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  • 5/25/2025

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00:00The End
00:30It's cold.
00:32Could you go inside?
00:36Let's go inside.
00:52Did you see him?
00:54He says he's on the ground with a double-check.
00:58We'll have to go back to North America again.
01:02You've pushed him.
01:06As I know, there's a legal solution for such things.
01:09Your brother can be looking for assistance.
01:12It's possible.
01:14But things have been developed in the next day
01:16as no one expected.
01:18When he woke up a few days ago,
01:21Miran was totally shocked.
01:23I'm full of shock.
01:24My mother, I don't need to fall.
01:27What kind of thing?
01:29My son will pay for it.
01:36No!
01:38It's not clear if I don't start with the story from the beginning.
01:43You will find myself beyond the story of Manu.
01:46But some of the incidents have happened.
01:48Everything is inside of me when I was shooting for the film.
01:51I mean paying everything for my money.
01:53I think I should be in this room.
01:55It's a right style.
01:56Don't give it to me.
01:57Let's take a look at some of the expenses.
01:59Mr. Dan Deje.
02:01I pray?
02:03For the 10th month, the day is paid.
02:05And I pray that for my everyday work,
02:09you pay me 200 euros.
02:11How many days are you?
02:13Yes, yes, yes.
02:15It's like I've paid you yesterday.
02:17Why did you not pay for the bank?
02:19I don't know how many hours.
02:21I'll pay my mother for the money.
02:23Get out of here 100 euros and get out of here.
02:25There's no hours!
02:26Where are you?
02:27Where are you?
02:28I'll pay you.
02:29I'll pay you.
02:30I'll pay you.
02:31I'll pay you.
02:32I'll pay you.
02:33I'll pay you.
02:34Who will pay you?
02:35Mr. Dan, don't worry.
02:37I'm waiting.
02:47What?
02:48There's no one.
02:51I'm coming to Plinkovs.
02:52Yes, it was a while.
02:54It's not just a time left.
02:56Who?
02:57Nine of them to pay the budget.
02:58What did you say?
02:59Nine of them, he said.
03:00I'll pay you.
03:01I don't know if you know.
03:02I'll pay you to use someza car.
03:04I'll pay you for something .
03:05It's always at the door.
03:06That's mine.
03:07It's a bad thing.
03:09Who did you say?
03:10On a case of the budget.
03:11I'll pay a minute.
03:12Excuse me, just a second.
03:14Mirone!
03:15Come on!
03:17What happened?
03:18It's over, Plin.
03:20What do you think you're paying for this month?
03:22Well, you're paying for it, it's not normal.
03:24You're paying for me while I'm looking for inspiration.
03:26You're paying for it, and you're paying for Plin.
03:28I'm paying for Plin.
03:29Where are Plin?
03:30Where are you, Plin?
03:31Where are you, Plin?
03:32Well, that's a good one.
03:33One of the worst.
03:35One of the worst.
03:36One of the worst.
03:37One of the worst.
03:38One of the worst.
03:39One of the worst.
03:40What did you say?
03:41Let me get it.
03:42Let me get it.
03:43Come on, I'm going.
03:44Okay.
03:45Come on.
03:46Come on.
03:47Come on.
03:48Come on.
03:49Come on.
03:50Come on.
03:51Come on.
03:52Come on.
03:53Come on.
03:54The comfort is a home.
03:56You're paying for me, what will I do?
03:59You'll pay for it.
04:00I can't pay for it.
04:02Okay.
04:03Wait.
04:04What are you doing now?
04:07I'm going to get a mortgage.
04:09I got the mortgage.
04:10I'm just a poor board owner.
04:11You just lost.
04:12You're like that attorney.
04:13I can't even tell you.
04:14I'm fine.
04:15No, I'm fine.
04:16But you're paying for that once.
04:17You're paying for it?
04:18At first.
04:19You're paying for it.
04:20That's the same thing.
04:21I'm paying for it.
04:22I'll pay you for it.
04:23Okay, I'll pay you for it.
04:24I'm sorry, I'm not going to die.
04:26I'm not going to die.
04:31Miron is dead in your life.
04:33I'm afraid to come back.
04:35I'm waiting for you to get the first step.
04:37I'll try to get the first step.
04:39I'll take the record and go to the EC.
04:44How did I just call it?
04:46Oh, it's Jesse Kifla.
04:49Jesse, Miron.
04:50What's going on?
04:52Yes, what's going on?
