- 7/19/2025
Superstar Season 1 Episode 4
Category
🎥
Short filmTranscript
00:00Briefly ahead of No Cambie, Tamara had presented herself in the media as the girlfriend of Paco
00:19Porras, the clairvoyant. What became a Paco Porras? In one of his last appearances on television,
00:25he told a horrifying story. He said he had been kidnapped by a secret society in the town of
00:33Altea and that he'd been tortured and sexually abused for months. Many thought he was lying,
00:40of course. At the end of the day, who is Paco Porras? Someone who claims to read the future in
00:47fruit and vegetables. But even the harshest skeptics know that within every lie, there's a spark of
00:53truth. And if the truth behind Paco Porras is proportionate to the size of the supposed
00:58lies that spill out of his mouth, well then, that truth is blinding.
01:23Evening, my dear. I've arrived. They'll be with you in a moment. I appreciate your patience.
01:29Sure.
01:31But Deimos was not born simply to play a testimonial role. We were born to win, to show Spain that
01:38we can put an end to its bipartisan political system. As of tomorrow, we have...
01:43What a disgrace. An atrocity. And a shame to reach this age to witness this.
01:48...run five million votes. We are the biggest party representing the working class.
01:54So if it's not one of those votes...
01:56Hey, if you voted for him, I'm sorry. I have a lot of respect for everyone's choices.
02:09People like me learn to surrender to the changing tides of society, even if they lead us to damnation.
02:18You said people like you? Right-wingers?
02:22No. Clairvoyants.
02:25What have you come here for?
02:27We're a terror reading. I show up, spout some nonsense, slip in a dirty joke for a bit of flavor, then I'm off.
02:35But what matters? The real stuff. The good stuff. No one wants to hear the good stuff.
02:43Go. Ask me a big question. Go.
02:44Uh, when's the apocalypse coming?
02:47Three years from now, in 2018. Next question.
02:49Why do I feel like I've already seen your face?
02:52Well, I don't know. It's, uh... It's my first time here. I don't know where you've seen me before.
02:57No, no, no. We know each other from somewhere.
03:00Goodness. They don't mess around here, do they?
03:03What if we've come to?
03:06I don't get spooked easily, though. I've got my fair share of baggage.
03:10I really do.
03:12In my prime, I frequented the most exclusive spots.
03:16I've thrown parties that if the world knew about, who was in attendance, all the filthy things they've done,
03:22heads would roll and governments would fall.
03:24Well, I was once invited to a massive wedding in a ministry that closed down just for us.
03:30There was a raffle, and the winner could put whatever they liked in their country's constitution,
03:35change an article, or draw a picture of a big cock.
03:38A free-for-all.
03:40And when dawn broke, we would all gather naked in front of an altar and sip some champagne.
03:46Champagne?
03:48Champagne.
03:48Champagne is champagne served in the skull of Che Guevara.
03:51I know who you are now. You're Paco Porras.
03:59Oh, damn. What a surprise.
04:03I thought I was ancient history for the younger generation, more like a crumbling statue.
04:08Paco, but how could I forget you, honey? I watched you on TV all the time with my mother.
04:13You were so funny.
04:13Your mother sounds charming.
04:16Give her a big hug for me, and tell her to eat her vegetables.
04:21One moment, okay?
04:27So, uh, you got any of your fruits and veggies with you?
04:30For fruitology? I usually reserve that stuff for more private events.
04:35Those years on TV gave me a bad rep.
04:39I prefer to live a more discreet life nowadays.
04:42On me.
04:42You're such a doll.
04:45It has been a while since I've found a halfway decent gig at a high-end venue.
04:52If this is the beginning of a good spell, it's because you brought me luck.
04:55Well, I hope so, Paco.
04:58You be safe.
05:00Goodbye.
05:00See you.
05:01Goodbye.
05:02Goodbye.
05:03Goodbye.
05:04Goodbye.
05:05Goodbye.
05:06Goodbye.
05:07Goodbye.
05:08Goodbye.
05:09Goodbye.
05:10Goodbye.
05:11Goodbye.
05:12Goodbye.
05:13Goodbye.
05:14Goodbye.
05:15Goodbye.
05:16Goodbye.
05:17Goodbye.
05:18Goodbye.
05:19Goodbye.
05:20Goodbye.
05:21Goodbye.
05:22Goodbye.
05:23Goodbye.
05:24Goodbye.
05:25Goodbye.
