Skip to playerSkip to main contentSkip to footer
  • 5/22/2025

Category

📺
TV
Transcript
00:00It's a shame that we experience all these days.
00:06Alex, don't go! No, Alex! You're a faculty teacher!
00:10I work like this, I eat like a fish, and I'm dead like a horse.
00:16I don't need a psychiatrist, I need a veterinarian.
00:20I need some of my colleagues.
00:22Sometimes I'm going to die, I want to go to the land.
00:25And then I think again, it's not to me.
00:30I would like to see someone else to live with Mirona.
00:33I'm a normal mother.
00:36How he lives, I can't even look at it.
00:39He's a woman.
00:41I believe, I look at you in days.
00:43You're in my thoughts. When I go to sleep, I just think about you.
00:47When I wake up, I think about you.
00:50I can't work, I can't breathe.
00:52Just, I love you.
00:56You're my whole world.
00:58Do you see this? I'm a good person.
01:01It's a matter of love. I love you, I love you, I love you.
01:04Yes.
01:05Yes.
01:09What I said to her, I believe it's worth it.
01:13A, you know what I'm saying?
01:14I'm saying that I'm the one who is a sex addict.
01:18It's not important how much a person takes care of sex, but how much he thinks about sex.
01:23What do you think?
01:26What do you think?
01:27If we look at the truth, it's maybe right.
01:30Okay, why are you joking?
01:32Tell me what you're doing and I'm going to do it.
01:35Don't do it, fool.
01:37You know what I'm doing?
01:39It's been the worst year.
01:41The most important thing is to look at the house of your life.
01:46I think that I...
01:47Yes, that's it!
01:49If you want to buy a house of this house, go and go.
01:53Okay.
01:54I promise you that there is no way of bringing home.
01:57You promise?
01:58I promise.
02:00100%.
02:01100%.
02:02You know me.
02:03Okay.
02:05Mirona, I'm waiting for you for half an hour.
02:08I'm going to go.
02:09My son.
02:11He says that all of these are clear symptoms of the crisis of the last year.
02:15We have the idea of how to solve this crisis.
02:19BEND.
02:20BEND.
02:21BEND.
02:22Okay, we've already noticed this before.
02:24But believe me, the crisis of the last year is not a diagnosis that gives you a big difference.
02:29I know.
02:30I know.
02:31But I think that I'm aware of these crises, but I can't stop them.
02:35You won't believe what I've done before.
02:38What?
02:41I bought a car.
02:42You can think of a car.
02:44A car.
02:45Good.
02:46And?
02:47Yes.
02:48I know that in the middle of the crisis of the last year, they buy a car.
02:50They paint, paint, paint, paint.
02:52That's my biggest problem.
02:53What is the problem?
02:54What is the problem?
02:55What is the problem?
02:56What is the problem?
02:57What is the problem?
02:58What happened to me?
02:59I can't stop.
03:00I'm going to go.
03:01I'm going to go.
03:02I'm going to go.
03:03I'm going to go.
03:04I feel like I'm going to go.
03:05Why am I going to take into account?
03:06What's the problem?
03:07Let me say.
03:08I don't know what the hell is going on.
03:13So what?
03:15Do you have to get a transport?
03:18Huh?
03:19But not only the doctor,
03:21that I had to get into the car for the car,
03:23but that I bought the equipment.
03:25The car is the most expensive.
03:27Those skin clothes,
03:28the original shoes,
03:29the boots,
03:30the boots,
03:31I had to pay credit.
03:33And here, in my pajamas,
03:38Mirone,
03:41it was a lot,
03:42I tell you.
03:44Listen, Mirone,
03:48you won't go to this anymore,
03:50you understand?
03:51What is it now?
03:52What is it now?
03:53What is it now?
03:54What is it now?
03:55What is it now?
03:56What is it now?
03:58What is it now?
03:59What is it now?
04:01I've said to you 100 times,
04:04I won't look at your gologuze and fufice
04:06and walk in the closet.
04:07It's crazy.
04:08It's a bitch!
04:09You can have a headache.
04:10What are you talking about?
04:11What is it now?
04:12You're speaking!
04:13What is it now?
04:14What is it now?
04:15What is it now?
04:17What is it now?
04:19What is it now?
04:20What is it now?
04:22It's now.
04:24What is it now?
04:25What is it now?
