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00:00I don't know what you mean by this week.
00:05You mean nothing is better than this week?
00:08How better?
00:10It's just worse from day to day.
00:13Is the situation the same with women?
00:15It's a disaster.
00:17I've never known about women.
00:20I don't know if a man is like that.
00:24My brother Miron,
00:27every one of them is like a little finger.
00:30It's a story.
00:32You know exactly what you should say.
00:34It's just a death.
00:36Thank you very much.
00:38Thank you for being here.
00:40It was great for me.
00:42How are you doing?
00:44Yes, I know.
00:45I know what you're planning.
00:47What I'm planning?
00:49I'm calling you to drink a little wine,
00:52atmosphere, music, light.
00:54When you know everything,
00:56what's wrong?
00:57That's right.
00:58It's not a very important thing.
00:59Which one?
01:00It's not the first one.
01:02If there's no sex on the first one.
01:04What?
01:05There's no sex on the first one.
01:06There's no sex.
01:07There's no sex on the second one.
01:08There's no sex on the second one.
01:09But on the first one,
01:10there's no love.
01:13What do you think?
01:14Let's start again.
01:17I'm sorry.
01:18Good night.
01:20Happy birthday.
01:21Good night.
01:23Happy birthday.
01:24It's nice to meet you.
01:36Here we go again.
01:38Is it early for this other day?
01:45My brother and I, the doctor.
01:47It's like we didn't get out of the bus.
01:50I've gotten so much out of the bus,
01:52so I don't want to give them any more.
01:54There's no reason to come back to my wife.
01:57I know what I'm doing.
01:58Whatever I do, they don't get me.
02:00Hello.
02:02Have you ever seen us somewhere?
02:07I think we are.
02:09Where?
02:10In the city.
02:11There at one cafe.
02:13That's why I don't go to this cafe.
02:17My question is...
02:20Fator, what would you do in Sweden?
02:33Yes.
02:35I thought I would like to give me my number of phones.
02:40Do you have the name?
02:43Yes, yes.
02:45Yes, but...
02:46How will I find him?
02:47I don't know how the name is.
02:49You can find the name of your name.
02:56Lepotica.
02:57I tell you, my daughter.
03:01Now, in fact, the question is,
03:03whether I'm so nervous because I don't have success with women
03:06or not because I'm nervous.
03:09I'm nervous.
03:10I'm not sure how to say it.
03:11I'm going to go to the house and I'm going to get the one who can get.
03:13How do you get it?
03:16I got it before you get it.
03:19That's how you get it.
03:21That's how you get it.
03:23Catastrofa.
03:24I've never seen women in my life.
03:28Let me show you.
03:29Let me show you.
03:30Let me show you.
03:31Let me show you.
03:32Let me show you.
03:33Let me show you.
03:34Let me show you.
03:35That's all the strength.
03:36That's all the strength is coming from you.
03:39You know how many millions of people have around you?
03:42A whole ecosystem.
03:45But I...
03:46I have to shut down.
03:48I'm going to go.
03:49I'm going to get the help from you.
03:51I'm going to get it.
03:52You're going to go.
03:53You'll go first and put it in one direction.
03:55Then you're going to take it out of the other direction.
03:58I'm convinced that Dr. Deborka is the only person
04:00who is this nervous.
04:03When I'm nervous, and I'm constantly nervous,
04:06she's not doing anything.
04:07She's just dying.
04:08This is something.
04:09A man doesn't trust me.
04:11When you drink the water,
04:13you'll use the water.
04:14Hmm?
04:15See?
04:16If it's cooked, the cocoa would be eaten.
04:18Give it to me.
04:20You have to press it a little bit.
04:22You won't be able to stop.
04:24Here you go.
04:25Put the water in the water,
04:27put this detergent,
04:30and then you turn it on.
04:44Hello, boys.
04:49Why are you laughing for the third time
04:51when this d**k is outnumbered?
04:53What is it?
05:01Why are you laughing at your mother?
05:04You are laughing at me!
05:08I don't know...
05:09I don't know...
05:10I don't know...
05:12What is it?
05:13Hello, buddavet.
05:14Will you smile or leave?
05:18I'm going to kill you two.
05:20I'm not a liar.
05:21Let me kill you.
05:22Why are you nervous?
05:24You are the only person in the world
05:26who makes you nervous.