05:26Goodbye.
05:27Goodbye.
05:28Goodbye.
05:29Yes, it calls to me.
05:46Hey, what's going on?
05:48What's going on?
05:49What's happening?
05:50Careful.
05:51Careful.
05:52Please don't hurt me.
05:53I beg you.
05:54No.
05:55Wait, where are you taking me?
05:56Wait, why don't we come down?
05:58I'm a senior citizen.
06:02I'm a senior citizen.
06:05Please don't hurt me.
06:07Please.
06:28This is what you do.
06:29And you are the chief chief chief chief.
06:32I'm a senior citizen.
06:34Go!
06:35Go!
06:36Go!
06:37Go!
06:38Go!
06:39Go!
06:40Go!
06:41Go!
06:42Go!
06:43Go!
06:44Go!
06:45Go!
06:46Go!
06:47Go!
06:48Go!
06:49Go!
06:50Go!
06:51Go!
06:52Go!
06:53Go!
06:54Go!
06:55Go!
06:56BIRDS CHIRP
07:26BIRDS CHIRP
07:56BIRDS CHIRP
07:58BIRDS CHIRP
08:00Paco
08:01What's for lunch today?
08:06Honestly, I'm to the point of showing you a drumstick
08:08And I'm not sure if it's for eating
08:09Or shoving on my butt
08:11Paco, listen to me
08:14I think I found a way to get you out of here
08:21There is a secret passage between the kitchen and the back garden.
08:26It's where they take out the trash.
08:28Well, thank you for the offer.
08:30I didn't love the analogy, though.
08:32But, uh, I don't think it's worth putting myself in danger.
08:35Paco, but why?
08:36Because we'll get caught.
08:37And they'll stretch my butthole as wide as watermelon.
08:39And you, they'll hang up like a cured ham.
08:41What makes you think so?
08:43Is it because you don't trust me?
08:46Is it because I'm a woman?
08:48I mean, I've been reading on the Internet that you're a major misogynist, you know.
08:55Well, I am many things.
09:01Well, I don't believe you're such a horrible person.
09:04You just like being the center of attention.
09:07Then I'm right where I should be, huh?
09:10Of course I trust you.
09:12It's me.
09:13I don't think I'm a fortunate guy.
09:15I'm not a lucky person, to be quite honest.
09:17So if I had even a little faith, I'd be the world's biggest moron.
09:21Have you always felt like this?
09:23Not at all.
09:25Well then, what happened to you?
09:29It's not exactly a fairy tale.
09:36As I was saying, I was the happiest of children.
09:39I had a privileged childhood.
09:45For example, while other kids had imaginary friends, I was visited by saints, virgins, and martyrs.
09:52I was like the kid in Marcelino Panivino.
09:54You might not know it, but it's like the Harry Potter for Catholics.
09:57I was well aware that I wasn't just an ordinary child.
10:02But one morning, I discovered my real talent.
10:12I had the ability to see the future in fruits and vegetables.
10:15I needed something bigger than the Bible.
10:19So I immersed myself in the world of occultism and parapsychology.
10:22My world kept growing bigger and bigger.
10:29I started to make a name for myself before I got my first pimple.
10:32At 13 years old, I was awarded the Silver Shell for Best Mentalist at the San Sebastian Magic Festival.
10:37I also took my first steps into the world of show business at a very young age.
10:44My parents, who were directors at the town's puppet theater of El Retiro,
10:48invited me to join them on a television show.
10:51I played Teherine, inspired by Lieutenant Colonel Antonio Tejero.
10:58In order to get in a character, I studied him in depth.
11:02Everybody on the ground, sit down, damn it!
11:05And I discovered that Tejero had some truly fascinating ideas.
11:09But my parents had other ideas.
11:12Much stricter and less tolerant ideas.
11:15Papa! Papa, no!
11:17That was my first run-in with censorship.
11:22To regain my confidence,
11:24I asked a pineapple to show me what I would be like as an adult.
11:35I liked what I saw so much
11:38that I decided to refashion my puppet to look like me as an adult.
11:44I named him Paquito Churros, and his time would come.
11:49Meanwhile, I continued developing my career as a cartoon dubbing artist.
11:54Around the world with Willy Fox.
12:00I also appeared in the movie Miedo Asselier de Noche.
12:03I almost didn't survive to tell the story
12:05because the director, who was a bit of a sadist,
12:07told the other actors to beat me up for real.
12:09That's awful.
