- anteayer
Max and the Chief are going to meet Hubert (a CONTROL agent and violin player) after his performance. When he bows at the end of his show, he gives Max and the Chief a signal that means he is in trouble. When they go backstage to meet with Hubert, they find him dead in his room. The only clue as to who killed him is written in a piece of music on Hubert's desk.
Categoría
📺
TVTranscripción
00:00What are you doing?
00:20I'd lost my cufflink.
00:24Wait a minute.
00:26There's one sure way to find a cufflink.
00:28How?
00:29You take the other cufflink and you drop it and it'll land in the same place.
00:33Well, did it land in the same place?
00:36It must have.
00:37Now both cufflinks are lost.
00:39Will you stop crawling around?
00:41You're supposed to be acting dignified.
00:42You'll give away our cover identity, 86.
00:45Like you just did by calling me 86.
00:48I'm Gregory Wilcox, music critic for the Concert Music Magazine.
00:52You'll never find me giving away our cover identity, Chief.
00:55Just did by calling me Chief.
00:57I'm Franklin Giles, your editor.
01:00Yes.
01:01Well, an editor can be called Chief.
01:02If you're keeping time with the music, you're way out of tempo.
01:08I am not keeping time.
01:10I'm nervous.
01:10As soon as he finishes the concert, our agent is going to give us the name of the top chaos ringleader, the new Mr. Big.
01:16Is Rudolph Youpert a regular control agent who became a concert violinist, or is it the other way around?
01:24No, he's always been a control agent, but his talent as a violinist has given him a perfect cover,
01:29and it gives him access to places where our other agents couldn't get in.
01:32Gee, that's the glamorous end of the business, Chief.
01:35Too bad I flunked out of spy music school.
01:40Bravo!
01:43I think he's given us a signal.
01:49Check in with your glasses.
01:49Where'd you get those?
01:52Oh, uh, I misplaced my glasses, Chief.
01:5599 loaned me hers.
02:03He's touching his bow to his left shoulder.
02:05That's an emergency signal.
02:06He's in danger.
02:06Let's go.
02:07Oh, what's the matter?
02:08I found my cufflinks.
02:10Where?
02:10They're in my shoe.
02:11I told you they'd both land in the same place, Chief.
02:16Tonight, I think my piano playing was masterful for the first time.
02:20In fact, I was telling...
02:20Ah, Rudolph!
02:22Yes, I was telling Rudolph.
02:24I think now he's ready for the great percocure.
02:40He's dead.
03:02Yes.
03:02And they tried to make it look like suicide.
03:05Max Hubert was too good an agent not to leave the name of Mr. Biggs somewhere.
03:09Look for it.
03:09Right, Chief.
03:12Now, where would an agent who's a violinist leave a clue?
03:17Chief!
03:18What?
03:19I've got it.
03:19What?
03:20In his violin.
03:21That's a good idea.
03:22Look in there and see if you can find a name.
03:24Right, Chief.
03:28Chief!
03:28What?
03:29I found it.
03:30What is it?
03:31The name of Chaos' new Mr. Biggs is...
03:34Stradivarius.
03:39Stradivarius.
03:43What?
03:46We're planning to change!
03:48We're planning to change!
03:48So you can't try to track.
03:49Uh, you can't find it?
03:50I'm the one who doesn't try you?
03:51We'll be looking for it.
03:52And you'll be getting more funcionals.
03:54We're planning to change!
03:55National Yellowstone,
04:00in the last US.
04:02K graph!
05:32Don't touch my hands.
05:36We belong to the world.
05:38If you must touch me, don't ever touch me below the elbow.
05:44Inspector, as you know, I am the owner of Bardef Hall.
05:48I have a private suite upstairs.
05:50Couldn't we continue up there?
05:52I'm afraid that Walenska is upset being in Hubert's dressing room.
06:05Max, I'm convinced that Hubert left a clue as to the name of Chaos' new Mr. Big.
