness, I am so sorry, Luisi, I am so sorry, and do
34:32you know why, to say I am sorry, you need bravery, and humility, I only have arrogance, and tons
34:52of fear, I'm scared, Toni, why do you think I am here, back
35:02from the dead, eating bowls of pasta in your house, I just don't understand, I don't understand
35:14where this has come from, Michael, why, because Tamara, she needs an apology, not a turd thrown
35:25on her face, Toni, you know?
35:27You know?
35:28You know?
35:29Life Cent Bas Александre
35:31Our
35:32happy
35:35sweet
35:37sweet
35:38sweet
35:39sweet
35:39sweet
35:41sweet
35:42sweet
35:45sweet
35:46sweet
35:54beetje
35:56Quemando nuestras vidas
36:01Quemando nuestras vidas
36:06Y es que soñaba que vendía mi alma al diablo
36:13Y es que soñaba que no era dueño de mi vida
36:21Que tan solo era un conquistador
36:29De almas pervertidas
36:34De mentes pervertidas
36:51De mentes pervertidas
37:21Tony, ¿estás seguro de que el avión llegue hoy?
37:26¿Qué hora es?
37:29Es 10.
37:31No puede ser 10 porque es todavía oscuro en el exterior
37:33Eso es imposible
37:34Bueno, estoy viendo el mismo en todos
37:36Hey, este también dice 10.
37:44También puede ser
38:14definite black hole what's happening I don't know the plane should have already
38:25arrived right no no one's arriving today it's over we were given an opportunity and we dropped the
38:50bomb what opportunity what are you talking about the opportunity to show this country that we might
39:00be troublemakers but we can be honorable men as well capable of acting with with generosity
39:09and nobility but instead of embracing generosity we've embraced resentment
39:21and if if we happen to run into each other by coincidence
39:31it hasn't been for us but for us to come here because because because the stars have aligned
39:41and because we had to come to the airport to throw some shit and take revenge on tomorrow
39:50if we happen to run into each other by coincidence
39:55it was because we were meant to apologize to her
40:02but since that's something that we're not going to do even if they tied her testicles
40:09to the fender of a car and hauled our bodies along the road
40:11we're stranded in here
40:17yeah
40:19I think we are trapped in the eternal night
40:25yeah
40:31yeah
40:32con mi guitarra y mi sombrero voy por el mundo cantando español y en mi garganta las notas
40:43nacen de la nostalgia de fiesta y de sol y veo a gente que se españa va turistas que quieren gozar
40:54en esta tierra de cizana y yo solo puedo educar
41:00en esta tierra de cizana y en esta tierra de cizana y en esta tierra de cizana
41:06hello my friends i'm luisi toledo i have claimed this since the year 1985 friends and in the
41:13end the international court said yes the song is similar but michael jackson says that he doesn't
41:19know you these are letters from michael jackson's lawyers i luisi toledo never tell a lie you should
41:25feel proud because the real writer of the hit song on the best-selling record in history is a
41:30spaniard like you
41:36i'm
41:40i'm