05:28That's crazy!
05:29You are a little scared.
05:30I'm going to kill you.
05:32I'm going to kill you.
05:33I'm going to kill you more.
05:34I'm going to kill you in the garage,
05:35and the sriras...
05:36and the sriras...
05:37and the sriras...
05:38and the sriras...
05:39Come on!
05:42This is the Greek love...
05:44when the brother is in the car.
05:47What is it, mother?
05:48Why are you so angry?
05:50You know what?
05:51The coffee is good and good.
05:52What coffee?
05:53What coffee?
05:54We go to Jeremija and I, son,
05:56to the library to drink.
05:58We go to one another...
06:00and we go to the other...
06:02when the fray will fly.
06:04Sok!
06:08Sok!
06:12Probušila vam se ta kese,
06:13gospodine.
06:14Prosuče vam se.
06:15Hvala vam.
06:16Hvala vam.
06:17Šta je to?
06:18Neki čaj, šta li?
06:19Jeste, čaj.
06:20Za prostatu.
06:21Uuu, pa to je dobro.
06:23Znate, mene malo muči prostata.
06:25Ni moga, tatu.
06:26Zato ja uzmem ovog čaja,
06:28na velikoj jedva se nađe.
06:30Pa možemo biti godinu dana.
06:32To je čaj, bir i lač za prostatu.
06:35A šta ti imaš problem sa prostatom, jo?
06:38Kiflo, postoje samo dva načina
06:40da nemaš problem sa prostatom.
06:42Jedan je da nisi napunio 40,
06:45a drugi je da si žensko.
06:47Kao što znaš, ja sam preguruo 40,
06:49a žensko nisam.
06:51Pa preguruo sam ja 40,
06:53pa nemam problem sa prostatom.
06:55Ti nemaš problem, jel ba znam.
06:57Ja vidio sam ja tebi kako ti pišaš.
07:00Ti da pišaš onu bijelu boju,
07:02mogo bi komotno ispišavati saobrečanu liniju za pretricanje.
07:05Onu isprekidavu.
07:06Zato što mi drž te ruke.
07:08Pusti.
07:09Dobroviči, gospod Juse.
07:14O, zuka.
07:16Odkad se vidjeli, nismo Šamaji.
07:19Šta Šamaji?
07:20Ganjam ti još od Elpašnog polja.
07:21Ete Šamaji.
07:22Ne, ne.
07:23A taj, ja počeo džogirat,
07:25a kroz sam i počeo na polju,
07:26trebao bi se me zvati za ovog hrana,
07:28da se bi stao.
07:29Hajde pa me tu, rekao inspektar,
07:30da te privedemo.
07:31Nek' me nazove,
07:32ja ću sam doći.
07:33Al' trebao sam uvizit koja tato.
07:35Hajde.
07:36Uššš.
07:37Uššš.
07:38Uššš.
07:39Završim poglavlje.
07:40Uššš.
07:41Uššš.
07:42Uššš.
07:43Brlaši ovog travara?
07:45Ne je vratio knjižu u biblioteku.
07:48Uššš.
07:49Ušš.
07:51Ušš.
07:52Zagoravi ovaj čaj...
07:53For prostate.
07:55You see, Jeremia, you are an academic, a doctor, a doctor, a master.
08:01The man came here, Murja.
08:04Before that, he hit us with this tea.
08:08From all that happened to the doctors,
08:11we can finish this here.
08:14This is not a prostate.
08:16No, no, no, Kifla, please.
08:19We know that this is a prostate.
08:22We are clean before God and before God.
08:27We are?
08:29We can get four liters of water.
08:31And the slone, please.
08:33Do you want to try a little tea for prostate?
08:37Well, you know that this is not a tea for prostate.
08:42What about us, this is a tea for prostate.
08:45For prostate, I don't know,
08:47but the best is for prostate.
08:52Prostata is a stupid thing.
08:55Prostata is to pray.
08:58You take the word T and you get to pray.
09:01I pray in Slovenian language.
09:04I pray in Slovenian language.
09:05I pray in Slovenian language.
09:07The mother is a doctor,
09:10I don't know which one of you is the most nervous.
09:12You are the last day in the house in pajamas,
09:17and I'm sorry for you to come here and drink coffee.
09:19I don't know which one of you is going to be nervous.
