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RAGE (2025) Season 1 Episode 1
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00:00To be continued...
00:30It's not tied to anything earthly.
00:32We're here to help bring that spark back because somewhere along the way, we somehow ended up severing the cord that once tied us together.
00:40That's not my case.
00:41To create the art I do, it relies on me always being connected to reality.
00:46For example...
00:47Cut it out already, Marga.
00:49When you talk about work, tell me what you think about.
00:54Goals? Interests you have? Your finances? Ambition?
00:58Marga, you used the word connected, but from where we're standing, it just sounds like you need to stay in control.
01:04It's a state of obfuscation.
01:07Exactly. Obfuscation. You're describing me like the two of us feel obfuscated, you know?
01:12Don't answer for me. See? She does it all the time.
01:14And after obfuscation, begins disorder, chaos, as well as desperation, anger, even avenging bad behavior.
01:22That's so true.
01:23This is stupid. No offense.
01:26Look, I get the world's going crazy. I completely agree, yeah, but all this bull is further proof to me that it's really true.
01:32So, if you'll excuse me...
01:35Ah!
01:40I needed to get that out of my system.
01:43I'm assuming I know the best way to let out my feelings, no?
01:45No. No. No one has a perfect answer. And so, we train ourselves how to feel, to heal, and then share it.
01:57If you are here, and you are willing to listen to us, it's probably because you feel you have reached a state of fury.
02:05I'm sorry.
02:35I'm sorry.
02:36I'm sorry.
02:37I'm sorry.
02:38I'm sorry.
02:39I'm sorry.
02:40I'm sorry.
02:41I'm sorry.
02:42I'm sorry.
02:43I'm sorry.
02:44I'm sorry.
02:45I'm sorry.
02:46I'm sorry.
02:47I'm sorry.
02:48I'm sorry.
02:49I'm sorry.
02:50I'm sorry.
02:51I'm sorry.
02:52I'm sorry.
02:53I'm sorry.
02:54I'm sorry.
02:55I'm sorry.
02:56I'm sorry.
02:57I'm sorry.
02:58I'm sorry.
02:59I'm sorry.
03:00I'm sorry.
03:01I'm sorry.
03:02I'm sorry.
03:03I'm sorry.
03:04You've got this. You know you know this. Now go multiply it.
03:28Namaste.
03:30Thank you, Yoshida.
03:32He was a kamikaze in the Second World War.
03:35But wouldn't he be dead already?
03:39Yeah. That seems right.
03:43I don't really think Zen masters are liars, though. Do you?
03:47No, no, no. Of course not.
03:49How've you been?
03:53You okay?
03:54Yeah, I'm fine. I'm fine.
03:56But it feels to me like the world's becoming more and more sinister and complex, you know?
04:01That's interesting. I've been experiencing the opposite of you. More like hope and, uh, it's beautiful.
04:06You believe that?
04:07Yeah.
04:08Hmm.
04:09Want to shoot with me?
04:10No, no, no, no. I'll call you.
04:14Thanks.
04:16Thanks.
04:29Oh, hi.
04:30Oh, hi.
04:31Mm-hmm.
04:34I love you.
04:35Do you?
04:36Mm-hmm.
04:37You're mean? Let go of me.
04:38Virgil, please come on.
04:40Mm-hmm.
04:41Eat your breakfast or you'll be late.
04:42Very well.
04:47Mm-hmm.
04:48I really love this umabashi, don't you?
04:50Mm-mm. It's definitely not my favorite superfood.
04:52Mm-hmm.
04:55You know, people often end up associating the flavor of certain superfoods with their benefits.
05:00Things that taste sweet equal pleasure. Know what I mean?
05:03Well then, I guess you end up liking what's best for you.
05:07That's right.
05:08But not everyone operates this way. It's something you open up to.
05:31Good morning, honey.
05:34Morning. How did it go?
05:36Oh. First Yoshida relaxed me, then shooting invigorated me.
05:41Hmm.
05:42It's about the balance, you know? See if I combine both those things. I never miss a shot.
