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Superstar (2025) Season 1 Episode 2
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Short filmTranscript
00:00No Cambie is a song that scores of artists have performed, but written by only one, Leonardo
00:22Dantes. Who is Leonardo Dantes? There is no simple answer. The deeper you delve into his
00:29background, the less you know of him. Who is he? Is he a highly regarded composer? Or
00:35a TV jester? The creator of classics like Los Changuitos Carmen? Or of summer hits like
00:42El Baile del Panuelo? It's as if he was more than one Leonardo Dantes. But if that's the
00:48case, which is the real one? Which is more authentic? Whoever claims to know the answer
00:55to that is lying.
01:02No, no, no, no, no, no, no, no. A bit to your left. Left, left, left. No, no, no, no, no,
01:05not that far, not that far. A little more to your right. A bit less, a bit less, a bit less
01:09towards the center. That's it. That's it. That's it. That's it. That's it. Yeah, yeah, that's
01:15my girl. Look at me. I'm watching everything. What's your name? Javier. Your last name?
01:20Jimenez Villar. That name. We're gonna have to give you a better one. All right. You see
01:24the camera? Yeah. Look into the camera the whole time. Smile and seduce it. Seduce me.
01:31Good. Now there are 10 million girls on the other side of the camera. Flirt with all of them.
01:36Who are you, kid? Here's our delicate little flower. What do you want? Uh, I write songs,
01:48and I want to see if I could, by chance, give you one of my songs. Songs written for pansies.
01:54Look, we're busy working over here, so I'm about to go for a little stroll, then when we're
01:58done, come back for an autograph, all right? Great. Off we go. Leonardo. Give me that.
02:06I'll read this on TV, all right? Thanks.
02:15Psst, kid, get over here. Stand right behind me and don't move, okay? Come on. Okay, roll
02:21camera, please. Mark it. Give me a slate, honey. Yeah, work that slate.
02:27Los Reconcamidas, take one. Beautiful slate, sweetheart.
02:31All right. And... action.
02:36I'm coming on.
02:48Soy un reflejo en tu tocador, diste que sale el sol.
03:06Yo seré el charco que pisas, la lluvia y la brisa que ayer te acarició.
03:18Cuando estés sola, dímelo, frente al espejo en tu habitación.
03:26Si miras tu reflejo pensarás que eres tú, pero soy yo.
03:35España, España, tan cerca y tan lejos, pero siempre tan dentro de mi corazón.
03:44Sé que estás luego, pero siempre tan dentro de mi corazón.
03:51No, no, no, no, no, no.
04:21No, no, no, no, no, no, no, no.
04:51Perfect for the Spain of the future, is what I was trying to say.
04:53So, who are you, huh?
04:54Your name, what is it?
04:55Leonardo Dantes.
04:57Stage name, I reckon.
04:58What did you know?
04:59I mean, it doesn't sound like the most humble name.
05:01Nice, nice.
05:03Si, I hit on that.
05:04So, why that name?
05:05Because of the Mona Lisa guys?
05:06Um, the Count of Monte Cristo, actually.
05:08Oh, right, sure.
05:09Count isn't very humble, you know what I mean by not humble, right?
05:11I love the name Dantes.
05:12Yeah, yeah, I mean, my name is Tony Heniel because I'm from Puente Heniel.
05:16Simple.
05:16What's your bag?
05:17Watch out, careful.
05:18No, no, I don't really do drugs, to be honest.
05:20Don't worry, I...
05:21No, that's not what I meant.
05:22What are you doing here?
05:23What do you do?
05:23Well, um, right now I sing, but I'm into writing original songs.
05:26I have my own songs and lyrics.
05:27Okay, but you're telling me you need the name of a count for that?
05:30Well, I just arrived in Madrid and I had to come up with one.
05:33I'm actually from Bajados and over there...
05:35Very pretty over there.
05:36Extra Madura, right?
05:37Yes, exactly.
05:38I was wondering if I could show you some songs and who knows, you might be interested because...
06:00Excuse me, sir.
06:06Uh, do you know where the nearest bus stop is around here?
06:10No.
06:11No?
06:12No.
06:13Huh?
06:14Listen, if you're in a bit of a pickle, I can offer you a room for the evening.
06:20So, uh, come on in.
06:30A double.
06:39It's all I have left.
06:45What's that sound?
06:46Television?
06:47Television?
06:48No, no.
06:48There's no TV at this hour.
06:53Well, do you want the double or not?
06:55Yes, please.
06:57Appreciate you, man.
07:30Thank you, sir.
07:32Thank you, sir.
07:33Thank you, sir.
07:33Thank you, sir.
07:50Morning.