04:27It's now.
04:28I don't like the word.
04:30I'm sorry.
04:32I can't forgive you.
04:34I'm sorry.
04:36I said to you that moron,
04:38this house is not a couple.
04:40I'll give you one free advice.
04:42You're young
04:44and you should understand
04:46who you are around.
04:48When your parents knew how many people were.
04:50It was a shame!
04:52Hey, Tata.
04:54Is that Renato?
04:56Who is Renato?
04:58My friend Renato.
05:00We're ready to go together,
05:02she was sleeping with me.
05:04She?
05:06I gave her your pajamas.
05:08I hope you don't love yourself.
05:10Renato!
05:12I have to tell you,
05:14doctor,
05:16when I bought a car,
05:18it's interesting to me.
05:20You can't believe that some women
05:22are going around me.
05:24I have to tell you.
05:26How high material.
05:28Finnsa.
05:30The most expensive engine.
05:32The most expensive engine.
05:34I have to tell you.
05:36I think that your car has a lot of cubic.
05:38Yes.
05:40He has a lot of cubic.
05:42He has a lot of cubic.
05:44He has a lot of cubic.
05:46I have to tell you.
05:48I have to tell you.
05:50I'm behind you on the car.
05:52How do I keep holding?
05:54Yes.
05:55Yes.
05:56Yes.
05:57Yes.
05:58Yes.
05:59Yes.
06:00Yes.
06:01Yes.
06:02Yes.
06:03Yes.
06:04Yes.
06:05Yes.
06:06Yes.
06:07Yes.
06:08Yes.
06:09Yes.
06:10Yes.
06:11Yes.
06:12Yes.
06:13Yes.
06:14Yes.
06:15Yes.
06:16It's amazing.
06:18Yes.
06:19Yes.
06:21Yes.
06:22Yes.
06:23Yes.
06:24Yes.
06:43Oh, hello, Paklin and Angele.
06:48Hello, guys. What are you doing?
06:51When did you talk about that?
06:54Nothing. I'm just commenting on how you're going.
07:00What? What did you do?
07:02Nothing, nothing. I'm on your side.
07:05Yeah, I'm great. I'm doing this.
07:07It's something that you're doing.
07:09What are you doing?
07:11No, it's all right.
07:13I don't see the two of them, but I see it.
07:15You really look like a bulldog.
07:19You don't see that she's young, young, young than you?
07:23I see everything.
07:24For me, you've explained it, Max.
07:26What do you say, old pedophile?
07:28I tell you, normal.
07:29Look how you look.
07:31You look at what you're saying.
07:33You've got a little bit of a car,
07:35and you've got a car.
07:36You've got a car.
07:37You've got a car.
07:38You've got a car.
07:40You've got a car.
07:41I've got a car.
07:42I've got a car.
07:43I've got a car.
07:45What are you doing?
07:46What's the car?
07:47I've got a car.
07:48I've got a car.
07:49I've got a car.
07:50I'm going to get a car.
07:52Oh!
07:58Oh!
07:59Oh!
08:11Wait a minute, you got to burn those containers from the house.
08:15I put it on the next one, but I couldn't get them out.
08:17Look, but what Miron says is right.
08:20Look, what you bought the car and what you bought the car,
08:25those are the first symptoms of the middle-aged crisis.
08:28What are you talking about? What a crisis?
08:30A man must have more than 55 years to be in the middle-aged crisis.
08:33Yes, when a man lived 110 years.
08:37Let me read it and I ask you what it says on this menu.
08:42What do I have to read? I know you.
08:44What do you think?
08:46The symptoms of middle-aged crisis were taken by your
08:50middle-aged aura, which is not just aura.
08:54Okay, okay, okay, okay, I know that I am in the middle-aged crisis.
08:58I know that I am in the middle-aged crisis.
08:59I know that I am in the middle-aged crisis.
09:00I don't have to be satisfied with her.
09:01What are you talking about?
09:02What are you talking about?
09:03You are only a few years old than me.
09:04I am.
09:05I am in the middle-aged crisis, but I don't care about it.
09:08I enjoy it.
09:09But men, I don't have children who have 18 years old.
09:13What do you think?
09:14She looks like a man's right.
09:16She doesn't look like a man's right.
09:17She doesn't look like a man's right.
09:18She doesn't look like a man's right.
