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CONTROL agents are found murdered with mysterious puncture marks on their necks. The investigation leads to the mysterious Dr. Drago.
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00:00That's the move that won the championship for Leonhard Varensky, European chess master.
00:13Check.
00:14No, he was Romanian.
00:19Oh, the coffee is boiling 52.
00:21I'll get it.
00:22Just as soon as I move...
00:27my night.
00:30I'll get it.
01:00I thought you'd make that move.
01:07There.
01:07What do you think of that?
01:10Now, wait a minute, 52.
01:12Nobody likes a sore loser.
01:1652.
01:1952.
01:1952.
01:20Three agents murdered.
01:2623, 49, and now 52 right here in control.
01:30In my own laboratory.
01:31Well, close to home, isn't it, Professor Sontag?
01:34All right, Max, tell me exactly what happened.
01:36Well, first of all, Chief, he moved his pawn to his queen three.
01:40Then I moved my knight to my vicious core.
01:42No, Max.
01:43I mean, did he do anything suspicious?
01:45Well, yes, as a matter of fact, he did, Chief.
01:48He left his queen unguarded.
01:50Max, will you forget the game?
01:52An agent has been murdered.
01:53The third control agent in as many weeks.
01:55And always on the weekend.
01:56Can you think of any reason why it should always be the weekend?
01:59Well, maybe the killer works during the week.
02:03What troubles me most is that all the victims have the same suspicious marks.
02:08Marks?
02:09What marks, Chief?
02:11Look at his neck.
02:15Not his neck, Max.
02:16Agent 52.
02:17Oh, right, Chief.
02:19Oh, yes, I see what you mean.
02:21Two tiny puncture marks about an inch apart.
02:26Chief, you don't suppose...
02:27Of course I don't.
02:28But all that publicity about vampires is just the newspaper's way of boosting circulation.
02:32I guess you're right, Chief.
02:34It's incredible to think of a vampire abroad in the 20th century.
02:38It's incredible in any century, Max.
02:40Vampires are a myth.
02:41What do you think, Professor Sontag?
02:43Well, there are boundaries to the scope of scientific knowledge.
02:47It is said, you know, that when a vampire strikes,
02:50it leaves two marks very much like these on the neck.
02:54But that's ridiculous, Professor Sontag.
02:56That's an old wives' tale.
02:57You're right, Max.
02:58Of course I'm right, Chief.
03:00Werewolves leave marks on the neck.
03:01Vampires go right for the throat.
03:03Max, there are no such things as vampires.
03:07Right, Chief.
03:09Well, it's a good thing we're all sensible, civilized men
03:11who don't believe in a lot of superstitious nonsense.
03:13Right.
03:17Max!
03:18Don't walk into that.
03:19Don't walk into that.
03:20Don't walk into that.
03:27.
03:59Newspapers are having a field day, Max.
04:22People of Washington are terrified of this so-called vampire murderer.
04:26We've got to stop him before anyone else is killed.
04:28I know, Chief.
04:29The people of New York are afraid to go out at night.
04:31They're afraid of the vampire?
04:33No, they're just afraid to go out at night.
04:37What is it?
04:39Oh, Eric.
04:40Does he have the Detecto tune with him?
04:42Good.
04:43Send him right down.
04:45Now, Max, what else did you come up with in your research?
04:48Well, Chief, I picked up some very important facts about vampires.
04:52What is it?
04:52Let's see.
04:53Now, in 1958, Dr. Franz Heiser appeared before the National Council of Scientists in Vienna
04:58and presented a paper that claimed vampires do exist.
05:02Of course, they discredited his theory.
05:05What happened to Dr. Heiser?
05:06He flew away.
05:09In a plane, Chief.
05:10Max.
05:11Now, our one clue is the melody you heard just before the murder.
05:15Oh, Eric, is the Detecto tune ready?
05:19Yes, Chief.
05:20Good.
05:21Now, how does it work?
05:23Well, the Detecto tune can reconstruct any melody in the same way that a criminal's face
05:28can be reconstructed from the descriptions of witnesses.
05:31Now, can you remember any of the notes that you heard?
05:32Just hum anything you remember, Max.
05:34Well, let me see now, Chief.
05:36A little faster than that.
06:06Sorry, Chief.
06:11I'm trying to get it, Max.
06:12This may be vital.
06:14All right, Chief.
06:14Now, let me see.
