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Dylan
  • 7/2/2025
Transcript
00:00Sous-titrage Société Radio-Canada
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03:31Je l'admite, nous avons l'air mieux. C'est un plaisir de faire vos rencontres. J'en suis...
03:41... rien ?
03:43C'est bizarre.
03:44Je devrais avoir besoin d'un coup d'eau.
03:46J'ai un peu dans la douleur.
03:48Oui, parce que c'est une vérité universellement accueillée...
03:51Wrong writer !
03:54... que l'un d'entreprise va prendre l'autonomie de l'autonomie pas trop loin d'où elle va.
04:01Can we please just come in, before we drown to death, please ?
04:16One hour, tops.
04:18Plus drying time.
04:19Ok, so there's a spot of rain, gale force winds, and a super long walk.
04:23Fat got us here, didn't I ?
04:24A Mary, Wollstonecraft Godwin, soon to be Shelly, screamed in your face.
04:28Quality historical experience, that gold.
04:31On the night that it spared Frankenstein.
04:34If...
04:36... you're to be so kind.
04:37Climey.
04:39Excuse me, Yas, I was very clear about the rules.
04:41Nobody mention Frankenstein and don't interfere.
04:44And nobody snog Byron.
04:47In, out, soak up the atmosphere.
04:49Witness some of the most enlightened minds of a generation.
04:53At the pinnacle, the absolute zenith of their creativity.
05:05What would you all care to drink ?
05:07We shall teach them the dance.
05:18I detest all gossip, you understand ?
05:21Utterly a boy.
05:23Mary goes by Mrs. Shelley, except she and Percy are not married.
05:27It really is quite a scandal.
05:30Lord Byron is separated from his wife.
05:32The rumours are so disastrous, he can't return to England.
05:36Now he keeps company with Mary's stepsister, Miss Claremont.
05:40We have an exceptionally strong attachment.
05:43I mean, she scrambled 500 miles from England to come and see me here.
05:49Couldn't exactly turn her away.
05:50Please, excuse me, fair lady.
05:53I must pop this to the little boys' room.
05:58So, that was marvellous.
06:00Is anyone up for a...
06:02I don't know, a spitball in here.
06:03How about writing the most gruesome,
06:06spine-chilling ghost story of all time?
06:12Don't be done, Monsieur William.
06:13You know, a bit of blood and guts.
06:34Throwing a corpse for good measure.
06:36It's like anyone's boat.
06:38Mary.
06:39Or perhaps another quadrille.
06:41I just didn't choose the music.
06:42Yeah.
06:43Excuse me, Doctor.
06:44You broke a rule.
06:45Next, you'll be snuggling Byron.
06:47I was trying to get them back on track.
06:50Something's wrong here.
06:51This night, June 1860,
06:53Byron challenges Mary Polidori and Percy Shelley
06:56to come up with a ghost story.
06:57Spot the difference.
06:58You and I shall be partners at the next start.
07:00Not much writing going on.
07:03And there's no Shelley.
07:05Bingo.
07:06They're a man down.
07:08Why?
07:12Sorry, lad.
07:16What?
07:17Crikey.
07:18I'm sorry.
07:19A bit lost.
07:20Looking for the lavatory?
07:21C'est terrible, Monsieur.
07:23C'est terrible.
07:28Never mind.
07:29I can hold it.
07:31Big house like this.
07:32There's got to be a lad somewhere.
07:33Well, we can't really get away from that.
07:34I can't just go into it.
07:35Let's go first.
07:36Oh, wait.
07:37I can't do it.
07:38Probably.
07:39I can't.
07:40Mama realized I can't do it.
07:41What?
07:42I can't do it.
07:43Maybe.
07:44Just look.
07:45I can't.
07:46I can't do it.
07:47No, I can't do it.
07:48No.
07:49I can't do it.
07:50No, no!
07:51I can't do it.
07:52You can't do it.
07:53No.
07:54I can do it.
07:55You can do it.
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11:06My nan taught me, but I always get the keys wrong, but she always said there's no reason not to try.
11:13I should practice more, but I confess, I prefer to write.
11:18Even though my efforts are weak, I could never hope to match the achievements of my parents.
11:24My nan would say stick with it.
11:25What's his problem?
11:32Oh, pay Dr. Polidori no heed.
11:36He's bad-tempered because he does not sleep.