09:19She's already on the motor.
09:20She's falling from the car.
09:21She's falling from the car.
09:22She's falling from the car.
09:23She's falling from the car.
09:24She's falling from the car.
09:25She's falling from the car.
09:26She's falling from the car.
09:27I don't care if I am not going.
09:28I don't care if she's going to buy a car.
09:29No problem, Eremija.
09:30The problem is that he knows me.
09:33He says something like I'm a pedofil, like I'm a fool.
09:36And he is a man's right.
09:38And he is the cur that has a years ago.
09:41What do I say?
09:42The older one is the older one.
09:43The older one is the older one.
09:44The older one is the older one.
09:45The older one is 3 or 4 months.
09:47Give me a moment.
09:48Do you know Ibro from old town?
09:51I know, Ibro is coming to school.
09:52I'm coming to school.
09:54Do you know who Ibro is now?
09:56I know.
09:58Fui, fui.
10:00It's like a dad.
10:02I mean...
10:04That's it.
10:08And what do you want now?
10:10He says to you,
10:12look at him, Aleš Firdus.
10:14Firdus, known in Sarajev's name.
10:16He's going to Aleš with a son,
10:18who is younger than him.
10:20He's younger than him.
10:22Who can be a dad.
10:24Dad, Aleš.
10:26He's not a dad.
10:28He's younger than him.
10:30He's going to point out, Miron.
10:32You know what, Aleš?
10:34I don't know what to say.
10:36I don't know what to say.
10:38I know.
10:40I'm going to put him on a little bit.
10:44When I was born, I was finished.
10:46Okay, but you're a young diplomat.
10:48You know what, Miron?
10:50That's right, brother.
10:52That's a smart decision.
10:54The only right and the only moral decision
10:56is to move on a little bit.
10:58You understand?
11:00We all love women.
11:02You know that I love women the most.
11:04But when I had such a young man in front of me?
11:06You know what?
11:08I have to do it in the evening.
11:10I have to.
11:12I knew that Miron was right.
11:14On the evening, I'm going to take care of myself.
11:16I'm going to take care of myself.
11:18I'm going to take care of myself.
11:20I'm sorry.
11:22I'm really sorry.
11:24I'm sure
11:26that I'll find you very soon
11:28someone in your year
11:30who will be happy.
11:32I want you happy.
11:34I'm happy.
11:36I'm sorry.
11:38That's my story.
11:40I'm out of trouble.
11:42Give me some whiskey.
11:43Igor, what do you drink?
11:44Give me some beer.
11:45Give me some beer.
11:46But at the same time,
11:48when I returned to my house,
11:50I realized that I ate a shit.
11:52And that's a big shit.
11:54Hey, let's drink I got you.
11:56I want you to drink that hot возь.
11:57I didn't drink that hot.
11:58I'm Japami.
11:59I want you to drink that hot.
12:00I just hate it.
12:01Why do you drink that hot?
12:02I do not drink that hot.
12:03I completely hate it.
12:05Well, don't drink that hot.
12:06I am not drinking this hot hot.
12:08I have a cigarette hot hot.
12:09No question.
12:10But there are no calories.
12:12Okay.
12:13We are no calories.
12:14We are going to drink that hot.
12:15I'll pass the hot hot hot hot.
12:16And I'll pass the hot hot hot.
12:17I'll pass it.
12:18The hot hot hot hot hot hot hot.
12:19I'll pass it on my skin.
12:20You're watching that hot hot hot hot hot hot hot.
12:21I can't miss you.
12:22You're still a little bit.
12:24Yes, yes, I mean, yes, yes.
12:27It's easy to push the front and then you can't go on, but I'm gonna watch him like that, little child.
12:33What's the difference with this guy with Aleš?
12:36Like a clown.
12:38What's that, Aleš?
12:40Aleš is a smart guy, he doesn't even know.
12:43I'm going to give him the price of 10€,
12:46so I'll kill him every desire for him.
12:49What?
12:51At the end, I'll finish it, if you need.
12:53Let's go.
12:54Let's go.
13:01That's it.
13:02I don't want to lie to you, but I have to say this.
13:05Brother, you're a little crazy.
13:08When did you see that Miron started talking
13:11that she was very young for you,
13:13that she had to do something for you.
13:15I don't care how much you need for years.
13:18Let's go.