07:50buddy listen there's something that's been worrying us both stage names are definitely
08:01important but but i think they're almost like a helmet you know you might have the biggest
08:07whitest shiniest coolest helmet but but if you don't have a bike then it's pointless
08:14stage names are nothing without a stage persona you see
08:22who are you leonardo a persona worthy of a stage never does what others have done over and over
08:30again for instance you with tony genil do you know how many people just like you have introduced
08:35themselves to him huh you need to have a bit more mischief mischief but how mischief leonardo
08:46you're so damn innocent but how do i do that huh relax that's what i'm here for
08:56if life is a stage i'm gonna take you up there with me
09:07we're gonna take center stage and no one will be able to look away
09:14and everyone will know the name leonardo dantes
09:26just picture this one day i'm in line to watch los chunguitos play
09:36and the next day people are lining up to see los chunguitos play but now with my songs
09:43what a lucky guy huh others sing his songs yeah but i'm not so focused on that anymore margarita i'm
09:50trying to go back to my singer songwriter roots i've realized over time how well i'm happiest on
09:56stage you know that's where i feel most alive if it were up to her i'd stay home all day i swear
10:02how can you stay home with this record you just released huh mama did you hear what you just said
10:07that album you're holding contains if i may say so myself a beautiful song called enamorado de javier
10:13and it's safe to say that it was the first gay song produced in spain oh all right and who's javier
10:22someone's nosy wouldn't you like to know i'm sorry i don't sing and tell darling but he's real javier
10:29jimenez villa a very handsome guy from my hometown he used to sing he had this really cool pop band i
10:35loved it i was head over heels in love with him and what's this i haven't heard that in forever luna
10:42azul did you used to sing with this girl yeah loli awesome girl from the town of white shows near
10:47al muñeca very cool girl truly whoa i'm so damn jealous well i was asked to form a duo because
10:52apparently duos work really well on the radio they just do so i created this one luna azul there's an
10:58amazing song in here and i know i'm tooting my own horn but it's a lovely song i've always imagined
11:03could be a huge hit but it didn't catch on let's see what you think
11:33well hello there what are you doing here he found out that you've got that basque woman he's
11:39dragged me all the way here from love up yes like a freaking dog she bring her baggage what baggage
11:44a boring ass mother hey honey what's up hello miguel keep running into each other madam how are you
11:50buckle please miguel what i'm sorry margarita they've come unannounced i would have never asked you to come
11:56i've been thinking a lot about you lately miguel now's not the time do you still want to manage your honey
12:02i said now's not the time this is business man back up what we were doing before you showed up
12:05is business as well what business well um tamara and i will be recording a song together
12:12are you serious oh my god i mean this this is marvelous
12:17miguel have you told him about my idea because this is brilliant marketing scum i'll hold the doors
12:22to television for you wide open television which program temple de marty what do you say i mean hey
12:28we could also go for tumble leo i've been looking for someone to join me on set specifically a woman
12:33to help tell the story actually we need to talk about that but what type of story well uh fun one
12:40with a bit of controversy but but harmless what bit of controversy
12:43seriously you two come on just composing a little summer song for you leonardo how long since
12:58anyone's done a smash with dance moves huh i'm talking la lambada el valle del caracol level stuff
13:04man look just listen for one second i write the songs not you and besides i want to sing ballads you
13:11know that's my whole thing i don't want to just write silly little summer hits fine fine whatever you
13:15say
13:19go on you go out there and deal with those piranhas i've had enough for today
13:24consider it done
13:25go out there and deal with those piranhas i've had enough for this
13:42Sucedió algo bello y por eso distinta a la vez consiguió borrarte de su mente y su llanto hoy da alegría es.
14:12Wait, you and Paco Boris are dating? Are you engaged?
14:15If it were up to Paco, we'd already have a house, a family, a daughter, get married.
14:20Jesus Christ, this is what people want.
14:22I actually believed that this project would finally get me somewhere, you know?
14:27But that's that. They don't want us anywhere.
14:29And yeah, Tamara is really happy, but she can go gossip on television. I can't even do that.
14:34I don't understand what you're complaining about, Leo.
14:36Look at the songs you have, huh?
14:38You're practically like a father with a bunch of kids.
14:40At least one of them is going to turn out of debt.
14:42You can't simply stumble through life expecting to find smash hits like you're picking asparagus in the mountains.
14:48If it happens, it happens.
14:50What you've got to do is enjoy what you got in life, Leonardo Dantes.
14:54Yeah, well, thing is, Tony, you're always singing the same song.
14:58Look, what I'm saying is the song's amazing, super cool.
15:00Seriously, I think your Spain song is stupendous, but it's a little tired, man, that's all.
15:05You're tired. And I'm old and I'm tired too, but songs are like plants.
15:09You water them and they spring back to life.
15:12And I plan on watering mine until I'm dead.
15:17I'm sorry. Mind turning off the TV?
15:20Anyway, we're fucking sick.
15:22It's like midday. You're doing your three goals.
15:23So, Tamara, will you do the honor of getting on stage and debuting?