05:47It's very inspiring that you're so passionate.
05:50No more serving me these Chinese plums, Tina.
05:53They're Japanese plums.
05:54Thought you knew I didn't like them, hmm?
05:57No robe today?
05:59Huh?
06:00You told me wearing it wasn't mandatory.
06:02No, of course I'm not gonna force you to wear a uniform.
06:05Did you know I painted that by hand?
06:06I know. And that's the reason.
06:08It would be a real shame to stain it.
06:10Hmm.
06:12That's its purpose.
06:13It can be cleaned, you know, Tina.
06:15Life will stain you.
06:16How many guests on Sunday?
06:17Hmm.
06:18No more than 30 than I know of.
06:19Ah!
06:20Be careful, Tina.
06:21That's too loud.
06:22What annoys me is that this merger puts me back where I started.
06:23You've been their top general manager for years.
06:24You're loyal.
06:25And you've always gotten fantastic feedback on your work.
06:26I've explained it to you.
06:27They are a religious company and they're biased.
06:28The things that I had to do to get where I am today in their minds would be a very big
06:31problem.
06:32Changes are coming.
06:33When they come on Sunday, you'll win them over big time.
06:34Why not talk to my papa?
06:35You know he'll give good advice.
06:36Hmm.
06:37I have a conference call with him in an hour.
06:38Hmm.
06:39Want to shoot with me?
06:40Hmm?
06:41No.
06:42Not right now.
06:43Ah!
06:44Ah!
06:45Ah!
06:46Ah!
06:47Ah!
06:48Ah!
06:49Ah!
06:50Ah!
06:51Ah!
06:52Ah!
06:53Ah!
06:54Ah!
06:55Ah!
06:56Ah!
06:57Ah!
06:58Ah!
06:59Ah!
07:00Ah!
07:01Ah!
07:02Ah!
07:03Ah!
07:04Ah!
07:05Ah!
07:06Roberto, we don't just move ahead, we think it through.
07:09Our evolution's like a pendulum.
07:11You performed impressively and we applaud the fruits of your labor.
07:15But with these new partners coming in, you'll have to go back to where you started.
07:18There are no purely ideological decisions in television.
07:23Those who refuse to change are nothing more than narcissistic idiots.
07:27Marga and I are going to throw a party this Sunday for all of them.
07:30A party for whom?
07:31All the new associates, executives, or, uh, heads of the departments, some management,
07:36and, um...
07:37Invite all of their children.
07:39Are you sure?
07:40Yes.
07:41They'll enjoy a family gathering on a Sunday.
07:44Hmm.
07:46Papa.
07:47You're looking healthier now.
07:49Yeah, you mean it?
07:50A hundred percent.
07:52What about your lungs, though?
07:54I don't know.
07:55What are you waiting for?
07:56Make an appointment for that today.
07:58And call me when you know something.
08:00Of course, my darling.
08:09Tina!
08:12No!
08:14With the vacuum cleaner?
08:15What are you thinking?
08:16No, I was just...
08:17I've told you a million times that I will clean my own art pieces.
08:20I know.
08:21I wasn't going to do it.
08:22My special creations, Tina.
08:24You know that my pieces take me forever.
08:26They're delicate.
08:27Totally get it.
08:28They're very delicate.
08:29Hmm?
08:31Hmm.
08:32Pretty.
08:33Looks great.
08:34Roberto is very nervous about Sunday, you know.
08:38It has to be très bien.
08:39Of course, Sal.
08:40Take care of whatever you need.
08:41Can you take this to Jerry's and see to catering?
08:43Mm-hmm.
08:44They have a list of everything.
08:45And you can go like this.
08:48The colors on that are really marvelous.
08:50And it doesn't look like a uniform, does it?
08:52No.
08:54I have to head out.
08:55I can take you, Tina.
08:57Oh, great.
09:04My love, I'm leaving Marga.
09:17I want to be with you, Tina.
09:20Do you mean it?
09:21I have a lot of things that I'm going to have to figure out first.
09:24The majority of my contacts...