12:11What did he do?
12:12Huh?
12:13I'm sure you reported this director, right?
12:15I mean, you know, in film, it's like that.
12:19Eloy, though?
12:20Genius, honestly.
12:21Bit of a commie, but what can you do?
12:23You and commies, what do you got against them?
12:25What do you mean, the leeches, honey?
12:27Who likes to get their blood sucked?
12:28I respect everybody, okay?
12:30I haven't even asked which way you swing.
12:33Well, I don't make it my business to judge others.
12:38Why don't I finish this story,
12:40and then tell me how you feel?
12:42In the 90s,
12:43I moved to one of the most spectacular houses in all of Madrid.
12:47That palace had been home to Marquises,
12:49Countesses,
12:50and Isabel II's doctor, huge perv,
12:53who slept in every single whorehouse in Madrid.
12:56That place had so much history,
12:58so much magic,
12:59so much mystery,
13:00that the ghosts
13:01had to join a wait list to give you a haunt.
13:05Let's see.
13:06Right now,
13:06you're at the height of your bullfighting career,
13:08as I had predicted,
13:09and what you really need is a woman.
13:12A nice, discreet one,
13:13from a humble background,
13:15who'll put up with you,
13:16and drink plenty of spirulina.
13:18Hey, you folks back there,
13:20keep it down, please.
13:22My fruitology practice was very popular,
13:24but what really catapulted me into fame
13:26was my segment on Tiempo de Marte.
13:28Paco Porras!
13:30That's where I became the Paco Porras I always dreamed of.
13:36Hi there.
13:37Hi, Paco.
13:37Welcome to the show.
13:38Welcome, Paco.
13:39It's an honor to be here with you guys.
13:41So, what do you have there, Paco?
13:42Well, look,
13:43I decided to come
13:43with a bit of light reading.
13:47The end of the 20th century
13:48was pretty good to me,
13:50but when the 21st century came,
13:52I was struck by your curse.
13:58Disaster began the day
13:59I received an extraordinary invitation.
14:01It was from a secret society.
14:18They wanted to meet me
14:19in one of the most magical spots in Madrid,
14:22the Tooth Fairy Museum
14:23on Arenal Street.
14:25But once they had made it past the fearsome cat,
14:50he and the old little mouse
14:51continued on their merry way
14:53down the busy street.
14:55Hmm.
15:25No, what?
15:46Oh, come on, move, please.
15:47Among the people who'd summoned me, there were entrepreneurs, ministers, and members of the Royal Spanish Academy.
16:01They'd called themselves Kilometer Zero.
16:03My God, man, why would you put that in the middle of your flag?
16:23You mean this? Majestic and mystical bull?
16:26You had tons of other animals to pick from, but you chose to smack down on the Spanish flag.
16:29I don't know, a bird of prey?
16:31You seemed disappointed.
16:33I mean, look, when you wrote and explained that you watch over the material and spiritual order of Spain,
16:38I expected something more impressive.
16:40We don't subscribe to any kind of political philosophy, and all philosophies are welcome.
16:45Have you got any communists in here? No. I'm kidding.
16:48If you did, they would have stolen the curtains by now.
16:51Spain is way more than a geographical area.
16:55If we look at it from a four-dimensional perspective, Spain has its architecture.
17:00And where there is architecture, there are architects, just like us.
17:05And you, Pakopoulos, have a brilliant mind which few possess.
17:09You are a media expert, and you're able to create meanings, characters, symbols.
17:15You, sir, are an agent of our pop culture. And you have a massive and vulnerable audience.
17:23Honestly, I find praise unsettling. That's not true. Carry on, please. Sorry I interrupted you.
17:28What are your thoughts on the feminist perspective?
17:32Ha! I've never had such a thought.
17:35In two decades, you won't dare say that in public.
17:38Why's that? Why not, huh?
17:40Will a meteor strike the planet? What are we talking about?
17:42Look at that image.
17:44That is a demonstration that will take place. The 8th of March of the year 2018.
17:57Is that footage from the future? Who gave this to you? Martians?
18:01It's a space-time tunnel. It's a public demonstration. Demanding women's rights.
18:11Wait. A feminist public demonstration in 2018? The same year you told me the apocalypse is happening? So what do you care?
18:17Yeah, well, that's what I was referring to when I said apocalypse. That demonstration.
18:21Feminist fight for every right! Feminist fight for every right!