11:39He walks at night.
11:41A terrible affliction.
11:43Imagine.
11:44Never being able to truly rest.
11:46I'm fully aware of what you want.
11:50Please, reveal all.
11:51My third canter.
11:55Of child Harold's pilgrimage, my work in progress.
11:59Nah, it goes on a bit, that one.
12:00No offense.
12:03Nice man should have aid her, though.
12:04Big fan of hers.
12:06You know of my daughter?
12:07Will do.
12:08Gorgeous brain.
12:09Why are you here?
12:11For a quick visit, supposedly.
12:14But I'm getting this really weird vibe off your house.
12:17Vibe?
12:18Yeah.
12:19I don't want to worry you.
12:22But I'm sensing that it's sort of unrelentingly evil.
12:29Ryan.
12:31It's like a maze out there.
12:33And they're a few years shy of a toilet.
12:35Sir?
12:35Blimey.
12:37You've got to stop doing that.
12:38Splendid.
12:41Very convenient.
12:42Ryan.
12:43Not a car's eaten for love nor money.
12:45And a French woman's got to write up about something.
12:47Mrs. Shelley seems fatigued.
12:50Only of waiting to dance?
12:52You're the one who looks like death.
12:53Do you insult my visage, sir?
12:55Might want to stop shooting daggers.
12:56And maybe take a nap, all right?
12:58I beg your pardon?
12:58He means perhaps you should take a rest.
13:00I'm a physician.
13:01I'm in rude health.
13:03Whatever you say, mate.
13:04Did I say choose, sir?
13:07Sorry.
13:08He does this rather a lot.
13:10Choose your weapon!
13:11What?
13:12Isn't it obvious?
13:13He's challenging you to a duel.
13:15Oh, look.
13:16Hey, look.
13:17I'm not here to fight anyone, all right?
13:18So everyone just calm down.
13:19Fletcher!
13:19You will be my second.
13:20No.
13:22Will Mr. O'Brien be yours?
13:23No.
13:24Cheers, mate.
13:24No, no.
13:25I mean, what?
13:25No.
13:26Because there's going to be no duel, I absolutely forbid it.
13:29Oh.
13:30Oh.
13:30What's up?
13:31What's up?
13:32I shall return with my pistol.
13:38He's getting a gun.
13:39He's getting a gun.
13:40He's getting a gun.
13:40Oh.
13:43Oh!
13:43Oh!
13:43Whatever is that?
13:49Oh.
13:50I think it's up.
13:53It's definitely on.
13:55Get the other suit.
13:56Doc!
13:57It's so strong!
13:59And ferocious!
14:00Great shot!
14:14Hmm.
14:1514th.
14:16No.
14:1715th century.
14:18Touch more, Amami.
14:19She licked it.
14:20She is the most baffling creature I've ever been acquainted with.
14:23Human.
14:24Protein.
14:26Collagen.
14:26And nothing abnormal.
14:29What kind of implement is that?
14:31One that zaps people's heads off you, threaten people with guns.
14:35I don't think they're really from the colonies.
14:37No.
14:37She is from somewhere much, much stranger.
14:43The north.
14:45How did it come to life then?
14:47Was it haunted or something?
14:48Unlikely.
14:49Well, you did say their house was evil.
14:52Well, that's a development.
14:53I've been getting a vibe.
14:55If there is evil here, I know who brought it in.
14:59Very well, I may have a skeleton in my chamber.
15:07Right.
15:07You keep an eye on Trigger Happy.
15:10Me and you need to take a squizy skeleton.
15:12It's a collection.
15:28Of what?
15:29Dead stuff.
15:30Relics of war.
15:32From my travels.
15:33Reminders that we tread on the dust of empires.
15:40Crops now grow where blood was spilt.
15:43Innocent fascination, I assure you.
15:45Waterloo.
15:46Oh, I love a good plume.
15:49What do you think?
15:50A 15th century soldier.
15:56From the battle.
15:58A rat.
16:01His final remains.
16:04One hand gone.
16:06Both hands gone.
16:08Great.
16:08There's another on the loose.
16:10Keep your eyes peeled.
16:11Anything else strange happen since you've been here?
16:13When the weather turned, Shelley began having visions.
16:19He's prone to them.
16:22What did he see?
16:23An apparition of a Thiga floating above the lake.
16:28When you said he was indisposed, what did you mean?