09:24I'm going to go to the pyjama house.
09:27And I'm sorry for you to drink coffee.
09:30Mr. Sprebačica is at the same time.
09:33I'm fine, and I'm just normal in this house.
09:37Oh, Lini Suđa!
09:39Let's go!
09:41Don't worry about it.
09:43Have you had coffee?
09:46Yes, I have.
09:48How was that dirty?
09:52Stare, he's becoming uncomfortable.
09:54He's nervous like a dog.
09:56He's nervous.
09:57I'm nervous.
09:59When he's nervous,
10:00he's going to burn everything.
10:02He's going to burn everything.
10:04I'm really nervous.
10:06I know that.
10:07When he comes to the trial,
10:08I believe.
10:09He's going to break the door.
10:11But I think I know what's going on with him.
10:14What's going on with him?
10:16Get out of here.
10:18I can't talk to you before him.
10:19He's not a child anymore.
10:20We all know what he needs.
10:22He needs sex.
10:24He needs sex.
10:25He needs sex.
10:26He needs sex.
10:27He needs sex.
10:28Yes.
10:29He needs sex.
10:30He needs sex.
10:32He needs sex.
10:35He needs sex.
10:36I think he needs sex.
10:38He'll just have sex.
10:40What do you think he's going to be abstinent?
10:42I believe it's going to be a whole female age.
10:48Let me tell you what happened to me.
10:51Here's another one from this house.
10:54I'm really upset with your story.
10:56You have to be a little bit.
10:58You have to be a little bit.
10:59You have to be a little bit.
11:00You understand me?
11:01Just tell me.
11:02Are you the last few years old?
11:04Hard.
11:05I don't think so.
11:07Are you?
11:09What day?
11:10On Friday.
11:11On Friday, on Friday...
11:13I've been seven years old.
11:16You can't do that, Michael.
11:18You have to go out a little.
11:20You know what?
11:21You're doing it.
11:22You're getting married.
11:24I don't want to go.
11:25You don't want to go.
11:26I have the feeling that you're going to be in the evening.
11:29You have the feeling.
11:31I have the feeling, I have the feeling.
11:33I'm an artist.
11:34I feel like I'm looking.
11:36I'm going to go out there.
11:37I'm looking.
11:38You'll see.
11:39There's a woman.
11:40It's love in the first sight.
11:42You take it and you take it off.
11:44You take it and you take it on Smajevac.
11:46You show you that Olympic city.
11:49You love you.
11:50You love you so sweetly.
11:53You're going to go.
11:55Don't you like it.
11:56Don't you know.
11:57You're ready?
11:58Hey, are you ready?
11:59At 8am, we'll see you in the morning.
12:03Yeah.
12:05Let's go.
12:10You have to have a Greg.
12:13Yeah.
12:14And then you can call it Plaster,
12:17so we'll have a brother from Juga.
12:21I'm full of positive energy.
12:23I have a feeling that I'm going to be in the morning.
12:26Why didn't I go?
12:27Yeah.
12:29Pardon.
12:31Look at that two are there.
12:34What do you mean to start?
12:36I'm always going to start,
12:37if we get to the goal.
12:40I'll follow you.
12:42I'll follow you.
12:46Hello.
12:48How are you?
12:49Hello.
12:50Can my brother Miron and I sit down?
12:54We'll talk about it.
12:57You can sit down.
13:02Miron, friends.
13:03Good work.
13:04Good work.
13:05Good work.
13:06Good work.
13:07Dr. Firdus Aleš.
13:08Dr. Firdus Aleš.
13:11What do you have?
13:15That's it.
13:16You're a blue one.
13:17You're a blue one.
13:19One blue one.
13:20One blue one.
13:21One blue one.
13:23That's it.
13:24That's it.
13:25Do you know what the name is called?
13:27The gen that determines whether it's a blue one or a blue one?
13:31What?
13:33Hydrogen.
13:34It's a little long time.
13:35It's fucking weird.
13:36It's a big mistake.
13:37It's your question.
13:39I'm like, what are you doing?
13:40It's a big mess.
13:42What is sad to me?
13:43I don't know.
13:44I'm still trying to drink again.
13:45What are you thinking?
13:46I can take this drink again.
13:49And we're going to go home.
13:51Here in the park.