13:19You fell asleep, and you wanted to give me some signs.
13:22What's the matter?
13:24It wasn't moral to get hurt.
13:26And it's moral to get hurt?
13:28Don't get hurt.
13:30What's the moral? I don't know.
13:32Let's go.
13:33Let's go.
13:34You'd be like a horse.
13:36You'd have to live with me.
13:38What do I do when you don't treat it legally?
13:40How do you treat it legally?
13:42He developed legally and morally.
13:46But if it's legal to be a man who has 18 years old,
13:49then it's moral.
13:50Right?
13:51My friend was a professor in middle medicine.
13:56And he told this maturator excursion in Paris.
14:01And he asked him,
14:03he said,
14:04he said,
14:05Professor,
14:06can we be able to travel along Paris?
14:11He said,
14:12he said,
14:13Prof.
14:14Oh, it's possible.
14:17It's possible, but don't worry about any disease.
14:22What's the matter, please?
14:24We have a couple of things that we talk about now.
14:27How does it not?
14:2818 years ago, it's a serious year.
14:30That's it.
14:31Today's diploma in the middle school is allowed for sex.
14:34Tell me what you want.
14:36I've done it properly and I'll do it again.
14:38I'll do it again.
14:39I'll do it again.
14:40I'll do it again.
14:41I'll do it again.
14:42Oh, I'll do it again.
14:44Don't get up.
14:46What's up with you, Buras?
14:52Did you break theuspid?
14:54Didn't you break theuspid?
14:56I won't break theuspid again.
14:59I'm gonna tell you Ben.
15:02Where did you leave your trunk, where did you leave your trunk, where did you leave?
15:06Where did you leave the trunk when you laid down the aisle?
15:09That's how Dernik was, son of a while, and the walls were left in the house.
15:23Sorry, Bogat.
15:25That's how I prepared my hands.
15:28You're so dangerous to be able to walk with us in the day-to-day war,
15:31rather than on the Niskeld.
15:33Do you know what you two really do?
15:35Why don't you leave a housewife, a woman,
15:42to get you clean up there and clean up?
15:45You can see, that's not a bad idea.
15:47I could have found a woman's house.
15:49You don't leave your mother.
15:52I know who would be for those qualities.
15:56What's wrong with my criteria?
15:59I'll find a housewife.
16:01A few days later, I went to Boru.
16:05Borka is a little strange, but she seems to be a little.
16:08I like her, she's a little bit better.
16:13And now, Borka needs to be ready for this night.
16:17And she will not be able to do this night.
16:19She'll just drink the lunch.
16:22She's not the night.
16:24A little bit, she just once said she is her.
16:26She does not stop her.
16:27She's wearing a drink.
16:29You're getting your hands out,
16:32she's wearing a drink.
16:35She's wearing a drink.
16:36It's not a drink.
16:38She's getting your tickets,
16:40she'll get to the drink,
16:42she'll get a beer from the機oon.
16:44and you have to do it again, and then everything will be like that.
16:49That same day, we were in the garage and had a test of band.
16:54We were just finished.
16:56How did we do it today?
16:58Only with you, I'll be wrong.
17:02I'll be wrong with you.
17:04I'll be wrong with you.
17:06And besides that, we sound like that.
17:09We should have to start thinking about the album.
17:12One of my patients, this NEFA, he works at the desk.
17:16Maybe they could give us a CD.
17:18No, my mother, they give us a CD.
17:21They gave us a CD.
17:23Every third is not finished.
17:25Here it is.
17:26Here it is.
17:27Here it is.
17:29Here it is.
17:31You can buy three CDs.
17:33You can increase the possibility that at least one is finished.
17:36Dadi.
17:37Here we have two.
17:39I've listened to my people, but there is no longer.
17:42There is no one.
17:43See what he says.
17:44Please, if the CD is not finished, I'm sorry.
17:50I'm sorry.
17:51Excuse me, people.
17:52Are you invited to the home help?
17:55Yes.
17:56I was invited to the evening.
17:58I didn't see it yet, but knowing the taste of my brother,
18:02he was invited to the grave.
18:04I'm not sure.
18:05I'd like to get a man of a drink to clean my house.
18:07Yes.
18:08I'm really happy.
18:09Right.
18:10Poor old, no one.
18:11No.
18:12Hey.
18:13Some faggot, Jesus.
18:15No.