16:31Well, when he didn't join us, my mind naturally wandered to the idea of some torrid assignation in town.
16:41Shelley often retires to our chalet to write.
16:46Maison Chapuis.
16:48On the shore.
16:49We should probably pop down and have a chat.
16:51Yeah.
17:01You're like ninjas, you lot.
17:07Oh, fair play to you, though, love.
17:09Food.
17:10There's never any food.
17:12Cheers.
17:13You're a belter.
17:14Yeah.
17:16Babysitting duty.
17:17Yeah.
17:18You'll be no trouble now, though.
17:19Dead to the world.
17:21This apparition.
17:22Did Shelley describe it in any more detail?
17:25Dark.
17:26Charred by fire.
17:29Suspended over the water like a death god.
17:31Rising from Hades.
17:33Right.
17:35Nothing too sinister, then.
17:41You can ask him more questions when we get to the chalet.
17:47Did we just go down to the top?
17:52What reanimates bones and leaves no trace?
17:55Why just the hands?
17:56Why only parts?
17:57However, my collection's not demonic.
17:59Correct.
17:59But I'll probably come back for this, though.
18:03Strictly for safety purposes.
18:05Not because it really suits me or anything.
18:08This vibe you mentioned, is it still there?
18:12Yeah.
18:13I can't...
18:15It's like it won't let me think.
18:17I need to get out of this house.
18:18Easier said than done, apparently.
18:33How many times now?
18:35Seven.
18:36Mrs. Doctor said the house was evil.
18:38She must be right.
18:40It's turning against us.
18:43A house can't do that.
18:44Even an evil one.
18:52Don't worry.
18:53We're great at sorting things out like this.
18:56There's always an explanation.
18:57It definitely touched me.
18:58Ghost.
18:59Ghost.
18:59It definitely touched me.
19:01Oh, Ryan.
19:02That was my elbow.
19:04I knew that.
19:05I totally knew that.
19:06Please tell me there's a real baby in here.
19:13My son.
19:14William.
19:15I must get to him.
19:28No!
19:29No!
19:29No!
19:30No!
19:31No!
19:32No!
19:33No!
19:33No!
19:34No!
19:34No!
19:35No!
19:35No!
19:36You're going nowhere, pal.
19:50You're staying right there.
19:51I'm on guard.
19:54Huh?
19:55Hey?
19:56Oh, Polly.
19:58Polly?
19:59Hello?
20:01Polly?
20:03Polly?
20:05Can you hear me, son?
20:06Can you hear me?
20:09Polly?
20:14Polly?
20:21The same chamber.
20:23Over and over.
20:26How is it possible?
20:27It's not.
20:28It's...
20:29Like a dream.
20:30Elise?
20:31Can you hear me?
20:32Can you hear me?
20:34Do you have William?
20:37We'll be okay.
20:38He probably just cried himself out when he fell asleep.
20:41Doc!
20:42Polly!
20:43Doc!
20:44Doc!
20:50Something's seriously wrong with this gaff.
20:52Is anyone else trapped?
20:54Yeah.
20:55I think I'm seeing dead people.
20:57I think I'm seeing dead people.
20:57Perfect.
21:05We're the same.
21:06I totally saw a ghost.
21:07We're stuck on the stairs.
21:09Please.
21:10How do we move upwards?
21:12I need to check my son as well.
21:15Working on it.
21:16Heads a bit fuzzy.
21:18Normal service will resume, shall they?
21:19And ghosts don't exist.
21:22Course not.
21:23You two just need a spray tan and a kip, eh?
21:26Graham, what sort of dead people exactly?
21:28Huh?
21:30How can I hear your voice, Doc?
21:31I'm using the fireplace chimney.
21:35Doc?
21:36Graham?
21:38Graham?
21:40They've gone now.
21:42And so's Paula Dori.
21:45I've lost him.
21:45You had one job.
21:47You've made more challenging by his ability to walk through walls.
21:51Through?
21:51Well, he just turned sort of zombie and went into one.
21:54What do you speak of?
21:55What is a zombie?
21:56Is this Doctor?
21:57A kind of dead person walking, but it won't be that.
22:00Is this Doctor?
22:01How do you know?
22:02Because Paula Dori isn't dead for a kickoff.
22:06Is this Doctor?
22:07Really, just Doctor is fine.
22:09Paula Dori!