15:26No cambier? Thank you so much.
15:28Thank you so much.
15:58Hey, that guy's singing in the playback.
16:12Is that your voice?
16:13Yeah, but it's you, no?
16:15Yeah.
16:16No cambier, no cambier, no cambier, no cambier, no cambier, no cambier, no cambier.
16:24Sigo siendo la misma, pero ya no sufro por tu querer.
16:29No cambier, no cambier, no cambier, no cambier.
16:38Es un amor nuevo y con sus besos te olvidé
17:08TV. What's up, Tony? What's up, Plato? How are you? Hello, Tamara. Hello, Leonardo. How crazy is all this, huh? Yeah, honestly, it's crazy. I'm sorry if I'm being too direct, but I just saw you on, uh, on TV using the playback, and I was a little, uh, I was a little bit taken aback. Hello, hello. Care for a quick photo? Great. Beautiful. Thanks, guys. Hey, wait. Wait a minute. I wasn't ready. Take another one. You there.
17:37Where's she from? Uh, Pronto, right? Yeah, Josefita's from Pronto. Hey, hey, you! Josefita. Hey! Come back! The truth is, everything happened so fast. They found out I sing, and that Miguel had a copy of No Cambie, and... Yeah, but I mean, you could have told them that we sing No Cambie together. See what I mean? Yeah, yeah. Yeah, but you know how this goes. You have to seize the moment, and this opportunity just came knocking. Right. I would have loved to sing that song with you that day, but... Right. With this kind of stuff, artists are saying, oh, they...
18:07Thanks. Thanks, darling. You're welcome. Like I said, with this kind of stuff, artists have no say in the matter. You know. Wait a sec. You're leaving already tomorrow?
18:14Yeah, I have to go home now. I've been here for a while, and my mom's waiting for me, so... Are you taking a taxi? Yeah. Where you headed? Oh, uh, to a... No way. So we're neighbors. I live in Entrevillas. Well, in the nice part of Entrevillas. Ha! You mind if we split a taxi?
18:27No, of course not. You're anything too, Tony? Well, I just think that... That there's nothing more to do here. At least, I mean, nothing good.
18:35Well, but... Why don't you have a drink with Paco, huh? But we just... And enjoy the evening. I don't know. We just got here. Yeah, yeah, yeah.
18:40Hey, let's be in touch. It was a pleasure to see you. Sure, likewise, Tamara. All right, buddy. See ya. See ya.
18:48Thanks.
18:48They called me this morning from Tiempo de Marte saying they want Tamara to sit at the table. No, not in the videos, on the main set.
19:00Tamara, huh? Of course they want her, but... You know, I want to work as well. Am I just supposed to stay home and jerk off all day?
19:07I don't know why you're so stressed out. Next week you have Tamboleo and El Reino de las Mananas. Just relax.
19:14Wait, what?
19:14Honey, we talked about this over the phone. Come on, Leonardo. Really?
19:20About what, though?
19:21Leo, we talked about the shows that want to bring you on and... and your stories, man. Paco, say something. You awake?
19:27Yeah, I'm pretty sure you both... you both talked about it.
19:30I mean, you were thrilled, honey.
19:33Hang on, I'll be right back.
19:37What have you done, Leonardo?
19:39Huh?
19:41So you'd prefer to twiddle your thumbs at home, then?
19:43I'd prefer to be there twiddling my thumbs instead of humiliating myself on a stupid television show.
19:48Joining us on stage is the writer of one of the biggest radio hits, you've all heard it, Tamara's No Cambie. Let's hear it for Leonardo Dantes. Great to have you.
19:57Good evening, Leonardo.
19:58Appreciate it.
19:59Hey, Leonardo.
19:59God, Leonardo.
20:00I'm curious.
20:00How are you having to call the...
20:01You're so naive.
20:02You're so naive, you come off as an idiot.
20:05Listen, if you get called in to be on television, show another song.
20:08Obviously, Tamara's the star here, so you can't pretend like you...
20:11I mean, you may have written it, but I mean, you're singing unnecessary in my opinion.
20:15I don't think so. The people, the public really loves me.
20:19They're in love with the song.
20:21Just look at Tamara. She became a star overnight, but so what?
20:24You can too. The more appearances and songs you show them, the better.
20:27Hang on just a second.
20:28You know I don't have any more songs to show right now.
20:31Yeah, yeah, we have one.
20:32It's a beautiful song that we wrote, that everyone's gonna love.
20:37Maybe you can sing us a bit of No Cambie, since... I mean, you wrote it, right?
20:40If he even knows the lyrics.
20:42Well, I think we're gonna let Tamara sing No Cambie,
20:45and Leonardo Dantes will be known for the new El Baile del Pañuelo.
20:48Tell us, how are you dealing with all this attention?
21:11Well, I don't know. It's crazy, but to be honest, I enjoy it.
