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  • 2 days ago
Superstar Season 1 Episode 2
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00:00No Cambie is a song that scores of artists have performed, but written by only one, Leonardo
00:22Dantes. Who is Leonardo Dantes? There is no simple answer. The deeper you delve into his
00:29background, the less you know of him. Who is he? Is he a highly regarded composer? Or
00:35a TV jester? The creator of classics like Los Changuitos Carmen? Or of summer hits like
00:42El Baile del Panuelo? It's as if he was more than one Leonardo Dantes. But if that's the
00:48case, which is the real one? Which is more authentic? Whoever claims to know the answer
00:55to that is lying.
01:02No, no, no, no, no, no, no, no. A bit to your left. Left, left, left. No, no, no, no, no,
01:05not that far, not that far. A little more to your right. A bit less, a bit less, a bit less
01:09towards the center. That's it, that's it. That's it, that's it, that's it. Yeah, yeah, that's
01:15my girl. Look, it's my fucking everything. What's your name? Javier. Your last name?
01:20Him and his via. A name. We're gonna have to give you a better one. All right. You see
01:24the camera? Yeah. Look into the camera the whole time. Smile and seduce it. Seduce me.
01:31Good. Now there are 10 million girls on the other side of the camera. Flirt with all of them.
01:36Who are you, kid? Here's our delicate little flower. What do you want? Uh, I write songs,
01:48and I want to see if I could, by chance, give you one of my songs. Songs written for pansies.
01:54Look, we're busy working over here, so I'm about to go for a little stroll, then when we're
01:58done, come back for an autograph, all right? Great. Off we go. Leonardo. Give me that.
02:06I'll read this on TV, all right? Thanks.
02:15Psst, kid, get over here. Stand right behind me and don't move, okay? Come on. Okay, roll
02:21camera, please. Mark it. Give me a slate, honey. Yeah, work that slate.
02:27Los Reconcamidos take one. Beautiful slate, sweetheart.
02:31All right. And... action.
02:36Joldier
02:48And...
02:50Joldier
02:59and a reflection in your hand from your hand from the sun.
03:06I will be the storm that you climb, the rain and the breeze,
03:13and yesterday you are.
03:18When you're alone, dímelo
03:22in front of the mirror in your habit.
03:26If you look at your reflection, you will think that you are, but I am.
03:35Spain.
03:37Spain.
03:39Tan close, tan lejos, pero siempre tan dentro de mi corazón.
03:45Tan cerca, tan lejos, pero siempre tan dentro de mi corazón.
03:56What a performance.
03:58Let's hear from the great Tony Hidio.
04:01How are you doing, Tony?
04:03What's it like singing in front of all these fellow countrymen?
04:05I'm very happy and just overwhelmed with how the entire world has truly embraced my song,
04:10España Banto Te Quiero.
04:11Many thanks.
04:12That's right.
04:13Those who can't do, those who can't get out.
04:16You're one of my kind.
04:17Tony Hidio.
04:19Bravo!
04:30Excuse me.
04:31Your buddy in the restroom.
04:32He pissed his pants and I was too ashamed to come out.
04:35Tony Hidio.
04:36Huh?
04:37I'm so sorry.
04:38I just meant to congratulate you.
04:39I really love your song.
04:40I mean, España Banto Te Quiero.
04:42What an amazing song.
04:43I mean that, really.
04:44Yeah, yeah, yeah.
04:45Perfect for a debut, huh?
04:46And especially for a gay bar.
04:48Truly amazing.
04:49I'll pay you later.
04:50Perfect for the Spain of the future is what I was trying to say.
04:53So, who are you, huh?
04:54Your name, what is it?
04:55Leonardo Dantes.
04:56Stage name, I reckon.
04:57How did you know?
04:58I mean, it doesn't sound like the most humble name.
05:01Nice, nice.
05:02See, I hit out on it.
05:03So, why that name?
05:04Because of the Mona Lisa guy?
05:06The Count of Monte Cristo, actually.
05:07Oh, right, sure.
05:08The Count is very humble.
05:09You know what I mean by not humble, right?
05:11I love the name Dantes.
05:12Yeah, yeah.
05:13I mean, my name is Tony Heniel because I'm from Puente Heniel.
05:15Simple.
05:16What's your bank?
05:17Watch out carefully.
05:18No, no.
05:19I don't really do drugs, to be honest.
05:20Don't worry, I...
05:21No, that's not what I meant.
05:22What are you doing here?
05:23What do you do?
05:24Well, right now I sing, but I'm into writing original songs.
05:26I have my own songs and lyrics.
05:27Okay, but you're telling me you need the name of the Count for that?
05:30Well, I've just arrived in Madrid and I had to come up with one.
05:33I'm actually from Bajados and over there...
05:35Very pretty over there.
05:36Extra Madura, right?
05:37Yes, exactly.
05:38I was wondering if I could show you some songs and who knows.
05:40You might be interested because...
06:04Excuse me, sir.
06:05Uh, do you know where the nearest bus stop is around here?
06:10No.
06:11No?
06:12No.
06:13Huh?
06:14Listen, if you're in a bit of a pickle, I can offer you a room for the evening.
06:20So, uh...
06:22Come on in.
06:35A double.
06:36It's all I have left.
06:37What's that sound?
06:38Television?
06:39Television?
06:40No, no.
06:41There's no TV at this hour.
06:42Well, do you want the double or not?
06:43Yes, please.
06:44Appreciate you, man.
06:45Like, how are you?
06:46What?
06:47T-Rex.