22:11He emerged from the wall like a phantom.
22:14Be gone, demon!
22:15Pulse.
22:21Check.
22:23Breathing.
22:24Check.
22:26May I just say, you were quite lovely in a crisis.
22:29No, you may not.
22:33The lights are on.
22:35But he's gone on a mini-break.
22:37Possessed?
22:38Or asleep.
22:39He walks in his sleep.
22:41Ronda's not sleepwalked through walls.
22:42Not just through.
22:44Up.
22:45He was downstairs a second ago.
22:48What you said before?
22:49About being lovely.
22:50Back a bit.
22:51Uh, demon?
22:53It's like dreaming.
22:57Only we aren't.
22:59And he is.
23:02So he can't see
23:04the illusion.
23:10It's more than that.
23:11We're surrounded.
23:12It's like a perception filter.
23:19Close your eyes.
23:21Clear your mind.
23:22We're only experiencing
23:23what it wants us to.
23:25I can feel it.
23:26I can feel it.
23:31She's right.
23:33Our minds are being deceived.
23:37Here is the door.
23:39Hidden from our eyes.
23:44Elise?
23:45I'm coming for William.
23:47But how are we here now?
23:51This is impossible.
23:53This should be William's room.
23:55This place keeps on changing
23:57like a puzzle.
23:58I don't get it.
24:00Why hide a house
24:01inside a house?
24:11William!
24:12My darling!
24:12I suspect I must have
24:23missed something.
24:26Yes.
24:27But you've shown us
24:27how to get out of this room.
24:29This cannot be the hallway.
24:30We've not descended the stairs.
24:35It is.
24:36But there should be a doorway.
24:38Please, can we get out of here?
24:39In theory, yes.
24:41We just have to tell ourselves
24:42that we can walk
24:44through the door
24:44we know
24:46is right there.
24:51Oh!
24:54My bones have never
24:56caused such mischief before.
24:58I swear.
24:59Things we know.
25:00We can move inside
25:01but not out.
25:03Dead things don't act dead.
25:04People vanish.
25:05Elise?
25:06My poor William.
25:07There's no sign of Fletcher either.
25:09Hey, maybe Shelley didn't turn up
25:11because we couldn't get in.
25:13I've never believed in such things
25:15but could this be hell?
25:17Could we be deceased?
25:18Nice blue sky thinking
25:19but no.
25:20This place keeps unfolding
25:22in on itself as well.
25:24Exactly.
25:25I think we're caught
25:26in a security system.
25:27It's...
25:28It's turned the house
25:29into a sort of
25:30giant panic room.
25:32In 1916?
25:33The year without a summer.
25:38They blamed it on volcanic ash
25:40covering the sunlight.
25:42Weather went haywire.
25:43What if something came here
25:45that wasn't supposed to
25:46and caused a major disturbance?
25:47By what?
25:48That?
25:49That could be a solid option, Mary.
25:56Yes.
25:58What is this?
25:59I don't know.
26:01It's sort of just
26:02floating around.
26:04Like a death god
26:05rising from Hades.
26:07Shelley's vision.
26:09But we're all...
26:09Are you having it?
26:10No.
26:11It's pushing through.
26:12That is what Shelley saw.
26:13But it's not a vision.
26:16It never was.
26:17It's a traveler
26:18moving through time.
26:29And he's trying to get in.
26:38Are you the dying?
26:39That is a loan, Cyberman.
26:43No!
26:47Chance warning!
26:49Beware of the Lord Cyberman.
26:50Don't let it have what it wants.
26:52At all costs.
26:52Yes!
26:53Thank you!
26:54Barricade the door.
26:55May I ask?
26:57What is a Cyberman?
26:59Someone altered.
27:01Organs.
27:02Flesh.
27:03Surgically replaced
27:04with mechanical parts
27:05without consent.
27:06It drives them insane
27:07so they alter the brain
27:08to switch off all emotion.
27:10Never seen one like him before.
27:12he's different.
27:15Unfinished.
27:18Whatever he came for
27:19is hidden here.
27:21Explains the security.
27:22What's hidden?
27:23I have no idea.
27:24But I need to beat him to it.
27:26Quick.
27:26Doctor, what are you doing?
27:40Where are you going?
27:41You're not leaving us.
27:42I have to find out
27:43what he's looking for.
27:45Alone.
27:46You need backup.