21:13I've written many songs for Los Chunguitos,
21:21for Manolo Escobar, Sarah Montiel, Carmen Carmen,
21:24por La Puerta de Atrás, Soy el Probador.
21:26Yeah, backstage is where he really signed Brian.
21:28Oh, okay, seriously. What's up with the harsh jokes?
21:30Seguro que lirarás.
21:32Un baile nuevo, un baile nuevo,
21:35el baile del pañuelo, el baile del pañuelo.
21:39Muere tus brazos, mueve tu cuerpo,
21:42con el baile del pañuelo, que bien te lo pasarás.
22:00Hello?
22:01Hello, Tamara. How are you?
22:03Oh, hey. What's going on? Where are you?
22:06Actually, I'm on my way to that television show.
22:08You know, Tiempo de Marte.
22:09Really? Today?
22:11Yeah.
22:11Oh, that's awesome.
22:12With all the TV appearances, I've got an abundance of work at the moment,
22:15and they had a few issues with the dates,
22:18but they wanted me and finally convinced me to go.
22:20You really deserve it. Congratulations.
22:22It's cool to get so much work. It's so rewarding.
22:25Oh, yeah, it really is.
22:26Listen, Tamara, I've been thinking.
22:28Yeah?
22:28Um, so many days have gone by,
22:31so many weeks have gone by,
22:33and we haven't sunk together.
22:35Oh.
22:35It's such a shame because, I don't know,
22:39with the chemistry we obviously have,
22:40I mean, as an artistic duo, we should...
22:42Right.
22:43We should be singing together on TV and all.
22:45I see.
22:46We could be invited for more than just cheap fake gossip and bad jokes, you know?
22:50Yeah.
22:51You know what I'm saying?
22:52Absolutely.
22:53So, you're not coming, then?
22:55No, I'm on my way as we speak.
22:56I'm heading your way now.
22:57You're not coming to the fruit shop?
23:00Where?
23:01To Tony's friends, please.
23:03They're with Tony right now?
23:04He should be here any minute.
23:05Come on, join us.
23:06It should be interesting.
23:08Hey, it's fine.
23:09I will go perform.
23:14Okay, guys, what do you have going on here?
23:16Because, frankly, we're really confused.
23:17No, no, it's okay.
23:18This is my neighborhood.
23:19But in Vallecas, my hometown, everyone, everyone loves Tony Heddy.
23:24I've got two friends, Elias and Jose,
23:26that have inaugurated the autumn season at their fruit shop
23:29and asked if I could bring along Tamara and Leonardo Dantes.
23:33The people love us here.
23:35So I said, of course, I'm up for it.
23:37And that's what we're here for, to celebrate the occasion together.
23:41Right, Tamara?
23:41Absolutely.
23:42I was very delighted when Tony mentioned visiting the opening of this wonderful fruit shop.
23:46So, he's my friend.
23:48And if he asked me for a favor, I mean, of course, I'll go above and beyond.
23:52So that's why we're both here.
23:53And later, maybe we'll toast with a bit of champagne.
23:57And that's pretty much it, you know?
24:00And in my case, you know, while I've written many songs for the group Los Chunguitos,
24:04a band that's also native of this town of Vallecas,
24:06well, I figured, why not join these guys?
24:08Tamara, are you getting paid for this?
24:10No, absolutely not.
24:11Not one dollar.
24:11But you were charged for a concert, right?
24:13Well, yes, of course.
24:14Yeah, you haven't done any, and you haven't sung in any venues.
24:16We only see you on set.
24:17When you get a chance, I'd be happy to show you flyers of all the venues I've sung at.
24:21See, before this, I was only well-known up north in neighborhood pubs and such,
24:25a few local papers and stuff.
24:27And now I've reached global stardom, basically.
24:29Would you like to be a normal singer and not have to do this kind of thing?
24:32Doesn't it bother you when people laugh at you?
24:34How would you make a living?
24:35How would you live if you didn't have our tabloid garbage to feed off of?
24:39I mean, come on, let's be honest.
24:39I think you're a little out of line here.
24:40Oh, I'm out of line?
24:41I believe you're out of line, mister.
24:43Yeah, what gets to me is that there are professionals who have no respect for others,
24:46others in general, and the media don't even get me started.
24:49Leonardo, how do you cope with always being second?
24:51Oh, well, I think you're very misinformed.
24:53I think that depends on your point of view, because I've had an extensive career.
24:57And let me be clear, I'm not the one who's out of line here, because you, my friend,
25:00are the one who's saying that I'm supposedly taking advantage of tomorrow's image,
25:04when in fact, I'm a songwriter who has written some of the most famous songs in all of Spain.
25:09If you can't even see that, or in other words, if you won't value me as an artist,
25:12then I'd say you're off base here.
25:13Leonardo has written multiple songs, millennial hymns, like, like.
25:17You're off base.