18:16But...
18:18It's a good meal.
18:20Could we have something like this?
18:23Can't wait...
18:30What are you doing with me, boy Sr.
18:32I said, what were you doing?
18:33What are you doing?
18:34What did you say?
18:35And...
18:37How did you say that this house spokesman for you?
18:40I said that you names.
18:41Yes, I said to myself.
18:42Why not use a fish, boy?
18:44What am I saying?
18:45You said you are not on the one are on the other's sister.
18:46Yes, you are on the other's sister, brother old.
18:49Fair one...
18:50Yes, but this is a fall, like orange, yellow, red, like three discs.
18:57You're crazy.
18:59You're crazy, Ilo.
19:00Stop, I didn't see him.
19:02You know what I'm talking about? You're crazy, Ilo.
19:05You knew I'll see her before or later, but I'm not sure why you're lying.
19:10Who will you see?
19:11Borkova.
19:12What kind of Borka, like Merlin Monroe.
19:16Are you ready?
19:17All right, let's go.
19:24Oh, Merlin Monroe.
19:25No, no, no, no, what are you doing?
19:27What are you doing?
19:28I'm ready for the trpezarist.
19:30That's a bomb.
19:32Every time, I'll go.
19:34Believe me, I'll never die.
19:37I'm not clear why you're lying from me.
19:39I'm totally benign.
19:41I heard the story of my mother, and she said,
19:44Oh, my old brother, how are you doing?
19:46I'm not sure why I'm doing it.
19:47I've seen it on the internet.
19:49Come on, come on.
19:50You, three of them, mother, would be like you're lying.
19:53Let's go and see.
19:55Go.
19:56Go.
19:57Kokolo, kokolo, kokolo moj.
20:00Si bio moj, kad si bio moj.
20:03Kokolo.
20:05Laburaz, jesi vidio, ha?
20:09Ovo ću vam sada reći najizbitnije.
20:11Ako se vama trojci ono unutra sviđa,
20:14onda ste vi zreli za neurohirurga u najmanju ruku oftamologa.
20:18Jaj, ostam prstena tu negdje kod sudoper. Jeste ga vidjeli?
20:22Pa nisam ja agencija za izgubljeno nađeno. I sama ga tražim.
20:26I ovo.
20:28A ovo, znaš, mogle bi malo i da se obučeš, a ne da go logu zahodaš ovdje pokući.
20:35Čekaj, majke ti mislim nekontam.
20:37Kakva seksualna transformacija suprotnog pola?
20:39Objasnila mi moja psihijatrica.
20:43Seksualno transformirana projekcija suprotnog pola označava muškarce koji su u krizi srednjih godina.
20:48I često zbog te krize žene oko sebe vide u izmijenjenoj projekciji.
20:53Ne konta.
20:55Da pojedno ostavim.
20:56Gledaš nekog groba, ali si toliko zagorio da od nje misliš da je Marilyn Monroe.
21:00Ja mislim se to vama trojci dešao.
21:02Čekaj da ja objasnim jer sam ja mnogo čitao o tome.
21:05Vidite, muškarce u krizi srednjih godina često varaju svoje supruge sa švalerkama koje mnogo loši izgledaju od njihovih supruga.
21:12Da pojedno ostavim. Žena ti ko grom, švalerka ko grob.
21:16Ma daj, molim te.
21:17Hoći ti da pojedno ostaviš?
21:19Ma ne, nego ti sad meni očiš da kažiš da sam ja slijep pored svoju očiju, jel?
21:23Žena izgleda koda je sami Michelangelo Crtovu.
21:27Onda sam veljda ja lud.
21:29Evo ja sam sad virio i ona maše olikim guzovima.
21:32Pola kuhilje mi je rastrujila. Ida guzila se onako i to je odvrat. Fuj!
21:37Ustajte! Ispustih ovo malo duši!
22:05No!
22:09Ljur, ljur, vodite me u hisnu, pola mi osav rebra.
22:12Aj se je to uvez.
22:13Ubio je Boga ako ste vas trojice normalni.
22:17Vi ste klasičan primjer one seksualno transformirane projekcije.
22:22Ma, Burazak, u tebi ova Borka nije dobra.
22:25Ti stvarno lud kreteni idiot.
22:27Ili se samo praviš da si lud kreteni idiot?