06:48Yeah, what's that sound?
06:49Television?
06:50No, no.
06:51There's no TV at this hour.
06:53Well, do you want the double or not?
06:55Yes, please. Appreciate you, man.
07:25Yes, sir.
07:28Yes, sir.
07:29Yes, sir.
07:33Yes, sir.
07:49Morning.
07:51Buddy, listen.
07:55There's something that's been worrying us both.
07:59Stage names are definitely important, but...
08:03But I think they're almost like a helmet, you know?
08:05You might have the biggest, whitest, shiniest, coolest helmet,
08:11but if you don't have a bike, then it's pointless.
08:15Stage names are nothing without a stage persona, you see?
08:21Who are you?
08:23Leonardo, a persona worthy of a stage.
08:27Never does what others have done over and over again.
08:30For instance, you with Tony Genil.
08:33Do you know how many people, just like you, have introduced themselves to him?
08:36Huh?
08:37You need to have a bit more mischief.
08:42Mischief? But how?
08:44Mischief, Leonardo. You're so damn innocent.
08:47But how do I do that, huh?
08:53Relax.
08:55That's what I'm here for.
09:00If life is a stage, I'm gonna take you up there with me.
09:03Yo ya estoy cansada de esperar.
09:07We're gonna take center stage, and no one will be able to look away.
09:10No me digas que puedes hacer.
09:13And everyone will know the name Leonardo Dantes.
09:17Nunca se te dio mi cliente en ti.
09:32Just picture this.
09:33One day I'm in line to watch Los Chunguitos play,
09:36and the next day, people are lining up to see Los Chunguitos play,
09:40but now with my songs.
09:43What a lucky guy, huh?
09:45Others sing his songs.
09:47Yeah, but I'm not so focused on that anymore, Margarita.
09:50I'm trying to go back to my singer-songwriter roots.
09:53I've realized over time how, well, I'm happiest on stage, you know?
09:57That's where I feel most alive.
09:59If it were up to her, I'd stay home all day, I swear.
10:01How can you stay home with this record you just released, huh?
10:04Mama, did you hear what you just said?
10:06That album you're holding contains, if I may say so myself,
10:10a beautiful song called Enamorado de Javier.
10:14And it's safe to say that it was the first gay song produced in Spain.
10:18Oh.
10:19All right.
10:21And who's Javier?
10:22Someone's nosy.
10:24Wouldn't you like to know?
10:25I'm sorry, I don't sing and tell, darling.
10:27But he's real?
10:28Javier Jimenez Villa.
10:29A very handsome guy from my hometown.
10:31He used to sing.
10:32He had this really cool pop band.
10:34I loved it.
10:35I was head over heels in love with him.
10:37And what's this?
10:39Haven't heard that in forever.
10:41Luna Azul.
10:42Did you used to sing with this girl?
10:43Yeah, Loli.
10:44Awesome girl from the town of Gualchos, near Almuñeca.
10:47Very cool girl, truly.
10:48Whoa, I'm so damn jealous.
10:50Well, I was asked to form a duo because apparently duos work really well on the radio.
10:54They just do.
10:55Mm-hmm.
10:56So I created this one, Luna Azul.
10:58There's an amazing song in here, and I know I'm tooting my own horn, but it's a lovely song.
11:02I've always imagined it could be a huge hit, but it didn't catch on.
11:06Let's see what you think.
11:09What are you doing here?
11:10He found out that you've got that Basque woman.
11:11He's bragging.
11:12He's bragging.
11:13He's bragging.
11:14He's bragging.
11:15He's bragging.
11:16He's bragging.
11:17He's bragging.
11:18He's bragging.
11:19I'm sorry.
11:20He's bragging.
11:22I'm sorry.
11:23I'm sorry.
11:24I'm sorry.
11:25I'll be the same one but I'm sorry for you.
11:27No.
11:29Hello there.
11:32What are you doing here?
11:33He found out that you've got that Basque woman.
11:34He's bragging me all the way here from La Bapies, like a freaking dog.
11:39She bring her baggage.
11:40What baggage?
11:41Her boring ass mother.
11:42Hey, Honey, what's up?
11:44Hey, honey, what's up?
11:47Hello, Miguel.
11:48We keep running into each other.
11:49Madam, how are you?
11:50Paco, please.
11:51Miguel.
11:52What?
11:53I'm sorry, Margarita.
11:54They've come unannounced.
11:55I would have never asked you to come.
11:56I've been thinking a lot about you lately.
11:58Miguel, now's not the time, man.
12:00Do what? Do you still want to manage your honey?
12:02I said, now's not the time.
12:03This is business, man. Back off.
12:04What we were doing before you showed up is business as well.
12:06What business?
12:08Well, Tamara and I will be recording a song together.
12:12Are you serious?
12:13Oh, my God.
12:15I mean, this is marvelous.
12:17Miguel, have you told him about my idea?
12:20Because this is brilliant marketing.
12:21I'll hold the doors to television for you wide open.
12:24Television? Which program?
12:25Tiempo de Marte. What do you say?
12:27I mean, hey, we could also go for tumbaleo.
12:29I've been looking for someone to join me on set.
12:32Specifically a woman to help tell a story.
12:34Actually, we need to talk about that.
12:36But what type of story?
12:38Well, a fun one.
12:40With a bit of controversy, but harmless.
12:42What bit of controversy?
12:44Seriously, you two? Come on.
12:55Just composing a little summer song for you, Leonardo.
12:58How long since anyone's done a smash hit with dance moves, huh?