04:54I'm sorry, our mother, my mother, my mother will get me to the grave.
04:57Mother, I'm going to take the record out of the house.
05:00She didn't take the record out of the house, dear.
05:02She was not in the basement, she was going to get the record.
05:05A day, she lost five thousand dollars for a cup.
05:10You're the same.
05:12Mother, you're the same.
05:13You're the same.
05:14She's a good person.
05:15You're the same.
05:16I'm going to take the record out of the house.
05:18God, I'm going to take the record out of my house.
05:19How are you, dear, when I'm not on the job?
05:21I don't have a job. I was on the initiative of young people, but nothing.
05:25You don't need to go on the initiative, you need to take the initiative, understand?
05:29You have to want something to do in your life.
05:32You remember when you were young?
05:34I remember.
05:35Did you ask Kifla what would you like to be when you grow up?
05:39What did you say?
05:40What did I say? I said to him again.
05:41I sat in front of the room, I didn't hear anything.
05:43No matter what, he said again.
05:45He said, Kifla, what would you like to be when you grow up?
05:49What did you say?
05:51Pekar.
05:52Pekar.
05:53Pekar.
05:54I have my own Pekar.
05:57A French Pekar.
05:59You know that nice croissant.
06:01Papereci.
06:02Then Kifla.
06:04Tight, weak, small, small.
06:06Sweet ones.
06:08All of them, all of them.
06:10Then all of them would be like a mess.
06:14Like a marble, like a wood.
06:17Let's go, let's go.
06:20What did you open the door?
06:22How sweet to open my own Pekar?
06:25How sweet to open my own Pekar.
06:26I didn't have a lot of money in my life.
06:28I'm not even spending money in my own.
06:29I'm doing it in my own bank.
06:30I'm going to pay for the rest of my family.
06:32And I'm going to pay for the rest of my own Pekar.
06:33I'm going to pay for the rest of my Pekar.
06:34From that point, I'm going to pay for the rest of my Pekar.
06:35How much does it cost to get out of my French fries?
06:3820 miles, no francs, euros.
06:42Kifla, I think that I know how you'll get to eat and get out of your life.
06:49I'll tell you.
06:55Say tragic.
06:57Tragička.
06:58There's another one.
07:00I'm going to give you some good news.
07:03It could be a bad news.
07:05And what could be a bad news from the account?
07:08Well, to get two accounts.
07:15The account of the internet is number one.
07:20Mother, dear.
07:24You're here.
07:25What are you looking for?
07:26Look at this.
07:27Well, the account for the internet.
07:29Look at the number one.
07:31What do you pay?
07:33I pay for it.
07:35You download the whole world porn production.
07:38I won't pay what you do.
07:40Listen, Buras.
07:41What do you do?
07:42You understand?
07:43The internet, your life, operations.
07:45I won't go with you.
07:47I'm not going to talk to you.
07:49I have a relationship with an avion carrier.
07:51What an avion carrier?
07:53The fish looks like an avion.
07:55You know what?
07:56Then fly and fly.
07:57Then fly.
07:58Then fly.
08:00Then fly.
08:01Then fly.
08:02Then fly.
08:03Then fly.
08:04Then fly.
08:05Then fly.
08:12What did you fly?
08:13On my account, you fly.
08:15Now I'm going to buy you.
08:17Then you'll buy you.
08:19Then you'll buy you.
08:21Now I'm going to buy you.
08:22You'll buy you.
08:23Now I'm going to buy you.
08:24That's not least for the money to buy us.
08:25I mean, you know, we're going to buy you.
08:26The money to buy you.
08:27Well, you see the money to buy you.
08:28Mother, you are the most expensive.
08:3020 miles.
08:31Jau.
08:32Put brodat, stisnu se kod zadnji pakaš.
08:34Epa, nećemo tako lino.
08:36Nećemo tako.
08:38It's about 20 miles.
08:42Jau.
08:44It's full of brodas.
08:46It's like the last package.
08:49We won't do it like that.
08:52We won't do it like that.
09:01I don't know how we had a nice evening.
09:04We drank wine.
09:07Maybe we could go to my house.
09:10Let's listen to the plot.
09:12Yes.
09:13And the plot, and the CD, and the MP3, and the USB.
09:18What if not?
09:20I've lived.
09:22What if not?
09:23I'm sorry.
09:28The wine is excellent.
09:29It's excellent.
09:31It's a great wine.
09:33It's a great wine.
09:35It's a great wine.
09:36I've heard that.