25:17Like for Sarah Montiel, Manolo Escobar, Rafael Acara.
25:21Go on, tell them the names.
25:22Well, Carmen, Por la Calle Abajo, Vagando Por Ahí, Con un Payaso, No Podo Darte Riquezas.
25:27These are songs the whole world stands to, and you're still here at the clubs today, so.
25:30Okay, so then it's fair to say that it's Tamara who's taking advantage of you and your popularity.
25:34Well, hang on. Tamara, forgive me for saying this.
25:37I believe that we're actually both mutually taking advantage of each other.
25:41Respectfully, of course, because, I mean, it's what we both discussed ages ago, right, Tamara?
25:46We said we're stronger together.
25:47For instance, you weren't famous until we went on television.
25:50No, I've been on television already.
25:52Sure, but you also have to understand that without No Cambie, no one would know your name.
25:56I'm well known for many other songs.
25:57Leonardo, what are you saying?
25:58Sing Carmen, Carmen.
25:59Si vi Carmen, Carmen, voy a tener que borracharme.
26:04Carmen, Carmen, Carmen, porque si no, nunca voy a hablarte.
26:08You don't know that one?
26:09No, I don't.
26:12Right.
26:14Some say Tamara is nobody beyond her song, No Cambie, but that's all about to change.
26:19We've got our heads on a sex tape featuring the one and only Tamara.
26:23Some say it's just a publicity stunt arranged by her or her own manager, Miguel de Diego.
26:28But get this, they're both in front of the camera.
26:32Um, we'd like to talk to them, but we don't have them with us.
26:35We do, however, have their third wheel with us.
26:38Say hello to Leonardo Dante.
26:42Leonardo, you have an innate talent for coming up with anthems on the spot.
26:46So, what would be the anthem of this divorce?
26:48For example, divorce, divorce, you get a divorce.
26:52If you want to get a divorce, then how about getting hitched first?
26:55Listen, somebody take this woman's wig off now.
26:57Let's see what's beneath that.
26:58No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
27:02Here we go.
27:11What is this?
27:16Ah, whence they release the ratings?
27:18Well, no, but it seems to me like they love it.
27:20Just you wait.
27:20I can feel it.
27:22They're going to want us on this show every week.
27:24Juanita from Production already told me.
27:27I mean you, or me, or Leonardo Dantes.
27:31Leonardo Dantes is free to do whatever he wants.
27:50The face of David and the others.
27:54Jorge, the front and Javi, the back.
27:58Footballists, naturalists.
28:01My friend Bego, they're happy to see you.
28:04Oh, um, someone's ringing, right?
28:08Just a moment.
28:09Got to make sure it's one of our guys.
28:14That was great.
28:16We'll pick up where we left off.
28:18It's looking very cool, guys.
28:19It's looking good.
28:20Yeah.
28:20Hi there.
28:24Pleasure to meet you.
28:24Pardon the intrusion, but I need these papers signed by noon
28:27and no make it a hold of you, buddy.
28:30What is this specifically?
28:31That there is a transfer of rights to No Cambie
28:34for a new version that's coming out with Tony Haniel
28:37and Lolly, the blonde chick.
28:38They want it as the opening track.
28:40I tell you, everybody fucking sucks.
28:42Why? Why?
28:43I mean, what is the point of recording another No Cambie?
28:46Seriously, Miguel?
28:46But how does that affect you?
28:47Oh, I don't know, man.
28:49I don't know.
28:49In other news, I heard Tamara and some stupid mama's boy
28:52are going to release a record.
28:55Look, here's Mario Vacariza, who manages Alaska.
28:57A quien le importa lo que yo haga, a quien le importa lo que yo diga.
29:00I've always thought it didn't rhyme, but boy, that charisma, though.
29:03And I imagine she'll be releasing No Cambie as well.
29:06So, one way or another, you're going to make a fortune.
29:10That bitch won't even fucking return my calls.
29:12She picks up and hangs up.
29:14Why would she ever return your calls, you stupid asshole?
29:16No.
29:16Look, man, honestly, when you showed me that video,
29:18and then you took it to every network, I said, Tamara.
29:21Tamara won't ever speak to them men again.
29:23Whatever.
29:23You think it's crude.
29:24But I believe the video's beautiful and super sensual.
29:27She looks sexy.
29:28I really love the artistry you put into everything,
29:31which is why I think of you as a true renaissance mind.
29:34I've always said this, Miguel, that you...
29:36But also, I...
29:38What?
29:39Where'd all these people come from?
30:09Oh, I think it's baby girl.
30:13See, this week's going to be a little bit rough, honey.
30:15I wanted to tell you because we're dealing with...
30:17Buffalo?
30:18You're Leonardo Dantes, aren't you?
30:20Yeah.
30:20Hello.
30:22Carlos Berlanka.
30:23I, uh, I'm a fan, actually.