13:00I'm talking La Lambada, El Valle del Caracol level stuff.
13:04Man, look.
13:06Just listen for one second.
13:07I write the songs, not you.
13:09And besides, I want to sing ballads.
13:11You know that's my whole thing.
13:12I don't want to just write silly little summer hits.
13:14Fine, fine.
13:15Whatever you say.
13:19Go on.
13:20You go out there and deal with those piranhas.
13:22I've had enough for today.
13:23Can't you say return?
13:25Can't say return.
13:25Te equivocas al pensar que he cambiado.
13:31Sigo siendo la misma de ayer.
13:37To be honest with you, I am so, so happy with Paco Porras because we have a really intense
14:04pavarian. Paco Porras! Is this real? He's kind of found himself a girlfriend. My God. Wait, you and Paco Porras are dating? Are you engaged? If it were up to Paco, we'd already have a house, a family, a daughter, get married. Jesus Christ, this is what people want. I actually believe that this project would finally get me somewhere, you know? But that's that. They don't want us anywhere. And yeah, Tamara is really happy, but she can go gossip on television. I can't even do that.
14:34I don't understand what you're complaining about, Leo. Look at the songs you have. Huh? You're practically like a father with a bunch of kids. At least one of them is going to turn out a dad. You can't simply stumble through life expecting to find smash hits like you're picking asparagus in the mountains. If it happens, it happens. What you've got to do is enjoy what you got in life, Leonardo Dante's.
14:54Yeah, well, thing is, Tony, you're always singing the same song. Look, what I'm saying is the song's amazing. Super cool. Seriously, I think your Spain song is stupendous, but it's a little tired, man. That's all.
15:05You're tired. And I'm old and I'm tired, too. But songs are like plants. You water them and they spring back to life. And I plan on watering mine until I'm dead.
15:14I'm sorry. Mind turning off the TV?
15:23So, Tamara, can we do it the honor of getting on stage and debuting No Cambier? Thank you so much.
15:28Thank you so much.
15:58Hey, that guy's singing in the playback. Is that your voice? We are. But it's you, no?
16:15My goodness.
16:19Good night.
16:20It's up for fun.
16:22Good night.
16:24You're baby.
16:26You're baby.
16:28Yep.
16:32Yeah.
16:34You're baby.
16:38You're baby.
16:40Don't you think it's supposed to be there?
17:10Hello, Tamara.
17:14Hello, Leonardo.
17:15How crazy is all this, huh?
17:17Yeah, honestly, it's crazy.
17:19I'm sorry if I'm being too direct, but I just saw you on TV using the playback, and I was a little...
17:24I was a little bit taken aback.
17:26Hello, hello.
17:27Care for a good photo?
17:28Great.
17:31Beautiful.
17:32Thanks, guys.
17:33Hey, wait.
17:34Wait a minute.
17:34I wasn't ready.
17:35Take another one.
17:36You there.
17:37Where's she from?
17:38Pronto, right?
17:39Yeah, Josefita's from Pronto.
17:41Hey, hey, you!
17:41Josefita.
17:42Hey!
17:43Come back!
17:44The truth is, everything happens so fast.
17:46They found out I sing, and that Miguel had a copy of No Cambie, and...
17:50Yeah, but I mean, you could have told them that we sing No Cambie together.
17:54See what I mean?
17:55Yeah, yeah.
17:55Yeah, but you know how this goes.
17:57You have to seize the moment, and this opportunity just came knocking.
18:00Right.
18:01I would have loved to sing that song with you that day, but...
18:04Right.
18:04With this kind of stuff, artists are going to say...
18:06Oh, thanks.
18:07Thanks, darling.
18:08You're welcome.
18:09Like I said, with this kind of stuff, artists have no say in the matter.
18:12You know.
18:13Wait a sec.
18:13You're leaving already tomorrow?
18:14Yeah, I have to go home now.
18:16I've been here for a while, and my mom's waiting for me, so...
18:18Are you taking a taxi?
18:19Yeah.
18:20Where you headed?
18:20Oh, uh, I told you...
18:21No way.
18:22So we're neighbors.
18:22I live in Entrevias.
18:24Well, the nice part of Entrevias.
18:25Ha!
18:26Do you mind if we split a taxi?
18:28No, of course not.
18:29You're anything too, Tony?
18:30Well, I just think that there's nothing more to do here.
18:33At least I mean nothing good.
18:34Why don't you have a drink with Paco, huh?
18:37But we just enjoy the evening.
18:38I don't know.
18:39We just got here.
18:40Yeah, yeah, yeah.
18:40Hey, let's be in touch.
18:41It was a pleasure to see you.
18:42Sure, likewise, Tamara.
18:44All right, buddy.
18:44See you.
18:45See you.
18:48Thanks.
18:52They called me this morning from Tiempo de Marte saying they want Tamara to sit at the table.
18:58No, not in the videos, on the main set.
19:00Tamara, huh?
19:01Of course they want her, but...
19:03You know, I want to work as well.
19:05Am I just supposed to stay home and jerk off all day?
19:07I don't know why you're so stressed out.
19:09Next week you have Tamboleo and El Reino de las Mañanas.
19:13Just relax.
19:14Wait, what?
19:15Honey, we talked about this over the phone.
19:17Come on, Leonardo.
19:18Really?
19:20About what, though?
19:21Leo, we talked about the shows that want to bring you on and your stories, man.
19:26Paco, say something.
19:27You awake?
19:27Yeah, I'm pretty sure you both talked about it.