18:25What you are observing is a paradigm shift. For now, it's just a possibility. But if we don't act now, it'll become a reality.
18:35The ancient sacred texts describe a flower grown out of two flowers.
18:43Right. A woman born of two mothers. That's not good.
18:48She is sorcery made real.
18:52Her mere existence, amplified by the media landscape, will trigger a semantic explosion, which will eventually result in a variation in the harmonies of dominant perspectives.
19:04The feminists are here to stay! The feminists are here to stay!
19:09Why am I here again?
19:11You dominate the spaces where we believe this woman dwells. Television, cinema, theater. Find her and deactivate her. As soon as you can.
19:26Right. And if I agree, what do I get out of this?
19:30Well, whatever you want.
19:33I want to win a Prince of Asturias award.
19:36So, who was she?
19:40Please, you really think I believed a single bit of that bullshit?
19:45To me, this whole prophecy of the girl born of two flowers seemed like the biggest pile of crap.
19:50But I wanted that Prince of Asturias award, of course. So I had no choice. I had to play along with it somehow.
19:56What they wanted was for me to find some crazy doomsday bitch and put her on a tight leash.
20:03So the people wouldn't see her as some galactic creature, but rather as a traditional lady. A modest woman. Ordinary.
20:11They wanted me to marry her.
20:13And then, I was lucky enough to stumble upon a perfect unsuspecting idiot. One I could win over and convince Kilometer Zero that she was a chosen one.
20:22Come on.
20:27I'll hold the doors to television for you wide open.
20:29Television?
20:30I've been looking for someone to join me on set. Specifically a woman to help tell a story.
20:37But would we have to make out or not?
20:40Not at all. That's the best part. You don't have to do anything. Not even open your mouth. I'll do the talking. Right, Tito? Where were we?
20:49But what are you going to say in interviews?
20:52Well, that you and I are more than friends and that you're enigmatic and wild and sensual. And that you're, well, lingerie model or something like that.
21:03No, wait. Just say a singer.
21:04Okay, sure. I'll figure something out.
21:06And maybe I could perform with Leonardo. You know, because Miguel already has the mix for No Cambier and it's the one we want to release first.
21:12Don't worry about that. I'll manage the timing of everything. Understood?
21:15Mm-hmm.
21:16All right, all right. Here's the deal.
21:21Right? The main thing is to consistently stay in the headlines. We begin with our courtship. Then after some time, we say that you've settled down and our relationship is serious. And that you're pregnant.
21:34Pregnant?
21:35Yes. Then it'll be easier to sell a shotgun wedding. Wedding?
21:38Well, you get the picture now. I'll think of more stuff for us later. Leave this to me. I'll have a plan for everything.
21:44No need to be nervous, okay, Tamara? Don't worry. If you start feeling nervous, just give me a sign and I will come over to you.
22:00Protocols are just basically a protocol. We sing a song a cappella to each other and...
22:05Come on. Ready when you are.
22:06All right. Rolling.
22:07So, Paco, why don't you introduce us to your mysterious friend?
22:11Sure. Well, um, she's an actress. Uh, she's, uh, she is somewhat outrageous. Um, but very fearless. Very strong-willed. Very forward-thinking. Very sincere.
22:41It's done. My relationship with tomorrow will be announced on Tiempo Del Marte.
22:51Well, everyone, this has worked out very well. We have stopped the chain reaction that would have resulted in feminist hegemony. Let us raise a toast.
23:02Let us raise a toast.
23:05Oh, shit.
23:08Oh, no, no! Please don't hit me again! Please! Don't hit me again! Mercy! Don't beat me again with...
23:15With that whip that... that you've got over there! Don't hit me again! Please! No more! Please!
23:21Hey, what are you doing? Why didn't you play a lot? What are you doing?
23:24No! Oh, no! But isn't this your thing, though?
23:28Yeah. When I feel like it.
23:31Well, then. Maybe you'll feel more like it next time. You see how ugly I am?
23:36Yeah.
23:37Remember, I'm more fascist than ugly. I'm sure that'll turn you on. Where was I?
23:43Oh, yeah. The beginning of the end.
23:45To be honest with you, I am so, so happy with Paco Porras because we have a really intense but very, uh, beautiful relationship.
23:54With Paco Porras are dating. Are you engaged to be married?
23:56I think he wants to move very quickly, so I'm the one that's pumping the brakes.
24:00Anyway, we're posting an excitement to hear your new singles.
24:03No cambie!