30:25Oh, wow.
30:26Thanks, man.
30:27I'm also a big fan of yours, Carlos.
30:28Wow.
30:29Plus, your most recent CD was wonderful.
30:31Especially that song by Nika Doble.
30:33That's more my style, of course.
30:34Thanks.
30:36Great.
30:36Well, uh, let's keep grinding and rhyming, right?
30:39Because where there's rhyme, well, there's always truth.
30:41That's right, Leonardo.
30:43Well, uh, it was a pleasure to meet you, and thanks so much.
30:46Even to you both.
30:47Uh, Carlos, wait, wait a minute.
30:49What's up?
30:51You see him as well?
30:53Who, him?
30:54Yes, of course I do.
30:55Yeah, yeah.
30:55I have one, too.
30:57Huh?
30:58And where is he?
30:59Well, I keep him at home, Leonardo.
31:00He's always working for me.
31:02It's much better that way.
31:03Hey, the second you let your guard down, they fuck you over.
31:05And your entire career.
31:07Trust me.
31:08Goodbye.
31:12Who does that motherfucker think he is?
31:15What's the matter?
31:17You want me to leave or something?
31:19Because if you want me to leave, just tell me.
31:21I will gladly leave.
31:22You know, I came to this party to protect you from everyone.
31:26See you back at the house.
31:27Hey there.
31:39Hello.
31:42Congratulations on the concert and the album's official release.
31:45For everything, obviously.
31:47Thanks.
31:51Take a seat.
31:56Would you like a drink?
31:58No, thanks.
31:58I'm fine.
32:08You okay?
32:09Well, Tamara, if I'm being honest, I'm a bit sad because, I mean, you released a song,
32:14but you pulled my name.
32:16Of course we didn't pull it.
32:17It's not on the cover, Tamara.
32:18And when I did the LP of El Valle del Pañuelo, I put your name on the cover.
32:22Front and center.
32:22Hmm.
32:27How are things with Miguel?
32:31What do you ask?
32:32Because of the video?
32:34Because of your video?
32:35Well, you see, I happen to find that tape very disrespectful, so you know.
32:40You didn't say anything.
32:41Yes, of course I said something.
32:42I said, Miguel, I don't know.
32:44Don't fuck Tamara over, but of course...
32:45So, you knew beforehand, you mean?
32:47Well, then, I will leave you alone tomorrow, and I won't spoil your evening with this stuff.
33:01Well, you once told me about how tough things were for you back home.
33:08How poorly they treated you.
33:12The insults.
33:13The mockery.
33:15And how do you deal with it?
33:17You left, hmm?
33:18I left, that's true.
33:19Well, I want the same.
33:21To be left in peace.
33:23And for you people to get this through your heads,
33:25I'm not a goddamn freak.
33:27Or an idiotic drama queen.
33:29And certainly not a whore.
33:30A singer's all I am.
33:34Just a singer.
33:37That's something I've wanted as well.
33:41Yes.
33:51It's been great.
33:52We're very excited because a few hours ago,
33:54we closed the deal on the rights,
33:56which means we're releasing No Cambier, Loli's version.
33:59There'll be one more artist who will be singing,
34:02who's very famous, but for now we won't say who it is.
34:05But I have something to say, okay?
34:07This guy has amazing hair.
34:08The people that spoke here, the people that spoke here,
34:11the people that spoke here.
34:12Okay, but hang on, hang on, hang on.
34:14Let's clear things up for our folks here and those watching at home.
34:17Why do we need another version of No Cambier?
34:19I can tell you why.
34:20Because this is the real one.
34:22The authentic one with the original singing voice
34:24of the one and only Loli Average.
34:26I sing in the original one,
34:28but Leonardo Donner's, that Judas,
34:30gave the song to Tamara
34:31and she just imitated my voice for the entire song.
34:34Know what we call that where I come from?
34:35Theft.
34:38Listen, Leonardo, don't worry.
34:39I know what we need to do.
34:41I have been obsessing over this
34:43and I've got a really awesome idea.
34:45We're going to make a song
34:46where we make fun of them both.
34:48What do you think?
34:49It's going to be hilarious.
34:50Here, listen.
34:50Listen to this.
34:52Get the word out.
34:53Watch out for Tony.
34:54Get the word out.
34:55Watch out for Loli.
34:56When they're apart, they're bad news.
34:58But together, they'll terrorize you.
35:01What do you think?
35:04What's the matter, Leonardo?
35:05Look, I think that from now on,
35:09I'm going to do this alone.
35:11That's fine.
35:11You're tired.
35:12That's normal.
35:13I'm going to go to bed
35:13and I'll leave you alone tonight.
35:15No problem.
35:15No, I think you misunderstood me.
35:20Wait, Leonardo.
35:21What are you going to do
35:23without my mischief and...
35:24I'm so freaking tired
35:25of your mischief, Leonardo.