19:30I mean, you were thrilled, honey.
19:33Hang on, I'll be right back.
19:37What have you done, Leonardo?
19:39Huh?
19:41So you'd prefer to twiddle your thumbs at home, then?
19:43I prefer to be there twiddling my thumbs instead of humiliating myself on a stupid television
19:48show.
19:48Joining us on stage is the writer of one of the biggest radio hits.
19:51You've all heard it, Tamara's No Cambie.
19:53Let's hear it for Leonardo Dantes.
19:56Great to have you.
19:57Good evening, Leonardo.
19:58Appreciate it.
19:59Hey, Leonardo.
19:59God, Leonardo.
20:00I'm curious.
20:00How are you having to call the...
20:01You're so naive.
20:02You're so naive, you come off as an idiot.
20:05Listen, if you get called in to be on television, show another song.
20:08Obviously, Tamara's the star here, so you can't pretend like you...
20:11I mean, you may have written it, but I mean, you're singing unnecessary in my opinion.
20:15I don't think so.
20:16The people, the public really loves me.
20:19They're in love with the song.
20:21Just look at Tamara.
20:22She became a star overnight, but so what?
20:24You can too.
20:25The more appearances and songs you show them, the better.
20:27Hang on just a second.
20:28You know I don't have any more songs to show right now.
20:31Yeah, yeah, we have one.
20:32It's a beautiful song that we wrote that everyone's going to love.
20:37Maybe you can sing us a bit of No Cambie since...
20:40I mean, you wrote it, right?
20:40If he even knows the lyrics.
20:42Well, I think we're going to let Tamara sing No Cambie,
20:45and Leonardo Dantes will be known for the new El Baile del Pañuelo.
21:02Tell us, how are you dealing with all this attention?
21:11Well, I don't know.
21:12It's crazy, but to be honest, I enjoy it.
21:13I've written many songs for Los Chunguitos,
21:21for Manolo Escobar, Sarah Montiel, Carmen Carmen,
21:24Por la Puerta de Atrás, Soy el Probador.
21:26Yeah, backstage is where you really signed Brian.
21:28Oh, okay, seriously.
21:29What's up with the harsh jokes?
21:32Un baile nuevo, un baile nuevo,
21:35El baile del pañuelo, el baile del pañuelo.
21:39Mueve tus brazos, mueve tu cuerpo,
21:42No hay baile del pañuelo, que no te lo pasará.
22:00Hello?
22:01Hello, Tamara, how are you?
22:03Oh, hey, what's going on?
22:04Where are you?
22:06Actually, I'm on my way to that television show.
22:08You know, Tiempo de Marte.
22:09Really? Today?
22:11Yeah.
22:11That's awesome.
22:12With all the TV appearances, I've got an abundance of work at the moment,
22:15and they had a few issues with the dates,
22:18but they wanted me and finally convinced me to go.
22:20You really deserve it. Congratulations.
22:22It's cool to get so much work.
22:24It's so rewarding.
22:25Oh, yeah, it really is.
22:26Listen, Tamara, I've been thinking.
22:28Yeah?
22:28Um, so many days have gone by, so many weeks have gone by,
22:33and we haven't sung together.
22:35Oh.
22:36It's such a shame because, I don't know,
22:39with the chemistry we obviously have,
22:40I mean, as an artistic duo, we should...
22:42Right.
22:43We should be singing together on TV and all.
22:45I see.
22:46We could be invited for more than just cheap, fake gossip and bad jokes, you know?
22:50Yeah.
22:51You know what I'm saying?
22:52Absolutely.
22:53So, you're not coming then?
22:55No, I'm on my way as we speak.
22:56I'm heading your way now.
22:58You're not coming to the fruit shop?
23:00Where?
23:01To Tony's friends, please.
23:03There with Tony right now?
23:04He should be here any minute.
23:05Come on, join us.
23:06It should be interesting.
23:08Hey, it's fine.
23:09I will go perform.
23:10Okay, guys, what do you have going on here?
23:16Because, frankly, we're really confused.
23:17No, no, it's okay.
23:18This is my neighborhood.
23:20In Vallecas, my hometown, everyone, everyone loves Tony Heddy.
23:24I've got two friends, Elias and Jose,
23:26that have inaugurated the autumn season at their fruit shop
23:29and asked if I could bring along Tamara and Leonardo Dante.
23:33The people love us here, so I said,
23:35of course, I'm up for it, and that's what we're here for,
23:38to celebrate the occasion together.
23:41Right, Tamara?
23:42Absolutely.
23:42I was very delighted when Tony mentioned visiting the opening
23:45of this wonderful fruit shop, so he's my friend,
23:48and if he asks me for a favor, I mean, of course,
23:50I'll go above and beyond.
23:52So that's why we're both here,
23:53and later maybe we'll toast with a bit of champagne,
23:56and that's pretty much it, you know?
24:00And in my case, you know,
24:01while I've written many songs for the group Los Chulitos,
24:04a band that's also native of this town of Vallecas,
24:06well, I figured, why not join these guys?
24:08Tamara, are you getting paid for this?
24:10No, absolutely not, not one dollar.
24:12But you were charged for a concert, right?
24:13Well, yes, of course.
24:14Yet you haven't done any, and you haven't sung at any venues.
24:16We only see you on set.
24:17When you get a chance, I'd be happy to show you flyers
24:19of all the venues I've sung at.
24:21See, before this, I was only well-known up north
24:23in neighborhood pubs and such,
24:25a few local papers and stuff,
24:27and now I've reached global stardom, basically.