09:37Let me know.
09:38Let me know.
09:39I'll give you another wine.
09:40I'll give you another wine.
09:41I'll give you all the money.
09:42I'll pay all the money.
09:43Children, enjoy it.
09:47What's this?
09:48I'll give you another wine.
09:49I'll give you another wine.
09:50Hi, Dad.
09:51I'll give you another wine.
09:52No, just give it to him.
09:56Oh, doctor, just know how I've been enjoying a couple of days.
10:02Listen to you, Borka.
10:04Now I've been there, she's black.
10:08I mean, I'm going to get out of her.
10:10I'm going to get out of her.
10:12I'm going to get out of her.
10:14You two are so young.
10:16I'm going to get out of her.
10:18I'll get out of her.
10:20I'm going to get out of her.
10:22Why are you talking about it, Mirone?
10:24I'm talking about what I'm talking about.
10:26Yes.
10:27I just wanted to thank Borka.
10:30At the last time, she keeps holding her home.
10:34I'm holding her?
10:36Yes, yes.
10:38As long as I decided,
10:40there is a bonus for 100 euros.
10:44That's 100 euros.
10:46100 euros.
10:48It's a small stimulus for everything you did in the last week.
10:51And I'm going to thank you again, Borka.
10:53Thank you very much.
10:54If you want to do this, it will be more bonus.
10:57Thank you, Borka.
11:01What's your name?
11:03Why not?
11:04Let's try to win.
11:08Oh.
11:09Pa, Pursuza.
11:10Oh, thank you.
11:11I'm going to get out of her.
11:12I have no idea that I'm going to get out of my hand.
11:14I know, I'm going to take out of my hand.
11:16I'm going to count as a 20 cash and a 20 cash.
11:17But a lot of money is going to get out of my hand.
11:18But if you will get out of my hand.
11:19Well, I can't afford it.
11:20Is it an easy one?
11:21Let's get out of my hand.
11:22It's an easy one.
11:23Yes, we will get out of my hand.
11:24You can't be sure about it.
11:25Come on, let's go, let's go, let's go.
11:27All right.
11:28Mr. Pune.
11:29All right.
11:30By the way, I've got my life.
11:33Bye-bye.
11:40How good is that.
11:42It's as if it's for you.
11:44How much does it cost?
11:46690.
11:47Just a little bit.
11:48Seven heads.
11:49It's increased.
11:50It's about 750.
11:51Yes, it's increased.
11:52No, no, thank you.
11:53I don't understand, but it's already paid.
11:55How do you think it's paid?
11:57When you were in the office, the captain was paid.
11:59Who's the captain?
12:00That's the one there.
12:01You don't need to worry. Thank you.
12:14Borka, please, do you want to break the paper or read the news?
12:19Yes, it's hard.
12:21You don't have to read the paper or read the paper or read the paper.
12:25I've read the paper or read the paper or read the paper.
12:28My mother, I'll never understand you.
12:31Or better, I'll never understand you.
12:34Why do I always suffer?
12:36And why do I need to open the door?
12:38You know what?
12:39I'm not here to be a butler and to wait for guests.
12:43That's right.
12:44That's right.
12:45That's right.
12:46She's totally right.
12:47She's not expecting her to do anything that's not in the description of her work.
12:51Wait, do you see her?
12:53No.
12:54But I have a solution.
12:56Borka,
12:59here's 20...
13:00No.
13:01Here's 50 euros.
13:02Let's open the door.
13:0450 euros.
13:0550 euros?
13:0650 euros.
13:07Yes.
13:0850 euros.
13:09Let's open the door.
13:10Well, I don't want to open the door for 50 euros.
13:13I'll show you who is in front of the door.
13:15I'll show you who is from the room of the English king.
13:20Thank you, Borka.
13:21That's right.
13:22Listen, look.
13:23You're a little strange, you know?
13:25You're a little bit bigger than that.
13:28I don't know where you are.
13:29What is it?
13:30You're a little bitch.
13:31You're paying a lot of wine.
13:33You pay a lot of wine.
13:36Where are you?
13:37I'm a problem with respect to your parents.
13:40I'm like a man.
13:41I'm not like you.
13:42I don't think I'm a lot of money.
13:44I'm crazy.
13:46I'm crazy.
13:47In my opinion, you're like six dollars.
13:48I don't know what you are, but you're going to get outside.
13:50But I'll finish it.
13:53His Excellency, Kifla, the first.
14:00Greetings, people.
