- 2 days ago
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00:00You didn't want us to go earlier because you have some plans?
00:07No, no, no. I don't have any plans.
00:10I didn't want to have plans, but I don't have those plans.
00:15Oh, you stupid voice.
00:20You should be Lila Pavlen, right?
00:22I won't be because of her.
00:24All of us look like a dead man.
00:27I don't know what to do.
00:31What? What happened to you?
00:33Half school wanted Lila.
00:36I mean, half Lila.
00:38What are you talking about?
00:40I know you only a couple of weeks and you already have to sleep with my daughter.
00:43You have to understand that I didn't have a clue.
00:46What happened to you when you realized?
00:48It was a lot of weird.
00:50I can't tell you.
00:52I can't go there.
00:54I can't go there.
00:55People will ask me questions.
00:57Why are we together?
00:59Why are we together?
01:00That will hurt me.
01:02I want to go there.
01:03Wait.
01:04It's not a conference.
01:05Why are you asking me?
01:06I don't know.
01:07I don't know.
01:08I don't know where you are.
01:09I don't know where you are.
01:11No.
01:12I don't know.
01:13We thought we were wrong.
01:14We were wrong.
01:15We thought we could talk a little bit.
01:18Why not?
01:19Why not?
01:21Why not?
01:22What?
01:23We are going to be wrong with you.
01:25You are wrong with you.
01:26Stop.
01:27Stop.
01:28Stop.
01:29Stop.
01:30First, the girl will be upset.
01:31Then, the two of us talk about how to forgive me.
01:33I am with Lila.
01:35With Lila.
01:36Lila.
01:37I am good girl.
01:38Don't joke.
01:39You are not a century old man.
01:41How are you doing this lot?
01:42How do you line?
01:43How about you?
01:44Nice.
01:45You are great.
01:46You are bien.
01:47Sure you are happy in good relationships.
01:49You are HOW you grow up.
01:50Is it you
01:59I do not know why not do you the same thing.
02:03But you can't me off to it.
02:04We will change the world.
02:06I want to hear you.
02:11Jefimija!
02:13What happened?
02:15I'm going to call you jaja.
02:18What do you mean?
02:20What do you mean?
02:22I'm going to call you jaja.
02:24Let me go.
02:26Let me call you jaja.
02:28I'm going to call you.
02:32I'm going to call you.
02:34What?
02:41I'm not sure.
02:43Very similar Lila.
02:50Jaja se.
02:52Hello!
02:55Sa perona stanice.
02:57Gledao sam ulice.
02:59Pitao se kada će mi krenuti na bolje.
03:02Dođi vidi ušće to.
03:04Gde se reke zavole.
03:06Tu je bio jedan kraj.
03:08I početak.
03:11Ništa više ne treba.
03:14Crveno i crno pari.
03:16Nepar dobij sve za čas.
03:18Udlan pogledaj mi sad.
03:20Vidi tu su slike te.
03:22Sam lepih lica.
03:23To je moja porodica.
03:25I ništa što sam rekao.
03:27Nije bilo sa svim slučajno.
03:32I baš sve što ću reći.
03:34Mogu da nazovem sudbino.
03:39Jedan i jedan su sedam.
03:42Ne sumnjam više ni gram.
03:47Tako je lako biti srećan.
03:50Ovo nije san.
04:00Evo gazda ovo je namešteno.
04:03Jel ti mene zajebao?
04:05Kaj biš da to krivo?
04:06Kako krivo pa meni u labeli?
04:07Jel ti molim da gurni to levo.
04:09Levo gurni.
04:10Gurni levo.
04:11Neću.
04:12Kad kažem levo znači levo.
04:14Da sam reko desno ti mi desno.
04:15Čekaj.
04:16Kad si ono trenirao boksu.
04:18Jesi znao koja ti je desna koja je leva ruka?
04:20Pa ne, meni je trener govorio udari jačom rukom, udari slabijom rukom.
04:24E sad tom slabijom pomerjava.
04:26Ajde.
04:28E, sretene.
04:29A?
04:31Pa.
04:34Imam jednu za tebe lošu i jednu dobro vez koji ćeš prvko.
04:41Ajde prvo to dobro vez.
04:43E li mogu da ti zamunim da ti prvo kažem ovu lošu?
04:46Izvini.
04:47Jel ho neki međunarodni dan podjelavanja sretene?
04:50Kaži koji očer.
04:52Ajde, kaži lošiju.
04:53Lila će da izađe sa Marijom.
04:57Nao sam, nao sam.
05:02Jao, pa zna, ne shvataš da ne bih volio da sam čuo tu vez.
05:05Dobro.
05:06Ajde nemoj da očajavaš, šta ti je?
05:08E sam ti lepo reko da imaju dobra vez.
05:10E, znaš, gde će da idu?
05:13Iedu da degustiraju vino.
05:16I za tebe je to dobra vez?
05:18Da.
05:19A ti si kompletan, Tupso.
05:20Pa zar ne shvataš da on nju tamo vodi da impresionira svojim znanjem o vinovam, o namo.
05:25Ide onda i skoristi, dve da i skoristi.
05:27Znaš, znaš, znaš, Marija?
05:29Nisam ja, Tupso. Ti si Tupso.
