- 2 days ago
Superstar Season 1 Episode 3
Category
🎥
Short filmTranscript
00:00The Marismo begins with no cambiae.
00:16But what about its ending?
00:20There are those who believed it reached its culmination with an automobile accident in
00:25the year 2001.
00:26A deeply unsettling accident that captured widespread media attention.
00:31At the wheel was Miguel de Diego Fernandez Arlequin and at his side Lolly Alvarez.
00:38What exactly brought them together other than their bitter hatred towards Tamara and their
00:43obsessive desire to dethrone her even if that meant igniting accusations and scandals?
00:49What were they doing in the same car?
00:53To answer these questions, we'd have to lie.
01:00No.
01:01Let's see what rhymes with.
01:02No, that's way too.
01:07Higher up, Lolly.
01:08Up there.
01:09Yeah?
01:10The girl goes higher.
01:11The party's higher.
01:12I'll just repeat that.
01:13Yeah?
01:14Yeah?
01:15The girl goes higher.
01:16The party's higher.
01:17Yeah?
01:18Yeah, I'll just repeat that.
01:19I need to memorize it.
01:20Do, do, do, re, do.
01:21Leonardo.
01:22Leonardo.
01:23Leonardo.
01:24I think I got it.
01:25Got what?
01:26No can be A in past tense.
01:27It's much better.
01:28No can be A in past tense.
01:29No can be A in past tense.
01:30It's much better.
01:31No can be A in past tense.
01:32No can be A in past tense.
01:33No can be A in past tense.
01:34No can be A in past tense.
01:35No can be A in past tense.
01:36No can be A in past tense.
01:37No can be A in past tense.
01:38No can be A in past tense.
01:39No can be A in past tense.
01:40No can be A in past tense.
01:41No can be A in past tense.
01:42No can be A in past tense.
01:43No can be A in past tense.
01:44No can be A in past tense.
01:45No can be A in past tense.
01:46No can be A in past tense.
01:47No can be A in past tense.
01:48No can be A in past tense.
01:49No can be A in past tense.
01:50No can be A in past tense.
01:51No can be A in past tense.
01:52No can be A in past tense.
01:53In the past?
02:01Look, let me explain.
02:02I'm a real small-town girl.
02:03I've told you this, right?
02:05Well, despite all the dumbasses I've met in the city and along the way,
02:09I'm still me.
02:10Doesn't it make more sense?
02:12Well, fine.
02:12Come on.
02:13Come record it with me.
02:14We'll try it.
02:14This song's going to be a big success.
02:15What's up, man?
02:16What's up, guys?
02:17Hey, Miguel, come here.
02:18I want to introduce you to my partner from Luna Azul.
02:20We're recording an album.
02:21This is Lolita from Granada.
02:22Jennifer Taylor.
02:23We've got to talk about that.
02:25What's your name, sweetheart?
02:26Jennifer Lolita or Princess?
02:28Well, as an artist, it's Jennifer Taylor.
02:31I'm Miguel.
02:31Pleasure.
02:33I arrived and I saw you and I've, I mean, have I hit the jackpot or what?
02:38Leonardo Pris.
02:39We're recording an album, Miguel.
02:40What do you want, huh?
02:41Ah, yeah, sorry.
02:42I was here yesterday with the flamenco crew and we were Ari Catan, Ari Caprune,
02:46Oblal, Latron, Triqui, Triqui, and I left my things here.
02:50And now all this, I walk in and then all of a sudden,
02:52I'm struck with Blondie's breasts here and I can't think straight and I,
02:55where's that, man?
02:58Where's that, man?
02:59I'm fucking lost here.
03:00Look, Miguel is an artist and he invented that word,
03:03what's that, man?
03:04And so he blurts it out to see if it sticks.
03:06What sticks?
03:07May I have your attention?
03:08I want to show you this paper.
03:09No, Miguel, not now, buddy.
03:10We're in the middle of recording our album and we've got the studio.
03:13Real paper and I'm going to put it, I'll eat it.
03:16Nothing happens, nothing.
03:17But if you look closely, I can open wide.
03:22Oh.
03:24Hmm.
03:24Are you?
03:26Huh?
03:26Uh-oh.
03:28Huh?
03:31Huh?
03:32Bet you didn't know there was all that paper.
03:35I'm telling you, appearances can be deceiving.
03:36Hang on, I'm almost done.
03:38Huh?
03:38Look, look, look, look, look.
03:40The trick's way longer than I remember.
03:42All right, now, can you let us get back to it?
03:44I know many more tricks, Blondie.
03:45If you want, I can show you later.
03:47All right, let's go, buddy.
03:48I'll change here because I'm late.
03:50Come on, man, please.
03:50We've got to record.
03:51Yeah, let me just go.
03:54Let's have a little reverb.
03:55Yeah, let me go.
03:56It sounds like it's working.