24:04No cambie! No cambie! No cambie! No cambie! No cambie! No cambie! No cambie!
24:10No cambie! No cambie! No cambie! No cambie! No cambie! No cambie! No cambie! No cambie!
24:27This...
24:28Paco, why is she singing? What is going on?
24:31Jesus, you got the TV on all day or what?
24:33We made it clear that this woman should not talk to the media except his wife or a mother.
24:41Fix it, Paco!
24:49Go in!
24:55Relax. This is Ennio Morricone. My friend. He's in a trance and can't see us right now.
25:01What's wrong with that?
25:03You see, sometimes he comes to Spain and stops by my house, and I put him in contact with Saint Cecilia, the patron saint of musicians, who gives him a hand.
25:13She helps him record his music without needing an orchestra, directly from his mind.
25:23I thought Ennio Morricone was just one man.
25:26He is one. But the thing is, well, he needs to record in stereo. So first, Saint Cecilia has to split him in two. One records the L channel and the other the R channel.
25:38Hmm. What did you want to talk about?
25:42I saw you on Reign of the Mornings.
25:45Mm-hmm.
25:46Singing as if someone was pointing a gun at your head. I wasn't aware you were doing that.
25:51Was I supposed to tell you, or what?
25:55Tomorrow, you and I made a deal. And neither of us can appear on television without my approval.
26:01Mm. So, Paco, um, I'm sorry, but I'm actually doing absolutely all of this with you to promote No Cambie. We were super clear about that.
26:10From this moment on, no song will enter this head or come shooting out of this woman's life.
26:18No, no, no, Paco, please. What are you doing?
26:26From this moment on, no song!
26:28No!
26:58How did you do it?
27:02I don't know what you're talking about.
27:04Wait.
27:05Don't touch me!
27:06Sorcerer.
27:10Somehow, my magic had bounced off Tamara and exploded in my ass. But how is it possible? Who was this woman?
27:20All right, all right, Miguel, but don't you think she could have toyed with black magic and stuff? Or white magic, or whatever magic is trending in the Basque Country?
27:27I mean, her or her mother.
27:30Yeah, you never heard them say anything.
27:33Not even a horoscope?
27:35Uh-huh.
27:37Right. Right.
27:38Well, if you ever hear...
27:43Stop! Stop the car! Stop!
27:44I felt something pass through me.
27:47That strained place radiated more metaphysical energy than the Egyptian pyramids, Area 51, and the Valley of the Fallen.
27:53The perfect place to cast a spell that could explain what the hell was going on.
27:58Just keep on that.
28:00One-oh.
28:01One, two, three.
28:02Five-goes.
28:03None, two, three.
28:04Three.
28:05Five.
28:06Five.
28:07Five.
28:08Five.
28:09Five.
28:10Eight.
28:11Five.
28:12Two.
28:13One.
28:14One.
28:15Three.
28:16Three.
28:17Two.
28:18Two.
28:19Three.
28:20Eight.
28:21Two.
28:22Two.
28:23Two.
28:24Two.
28:25Almost like the Y2K effect arrived later.
28:40Her name is Tamara, born in Santorce.
28:42And she's conquered all of Spain with her song, No Campier.
28:45You must be so proud of your daughter, Margarita.
28:48Of course I am.
28:49And her father's proud, too.
28:51He's in Santorce.
28:52What's your father's name, Tamara?
28:53We'll send a huge kiss from here.
28:56Well, my father's name is Florian, and we're sending him a...
28:59Florian, Margarita and Florian, daughter of two flowers.
29:06It is her.
29:10It was her.
29:12Tamara.
29:13Tamara was the Femichrist, Sauron's pussy, a flower of death.
29:18But how could I have been so unlucky or so stupid?
29:21You don't know anything.
29:23Paco, Carlos, this is very bad.
29:26Tamara has reached number one on record sales and on ringtones.
29:30If Tamara was the chosen one, the feminist apocalypse was real.
29:33And what's more, it was my fault.
29:35Join us today so we can talk about Tamara's abortion.
29:38Is it true or not?
29:39For the first time in my life, I was paralyzed by fear.
29:43You see, I have made a decision.
29:44And I'm not here to be morbid.
29:51And I want to introduce you to a friend who's going to entertain you every night from now on.
29:55Paquito churros.
30:08Do you have any questions about the saints?
30:11Cause I can enter them all.
30:14You know what I say, Paco?
30:16Get out of here, man.
30:17Get out of here.