06:10Now, let's check with Agent 44.
06:12He's been on constant surveillance ever since Hubert got to town.
06:14Wait a minute, Chief.
06:16Agent 44 wasn't supposed to contact Hubert.
06:19Well, he might have seen something.
06:21Let's go.
06:21Hello, 44.
06:45Hello, Chief.
06:46Hello, Smart.
06:4744.
06:48Hubert was killed.
06:50Yes, I heard some people talking about it.
06:52Have you seen anything suspicious around here?
06:54From here, everything looks suspicious.
06:5744, we're certain Hubert left a lead for us.
06:59The name of the new Mr. Big of Chaos.
07:02Well, it didn't leave it with me.
07:03Hey, Chief, you know, I'm getting tired of these assignments.
07:05The blood's been rushing to my head all day.
07:07You know, I had an awful time digesting my dinner.
07:10Anything I can do for you?
07:12Just one thing.
07:13Could you pick up a loose change from the bottom of the case?
07:16Keeps falling out of my pockets.
07:23Well, there's nothing in here, Chief.
07:28Remember what you said about being quiet.
07:30If you have to scream, whisper it.
07:31I was sure Hubert left a clue somewhere in this piano.
07:36He was standing right near it when he singled us.
07:38Chief, Hubert was one of our best agents.
07:40I'm sure he left a clue to the identity of Mr. Big somewhere in a very devious place.
07:45Yes, I guess you're right, Max.
07:46I'll phone Parker and have him go down to the lab
07:48and set up a special search operation for tomorrow.
07:50Then I'll fill you in on a plan I have.
07:52Right here?
07:53Yes, right here.
07:54Let me have your shoe phone, Max.
08:01May I have the key, please, Max?
08:04Sorry about that, Chief.
08:06But a lot of people have been using my shoe for personal calls.
08:16Hello, Parker.
08:18I'm sorry to disturb you at a time like this,
08:20but this is a blue alert emergency.
08:22I want you to go over to the lab
08:23and set up a special search operation
08:25for Badaf Concert Hall for Agent 86.
08:28Now, he'll need an assistant on this one,
08:30so find out which of our agents
08:31had us a good enough knowledge of music
08:33so that they won't be under suspicion here.
08:35All right, go over there right away.
08:42Here's your shoe phone, Max.
08:44Oh, thank you, Chief.
08:44Now, here is my plan,
08:47and I'm glad we're not in my office
08:48or you would insist on our using the cone of silence.
08:50Oh, I've already taken measures for that, Chief.
08:52I brought along the portable cone of silence.
08:54It was in my car.
08:56Max, we don't need that.
08:57Besides, it doesn't work.
08:59Look, Chief, according to the handbook,
09:01you've got to take some security measures
09:03if you're going to talk about a plan
09:04away from control headquarters.
09:07All right, Max.
09:14I want you to talk to Badaf,
09:22Nicola Darby, and Walenska.
09:23They were the last people to see Hubert alive,
09:25and one of them may have killed him.
09:27Now, I want you to find out
09:28how long they knew Hubert.
09:29Now, with your cover as music critic,
09:31you can tell them that you're doing
09:33a human interest story on him.
09:35Is that it, Chief?
09:36That's it.
09:37Well, we didn't need the cone of silence for that.
09:40I'm told you we didn't.
09:41Now, let's get this thing off.
09:44I can't get the lock open.
09:46Neither can I.
09:48Chief, I guess we'll just have to walk out of here
09:51with the cone of silence on.
09:54Max, we can't go back to control like this.
09:57We look ridiculous.
09:59Well, maybe if we just act casual,
10:00nobody will notice.
10:05I got mine off, Chief.
10:06Good, now help me.
10:10Shh.
10:12Listen.
10:13Chief, I think someone is sneaking around
10:15the dressing room area.
10:17That may be the killer trying to find out
10:18if Hubert left a clue as to his identity.