24:29Would you like to be a normal singer
24:30and not have to do this kind of thing?
24:32Doesn't it bother you when people laugh at you?
24:34How would you make a living?
24:35How would you live if you didn't have
24:36our tabloid garbage to feed off of?
24:39I mean, come on, let's be honest.
24:39I think you're a little out of line here.
24:40Oh, I'm out of line?
24:41I believe you're out of line, mister.
24:43Yeah, what gets to me is that there are professionals
24:45who have no respect for others,
24:46others in general,
24:47and the media don't even get started.
24:49Leonardo, how do you cope with always being second?
24:51Oh, well, I think you're very misinformed.
24:53I think that depends on your point of view,
24:55because I've had an extensive career.
24:57And let me be clear,
24:57I'm not the one who's out of line here,
24:59because you, my friend,
25:01are the one who's saying that I'm supposedly
25:02taking advantage of tomorrow's image,
25:04when in fact, I'm a songwriter
25:06who has written some of the most famous songs
25:08in all of Spain.
25:09If you can't even see that,
25:10or in other words,
25:11if you won't value me as an artist,
25:12then I'd say...
25:13Leonardo's written multiple songs,
25:15millennial hymns, like...
25:17You're off-base.
25:17Like for Sarah Montiel,
25:19Manolo Escobar,
25:19Rafael Acara.
25:21Go on, tell them the names.
25:22Well, Carmen,
25:23Por la Calle Abajo,
25:24Bagando Por Ahí,
25:25Con un Payaso,
25:26No Puedo Darte Riquezas.
25:27These are songs the whole world stands to,
25:29and you're still here at the clubs today, so...
25:30Okay, so then it's fair to say
25:32that it's Tamara who's taking advantage of you
25:33and your popularity.
25:34Well, hang on.
25:35Tamara, forgive me for saying this.
25:38I believe that we're actually both
25:39mutually taking advantage of each other,
25:41respectfully, of course,
25:42because, I mean,
25:44it's what we both discussed ages ago,
25:45right, Tamara?
25:46We said we're stronger together.
25:47For instance,
25:48you weren't famous
25:49until we went on television.
25:50No, I've been on television already.
25:52Sure, but you also have to understand
25:54that without No Cambie,
25:55no one would know your name.
25:56I'm well known for many other songs.
25:58Well, you know, what are you saying?
25:58Sing, Carmen, Carmen.
25:59Yeah, on TV.
26:00Carmen, Carmen,
26:02voy a tener que borracharme.
26:04Carmen, Carmen, Carmen,
26:06porque si no, nunca voy a hablarte.
26:08You don't know that one?
26:09No, I don't.
26:12Right.
26:14Some say Tamara is nobody
26:15beyond her song No Cambie,
26:17but that's all about to change.
26:19We've got our hands on a sex tape
26:21featuring the one and only Tamara.
26:23Some say it's just a publicity stunt
26:25arranged by her
26:26or her own manager,
26:27Miguel de Diego.
26:28But get this,
26:29they're both in front of the camera.
26:32Um, we'd like to talk to them,
26:34but we don't have them with us.
26:35We do, however,
26:36have their third wheel with us.
26:38Say hello to Leonardo Dante.
26:41Look at this.
26:42Leonardo,
26:43you have an attain talent
26:44for coming up with anthems on the spot.
26:46So,
26:47what would be the anthem of this divorce?
26:48Yeah.
26:49For example,
26:49well,
26:50divorce, divorce,
26:51you get a divorce.
26:52If you want to get a divorce,
26:54then how about getting hitched first?
26:55Listen,
26:56somebody take this woman's wig off now.
26:58Let's see what's beneath that.
26:59What is this?
27:16Once you release the ratings?
27:18Well, no.
27:18But it seems to me like they love it.
27:20Just you wait.
27:21I can feel it.
27:22They're going to want us on this show every week.
27:24Juanita from Production already told me.
27:26I mean you or me or Leonardo Dantes.
27:31Leonardo Dantes is free to do whatever he wants.
27:33The hair of Manuel,
27:37the eyes of Joaquin,
27:40the mouth of Jose,
27:41the nose of Jose,
27:41the nose of Ramón,
27:45the hands of Miguel,
27:47the shoulders of Tomás,
27:48the shoulders of Rubén,
27:50the chest of David,
27:52and the others,
27:54the Jorge of the front,
27:56the Javi of the back.
27:57Oh, um,
28:06someone's ringing, right?
28:08Just a moment.
28:09Got to make sure it's one of our guys.
28:14That was great.
28:16We'll pick up where we left off.
28:18It's looking very cool, guys.
28:19It's looking good.
28:20Yeah.
28:23Hi there.
28:24Pleasure to meet you.
28:25Pardon the intrusion,
28:25but I need these papers signed by noon
28:27and no one can get a hold of you.
28:30What is this specifically?
28:32That there is a transfer of rights to No Cambier
28:34for a new version that's coming out
28:36with Tony Haniel and Lolly, the blonde chick.
28:38They want it as the opening track.
28:40I tell you,
28:41everybody fucking sucks.
28:42Why?
28:43Why?
28:43I mean,
28:44what is the point of recording another No Cambier?
28:46Seriously, Miguel?
28:46But how does that affect you?
28:47Oh, I don't know, man.
28:49I don't know.
28:49In other news,
28:50I heard Tamara and some stupid mama's boy
28:52are gonna release a record.
28:55The kid's Mario Vacariza,
28:56who manages Alaska.