09:26Tina, I've made most of my contacts through her family, as you are aware.
09:33Yeah, yeah, yeah.
09:34And she owns the house that you live in, and it's not exactly a fantastic time for television,
09:39but Roberto, I'll always support you, no matter what.
09:41Don't worry, Tina.
09:43I'm going to be with you.
09:44It'll be just fine.
09:45Amor.
09:46Amor.
09:48I have a surprise.
09:54Yeah?
09:57I found out I'm pregnant.
10:00You sure it's mine?
10:02Oh, come on.
10:03What?
10:04I'm just being stupid.
10:11Hey, hey, hey, hey.
10:12Amor.
10:13I'm going to make all the arrangements for this.
10:14We'll make it work, okay?
10:15My love.
10:16My love.
10:17Trust me.
10:18Roberto, I trust you.
10:19Eat up, Mama.
10:20Come on.
10:21Eat up, Mama.
10:22Come on.
10:23Eat now.
10:24You're going to drive me crazy.
10:25Eat now or you're going to drive me crazy.
10:27Hey, babe.
10:28Mom, I have some great news.
10:30From now on, we're all going to be fine.
10:31Better than fine, actually.
10:32Your grandma's not eating.
10:33I'll have to call you back in an hour.
10:34All right, whenever's good.
10:35Okay, bye.
10:36Bye.
10:37Good morning.
10:38You need to move out by this Friday.
10:39What?
10:40I'm fine.
10:41That's okay.
10:42I'm fine.
10:43I'm fine.
10:44You're right.
10:45I'm fine.
10:46I'm fine.
10:47That's fine.
10:48I'm fine.
10:49I'm fine.
10:50I'm fine.
10:51I'm fine.
10:52I can't see you, I'm fine.
10:53I'm fine.
10:54That would take the rest of your bus.
10:55And if I were going to go in an hour and eat it.
10:59Well, come on.
11:01I can't wait until it's gone.
11:02I can't wait until you're done.
11:04I'll just wait until you listen to your house.
11:05I want to go in an hour.
11:06I want to go in an hour.
11:07All right, whenever's good.
11:08Okay, bye.
11:09Hello, may I help you with something?
11:14Actually, I'm here to see Nott.
11:15Marga, how are you?
11:17She's my customer.
11:19Where is it?
11:20It's waiting for you in the fitting room.
11:22It is spectacular.
11:23Listen, what this beautiful woman, Marga, is coming in for is not a cheap acrylic track suit.
11:29Oh, no, girls.
11:30It's kuchu.
11:31This way?
11:32Yes, this way to your right, please.
11:34It's so classic, but modern at the same time.
11:37Wow, it's perfect.
11:38It's going to impress everybody.
11:40Do you think we should close this right here?
11:41Maybe.
11:42You know what?
11:43Let's try it with some shoes.
12:08It drives me crazy, this particular part.
12:27Yeah, me too.
12:29Honey, please turn it off.
12:30Hey, honey, please turn it off.
12:35Hey, honey, girls.
12:37Oh, my God.
13:07Uh, sorry. There's a wild boar wandering in the garden.
13:14Wild boar, you say?
13:16But that's impossible.
13:35Uh, maybe it ran off.
13:37Oh, shh. Shut up.
13:39You saw a boar for real?
13:41Yes, I swear it.
13:43Hmm.
13:46What?
13:49Ah, don't be mean.
13:52Shh.
13:52Mm-hmm.
13:59Hmm, hmm.
14:16Hmm.
14:17Shh, shh, shh, shh.
14:39Roberto, have you totally lost your mind?
14:41What are you doing?
14:41I couldn't sleep, so I came in.
14:43What if Marga wakes up?
14:44I talked to one of my friends who's a doctor.
14:48I want to make sure you receive the best care, my love.
14:51We'll go see him tomorrow.
14:53Okay.
14:54Okay.
14:55Please go back.
14:56All right, go back, or Marga will catch us.
14:58Fine, I'm going now.
15:00May I?
15:01Fine, for a second.
15:02Lie down.
15:03Here I go.