05:31Ti si ugostitelj čoveči. Ti si profesionalac.
05:35Ti ćeš tu da izvučeš to keca iz rukava i ima da tamo dominiraš, da briljiraš.
05:41Znaš?
05:42Ja da briljiraš.
05:43Pa i o vinima ne imam pojma.
05:44Znam samo da razliko je bela od srnog vina, to je sve što znamo.
05:47Ma šta je tebe?
05:48Ma to su sve foliranti.
05:50Znaš da imamo onu knjigu, onu u vrštu što smo dobili kad smo bili na onoj berbi grožđa.
05:55Ej!
05:56I sad ćemo da prosudiremo o tu knjigu i da ja postavim stručak za vina.
05:59Nima imaj, molite.
06:00Čekaj, to je jedini način da je povratiš.
06:03Pa mojte, nemojte ljudi, nemoj kod da povraća ovde.
06:05Pa ja sam malo preobriso sa trijevojkom povrati povrati pa ovde...
06:08Marš tam, Marš!
06:09Marš!
06:10Prosti me!
06:11Neu prosti me!
06:12Marš, kako ti želiš o...
06:17Čekaj, reci mi, molim te, ti stvarno mišliš da imam šanse kod li?
06:22Pa naravno!
06:24Svašta?
06:25Normalno da je imaš.
06:27Pa čekaj, a što ona do sad već nije otišla sa Marijom?
06:31Pa zato što se dvoumi sretene.
06:34Nije ni Lilino lako ja da ti kažem.
06:37A dvoumi se zato što te voli.
06:40Slušaj, mi ćemo tamo da odemo.
06:43I ti ćeš tamo da zablistaš.
06:46Neka se oseti da je ona kriva.
06:49Nekaj...
06:50Nešta?
06:51Hm?
06:52Nisam siguran, Sveto.
06:54Nemoj, molim te, ništa se sikiraš.
06:56Sada ćemo mi da odemo, da prođemo kroz literaturu.
07:01Ti ćeš uhvatiti malo tog samopouzdanja i sve će biti dobro.
07:06Pa da?
07:08Izvinite što smo ovliko čekali.
07:11Čaci, testovi, nešto sam se zadržao.
07:14Nije ni važno.
07:16Da vidimo mi.
07:17Da vidimo gde smo.
07:18Dakle, ovako.
07:19Hipnozom.
07:21Hipnozom ćemo da uđemo u prošlost.
07:24I da dođemo do trenutka sećanja koje možda uzrok tih glasova koje čuješ.
07:29Se slažete vas dvoje.
07:31A to znači da iskopamo ta seća?
07:35Pa laički rečeno da iskopamo, ali više da ga povratimo i da ga smestimo u polje svesnog.
07:40I time da izmenimo odgovor na njen stimulans.
07:44Izvini, koji stimulans?
07:47Hipnoza. Hipnoza.
07:50Jefimija, jesi li spremna?
07:53Ajde. Ajde. Ajde, nemo da sprineš, nema straha, nema ničega.
07:58Dođi, sedi ovde.
08:01Polako.
08:03Sedi, sedi, sedi, sedi.
08:05Opusti se, opusti se. Udahni, izdahni, opusti se i nemoj ni o čemu da razmišljaš.
08:10Izvini, a kako da ne razmišljam i o čemu?
08:12Mi ćeš da čuteš malo moram.
08:15Hvala.
08:16Dakle, udahni, izdahni, opusti se, iščisti misli. Tako je.
08:24I koncentraši se na olovku.
08:26Izvini, ajde se, to ne radi sa klatnom na sas.
08:30Radi se, radi se, ali ne bom klatnom.
08:33Plati ću olovku i molim da čuteš.
08:36Jefimija, vodi računa o mom glasu.
08:39Polako. Ajde.
08:41Polako.
08:43Spavati se.
08:45Teški su te kapci.
08:48Teški kao čemer.
08:50Kao čemer teški.
08:52Toneš u san.
08:54Lakano.
09:08Jefimija.
09:09Slušaj me dobro.
09:12Majka te naziva Drolj.
09:14Ajde da se vratimo u prošlost.
09:16Gde se nalaziš?
09:17Na ulazu u kuću.
09:19Na ulazu u kuću.
09:22Topno.
09:23Jesi mi samo?
09:25Ne.
09:27Tu je Radovan.
09:29Radovan.
09:30Radovan.
09:31Radovan.
09:32Radovan.
09:33Radovan.
09:35A kako to misliš da si ti meni sviđaš kad ja tebe ni ne poznajem?
09:39Ne.
09:40Ne.
09:41Ne.
09:42Nemoj.
09:43Radovan.
09:44Ne.
09:45Nemoj Radovan.
09:46Nemoj.
09:47Šta ti je?
09:48Ište će me mama.
09:49Radovan.
09:50Nije radovan.
09:51Ne.
09:52Ne.
09:53Radovan.
09:54Ritire mi grudnjak.
09:55Ne.
09:55Ne.
09:56Ne.
09:57Radovan.
09:58My life!
10:00Get out of me all, Radovan!
10:02Radovan!
10:04I don't know what you're doing!
10:06Stay! Stay, Radovan!
10:08Stay, Mama!