14:02Greetings, Kifla.
14:05You look like it's been a long time ago.
14:08You know what? It's not my fault.
14:10I'm sorry, but I have to tell you this.
14:13When I look at your relationship with her,
14:15you're a very liberal.
14:17What do you mean?
14:18You say Kifla, but he's brought it to me.
14:20I've found a space.
14:22For Pekar.
14:24What is Pekar?
14:25Kifla, the first and friends company,
14:29part of this building,
14:31development.
14:33Wait a minute, Kifla with two F?
14:35Two F sounds like flamands.
14:38You know what the space is?
14:40Four square meters, but you know how to organize it.
14:43Wait, you really open Pekar?
14:45I open, dear.
14:46That's my life.
14:47That's my life.
14:48That's right.
14:49Where are the money?
14:50The money is higher than people.
14:52What are the money?
14:54What are the money?
14:55The money that I gave, you understand?
14:56I'll find it for Pekar.
14:57I'm going to give you a cup.
14:59I'll show you the space.
15:00I'll leave you a little bit more than you.
15:06Wait.
15:07What are the money?
15:08Your money is for Miron.
15:09Yes.
15:10I'm going to buy 20,000 euros
15:12and I'll find my money.
15:14Where are the money?
15:15Where are the money?
15:16I'll tell you.
15:17I'll tell you.
15:18Some day in the library, Miron,
15:19this is my life.
15:20And he'll tell me
15:21that we'll get to the amount of money.
15:22For extra money,
15:23we'll get to the amount of money.
15:25Kifla,
15:27I think
15:28I think
15:29that I know
15:30how you can easily get to the money.
15:31You know
15:32to establish what is your dream.
15:33What do you think?
15:34You see?
15:35That's the one who sits there.
15:37Mr. Jose.
15:39We had an episode with him.
15:41He's a full of bread
15:43and give you a cup.
15:44I won't take a cup.
15:46You have to establish your own cup.
15:48You won't live like Tutankamun.
15:50You'll hear
15:51when you won't.
15:52You're going to be a cup.
15:53You're going to be a cup.
15:54You're not going to be a cup of Josea.
15:56I'm not.
15:57No,
15:58I don't want to see you!
15:59You know what?
16:00You know what he called Josea Anatomija?
16:01I know.
16:02I'm talking to you personally.
16:03He writes about 206 lbs.
16:16It's just that moment.
16:18We all go.
16:19You'll see
16:21206 lbs.
16:22You'll have all of us
16:23to return
16:24all the amount of
16:25all the sevens.
16:27206 sevens.
16:29Since my middle name is Anatomy,
16:31there are 26 bones in human body.
16:34Did you know that?
16:36No.
16:37If you break one seven,
16:39I'll break it up in one bone.
16:42Did you understand?
16:43There's no problem,
16:45no need to be a jerk.
16:47206 sevens,
16:49to be able to return all this well with the sevens.
16:51Is that a total?
16:53Here we go.
16:55My mother, you two are not normal.
16:57Do you know who he is?
16:59He's a liar,
17:01he's a liar,
17:03he's a liar,
17:05he's going to kill you.
17:07Don't be afraid.
17:09He's a good business.
17:11People need bread and bread.
17:13There's no food.
17:15There's no food.
17:17There's no food.
17:19There's no food.
17:21There's no food.
17:23There's no food.
17:25Your love is not.
17:27You're a liar.
17:29You're a liar.
17:31Why are you going to kill me?
17:33Why did you kill me?
17:35Why did you kill me?
17:37Why did you kill me?
17:39I took a lie.
17:41You took a lie?
17:42I thought I was a liar,
17:43but I wanted to take a lie.
17:45That's right.
17:46Look at that, my mother.
17:48You're not normal.
17:49I don't know where the idea is that I have this lie.
17:52Don't be afraid.
17:54I'm paying for the money.
17:55Don't be afraid.
17:56I'm going to be afraid of everything.
17:58I'm left here.
18:00I'm behind the fence.
18:01Sorry.
18:02Oh, your father, my brother, I'm a hungry man.
18:04I've been already a monster.
18:05I knew what I can't handle.
18:06I know I can't handle this.
18:07You know how I'm an answer.
18:08Guys!
18:09There are no food.
18:10You're not.
18:11Here for us.
18:12I'm not trying.
18:13But I can't go to this problem again.
18:15I can go to this place.
18:16That's right, boys, my mother...
18:18There are no food.
18:19I'm left here in these books.