03:58Awesome.
03:59I'm good.
04:02I'm here for you.
04:08I'm here for you.
04:38I'm here for you.
04:50Blondie, come on.
04:52Let's get started.
04:55Leonardo?
04:57Leonardo, is he a clown or something?
04:59Well, you see, Miguel does tricks at events and birthdays
05:03or whatever he's hired for.
05:06He means well.
05:07He's just been through a lot.
05:08It's been really tough.
05:10But, well, just like us, he's both through.
05:13Right.
05:13Why don't you check the volume?
05:15Go on.
05:16Uh, hello, hello.
05:17One, two.
05:18My name is Loli.
05:21I'm Loli Alvarez.
05:22I'm from Guacho, a small town in Almunica.
05:26Well, that was great.
05:28Come on, let's do this.
05:30I think this will be good.
05:30I'm from Guacho, a small town in Almunica.
05:46I'm from Guacho, a small town in Almunica.
05:48I'm from Guacho, a small town in Almunica.
05:51No
05:57También
06:21Listen, Lolly, I would have loved for our band to work out, too.
06:33What was I supposed to do?
06:35Leave the song tucked away inside a drawer?
06:37You know, I mean, knowing it's a hit?
06:39Do you really think she sings well?
06:41Tamara?
06:43I mean, I think she's got a sort of allure.
06:45So what have I got?
06:47A different kind of allure.
06:48But that's exactly the beauty of it, isn't it?
06:50That every artist has their own thing.
06:52We're different.
06:54I just get this feeling that when I went to Sevilla, I was replaced or something, Leonardo.
06:58Darling, you're a veteran.
06:59You know how this goes.
07:01The gigs, the hustle and the road, I...
07:03What's up with you, huh?
07:04You know you're in this for the long run.
07:06Yeah, but I'm over this fight and this hustle.
07:07And now I'm getting evicted, and I'm gonna have to go back to the middle of fucking nowhere.
07:13Well, let me see if I can make a call, okay?
07:15Who knows? We might strike a little bit of luck.
07:20You know, we know, we're retro for our fun.
07:35Okay, but tell her to drop by this week.
07:37I'm literally ass-deep in work, okay?
07:39Do you understand?
07:40Yeah.
07:40Talk to you later.
07:41Hey, do you have a sec?
07:42I'm sorry for interrupting.
07:44I'm Mario.
07:44Mario Veccarezo.
07:45You wrap tomorrow?
07:46Yeah, be careful.
07:47I was close.
07:48I wanted to say congrats, darling.
07:49Firstly, because Tamara is the absolute shit.
07:51I'm obsessed with her.
07:52Thanks so much.
07:52She's a trash queen.
07:53She's pure punk.
07:54Wait, wait, wait.
07:54And so I was...
07:54What'd you say?
07:55That she's a trash queen.
07:56I'll smash your head in you here.
07:58Don't you dare insult her.
07:59No, hon.
07:59That's not an insult, honey.
08:00I was...
08:01Fuck off.
08:01...say that like it's normal.
08:02Give me a break.
08:03Well, it is a little bit.
08:04No, you know perfectly well that that's not how it is.
08:05A little bit.
08:06A little bit.
08:07There are things I can say, and I don't have anything to say that's false to the questions
08:11you're asking me, okay?
08:12Tamara, you've got to understand.
08:14What do I have to understand?
08:15That it is hard for us to have...
08:16No, no, no.
08:16I think you think I'm stupid.
08:18You keep saying that I have to understand.
08:19What do I have to understand?
08:20I understand that it can be confusing for us.
08:22No, no, no, no, no, no, no, no.
08:23Don't give me nice shit.
08:24That is not what we discuss, man.
08:26No, no, no.
08:26I mean, just relax, but it's not a big deal.
08:28You'll find something else.
08:30What?
08:30You don't get to tell me that.
08:32You're a real son of a bitch.
08:33You know that?
08:34Now screw you.
08:35Screw all of you.
08:36Oh, my.
08:39Let him go.
08:40You think he'll notice if I keep these two photos?
08:44No, darling.
08:45Let's not kid ourselves.
08:46He's only got eyes for her now.
08:48I just like them so much.
08:50Okay, well, so long.
08:56Good morning.
08:57This is Maria Rosacobo.
08:58This is Wesselman.
09:00How can I help you?
09:01I'm sorry to bother you, but which way is the restroom?
09:03All the way at the end of the hallway, darling.
09:11Listen, I am looking at your numerology, and I have to say, I am very impressed.
09:16Why?
09:16Well, the first thing I do is I look at the positive in each person.
09:20The negative parts come later.
09:22Let's just focus on this part.
09:25Okay, darling.
09:26What stands out the most from your number is...
09:30Oh, my God.
10:00My, my, I've got a princess hidden in this castle, and I didn't even know it.
10:04Miguel Di Diego.