10:10Stay!
10:12Mama, I can explain to you!
10:14Mama, you're not what you're doing!
10:16Mama, wait, Mama, I'm not a droga!
10:18Mama, I'm not a droga!
10:20I'm not a droga!
10:22Calm down now.
10:24Calm down, calm down.
10:26You'll wake up.
10:28And you'll never hear those voices.
10:30Remember that.
10:40Where am I?
10:42Yes!
10:44Oh!
10:46Oh!
10:48Oh!
10:50Oh!
10:52Oh!
10:54Oh!
10:56Look at this!
10:58It's beautiful!
11:00It's beautiful!
11:02It's beautiful!
11:04It's beautiful!
11:06It's beautiful!
11:08You look through it!
11:10You look through it!
11:12It's a 90-degree angle!
11:14You have to be a 90-degree angle!
11:16And you move a little bit!
11:18You look through it!
11:20You look through it!
11:22You look through it!
11:24You're trying to escape the secret!
11:26You're trying to escape the secret!
11:28You're trying to escape the secret!
11:30Yes!
11:31Yes!
11:32And then what?
11:33What?
11:34You're trying to escape!
11:36You're waiting for a little bit!
11:38And then you feel...
11:40...tanin...
11:43What is that?
11:45Tanini...
11:47...tanan...
11:48It's like something to say in the song!
11:51And now it's like the third phase!
11:53It's very important!
11:55Retro-nazal!
11:57You write it?
11:59Yes!
12:00You're making it!
12:01Where are you making it?
12:03What do I make?
12:05How can I make it?
12:06Well, it's lovely.
12:07Petro Nazalna, and now he goes to eat the wine.
12:12That's what he can't say.
12:15It's the crnogorsk wine.
12:19Let's eat the wine, when he says to eat the wine.
12:25It doesn't mean that he speaks in Croatian.
12:28Okay, let's go.
12:30Hold it, hold it, hold it, hold it, hold it, hold it.
12:37Wait, wait, hold it, hold it.
12:40That's it.
12:42What's the wine?
12:44It's completely different.
12:46You have to buy wine from Tetra Pak.
12:49First, when I bought a book, I got this wine.
12:53Let's go.
12:55What do you say?
12:57It's a gourmand wine.
12:59Yes, it's a gourmand.
13:00We made some windows.
13:02No, no.
13:03No, no.
13:04No, no.
13:05No, no.
13:06No, no.
13:07No, no.
13:08No, no.
13:09It's the most important to be nice, fine,
13:10as you speak about wine.
13:12You understand?
13:13Fedora, I think this is not a sense.
13:15We can't stop.
13:16I pray that we don't have a lot of wine.
13:18Yes, no.
13:19Okay, sit here and think about what will be 100% with Lille.
13:26And so.
13:27And so.
13:28And so.
13:29And so.
13:30And so.
13:31And so.
13:32And so.
13:33And so.
13:34And so.
13:35And so.
13:36And so.
13:37And so.
13:38And so.
13:39And so.
13:40And so.
13:41And so.
13:42And so.
13:43And so.
13:44And so.
13:45And so.
13:46Something?
13:47Or.
13:48Sorry.
13:49Heart of distress.
13:50In my hands, I tried it.
13:51But I'm tired.
13:52I'm tired.
13:53I'm upset.
13:54No, but I am a lot of crap.
13:55But I am against you at Oilers.
13:57Right?
13:58Vяв Also.
13:59So старu has been very, very fast.
14:01It's impossible to spread.
14:01It's impossible.
14:03But I think that you will wait to get things over.
14:05Oh my God.
14:06Do you ask me what kind of nonsense? How do you say it?
14:10I'm only with your mother from when I was angry.
14:13So I'm trying to get to the end of my life.
14:15Okay, okay, sorry what I'm asking.
14:17Don't ask me what kind of nonsense. I pray I don't.
14:19And while you're in the army, maybe?
14:21What?
14:22Do you know that 500 soldiers who were alone?
14:27Oh, my God!
14:29And besides that, they were in the room and in the evening.
14:32Brom, brom, brom.
14:33What is brom?
14:35I don't know why it's brom.
14:37Well, that's when there's a bomb in front of you,
14:40and you don't give up.
14:42Strap?
14:43The army is strap.
14:45No, it's not the army, but brom.
14:47I'll save you.
14:53Brom is strap.
15:00It's so sweet.
15:02How much wine?
15:04Yeah.
15:05It's good that we haven't come to a place.
15:07And we'll get out of the way.
15:09It's so sweet.
15:13Do we have to drink all of this?
15:15No, you don't want to try it.
15:17You'll try it again.
15:19You'll try it again.
15:20You'll try it again.
15:21You'll try it again.
15:22You'll try it again.
15:23You'll try it again.
15:24You'll try it again.
15:25You'll try it again.
15:26What was wrong with wine?
15:30I'm happy.
15:36What are you doing here?
15:39Oh my God, we've come to try wine.
15:43There's no good taste.
15:45There's no good taste.
15:46It's not a good taste.
15:48It's not a balance.
15:50It's a little feeling like
15:52that they hit in the weekend.
15:54Who told me that I'm here?
15:56Oh, you're welcome.