30:19It was my first big TV flop.
30:31And it was the first of many misfortunes I was about to suffer.
30:37Paco, this is a catastrophe.
30:40And you have disappeared off the face of the earth.
30:43I am very sorry.
30:44But from now on, prepare to face the consequences.
30:47Hey, Paco.
30:51The show had been going so well.
30:54I feel bad, man.
30:55What?
30:56Oh, you haven't spoken to Jorge?
30:57I'm really sorry, buddy.
30:59Oh, yeah, yeah, yeah.
31:00We talked.
31:01Well, anywho.
31:02Shame they won't just let you finish the season with us.
31:06Look, man.
31:07There's no slots.
31:08But if you know tomorrow's people, give them a call and come on with her one day.
31:15Oh, gosh.
31:16Oh.
31:17Paco?
31:18Are you all right?
31:20Fuck, you almost met your maker.
31:23Oh.
31:24In a matter of months, I lost friends.
31:27I lost lovers.
31:28I lost work.
31:30I even withdrew my honorary membership to the Fantasy Sauna.
31:33It had become clear to me that Kilometer Zero had cursed me for failing to fulfill my duty.
31:40Find her and deactivate her as soon as you can.
31:45I lost her.
31:46Oh, yeah.
31:46Oh.
31:46Oh.
31:54Oh, yeah.
31:54Is she still a man for you?
31:56Oh, can I get then?
31:56How manyцев have you been waiting for?
31:58Oh, for me?
31:58Oh, yeah.
32:00Oh, yeah.
32:00Zeke, this-
32:01Oh.
32:01In a matter of summer, Bernardo.
32:02Here have you.
32:04Paco, you're gonna give me a heart attack.
32:24I'm sorry, here.
32:25What is this?
32:26Hair spray or?
32:27No.
32:28What is it?
32:30It's a spray for rapists, Paco.
32:32It's just what I needed.
32:34You won't believe it.
32:35Yesterday, I was walking down the street.
32:37I stepped on a rake, swung up and smacked me in the face.
32:39A guard rake, I got sick in the middle of a dread.
32:41What's next?
32:42Getting my foot stuck in a bear trap like a cartoon villain.
32:45What do you want, Paco?
32:46Hmm?
32:49Look, Tamara, let me just cut to the chase.
32:52You're going to stop with all the nonsense, the bullshit, and the modern stuff.
32:56You're going to quit music.
32:57You're going to marry me.
32:59And we're going to have a child.
33:00I'm sorry, but you're going to have to work on your witchcraft, you ridiculous insect.
33:07I am no insect!
33:08I won't use witchcraft.
33:16I'll go back to old-fashioned methods.
33:18If you don't do as you're told, the video of Miguel will be child's play compared to everything I'll throw in your face.
33:26I'm going to make you look like an absolute whore.
33:28I'm going to make things up.
33:30I will show documents that will make you and your mother die of shame.
33:39A fine-tuner is what they call it, because that's how much she tries to fake orgasms.
33:45Well, that explains it, because she's been doing erotic shows ever since she landed in Madrid.
33:51I've seen her having anal sex in front of hundreds of, no, not hundreds, hundreds of thousands of spectators.
33:56Who does she do it with? Why, with men from all walks of life, of course.
34:03With delinquents, with beggars, physically challenged, old men, even workhorses and donkeys, with innocent pets, and unisonula creatures, even with a particle of temper, that dirty slut.
34:17Did I enjoy telling all those stupid stories? I don't even remember.
34:27Maybe I even believe them. I don't know. At that time, I was unhinged.
34:32If Tamara didn't succumb to my blackmail.
34:36How was I going to get out of this? Who could help me?
34:39I don't know.
34:40I don't know.
34:41Hello?
35:11Paco, Boris. We've been watching you for some time now. More than you can even fathom.
35:20What's happening? They have TVs in kitchens now?
35:26Hello?
35:29You bitch!
35:32We know about your special interest in the dragonfly.
35:36And in the houseflies. And the murder hornet. What are you talking about?
35:39The dancing dragonfly. The woman who'll hypnotize an entire generation.
35:45Yeah, yeah. I know the story. No need to repeat it for the love of God.
35:48It's Tamara. That hobak. That slutface. That giant cut.
35:52If there were Tamara's soup, know how it tastes? Tastes horrible!
35:58Do you feel more relaxed now?
36:01I know what you want. You want to know who I work for, don't you?