10:06In the flesh, darling.
10:07Hello.
10:08Hello. Who are you again?
10:10I, uh, Lolita. Jennifer.
10:14Jennifer.
10:14Loli.
10:15Loli. Uh, I, I don't know. Uh, oh, you're Leonardo's friend, right?
10:21Yeah, yeah, that's right. Sit down. He called and told me you were coming.
10:25I'm sorry, I totally forgot.
10:26Uh, Loli, Loli. Loli, right. Welcome to my humble abode. How can I help you?
10:32Well, I'm here because I have a lot of potential in the music world.
10:35I'm a dancer, I'm a singer, I'm also an actress, so, like, I'm multifaceted, you know.
10:39Yeah.
10:39But things are tough right now, I'm not gonna lie.
10:42Yeah.
10:42Because if there's one thing I am in life, it's sincere. Sincere and artistic.
10:45Okay, Loli, look, uh, darling, I know you're here because I, uh, I manage Tamara.
10:50And you probably think that everything I touch turns to gold, but look, Tamara can't sing.
10:55Not really.
10:56And her physique.
10:57Well, I mean, you tell me. The song isn't even hers.
11:00Of course.
11:00That song's not hers.
11:04Leonardo recorded that song ages ago with some skank who disappeared into obscurity.
11:09And you want to know why she disappeared? Because I wasn't her manager.
11:13It was me.
11:15Who?
11:17I'm the skank in the song.
11:18You're kidding. Are you serious, Loli?
11:21No way. Oh, wow, look at that. Damn, that is you. That's right. It's you, Loli.
11:30Babe, don't worry about it. Whatever. It's normal. That was like a million years ago. I look so much better now. I mean, look, totally different.
11:37I think you look divine, to be honest.
11:39Anyway, listen, in this cassette, we tape so many songs, and there's one that I want to sing to you right now, because I want to show you that I've got range and that I've improved a lot.
11:47Okay, fine.
11:51Come to the Club of the Romanticos.
11:56Miguel!
11:57Come if you're...
11:58Uh, I'm so sorry. I'm afraid I have to go.
12:00You've caught me at a bad time.
12:02Tell you what, how about next week we go out for a drink somewhere, yeah?
12:06But for real, okay?
12:07We'll have more time to talk.
12:09Yeah, why don't you take this because I start to hoard things and end up drowning and shit.
12:15No, no. Thank you, darling.
12:17Thank you for visiting.
12:21It's over, Miguel.
12:47What's over?
12:49Look, someone named Mario is going to call you tomorrow.
12:53He's my new manager.
12:55What?
12:56I'm leaving, Miguel.
13:03I don't want to be part of a circus every day.
13:06I came to Madrid to be a singer, to make music.
13:09I want the place I have earned and deserve in my world, which is a different world than yours.
13:15I'm sorry and thank you for your time.
13:17I'm sorry.
13:47I'm sorry.
14:17What I mean is, if Marta Sanchez comes and says, I have no interest in interview, that's awesome then, because Marta is an artist, a real artist, a legitimate one.
14:27The real question here is, why did she even volunteer to do it? She doesn't look good. It's embarrassing.
14:31Wait, hang on. Let me ask you this. When we talk about Catalonia, what are we talking about?
14:38We are not talking about that. Don't change the subject.
14:41Chloe, where's my camera?
14:43There it is.
14:44We take it to the streets. What for? Because we asked Tamara herself for her opinion on this issue.
14:50Let's go.
14:52Look, whatever I need to understand is that that's something I did for a casting.
14:56It was something only the director was meant to see.
14:59It was something I filmed with that piece of shit, because it was supposed to be for a movie I never, ever thought that it would ever end up in everyone's TVs.
15:07I never thought that everyone would laugh at me, and that they'd think I'm a whore or a slut for recording this kind of thing.
15:15Tamara, who exactly are you referring to when you say that piece of shit?
15:20Miguel de Diego, my former representation, who can't stand the fact that I no longer want to work with him.
15:26So this is his revenge.
15:28Do you think you will want to continue your career in show business after everything that's happened?
15:32I think what matters most right now is promoting my new album, because ultimately, it's all about the music.
15:37Good evening.
15:59Oh, God.
16:05You poor thing.
16:07Who are you?
16:11The girl from No Cambie.
16:21How dare she?
16:23How dare she, honestly?
16:26So when I started out, I started out as a little girl.
16:29I knew I was going to be an artist, because I am.
16:31It's who I was born to be.
16:32I went to a dance conservatory first.
16:34They were telling me I couldn't eat regular food like a normal person.
16:38That my diet was apples all day, every day.
16:40So I was like, are you insane?
16:43So I signed up for music school.
16:45You play music?
16:46I used to play the piano.
16:47I used to play the piano.
16:48That's something she can't do.
16:49Yeah, but it's like you said.
16:50It's not her.