13:52We have a cold place.
13:54I'm too cold.
13:55And let's get wine, music.
13:56I don't know.
13:57You can.
13:58You can.
14:00I can take that drink.
14:02and then we'll go to the brzak, and we'll go to that poor place.
14:06There's a lot of trouble. There's a lot of grovel.
14:09There's a lot more fun than there.
14:11You know that place?
14:13Do you know that poor place?
14:15No, no, no.
14:18How much do we have?
14:20Did you see? Did you see?
14:22What did you do?
14:23I've never bought it in my life.
14:26I've never bought it in my life.
14:28I don't know if I'm ready to talk about this.
14:31Did you see something new in the sex world?
14:33Something changed?
14:34Nothing changed?
14:35Everything changed?
14:36Maybe it changed?
14:37What?
14:38I mean, how did you get it before?
14:41Now, you're probably old.
14:43No, no, no.
14:44No, no, no.
14:45No, no, no, no.
14:46No, no, no, no.
14:48I don't know if I forgot to do this.
14:51You can't forget it.
14:52You know that it's like a bike bike.
14:54You learn it once, and then you just pedal.
14:57I don't know if I can get it there.
14:59You understand that I'm a little bit of fun.
15:01That's my brother.
15:07Huh?
15:08Guys.
15:09Look how I'm going.
15:10Come on.
15:11Come on.
15:12Come on.
15:13Come on.
15:14Come on.
15:15Come on.
15:16Come on.
15:17Come on.
15:18Come on.
15:19Come on.
15:20I see.
15:21See?
15:22Yes.
15:23Yes.
15:24I see it.
15:25I see it.
15:26Yes.
15:28Yes.
15:29I've been singing a few words like James Dina.
15:31That's the English one.
15:32I don't know.
15:33Yes.
15:34I see.
15:35In Esperanza?
15:36Yes.
15:37Yes.
15:38Yes, sir.
15:39Yes.
15:40Yes.
15:41Well, I'm not sure that he was doing it before.
15:42Yes, sir.
15:43Yes, sir.
15:44Yes, sir.
15:45Yes.
15:46Yes, sir.
15:47Yes, sir.
15:48Hey, Alex, I can help you in that way, I need you.
15:51Why are you worried about Miron?
15:54Well, yesterday, when you're crazy,
15:57Miron went to eat with us and tried a little tea for prostate.
16:02That's not my mother's mother.
16:05It's like an infection.
16:07Like an infection?
16:08An infection, man, an infection.
16:09It's when you get hurt.
16:11In the whole world.
16:12Mekko Kittis is a classic man who has not had a lot of women,
16:20but he will see that problem.
16:24You can see him some women's lucky notes.
16:27I thought that I was lucky.
16:31But he's a faculty-educated man.
16:35He will never be able to do that.
16:36What do you have to know?
16:38What do you think?
16:39Listen, what's with me? I pay a woman's money,
16:42I bring me to the library,
16:43I leave it, I do, I do, I know,
16:45I know, and suddenly, and that's it.
16:46Grandiozno, grandiozno.
16:49Let's get into that name.
16:52Let's go, let's go.
16:53I'll take the mess.
16:57Do you want to tell me that they are two?
16:59Well, they are the ones who are the ones who are the one.
17:03I'm sorry, I'm sorry.
17:04I'm sorry, I'm sorry, I'm sorry.
17:06I'm sorry, I'm sorry.
17:08You will stay in our hearts.
17:10I'll take this a little bit for the prostate.
17:13I'll be better.
17:14And you two are the two brothers.
17:16Yes, yes, they are the brothers.
17:19Excuse me for a second, please.
17:23Hello, Donita.
17:24Hello, brother.
17:26Listen, for what I said, some things have changed a little bit.
17:32So we'll have to forget everything.
17:34What do we forget?
17:35You're normal.
17:36I've got five clients because I said, that's the whole night.
17:38You can't.
17:39Don't be a little.
17:40I mean, you can see the left one on the back side.
17:43I can see.
17:44What is it now?
17:44What is it now?
17:45Sister, let's go, sister.
17:48Let's go.
17:49Let's go.
17:49We're all together.
17:50Why are you doing this?
17:51You're not on my job.
17:53You don't see it?
17:54It's the one there.
17:55That's my brother.
17:56You understand?