27:47All of us against one.
27:49One Cyberman,
27:50but then thousands.
27:51Humans like all of you.
27:53changed into empty
27:55solar shells.
27:57No feeling,
27:58no control,
27:59no way back.
28:00I will not lose
28:01anyone else to that.
28:03Do not follow me.
28:08Lord Byron?
28:13Is that you?
28:14I feel I've lost
28:17my faculties entirely.
28:21Are you the guardian?
28:23No, sir.
28:24I am the phallot.
28:26I am the host.
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31:15Only I don't know what it is I'm supposed to be guarding
31:17This isn't my time either
31:19Maybe we're supposed to work together
31:21Together
31:22Anything's possible
31:25The house still shifts
31:32Whose room is this?
31:34No one's
31:35I thought it was empty
31:37But the writing on the walls
31:38And all of these papers
31:39The writing
31:40It's Shelley's
31:45The cellar
31:49We'll give it a miss, eh?
31:51Could the coal hatch be a means of escape?
31:53We should try everywhere
31:55Is it too late to choose another group?
32:10Another considered breath mate?
32:12Recharging, not good
32:15Figuring out how to manipulate the elements
32:19And creating an extremely sophisticated and probably unlimited external power source
32:33That's better
32:35The coal hatch is gone
32:39The coal hatch is gone
32:44There's no way out
32:52Claire, you okay?
32:53Miss Claremont?
32:54Miss Claremont?
32:56There's something down here with us
32:59I can reach the energy field now
33:03You are not the guardian
33:06The Siberium
33:07Has selected an honor as host
33:10What's a Siberium?
33:12I'll find it
33:13And remove it
33:14What are we talking here?
33:15What are we talking here?
33:16A...
33:17A life form?
33:18A weapon of some kind?
33:20I'm sorry
33:21I'm sorry
33:22I'm sorry
33:23I'm sorry
33:24What's happening to you?
33:25I'm sorry
33:26I'm sorry
33:27I'm sorry
33:28I'm sorry
33:29I'm sorry
33:30There's not one atom of yon earth
33:36But once was living man
33:42The sword that stands in peace
33:45He cherishes the snakes that bore his heart
33:49He raises up the tyrant whose delight
33:52Is in woe
33:57Charlie's words
33:59How does it know them?
34:00Something cracked in front of me
34:02I heard its foul breath
34:04Where?
34:05Listen
34:06I'm sorry
34:08I tried to hide it
34:09I have to keep him out
34:10I have to keep him out
34:12But when are you?
34:13I am the guardian
34:16I am Percy Bishani
34:17Mr. Bishani
34:18I am Percy Bishani
34:19You are now
34:21I have to go see him
34:22but you are now
34:23It is nothing
34:24I am Percy Bishani
34:25I have to go see him
34:26You are now
34:27I am Percy Bishani
34:28I am Percy Bishani
34:29But you are not now
34:30I am Percy Bishani
34:31Anne, percibe
34:34He
34:43god
34:45OKC
34:45so i vote
34:47we split up and continue the search
34:50you go this way
34:51and i'll go
35:01Sous-titrage Société Radio-Canada
35:31C'est parti !
36:01Is it Percy?
36:05Shelley in the cellar, hidden away, cloaked.
36:09It's too big to register.
36:10That's why my readings have been off.
36:13It's something called a Siberian.
36:16I'm trying to protect it.
36:21Begone invader!
36:23C'est parti !
36:53Show me what happened to you.
37:01I was out walking alone.
37:04There was a glimmer in the lake.
37:07Exquisite.
37:09Alive.
37:11Like Quicksilver.
37:13I fished it out to study it more closely.
37:17But then it took root within me.
37:23I returned.
37:35Hello !
37:36I was changed.
37:38No one could see me.
37:43It hid itself in me and hid me within the villa.
37:48And when it thought it might be discovered, it manipulated all of our perceptions.
37:52Since the Quicksilver has taken hold of me, I see symbols.
37:56Symbols and numbers.
37:57They will not leave my head, no matter how much I transcribe them.
38:01The symbols were all over his room.
38:03All over the walls.
38:06The house was like shifting sands.
38:10I just want solitude here.
38:13In the dark.
38:14What happened to him?
38:15I'm going with...
38:17Alien parasite.
38:18Cyber technology.
38:19The knowledge of the whole cyber race.