06:15Heart of my heart
06:35Oh, I love that melody, love the melody
06:39Part of my heart brings back a memory
06:45When we were kids on the corner of the street
06:51We were rough and red
06:55What are you doing, Max?
07:01I'm putting you down for the lead in the Spy Frolics, Chief.
07:04Max!
07:05Eric, has Sontag finished the autopsy yet?
07:09I think so. He'll be with us in a moment. He's on the phone.
07:13Wait, Dr. Draco. Don't hang up.
07:16Draco. Draco.
07:17Draco. Where have I heard that name?
07:20Draco. Draco.
07:21Of course, Dr. Draco.
07:24He was the professor's predecessor here at the lab.
07:26That was before we came to control.
07:27Why did Draco leave control?
07:29I think he was caught doing some unauthorized experiments.
07:32Oh, Dr. Sontag. What did you find out from the autopsy?
07:36Nothing.
07:36Nothing?
07:37You heard me. Nothing.
07:40What are you doing with the Detecto tune?
07:42Well, I heard this melody when Agent 52 died, and we were trying to reconstruct the tune.
07:48That's ridiculous, Smart. You're imagining things.
07:52How did this melody go?
07:54Well, have you ever heard the song, Heart of My Heart?
07:57Yes.
07:57That wasn't it.
08:01Take over here, Eric.
08:02I have to go visit an old friend.
08:06Will you be taking another of your long weekends, Professor?
08:08I don't know.
08:10But I want you to look over those reports on my desk.
08:15Phone calls to Dr. Draco on long weekends.
08:18There's something funny going on here, 99.
08:21I think we better put the professor under surveillance.
08:23Right. Shouldn't we check with the chief first, Max?
08:25No. There won't be any time for that. He's leaving now.
08:28I don't want him to know we're following him.
08:29Right.
08:48Sontag's getting into his car, 99. We'd better follow him.
08:51But, Max, shouldn't we stay and investigate Draco? He must be the key to all of this.
08:55But what are we going to tell Draco if we find him?
08:57That our car broke down.
08:59Oh, come on, 99. He'll never fall for that old gag.
09:14Come on. Let's go into the house.
09:16What do we tell Draco?
09:17That our car broke down.
09:18Max, what do we use for cover?
09:20I've got an umbrella in the trunk.
09:21No, Max. I need a disguise.
09:23Oh. Well, let's see what's in the trunk.
09:25Right.
09:3299, what's the combination of the trunk?
09:34Uh, C-A-44-N.
09:43Well, let's see. We've got the newlyweds cover, the diplomat cover, the lime table cover, the covers...
09:47Well, let's use the newlyweds cover. I've been dying to play that role.
09:58Oh, Max, they're lovely.
10:00Here, take some rice, 99.
10:07Right.
10:16I've got to take the commando kit. We might need it later.
10:19Good thinking.
10:20Close the trunk, 99.
10:21Right.
10:21Let's go.
10:35Look, 99, there's someone there. It must be Draco.
10:41What's he doing?
10:42He's getting into his coffin.
10:44Getting into his coffin?
10:46Oh.
10:51Uh, good evening. Is this the honeymoon motel?
10:55No, it is not. This is my home.
10:58I am Dr. Sertorodos Drago.
11:00Oh. Uh, good evening, doctor.
11:01I'm, uh, Maxwell Smart, and this is my wife, Mrs. Smart.
11:05Uh, we're on our honeymoon, and our car broke down.
11:07I, uh, don't suppose you could put us up for the night?
11:09My privacy is most important to me.
11:12Besides, I don't think you would be comfortable here.
11:15On the contrary, doctor. I think this is a charming place.
11:18So fresh and inviting.
11:19I, I think it's a perfect place to spend a honeymoon.
11:22I don't suppose you'd consider selling it.
11:25This house is 200 years old.
11:28It is said that many weird and terrible things have happened here.
11:32There are frightening noises at night.
11:35The people nearby say that the tortured spirits of the dead
11:38still inhabit these ruins.
11:41Is there anything else you'd like to know?
11:44Is it near a school?
11:46Stop growling, dear. We can always hire a tutor.
11:49Oh, hi there.
11:54Hugo cannot answer you, Mr. Smart.
11:57Unfortunately, he has lost the power of speech.
12:01What did he say?
12:03He said, unfortunately, I have lost the power of speech.
12:06And now, if you will excuse me, I shall call a garage and see to your car.
12:11You say it broke down on the road.
12:13Which one is it?
12:14It's a red and black coupe.
12:16No, no, I mean, which road is it?