17:56When we came to the cafe, he bought some rice.
18:00It's crazy.
18:01Frajer is happy.
18:02So we want to thank you.
18:04We don't need your services.
18:06It doesn't matter me.
18:07I'm at minus, man.
18:09What time are you at minus?
18:12I'll give you 50 euros.
18:13I know we've got 100 euros.
18:15But you don't have nothing to do with 50.
18:17You don't have anything to do with this.
18:19That's it.
18:22You know what?
18:22This is the right thing.
18:24You don't want to give it to Europe.
18:26You don't want to give it to Europe.
18:28And we'll give it to Europe.
18:30It's not the best time to die, brother.
18:32There's no better time.
18:34There's no better time.
18:35There's no better time.
18:36There's no better time.
18:37I'm sorry, lady, sister.
18:39I've come to some money.
18:41Did you get a drink?
18:42A drink?
18:43And you get a drink?
18:45You go to a drink.
18:46And you get a drink?
18:48And then we'll go to you for money.
18:51As we said, we'll drink a drink,
18:53and then we'll go to you for money.
18:54Shut up!
18:55We'll listen to the money.
18:56We'll drink a drink.
18:57We'll drink a drink.
18:58We'll drink a drink.
18:59Wait, what's going on?
19:00Let's drink a drink.
19:01We'll drink a drink.
19:04I'll drink a drink.
19:07And you'll drink a drink.
19:14What do you mean?
19:15Well, he'll drink a drink tomorrow,
19:17but I don't know him yet to speak.
19:18But it's good.
19:27Good morning, dear people.
19:29I'll drink a drink.
19:30I'll eat a drink.
19:32Come on.
19:32Let's drink a drink.
19:34Come on.
19:35Come on.
19:36Come on.
19:37Come on.
19:38You make me happy to make me a little dolly.
19:40My mother is their own.
19:42I can't take a look at them.
19:46And he's got a look at me.
19:47Thank God.
19:48Why are you laughing?
19:50I'm sorry.
19:51What are you laughing?
19:52What are you laughing?
19:53Miron?
19:55Why are you looking at me?
19:57He's not a son of a bitch.
19:59As far as I know, it's not.
20:01We were together with two kokes,
20:03and there was an accident.
20:05You know what? I don't like this.
20:07I don't like this.
20:09Because when he's located,
20:11I'll have to get out of here.
20:13And then I'll have to
20:15break the dirt
20:17and cut it.
20:19My mother...
20:21Where are you?
20:23Duna!
20:25I'm surprised I'll catch you.
20:27Wait, where are you?
20:29Where are you? You'll get 50 euros.
20:3150 euros?
20:3350 euros. The agreement was 100 euros.
20:35I'll get you 50 euros.
20:37Wait, where are you?
20:39Where are you?
20:41Mrkvice.
20:43Do you know my brother, Mirona?
20:45Now we've met.
20:47Before I know him.
20:49Mrkvice, you're so nice, Pavela.
20:51Yes.
20:52I'm ready to go.
20:53I want you to put a beer.
20:55Yes.
20:56Get out of here.
20:57Wait a minute.
20:58Wait a minute.
20:59Wait a minute.
21:00Wait a minute.
21:01Wait a minute.
21:02Wait a minute.
21:03Wait a minute.
21:04Wait a minute.
21:05What?
21:06When?
21:07When?
21:08My brother.
21:09Because I'm due to the agreement
21:10with you,
21:11I'll go for a couple of hours
21:12to drink a beer,
21:13when I'm your brother.
21:14There's a beer for me
21:15in this company.
21:16And that's stupid as a beer.
21:18Why are you nervous?
21:20Believe me,
21:22I didn't feel like this whole life
21:25I didn't feel like this evening.
21:28It's a long story.
21:30I've got time.
21:31I have time.
21:32Is it a woman?
21:34Is it a woman?
21:35It's all for me.
21:37My married brother,
21:39my, Miron,
21:42decided to engage a woman
21:45to take me.
21:46A beer?
21:47Yes.
21:48Yes.
21:49He thought I'm not capable
21:51to engage myself.
21:53Yes.
21:54He's engaged in a beer?
21:55Yes.
21:56Yes.
21:57It's stupid to tell you.
21:59I don't know.
22:01We're sorry.
22:02We're sorry.