35:27I've...
35:27But just think about it, Leonardo.
35:30In times like these,
35:31you'll really need...
35:31In times like these,
35:33stuff on TV today,
35:34the period in history
35:35that we live in,
35:36you've been fighting
35:37your whole life for this.
35:38You must ride the wave.
35:39You're just a homo
35:40from Bajados.
35:40I'm so fucking done.
35:42Stop blaming everyone else, Leonardo.
35:44You're the one to blame.
35:46I'm so sick of El Pañuelo.
35:48El Valle del Pañuelo.
35:51I'm over it.
35:53Who do you think you are, huh?
36:21Leonardo Dantes is a damn crooner.
36:36No more ifs or buts.
36:37Pero soy yo, pero soy yo, pero soy yo, pero soy yo.
36:53And so,
36:59from that moment on,
37:01I stopped making appearances on TV.
37:04I put a stop to...
37:05to doing interviews,
37:06and...
37:07and I quit screwing around,
37:09as they say.
37:10You've seen how things
37:10were going for me here in Madrid.
37:12I don't...
37:12I just don't have anything
37:13going for me here.
37:15Oh, Leo.
37:15I know that...
37:20that we haven't really been in touch
37:23much lately, and...
37:24That's water under the bridge, Tony.
37:26It's all right.
37:27But the truth is
37:28that Madrid will be weird
37:29without you in it.
37:31Madrid will forever remain the same
37:33as long as Tony's here.
37:34Yes?
37:45Leonardo?
37:46Yeah?
37:48Hey, it's Juani.
37:49From whose music?
37:50From Tiempo de Marte.
37:52Oh, hello, Juani.
37:53How are you?
37:54How have you been?
37:55Well, I was calling
37:56because we wanted to invite you
37:57to set with Tamara.
38:00Ah, well,
38:01as you may already know,
38:02I haven't been doing
38:02that sort of thing
38:04in a while,
38:05but what is...
38:08I'm sorry.
38:09Well, we thought
38:10it'd be real interesting.
38:12I mean, since no one's
38:13seen you together in ages,
38:15and so we wanted to
38:15propose a reunion
38:16to remember the old days.
38:20No copy.
38:21Maybe heal some old wounds.
38:23I mean, you know.
38:25Is what went on
38:26really that bad?
38:27I mean, is it really
38:27that impossible?
38:28Well, it was a damage
38:29to you, you know.
38:30He may not necessarily
38:32be the person
38:32I've had the worst
38:33experience with
38:34in these mostly ten years,
38:35but it's a fact
38:36that Leonardo,
38:37at the end of the day,
38:38chose a path in
38:39and in a circle
38:40that I want
38:42nothing to do with.
38:43But don't you think
38:44that maybe he may have
38:45felt hurt
38:46at a certain point, too?
38:48How so?
38:48It's best if he tells
38:49you the story himself.
38:51Joining us
38:51in the studio tonight,
38:52Leonardo Dante!
38:53Leonardo, welcome!
39:09Leonardo, welcome!
39:11Leonardo, buddy.
39:12Some people in our crew
39:13thought you'd show up
39:14with a big mane
39:15and a beard
39:15like Robinson Crusoe
39:17because you've been
39:18almost invisible.
39:19Well, the truth is
39:21that people have been
39:22asking me for the same
39:23song for a while
39:24and I needed to take
39:25a bit of a breather,
39:26recharge my batteries
39:27to create some new music
39:28and focus on my art.
39:30Tamara, what's the matter,
39:31honey?
39:32Cack out your tongue?
39:33I just don't have
39:34anything to say.
39:38Well, I do have
39:39something to say, Tamara.
39:40Thank God.
39:41Would you mind
39:42if I stand up?
39:43Of course.
39:43I want you to feel
39:44at home.
39:46So, Tamara,
39:48I've been thinking
39:48that there are three
39:50things that I primarily
39:51want to say to you.
39:53The first is that
39:54I really am sorry
39:56if I hurt you
39:57at any point in time
39:58or if I permitted
39:59others to hurt you.
40:01The second thing
40:02is that I am so
40:02incredibly proud
40:04of having played
40:05a small part
40:06in your exciting career.
40:11And the third
40:12is that
40:17I really miss you
40:18tomorrow.
40:42Thank you, sir.
40:59Oh, my God, Leonardo.
41:00Juani.
41:01You can't be ghost bumps.
41:02Dear, fantastic.
41:03Thank you so much, Juani.
41:04To be honest,
41:05you've all been stupendous,
41:06really.
41:06With the ratings
41:06are positive,
41:07you'll for sure be back.
41:08No doubt about it.
41:09Start brainstorming, okay?
41:10Okay, like about
41:11what sort of thing?
41:12Or maybe I can compose
41:13some song for Tamara and me.
41:14I can...