36:05And if I don't tell you, I'm gonna be tortured.
36:07No, wait. I'm already being tortured.
36:09We know everything.
36:11Who you are, what you represent, who you work for.
36:15Oh, so are you doing this for fun then?
36:18No, that's fine by me. I'm not judging.
36:19We want you to meet with your masters.
36:29What for?
36:30Their lair is protected by some locks of mystic nature that have prevented us from entering since the day it was founded.
36:38Seals that can only be broken from the inside.
36:41What is with that shape, huh?
36:49With wavy sides and that peephole above?
36:51I'm scared. Keep that away. Keep that away, the birds!
36:55It's very simple, Paco.
36:57All we need is for you to remain in their secret lair for one minute.
37:02With this seal branded on your chest.
37:06One minute and the lair will lose its protection.
37:09And we will take care of the rest.
37:13The total destruction of Kilometer Zero.
37:19Uh...
37:20Fine.
37:24I'm sorry?
37:25Yes, I'm happy to do it. You've convinced me, Abigail Williams.
37:28But how, though?
37:30You fucking witch.
37:31Really?
37:32Yeah, you've caught me on a good day.
37:33Let's go. Pussy brand me and let's get this over with.
37:48Look.
37:51My whole life walking around with this horrendous vulva.
37:53Wow. Well, I have this.
37:59Hmm.
38:00Looking forward to it.
38:02I couldn't believe it.
38:04Thanks to me, Kilometer Zero and the curse were going to go to hell.
38:08I was so happy I didn't care that my house was being repossessed.
38:12Psst. Hey, you there.
38:13Come, come, come, come, come, come, come.
38:14This here.
38:15That's not all part of the lot.
38:18This is an invaluable family heirloom.
38:22Believe it or not.
38:23This pistol belonged to Simone Bolivar.
38:39Is that a bear trap?
38:41Yeah, yeah. Looks like a bear trap.
38:42A trap for bears?
38:44For bears.
38:45Or deer.
38:46Um, various types of animals.
38:50Is it yours?
38:51No.
38:52No, no, no.
38:54Is it yours?
38:55No, no, no.
38:56Not yours either.
38:58Right.
38:58If you ask me, it looks like it's some sort of curse.
39:01Yes, yes, yes.
39:02It's a curse.
39:02Yeah.
39:03It's a damn curse.
39:05Yep.
39:05I just needed one minute.
39:19Entertain them for one minute.
39:22And the clit on my chest would do the rest.
39:25I wouldn't have to do anything else.
39:27Just enjoy the show.
39:37Evening, sirs.
39:39Paco, how are you?
39:40We wanted to see right away.
39:42We've been very worried.
39:43Uh, well, why?
39:47Worried about what?
39:49Experience any misfortune lately.
39:52Some misfortune, yes.
39:53Yes, I have.
39:55And why do you ask?
39:56Because you put a curse on me, didn't you?
39:59How could you say that?
40:00What a load of nonsense.
40:02You agreed to intertwine your destiny with hers.
40:05You had one mission.
40:12To shackle her.
40:14And we've never seen her more unshackled, Paco.
40:17As the sacred texts say,
40:20if our agent fails in his mission,
40:23the universe itself will curse him for eternity.
40:27Come again?
40:27A fuck-up like this kind,
40:29the kind that's metaphysical,
40:30leads to trouble.
40:32Reality itself has betrayed you.
40:34But why didn't you say anything about this?
40:36Why wasn't I aware?
40:37Oh, fuck the fine print.
40:38Well, I know you seem so confident.
40:45Okay, well, could you please explain
40:47how to remove the curse?
40:48If you can explain in another minute,
40:50that'd be great.
40:50I assume the idea of marrying her
40:52is pretty much impossible, huh?
40:54How do I remove the curse?
40:56Come on, come on.
40:56There's nothing you can do, really.
40:59It pains me to say so.
41:01As long as tomorrow is alive.
41:03As long as tomorrow is alive, what?
41:06As long as tomorrow is alive,
41:08you are screwed, Paco.
41:10What the hell is that?
41:25Oh, what have you done?
41:27What have you done?
41:29What have you done?
41:30So in the end, it all went to shit,
41:48and I'm stuck with a stupid curse forever.
41:52I spent a few years barely getting by.
41:53I was homeless, and I was exiled from television.
41:58Don't ask me what I had to do to survive.
42:02And during all those years,
42:04the words of the Grand Master
42:06kept spinning inside my head.