15:58We're coming to try wine.
16:00Yes, when I'm somewhere to go,
16:02someone needs to be able to get a quality of wine.
16:06We need to improve the situation.
16:08Oh, Mario!
16:10I didn't know that you understood wine.
16:14I'm a lover.
16:17I'm not a professional as a man.
16:19What are you saying?
16:20We'll go to the house.
16:22You know what it's called?
16:24In vino veritas.
16:25In vino is pas.
16:26The truth.
16:27The truth.
16:28The truth.
16:29The truth is, you know,
16:30that someone is born with a gift.
16:32Like a photographer.
16:33Or you are born with a gift to be a photographer.
16:36Or not.
16:37That's how we are.
16:38Yes, this wine is great.
16:39Have you tried it?
16:40I think it's great.
16:41What do you say?
16:42I think it's not good.
16:43It's not good.
16:44It's not a lot of fruit balance.
16:47It's like it's too much of a whim.
16:49Yes, we have.
16:50Yes, yes, we have.
16:51If so.
16:53Please, Mr. Ongel.
16:54I'd like to tell you something that's only my opinion.
16:57This wine works only as an innocent wine.
17:01I think it's not enough.
17:04Yes.
17:05It's not that sweet.
17:07That balance.
17:09There is no product or finish.
17:13Do you think it's on the corner?
17:15Yes, yes.
17:17I don't know.
17:19I don't know what to say.
17:21This wine has made a gold medal at the last groždin ball in Vršću.
17:25A gold medal?
17:27What did you tell me?
17:29I don't know what to say.
17:31I'm not.
17:33You're free.
17:35We're going.
17:37We're going.
17:39Let's go.
17:41We're going for a break.
17:43Wait, wait.
17:45We're going to break.
17:47We're going to break.
17:49Wait, wait.
17:51Let's just leave a note.
17:53Let's leave a note.
17:55Let's leave a note.
17:57Let's leave a note.
18:01You're listening to a fun wine.
18:05Rokicine, today is the premiere. Do you know what is your task?
18:13Yes? I'm going to open the cafe.
18:17Yes, I promised you.
18:20I don't know if I can.
18:23You won't be able to, only if you can.
18:26Everyone knows. I promised you.
18:31Deliken, what would you say in the house?
18:35Two espresso with milk. I'm going to go.
18:40Did you hear what they said?
18:42Yes.
18:43What are you waiting for?
18:44I'm going to open the car for the cafe.
18:48Yes.
18:50Everything that I told you, I wouldn't be able to.
18:54You see, Lena, you didn't know everything.
18:57I didn't know what he was doing.
18:58But how do I do it? How do I do it?
19:00How do I do it?
19:01In other words, I don't know what you saw in her.
19:04No, I don't know what I saw in her.
19:07No, I don't know what I saw in her.
19:08But you see, all the nonsense that he is doing,
19:10is just to return it.
19:12You understand?
19:13That's what it means.
19:14That's what it means.
19:15That's what it means.
19:16That's what it means to you and that he wants to be with you.
19:18You understand?
19:19Here.
19:20That's what the fault of you is.
19:22Without milk.
19:23Without milk.
19:24Without milk.
19:25Without milk.
19:26Without milk.
19:27Without milk.
19:28Really?
19:29Let's enjoy it.
19:37Do you see what we do here?
19:38Do you have優phs at home,
19:39and we're here in the garden.
19:42And now that we are in some place somewhere,
19:44and we're going to spend time on the part.
19:46There is a big difference between us and two.
19:50He loves you and wants to be with me.
19:53And you are stupid for him.
19:55I don't know what is happening now.
20:00Ina, the challenge is to save us from all of us.
20:05Amen.
20:08Oh, my God, why am I so scared in these days?
20:12I'm scared.
20:15I'm scared.
20:19Let's go.
20:21I'm scared.
20:35I'm in my room.
20:42Let's go.
20:46Why am I so scared?
20:49Love.
20:51I'm in your bed.
20:52I'm going to go ahead.
20:55My son is still over there.
20:57I can't wait.
20:58I can't wait, dude.
20:59I can't wait.
21:00What is it?
21:01I'm in my bed.
21:02My son is in my bed.
21:03I can't wait.
21:04I listen to her and that I'm in my bed.
21:05I'm in my bed.
21:06I can't wait.
21:07I'm in my bed.
21:08Do you know?
21:09My soul.
21:11Mama! What are you doing here?
21:15I'm dying.
21:17Why did I come here?
21:19What did you do, Mama?
21:21Grip. How much is it?
21:23I'm going to die.
21:25I'm going to tell you something.
21:27Wait, Mama.
21:29You're burning. You have a temperature.
21:31I don't know what to do.
21:33Give me something on your head.
21:35I don't need anything.
21:37I'm going to buy you something.
21:39I'm going to buy you something.
21:41Listen, if you come and drive,
21:43tell me that I'll go back.
21:45I'll go back.
21:47I'll go back.
21:49I'll go back.
21:51I'll go back.
22:01I understand.
22:03I understand.
22:05I'll go back.
22:07You'll have to accept that you and Lila are not together.
22:09But it doesn't mean that tomorrow you won't be together again.
22:11If you continue to lose you as a friend.