10:21Check it out.
10:22Right, Chief.
10:22Then I'll come back and get you out of the cone of silence.
10:33Miss Darby.
10:34What are you doing in Hubert's dressing room?
10:38Oh, I...
10:38Oh, I must have made a mistake.
10:40I...
10:41I thought this was my dressing room.
10:43Mine's next door.
10:45What are you doing here?
10:47Oh, well, I'm just trying to gather a little background material
10:50for the article that I'm writing on Hubert.
10:52Perhaps you could help me.
10:53Oh, I'm afraid that I barely knew him, Mr. Wilcox,
10:56and, uh...
10:57Now, if you'll excuse me,
10:59I'd like to change my clothes and go home.
11:01It's been rather an exhausting night.
11:04Yes, I guess that working in the concert field
11:06throws your personal life into a complete state of...
11:09chaos.
11:09I think we can consider her our prime suspect, Chief.
11:19Max, the echo in here is giving me a terrible heady.
11:22Hmm.
11:23Maybe I'd better get a sledgehammer.
11:26Shh.
11:27Did you hear that, Chief?
11:29Another visitor to the dressing rooms.
11:32I'll check it out.
11:33You stay undercover.
11:34Mr. Badoff, uh, what are you doing here?
11:50I own the hall.
11:53I was going through Hubert's effects.
11:55What are you doing here?
11:56Uh, yes, well, I was thinking about the article I'm writing on Hubert,
12:00and, uh, I couldn't sleep.
12:02Sleep?
12:02Well, you haven't even had time to go home and go to bed.
12:07Oh.
12:08Well, that's probably why I couldn't sleep.
12:12Uh, incidentally, Mr. Badoff, as long as you're here,
12:14I wonder if you'd help me with my article on Hubert.
12:17Oh, I don't believe I could help you.
12:19I barely knew him.
12:19I merely engaged him for this concert.
12:22It's a terrible tragedy to happen here.
12:25You know, I...
12:26I built this theater myself, piece by piece.
12:30You built this place piece by piece?
12:33Yes?
12:34You wouldn't happen to have an old hammer lying around, would you?
12:37No.
12:37No, of course not.
12:40And, uh, I shall be closing the theater in five minutes.
12:44I will assume you've left.
12:45Good night.
12:46Oh, good night.
12:50Badoff claims he didn't know Hubert either, but he's acting very strangely.
12:54I think he's our prime suspect, Chief.
12:57I thought you said Nicola was our prime suspect.
12:59I did.
13:00But isn't it better to have a choice?
13:03Did you find a hammer?
13:05No, Chief.
13:06Well, you'll have to use your gun.
13:08Right, Chief.
13:09No, Max.
13:13The other end.
13:15Right, Chief.
13:18Shh.
13:21You hear that?
13:24Back to the dressing room.
13:25And tell me, Walenska, why did you come back for Hubert's sheet music at this late hour?
13:34I shall perform it tomorrow night in his honor.
13:37It will be my tribute to my fellow artist.
13:39And perhaps ease a bit of the sorrow in my heart.
13:45Don't touch my hand!
13:48Sorry about that.
13:50Uh, is this the music?
13:51Yes.
13:52But the symphony has no title.
13:55Hubert did not finish it.
13:57Well, why don't we just call it Hubert's Unfinished Symphony?
14:01A stroke of genius, Mr. Wilcox.
14:04I shall rehearse it every single moment from now until my magnificent performance tomorrow night.
14:22Come on, Chief.
14:22Let's get back to control.
14:23I want to check on Walenska.
14:24I think he's our prime suspect.
14:26What about Nicola and Badass?
14:28Oh, yes.
14:29Well, in the science of criminology, there's only one way to narrow down a choice.
14:33Like this.
14:34What's that?
14:35Eeny, meeny, miny.
14:36Max!
14:38Come on, Chief.
14:39Let's get out of here.
14:39Well, let me get this thing off.