42:09As long as tomorrow is alive.
42:12As long as tomorrow is alive.
42:14So one day,
42:19I decided to silence the voices forever.
42:25I told you, you'd end up judging me.
42:27Oh, God.
42:42Oh.
43:14Would you like some lemonade?
43:22My mother made it.
43:24It's delicious.
43:31When I was eight years old, I said to her,
43:35when I'm a singer and I'm famous,
43:38I'll call myself Tamara or McConnell.
43:44And she said,
43:46better call yourself Tamara
43:49because McConnell belongs to someone else
43:52and they can steal it.
43:59Now it turns out there's a girl who sings Bolares
44:02who named herself Tamara too.
44:03And her lawyers want to leave me with nothing.
44:09The record, the tour, everything.
44:14They've taken all of us, Paco.
44:24For years, they've showed us off like animals,
44:28laughing at us.
44:33But it's still not enough.
44:36They won't even let us have our names.
44:38I mean, I can't, I can't even think of another one.
44:53I like Urena.
44:55Oh.
44:57It's beautiful.
44:58What's this?
45:06Actually, Mama found it on the set of Tiempo de Muerte.
45:09Years ago now.
45:11It was in terrible shape,
45:13but, well, since she loves to sew.
45:16Looks a bit like you, huh?
45:19You should keep it.
45:20It's fine here.
45:34Well, in the end, she listened to you, right?
45:37She went with Urena?
45:40It's the name of a dog-shaped demon.
45:43Look it up.
45:45I won't keep boring you with more tragic stories.
45:47I'm cursed forever.
45:48And that's the end of my story.
45:56I'll stay locked here for three months,
45:58and then they'll get sick of me.
46:00And give me the boot.
46:03That's what it said.
46:09Something doesn't add up.
46:14If you're able to see the future,
46:16why can't your misfortunes be avoided?
46:23For example, that beating
46:24they gave you as a kid on that movie set?
46:28Did it really take you by surprise?
46:30Or did you know beforehand?
46:31Well, I mean...
46:32And if you knew beforehand,
46:34why did you go?
46:36Jeez, girl, calm down.
46:38You're like the Gestapo.
46:39Why the interrogation?
46:40I think you love it.
46:45Because you love to suffer.
46:47You love being an outcast.
46:49And having a curse on you.
46:52And being here.
46:54Who is Paco Porras?
46:57A really ugly dude.
46:59What else?
47:00And despite being ugly...
47:02Yes.
47:03I'm more of a fascist anyway.
47:04Say it.
47:06You want this?
47:08Yes.
47:08You say yes,
47:10my mistress.
47:11Yes,
47:12my mistress.
47:13I want this.
47:15Yes.
47:16What else?
47:16Now that is the year 2000, I ask Tamara what will happen to you?
47:30I put myself in the bed, I try to sleep,
47:37I shoot my visions on my future.
47:44I've seen the future, a future without you,
47:51a future in which you don't have to suffer.
47:58I've seen the future, and in that future
48:05it's almost safe that there's no place for you.
48:11I've seen the future,
48:18a year 2005,
48:22a building that's burning,
48:26it's called Windsor.
48:30Crises finance,
48:34calentamiento global,
48:37crÃmenes,
48:40celestia humanidad.
48:45He visto el futuro,
48:47un futuro sin ti,
48:51un futuro en el que ya no,
48:55me hace sufrir.
48:59He visto el futuro,
49:02y en ese futuro,
49:06es casi seguro que no hay sitio para ti.
49:12He visto el fin del bipartidismo,
49:19y luego el regreso del bipartidismo.
49:27Veo terrorismo, también veo el fascismo,
49:34parece que no hay sitio para ti.
49:35Parece que cambia,
49:36pero siempre es lo mismo.
49:41He visto el futuro,
49:44un futuro sin ti,
49:47un futuro en el que ya no,
49:52me hace sufrir.
49:55He visto el futuro,
49:57he visto el futuro,
49:59y en ese futuro,
50:02es casi seguro que no hay sitio para ti.
50:08La inteligencia artificial gana su batalla contra la especie humana.
50:20El sol se apaga,
50:24la moda se estanca,
50:28huele a viejo en todas partes,
50:33y no hay sitio para ti.
51:03La inteligencia artificial gana su batalla contra la especie humana.
51:16La inteligencia artificial gana su batalla.
51:33La inteligencia artificial gana su batalla.
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