16:51It's the song.
16:53So what am I doing here?
16:54Because I'm the real deal.
16:55I sang the song before her.
16:57Careful.
16:57The writer was Leonardo, so...
16:59But I brought it to life, Miguel.
17:01I gave it a voice.
17:03And then she waltzed in and claimed the song.
17:05Claimed what?
17:05Like the voice?
17:06Like the song.
17:09Well, yeah, the voice.
17:11She stole the song and the voice.
17:13I can do some media rounds and say I'm going to sue her.
17:16For favoring.
17:19For grabbing what's mine.
17:21I can probably find you a show or something.
17:24Do you like my idea?
17:32Yeah, yeah, yeah.
17:33I love it, yeah.
17:34I love it.
17:37You're way smarter than you look, huh?
17:39Why some men?
17:46Idiot.
17:47Oh, no?
17:47Are you dumb or what?
17:49What do you want?
17:50Why'd you come here?
17:54Put it on.
17:59What?
18:00I don't...
18:01I'm just...
18:01I'm not into this.
18:03I don't...
18:03Why not?
18:04It brings back bad memories.
18:06Fuck, it reminds me of when I was the dumbass dressed as a fucking clown at kids' parties.
18:11I don't like it.
18:12Well, I'm into it.
18:13I'm an artist, Lolly.
18:15I've been an artist.
18:16I've recorded cassettes that sell at gas stations and shit.
18:19I did my performances with my guitar, my jokes, my humor and stuff.
18:25But, you know, since singing pays jack shit, I had no choice but to dress up as a clown.
18:29You're not an artist anymore.
18:32Nor will I be.
18:33And Wesserman?
18:34What about it?
18:36Wesserman, Harlequin, Choo Choo, whatever.
18:38Wesserman, Alekason, Maguire, Choo Choo.
18:40It's just some shit I came up with that I would say when I performed, and no one ever picked it up but me.
18:47Well, you put that on or no one's getting laid, period.
18:57Who am I?
18:58Who am I?
18:59Ah, the girl from...
19:01No, no, from no coming.
19:02My Sibelius is the first thing I saw when I came to Madrid.
19:20I said to myself, this is where it all begins, Lolly.
19:24It begins here.
19:25Here.
19:32Did you like fucking her?
19:41Uh, she's a dirty girl, what can I say?
19:47Did she want you to record her?
19:50Well, I mean, that video, um, the idea of a raunchy video was actually hers.
19:58That's crazy.
19:59And now she's playing the saint, making me look like a moron, but I know she wanted to dabble in other disciplines.
20:07She's very evil.
20:09Tamara is mean.
20:11She looks sweet, but...
20:13Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara, Tamara
20:43Seeing it straight to her face.
20:45No, no, no.
20:46The tabloids and the drama, that's for you to handle.
20:49What's the difference?
20:50Everybody's seen you in that video anyway.
20:52No, no, trust me.
20:52The camera doesn't like me, Lily.
20:54I don't know why they don't see what I see.
20:57You in that outfit.
20:58It's so sexy.
21:02Put it on, find her, and let the skank have it.
21:13Tamara, listen, I've come to apologize for what happened.
21:32Ma'am, ma'am, ma'am, ma'am, please.
21:35I've come to apologize, but ma'am.
21:37I can kill you right now.
21:38I can kill you right now.
21:40I can kill you right now.
21:40Mama, there's a camera.
21:43It's been great.
21:44We're very excited because a few hours ago,
21:46we closed the deal on the rights,
21:47which means we're releasing No Convier, Loli's version.
21:50How does it go?
21:50She mimics my voice.
21:51She mimics my voice.
21:52I have the problem.
21:53I have all the songs.
21:54In the originals, you can hear me.
21:55I was the first one.
21:56She sings over me.
21:57She can't sing for shit.
21:58She's horrible.
21:59There'll be one more artist who will be singing,
22:01who's very famous, but for now, we won't say who it is.
22:05Bravo.
22:06Bravo, everybody.
22:07Hey, hey, hey.
22:08Leonardo said that Tamara didn't even know who you were,
22:11that she'd never heard your voice in her life.
22:12So how did she possibly have imitated you?
22:14Well, she also claims she doesn't wear a wig on her head.
22:21Two small chicks at the neighborhood bar.
22:24The waiter comes over and says,
22:26peep, peep.
22:27And the other one goes,
22:29peep all you like.
22:30Drinks are on me tonight.
22:31Listen to me.
22:33Listen to me.
22:34I can get on this table without falling.
22:37I know, and God knows I'm the one who actually sings well.
22:43The one with the pretty face and the great kids, baby.
22:45Not that dehydrated skank.
22:47Or the guy with the ferret on his head.
22:49Come on.
22:50Listen to me.
22:51Listen to me.
22:52Thanks.
22:52I like Friday because Saturday is a weird day.