15:04Okay, good.
15:14Bye.
15:26Whoa.
15:29Milagros,
15:59yes ma'am, come please, don't look at this, don't look at this, don't look at this, I want you to try these, okay, sorry I don't eat between meals, you know that, oh it's not eating really, it's a snack, please help me Milagros, I need a fresh palate, please, try it, what is it, mmm, mango, what do you mean mango, no, it's pineapple and curry, it's not mango, here give me that, moving on, alright, next,
16:29top, what is that one, maybe a peach with a little bit of pepper, oh I can't deal with someone whose palate is so basic,
16:43that sounded racist, but I didn't mean it, pardon me Milagros, please forgive me, I, it's just I'm really nervous about the presentation, it's just so important for me to do well, please forgive me, don't worry, I'm sure you'll do just fine ma'am,
16:55okay, okay, okay, thank you, no, no, you can go, thanks, yeah, yeah, I'm running late for the clinic, honey, just one minute, can you try this, just as well, no, my love, don't make this stressful,
17:07I mean it, it'll go great, I promise you, mmm, better.
17:23Pineapple and curry.
17:28Well, I suppose Roberto explained to you why you're seeing me here today at my clinic.
17:32Yes, well, he told me you're good friends and you're the best gynecologist, we're having a baby and with you we'll be in capable hands.
17:40Hmm, is there any, um, well, I'd prefer that you give her the little details.
17:46The, um, the details, Roberto?
17:49Uh-huh.
17:53What's happening?
17:55Hmm, Tina,
17:56Look, a while back, Marga saw me for a cryopreservation process here at this same clinic with plans to become a mother in the future.
18:04But years went by, and those plans to become a mother were just put on hold.
18:09Yeah, yeah, yeah, I was told by Roberto. And?
18:12Well, Roberto called me, understandably concerned about this personal and professional predicament and the possibility of this idea.
18:19I answered him that technically it was possible and he could count on my complicity and discretion.
18:26And that would be which idea we're talking about?
18:35Hmm, to, to pretend that you're the surrogate for Marga and Roberto.
18:39For me to do that, the three of you would have to agree on it, and I would just need to adjust the pregnancy weeks accordingly to hide your indiscretion from Marga.
18:48Uh, wait a minute. I'm confused.
18:56Please explain again, because I don't think I'm following what you're trying to tell me.
18:59Hmm, excuse me for a moment, Roberto. I thought you said you already told her.
19:05Hmm.
19:07We'll set you up for the rest of your life.
19:09It would be easier to come see you if you're not in the house with us.
19:11And then eventually I can split up with Marga.
19:13And when that's final, you'll have me and the baby.
19:16Well, of course, that's if I get shared custody.
19:19And you're positive Marga would agree to that?
19:21She knows about this.
19:24She wants to talk to you about this idea.
19:27Marga really likes you, Tina.
19:28Tina.
19:28Tina.
19:43Tina.
20:00Oh.
20:09Hi.
20:11Wait.
20:11What's the amount that you're thinking?
20:36Amount?
20:38How much are we talking here, Roberto?
20:40Roberto, to keep my child while I disappear from here?
20:43Don't say things that cut me to the core.
20:46You're the one who said you loved me,
20:47and you're the one who said you wanted to leave with me,
20:49so how should I talk?
20:50I haven't said anything about you getting pregnant, not one thing.
20:54You know how much you ruin things?
20:56Can you tell me how much, Roberto, to have me go?
21:01You'd have a salary and an apartment.
21:04We could keep seeing each other, I guess.
21:06We'd have more privacy.
21:08You don't really have any other options.
21:09No, I don't, but neither do you.
21:13Marga wants to have a conversation with you tonight.
21:16If I delay it, she'll start suspecting.
21:20Ah, yeah.
21:22Of course.
21:23What?
21:24And your partners.
21:25They won't fire you now with a baby on the way, will they?
21:28It's really scary the way your mind thinks, Tina.
21:30You honestly think I would go as far as using a baby to protect my job?