28:57A quien le importa lo que yo haga,
28:58a quien le importa lo que yo diga.
29:00I've always thought it didn't rhyme,
29:01but boy,
29:02that charisma, though.
29:03And I imagine she'll be releasing No Cambier as well.
29:06So, one way or another,
29:08you're gonna make a fortune.
29:10That bitch won't even fucking return my calls.
29:12She picks up and hangs up.
29:14Why would she ever return your calls,
29:15you stupid asshole?
29:16No.
29:16Look, man,
29:17honestly,
29:17when you showed me that video
29:18and then you took it to every network,
29:20I said,
29:21Tamara,
29:21Tamara won't ever speak to them men again.
29:23Whatever.
29:24You think it's crude.
29:25But I believe the video's beautiful
29:26and super sensual.
29:27She looks sexy.
29:28I really love the artistry
29:30you put into everything,
29:31which is why I think of you
29:33as a true renaissance mind.
29:35I've always said this, Miguel,
29:36that you,
29:36but also,
29:37I...
29:38What?
29:42I would like to take care of her,
29:43to be honest.
29:45Oh, Tamara?
29:45Yeah.
29:47No, well, actually,
29:48the song I mean.
30:07Where'd all these people come from?
30:09Oh, I think it's baby girl.
30:13See, this week's gonna be a little bit rough, honey.
30:15I wanted to tell you
30:16because we're dealing with all
30:17the art for tomorrow.
30:18You're Leonardo Dantes, aren't you?
30:20Yeah.
30:21Hello.
30:22Carlos Berlanka.
30:23Uh, I, uh,
30:24I'm a fan, actually.
30:25Oh, wow.
30:26Thanks, man.
30:27I'm also a big fan of yours, Carlos.
30:29Wow.
30:29Plus, your most recent CD
30:30was wonderful.
30:31Especially that song by Nika Doble.
30:33That's more my style, of course.
30:34Thanks.
30:36Great.
30:36Well, uh,
30:37let's keep grinding and rhyming, right?
30:39Because where there's rhyme,
30:40well, there's always truth.
30:41That's right, Leonardo.
30:43Well, uh,
30:44it was a pleasure to meet you,
30:45and thanks so much,
30:46even if you both.
30:47Uh, Carlos,
30:48wait, wait a minute.
30:49What's up?
30:51You see him as well?
30:53Who, him?
30:54Yes, of course I do.
30:55Yeah, yeah.
30:56I have one, too.
30:57Huh?
30:58And where is he?
30:59Well, I keep him at home, Leonardo.
31:00He's always working for me.
31:02It's much better that way.
31:03The second you let your guard down,
31:04they fuck you over.
31:05And your entire career.
31:07Trust me.
31:09Goodbye.
31:12Who does that motherfucker think he is?
31:15What's the matter?
31:17You want me to leave or something?
31:19Because if you want me to leave,
31:20just tell me.
31:21I will gladly leave.
31:22You know,
31:22I came to this party
31:23to protect you from everyone.
31:24See you back at the house.
31:35Hey there.
31:39Hello.
31:42Congratulations on the concert
31:43and the album's official release.
31:45For everything, obviously.
31:47Thanks.
31:52Take a seat.
31:54Would you like a drink?
31:58No, thanks.
31:58I'm fine.
32:08You okay?
32:09Well, Tamara,
32:10if I'm being honest,
32:11I'm a bit sad because,
32:13I mean,
32:13you released a song,
32:14but you pulled my name.
32:16Of course we didn't pull it.
32:17It's not on the cover, Tamara.
32:18And when I did the LP
32:19of El Valle del Pañuelo,
32:20I put your name on the cover.
32:22Front and center.
32:23Okay.
32:23Okay.
32:23Okay.
32:23How are things with Miguel?
32:31What do you ask?
32:32Because of the video?
32:34Because of your video?
32:35Well,
32:36you see,
32:37I happen to find that tape
32:38very disrespectful,
32:39so you know.
32:40You didn't say anything.
32:41Yes, of course I said something.
32:42I said,
32:42Miguel,
32:43I don't know,
32:44don't fuck tomorrow over,
32:45but of course...
32:45So,
32:46you knew beforehand,
32:46you mean?
32:47You mean?
32:47Well then,
32:57I will leave you alone tomorrow
32:59and I won't spoil your evening
33:00with this stuff.
33:02Well...
33:02You once told me about
33:05how tough things were
33:06for you back home.
33:08How poorly they treated you.
33:10the insults,
33:13the mockery.
33:15And how do you deal with it?
33:17You left, hmm?
33:18I left, that's true.
33:19Well, I want the same,
33:21to be left in peace.
33:23And for you people
33:24to get this through your heads,
33:25I'm not a goddamn freak,
33:27or an idiotic drama queen,
33:29and certainly not a whore.
33:30A singer's all I am.
33:34Just a singer.
33:38That's something
33:38I've wanted as well.
33:41Yeah.
33:51It's been great,
33:52we're very excited
33:53because a few hours ago
33:54we closed the deal
33:55on the rights,
33:56which means we're releasing
33:57No Cambier,
33:58Loli's version.
33:59There'll be one more artist
34:00who will be singing,
34:02who's very famous,
34:03but for now
34:03we won't say who it is.
34:05But I have something
34:06to say, okay?
34:07This guy has amazing hair.
34:10The people that spoke here,
34:11the people that spoke here.
34:12Okay, but hang on,
34:13hang on, hang on.
34:14Let's clear things up
34:15for our folks here
34:16and those watching at home.