23:10Wait a minute.
23:11Wasn't Tamara playing on that same exact day?
23:14At the gluten-free?
23:15Yeah, yeah.
23:16I think so, yeah.
23:17At the end of the month?
23:18Fuck yeah.
23:19Then let's do it on the same day.
23:20At the same time as her.
23:21And let the crowd decide.
23:22They'll think,
23:23hmm, what do I want to do tonight?
23:25Am I going to go watch that boring and pathetic witch?
23:27Or the global debut of Loli, Alvarez, and Tony Heniel?
23:31And let's be honest.
23:32They're the new wave.
23:33Come on.
23:33What do you think?
23:34Ah, my Loli.
23:35Here's something else.
23:37We're something else.
23:38Darling, you and I both.
23:40Birds of a feather.
23:41Flocked together.
23:42Well, I'll call him tomorrow.
23:44First thing in the morning.
23:45Oh, I'll call Arturito to see what we can come up with.
23:51But...
23:51What are you doing?
23:54Well, this is your street.
23:57Yeah, but why stop here?
23:58I thought we were going to your office.
24:00Jesus, Loli.
24:01You knew I had plans with Chimo.
24:03With your lawyer at two in the morning?
24:04Don't start.
24:05You never told me anything.
24:06I told you on Thursday that I was beating Chimo today
24:08because he wants to talk about some business,
24:10some investments.
24:12Get off my ass.
24:13That's not it, Miguel.
24:15I just don't want to sleep alone.
24:16Look, I'll call you first thing tomorrow
24:19and I'll tell you everything in detail.
24:20And if you want,
24:22I'll come eat you out at some point.
24:23I'll call you first.
24:25I'll call you first thing tomorrow.
24:35Come in.
24:48Don't they look like they're mine?
25:18I guess she can use the Thursdays two-for-one.
25:20No, no, there's no two-for-one today.
25:22What about your drinks?
25:23Who did this?
25:24One complimentary drink a ticket.
25:26Okay, fine, thanks.
25:27Edmundo. He's the best one.
25:30Apparently he touched up Nicole Kidman when she was working in Santander.
25:34Oh, that's right. I know who that is.
25:36Do you think I could go see him because I really want to lift him a little bit, you know?
25:39That would be perfect. Let me give you his card.
25:42He gave me a bunch because he knows I've rubbed shoulders with everyone here.
25:44Wow, you really can't help yourself, can you?
25:46You're not tempted, gorgeous?
25:49Huh? To what?
25:51To get some work done.
25:53No, no, no, no, no. I'm fine.
25:55Yeah, but a little tweak never hurt nobody, right?
25:57It never hurts. It never, ever hurts.
26:00Okay, thanks.
26:01Fernando's here.
26:02Fernando's here already?
26:03Yes.
26:03Pour him a drink. We'll be there in a couple minutes.
26:05All right, copy that.
26:06Fix your hair. Smile.
26:07It's a great night. Let's go. Come on.
26:08You got this, Loli. You got this, Loli. You got this, Loli. You got this, Loli.
26:25For Wattos and all my fucking people, knock them out.
26:29Oh, no.
26:50Now we're going to sing a very special, very special song that stole my heart.
27:03It's the bomb, like we say in Granada.
27:09But it flew away.
27:10It flew away, but it's back, though.
27:12It's back.
27:13And I'd like to thank the man who brought it back to me.
27:16This next one's for him.
27:18So here's to you.
27:19Here's to all of you.
27:20Here's to all of you.
27:49Here's to all of you.
27:50Here's to all of you.
27:55Here's to all of you.
27:57Here's to all of you.
27:59Thank you!
28:24Let's hear it for Zali Alvarez!
28:29The greatest artist this country's ever seen!
28:41Hey, what are you doing here?
28:43Where are you going?
28:47What's the matter, Miguelita?
28:49I know you, are you okay?
28:52Have you seen Miguel?
28:59Oh, spectacular!
29:02Gorgeous!
29:03Thank you!
29:04Oh my gosh, she's even pretty impressive too!
29:06Hey, thanks!
29:07Miguel must have mentioned me, right?
29:09I'm Alfonso.
29:10Alfonso.
29:11Alfonso.
29:12Alfonso.
29:13Alfonso.
29:14Alfonso.
29:15Alfonso.
29:16Alfonso.
29:17Alfonso.
29:18Alfonso.
29:19Alfonso.
29:20Alfonso.
29:21Alfonso.
29:22Alfonso.
29:23Alfonso.
29:24Alfonso.
29:25Alfonso.
29:26Alfonso.
29:27Alfonso.
29:28Alfonso.
29:29Alfonso.
29:30Cito.
29:31tells me you're interested in showbiz why don't you come over one day do an
29:37acting demo and see huh blondie uh well thanks but I'm already in showbiz mr.