22:13You'll have to find a way to change everything.
22:17I'll accept and change everything.
22:19That's right.
22:21That's right.
22:23Wait, I'll ask you something?
22:25Ask me.
22:26Is it going to be drinking?
22:27What?
22:28No, no, no, no.
22:30People will be drinking alcohol in those situations.
22:34That's true.
22:36Okay.
22:38We'll accept it tomorrow.
22:40That's right.
22:42Let's go back to the night.
22:44We'll sleep tomorrow.
22:45Good morning.
22:46Good morning.
22:47Good morning.
22:48I'm leaving.
22:49I'm leaving for a moment.
22:50Don't worry.
22:51I'm leaving.
22:52I'm leaving for a while.
22:53I'm leaving for a while.
22:54I'll talk to the Mariju.
22:56I'm a child.
22:57I'm a child.
22:58I'm a child.
22:59Don't wish I did.
23:00No, no.
23:01Sorry.
23:02I'm sorry.
23:03I'm sorry.
23:04I'm sorry.
23:07I'm sorry.
23:08It's horrible, Mariju.
23:10I'm sorry.
23:11Marija.
23:12I'm sorry.
23:13I have to ask you something.
23:17What are your intentions, Lili?
23:19But honestly, just sincerely.
23:22Just good intentions.
23:25We all know you 100%.
23:28That's how we called you.
23:30Whatever you want you to want,
23:32you'll have to take a break.
23:34I'm sorry, I'm sorry.
23:36I'm sorry, I'm sorry.
23:38I'm sorry, I'm sorry.
23:39I'm sorry, I'm sorry.
23:40I'm sorry.
23:41The truth is that I lost Lili.
23:45There is no other truth.
23:47That I feel the need to look at her.
23:50I pray you.
23:52I pray you to be good for her.
23:56I am truly affectionate her.
24:00She is an intelligent, intelligent woman.
24:06I'm happy.
24:08Lila, I pray you.
24:10I pray you for that.
24:11I pray you for that.
24:12I pray you for that.
24:14I pray you to accept things.
24:16I pray them.
24:17I pray you.
24:18I pray you.
24:19I pray you.
24:20You have my blessings.
24:23I know that you didn't expect me from me, Lila.
24:27Yes, come on, I am a child from 21st century.
24:30May I'm sorry.
24:32Good, didn't pass me from July.
24:33Believe me.
24:36I am a Gandalf man in italian.
24:40Muy docty, a Time Labourian.
24:41Yes.
24:42Can I say anything...
24:43No.
24:44You must Але for the last wine.
24:45No, it's not ready to pass.
24:46You may be August in .
24:48I ask you to come to me tomorrow in the evening, in the cafe.
24:53Please, what is the evening?
24:55No, it won't be the usual evening.
24:57It will be the Mediterranean evening with the seas of the sea,
25:03from the Crnogors sea.
25:06I don't accept any answer.
25:09I don't accept it.
25:11See you tomorrow in the evening.
25:18Now I'm going to relax for all the time.
25:24Do you hear it?
25:38In any case, let's go.
25:48Hey, Efimija.
25:52You know, I've been thinking something.
25:54It's really good that we've been waiting for.
25:56You know, I've been thinking something.
25:58It's really good that we've been waiting for.
26:02Hey, Efimija, you know what I've been thinking?
26:10It's really good that we've been waiting for a lot.
26:14Because in a strange way, what we've been waiting for
26:18is that we've been waiting for more than one or the other.
26:23My briskvice.
26:26Mama!
26:29What are you doing?
26:33You'll see my brother.
26:37I'll tell you what you've done here.
26:41You want me to tell you what you've done?
26:44You'll have to use my body.
26:50What's happening here?
26:52You know what?
26:54He came. He came from the side.
26:57He came from the side.
26:59Mother!
27:01Get out of here!
27:03I think your body hurts when you don't move.
27:09Yes, I'm sick.
27:11I'm so happy.
27:13I'm so happy.
27:15I'm so happy.
27:17I'm so happy.
27:19You know?
27:20I'm so happy.
27:21You know?
27:22I'm so happy.
27:23You're listening to the story of wine.
27:25You're like you're understanding everything.
27:27You're like you're understanding everything.
27:29You're understanding everything.
27:30And I know you don't have a clue.
27:32And you're like, from that idol, you became a dad.
27:37I'm a dad.
27:39What's your dad?
27:41Your dad is a dad.
27:42I'm a dad.
27:43Well, it's not your dad.
27:44You're a dad.
27:45I'm a dad.
27:46You say that I am a dad.
27:48I'm a dad.
27:49You say that I am a dad.
27:50You're a dad.
27:52I don't have a dad.
27:53I don't have a dad.
27:54You're a dad.
27:55You have a dad on your hands and legs.
27:58You've got a dad on your hands and legs.
27:59You're a mental idiot in the ring.
28:02It's not true. It's true. I understood the situation. I understood that Lila was a free man.
28:10And Gvozden helped me to understand.
28:12Gvozden helped me.
28:14Well, Gvozden is a woman who understands Marica.
28:18He's a lady. He's living with my mother.
28:22Why are you saying that she's a lady?
28:24Let's go. Let's go.
28:29Let's open it.