18:21There?
18:22I know for other books.
18:23No, it's not here.
18:25There's no food.
18:26There's no food.
18:27There's no food.
18:29I don't know what to do.
18:31I don't know what to do.
18:33I don't know what to do.
18:35I don't know what to do.
18:37I'm a potential victim of physical violence.
18:41I'm a dead man.
18:43I'm a dead man.
18:45I'm a dead man.
18:47I'm a dead man.
18:49We have to tell you who took the loo.
18:51Maybe Borka is seeing how she was drinking the juice.
18:53Maybe Borka is being burnt.
18:55She saw loo and took the loo.
18:57There's no chance.
18:59If you want something to hide from Borka,
19:01put it in the prison.
19:03There's no theory that she's burnt the juice.
19:05Maybe you saw it when you put the loo
19:07and then she took it.
19:09We can't.
19:11We have to have valid evidence
19:13that we could judge her.
19:17I don't know who took it,
19:19but I know who knows who took it.
19:21Who?
19:23I know you can go.
19:25I'll go.
19:27I know you can get it.
19:29I know you can go!
19:31I know!
19:32Hey!
19:33Hi, guys.
19:34I'm not sure.
19:35I'm gonna try to say something.
19:37I'm just going to say something.
19:38What?
19:39I'm just going to say something.
19:40Your maestro is coming.
19:42I'm just going to say something.
19:44206.
19:45There's going to be a question.
19:46So, someone took a bait from Tolstoy and you think that I know who is.
19:53Listen, you ramba!
19:55You're sitting there all day and watching what's happening inside.
20:00You're sure you saw who is a bait?
20:02Maybe I saw it.
20:03I'd say who is, if you know who is.
20:06If it's not bad.
20:07It's not bad.
20:09I'll tell you, Rado.
20:11But...
20:12What?
20:13Only in the circumstances.
20:15I'll give you information, and you're me in the evening.
20:18You'll be full of a pension.
20:20Dorchak, Ručak, Suho, Obrok, Marijandu, Lanč, Makijet.
20:24Just tell us, 206, the little Kosti is here.
20:29I won't do the evening with Kosti.
20:31I'll do the evening with Miron.
20:32I'll do the evening with Miron.
20:35Oh, shit.
20:37Miron, don't give me a gun.
20:39I'll bring the evening with me.
20:41I won't.
20:43You, Brkovi.
20:46You're so...
20:48... intriguing.
20:50I'll do the evening with you.
20:52I'll do the evening with me.
20:55And now we'll be doing your own.
20:59Where are you?
21:01Where are you from?
21:02I'll tell you.
21:04When you drink another bottle of wine.
21:06No, no, no.
21:08And this one is more than I would be.
21:10Not too much.
21:11Not too much.
21:14Do you want to bring another drink of wine?
21:17What do you mean? That Nina is cold, isn't it?
21:21She is stupid as a gaffer.
21:24Every one on one.
21:26Why are you laughing?
21:28God, I think it's good that it's good that it's good.
21:31It's good that the cici, the stips with Mirna,
21:34will be able to drink it, and then he will be able to do it.
21:39I don't want to drink it.
21:41I don't want to drink it.
22:00Where are you so long, Brkice?
22:03What's wrong with you?
22:05We drank two beers of wine in the evening.
22:08Now tell me where he is.
22:10Okay.
22:12We'll get back one more time and everything will tell you.
22:15Let's go.
22:17Let's go.
22:19For us.
22:21For us that we will never die in life.
22:25Let's go.
22:26Let's go.
22:27Let's go.
22:28Let's go.
22:29Let's go.
22:30Let's go.
22:31Let's go.
22:32Let's go.
22:33Let's go.
22:35Let's go.
22:36Let's go.
22:37Let's go.
22:38Let's go.
22:39How many times have I been told you?
22:40Excuse me, I am a little bit.
22:42Excuse me.
22:43Okay.
22:44Wait, what do you think? I don't know where she is.
22:48Of course, nobody has taken it.
22:51I don't understand you, Ali, I don't understand.
22:54And I don't understand you!
22:56Did you get all this wine?
23:00Let me get a cup of tea and tell me where she is.
23:03What is she?
23:05I won't pay you, I won't pay you.
23:08Let me pay you!
23:13When did you see me?
23:15Dear friends, we have taken all the books.
23:17Where am I going?
23:19Calm down, calm down.
23:21We will never find a book.
23:24Sorry, I know I'm tired.