29:43Cito and my pussy is only available for your friend Miguel to demo honey all
29:47right
29:54Tony everybody loved the show Molly I know but where's Miguel I can't find him
29:58anywhere I don't know I don't whatever don't worry about it he'll turn up
30:01eventually you know how he is don't you know apparently I don't know what he's
30:04like Tony tell me what do you like Tony for the love of God where is he
30:14slowly how was your world premiere the giant success isn't it obvious is your
30:19date at the czar of Mela confirmed
30:28hey hey hey are you on the list stick the list up your ass
30:39excuse me hey hey ladies stop
30:41I'm sorry no I can't take this anymore darling it's okay it's okay calm down my darling it's over
31:02oh Mario he's been thrown out my kid that's so anxious I know my love but you have to try and calm down okay let's try something breathe with me let's go back out get ourselves something to drink no no no no no no no please I don't want to be here anymore honey you need to calm down or you're gonna make yourself sick
31:17you don't understand Mario Miguel's been doing this for a month this isn't gonna end well this is just one of many he calls me every night me and my mom he shows up at my house he's spent the whole night outside my front door the other day the whole night
31:29I need to report him to the police darling we need to get the police
31:32no you don't
31:33calm down honey breathe it's okay calm down
31:36I don't wanna take it anymore he's gonna stay
31:38tomorrow this is exactly why we need to get the police
31:40please
31:41I don't know Mario
31:41But I...
31:45I don't know...
31:47But you want me to...
31:53I've been missing you...
31:56I don't want to...
31:59I don't want to...
32:01I don't want to...
32:11What the fuck?
32:26You can't be in here.
32:27You can't be in here.
32:28I'm going to get someone to take her away.
32:31Security! I need security!
32:41I'll just say this one thing, okay?
33:01It took me way too long to rid myself of that monster.
33:06Don't make the same mistake.
33:10Don't stay like me.
33:11Don't worry.
33:17That woman can't be in here, okay?
33:19I want you, honey. You gotta go.
33:22I'll never be like you.
33:24Keep walking.
33:28This is totally unnecessary.
33:30I'm the one who wants to leave, okay?
33:32I want to.
33:36Lonely?
33:38What you doing here?
33:40Apparently same as you.
33:41Looking like a dumbass.
33:45Ow!
33:47You're a pig and a shameless piece of shit!
33:53Lonely!
33:53I need you...
34:07I need you.
34:08Hey, you guys, come on, guys, leave him alone, come on, leave him alone, get out of here.
34:37I said get out of here, get lost, let's go, get lost right now, you heard me, come on, let's go.
34:46What are you doing here, Miguel?
34:48Bold and all-nighter.
34:49No, it's 7.30 in the evening, man.
34:54Do you ever change out of that thing?
34:56Listen, I can smell you from here, man.
34:58How about we go to my place around the corner, I'll put it in the washroom.
35:00Ronnie, can I borrow 8,000 pesetas?
35:028,000 pesetas for what?
35:05For a little bump.
35:07Okay, you listen to me now.
35:09Go speak to Lali, okay?
35:11Just speak to her.
35:12Say anything to her.
35:13Whatever bullshit you come up with, and she'll forgive you, Miguel.
35:16Miguel, where are you going?
35:17Miguel!
35:21Aye, Miguel.
35:22Such potential, and you've thrown everything away.
35:27Lali, I think it'd be better if we do this in stages.
35:30We can start with the mammoplasty, breast augmentation, and liposculpture.
35:33And then, if you like afterwards, we could do the rhinoplasty, followed by the blepharoplasty.
35:38But I think it's best for us to manage this bit by bit so you can give your body a chance to adjust.
35:41I don't want to do it all now.
35:42I want to just be done with it, feel like a new person.
35:46Like Julia.
35:47Julia who?
35:49Julia Roberts.
35:51Like her.
35:51I'm removing your IV, okay?
36:01Let us know if there's anything that you need.
36:03Okay.
36:04Hello, Lali.
36:24How are you?
36:26How are you feeling?
36:27It's me.
36:29It's Wani from Who's Music.
36:31Do you remember me?
36:32How are you doing?
36:34Better?
36:35Fine.
36:36I've been trying to get a hold of your manager all day, but it's impossible.
36:40We heard on Tiempo del Marte that you're completely changing your appearance.
36:44So we've got a really fun pitch for you to consider.
36:47We want an exclusive on your new face.
36:49And for you to show yourself as you are.
36:50Total freak show.
36:52Now wait for it.
36:53Here's the best part.
36:55Just wait.
36:55It'll blow you away.
36:57Hear me out.
36:59This is what we're offering you, darling.
37:02With a check like that, I'd get fixed up and then unfixed.
37:07Put a big rocket up my pussy and fly to the fucking moon.
37:11So, how's that sound?
37:13Because a girl that serves herself isn't into bondage.
37:15She's into bandages.