28:33How can you do something like that?
28:36I won't go back to Lila's chaos.
28:40How do you deal with Gvozden or a woman?
28:43We're all people.
28:45And what do you want to listen to you?
28:47What do you want?
28:51You're the master. Your mother.
28:56You killed them in the evening.
28:58You killed them in the evening.
29:02Let's go.
29:03Let's go.
29:04Let's go.
29:05Let's go.
29:06Let's go.
29:07Let's go.
29:08Let's go.
29:09Let's go.
29:10Let's go.
29:11Let's go.
29:12Let's go.
29:13Let's go.
29:14Let's go.
29:15Let's go.
29:16Let's go.
29:17Let's go.
29:18Let's go.
29:19Let's go.
29:20Let's go.
29:21Let's go.
29:22Let's go.
29:23Let's go.
29:24Let's go.
29:25Let's go.
29:26Let's go.
29:27Let's go.
29:28Let's go.
29:29Let's go.
29:30Let's go.
29:31Let's go.
29:32Let's go.
29:33No, no, no, no. I'll give up!
29:40I don't have the opportunity to come back from the evening.
29:42I think you're totally a fool.
29:45I don't think so.
29:47I'm the child of the 19th century.
29:49Do you know how we are modern, modern people?
29:53We are in good relations with those with whom we came together.
29:59You don't understand it. It's not just my opinion. You can see it on TV when you go.
30:11I?
30:13What?
30:15What is Mario?
30:17Did you hear that she killed her?
30:21What is Mario?
30:29What is Mario?
30:31Mario is only a friend.
30:33A friend?
30:35I don't know that he is a friend.
30:37I know that from the start.
30:39I don't doubt it.
30:41If he calls you one day, but if he calls you the other day, you'll get out.
30:45There's no reason.
30:47He knows what he wants.
30:49Milena, do you want to go to the evening and see you?
30:52Yes.
30:53Yes.
30:57If you don't believe, you'll come to the evening and you'll see you.
31:02I am now a new person.
31:04European team.
31:06Tolerant.
31:07There's no love.
31:09There's no love.
31:10There's no love.
31:13What are you looking for?
31:14I don't have any love on them.
31:17I don't have any problems to go to the evening with Lilom and Mariam.
31:20I don't have to be even Mario.
31:21There's no love.
31:22There's no love.
31:24Do you know what it is called?
31:26The pure mazohism.
31:29No.
31:31Methodist!
31:33Dad!
31:36What is it?
31:37You are pure genius.
31:38What?
31:39Methodist!
31:41What?
31:42How am I?
31:43How am I?
31:44I am a cheeseburger.
31:45You are a genius.
31:47It is enough for me.
31:48I've heard that these Afro-zodians are amazing.
31:52Although I don't like these japonians, I'm thinking for pragnia.
31:57Do you think it's Dagnia?
32:00It's not Dagnia, it's PRAGNIA.
32:02What's that?
32:03The head from the wool and the neck from the jagnia.
32:07You see, the rasky, the bludner, I swear.
32:10What is it that you want?
32:12The head from brown, and the neck from brown.
32:15You see, it's a mess.
32:17You see, it's a mess.
32:19Is it?
32:20Yes.
32:21Did you have any traumas in your past?
32:23No, there's no traumas.
32:26Oh, great!
32:28Thank you, thank you.
32:30What are you doing? Where are you going with a woman?
32:33Let's go.
32:34Let's go.
32:35What's your crime?
32:37I thought, before, an atomic bomb will pass here,
32:41rather than it will be for something.
32:43Eat it.
32:44Yes, yes.
32:45Look at what he's doing.
32:47What do you do?
32:48What do you do?
32:50Let's go.
32:52What do I do?
32:53Who is it?
32:55Okay, let's go.
32:57Let's go.
32:58Let's go.
32:59Let's go.
33:00Let's go.
33:01You're more nervous.
33:02What?
33:03He didn't do anything.
33:04The trauma was gone.
33:06Mr. Tašta.
33:08The angelica.
33:09And that's with a grip.
33:11To get out of the house.
33:12Oh, that's a grip.
33:13Let's go.
33:14Let's go.
33:15Let's go.
33:16Let's go.
33:17There's no other one.
33:18You have to help me.
33:19How do I do this?
33:21My house is even higher.
33:23We live in the parking lot.
33:25I can't remember the people who come to me.
33:28Let's go.
33:30Let's go.
33:31How many days ago you came to me,
33:33you didn't get out of the house.
33:34You can't get out of the house.
33:35If I don't react to the time,
33:38the trauma can be turned out.
33:40I'm thinking something about that.
33:42Those traumas are like intergalactic caves.
33:45They open up for 100 or 1000 years.
33:50If you don't go to these intergalactic caves,
33:53they open up for 100 years.
33:57You can go again.
33:59If you can go.
34:00You can go.
34:01You can go.
34:02Marge.
34:03Oh my God.
34:04Oh my God.
34:06I always don't care about you.
34:07I don't care about you.
34:08I don't care about you.
34:09I don't care about you.
34:10You don't care about me.
34:11You've been given to me your own wife.
34:16You've given me your husband to your birth.
34:17You don't have to give me a child.
34:19Who give you what?