14:40I can't see anything out of here, Max.
14:42Well, that's all right.
14:43Don't worry.
14:43I'll lead you, Chief.
14:44There's a stare to the orchestra pit right over here.
14:46Are you sure?
14:47Positive, Chief.
14:51I don't know.
14:53Somehow, I think the hammer might have been easier.
14:55What's up, Chief?
15:05I got here as soon as I could.
15:06We need someone with a good musical background to work with Max at Badaff Hall.
15:10Fill me in.
15:10Well, I know a little bit about opera.
15:12I studied singing.
15:13And I can play the violin and the harp.
15:15That's it, the violin.
15:16You'll go along with Max as his violin protege.
15:18Better take along this heliocoat, Smart.
15:20It may come in handy.
15:21I think we could use an emergency weapon, Max.
15:24Oh, well, we have one right here, 99.
15:26This violin shoots like a gun.
15:35Sorry about that, Bellamy.
15:37I didn't know the violin was loaded.
15:45Tell me, my dear.
15:47It is true.
15:47You've never heard anything like this in your life.
15:49I don't think so, no.
15:51Bravo, magnificent.
15:59You like that, Mr. Wilcox?
16:01Are you certain you're a music lover?
16:04Well, of course I am.
16:07Why, do you know that I once listened to three straight weeks of Beethoven?
16:10Would you believe it?
16:11Three weeks of Beethoven.
16:13I find that hard to believe.
16:16Would you believe two weeks of Bach?
16:18I don't think so.
16:21How about an hour of Looney Tunes?
16:25This is ridiculous!
16:27Hubert was a good man, but a terrible composer!
16:32Who ever heard of such notes?
16:33B-flat, A, D-flat, E, F-sharp, F-natural!
16:37Did you hear that, Nicola?
16:40B-flat, A, D-flat, E, F-sharp, F-natural?
16:44Bad F.
16:45Yes, that's my name.
16:46Evidently, Hubert did leave some evidence of my identity.
16:50You know, if I could figure it out, someone else very well might.
16:53Walenska's playing it tonight.
16:56No, he isn't.
16:57Have Boris fix the piano so that we get rid of Walenska and Hubert's unfinished symphony at the same time.
17:05Enough, Walenska.
17:06That's enough rehearsing.
17:08Remember, in just a few hours, you'll have a concert.
17:10You should rest.
17:12Good luck, Mr. Walenska.
17:14Don't touch my hands!
17:15Hello, 44.
17:24Oh, hello, 66.
17:2566? I'm 99.
17:27Well, I'm upside down.
17:29Now, 44, we need help.
17:30You need help.
17:32I haven't been on my feet since yesterday.
17:3344, this is important.
17:35Oh, sure. Everything's important. Everything's important but me.
17:39I don't know why I always get these assignments.
17:41I'm always on a washing machine or a frozen food locker or a mailbox.
17:46Max, I think I've got a lead. Forget 44.
17:49Oh, sure. Forget 44.
17:51Everybody forgets 44.
17:53Forget him.
17:54Forget 44.
17:56Forget him.
17:58Listen, I...
17:59Well, Baddiff didn't want us to get a look at Hubert's unfinished symphony.
18:02Was that music the last thing that Hubert wrote before he was killed?
18:06Well, I guess so.
18:07I mean, it was discovered right beside the body when we found him.
18:10Well, the last six notes were very odd, Max.
18:13Maybe he left the name of Mr. Big in the symphony.
18:15Do you remember the notes?
18:17Of course I remember the notes.
18:19After all, I studied a little piano myself.
18:22Now, let's see.
18:27B-flat, A, D-flat, E, F-sharp, and F-natural.
18:36Put them all together, they spell Baddiff.
18:40Baddiff?
18:42Well, then Baddiff is the killer.
18:44Then Baddiff is Mr. Big.
18:47Well, let's just go right upstairs, 99, and give Mr. Baddiff a nice big surprise.