34:17Why do we need
34:18another version of
34:18No Cambier?
34:19I can tell you why.
34:20Because this is the real one,
34:22the authentic one
34:23with the original singing voice
34:24of the one and only
34:25Loli Average.
34:26I sing in the original one,
34:28but Leonardo Thani
34:29is that Judas
34:30gave the song to Tamara
34:31and she just imitated
34:32my voice for the entire song.
34:34Know what we call that
34:34where I come from?
34:35Theft.
34:38Listen, Leonardo,
34:38don't worry.
34:39I know what we need to do.
34:41I have been obsessing
34:42over this
34:43and I've got
34:44a really awesome idea.
34:45We're going to make a song
34:46where we make fun
34:47of them both.
34:48What do you think?
34:49It's going to be hilarious.
34:50Here, listen.
34:50Listen to this.
34:51Get the word out.
34:53Watch out for Tony.
34:54Get the word out.
34:55Watch out for Loli.
34:56When they're apart,
34:57they're bad news.
34:58But together,
34:59they'll terrorize you.
35:01What do you think?
35:04What's the matter, Leonardo?
35:06Look, I think that
35:07from now on,
35:09I'm going to do this alone.
35:11That's fine.
35:11You're tired.
35:12That's normal.
35:13I'm going to go to bed
35:13and I'll leave you alone.
35:14Tonight.
35:15No problem.
35:15No.
35:16I think you misunderstood me.
35:20Wait, Leonardo.
35:22What are you going to do
35:23without my mischief and...
35:24I'm so freaking tired
35:25of your mischief, Leonardo.
35:27I've...
35:28But...
35:28Just think about it, Leonardo.
35:30In times like these,
35:31you'll really need...
35:31In times like these,
35:33stuff on TV today,
35:35the period in history
35:35that we live in,
35:36you've been fighting
35:37your whole life for this.
35:38You must ride the wave.
35:39You're just a homo
35:40from Bajados.
35:40I'm so fucking done.
35:42Stop blaming everyone else,
35:43Leonardo.
35:44You're the one to blame.
35:46I'm so sick of El Pañuelo.
35:48El Baile del Pañuelo.
35:50I'm over it.
35:53Who do you think you are, huh?
36:14Leonardo Dantes is a damn crooner.
36:35No more ifs or buts.
36:37Pero soy yo.
36:42Pero soy yo.
36:46Pero soy yo.
36:51Pero soy yo.
36:53And so,
36:59from that moment on,
37:01I stopped making appearances
37:02on TV.
37:04I put a stop to...
37:05to doing interviews,
37:06and...
37:07and I quit screwing around,
37:09as they say.
37:10You've seen how things
37:10were going for me here in Madrid.
37:12I don't...
37:12I just don't have anything
37:13going for me here.
37:15Oh, Leo.
37:19I know that...
37:20that we haven't really been
37:22in touch much lately,
37:24and...
37:25That's water under the bridge,
37:26Tony.
37:26It's all right.
37:27But the truth is
37:28that Madrid will be weird
37:29without you in it.
37:31Madrid will forever remain
37:33the same as long as
37:33Tony's here.
37:34Yes?
37:45Leonardo?
37:47Yeah?
37:48Hey, it's Juani.
37:49From whose music?
37:50From Tiempo de Marte.
37:52Oh, hello, Juani.
37:53How are you?
37:54How have you been?
37:55Well, I was calling
37:56because we wanted
37:57to invite you to set
37:58with Tamara.
38:00Ah, well,
38:01as you may already know,
38:02I haven't been doing
38:02that sort of...
38:04that sort of thing
38:04in a while,
38:05but...
38:05But, uh...
38:06What is...
38:08Um...
38:08I'm sorry, uh...
38:09Well, we thought
38:10it'd be real interesting.
38:12I mean, since no one's
38:13seen you together in ages,
38:15and so we wanted
38:15to propose a reunion
38:16to remember the old days.
38:20No copier!
38:21Maybe heal some old wounds.
38:23I mean, you know.
38:25Is what would haunt
38:26really that bad?
38:27I mean, is it really
38:28that impossible?
38:28Well, he was damaged
38:29as you, you know.
38:30He may not necessarily
38:32be the person
38:32I've had the worst
38:33experience with
38:34in these most recent years,
38:35but it's a fact
38:36that Leonardo,
38:37at the end of the day,
38:38chose a path
38:39in an inner circle
38:40that I want
38:42nothing to do with.
38:43But don't you think
38:44that maybe
38:45he may have felt hurt
38:46at a certain point, too?
38:48How so?
38:48It's best
38:49if he tells you
38:50the story himself.
38:51Joining us
38:51in the studio tonight,
38:52Leonardo Zate!
38:53Leonardo, welcome.
39:06Leonardo, welcome.
39:09Leonardo, welcome.
39:11Leonardo, buddy.
39:12Some people in our crew
39:13thought you'd show up
39:14with a big mane
39:15and a beard
39:15like Robinson Crusoe.
39:17Seriously?
39:17Because you've been
39:18almost invisible.
39:19Well, the truth is
39:21that people
39:21have been asking me
39:23for the same song
39:23for a while
39:24and I needed to
39:25take a bit of a breather,
39:27recharge my batteries
39:27to create some new music
39:28and focus on my art.
39:30Tamara, what's the matter, honey?
39:32Cack out your tongue?
39:33I just don't have
39:34anything to say.
39:38Well, I do have
39:39something to say, Tamara.
39:40Thank God.