38:21An AI.
38:22From the future.
38:23Containing the knowledge and future history of all Cybermen.
38:27They scorched and split the sky.
38:30Built the army of all armies.
38:32Left behind only pain, rage, fear and death.
38:36How has he seen all this?
38:38The Siberium is burning through his mind.
38:40It'll destroy him if it stays in him much longer.
38:43An epic battle.
38:45The Siberium at the heart of it.
38:47Controlling data, strategy, decision making.
38:50Clever.
38:51Very clever.
38:52Someone took it from the Cybermen.
38:53Sent it back through time here in an attempt to change the future.
38:59In an attempt to protect it from that.
39:02I can't keep him away much longer.
39:04Then don't.
39:09Doc.
39:10Stop fighting. It's okay.
39:11Jack's warning.
39:12Jack isn't here now.
39:13He's stuck in a house with that.
39:14Exactly. You didn't want to snare it a minute ago.
39:16I've just been inside his brain.
39:17There's a super computer fused to his cerebral cortex.
39:20He's the only one who knows how to get that out.
39:22Don't let the Cybermen have what it wants.
39:24I know.
39:25Because armies will rise and billions will die.
39:28Shelly's gonna die if that stuff stays inside him.
39:30Shelly's only one life against all those of us.
39:34What are you saying?
39:36How can you condemn him to death like that?
39:40But is he, Ryan?
39:42His thoughts, his words inspire and influence thousands for centuries.
39:46If he dies now, who knows what damage that will have on future history?
39:51Words matter.
39:57One death, one ripple.
39:59And history will change in a blink.
40:02The future will not be the world you know.
40:04The world you came from, the world you were created in, won't exist.
40:08So neither will you.
40:10It's not just his life at stake.
40:13It's yours.
40:14You wanna sacrifice yourself for this?
40:16You want me to sacrifice you?
40:18You wanna call it?
40:19Do it now.
40:20All of you.
40:21Yeah.
40:22Cause sometimes this team structure isn't flat.
40:34It's mountainous.
40:35With me at the summit, in the stratosphere alone.
40:38Left to choose.
40:40Save the poet.
40:41Save the universe.
40:42Watch people burn now.
40:43Or tomorrow.
40:44Sometimes even I can't win.
40:45Please.
40:46Help me.
40:47Leave me.
40:48Leave me.
40:49Leave me.
40:50Leave me.
40:51Leave me.
40:55Please.
40:56Help me.
40:57Release what you hold.
41:01How?
41:02Release it.
41:03He doesn't know what that means!
41:04You gotta tell him what he's got to know!
41:06I'm addressing Miss Iberian.
41:08It's the devil.
41:09The devil.
41:10I won't anymore.
41:11You've got to tell him what he's got to know.
41:12You can't never forget.
41:13He's got to tell him what he's got to know.
41:13Je m'adresse, Miss Iberian.
41:16Il doit être exécuté l'hôpital pour être exprimé.
41:19Il n'est pas payé.
41:23Alors je vais exécuter l'hôpital.
41:26Quel est votre nom, sir?
41:28Mary, ce n'est pas un bon moment de parler.
41:31Mon nom ?
41:32Vous êtes plusieurs hommes ?
41:34Un composé de part.
41:36Je suis mieux que les hommes.
41:39Mais je vois encore une âme.
41:43Qu'est-ce que tu penses que tu vois, enfant ?
41:47Je vois le homme qui a perdu mon fils.
41:55Tu es un père avant ?
41:59Je suis.
42:02Tu n'as pas voulu être comme ça.
42:04Ils vous ont blessés.
42:06Comme Prometheus modernes.
42:10Tu l'as aimé une fois.
42:13Et tu l'as aimé en retour.
42:16Tu n'as pas voulu.
42:18Tu n'as pas voulu.
42:19Tu n'as pas voulu.
42:20Je n'avais pas voulu.
42:21Je n'as pas voulu.
42:24вкус d' sharper queras.
42:29Je Crye et cetera.
42:30Je n'ai jamais voulu.
42:31Je n'ai jamais voulu.
42:33Je n'ai jamais voulu.
42:35Je n'ai jamais voulu votre fils.
42:37Je n'ai jamais voulu.
42:38Parce qu'il est un outil noir,
42:39protectant,
42:41fatid et letant.
42:43Je suis très weak et weak et j'ai eu des enfants.