34:21You can go home.
34:23I mean, you can go home.
34:24I mean, the carpet is on the excursion.
34:27The метod is a witch when they come to the world.
34:29No one is here, no one is there.
34:31I pray.
34:32Be careful.
34:34Don't worry about anything.
34:36I will bring my thermophore.
34:38Why don't you bring my thermophore?
34:40I will bring my thermophore.
34:42I will bring my thermophore.
34:44I will bring my thermophore.
34:46Come on, I pray.
34:47Thermophore will bring me.
34:48Wait for me.
34:49What are you doing?
34:51I'm looking for him.
34:59Hey, where are you?
35:04Hello.
35:06I'm here to talk with you.
35:09You tell me what you have.
35:11I will not be able to take care of you.
35:13Okay.
35:14Look, I've been thinking about what happened.
35:18And I think that you are a big man.
35:20Yes.
35:21I'll admit it.
35:22I will not be able to take care of you.
35:24Look, you have a problem with self-control.
35:28It doesn't matter if you have a girl or something.
35:30And you think you can come to me and tell me that you love me
35:34and everything will be okay.
35:35But is it true?
35:36What is it true?
35:37When you put yourself like a predator?
35:39They will find me.
35:40See you.
35:41I'm very careful.
35:43I'm going to break it up.
35:44Don't touch me.
35:45I've earned it.
35:46I've earned it.
35:47I've earned it.
35:48I've earned it.
35:49Well, what is it?
35:50Well, what is it?
35:51Let me break it up.
35:52Okay, yes sir thank you for coming.
35:53So keep hoping to get in.
35:54What about you?
35:55Everything's OK!
36:04Let me break the tension of pressure.
36:05What is it.
36:06I'm sorry, Kiran?
36:07Shh who can't hear me?
36:08Why isn't this giving you?
36:09I'm sorry, I'm sorry.
36:11Good morning.
36:13I've been invited to a friend of Milena.
36:15Good morning.
36:17I've given you a dessert.
36:19We've made it.
36:21I've made it.
36:23I've made it.
36:25I've made it.
36:27I've made it.
36:29I've made it.
36:31I've made it.
36:33I've made it.
36:35I've made it.
36:37I've made it.
36:39There you go, Milena.
36:41I've made it.
36:43I've made it.
36:45I've made it.
36:47I've made it.
36:49Mmm.
36:51I've made it.
36:53You've made it.
36:55I'm sorry.
36:57I'm sorry.
36:59Where is Nikolina?
37:01Nikolina is not here.
37:03How did she not here?
37:05Where is Nikolina?
37:07I'm going to open it.
37:09I'm going to the village.
37:11You did it.
37:13I'm just doing it.
37:15You're doing it, you're doing it.
37:17You're doing it.
37:19You're doing it.
37:21You're doing it.
37:23You're doing it, you're doing it.
37:25I'm going to tell them
37:27I don't want you to find someone else.
37:33That's right, Mario.
37:35Advocate with moral goals.
37:37I don't think so.
37:39I don't think so.
37:41I don't think so.
37:43It's nice to find someone else in our lives.
37:47It's not so.
37:49When you look at yourself, you see that you don't see yourself.
37:53Okay, since we've been talking about everything, do you know what we call Marija?
38:03How is it? No.
38:05No, no.
38:06Wait, wait, if it's not something that's happening, then we'll hear it.
38:09Mariju, 100%.
38:12I don't understand.
38:14I mean, Mariju, when she hits a woman, she's обязant to kill her.
38:19And it's 100% that it doesn't have a effect.
38:23It's not so.
38:25Let's take Lila.
38:27Lila is the best girl in school.
38:30But she didn't give me anything.
38:33What is there?
38:35That's not a miracle.
38:36No, that's not a miracle.
38:37E, bravo, Marija!
38:38Da.
38:39Ja sam se uplašio.
38:40Da nikad nećemo popiti ništa.
38:42Ajde, da smo živi, izdravili.
38:44Zdravimo.
38:45Zdravimo.
38:46Zdravimo.
38:47Zdravimo.
38:48Zdravimo.
38:51Ajde, Risto, požori!
38:53Evo!
38:54Ajde.
38:57Dođi, každa.
38:58Ne, ne, stani, stani.
39:00Ma nemojdemo sejenovaš, da ću.
39:01Jau, stani, stani, stani, stani, polako, vidi.
39:04Let's go and talk a little bit.
39:06We always go on things.
39:08This is a test for my control.
39:10How do I do that?
39:12No, no, stop.
39:14It's a game.
39:16What?
39:18Yes, it's a game.
39:20We'll see you.
39:22No, stop.
39:24I don't want to be able to do that.
39:26I don't want to use it.
39:28I don't want to use it.
39:30You're so much.
39:32I don't want to use it.
39:34I don't want to use it anymore.
39:36How do you think?
39:38What is he doing?
39:40He's working on that
39:42my army
39:44can't work today
39:46or tomorrow
39:48because
39:50I'm drinking Brom.
39:52You're drinking Brom?
39:54Yes, Brom. I'm doing this because of you.
39:56I want to be faithful and I'll do anything else.
39:58Brom is the solution.
40:00Brom.
40:01You really think
40:02that I'm going to get back to you?