21:36Oh, I'm sure you'd do that,
21:37and I'm quite sure that's why you want to have a child, Roberto.
21:39But don't worry about it.
21:42I'll take the deal.
21:42Well, you were right.
22:04We end up liking what's best for us.
23:01Tina.
23:11Tina, let me in.
23:18Tina, please.
23:31What are you doing?
23:51All this stuff.
23:52Is it art or trash?
24:02Toss it all.
24:04But take care of this later.
24:06Some of the guests are starting to arrive.
24:08Come on!
24:10What's this?
24:22MDMA.
24:24I need these people to loosen up a little bit.
24:28Roberto, please, there are kids here.
24:30The kids aren't going to drink alcohol.
24:32Don't worry.
24:34It's just a little.
24:36Most of them won't drink much.
24:38How's it going?
24:42Hi.
24:44Hello.
24:45How are you?
24:46Hello.
24:47How are you?
24:48How are you?
24:49Hello.
24:50How are you?
24:51How are you?
24:52Good morning.
24:53I'm happy.
24:54You grow so much.
25:00So amazing.
25:03How's it going?
25:04It's hard.
25:05Oh, hi.
25:06Hello, how are you?
25:13Kids, where are you going?
25:14Don't run.
25:14Hey, don't stop them.
25:16Let them run around, enjoy themselves.
25:17We love kids, really.
25:18It's not a problem at all.
25:20They're all just executives, corporate people.
25:22There's no one special.
25:24What the hell am I doing here?
25:26There are no directors, and you promised actors.
25:28You're right, it's true.
25:29Only you.
25:30So just shut the hell up.
25:32And be grateful your agent got you into an executive's party.
25:34I'm going to look like a washed-up actress,
25:36desperate and pimping myself out for a role.
25:39Should I comment?
25:41Come on.
25:42Try to pace yourself and smile, for God's sake.
25:46Would you excuse me for just a second?
25:48I'll be right back.
25:50Hi, how are you?
25:51I'm having a great time,
25:52but all that matters is that you're enjoying yourselves.
25:56Hey.
25:56Roberto.
25:57What's up, Raul?
25:58How have you been?
25:58So good to see you.
25:59Remember Victoria?
26:00How could I forget?
26:01You look amazing.
26:03And I feel amazing, too,
26:04because, well,
26:05I've had to protect myself from outside influences
26:08and turn inward.
26:09Sounds good.
26:09Please excuse me for just a second.
26:11Pardon me.
26:11Way more around my own axis.
26:13Yeah.
26:14Who is that imbecile?
26:15Yeah.
26:16You mean you don't know him?
26:19Vicky, you know no one anymore.
26:20You're over.
26:26You're a son of a bitch.
26:27You okay?
26:34Yes.
26:35Great.
26:36Put some music on.
26:37Please, now.
26:38But look at how they're all dressed.
26:40What kind of music are they going to like?
26:41Well, there's some families here,
26:42so maybe play something to live in the mood.
26:44You got this.
26:44Thanks, love.
26:45I'll be back.
26:48How would I know what they'd like?
26:50Here's some music for you, Roberto.
27:07A plastic!
27:08A plastic!
27:20A plastic!
27:26Set this?