12:18The road right outside your castle, doctor.
12:20Ah.
12:23Honeysuckle road.
12:24You will close the French doors.
12:39Now, let us see about our guest's automobile.
12:42It's locked.
13:02What do we do now, Max?
13:05Well, first of all, 99, we've got to look in this coffin.
13:07Oh.
13:08Do we have to?
13:09When you see, 99, according to the legend of the vampire, ridiculous though it may seem,
13:13vampires always sleep in their coffins.
13:15Why would they do that, Max?
13:16Well, if you'll go around biting people on the neck, I guess you'll do just about anything.
13:23Max, I'm frightened.
13:25Don't be silly, 99.
13:27All these stories about vampires and witchcraft are ridiculous.
13:30Why, they're nothing but fairy tales to frighten little children.
13:33I give you my word there's absolutely nothing to them.
13:35Right.
13:37On the other hand, I could be wrong.
13:39Listen, Max, I have an idea.
13:41Why don't we just check out everything else in the room first?
13:44I've got a better idea, 99.
13:46Process of elimination.
13:47How does that work?
13:48We check out everything else in the room first.
13:50Good thinking.
13:51I'll start with the desk.
13:52Right.
13:5499, wait a minute.
13:55I think we're being watched.
13:58Where?
13:59Look casually over your left shoulder.
14:03Notice the portrait?
14:04Yes, what of it?
14:05I think guys saw the eyes move.
14:08Oh, Max, how could they?
14:10Very often in old houses like this, they have secret passages.
14:13And they use the eyes of portraits to spy through.
14:16You stay here, I'll fix it.
14:17Right.
14:25Okay, 99.
14:30Good.
14:35What are you doing, Max?
14:36I think I've got a stone from the driveway in my shoe.
14:40Oh.
14:43There's nothing in here except this old invoice with some numbers on it.
14:46What do you think that means, Max?
14:53Wow.
14:54What's wrong?
14:56I don't know.
14:56Everything went black for a minute.
14:58You probably bent over too fast.
15:01Where's the invoice, Max?
15:02What invoice?
15:03The one I just found in the desk.
15:05You just took it.
15:08Let's start from the beginning, 99.
15:10Now I sat down here in the chair.
15:12Right.
15:12And I started going through the desk.
15:14And I leaned over to get the stone out of my shoe.
15:17Run.
15:17And then I picked up a piece of paper,
15:19held it up in my hand,
15:20and I held it out to you.
15:22Oh.
15:25Good, you found it.
15:26I'll say I did.
15:30This is the biggest pebble I ever saw.
15:32I think it cut off the circulation of my eyes.
15:35Max, there's nothing on this piece of paper.
15:38What in the world are you talking about, 99?
15:41Max, a few seconds ago,
15:42I picked up a piece of paper from the desk,
15:44and it had some numbers on it.
15:45Now, you must be imagining things.
15:47But you took it from me.
15:48All right, 99.
15:50Let's start from the beginning.
15:51Right.
15:52I sat down in the chair.
15:53And I began to go through the desk like this.
15:55And I leaned over to...
15:58It distresses me to report
16:01that your car won't be ready before tomorrow morning.
16:04Ah, well, that's quite all right, doctor.
16:05I guess we'll just have to hoof it.
16:07Come on, honey.
16:14Well, it was a rotten night for a walk anyway.
16:17Mr. Smug,
16:18you and your lovely bride will be my guests.
16:22You go, show them to the room.
16:25Oh, and should you hear any unusual noises during the night,
16:30you needn't be alarmed.
16:32It will just be Hugo pursuing his career.
16:35His career?
16:36Yes.
16:37He wants to be a band singer.
16:40Oh, forgive me, Hugo.
16:42A big band singer.
16:44Now, Hugo, if you would take our guests to their room.
16:49And don't you love those curtains?
17:18Of course, if that were my chair, I'd have it recovered.
17:21And the whole room, if it were painted a lighter color,
17:24would look so much bigger.
17:25Okay, 99.
17:27There don't seem to be any microphones around.
17:29Oh, I wish I could remember it was on that paper in the library.
17:36Forget it, 99.
17:37Let's see what control has given us in the newlywed kit.
17:44Throwing knife?
17:46Knockout drops?
17:49Evolver?
17:50Brass knuckle.
17:55This must be the commando kit.
18:00Ah, this is the newlywed kit.
18:03Toothpaste?
18:04Throwing knife?
18:06Knockout drops?
18:08Evolver?