40:04Let's go.
40:06Let's go.
40:07Let's go.
40:08Let's go.
40:09Let's go.
40:10Let's go.
40:11Let's go.
40:12Let's go.
40:13I don't know if it's because of you
40:14that stupidity
40:15or because
40:17I don't want to get back.
40:19But
40:20I don't want to get back.
40:21No, no.
40:22I don't understand.
40:23And I'll show you a woman.
40:25No, no.
40:26No, nothing will happen.
40:27I will be faithful.
40:28What is it?
40:29Well, you don't need me to be faithful.
40:31Yes!
40:32I can now go.
40:33I can now or I can.
40:35We'll have to.
40:37We will definitely be very good.
40:40Hey!
40:42What's that?
40:44Hey!
40:46Hey!
40:48Hey!
40:50Hey!
40:52Hey!
40:54Hey!
40:56Hey!
40:58Hey!
41:00Hey!
41:02Hey!
41:04What do you think of your sister?
41:06What is it?
41:08I can't speak!
41:10I'm going to talk!
41:12I'm going to eat it!
41:14No!
41:16No!
41:18Let's go!
41:20Let's get a drink!
41:22Let's get a drink!
41:24There's no more!
41:26I'll go and get it.
41:28It's good!
41:30Let's get a drink!
41:32Yes!
41:34I want to tell you, there are days when I was under stress.
41:39But I did it. I bought a nice house near the sea with a walk.
41:45I'll go there when everything is over the head.
41:49Maybe I would like to show you my house.
41:55Mario!
41:57Please?
41:58Excuse me, please. Come and help me.
42:00Please, please.
42:08What?
42:10It's hard to admit that you were right for Marija.
42:13You make a lot of fun.
42:16It's crazy.
42:19Do you remember what I said yesterday?
42:21What about the blessing?
42:23Of course, I remember.
42:25Well, forget it.
42:26It's like you did nothing.
42:27What?
42:28Why did you do that?
42:30That modern man of 21st century?
42:34I'm not that man.
42:36I'm a common, rural Serbian man.
42:39What do you mean?
42:40You sit down with your legs with a walk.
42:45And you wouldn't find a sleep in the same way.
42:48What?
42:49What?
42:50Who are you who decides to behave in the same way?
42:54Who am I?
42:55Who am I?
42:57Are you 100% sure that you're going to meet with me?
43:00100%?
43:02100%?
43:04100%?
43:05Yes.
43:07Who is that?
43:08What?
43:09What?
43:11What?
43:12Yes.
43:13I'm sorry.
43:15I have to start a quick call.
43:18What?
43:19What?
43:21Hello everyone.
43:23What?
43:25Come.
43:27Come.
43:29Come.
43:30Come.
43:31And don't try the sea fruits.
43:34Come.
43:35Come.
43:37Come.
43:38Come.
43:39Come.
43:40Come.
43:41Come.
43:42Come.
43:43Come.
43:44Come.
43:45It's not too.
43:46It's nice to go.
43:47No.
43:48It's too.
43:49I have a friend.
43:50I got money for him to buy a house.
43:52How you are in the house.
43:56How is everything with you.
43:57How wonderful.
43:58It's romantic.
44:00It didn't need you to get that old.
44:02Oh, it was necessary. I want you to be the same as the day of our revenge.
44:11Viti.
44:18There is no longer a lot, huh?
44:21You won't give your mother to your mother, no?
44:24I'll do it and love you.
44:32How is it?
44:38That's how fast you want.
44:40It's crazy.
44:42That's how it's going to be a mouse.
44:44Did you get into a wheel?
44:46No, it's going to be a motor.
44:48Super motor.
44:50I wouldn't be in your hair 100%.
44:5599%.
45:02Let's see how it falls.
45:09It's like the angels are crying.
45:15I'm ready for the rain.
45:20The rain will fall every day.
45:23I can't.
45:35I can't anymore.
45:37We're pushing a lot.
45:44The essence is that we and I have more...
45:49The essence?
45:51That's why you want to fall.
45:53That's why you come back to the end of the day.
45:55Tell her to get up and buy the rain.
45:59What?
46:00It's yellow.
46:01It's yellow.
46:02It's yellow.
46:03Stop it.
46:04Stop it, man.
46:06Stop it.
46:14Hello.
46:17Feki, the batteries are like a light.
46:20You can see what it is.
46:21Don't let us get up.
46:22Don't let us get up.
46:23Don't let us get up.
46:24This is like a light.
46:25Hey!
46:26With Nicolina it's broken.
46:28Let's go.
46:29We'll sleep here.
46:30That's the location of Cassie.
46:32I'm talking about how she creates her feelings.
46:36She covers them.
46:38What does it do?
46:39She makes it different than what really is.
46:41She makes it different than what really is.
46:42She makes it different.
46:43Oh no, it's a light.
46:44No, no, no.
46:45Clear.
46:45Clear.
46:46Clear, clear.
46:47In the last nights she played like a magnet.
46:51I just asked.
46:52Magnet.
46:53Oh!
46:54Oh!
46:55Oh!
46:56Oh!
46:57Oh!
46:58Oh!
46:59Oh!
47:00Oh!
47:01Oh!
47:02You
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