18:52Well, you certainly ruined a nice surprise.
19:06Max, you've been working on those ropes for two hours.
19:08Any luck?
19:09Nothing, 99.
19:10I can't get loose.
19:14Release them, Boris.
19:15Well, I see you've finally come to your senses, Baddiff.
19:20You're going to surrender, eh?
19:23Hardly, Mr. Smart.
19:24We're merely getting ready to kill you.
19:28The floor of this storeroom is really an electronic booby trap.
19:32One step anywhere will initiate an electronic impulse,
19:36which will cause several large heavy objects to crash down.
19:40And when your bodies are found, you will appear to have died by accident.
19:45You'll never get away with this, Baddiff.
19:47Someone's going to figure out your name the minute Wolinska plays Hubert's Unfinished Symphony.
19:50He'll never get to play it.
19:54Wolinska's just come on stage to start the concert.
19:57Oh, good. We can hear it down here, 99.
19:59You'll only hear the first selection.
20:02That lasts exactly three minutes.
20:05Then, after his bow, according to the program that I've arranged,
20:08Wolinska will sit down to play Hubert's Unfinished Symphony.
20:12However, when his fingers strike the first chord,
20:16it will set off a bomb in the piano,
20:19which will explode, destroying him and the evidence.
20:28This switch will activate the electronic floor.
20:31Max, that concerto lasts exactly three minutes.
20:38What are we going to do?
20:39I'm going to test this floor, 99.
20:41I have a thought.
20:46What's your thought?
20:48Call the chief on your shoe phone.
20:50Do you have another thought?
20:51That was my shoe phone.
20:54Time's running out, Max.
20:56Must be away, 99.
20:57Wait a minute.
20:58If we can't go across the floor, go over it.
21:01If we can't go across the floor, go...
21:04Of course.
21:06My heliocope.
21:21Okay, 99.
21:23You can come across the floor now
21:24and bring a sharp pin.
21:26Max, use the violin gun.
21:36All right, hold it.
21:39One stroke of my bow
21:40and this violin will play its song of death.
21:52I don't know about you,
21:53but this is killing me.
21:56All right.
21:59Come on, Boris.
22:00I'm used to dealing with gorillas like you.
22:13Uh, listen, Boris.
22:16I, uh, hope I wasn't out of line
22:18with that crack about the gorilla, right?
22:19Hold it.
22:28Max, stop Walenska.
22:29When he hits the first chord,
22:30the bomb will explode.
22:36Stop!
22:36Don't touch my hands!
22:38Oh, thank you, Mr. Smythe.
22:57You saved my life.
22:59Don't touch my hands!
23:01Well, we got them.
23:22All of them.
23:23About if the Nicola are on their way to jail.
23:25At last, we've broken the cultural arm of chaos.
23:28This is going to be a real blow
23:30to evil music lovers everywhere.
23:33Is there anything wrong, Max?
23:35Huh?
23:35Oh, no, Chief.
23:37It's just that, well,
23:38this has been a particularly tough case
23:40and my nerves are a little on edge.
23:42Besides, I'm hurt.
23:43What is it, Max?
23:45Well, this is the first time
23:48I've played in front of an audience, you know.
23:50That was very brave of you, Max.
23:53It was my debut.
23:55I've never heard Chopsticks played
23:57with such imagination.
23:58Well, why didn't they ask for an encore?
24:01Listen, Max,
24:03some of us are born to do one thing,
24:04some aren't.
24:05You have your talents,
24:06others have other talents.
24:09You're absolutely right, Chief.
24:11I may never get to play
24:13with the Philharmonic,
24:14but on the other hand...
24:15Yes?
24:16Is Leonard Bernstein
24:17licensed to kill?
24:18No.
24:41I'll let you go.
24:47I'm out.
24:48¶¶
25:18¶¶
Recomendada
25:21
|
Próximamente
25:21
25:16
25:12