27:27Could be a color-crush a color-rush
27:30I touch this tune,
27:31Steam, steam me stalled
27:33Bing, bing, bing, beach
27:34Flush this room,
27:35Flooming falls,
27:36Sarah falling from my roof
27:38Dream fall,
27:40Heaven is in layers
27:41Lingayala, lingayal
27:43mmmmmm
27:52When I was falling around in the mad
27:54Technoskey
27:56When I was falling around in the mad
27:59Technoskey
28:00When I was falling around in the
28:03please listen up please everyone if I could have your attention for just a moment all of us
28:27together we'll make the TV hits we're all passionate about because from tonight onward
28:32every single one of us is a family unit and because we're family tonight I want to share
28:37a secret with all of you I'm giving you a heads up that will be reaching out for your suggestions
28:44Marga and I are going to be we're on the verge of making an amazing dream come true for both of us
28:50something we thought was no longer possible but through the miracles of modern science our dreams
28:56are no longer just ideas we're about to become parents Marga and me as I was watching your kids
29:03running and playing around the yard today I started to imagine what our life will be like
29:07but with a beautiful child of our own and what I feel is just to be able to share this with you
29:15tonight it is it makes me feel so happy inside I don't have the words to fully express it
29:21a while back I noticed something was up with you now it all makes sense to me
29:32the truth is you're actually pregnant am I right were you going to give us your child
29:38no of course not I'm going to ruin his life pardon me but I'll get my vengeance before you do it
29:54in fact I'm going to go take care of him right now
29:57and so now the only question is who's going to be the first one to reach the shotgun
30:08let go of the gun right now let go of the gun come on give me the damn gun I grabbed it first let go of the gun
30:38shut gun please don't do this come on let go of the gun now
30:41no enough
30:44Tina what are you doing we're not enemies don't you understand
30:53that asshole he had us both fold we're in the same boat we're in this together
30:58what are you talking about Marga we're not in the same boat whatsoever
31:02know why because you can destroy Roberto without even breaking a nail
31:05people like me though huh when we seek justice we have to destroy ourselves
31:09my new dress I just bought this dress you little bitch you're done
31:26oh
31:29oh
31:31oh
31:33oh
31:35oh
31:36oh
31:37oh
31:47oh
31:48Can I have your attention, please?
31:57That's better.
31:58Thank you very much.
31:59What's up?
32:00I'm the assistant.
32:02And this man right here got me pregnant.
32:04Then he tricked me by saying he no longer loved his wife.
32:07But because he doesn't want to lose this house, his job, and every dollar he owns,
32:11he made me pretend to be their surrogate.
32:13But it was all a stupid cover-up.
32:14Because what he obviously wanted was to keep my baby and throw me out on the street.
32:19He organized this party because he's afraid you'll fire him.
32:22And he describes all of you as tacky and mediocre.
32:24Did I say that right?
32:26Oh, he also put MDMA in the cocktail.
32:30MD what?
32:32Bravo!
32:33Bravo!
32:35This was just a performance, and you must admit this woman has incredible talent.
32:39And the shotgun shoots blanks.
32:41Does it?
32:41Have a blank day.
32:44Oh, my God!
32:45Oh, my God!
32:46Oh, my God!
32:47Oh, my God!
32:48Oh, my God!
32:49Oh, my God!
32:50Oh, my God!
32:51Oh, my God!
32:52Oh, my God!
32:53Oh, my God!
32:54Oh, my God!
32:55Oh, my God!
32:56Oh, my God!
32:57Oh, my God!
32:58Oh, my God!
32:59Oh, my God!
33:01Oh, my God!
33:02Oh, my God!
33:03Oh, my God!
33:04Oh, my God!
33:05Oh, my God!
33:06Oh, my God!
33:07Oh, my God!
33:08Oh, my God!
33:09Oh, my God!
33:10Oh, my God!
33:11Oh, my God!
33:12Oh, my God!
33:13Your father says that the boar is going to get rid of me.
33:24I want you to get out of my house.
33:29It's not a wild boar.
33:31What?
33:34It's an Iberian pig.
33:36Picking your luck, so what do you know?
33:40Checking the bucks, you ready to blow?
33:43I know what you got, I know what I don't.
33:47I know what I don't.
33:51Spin my web, spill your secrets, no escape.
33:54Try to keep them, take a drink, you will see.
33:57Get down to your knees and tell me you love me.
34:05Get down to your knees and tell me you love me.
34:13I'm pulling your strings, you're rolling the dice.
34:23So salty and sweet, so naughty and nice.
34:27You're cutting your teeth and delicate lice.
34:31You better think twice.
34:35Spin my web, spill your secrets, no escape.
34:38Try to keep them, take a drink, you will see.
34:41Get down to your knees and tell me you love me.
34:49Get down to your knees and tell me you love me.
34:57Get down to your knees and tell me you love me.
35:06Tell me you love me.
35:11You
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