39:41Would you mind
39:42if I stand up?
39:43Of course.
39:44I want you to view at home.
39:47So, Tamara,
39:48I've been thinking
39:48that there are three things
39:51that I primarily
39:51want to say to you.
39:53The first is that
39:54I really am sorry
39:56if I hurt you
39:57at any point in time
39:58or if I permitted
39:59others to hurt you.
40:01The second thing
40:02is that I am
40:02so incredibly proud
40:04of having played
40:05a small part
40:06in your exciting career.
40:11And the third
40:12is that I really
40:17miss you tomorrow.
40:42Thank you, sir.
40:59Oh, my God,
41:00Leonardo.
41:00Juani.
41:01You can't be ghost bumps.
41:02Dear, fantastic.
41:03Thank you so much, Juani.
41:04To be honest,
41:05you've all been stupendous, really.
41:06The ratings are positive.
41:07You'll for sure be back.
41:08No doubt about it.
41:09Start brainstorming, okay?
41:10Okay, like about
41:11what sort of thing?
41:12Or maybe I can compose
41:13some song for Tamara and me.
41:14I can...
41:14After what we've seen today,
41:15think more dirty laundry,
41:18scandal,
41:19that sort of thing.
41:20What do you mean a scandal?
41:21Everything's worked out now.
41:22Worked out, honey.
41:24Come on, Leonardo.
41:25You know how TV works.
41:26You know this.
41:29Tamara.
41:34Tamara?
41:34I want to understand.
42:29Jose Luis! Look who's here!
42:40Leonardo.
42:44Oh my goodness, you're really here.
42:47Oh, my... Leonardo, welcome. Welcome to the town.
42:50Appreciate it. Thank you, man.
42:52It's been so long.
42:53Yeah.
42:53Have you seen what we've done to the place?
42:55Yeah.
42:56Have a drink, for God's sake.
42:57All right. How about, I don't know, some local wine?
42:59Little wine, you got it.
43:01Hey, Leonardo.
43:03What are you doing in San Vicente?
43:05You can't imagine what an honor it is to have you here with us.
43:09Leonardo, you're fantastic. We always see you on TV.
43:12You're such a pro, and you make our village very proud.
43:20Hey.
43:21I thought I was being pranked.
43:23I don't know if you recognize me.
43:25Javier. Javier Jimenez Villa.
43:28Javier Jimenez Villa.
43:30Of course I recognize you, my friend.
43:32It's such a pleasure to have you around these parts again.
43:34When we were kids, I was the musician. Can you believe it?
43:37That's true.
43:38And look at you now.
43:39You've traveled the whole world, and I got as far as being mayor of the town.
43:43Is that so? You've become mayor of the town?
43:44Yes, yes, yes. I'm sorry.
43:46We heard you were coming here, and came to offer you to be guest of honor at the festival.
43:52The Cork Festival of our town?
43:54The same one. It starts tomorrow.
43:56Oh, man. Well, of course, yes. What an honor. I mean, I'm flattered.
44:00That's great. That's great. That's great.
44:01How exciting. Thank you so much, buddy.
44:03Have you come to visit for the festival?
44:05No. No, I'm not really visiting. No, I've actually returned.
44:08These are for you.
44:11Thank you so much.
44:12A great singer-songwriter. You all know him very well.
44:15The true king of the stage. Give him a round of applause.
44:21Thank you very much. Thank you.
44:23Mayor.
44:29Thank you, everyone.
44:30Thank you for the enthusiasm. I'm just bursting with excitement.
44:34Thank you, really.
44:35Well, the truth is...
44:40Please forgive me, but I'm a bit nervous because coming back to the village that raised you
44:56is a very, very, very cool experience because you are reunited with your clan.
45:01But you might also reunite with your old self again.
45:07Finding yourself is something that should be fairly simple, but in truth, it's hard.
45:15The truth is...
45:17I would like to invite to this stage someone who's very special to me.
45:23Someone who's influenced.
45:25Who I truly am.
45:28Without him, you wouldn't be showering me with love.
45:32So please give it up and let us welcome Leonardo Vandes.
45:41Oh, hello.
45:50Round and round.
45:51Life always flows.
45:52Sometimes forward, and sometimes it slows.
45:55Congratulations, my friend.
45:57This is too much.
45:58Truly, thank you.
46:00Thank you, really.
46:01Thank you, really.
47:14Move your body with the baile of the pañuelo, that well you will pass.
47:21A new baile, a new baile, the baile of the pañuelo, the baile of the pañuelo.
47:28Move your body with the baile of the pañuelo, that well you will pass.
47:35Ángulo rojo, verde o amarillo, blanco, gris o negro, violeta, marrón, naranja o rosa, tu color preferido, con el pañuelo sí, descúbrelo.
47:49Y si alguien te gusta hazle una señal, moviendo más el pañuelo seguro que mirarás.
47:57Un baile nuevo, un baile nuevo, el baile del pañuelo, el baile del pañuelo.
48:04Mueve tus brazos, mueve tu cuerpo, con el baile del pañuelo que bien te lo pasarás.
48:12Un baile nuevo, un baile nuevo, el baile del pañuelo, el baile del pañuelo.
48:19Mueve tus brazos, mueve tu cuerpo, con el baile del pañuelo que bien te lo pasarás.
48:26Oh, my God.
48:56Oh, my God.
49:26Oh, my God.
49:56Oh, my God.
50:26Oh, my God.
50:56Oh, my God.
51:26Oh, my God.
51:56Oh, my God.