42:47J'ai slit leurs throats quand j'ai eu la résistance.
42:52En death, nous sommes transformés.
42:55Improved, updated,
42:58comme vous le compre.
43:00Transformed in death?
43:01Je vous la m'a pas mal, Percy Shelley.
43:03Je suis très très désolée.
43:06Mr. Doctor,
43:08je vous ai tenté de me?
43:11Doctor,
43:43Time Lord Magnetism. Looks like I'm the true Guardian.
43:50Surrender it, or I will execute you.
43:54I've been very careful with those execution threats.
43:56I can feel it already, fusing to me.
43:59Feels very at home.
44:01Recognizing great host material.
44:03Not to pick myself up, but I don't think it'll vacate me without a fight.
44:13What are you doing?
44:15Transmitting. My ship will lock onto my signal.
44:19It will tear this reality.
44:21And this planet will remain only in shreds.
44:25This world doesn't end in 1816.
44:28It can't.
44:29It will.
44:30He's bluffing. Don't listen to him.
44:33But I can't be sure.
44:35I can't risk this planet. I can't win.
44:38We are inevitable.
44:44Yes.
44:47You are.
44:52Are you doing?
44:53Giving you what it wants.
44:54What did you do to Shelley?
45:12Old Time Lord Trick. Not a nice one.
45:14Pushed his mind to his future death.
45:16Tricked the Siberian into letting go.
45:18I hoped his body would survive the trauma.
45:20I'm sorry.
45:21I hope you can forgive me.
45:22Save Shelley, but what does that mean for the future?
45:25It means I've put it in the gravest danger.
45:26Please, tell me that was part of the plan.
45:28Yes.
45:29A last-minute, imperfect, all-I've-got plan.
45:32Saving Shelley was step one.
45:34What step two?
45:35Fix the mess I created in step one.
45:42Go to the future.
45:43Find him.
45:44And stop him from rebuilding the cyber army.
45:48Shelley, can you give Yars those symbols and numbers?
45:50We're going to need them.
45:58Well, that was quite the evening.
46:02Indeed.
46:04Perhaps Miss Claremont would care to retire?
46:08A lie-down could prove a start.
46:11You pursued Mrs. Doctor without a care for my presence.
46:17Belittled my thoughts and opinions.
46:20And then proceeded to use my person as a human shield.
46:25And?
46:27And the spell is broken, my lord.
46:30You have returned me to life.
46:45Although I feel as though I have none of it left to live.
46:49Sorry about the sneak peek.
46:51Every moment will be precious.
46:52How can we repay you?
46:56Just don't lose hope.
46:58Yeah.
46:59Keep doing that writing thing.
47:01If you like.
47:09So, if all the weirdness was the Siberian, you know, the bones and Shelley floating about and all that,
47:13why would it reanimate a couple of stiffs just to bring me a sarnie?
47:18You know, the maid and the creepy little kid.
47:20Uh, no.
47:23We thought you saw Shelley like we did.
47:26Oh, come on.
47:27Beady eyes.
47:28Made the room go arctic.
47:29Where did them two fit in?
47:30I'm not sure they did.
47:31No, no.
47:32Come on, Doc.
47:32This is where you jump in with a rational explanation.
47:34I mean, ghosts don't exist, right?
47:36Unless they do.
47:38What?
47:40Inside you three.
47:41We need to talk.
47:45Listen.
47:46You don't need to come with me.
47:48Cyber war zones and people don't mix.
47:52I'll drop you back in 2020.
47:53Or we can use Shelley's numbers.
47:56Coordinates.
47:57Right?
48:01Yeah.
48:02Wherever you think's a good place to start.
48:04With step two.
48:05The world was void.
48:09The populace and the powerful was a lump.
48:12Seasonless.
48:13Herbless.
48:14Treeless.
48:15Manless.
48:16Lifeless.
48:17A lump of death.
48:19A chaos.
48:20Of hard clay.
48:22Ships, sailorless, lay rotting on the sea.
48:25And their masts fell down piecemeal.
48:29As they dropped, they slept on the abyss without a surge.
48:33The waves were dead.
48:36The tides were in their grave.
48:38The moon, their mistress, had expired before.
48:43The winds withered in the stagnant air and the clouds perished.
48:50Darkness had no need of aid from them.
48:52She was the universe.
48:55She was the universe.