41:14After what we've seen today,
41:15think more dirty laundry,
41:18scandal,
41:19that sort of thing.
41:20What do you mean,
41:21a scandal?
41:21Everything's worked out now.
41:22Worked out, honey.
41:24Come on, Leonardo.
41:25You know how TV works.
41:26You know this.
41:29Tamara.
41:30Tamara.
41:34Tamara?
41:41What do you mean,
42:00here?
42:01Yeah.
42:01Yeah.
42:02Yeah.
42:03Yeah.
42:03Oh, yeah.
42:04Oh, yeah.
42:04Oh, yeah.
42:05Oh, yeah.
42:06Wow.
42:06Oh, yeah.
42:07I'm so sorry.
42:08Oh, yeah.
42:08Oh, yeah.
42:08Yeah, I'm so sorry.
42:10What did you do?
42:37José Luis! Look who's here!
42:40Leonardo!
42:44Oh my goodness, you're really here!
42:47Oh my... Leonardo! Welcome!
42:49Welcome to the town!
42:50I appreciate it. Thank you, man.
42:51It's been so long.
42:52Yeah.
42:53Have you seen what we've done to the place?
42:55Yeah.
42:56Have a drink, for God's sake!
42:57Alright, how about, I don't know, some local wine?
42:59A little wine? You got it!
43:01Hey, Leonardo!
43:02What are you doing in San Vicente?
43:04You can't imagine what an honor it is to have you here with us!
43:08Leonardo, you're fantastic!
43:10We always see you on TV!
43:12You're such a pro!
43:13And you make our village very proud!
43:15Hey!
43:21I thought I was being pranked.
43:22I don't know if you recognize me.
43:24Javier.
43:25Javier Jimenez Villa.
43:27Javier Jimenez Villa.
43:29Of course I recognize you, my friend.
43:31It's such a pleasure to have you around these parts again.
43:34When we were kids, I was the musician. Can you believe it?
43:36That's true.
43:37And look at you now.
43:38Well...
43:39You've traveled the whole world.
43:40And I got as far as being mayor of the town.
43:42Is that so? You've become mayor of the town?
43:44Yes, yes, yes. I'm sorry.
43:46We heard you were coming here and came to offer you to be guest of honor at the festival.
43:52The Cork Festival of our town?
43:53The same one. It starts tomorrow.
43:55Oh, man. Well, of course, yes. What an honor. I mean, I'm flattered.
43:59That's great. That's great. That's great.
44:01How exciting. Thank you so much, buddy.
44:03Have you come to visit for the festival?
44:05No. No, I'm not really visiting. No, I've actually returned.
44:09These are for you.
44:11Thank you so much.
44:12A great singer-songwriter, you all know him very well, the true king of the stage.
44:16Give him a round of applause!
44:18Thank you very much. Thank you, Mayor.
44:29Thank you, everyone.
44:31Thank you for the enthusiasm. I'm just bursting with excitement.
44:34Thank you, really.
44:36Well, the truth is...
44:48Please forgive me, but I'm a bit nervous because coming back to the village that raised you is a very, very, very cool experience because you are reunited with your clan.
45:01But you might also reunite with your old self again.
45:05Finding yourself is something that should be fairly simple, but in truth, it's hard.
45:14The truth is, I would like to invite to this stage someone who's very special to me, someone who's influenced, who I truly am.
45:29Without him, you wouldn't be showering me with love.
45:33So please give it up, and let us welcome... Leonardo Vantes.
45:48Oh, hello.
45:49Round and round, life always flows. Sometimes forward, and sometimes it slows. Congratulations, my friend.
45:56Thank you, friend. Thank you. This is too much. Truly, thank you. Thank you, really.
47:18Bye.
47:21Goodbye.
47:23new, the baile del pañuelo, the baile del pañuelo, mueve tus brazos, mueve tu cuerpo,
47:31con el baile del pañuelo, que bien te lo pasará.
47:35Azul o rojo, verde o amarillo, blanco, gris o negro, violeta, marrón, naranja o rosa,
47:44tu color preferido, con el pañuelo sí, descúbrelo.
47:49Y si alguien te gusta, hazle una señal, moviéndonos el pañuelo, seguro que mirarás.
47:57Un baile nuevo, un baile nuevo, el baile del pañuelo, el baile del pañuelo, mueve tus brazos, mueve tu cuerpo,
48:08con el baile del pañuelo, que bien te lo pasará.
48:11Un baile nuevo, un baile nuevo, el baile del pañuelo, el baile del pañuelo, mueve tus brazos, mueve tu cuerpo,
48:23con el baile del pañuelo, que bien te lo pasará.
48:26Un baile nuevo, un baile nuevo, el baile del pañuelo, mueve tu cuerpo,
48:37con el baile del pañuelo, mueve tu cuerpo, con el baile del pañuelo,
48:42con el baile del pañuelo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mueve tu cuerpo, mue
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