18:10Brass knuckle?
18:11I know the paper had some numbers on it,
18:16but what could they mean?
18:1899, what's the sense in talking about it
18:20if you can't remember the numbers?
18:21Wait a minute, Max.
18:23What do the years 1923, 1949, and 1952 mean to you?
18:28Three great years for Burgundy.
18:29Yeah, Max.
18:31Three fair years for Burgundy.
18:33Wait.
18:33Take the 19 from in front of each of those numbers,
18:35and what do we have?
18:37What were the numbers again?
18:3823, 49, and 52.
18:4023, 49, 52.
18:4423, 49, 52.
18:4899.
18:48What?
18:49Those were the numbers of the three agents who were killed.
18:55Max!
18:56Then that ties Drago into the murders.
18:5999, we've got to take another look around downstairs.
19:01Right, but what if we're being watched?
19:03You're right.
19:04We've got to keep up our cover at all times.
19:06We've got to do everything honeymooners do.
19:10Here.
19:11These pajamas are our best bet.
19:13Get into them.
19:14Max!
19:15They're bulletproof, 99.
19:23Come on, 99.
19:25Drago must be asleep by now.
19:26We've got to take a look inside that coffin.
19:28Right.
19:29But if you go lock us in, Max,
19:30how are we going to get out?
19:32We'll just use this expandable rice.
19:41Ah, 99, while I'm stuffing it in the keyhole,
19:43you get the special toothpaste.
19:44Right.
19:45It's Mark Ignito paste.
19:47I'm finished.
20:00How are you?
20:01Come on, 99.
20:20That's really wild rice.
20:22The wildest.
20:28Max, I hear something.
20:30Shh.
20:31I think Drago has finished his nap.
20:39Look, 99.
20:40There's a stairway in the coffin.
20:43Exactly, Mr. Smart.
20:45This coffin has kept nosy intruders
20:48from discovering the entrance to my laboratory.
20:51Not many men have the courage to open the coffin.
20:54Especially from the inside.
20:56You are a clever man, Mr. Smart.
20:58Clever enough to see through your scheme, Dr. Drago.
21:02You killed those agents.
21:04You were driven by bitterness because of your dismissal from control.
21:08And then when you found that you were under suspicion, you threw us a red herring.
21:12The vampire.
21:13Yes.
21:14When I was dismissed by control, I was disgraced in my profession.
21:19I vowed that all the control agents who testified against me would perish.
21:23Have you guessed how the murders were carried out?
21:27It was the music, Mr. Smart.
21:30The music?
21:32The music they played when 52 died, of course.
21:35Precisely, Mr. Smart.
21:37I'll show you.
21:46This twin-channeled flute is my finest invention.
21:50At high sea, it fires two poisoned ice pellets.
21:55The ice dissolves.
21:56The poison does its work.
21:58And the police are left to ponder the mysteries of vampires.
22:02Well, Dr. Drago, you've played your little song of death for the last time.
22:08I beg to differ, Mr. Smart.
22:10Here we go.
22:12No!
22:13Dad!
22:14And now, Mr. Smart, it is your turn to hear my sonata of death.
22:21But before I begin, do you have any last request?
22:26Do you know any show tunes?
22:31Drop the flute, Drago.
22:32Santa, if you shoot, the girl will die.
22:35Shoot, Santa!
22:35Shoot, Santa!
22:47Max!
22:48What's he saying?
22:50I'm not sure, 99, but I think it's...
22:53I get no kick from champagne.
22:55So, you see, although I suspected Dr. Drago, I felt I owed him the chance to prove his innocence.
23:05After all, he was my teacher.
23:07So you went to his house that night to confront him with your suspicions?
23:10Yes.
23:10And that's when we put you under surveillance.
23:13I know.
23:14But what you didn't know is that 99 and I were following you to Drago's place in a controlled tracking car, did you?
23:19Not until I caught you in my rearview mirror.
23:22When was that?
23:22Just after you crashed into the rear end of my car.
23:27Well, you stopped awfully short, you know.
23:30Incidentally, Max, do you recall what that melody was that Drago was playing?
23:34I'm not sure, Chief.
23:35Uh, 99, did you bring the flute with you?
23:37Yes, it's right over there.
23:38Oh, thank you, Manny.
23:44Is that the murder weapon?
23:45Right, Chief.
23:46Only now it's just a harmless old flute.
23:50Now, let's see.
23:51How did that melody go?
23:52Smart.
24:08Sorry about that, Chief.
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