22:29Od onih guzova ljepši prizor u životu nisam vidio.
22:34Noća soka neću sklopiti.
22:36Aleš, ne moš ljuditi, ali...
22:39Nekome u ovoj prostoriji treba psihijatar. Tebi ili nam.
22:43Ja već idem psihijatru.
22:45Eto vidiš što smo riješili. Znači on već ide psihijatru.
22:48Njemu ne treba psihijatra.
22:49Ja idem psihijatru da mi se ne bi dešavalo ovo što se vama dešava.
22:52Ne, nego ti ideš psihijatru zato što si lud.
22:55Ajmo, momci. Ajmo!
22:58Ima li negdje drugdje da vi sjedite i šupljirate?
23:02Noga, razlaz, razgulte, trebam da sredim ovaj dnevni boravak.
23:08Ljeko dama sa Zogirom.
23:09I što ti majke ti dvije zaposlio?
23:11Stvarno si perverzan. I treba ti psihijatru.
23:28Šta se tu učeš?
23:33Pedofilu jedan, onaj matori odvratni.
23:35On nije čoveče. Gledam ovu Eminu drugaricu. Prava je kifla. Prava Merlin Monro.
23:42Ta mala je peti dan kod nas. Izgleda je u celina ovdje.
23:46To je dobra. Mislim, ja bi nju mogo gledat cijeli život da se šeće pokući onoj tvojoj pijar.
23:52Napravila s tostove.
23:57Super.
23:58A sok?
23:59Joj, zaboravila sam sok.
24:01Aj nekajak ću.
24:02Aj, super.
24:04Samo me nemoj, Zeza. Ti meni hočiš da kažiš da tebi kao nije mrsko bacito svoje plavo oko na plavu renaticu.
24:11Čista laž. Pedofilu jedan. Pa mojeg čijer je njeni godina. Majmune jedan.
24:15Ma šta ti je 23 godine ima bolan. Tebe je mati rodila u 22.
24:20Pes. Pes.
24:22Pes.
24:23Pes.
24:28Pes.
24:50Pes.
24:51Pes.
24:52Pes.
24:53Pes.
24:54Pes.
24:55Pes.
24:56Pes.
24:57Pes.
24:58Pes.
24:59Pes.
25:00Pes.
25:01Pes.
25:02Pes.
25:03Pes.
25:04Pes.
25:05Pes.
25:06Pes.
25:07Pes.
25:08Pes.
25:09Pes.
25:10Pes.
25:11Pes.
25:12Pes.
25:13Pes.
25:14Pes.
25:15Pes.
25:16Pes.
25:17Pes.
25:18Pes.
25:19Pes.
25:20Pes.
25:21Pes.
25:22Pes.
25:23Pes.
25:24Pes.
25:25Pes.
25:26Pes.
25:27Pes.
25:28Pes.
25:29Pes.
25:30Pes.
25:31Pes.
25:32Pes.
25:33Pes.
25:34Pes.
25:35Pes.
25:36Pes.
25:37Pes.
25:38Pes.
25:39Pes.
25:40Pes.
25:41Pes.
25:42Pes.
25:43Pes.
25:44Pes.
25:45Pes.
25:46Pes.
25:47Pes.
25:48Pes.
25:49Pes.
25:50Pes.
25:51Pes.
25:52Pes.
25:53Pes.
25:54Pes.
25:55Pes.
25:56Pes.
25:57Pes.
25:58I'm going to go to Zagreb.
26:00I'm going to go to the hipodrome.
26:02And now I'm going to go to where I'm going.
26:06Is it 6?
26:08Is it 6?
26:10Is it 1?
26:12No, it's 6.
26:14There was a sign.
26:16It's a symbol.
26:22She's still a little bit.
26:24If you want to shoot,
26:26I won't shoot you again.
26:30It wasn't the first time.
26:32Did you decide to buy a guitar?
26:34I died one of the patients,
26:36but it was a good guitar.
26:38What year?
26:40It's 6.9.
26:42It's not a patient, but a guitar.
26:44It's 6.9.
26:46It's not a guitar.
26:48It's not a guitar.
26:50We can't go to concerts.
26:52We can't beat anyone with a guitar.
26:54I have a guitar.
26:56I have an eutanazity of a guitar.
26:58It's a guitar.
27:00It's a guitar.
27:02It's a guitar.

Recommended