22:03We're sorry.
22:04I'm Donna.
22:05We can drink some beer.
22:07Hey, give me 50 euros
22:09or I'll tell you all my brother.
22:10Don't be quiet.
22:11Don't be quiet.
22:12He'll be happy
22:13when he knows
22:14that you're paying me.
22:15He's not two daughters.
22:16Oh, good.
22:17Here's 50 euros.
22:18You've done a great job.
22:20You've done a great job.
22:21I'm a brother.
22:22What's your son?
22:23You've done a great job.
22:25You've done a great job.
22:26You've done a great job.
22:27I'm a professional.
22:28I've got gold hands.
22:30I know what I'm doing.
22:31Here's a dog.
22:32I've heard some gold.
22:34I've heard some gold hands.
22:36I don't know what you're doing.
22:37Really, what you're doing?
22:39She's interested.
22:40Why do you know she's interested?
22:42I told her that she was in the kitchen.
22:45She told me that she's interested.
22:48She's interested.
22:49She's a physiotherapist.
22:51Don't talk about it.
22:53You know how many problems
22:55with this lower part?
22:57She's a little bit wide.
22:58Why'd you feel who some six-year-old
23:03are you thinking about it?
23:05What's your fault?
23:06We'll be fine.
23:07I don't know.
23:08You have a ngithel?
23:09We'll ask Miron if you can.
23:10How do you know if you can.
23:11How does Miron know that you can?
23:13No.
23:14We'll ask a man.
23:15What do you think about Miron?
23:16Do I have a ngithel?
23:17I don't think...
23:18I don't think... I don't think you have anything.
23:24Stop it! How do you know everything? My idiot!
23:27I don't have anything. I'm your whole night, my mess.
23:32I'm going to eat.
23:35I'll eat them.
23:44Hey, people! Did you see that these days?
23:47I'm a disaster. I'm not nervous, I'm not nervous.
23:50This whole week is amazing.
23:52I'm not aware of it.
23:55I'm not aware of it.
23:57I'm not aware of it.
23:59I'm not aware of it.
24:01What do you have to do with your money?
24:04Nothing. I don't have anything for myself.
24:06I had to remember myself.
24:09Why did you have to remember myself?
24:11You know that your money is very thin,
24:13and his love life is very thin.
24:15How are you asking her to do what he did?
24:17What do you think about it?
24:18What do you think about it?
24:19You're a bit mad at it.
24:20It's hard to put it.
24:21It's hard to let you know it.
24:22It's hard to let you know.
24:23Well, she's hurt me, and he's turned on to her like a eagle.
24:27Just Borka, you can't say anything about this.
24:29And I have to. I have to.
24:31You know, maybe you and Emi tell me that he's nervous,
24:34but I have to do it from my life.
24:36Or do you know that I'm yesterday,
24:38and I have to do all the time to do it?
24:40Listen, this is the most important thing to tell you.
24:44You didn't say anything about this, right?
24:47I have a feeling that you started to escape.
24:53What do you want to ask her?
24:55Good, Borka, good.
24:58I'm not sure anything.
25:00What do you want to ask her?
25:02I don't know, I have a feeling that Dona started to escape me.
25:07How many? I think she has a job.
25:09Maybe, but I don't know what I'd say to you to ask why she didn't escape me.
25:14To me to ask?
25:16It's interesting to me, but...
25:19I don't know anymore. I don't really know what I'm talking about.
25:22I don't know.
25:23I don't know.
25:24Tell me, brother, what do you do with the owner?
25:26Who is poor?
25:27Borka, do you have a job in the kitchen?
25:30Wait, what kind of owner?
25:32I don't understand.
25:33Tell him how he is with the finances.
25:36Borka, the kitchen!
25:37What do you do with your financial situation with my Dona?
25:41There's no one.
25:43I mean, what would it have to do with each other?
25:46It really doesn't have any connection with me.
25:48It's true.
25:49It's true.
25:50It's true.
25:51You won't.
25:52It's true.
25:53It's true.
25:55Let's go, let's go.
26:25Let's go, let's go.
26:55Let's go, let's go.
27:25Let's go, let's go.
27:55Let's go, let's go.
28:25Let's go, let's go.
28:27Let's go, let's go, let's go.
28:31Kifla, let's go, let's go.
28:37Let's go.