23:27I ask you a test.
23:29But where am I going?
23:31Where am I going?
23:32Here, in the car.
23:34Here, go.
23:36Thank you so much.
23:38I will not hurt you.
23:43Did you call it?
23:44Yes.
23:45Yes.
23:46Let's go home.
23:47Home?
23:48Home?
23:49It's hard.
23:50It's hard.
23:51It's hard.
23:52It's hard.
23:53It's hard.
23:54It's hard.
23:55It's hard.
23:56It's hard.
23:58It's hard.
23:59It's hard.
24:00I will not be afraid of you.
24:01I will not know what you want.
24:03You know what you mean.
24:04You know what you mean.
24:05Tomorrow will be clear.
24:06All right.
24:07Let's go.
24:08What?
24:09Why is this trauma, dear?
24:13Because it's a stipsy.
24:15It's a stipsy.
24:16It's hard to do it.
24:17Well, it's hard to do it.
24:19Let's get rid of these books.
24:21Let's get rid of these books as well.
24:23When I understand that this is not yours,
24:26it's yours.
24:27I have to be afraid to react and improvise.
24:29But it's all made up.
24:30Do you know?
24:31Do you want to drink?
24:32Yes.
24:33Let's go.
24:34Let's go.
24:35Let's go.
24:36Let's go.
24:37Let's go.
24:38Let's go.
24:39It's the end of the day.
24:4230 years.
24:44We are waiting for this.
24:47What will the night be?
24:53Shag.
24:56You can't go straight line.
24:59You can't go straight.
25:02You can't go straight.
25:04You can't go straight.
25:06You can't go straight line.
25:09You can't go straight line.
25:12You can't go straight line.
25:19She'll tell you where she's going.
25:31No!
25:33No!
25:34No!
25:35No!
25:36No!
25:37No!
25:38No!
25:39You!
25:40I!
25:41Where are we?
25:42My fault.
25:43We're so crazy.
25:44I'll tell you everything.
25:45I'll tell you everything.
25:46I'll kill you.
25:47No!
25:48No!
25:49No!
25:50No!
25:51No!
25:52No!
25:53No!
25:54No!
25:55No!
25:56No!
25:57No!
25:58No!
25:59No!
26:00No!
26:01No!
26:03No!
26:13I lost it.
26:15Stay ah!
26:16Right.
26:17Hey he go!
26:18Hay he off!
26:19Pow!
26:20That's for a time!
26:21They abstracted!
26:22I found that when she was home for us to go!
26:23Say!
26:24I don't know where she is.
26:26The lady Nina is with the lady Miran.
26:30The man is a man.
26:32Alex!
26:34I'll get you up!
26:36You're going to get me!
26:38Get up!
26:40Get up!
26:42I'm not going to get up!
26:44I'm not going to get up!
26:46I'm not going to get up!
26:48I'm not going to get up!
26:50Get up! Get up!
26:52Get up!
26:57I'm not going to get up!
26:59Oh, what a good thing!
27:04How all looks different from the other side of the building.
27:08Have you noticed, Mr. Borak?
27:10I have to tell you,
27:13you're looking at the house when you're on the other side.
27:16Yes, yes, yes.
27:18You have a loud voice.
27:20What do you mean?
27:22Kokolo, kokolo, kokolo, my.
27:24You're only my.
27:26Kokolo.
27:27Kokolo, kokolo.
27:29Kaza?
27:30Yes.
27:31Do not me.
27:32I will not.
27:41I'm not an exhibitionist.
27:42I am the ordinary people of Europe.
27:43I care for the people of Europe.
27:46They are paying.
27:48I have expected to force my brother to punish him.
27:52What?
27:53I don't want to kill him, I don't want to kill him as he was killed in the people's songs.
27:59You know what, when he killed his mother.
28:01I just wanted to kill him instead of his mother.
28:05Give me a break, we can't do it without him.
28:07He's got some problems, he'll do it now.
28:10That's how it started. First of all, he started to kill him, then the band fell down to the top of his popularity.
28:16No, no, no. We can only kill him if there's a chronic pain.
28:23No, no.
28:29Jess Miron, are you all right?
28:31Jess Buraz, you're cold.
28:36You're not going to kill him?
28:39You're not like a young man who doesn't know how to kill the blood.
28:46I'm not going to kill him.
28:48I'm not going to kill him.
28:50Let's get rid of this negative energy.
28:52One, two. One, two, three, four.
28:56One, two, three, four.

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