37:17Lonely Alvarez.
37:17Lonely Alvarez, everyone.
37:19Lonely Alvarez.
37:21Lonely Alvarez.
37:30What a-
37:31Lonely Alvarez.
37:32Okay, Lali, so what have you had done?
37:50Oh, I didn't hold back.
37:51I got all of it done.
37:52I was like a vintage car that needed new wheels.
37:54Well, wait a minute.
37:55But what's all, all of it?
37:57Cheekbones, ears.
37:58Both ears.
37:59Of course it's either all or nothing.
38:00You've got something else done, honey,
38:02because you didn't have those breasts before, did you?
38:04These tits you mean, Andrei.
38:06I got everything done except for armpits and buttholes.
38:09Out of a magical pyramid,
38:10straight from Egypt to unveil herself
38:11because unveiling yourself is back.
38:13Am I right, friends?
38:14I feel it. Let's go.
38:16Of course.
38:17Of course.
38:19Come on.
38:20Come on.
38:30This is very exciting.
38:51Wow.
38:52Here comes the New Lali.
39:10The New Lali!
39:11Oh, come on.
39:41Tell him I'll be a second.
39:54Yes, ma'am.
39:56She needs a moment.
39:57Hang tight.
39:57What are you doing here, Miguel?
40:12What do you want?
40:15Nothing.
40:18It's just seeing you is plenty for me.
40:22Well, now you have.
40:29I believe you have lots of explaining to you, Miguel.
40:32Yeah, yeah, yeah.
40:33Whatever you want.
40:39Take me to Wesserman?
40:41No, not Wesserman.
40:43How about you let me take you to a place you're going to love?
40:48Nah, don't touch me.
41:13And he does way better now since he got one.
41:23It's where you put your stuff up.
41:24It's called a web page.
41:28I don't want any, Miguel.
41:29A place to put my songs, my videos, my magic tricks, my performances, etc., etc.
41:35I've considered naming it Websemen or Wessaweb.
41:41Listen, Miguel.
41:42I need to know what happened to us.
41:45What's the matter?
41:47Tell me what's wrong.
41:49I...
41:50It's...
41:50It's...
41:50It's this suit.
41:52I'm attached to it.
41:53Thanks to this suit, people recognize me.
41:57They imitate me.
41:59I'm everything I wanted to be as a child.
42:02An artist.
42:03And I'm famous, like you.
42:05That's why we can be together, baby.
42:08I can look you in the eye now.
42:13This is who I am.
42:15Funny, because when I asked you to put it on, you were disgusted.
42:18What?
42:19No, no, no, no, no, no, no.
42:20Yeah, when I asked you to put it on, you didn't want to...
42:22No, no, no, no.
42:22That was...
42:23No, that was Leonardo's friend.
42:24Some pretty girl who asked me to put it on because she wanted to fuck me, sweetheart.
42:32What's wrong?
42:34Tamara?
42:36What's wrong, baby?
42:37Where are you going?
42:38No, no, no, no.
42:39Wait, wait, wait, wait.
42:40No, no.
42:40Please, please.
42:41Please don't leave me.
42:42Please, Tamara.
42:42I'm begging you.
42:43Please.
42:43Don't leave me again.
42:44Please.
42:45I can't take it.
42:46I can't live without you.
42:47Tamara, I can't live without you, honey.
42:50I'm begging you.
42:50Please.
42:52Without you, I can't.
42:54Tamara.
42:56Please, I'm begging you.
42:58Tamara, I really need you.
43:00I need you, darling.
43:02I need you.
43:05Without you, I am nothing.
43:07Neither sun nor the stars can compare to you.
43:33Because you are the loveliest rose in the rosebush, beautiful, and if flowers are beautiful, you are even more so.
43:43Who are you, you are the loveliest rose in the rosebush, beautiful, and if you are the loveliest rosebush, you Rene.
43:53Drop whatever you're doing and come to the studio right now.
44:08I've got a surprise for you.
44:09And bring the best song you have.
44:11But what for?
44:12To record a duet with the biggest star of all time who is also dying to see you.
44:18Miguel, but you're making me nervous.
44:20What do you mean exactly?
44:21What star?
44:23Tamara!
44:28She really told you she wants to see me?
44:45Hey!
44:46Hey, I made it!
44:47Hello?
45:00Welcome, Leonardo!
45:04What's up, man?
45:06Oh my goodness, you are looking dapper.
45:08Oh, I don't know.
45:09Come, look!
45:10I want to apologize.
45:15I should have never abandoned you.
45:17So much time has been wasted.
45:19Oh no, darling, please.
45:20It's no big deal.
45:21You and I never had problems big enough.
45:23But I really care about you, Lali.
45:25But...
45:26Wait, I'm sorry.
45:28You said that, um, that Tamara might be here.
45:31I haven't, uh...
45:32I haven't seen her...
45:33What?
45:34What's wrong with you?
45:35Tamara.
45:35Leonardo.
45:36Where's Tamara?
45:36So what'd you bring us?
45:42What smash hit have you brought us today?
45:45The Wheel of Life.
45:48So tell us, what message would you want to convey with The Wheel of Life?
45:51The Wheel of Life.
45:52I'm intrigued.
45:53Tell us.
45:54Well, it's exactly what the title says, The Wheel of Life.
45:56There isn't, uh, there isn't more to it.
45:58It says, I have a drink, then grab the bus, uh...
46:02But what's it sound like?
46:05Sing it.
46:06Yes, sing it.
46:07Vuelta y vuelta la vida da.
46:12A veces pa'lante y a veces pa'lrás.
46:16Vueltas y vuelta la vida da.
46:19La rueda de la vida nunca deja de girar.
46:24Vueltas y vuelta la vida da.
46:27A veces pa'lante y a veces pa'lrás.
46:37Are we going to have any children?
46:41Babe, look, honestly, the truth is that despite the difficulties that fate might bring the two of you
46:47in both your personal lives and such things as those, yes, I do see some birth.
46:53I sense an influence from the female stars, so...
46:55Maria Rosa, don't worry about it. Leave us alone, okay? Go.
46:59Oh, sure, honey. Say no more. Right away.
47:07Get ready, baby. We're running late.
47:18Where are we going?
47:20We're meeting with Alfonso in an hour, remember?
47:25Alfonso?
47:27Alfonso. Alfoncito.
47:30Fonzinito.
47:33Sito.
47:34Alfonsquito. Markness Corsito.
47:36Well, I don't know which one of his names I used when I introduced you.
47:40The director.
47:43Yeah, yeah, exactly. That guy. I've done some stuff with him already.
47:49Is it an audition?
47:51You're going to knock it out of the park, sweetheart.
47:54You know what I'm going to turn you into?
47:59A freaking superstar.
48:00Can we go some other time?
48:25What do you mean? Why?
48:27I don't know. I'm not feeling well.
48:31Tamara, don't, don't. You're telling me this now? Seriously?
48:35Don't do this. For real. You've got to take Alfonso seriously.
48:38He's not someone I can cancel on last minute. I'm going to look like a moron.
48:42There won't be another chance.
48:43Well, I don't care.
48:47It's too damn late. Should have said something sooner.
48:51You're going to thank me. Darling, I do this because you matter to me.
48:56You're a country bumpkin. You haven't been to Madrid long. This will open up some doors for you. It'll be good for you.
49:04Pull over.
49:04Enough. All right? Enough.
49:07I said pull over right now!
49:09Hank, stop!
49:10Ah!
49:11Ah!
49:14There he is!
49:19Fuck you, you stupid bitch!
49:21What do you want from me?
49:23You fucking bitch.
49:24Look at what you've done.
49:25You tore my fucking skin, you fucking psycho.
49:28Now I've really fucking had it with your shit.
49:29Shit.
49:29Shit.
49:29Shit.
49:30Shit.
49:30Shit.
49:31Shit.
49:31Shit.
49:31Shit.
49:32Shit.
49:32Shit.
49:33Shit.
49:33Shit.
49:34Shit.
50:04Shit.
50:05Shit.
50:05Shit.
50:16Shit.
50:22Shit.
50:23Shit.
50:24It's alright.
50:27I'll never be you.
50:30Shit.
50:31Shit.
50:31I am Loli, raised in guachos.
50:42I'm Loli, and I was raised in guachos!
51:01Loli, what are you doing here?
51:18Miguel, what happened to us?
51:29Listen.
51:59Let's approach me.
52:01And for the pair themselves.
52:02The world doesn't understand this love.
52:05And it won't give us the truth.
52:09I don't care what I'm saying.
52:16No doy lo que tengo por saber de que lado late el corazón y me basta con ser su otra mitad.
52:31¿Qué le dio sentido a nuestro amor?
52:38No, fui yo.
52:41Fue nuestro corazón.
52:45¿Qué le dio sentido a nuestro amor?
52:53No, fui yo.
52:56Fue nuestro corazón.
53:00Quien tiene respuestas no soy yo.
53:05Deja que me vea como soy.
53:09Mi escudo es tan solo la verdad.
53:13Hablar de derechos es soñar.
53:20Aquà lo que pido está de más.
53:24Y yo solo busco libertad.
53:30Amplausos
53:33Eres innovador
53:34No, ni click en español.
53:38longo
53:48I felt my heart, I was I, it was our heart
54:00The heaven will someday understand that being his will not be enough
54:08I also need his forgiveness
54:14What did you feel our heart?
54:35If I was I, it was our heart
54:43Who gave you, oh, message us.
54:56Can't you try again?
55:00Who gave you, oh, message us.
55:05But now we are a B.E.B. is so lonely
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